Bricks Thrown At You Quotes

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Use the bricks thrown at you to build a beautiful house with a foundation of Christ.
Heather Lindsey (Dusty Crowns: Dusting yourself off and becoming the woman God called you to be)
A company could use bricks to measure their growth rate. How many bricks have angry investors thrown at you lately? If the answer is none, then your growth rate is probably pretty good… for the moment.
Amy Sommers (A bit of rubbish about a Brick and a Blanket)
The gods do not speak with everyone,” and so a way has to be devised to approach them: men must segregate themselves in the same way as the gods are segregated from men. Then perhaps the gods will pay attention. An initial separation from other men is achieved through the preliminary actions of the rite. When setting up the gārhapatya fire, he first sweeps the chosen space with a palāśa branch and says: ‘Away from here! Away! Crawl away from here,’ then: ‘Go away, go and slip away from here,’ he says to those who slither on their bellies. ‘You who are here from ancient and recent times!’ and therefore both those who are here from a remote time as well as those who have settled here today.” The ritual action is an imitation. Of other men, who lived in the beginning? Or of gods? During the building of the fire altar when certain bricks, known as dviyajus, “which require a double formula,” have to be arranged. At that moment the sacrificer thinks the following words: “I wish to go to the celestial world following the same form, celebrating the same rite that Indra and Agni used to enter the celestial world!” What the sacrificer is imitating is the act of the god himself making himself a god Ritual serves above all to resolve through action what thought alone cannot resolve. For example: what do we do with the ash produced by the sacrificial fire? The ashes are thrown into water. And these words are spoken: “O divine waters, receive these ashes and place them in a soft and fragrant place!” And then: “May the consorts, married to a good lord, bow down to him.” The “consorts” here are the waters, who have found a “good lord” in Agni. The waters are chosen as a place for ashes, because Agni was born from the womb of the waters.So Agni will not be lost.
Roberto Calasso (L'ardore)
Mr. Edwards and the Spider" I saw the spiders marching through the air, Swimming from tree to tree that mildewed day In latter August when the hay Came creaking to the barn. But where The wind is westerly, Where gnarled November makes the spiders fly Into the apparitions of the sky, They purpose nothing but their ease and die Urgently beating east to sunrise and the sea; What are we in the hands of the great God? It was in vain you set up thorn and briar In battle array against the fire And treason crackling in your blood; For the wild thorns grow tame And will do nothing to oppose the flame; Your lacerations tell the losing game You play against a sickness past your cure. How will the hands be strong? How will the heart endure? A very little thing, a little worm, Or hourglass-blazoned spider, it is said, Can kill a tiger. Will the dead Hold up his mirror and affirm To the four winds the smell And flash of his authority? It’s well If God who holds you to the pit of hell, Much as one holds a spider, will destroy, Baffle and dissipate your soul. As a small boy On Windsor Marsh, I saw the spider die When thrown into the bowels of fierce fire: There’s no long struggle, no desire To get up on its feet and fly It stretches out its feet And dies. This is the sinner’s last retreat; Yes, and no strength exerted on the heat Then sinews the abolished will, when sick And full of burning, it will whistle on a brick. But who can plumb the sinking of that soul? Josiah Hawley, picture yourself cast Into a brick-kiln where the blast Fans your quick vitals to a coal— If measured by a glass, How long would it seem burning! Let there pass A minute, ten, ten trillion; but the blaze Is infinite, eternal: this is death, To die and know it. This is the Black Widow, death.
Robert Lowell (Collected Poems)
You Loved a Woman Once" She told you of childhood summers, mayflies trembling beside the bridge of her nose, hunting frogs. Skinning them on a brick, the house smelling like their small, fried legs. All she wanted was for you to carry her home in a canoe with paddles, life vests, a flare. You promised to teach her how to swim when she was in your arms. Your own body, broken into so many times, became a clear lake for her to bathe in. Remember pulling the one tiny, suckering leech from below her neck, the pale collarbone Braille it left. You said the boat was her shoulder in your mouth, even when you couldn’t bear her epaulets of freckles, even when nothing but a body would do and there was no body but her own. Below her—lily pads, dragonflies, the worms dug up last summer and thrown from the dock to see fish rise in a boil—now all snapped raw in the frozen pond. And speaker, coded “you”—what about the light straining through her dampened hair, will you catch it in your jaws? There’s the smell of paper on her skin and you pressing her body like a flower in a book.
Keetje Kuipers (Beautiful in the Mouth)
Find a way to use all bricks along your road to awesome, even if some of those bricks were thrown at you.
Donavan Nelson Butler