Bride And Groom Quotes

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The king lifted a hand to her cheek and kissed her. It was not a kiss between strangers, not even a kiss between a bride and groom. It was a kiss between a man and his wife, and when it was over, the king closed his eyes and rested his forehead in the hollow of the queen's shoulder, like a man seeking respite, like a man reaching home at the end of the day.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
The groom always smiles proudly because he's convinced he's accomplished something quite wonderful. The bride smiles because she's been able to convince him of it.
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
Weddings are never about the bride and groom, weddings are public platforms for dysfunctional families.
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
Hollywood brides keep the bouquets and throw away the grooms.
Groucho Marx
Men, you'll never be a good groom to your wife unless you're first a good bride to Jesus.
Timothy J. Keller
ITS NOT FUNNY!" "You're right," agreed Sydney. "It's no funny. It's hilarious." We were back at Raymond's house, in the privacy of our room. It had taken forever for us to get away form the fireside festivities, particularly after learning a terrible fact about a Keeper custom. Well, I thought it was terrible, at least. It truned out that if someone wanted to marry domeone else around here, the prospectimve bride and groom each had to battle it out with the other's nearest relative of the same sex. Angeline had spotted Joshua's interest from the moment I'd arrived, and when she'd seen the bracelet, she'd assumed some sort of arragement has been made.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
As Patron-Sponser, I am charged with..."-he pasued and consulted the notes-"adding a sense of royal cachet to proceedings today." He waited while a ripple of conversation ran around the room. Nobody was quite sure what adding a sense of royal cachet really meant. But everyone agreed that it sounded impressive indeed. Lady Pauline's mouth twitched in a smile and she looked down at the table. Halt found something of vast interest in the ceiling beams high above. Duncan continued. My second duty is..."-again he consulted his notes to make sure he had the wording correct-"to provide an extremly expensive present to the bride and groom..." Lady Pualine's head jerked at that. She leaned forward and turned to make eye contact with Lord Anthony. The Chamberlain met her gaze, his face completely devoid of expression. Then, very slowly, one eyelid slid down in a wink. He liked Lady Pauline and Halt a great deal and he'd added that duty without consulting them.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Marriage to the groom does not means that his heart belongs to the bride.
Dennis E. Adonis
What kind of wedding do you want?" "The one with a groom.
Jude Deveraux (True Love (Nantucket Brides, #1))
Me?" he said in some surprise. "I won't be dancing! It's the bridal dance. The bride and groom dance alone!" For one circuit of the room," she told him. "After which they are joined by the best man and first bridesmaid, then by the groomsman and the second bridesmaid." Will reacted as he had been stung. He leaned over to speak across Jenny on his left, to Gilan. Gil! Did you know we have to dance?" he asked. Gilan nodded enthusiastically. Oh yes indeed. Jenny and I have been practicing for the past three days, haven't we, Jen?" Jenny looked up at him adoringly and nodded. Jenny was in love. Gilan was tall, dashing, good-looking, charming and very ammusing. Plus he was cloaked in the mystery and romance tat came with being a Ranger. Jenny had only ever known one ranger and that had been grim-faced, gray-bearded Halt.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
The husband is the head of the wife just in so far as he is to her what Christ is to the Church - read on - and give his life for her (Eph. V, 25). This headship, then, is most fully embodied not in the husband we should all wish to be but in him whose marriage is most like a crucifixion; whose wife receives most and gives least, is most unworthy of him, is - in her own mere nature - least lovable. For the Church has not beauty but what the Bride-groom gives her; he does not find, but makes her, lovely. The chrism of this terrible coronation is to be seen not in the joys of any man's marriage but in its sorrows, in the sickness and sufferings of a good wife or the faults of a bad one, in his unwearying (never paraded) care or his inexhaustible forgiveness: forgiveness, not acquiescence. As Christ sees in the flawed, proud, fanatical or lukewarm Church on earth that Bride who will one day be without spot or wrinkle, and labours to produce the latter, so the husband whose headship is Christ-like (and he is allowed no other sort) never despairs. He is a King Cophetua who after twenty years still hopes that the beggar-girl will one day learn to speak the truth and wash behind her ears.
C.S. Lewis (The Four Loves)
OK, now let’s have some fun. Let’s talk about sex. Let’s talk about women. Freud said he didn’t know what women wanted. I know what women want. They want a whole lot of people to talk to. What do they want to talk about? They want to talk about everything. What do men want? They want a lot of pals, and they wish people wouldn’t get so mad at them. Why are so many people getting divorced today? It’s because most of us don’t have extended families anymore. It used to be that when a man and a woman got married, the bride got a lot more people to talk to about everything. The groom got a lot more pals to tell dumb jokes to. A few Americans, but very few, still have extended families. The Navahos. The Kennedys. But most of us, if we get married nowadays, are just one more person for the other person. The groom gets one more pal, but it’s a woman. The woman gets one more person to talk to about everything, but it’s a man. When a couple has an argument, they may think it’s about money or power or sex, or how to raise the kids, or whatever. What they’re really saying to each other, though, without realizing it, is this: “You are not enough people!” I met a man in Nigeria one time, an Ibo who has six hundred relatives he knew quite well. His wife had just had a baby, the best possible news in any extended family. They were going to take it to meet all its relatives, Ibos of all ages and sizes and shapes. It would even meet other babies, cousins not much older than it was. Everybody who was big enough and steady enough was going to get to hold it, cuddle it, gurgle to it, and say how pretty it was, or handsome. Wouldn't you have loved to be that baby?
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
The end of a wedding reception is always so depressing. And only the bride and groom are spared, jetting off into the sunset while the rest of us wake up the next morning to just another day.
Sarah Dessen (This Lullaby)
Dear friends,” Kai began, “we are gathered today to witness and to celebrate the union between Wo—er, Ze’ev Kesley and Scarlet Benoit. Though we are a small gathering, it’s clear that the love we feel for this bride and groom would span to Luna and back.
Marissa Meyer (Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles, #4.5))
If we hear, in our inner ear, a voice saying we are failures, we are losers, we will never amount to anything, this is the voice of Satan trying to convince the bride that the groom does not love her. This is not the voice of God. God woos us with kindness. He changes out of character with the passion of his love.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
Oh, I can see it happening, age after age, and growing worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can't follow. It would be far better for us if you were foul and ravening. We'd rather you drank their blood than stole their hearts. We'd rather they were ours and dead than yours and made immortal.
C.S. Lewis (Till We Have Faces)
Shelby handed off her bouquet and faced Luke, taking both his hands in hers. And she began: “Luke, I love you. I promise that each day I have you in my life, I will show you my love.” Noah's eyes drifted to Ellie's and a smile played about his lips as the bride and groom spoke. “Shelby, I love you. In each day of our lives together, I will show my love. And where there is injury, I will pardon without hesitation.” “Where there is doubt, Luke, I will have faith in you.” “In times of despair, you will be my hope.” “In times of darkness, I will find my light in you.” “When there is sadness, let me bring you joy.” “Luke, I will not so much seek to be consoled as to console.” “I will seek to understand, not just to be understood.” “I will love, not just crave love.” “I pledge you my heart, my life.” “And I pledge mine to you.” “I, Luke Riordan, take you, Shelby MacIntyre, to be wife, my best friend, my lover, my partner, the head of my family and other half of my heart. Forever.” He slid a ring on her finger. Shelby slid a ring onto his finger. “I, Shelby MacIntyre, take you, Luke Riordan, to be my husband, best friend, lover, partner, head of my family and other half of my heart. Forever.
Robyn Carr (Forbidden Falls (Virgin River, #8))
Well, that was a beautiful wedding," Beezle said. "The bride has spider goo in her hair and the groom smells like sulfur. the parking-lot-in-front-of-the-burning warehouse location leaves something to be desired, and there was a distinct lack of refreshments, but otherwise, just lovely.
Christina Henry (Black Howl (Black Wings, #3))
Frozen in time, captured in memories, filled in passion, she melted in love before his eyes.
Luffina Lourduraj
Never my favorite part of the night, the bride and groom smearing cake on each other's face.I'm with Frankie; it can't be an auspicious start.
Melissa Jensen (The Fine Art of Truth or Dare)
Sexual intimacy is a relationship, not just body parts coming together. The more comfortable you are with each other outside the bedroom; the easier it is to relax and the sweeter the intimacy!
Ngina Otiende (The Wedding Night: Embracing Sexual Intimacy as New Bride)
He told me yesterday that weddings should be individual celebrations of a couple’s relationship, ideally with just the bride and groom and a humanist minister. Everything else is merely social pressure to eat tiny cakes.
Hester Browne (The Honeymoon Hotel: escape with this perfect happily-ever-after romcom)
Every bride and groom in the history of civilization has gained weight after their wedding day. It is only a matter of time until archaeologists unearth a married caveman who's wearing a pair of old tux pants that were so tight he couldn't get the zipper closed.
Peter Scott (There's a Spouse in My House: A Humorous Journey Through the First Years of Marriage)
I need to leave something behind. Something that will stay. This room should be a historical landmark, the site of the beginning and end of Colby and Bev. Several minutes have passed, and I know that if I wait too long there will be a knock on the door and I'll have to go, but I need to leave a mark. It has to be significant enough to last, but subtle enough that the maid won't notice and wash it away. As I'm looking around I realize that I never noticed the print above the bed. It's another in the family series - a faded wedding portrait. Groom in tux. Bride with pearls. It comes off the wall easily.I set the print on the bedspread and wit eht dust on the wall with the sleeve of my hood. I take out a Sharpie from my bag. The wall has yellowed to create a perfect rectangle where the photograph must have been hanging, unremoved, for years. I fill the whiter space with this: I never got to tell you how beautiful you are. And then I return the frame to its place on the wall and go back out into the night.
Nina LaCour (The Disenchantments)
A beautiful woman should always have at the back of her mind that her ravishing appearance is only an ephemeral quality. When she wakes up in the morning, looks into the mirror, and notices that something is fading away, she knows that the time is ripe for marriage. She should be careful of who she takes into her life because the union is gonna be everlasting.
Michael Bassey Johnson
Happy smiles were shared between the bride and groom, but it was the cake their guests remembered - the vanilla custard filling, the buttercream finish, the slight taste of raspberries that had surely been added to the batter. No one brought home any slices of leftover cake to place under their pillow, hoping to dream of their future mate; instead, the guests… ate the whole cake and then had dreams of eating it again. After this wedding unmarried women woke in the night with tears in their eyes, not because they were alone, but because there wasn't any cake left.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
May the saddest day of your future be no worse than the happiest day of your past. May your hands be forever clasped in friendship, and your hearts joined forever in love. To the bride and groom.
Tracy Brogan (Hold On My Heart)
Yes.” She sighed again, with even more drama, not that Gregory would have imagined it possible. “It is all so romantic,” she added. “The bride, the groom…” “Both are considered standard in the ceremony, I understand.” His mother shot him a peevish look. “How could I have raised a son who is so unromantic?” Gregory decided there could not possibly be an answer to that.
Julia Quinn (On the Way to the Wedding (Bridgertons, #8))
A group of little creatures is coming up the walk. A pirate, a dinosaur, two fairies, and a bride. Why is it that you never see a kid dressed as a groom on Halloween?
Laurie Halse Anderson (Speak)
He wiped his thumb across the trail of her tears. “If I could, I would get the whole world for you.
Jody Hedlund (A Noble Groom (Michigan Brides, #2))
Seriously, why was it tradition to stand when the bride came in? It blocked her from seeing her groom, who was the only reason she was there in the first place.
K.R. Grace (The Phoenix (Daughters of Destiny #4))
It occurred to Gavin that the first thought a groom had upon spying his bride shouldn’t be to wonder whether or not she wore knickers.
Kerrigan Byrne (The Scot Beds His Wife (Victorian Rebels, #5))
Relationship ties heart of two souls eager to fly freely soaring to sky feats in full-fledged wings unrestrained passions to a realm in which both remain invisible.
Rajesh Nanoo
All weddings... It never changes, when the groom lifts the veil, when the bride accepts the ring, the possibilities you see in their eyes, it's the same around the world. They truly believe their love and their marriage is going to break all records.
Mitch Albom (The Five People You Meet in Heaven)
Maybe it was pathetic, but he wanted to live in a world where brides-to-be only had sex with their grooms-to-be and vice versa. Besides, large groups of horny women were terrifying. You couldn't defend yourself against them, and their nails were sharp.
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
It was, unbelievably, not the most depressing thing we had ever seen: a bride, ripped from her own wedding, separated from her groom, and put on a transport to Auschwitz. On the contrary, it gave us hope. It meant that no matter what was happening in this camp, no matter how many Jews they managed to round up and kill, there were still more of us out there: living lives, falling in love, getting married, assuming that tomorrow would come.
Jodi Picoult (The Storyteller)
Do you think we mortals will find you gods easier to bear if you’re beautiful? I tell you that if that’s true we’ll find you a thousand times worse. For then (I know what beauty does) you’ll lure and entice. You’ll leave us nothing; nothing that’s worth our keeping or your taking. Those we love best—whoever’s most worth loving—those are the very ones you’ll pick out. Oh, I can see it happening, age after age, and growing worse and worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can’t follow. It would be far better for us if you were foul and ravening. We’d rather you drank their blood than stole their hearts. We’d rather they were ours and dead than yours and made immortal.
C.S. Lewis (Till We Have Faces: A Myth Retold)
A poetess is not as selfish as you assume. After months of agonising over her marriage of words—the bride— and spaces—the groom, she knows that as soon as she has penned the poem, it’s yours to consume. So, without giving it a think, she blows on the ink and the letters fly away like dandelions on a windy day, landing on hands and lips, on hearts and hips. But more often than not, you can easily spot them trodden and forgotten, becoming sodden and rotten. Yet, she will continue to make what’s others to take because selfishness is not the mark of a poetess.
Kamand Kojouri
It was an interesting night. I’d never been to a non-Jewish wedding, and Phelan assured me that this one was not the norm. The bride and groom got pissed as newts—he ended up passed out, sprawled face down in his own vomit, while she did the cancan on the bridal table, flashing something old, which apparently was nothing new.
Paula Houseman (Odyssey In A Teacup)
I’m very proud of the young woman you’ve become. Your happiness is tantamount to mine, and so I send you off on this matrimonial journey with an Irish blessing: May the saddest day of your future be no worse than the happiest day of your past. May your hands be forever clasped in friendship, and your hearts joined forever in love. To the bride and groom.
Tracy Brogan (Hold On My Heart)
In Hollywood, brides keep the bouquets and throw away the groom.” ~ Groucho Marx
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
The bride will keep her name and, after considerable negotiation, the groom will, too.
Meg Waite Clayton (The Four Ms. Bradwells)
We've had fifteen years of being grown-ups when we could have got together and we never have. Doesn't that tell you something?' 'Yeah, that timing is everything. Hit on me again now.
Karina Bliss (Here Comes the Groom (Special Forces, #1))
when it came time for that once-in-a-lifetime shot of the bride and groom sealing the deal with a lengthy smooch, the groomsmen all lifted scorecards rating the kiss. Everything from a 9.5 to a 10.0.
Janice Thompson (Picture Perfect (Weddings by Design #1))
Whereas traditionally the family was the main matchmaker, today it’s the market that tailors our romantic and sexual preferences, and then lends a hand in providing for them – for a fat fee. Previously bride and groom met in the family living room, and money passed from the hands of one father to another. Today courting is done at bars and cafés, and money passes from the hands of lovers to waitresses. Even more money is transferred to the bank accounts of fashion designers, gym managers, dieticians, cosmeticians and plastic surgeons, who help us arrive at the café looking as similar as possible to the market’s ideal of beauty.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
What if, in the bigger scheme of things, God put the yearning and desire for our husbands, not so a man could fulfill all of it, but so we could catch a glimpse of what it means to fully and wholly yearn for God?
Ngina Otiende (The Wedding Night: Embracing Sexual Intimacy as New Bride)
Those whom God hath joined together, let no man put asunder. A shiver raced down Daphne’s spine, causing her to sway. In just a moment, she would belong to this man forever. Simon’s head turned slightly, his eyes darting to her face. Are you all right? his eyes asked. She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes— could it be relief? I now pronounce you— Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop’s “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade. Marriage, after all, was a solemn institution, and not one to be treating as a joke. She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch. Daphne felt that bubble of mirth rising ever higher. You may kiss the bride. Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests. And then both sets of lips— bride and groom— burst into laughter, even as they remained entwined. Violet Bridgerton later said it was the oddest kiss she’d ever been privileged to view. Gregory Bridgerton— when he finished sneezing— said it was disgusting. The archbishop, who was getting on in years, looked perplexed. But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it’s nice. If they’re laughing now, they’ll probably be laughing forever.” She turned to her mother. “Isn’t that a good thing?” Violet took her youngest daughter’s hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.
Julia Quinn (The Duke and I (Bridgertons, #1))
Green sadness is sadness dressed for graduation, it is the sadness of June, of shiny toasters as they come out of their boxes, the table laid before a party, the smell of new strawberries and dripping roasts about to be devoured; it is the sadness of the unperceived and therefore never felt and seldom expressed, except on occasion by polka dancers and little girls who, in imitation of their grandmothers, decide who shall have their bunny when they die. Green sadness weighs no more than an unused handkerchief, it is the funeral silence of bones beneath the green carpet of evenly cut grass upon which the bride and groom walk in joy.
Mary Ruefle
The purpose of salt is to change the nature of what it invades without calling attention to itself. Attracting attention to yourself in the Kingdom of God is like seducing the bride because you are the best man of the groom.
Kingsley Opuwari Manuel
It's good luck!" Winter said suddenly, her eyes bright with mischief. Scarlet paused. "What's good luck?" "On Luna," said Winter, folding her hands as if she were reciting from a wedding etiquette guide, "it's considered good luck for the bride to don her dress for at least an hour for each of the three days leading up to the wedding. It symbolizes her commitment to the marriage. And as your groom is Lunar, I think we should follow some of his traditions, don't you?" "An hour? said Scarlet. "That's really pushing it, don't you think?" Winter shrugged. With a drawn-out sigh, Scarlet said, "Fine, I'll go put it on. But I'm not going to stay in it for an hour. I still have chores to do." She slipped out of the bedroom carrying the dress, and a moment later they heard the click of the bathroom door in the hall. "I've never heard of that tradition before," said Cress. "That's because I made it up," said Winter.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
The group laughed, and Sidney’s eyes met Vaughn’s as he walked up the aisle alongside his brother. She found herself momentarily holding her breath. Then he looked away when Isabelle walked up to greet him and Simon. Sidney exhaled and turned back around, when she saw Kathleen studying her. “Does he know?” Kathleen asked softly. Sidney opened her mouth to protest—but before she could say a word, Corinne, the wedding planner, clapped her hands. “All right, people. We’ve got a bride, a groom, and a pastor. Anyone who isn’t here can get the CliffsNotes later. Let’s get this rehearsal started,” Corinne said.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
There may be as many people taking pictures as there are brides and grooms. One of them for every one of us. Clickety-click. The thought makes the couples a little giddy. They feel that space is contagious. They are here but also there, already in albums and slide projectors, filling picture frames with their microcosmic bodies, the minikin selves they are trying to become.
Don DeLillo
But I made an issue of the precise wording of the vows. I wanted liberalized ones, with no outmoded Pauline nonsense exacting from the bride the promise to 'obey' the groom. Here I put my foot down, rather in the manner of a husband determined to show at the outset who was boss. 'I'll have no obedience around here!' I said, banging the table. 'Is that clear?' 'Is it an order?' 'Yes.
Peter De Vries (The Blood of the Lamb)
Jesus took away all of our ugliness. Unlike a typical bride, we are all shabby, grotesque, and woefully unprepared moments before we walk down the aisle. But our Groom beautifies us when we look to Him in faith, and in that instant we become His cherished bride.
Francis Chan (You and Me Forever: Marriage in Light of Eternity)
It took every ounce of self-control I could muster to keep my eyes focused on my work and not on you the entire time. All I could see was the way your nose would shrivel slightly when you laughed... The longing in your eyes for a love like that of the bride and groom.
Janna Sproul (The Echo of Choice (Echoes, #1))
Remember, whoever holds the purse strings for the wedding has the control. Don't accept a cent from anyone else if possible. Then you and him will be the only ones calling the shots. All the decisionswill be yours and the rest of them will just have to go along with it.
Melissa Hill (The Guest List (Lakeview, #5))
Who is he?" "Rupert St. John." "Isn't he-oh,my,that handsome boy of Julie's? Well, that explains a bit, I suppose. He always did dazzle you whenever you saw him,didn't he?" "Yes,until I got to know him," Rebecca replied, then wished she'd kept that grumble to herself. Up went Lilly's brow. "Something else is wrong aside from the fact that you had to get married?" "I suppose that the bride and groom hate each other could be considered a little something else," Flora said. This time Lilly sat down.She started to say something, but changed her mind. She opened her mouth to start again, but again snapped it shut. Finally she burst out, "This sort of thing was never supposed to happen to you!" Then after giving herself a brief shake, she said, "Very well, as briefly as you can, please,so I can get beyond this sudden urge to go find a pistol.
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
In a 2008 wedding toast to Cass Sunstein and Samantha Power, Leon Wieseltier put it about as well as possible: Brides and grooms are people who have discovered, by means of love, the local nature of happiness. Love is a revolution in scale, a revision of magnitudes; it is private and it is particular; its object is the specificity of this man and that woman, the distinctness of this spirit and that flesh. Love prefers deep to wide, and here to there; the grasp to the reach…. Love is, or should be, indifferent to history, immune to it—a soft and sturdy haven from it: when the day is done, and the lights are out, and there is only this other heart, this other mind, this other face, to assist in repelling one’s demons or in greeting one’s angels, it does not matter who the president is. When one consents to marry, one consents to be truly known, which is an ominous prospect; and so one bets on love to correct for the ordinariness of the impression, and to call forth the forgiveness that is invariably required by an accurate perception of oneself. Marriages are exposures. We may be heroes to our spouses but we may not be idols.
David Brooks (The Road to Character)
Get me into the game, Izzy," Cameron said when he reached Isabella at the edge of Hart’s well-groomed lawn. Pairs of ladies and gentlemen waited beyond, a few gentlemen swinging mallets and rolling shoulders to show off for the ladies. Isabella turned to Cameron in surprise. "We’re playing croquet." "Yes, I know what the devil it is. Give me a damned mallet." "But you hate croquet." Isabella continued to blink green eyes at him. "I don’t hate it today. I want you to pair me with Mrs. Douglas." "Ah." Isabella’s surprised look turned to one of interest. "Mrs. Douglas, is it?
Jennifer Ashley (The Many Sins of Lord Cameron (MacKenzies & McBrides, #3))
A story is a wedding in which we listeners are the groom watching the bride coming up the aisle. It is together, in an act of imaginary consummation, that the story is born. This act wholly involves us, as any marriage would, and just as no marriage is exactly the same as another, so each of us interprets a story differently, feels for it differently. A story calls upon us...as individuals-and we like that. Stories benefit the human mind.
Yann Martel
Don’t cling to the past. Look instead to the future. You have a husband who adores you and children waiting to be born. Your life is just beginning. So much love awaits you, more joy than you can possibly imagine now. Your pain shall reap an abundant harvest of life’s treasures. Trust me in this.
Debbie Macomber (An Engagement in Seattle: Groom Wanted\Bride Wanted)
Have you ever noticed the way a groom looks at his bride during the wedding? I have. Perhaps it’s my vantage point. As the minister of the wedding, I’m positioned next to the groom. Side by side we stand, he about to enter the marriage, I about to perform it. By the time we reach the altar, I’ve been with him for some time backstage as he tugged his collar and mopped his brow. His buddies reminded him that it’s not too late to escape, and there’s always a half-serious look in his eyes that he might. As the minister, I’m the one to give him the signal when it’s our turn to step out of the wings up to the altar. He follows me into the chapel like a criminal walking to the gallows. But all that changes when she appears. And the look on his face is my favorite scene in the wedding.
Max Lucado (When Christ Comes: The Beginning of the Very Best)
Aloft, like a royal czar and king, the sun seemed giving this gentle air to this bold and rolling sea; even as bride to groom. And at the girdling line of the horizon, a soft and tremulous motion— most seen here at the Equator—denoted the fond, throbbing trust, the loving alarms, with which the poor bride gave her bosom away.
Herman Melville (Moby-Dick or, The Whale)
You’re very handsome,” I whispered, my voice husky. He arched a brow. “Thank you.” His voice was toneless, but his eyes gleamed with humor. I felt gauche, very young and stupid, until he leaned into me, pressed a kiss to my temple, and whispered, “A handsome groom for a beautiful bride. We’re going to make the congregation weep.
Serena Akeroyd (Filthy Rich (The Five Points' Mob Collection, #2))
I took her face in my hands and brought her close so only she could hear. “This is the day we meet for the first time and the rest of forever.” “I still don’t understand,” she cried, so I kissed her lips and prepared myself for what came next. “You promised me a long time ago that when it was all over, you’d bring me to my knees.” I let go of her face and took her hand. “I hope one will do.” I lowered myself to one knee and looked her in her eyes. “You chased away the monsters and became my reason—my forever. I’m yours, Lake Monroe. Will you marry me today?” “Yes, I fucking will,” she screamed. Just then, a light showering of flower petals rained down on us, and when she looked up, her breath caught. Buddy sat on the edge of the monkey bars with a handful flowers, sprinkling them over us. “Buddy!” “You were my hero.” He grinned. She smiled up at him and then turned to face me, and I nodded at the priest to begin. “We are gathered together to celebrate the very special love between bride and groom, by joining them in marriage…
B.B. Reid (Fearless (Broken Love, #5))
They would face many more hardships in the days to come. They wouldn’t be perfect and neither would their marriage. But they could still live happily ever after . . . together.
Jody Hedlund (A Noble Groom (Michigan Brides, #2))
I’d make a good groom, if my last name were McBride.
Jarod Kintz (This Book is Not for Sale)
...because unlike some, I wasn't in line when they were handling out perfect genes.
Melissa Hill (The Guest List (Lakeview, #5))
Luck­ily for Georgie, Lady Finch, an old fam­ily friend, had writ­ten her de­tail­ing the wild ru­mors cir­cu­lat­ing the gos­sipy ton re­gard­ing her im­pend­ing be­trothal to Lord Har­ris. Know­ing Uncle Phineas, Georgie had lit­tle doubt that he prob­a­bly would have in­formed her of her nup­tials with just enough time to dress for the cer­e­mony. Es­pe­cially con­sid­er­ing that her in­tended bride­groom had al­ready buried nine wives. Georgie had no in­ten­tion of being the tenth. Why, even that hor­rid old sot Henry the Eighth had had the good sense to go and die after six.
Elizabeth Boyle (One Night of Passion (Danvers, # 1))
Happy National Philanthropy Day! Do a good deed today and make the lives of others better. Things you can do(if you can afford it): a. Pay for a student to attend College or University b. Make a donation to a bride and groom before they get married c. Donate time to volunteer at a hospital or nursing home d. Buy food and give it to a homeless individual e. Volunteer at a soup kitchen
Kambiz Mostofizadeh
By journey's end the brides were much better acquainted with their grooms and more or less pleased with the matches. Sybil Bingham wrote in her diary, thanking God for answering her prayer for filling "the void" with a husband like Hiram, a "treasure rich and undeserved." Having read his insufferable memoir, "A Residence of Twenty-one Years in the Sandwich Islands", all I can say is: I'm happy for her?
Sarah Vowell (Unfamiliar Fishes)
What is marriage, exactly, and how could we explain it to an alien anthropologist? It’s more than just a living arrangement. Is it an endeavor, a pledge, a symbol, or an affirmation? Is it a span of shared years and shared experiences? A vessel for intimacy? Or does the old joke nail it best? ‘If love is an enchanted dream, then marriage is an alarm clock.’ ” Mostly male laughter in the congregation is shushed. “Maybe marriage is difficult to define because of its array of shapes and sizes. Marriage differs between cultures, tribes, centuries, decades even, generations, and—our alien researcher might add—planets. Marriages can be dynastic, common-law, secret, shotgun, arranged, or, as is the case with Sharon and Peter”—she beams at the bride in her dress and the groom in his morning suit—“brought into being by love and respect. Any given marriage can—and will—go through rocky patches and calmer periods. Even within a single day, a marriage can be stormy in the morning, yet by evening turn calm and blue …
David Mitchell (The Bone Clocks)
Children’s names? Wedding nights? Was she mad? There weren’t going to be any children. And there wasn’t going to be any wedding night. Because, after the wedding feast, there wasn’t going to be any groom.
Shehanne Moore (His Judas Bride)
What the hell is taking so long?” Elijah complained. “Elijah, hush,” Legna admonished. “It is their joining. Let them be.” Legna moved to snuggle up against her brother, allowing him to keep her warm as the three of them awaited the bride and her groom. “Jacob! I swear if you don’t put me down this very instant I’m going to marry someone else!” Isabella’s voice carried shrilly through the night, half annoyed, half laughing. The three waiting at the altar turned in unison to see the couple break from the tree line. Jacob had indeed carried his bride out of the woods, but he’d done so by slinging her over a shoulder, leaving her backside displayed prominently. Elijah choked on a laugh and Legna released a horrified gasp. Noah reached out to stay her from moving. “Let it be, Legna. What did you expect from the two of them?” Serves you right, you little tease. Jacob, please! You’re embarrassing me! And having me walk out of the woods in a state of arousal would not have embarrassed me? I said I was sorry! Was that before or after the mental striptease you sent me? Isabella sighed with exasperation, and then giggled. “You know, Emily Post is having heart failure right about now.” “Good, then that makes two of us.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Both the bride and the groom have the privilege of at least fifteen minutes in which to contemplate what a sick, sick, fucking, Christ-awful thing getting married is. That's what the book says — or words to that effect.
Jane Rule (Desert of the Heart)
Why were you so happy to see me? You know, besides my general awesomeness." Marz pushed out of his chair, big grin on his face, and held out his hands. "I'm getting married!" Shane sighed. The expressions on the other two said they'd already been down this road. "All right. I'll bite." "I think the appropriate sentiment is 'congratulations'," Marz said, crossing his arms and feigning insult. "Just spill the brilliance of whatever this is about," Shane said. "Only because you acknowledged its brilliance." Marz sat excitement rolling off the guy. "I figured out how to solve the problem of getting us eyes and ears in the back of Confessions." "By getting married?" "By pretending to get married. And what does every pretend groom need?" Marz's grin was full of anticipation. "A bride?" Shane said. Marz rolled his eyes and waved his hands. "Okay, but what else?" Shane looked between the three of them. And then the lightbulb went on. "A bachelor party," Shane said. Marz clapped his hands. "Ding ding ding. Give the man a cigar." Yup. The idea was, in fact, brilliant. Really brilliant.
Laura Kaye (Hard as You Can (Hard Ink, #2))
Pandora, who walked down the aisle of the estate chapel on Devon's arm, was radiantly beautiful in a dress of white silk, the billowing skirts so intricately gathered and draped that no lace or ornamental trim had been necessary. She wore a coronet of fresh daisies and a veil of sheer tulle and carried a small bouquet of roses and daisies. If West had any remaining doubts about St. Vincent's true feelings for his bride, they were forever banished as he saw the man's expression. St. Vincent stared at Pandora as if she were a miracle, his cool composure disrupted by a faint flush of emotion. When Pandora reached him and the veil was pushed back, St. Vincent broke with etiquette by leaning down to press a tender kiss on her forehead. "That part isn't 'til later," Pandora whispered to him, but it was loud enough that the people around them overheard, and a rustle of laughter swept through the crowd.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Now, tell me again why I’m freezing my ass off in the middle of the woods?” Legna chuckled. “Because it is tradition. Your mate must find you and then carry you to the altar. Seeking you out is symbolic of his desire to let nothing come between you. Bringing you to the altar is a reflection of how it is his duty to help you over obstacles so that you may reach moments of joy together.” “It’s very romantic,” Isabella said, “if a little chauvinistic.” “Not in the least. The sharing of responsibility within a joining is symbolized just as strongly. The bride must tie the handfasting ribbon around her mate’s wrist. The white ribbon symbolizes honesty and love and fidelity, and by allowing himself to be so tied means the groom must provide for her at all times, as she will provide for him. The black is a promise that they will forever do all in their power to protect their union, their children, and the perpetuation of the essentials of our culture.” “But you’ve tied a red ribbon to the end of the black, Legna. What does thatmean?” “Actually”—the Demon woman smiled—“there is no precedent for the red ribbon. However, I felt it only fair to have a physical reminder that you have a culture of your own and will have just as much right to perpetuate that within your children as Jacob does.” “Legna,” Isabella giggled, giving her an admonishing look, “that is positively rebellious and feminist of you.” “I never claimed to be an old-fashioned girl,” Legna confided with a wink.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
I am overwhelmed. I am the most discomfited of dancers. Simultaneously chillingly I am certain that the wedding guests sense it to be a sad occasion yet all are in desperate conspiracy to produce a joyful atmosphere. They dance madly. As though ... as though if they were to stop and cast a thoughtful eye on the bride and groom the illusion would be dispelled. The party dresses and hairspray and starched collars and lipsticked lips would melt away and all present would be left standing in the rags of Huda's despair.
Carolyn Baugh (The View from Garden City)
Alan lowered the lamp flame until there was only a glimmer of light in the room. His skin burned with fever as he climbed into bed beside Huiann. He felt like a groom on his wedding night except, he reminded himself, there would be no copulation. None. Not tonight.
Bonnie Dee (Captive Bride)
I want happiness, guaranteed, joy all round, covers with nurses on them or brides, intelligent girls but not too intelligent, with regular teeth and pluck and both breasts the same size and no excess facial hair, someone you can depend on to know where the bandages are and to turn the hero, that potential rake and killer, into a well-groomed country gentleman with clean fingernails and the right vocabulary. Always, he has to say. Forever. I no longer want to read books that don’t end with the word forever. I want to be stroked between the eyes, one way only.
Margaret Atwood (Murder in the Dark: Short Fictions and Prose Poems)
Desiree the child bride, and her sister Miranda, had gone grave-robbing for a wedding gown. In the north end of the cemetery, among the palatial mausoleums with their broken windows of stained glass where the ivy crept in, was the resting place of a young woman who’d been murdered at the altar while reciting her marital vows. The decaying tombstone, among the cemetery’s most envied, was a limestone bride in despair, shoulders as slumped as a mule’s, a bouquet of lilies strewn at her feet. Though her murder, by her groom’s jealous mother, had been long in the past, everyone knew that her father had had her buried in her gown of lace and silk.
Timothy Schaffert (My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales)
I won’t walk through the wedding arch with you,” she said. “The arch is traditionally used by grooms with reluctant brides, for the arch is tall enough for a man with his woman on his shoulder.” As they reached the door, he bent and put his shoulder in her stomach. As if she were a sack of potatoes, he swung her up and over. Amy shrieked and gave his back a good hard thump. He dropped her down until her rear sat uppermost on his shoulder and her head dangled almost to his trousers, and kept walking. “Miss Victorine!” she shouted. “I’ll come as fast as I can, dears!” Miss Victorine called from the doorway. “Shame on you for appealing to an old lady for rescue.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
A story is a wedding in which we listeners are the groom watching the bride coming up the aisle. It is together, in an act of imaginary consummation, that the story is born. This act wholly involves us, as any marriage would, and just as no marriage is exactly the same as another, so each of us interprets a story differently, feels for it differently.
Yann Martel
There are so many people in this world who can live day to day, sourly dismissing love as just a man made illusion with the sole purpose of embedding hopeless festering ideas of a richer, fuller, happier existence into our psyche, in the hopes that it will make our seemingly wasteful, unneeded, and depressing lives just a little more tolerable. When we invite intimacy into our life, we take a wager strong enough to lift our spirits and make us feel as if nothing in this world can overcome us, and that no challenge is insurmountable. But Love can indeed be a dangerous game to play. There's nothing in the world that can be easier than to give up on the idea after a heartbreak. Anybody can do it. But it doesn't always take being in a strong, everlasting bond with our soul mate to bring out the best in us. There's just something about the pursuit of love that for some reason beckons us to keep getting back on the horse. The hunt is what keeps our dreams alive and strong until that day comes when we stand across the altar from our brides and grooms, about to lean in to that one kiss that takes us into our eternal, everlasting life of bliss and happiness.
Max Jacob
With great reluctance— sitting in the chair with Kate and doing nothing but hold her was surprisingly satisfying— he stood, lifting her in his arms as he did so, and then set her back in the chair. “This has been a delightful interlude,” he murmured, leaning down to drop a kiss on her forehead. “But I fear your mother’s early return. I shall see you Saturday morning?” She blinked. “Saturday?” “A superstition of my mother’s,” he said with a sheepish smile. “She thinks it’s bad luck for the bride and groom to see one another the day before the wedding.” “Oh.” She rose to her feet, self-consciously smoothing her dress and hair. “And do you believe it as well?” “Not at all,” he said with a snort. She nodded. “It’s very sweet of you to indulge your mother, then.” Anthony paused for a moment, well aware that most men of his reputation did not want to appear tied to apron strings. But this was Kate, and he knew that she valued devotion to family as much as he did, so he finally said, “There is little I would not do to keep my mother content.” She smiled shyly. “It is one of the things I like best about you.” He made some sort of gesture designed to change the subject, but she interrupted with, “No, it’s true. You’re far more caring a person than you’d like people to believe.” Since he wasn’t going to be able to win the argument with her— and there was little point in contradicting a woman when she was being complimentary— he put a finger to his lips and said, “Shhh. Don’t tell anyone.” And then, with one last kiss to her hand and a murmured, “Adieu,” he made his way out the door and outside. -Anthony & Kate
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
What had she told the priest? Hawk had said their holy man could not perform the wedding unless he was sure the bride was willing. Had there ever been one less so? Her eyes were downcast, she would not meet his gaze no matter how fiercely he willed her to do so. But the priest was smiling. He nodded to Dragon even as he addressed Hawk. "Ah,well,now that is taken care of. We will proceed as you wish, my lords." "Immediately then," Hawk said. He did a decent enough job of hiding his relief but Dragon wasn't fooled. Until that moment, not even the Lord of Essex had been sure the marriage would take place. Krysta appeared at Rycca's side. She spoke to her softly, distracting her as she guided her to a small room off the great hall. There the bride would wait while the guests, her scowling family, and one stern-faced groom assembled in the chapel.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
It’s going to be fine, Bennett,” she was saying, words delivered in a way I’m sure I was supposed to find comforting, but only resulted in pissing me off. When things went wrong you screamed at someone. You became the loudest and squeakiest wheel; you let everyone know that anything less than perfect was unacceptable. You slammed doors and fired people. You didn’t stand there in your little blue Chanel suit and pearls and tell the cyborg bride and clueless groom that it would be fine.
Christina Lauren (Beautiful Beginning (Beautiful Bastard, #3.5))
WOMEN HAVE ALWAYS BEEN THE property of men. It’s a truth written into social customs, old legal doctrines, some would say it’s written into the very laws of nature itself. In the Bible, women are told that their husbands shall rule over them. Fathers give their daughters away on their wedding day. The new owner is the groom. Much of history is based on the practice. In Europe, kings gave their daughters as peace offerings to other nations. Peasants gave their daughters in marriage to landowners as a means of trading their way out of feudal servitude. In other lands, tribes and clans gave their women as sacrifices to their enemies or gifts to their heroes. A beautiful daughter was prized not because of who she was or what she was capable of, but for what she could be bartered for. The entire marriage ceremony, to this day, is a complicated, ritualized human sacrifice. It is a custom of bondage and ownership. The bride is adorned in the most intricate, delicate and expensive clothing possible. She represents wealth, a high dowry, a prized possession. She is walked down the aisle by her father, the current owner, and delivered, in payment for something, always in payment for something, to her new owner, her groom.
Abby Weeks (Given to the Pack (Wolfpack Trilogy, #1))
But to steal her love from me! Can it be that you really don’t understand? Do you think we mortals will find you gods easier to bear if you’re beautiful? I tell you that if that’s true we’ll find you a thousand times worse. For then (I know what beauty does) you’ll lure and entice. You’ll leave us nothing; nothing that’s worth our keeping or your taking. Those we love best—whoever’s most worth loving—those are the very ones you’ll pick out. Oh, I can see it happening, age after age, and growing worse and worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can’t follow. It would be far better for us if you were foul and ravening. We’d rather you drank their blood than stole their hearts. We’d rather they were ours and dead than yours and made immortal. But to steal her love from me, to make her see things I couldn’t see . . . oh, you’ll say (you’ve been whispering it to me these forty years) that I’d signs enough her palace was real, could have known the truth if I’d wanted. But how could I want to know it? Tell me that. The girl was mine. What right had you to steal her away into your dreadful heights?
C.S. Lewis (Till We Have Faces: A Myth Retold)
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
In the end, it was the little details of the wedding that Daphne remembered. There were tears in her mother's eyes (and then eventually on her face), and Anthony's voice had been oddly hoarse when he stepped forward to give her away. Hyacinth had strewn her rose petals too quickly, and there were none left by the time she reached the altar. Gregory sneezed three times before they even got to their vows. And she remembered the look of concentration on Simon's face as he repeated his vows. Each syllable was uttered slowly and carefully. His eyes burned with intent, and his voice was low but true. To Daphne, it sounded as if nothing in the world could possibly be as important as the words he spoke as they stood before the archbishop. Her heart found comfort in this; no man who spoke his vows with such intensity could possibly view marriage as a mere convenience. Those whom God hath joined together, let no man put asunder. A shiver raced down Daphne's spine, causing her to sway. In just a moment, she would belong to this man forever. Simon's head turned slightly, his eyes darting to her face. Are you all right? his eyes asked. She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes—could it be relief? I now pronounce you— Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop's “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade. Marriage, after all, was a solemn institution, and not one to be treating as a joke. She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch. Daphne felt that bubble of mirth rising ever higher. You may kiss the bride. Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests. And then both sets of lips—bride and groom—burst into laughter, even as they remained entwined. Violet Bridgerton later said it was the oddest kiss she'd ever been privileged to view. Gregory Bridgerton—when he finished sneezing—said it was disgusting. The archbishop, who was getting on in years, looked perplexed. But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it's nice. If they're laughing now, they'll probably be laughing forever.” She turned to her mother. “Isn't that a good thing?” Violet took her youngest daughter's hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.” And so it was that the rumor was started that the new Duke and Duchess of Hastings were the most blissfully happy and devoted couple to be married in decades. After all, who could remember another wedding with so much laughter?
Julia Quinn (The Duke and I (Bridgertons, #1))
Go back. Open the bedroom door and send young Aster down the stairs. Place the groom on his feet and draw him away from the bed. Wipe the sheet clean of the bride’s blood. Shake it straight and flatten its wrinkles. Slide off that necklace and return it to the girl as she races to her mother. Fix what has been broken in her, mend it shut again. Clothe him in his wedding finery. Let there be no light. Allow only shadows into this kingdom of man’s making. See him alone in the room. See him free of a father’s attention. See him step beyond the reach of elders and all who advise growing boys on the perils of weakness. Here is Kidane, shaking loose of unseen bindings. Here he is, gifting himself the freedom to tremble. All advice has been taken back and he is no longer the groom instructed to break flesh and draw blood and bring a girl to earthy cries. See this man in the tender moment before he takes his wife. See him wrestle with the first blooms of untapped emotion. Let the minutes stretch. Remove the expectations of a father. Remove the admonishments to stand tall and stay strong. Eliminate the birthright, the privilege of nobility, the weight of ancestors and blood. Erase his father’s name and that of his grandfather’s father and that of the long line of men before them. Let him stand in the middle of that empty bedroom in his wedding tunic and trousers, in his gilded cape and gold ring, and then disappear his name, too. Make of him nothing and see what emerges willingly, without taint of duty or fear.
Maaza Mengiste (The Shadow King)
Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.” “Speaking of shrubbery,” she teased, pausing on the balcony to cast a last fond look at the “arbor” of potted trees with silk blossoms that occupied one-fourth the length of the entire ballroom, “everyone is talking about having gardens and arbors as themes for future balls. I think you’ve stared a new ‘rage.’” “You should have seen your face,” he teased, drawing her away, “when you recognized what I had done.” “We are probably the only couple,” she returned her face turned up to his in laughing conspiracy, “ever to lead off a ball by dancing a waltz on the sidelines.” When the orchestra had struck up the opening waltz, Ian had led her into the mock “arbor,” and they had started the ball from there. “Did you mind?” “You know I didn’t,” she returned, walking beside him up the curving staircase. He stopped outside her bed chamber, opened the door for her, and started to pull her into his arms, then checked himself as a pair of servants came marching down the hall bearing armloads of linens. “There’s time for this later,” he whispered. “All the time we want.
Judith McNaught (Almost Heaven (Sequels, #3))
Elizabeth glanced up as Ian handed her a glass of champagne. “Thank you,” she said, smiling up at him and gesturing to Duncan, the duke, and Jake, who were now convulsed with loud hilarity. “They certainly seem to be enjoying themselves,” she remarked. Ian absently glanced the group of laughing men, then back at her. “You’re breathtaking when you smile.” Elizabeth heard the huskiness in his voice and saw the almost slumberous look in his eyes, and she was wondering about its cause when he said softly, “Shall we retire?” That suggestion caused Elizabeth to assume his expression must be due to weariness. She, herself, was more than ready to seek the peace of her own chamber, but since she’d never been to a wedding reception before, she assumed that the protocol must be the same as at any other gala affair-which meant the host and hostess could not withdraw until the last of the guests had either left or retired. Tonight, every one of the guest chambers would be in use, and tomorrow a large wedding breakfast was planned, followed by a hunt. “I’m not sleepy-just a little fatigued from so much smiling,” she told him, pausing to bestow another smile on a guest who caught her eye and waved. Turning her face up to Ian, she offered graciously, “It’s been a long day. If you wish to retire, I’m sure everyone will understand.” “I’m sure they will,” he said dryly, and Elizabeth noted with puzzlement that his eyes were suddenly gleaming. “I’ll stay down here and stand in for you,” she volunteered. The gleam in his eyes brightened yet more. “You don’t think that my retiring alone will look a little odd?” Elizabeth knew it might seem impolite, if not precisely odd, but then inspiration struck, and she said reassuringly, “Leave everything to me. I’ll make your excuses if anyone asks.” His lips twitched. “Just out of curiosity-what excuse will you make for me?” “I’ll say you’re not feeling well. It can’t be anything too dire though, or we’ll be caught out in the fib when you appear looking fit for breakfast and the hunt in the morning.” She hesitated, thinking, and then said decisively, “I’ll say you have the headache.” His eyes widened with laughter. “It’s kind of you to volunteer to dissemble for me, my lady, but that particular untruth would have me on the dueling field for the next month, trying to defend against the aspersions it would cause to be cast upon my…ah…manly character.” “Why? Don’t gentlemen get headaches?” “Not,” he said with a roguish grin, “on their wedding night.” “I can’t see why.” “Can you not?” “No. And,” she added with an irate whisper, “I don’t see why everyone is staying down here this late. I’ve never been to a wedding reception, but it does seem as if they ought to be beginning to seek their beds.” “Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.
Judith McNaught (Almost Heaven (Sequels, #3))
I'm offering to sacrifice myself into marriage! Of course,I was surprised by the idea,but to save my sisters and keep them in their homes,I have decided to agree.I will marry you," she finished, placing a possessive hand on Tyr's forearm. Tyr's already wide grin grew even bigger. "I appreciate the offer, and while you are indeed a pretty little girl, marriage and I are never to be." "But the king...I thought you had to..." Lily sputtered. "Now,my friend here, Lord Anscombe, I believe he is eager to have a bride," Tyr said, pointing to Ranulf, who wasn't sure if he was amused, insulted, or bored. "Here is your groom. Lord Anscombe of Bassellmere." Lily whipped around.Her eyes were the color of gray mist and had turned saucer size. Her surprise was genuine, but her next move shocked even Ranulf. Straightening,she took a sizable gulp and announced, "As I was saying, my lord. I am ready and willing to marry you." Ranulf stole a glance at Edythe, who was ignoring the unfolding situation. Her focus was on Tyr and had been since he had made his nonmarital declaration.
Michele Sinclair (The Christmas Knight)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)