Breeze Through My Hair Quotes

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Maybe you really are a poet," I whisper. He smiles softly. "Only a fool for you." "Pretend?" My voice is small, soft like the breeze blowing through my short hair. "Never." "None of it?" I ask quietly. "Darling"-he smiles- "I have never had to pretend to want you.
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me. I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil. From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
For all his clever ideas, Maven has nothing to say to this. He just stares, his breath coming in tiny, scared puffs. I know the look on his face; I wear it every time I’m forced to say good-bye to someone. “It’s too bad we didn’t stay longer,” I murmur, looking out at the river. “I would have liked to die close to home.” Another breeze sends a curtain of my hair across my face but Maven brushes it away and pulls me close with startling ferocity. Oh. His kiss is not at all like his brother’s. Maven is more desperate, surprising himself as much as me. He knows I’m sinking fast, a stone dropping through the river. And he wants to drown with me. “I will fix this,” he murmurs against my lips. I have never seen his eyes so bright and sharp. “I won’t let them hurt you. You have my word.
Victoria Aveyard (Red Queen (Red Queen, #1))
He ran his fingers through my hair, his touch so gentle that it felt like a warm summer breeze. “All I want is you.” I shivered. Milo’s lips parted in his sleep, and he made an adorable suckling motion. “All I want is to be a family. A real, live family, together and safe from all of this.” “We will be,” he promised. “I will make sure of it.” I leaned against him and wrapped my arm around his waist, his silk shirt tickling the inside of my wrist. How long would it be before we got to spend time together like this again?
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
He smiled and leaned over and asked in a soft voice, “Don’t you know you’re beautiful?” I swallowed, hoping my throat allowed the words through without making me sound all choked up. “I wouldn’t say ‘beautiful.’ I realize I have nice hair and eyes. I got those from my mother. But I don’t have a good personality. So it really takes away from the others.
Abbi Glines (Breathe (Sea Breeze, #1))
Ask me about my childhood, and I will tell you to walk to the edge of the woods with a choir of crickets chirping from every direction, a hot, humid breeze brushing through your hair, your feet, bare and callused. Stand there, unmoving, and watch the dance of ten thousand fireflies blinking on and off in the darkness. Inhale the scent of cured tobacco, freshly plowed southern soil, burning leaves, and honeysuckle. Swallow the taste of blackberries, picked straight from the bushes, and lick your teeth, the after-taste still sweet in your mouth. Now, stretch out on the ground and relax all your muscles. Watch nature's festival of flickering lights.
Brenda Sutton Rose
Lucky" (feat. Colbie Caillat) Do you hear me, I'm talking to you Across the water across the deep blue ocean Under the open sky, oh my, baby I'm trying Boy I hear you in my dreams I feel your whisper across the sea I keep you with me in my heart You make it easier when life gets hard I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again Ooohh ooooh oooh oooh ooh ooh ooh ooh They don't know how long it takes Waiting for a love like this Every time we say goodbye I wish we had one more kiss I'll wait for you I promise you, I will I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again Lucky we're in love every way Lucky to have stayed where we have stayed Lucky to be coming home someday And so I'm sailing through the sea To an island where we'll meet You'll hear the music fill the air I'll put a flower in your hair Though the breezes through trees Move so pretty you're all I see As the world keeps spinning round You hold me right here right now I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again I'm lucky we're in love every way Lucky to have stayed where we have stayed Lucky to be coming home someday
Jason Mraz
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
There's nothing worse than feeling miserable on a beautiful day. It was one of those days where the weather was so perfect it was almost painful, the sky a clean slate of blue, and the soft, warm breeze playing on my cheeks and through my hair as if to say, "Come on, it's not THAT bad.
Robert Haller (Another Life)
Sometimes, I see myself standing on a beach, my bare feet buried in the wet sand. And there’s no one on the beach, just me, but I don’t feel alone. What I feel is alive. And it seems like the whole world belongs to me. The cool breeze whistles through my hair, and something tells me I have heard that song all my life. I’m watching the waves hit the sand, the ebb and flow of the waves crashing against the distant cliffs. The ocean is ever moving—​and yet there is a stillness that I envy.
Benjamin Alire Sáenz (The Inexplicable Logic of My Life)
I dream of a small room and a man with one eye. Blood seeps like scarlet tears from his empty socket. I turn away and the room becomes a hallway that becomes a stairway that becomes a roof. The wind tugs at my body; the sky tries to wrap me in stars. Below me, a gazebo glows with red light. A line of black cars crawls like cockroaches through the streets. An air conditioner exhaust fan chitters angrily near the roof’s edge, one of its blades bent just enough to scrape against the side of the casing. For a second I let the wind push me close enough to the fan’s razor- sharp blades that a lock of my hair gets snipped and sent out into the night. As it twists and flutters toward the gazebo, I think about just letting go, letting the breeze carry my body into the whirling blades, the wind scattering pieces of me throughout the city. Blood and flesh seeping into the cracked pavement. Flowers blooming wherever I land.
Paula Stokes (Vicarious (Vicarious, #1))
Destiny has chosen me for the Wind,” he said in resonant tones as he swept out his hands in a showman’s gesture, even while he winked at her. “Atmospheres, temperature, air, these are mine to beckon.” And he did, sweeping a breeze through the room just strong enough to make Legna’s gown ruffle. Suddenly, without even a flash of light or warning, Elijah’s form dissipated into thin air, becoming the air. His voice swirled all around her as he playfully lifted her hair up from her shoulders, drawing it into a banner that fluttered high above her head, making her laugh. “The weather sways to my will, the tempests and pressures of it mine to manipulate. I can infuse a place with life-giving oxygen or remove it completely. The Wind is the breath of life, and She breathes through me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.” I blushed and grumbled, “Well, I’m glad someone enjoyed it.” He smiled smugly and said, “I did.” I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand. “Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.” He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.” I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come” “Why did you come?” “I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed. He grinned lopsidedly. “I would have missed you too.” I wrung the hem of my shirt between my hands. Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“ I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation. Softly, I asked, “When will you change into a tiger?” “Soon.” “Does it hurt?” “Not as much as it used to.” “Do you understand me when you are a tiger? Can I still speak to you?” “Yes, I’ll still be able to hear and understand you.” I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.” “I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.” “Ren?” “Yes?” “The jungle frightens me, and this situation frightens me.” He let go of the apron string and looked into my eyes. “I know.” “Ren?” “Yes?” “Don’t…leave me, okay?” His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.” I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
It was raining hard the evening Holly died. One of those summer rains that seem to come from nowhere and catch all but the most compulsively weather-conscious off guard. She was beautiful, Holly, and much too good for me by a long stretch. Big soulful eyes. A beautiful face framed in a flowing mane of brunette hair that would lift along the edges at the slightest breeze. Full soft lips that conveyed warmth and sunshine when she smiled, and tender sensuality when they brushed across mine in the quiet darkness of our bedroom. It is no exaggeration to say that I worshiped the ground my wife walked on — perhaps less secretly than would have been wise had it been any woman but Holly. For whatever reason, she adored me, and ours was a mutual admiration society. She thought me the finest man who’d ever walked this earth, and could not imagine going through life with anyone other than me. I thought the world a better place for her being in it, and each time she rose from our tangled sheets to dress in the morning, I was certain birds began to sing songs of joy simply because she was awake.
Bobby Underwood (The Memory of Rain)
Alone in the wilderness, I could hear buzzing, whirring and inexplicable gusts of air that may have been faraway howls or simple breezes through the twisting piles of dark green moss. A curious sensation crawled along the back of my neck, as if the hairs were standing up in response to unseen eyes all around me. The feeling was difficult to shake, even though all my training told me to remain focused.
Mandy Gardner (Letters to Earth: The Last Diaspora Book 1)
Nature Boy I was just a boy when I sat down To watch the news on TV I saw some ordinary slaughter I saw some routine atrocity My father said, don't look away You got to be strong, you got to be bold, now He said, that in the end it is beauty That is going to save the world, now And she moves among the sparrows And she floats upon the breeze She moves among the flowers She moves something deep inside of me I was walking around the flower show like a leper Coming down with some kind of nervous hysteria When I saw you standing there, green eyes, black hair Up against the pink and purple wisteria You said, hey, nature boy, are you looking at me With some unrighteous intention? My knees went weak, I couldn't speak, I was having thoughts That were not in my best interests to mention And she moves among the flowers And she floats upon the smoke She moves among the shadows She moves me with just one little look You took me back to your place And dressed me up in a deep sea diver's suit You played the patriot, you raised the flag And I stood at full salute Later on we smoked a pipe that struck me dumb And made it impossible to speak As you closed in, in slow motion, Quoting Sappho, in the original Greek She moves among the shadows She floats upon the breeze She moves among the candles And we moved through the days and through the years Years passed by, we were walking by the sea Half delirious You smiled at me and said, Babe I think this thing is getting kind of serious You pointed at something and said Have you ever seen such a beautiful thing? It was then that I broke down It was then that you lifted me up again She moves among the sparrows And she walks across the sea She moves among the flowers And she moves something deep inside of me She moves among the sparrows And she floats upon the breeze She moves among the flowers And she moves right up close to me
Nick Cave
The night air wraps around me when I step outside. It's warmer than it's been for months, and I can find the early hints of spring in our backyard. The budding roses, the sweet scent of fresh green grass, the birds rustling in the trees. A breeze snakes through my hair, ruffles my skirt. The sky is a deep, starless black, but the fairy lights twinkle over the back porch, glowing pink and blue and yellow, as if the stars have fallen down to earth instead.
Ann Liang (I Hope This Doesn't Find You)
You cannot look at me like that, piccola, or I am sure to go up in flames." Desari allowed her fingers to tangle in his golden mane. "Thank you for thinking of my family when I could not." Her voice was a whisper of seduction, sliding over his hot skin. Just the sound of it made every muscle in his body clench. Julian made another effort to breathe. Air.It was all around him, yet he couldn't seem to drag enough into his lungs. He took her hand in his and carried it to the warmth of his mouth. "We need to find a safe subject, cara mia, or I will not make it through these next few minutes." Desaris soft laughter was like music in the wind. She perched on a large tree trunk that lay across the forest floor. The breeze tugged at her long hair so that it shifted around her like a veil, one moment hiding the temptation of bare, gleaming skin, the next revealing it. "A safe subject," she mused aloud. "What would that be?" The air slammed out of his lungs once again at the sight of her. She looked so much a part of her surroundings. Wild. Sexy. Provocative. "You might try closing your shirt." His voice sounded hoarse and desperate even to his own ears.
Christine Feehan (Dark Challenge (Dark, #5))
Say something.” I struggled to get the word out. “What?” “My name.” I wasn’t sure why he wanted me to say that, and I didn’t know how it would feel to say it again after all this time, but I drew in a deep breath. “Rider.” Another breath shuddered through me. “Rider Stark.” His throat worked and, for a heartbeat, neither of us moved as a steamy breeze tossed strands of hair across my face. Then he dropped his notebook to the pavement. I was surprised it didn’t burst into dust. His long-legged pace ate up the distance. One second there was several feet between us, and in the next breath he was right there in front of me. He was so much taller now. I barely reached his shoulders. And then his arms were around me. My heart exploded as those strong arms pulled me against his chest. There was a moment where I froze, and then my arms swept around his neck. I held on, squeezing my eyes shut as I inhaled the clean scent and the lingering trace of aftershave. This was him. His hugs were different now, stronger and tighter. He lifted me clear off my feet, one arm around my waist, the other hand buried deep in my hair, and my breasts were mushed against his surprisingly hard chest. Whoa. His hugs were most definitely different than they were when we were twelve. “Jesus, Mouse, you don’t even know...” His voice was gruff and thick as he set me back on my feet, but he didn’t let go. One arm stayed around my waist. His other hand fisted the ends of my hair. His chin grazed the top of my head as I slid my hands down his chest. “I never thought I’d see you again.” I rested my forehead between my hands, feeling his heart beat fast. I could hear people around us, and I imagined some were probably staring, but I didn’t care. Rider was warm and solid. Real. Alive.
Jennifer L. Armentrout (The Problem with Forever)
Layla, the first moment I laid eyes on you I knew I had to have you. I watched you walk across that street to the coffee house in a complete daze. You were breathtaking. Fumbling around in your purse, your hair blowing in the breeze around your face. I couldn’t take my eyes off you. In fact I was so stunned I never even noticed how close I was standing to the door when you backed your way into it. So when you asked me how I didn’t see you through that glass, I did see you. Then when you told me you worked here, oh Layla, I can’t lie, I was thrilled and worried all at the same time. It meant I would be able to see you whenever I wanted. That’s why I came in the next day and every day after that, just to see you here. When you agreed to go on a date with me, I thought my head and chest would explode from the sheer joy I felt. You were so easy to talk to and wonderfully fiery, sarcastic, yet warm and caring at the same time. I feel like I’ve known you forever. I’ve never shared a connection with anyone like the one I have with you. So no, I don’t think it’s fast
Marie Coulson (Bound Together (Bound Together, #1))
Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands—hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands.
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
Love's Question " And is this all true, My ever-loving friend? That the lightning-flash of the light in my eyes Makes the clouds in your heart explode and blaze, Is this true? That my sweet lips are red as a blushing new bride, My ever-loving friend, Is this true? That a tree of paradise flowers withing me, That my foosteps ring like vinas beneath me, Is this true? That the night sheds drops of dew at the sight of me, That the dawn surrounds me with light from delight in me, Is this true? That the touch of my hot cheek intoxicates the breeze, My ever-loving friend, Is this true? That daylight hides in the dark of my hair, That my arms hold life and death in their power, Is this true? That the earth can be wrapped in the end of my sari, That my voice makes the world fall silent to hear me, Is this true? That the univrse is nothing but me and what loves me, My ever-loving friend, Is this true? That for me alone your love has been waiting Through worlds and ages awake and wandering, Is this true? That my voice, eyes, lips have brought you relief, In a trice, from the cycle of life after life, Is this true? That you read on my soft forehead inginite Truth, My ever-loving friend, Is this true?
Rabindranath Tagore
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale
John Keats (The Complete Poems)
All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see the shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our ghosts; we haunt ourselves. Each ghost comes unbidden from the misty grounds of dream and silence. Our rational minds say, “No, it isn’t.” But another part, an older part, echoes always softly in the dark, “Yes, but it could be.” We come and go from mystery and, in between, we try to forget. But a breeze passing in a still room stirs my hair now and then in soft affection. I think it is my mother.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
it is the end of july and the idle breeze of gentle childhood befogs my mind once more, as the foreign dull heat holds my body so close i feel it’s scarce and quiet breathing brush against my stomach. i have not written since paris and i feel true in my youth at last. the sun strips me of my fatigued masquerading while summer feeds me plump peaches and wrinkly with ripeness figs ; softly reciting the writings of sylvia plath and patti smith. my bare feet greedily absorb the coolness of the cerulean tiles carpeting the guest bathroom floor. the sea covers my ears it’s waves plaiting my hair with the pacific touch of a mother lulling me to a somnolent state as the lenient light of the afternoon blinks through my fluttering eyes and the sparse flare of wind relieves the creases between my eyebrows.
adina s.
He turned his face my way, not having very far to lean in, and kissed me once, sweet and slow—a breeze off the ocean—almost like he was asking permission. He opened his eyes to look at me. Permission granted, Lieutenant. When we kissed again, it was totally different. He scooted closer, his warm hands on either side of my neck. The pressure of his fingers under my hair was solid and strong, yet always gentle. When his lips parted, I got dizzy, like he might positively absorb me. For a second I feared I might be swooning like those silly ladies in Jane Austen novels. “That was rude of me to interrupt,” he whispered, his lips on the corner of my mouth. “But I’m not about to make this decision easy for you.” How he managed to string together so many coherent words was beyond me; I couldn’t even remember what day it was. His fingers combed through my hair, and I caught a flash of his green eyes as they flickered open.
Ophelia London (Abby Road (Abby Road, #1))
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
Jacob Grimm (Grimm's Fairy Stories)
Colin hid a grin. His stare, keen despite the deceptive softness of his lavender-gray eyes, settled on his admiral as he held the girl so tenderly in his arms. Sir Graham loved women, yes, but never had Colin seen him treat one with the sort of obsessive, worshipful devotion he’d bestowed upon Maeve Merrick from the moment he'd brought her aboard. He’d made a bed for her on the sofa tucked beside the starboard bulkhead, bathed her damp skin, and braided her hair to get the hot, heavy mass off her neck. He’d flung open all the stern windows and gone into a rare fit of temper when the tropical breezes had dimmed and the air grew sultry, hot and still. His demands had sent the harassed Dr. Ryder running for the escape of a rum bottle, a midshipman into tears, and the company into hushed and strained eagerness to obey every order relayed through the lieutenants’ speaking trumpets. And to top it all off, Sir Graham had had a blazing argument with Maeve’s formidable lieutenant, Enolia, over who would get custody of the convalescing Pirate Queen.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
It's taken me no time to see, just how much you really mean to me. [Name], it's taken less than a week to realize i want you in my life, And not just as a friend, I don't want to watch as another guys wanders into your life and sweeps you off your feet,Call me selfish, but I'm the only boy I want to see you with, I don't want another boy to hold you in his arms, and push your hair behind your ear, and call you beautiful, I don't want another boy to kiss you gently on the forhead and tell you his feelings about you are indescribable through words. I don't want another boy to hold your hand. I want to be the boy who gets to do all of those things. I want to be the boy who gets to call you his, more than anything. I'm not perfect, I'm far from it. but i know that im going to treat you as perfect as possible, and i knowi'm never once going to let you down. I'm going to give you everything you deserve, and im going to make you the happiest girl in the world, Because, to me you're so much more than just every other girl. You're perfect. There's many girls in the world but none of them are you, And you're the only one I've fallen for so fast, and you're the only one i know for a fact i want to call mine. There's just so much about you that has pushed me off the edge, and made me fall harder than I have before. Your eyes for example those beautiful eys of yours, I have never seen anthing as beautiful in my life as your eyes. That gorgeous,color that just makes illuminates beauty, and makes my heart stop, And youre smile, I have no idea why you dont show it off to everyone. You told me you don't like your smile, but i have no idea how you couldn't, It's pefect. I could look at that smile all day long, and i mean it. I never want to see your face without it, because that smile is absolutely beautiful. There's so much about you, that's unique to you, that makes you who you are, and makes you so perfect. There's no other girl on this entire planet that has the same eyes, and smile, you do, And that's reason enough for me to want you, and no toher girl, And that's why defines you from every other girl, how beautiful you really are.I understand, any guy could tell you you're beautiful, but I'm not any guy. I'm me, and im not just telling you you're beautiful, [Name], I'm telling you you're the most beautiful girl in the whole world, and I want you to believe me when i tell you that, I want you to see youself as beautiful as I see you, I want to look you in the eyes, face to face, and tell you you're the most beautiful girl in the whole world, then hold you close to me, and never let you go, I don't want you to think I'm another guy who's going to lie to you, and break your heart. I want you to believe I really do mean all of this, because I do, with all of my heart, I want to spend nights with you in my arms, i want to kiss you on the forhead every night before bed, I want to try and put my feelings for you into words, just to see that beautiful smile of yours, I want to call you mine, and no one else's, I want you, and no one else, and I can't stress how much i really mean that. Imagine laying in the snow, on a calm winter night, looking up at a clear, starry, full moon night, holding hands, not speaking a word, just laying beside one another, listening, to a gentle breeze, taking in how beautiful stars, and the moon are, Feeling completely at peace with everything, like we're in a land far away from everything, and nothing could possibly take that away that feeling of safety , and complete inner happiness. That's howw I'd describe my feelings for you are. Absolutely perfect in every way. If I am lucky enough to see you tomorrow, I'm going to take your breath away, and prove to you I really am the boy who you deserve. I'm going to make you the happiest girl in the entire world. I feel like I may be falling for you way to fast, and way to soon, but I don't care. not one bit, I've never been so sure of anything.
Jessi (Poetry the Inner Mind)
Come when you should. All this will have been passing through me for you to breathe. I have gazed at it for so long, for your sake, namelessly, with the gaze of poverty, and have loved it, as if already you drank it in. And yet: when I recall that all this- myself, stars, flowers, the sharp flight of a bird out of gesturing brushwood, the clouds' haughtiness and what the wind could do to me at night, whisking me out of one being into next,-that all this, in endless succession (for I am all this, am what the potion's roar left behind in my ear, am the exquisite taste which once a ripe fruit expended on my lips),- that all this, when once you're really here, all, even back to the boy's low gaze into the chalices of high-grown flower fields, even back to one of my mother's smiles which I perhaps, thronged with your being, shall think of as something stolen-, that all this I then shall have to inexhaustibly outgive, night and day, so much unsparingly assimilated nature-, never knowing if what begins to glow in you is mine: perhaps you'll grow more beautiful entirely from your own beauty, from the profusion of restedness in your limbs, from what is sweetest in your blood,-for all I know, because there is awareness even in your hand, because your hair flatters your shoulders, because something in the dark breeze is one with you, because your forget me totally, because you don't strain to hear, because you are a woman: when I recall how I've thrust tenderness into that blood I'd never startled, the voiceless heartstream of things held dear Toledo, November 1912
Rainer Maria Rilke (Uncollected Poems)
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck. “Hmm...a Manhattan?” I teased and he cocked his head. “I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?” I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon. He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why. “Have I told you have exceptionally beautiful you look tonight, Darcy?” Darcy. He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment. Hell. I needed to get over this guy. Why was I so caught up on him? Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it. “That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder. “Don't do that,” he grunted, releasing the drink. I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me. “Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest. “You know what.” “You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye. He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt... “I have something for you,” he said and I turned, blinking out of my dark fantasy. “You do?” He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist. He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.” I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else. He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off. “Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god. “I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
The windows had been thrown open to the summer breezes, and as Brisbane pressed me down onto the bed, I smelled the roses at the casement surrendering their perfume at the end of the long day. He put his hands through my hair and the lavender wreath, broken to bits by the exertions of dancing, scattered like so much confetti across the sheets. What followed...well, there are words to describe such a thing, but they are known only to poets. I believed I loved him before that night; I believed I understood what passes between a man and a woman before that night. I believed I knew all there was of intimacy and pleasure and passion and perfect satisfaction. I was wrong. I went into the room the woman I had always been, but I emerged the next day exactly as Marigold had described—a new creation. I mourned the loss of the beautiful pale violet corset Brisbane had destroyed in his haste, but it was the only casualty of his loss of control, and as I stared mournfully at the shreds of French lace, I marvelled that I had driven him to take it apart with his bare hands. There was power in him, but gentleness as well, and he had given me both.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
Angeline says that we’re not doing very well. Apparently they expected the Japs from the south, by the sea, but they came from the north instead and just breezed right through the defenses there. And it’s really awful outside.” Her voice hiccups. “I saw a dead baby on a pile of rubbish this morning as I came here. It’s all around, the rubbish and the corpses, I mean, and they’re burning it so it smells like what I imagine hell smells like. And I saw a woman being beaten with bamboo poles and then dragged off by her hair. She was half being dragged, half crawling along, and screaming like the end of the world. Her skin was coming off in ribbons. You’re supposed to wear sanitary pads so that . . . you know . . . if a soldier tries to . . . Well, you know. The locals and the Japanese both are looting anything that’s not locked down, and thieving and generally being impossible. They’re all over the place in Kowloon, running amok. We’re thinking about moving out to one of the hotels, just so we’re more in the middle of things, and we can see people and get more information. The Gloucester is packed to the rafters but my old friend Delia Ho has a room at the Repulse Bay and says we can have it because she’s leaving to go to China. We can share the room with Angeline, don’t you think? And apparently, the American Club has cots out and people are staying there as well. They have a lot of supplies, I suppose. Americans always do. Everyone wants to be around other people.
Janice Y.K. Lee (The Piano Teacher)
There’s a dead girl in there who’s not supposed to be, and another girl murdered, and you don’t care. You don’t care about them, or me.” She turned and walked away from him, blinking back tears. “I refuse to be lied to any longer.” What an idiot she was. “Cassandra, wait.” Falco ran after her, grabbing her arm just before she reached the edge of Agnese’s garden. “I do care. Give me two days. That’s all I need. And then I will tell you everything you want to know.” He stared at her. “Please. I’m asking you to trust me.” “Why should I?” Cass asked, her voice barely above a whisper. The breeze rustled through the ivy. Cass watched one leaf whip back and forth. “Last night you told me not to trust you, and tonight you tell me I should. What’s changed?” “What’s changed is that I…” Falco reached for her face, his fingertips caressing her cheekbones. “I’m falling in love with you,” he said, brushing a strand of hair back from her eyes. “For the longest time I couldn’t see it. I didn’t want to see it. So impossible. But I can’t deny my feelings any longer. You’re more than a muse, Cass. I want you to be more. I want you to be mine.” “But you know--” Cass could barely stutter out a sentence; Falco’s words were so unexpected, she could hardly breathe. “But I’m engaged…” “Forget the engagement. Forget what you’re supposed to do. What do you want to do, Cass? What do you need?” Cass felt her resolve melting away. His fingertips were ten individual spots of heat on her cool skin. She was tired of being cold. All she had to do was lean in and let the warmth engulf her. She thought of their bodies pressed together in the old batèla, her hands caressing his bare skin as their mouths met over and over. She realized she was crying. Falco kissed away her tears one at a time. Each time his lips touched her skin, she felt a brightness, like he was making flowers bloom inside of her. “I want to believe you, but it’s not that simple. I--” “It is that simple.” Falco tilted her face upward and pressed his mouth to hers, gently, then harder. Cass didn’t even try to resist. The wind whipped his hair around, and hers, tickling her skin as Falco pressed her against the framework of the trellis that lined the back of her aunt’s garden. Falco leaned into her and Cass could feel their hearts beating against each other. This was what a kiss should feel like. This was real.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
Sir!" he called out. "The Great Chaffalo! My name's Touch, and I brought a bundle of straw. I'd be much obliged if you'd turn it into a horse." Nearby, the tall weeds rasped a little in the breeze. But that was all. He picked up the straw and hurried past broken windows to the rear of the house. "You there, Mr. Chaffalo? It's me, Touch, and I'm in a dreadful hurry. My great-uncle aims to cart me off to the orphan house, but that don't take my fancy. I ain't asking for a fine, high-stepping horse, sir. Just any four legs'll do, as long as one ain't lame. I'd be proper grateful, Mr. Great Chaffalo." Undiscouraged, Touch moved his bundle of straw back to the front of the house to try again. And he noticed the rocking chair was pitching as if someone had just got up. Touch's hair went stiff as needles. But he was determined not to be scared off. He caught his breath. "If you were dozing, I don't mean to rile you up, sir. Maybe you heard of my great-uncle. Judge Wigglesforth? Crosscut saws don't come any meaner. I know I don't amount to much, for a boy, but I'm not shifty-eyed, the way he says. I hope you can see that, Great Chaffalo." Suddenly, Touch thought he could feel a pair of eyes watching him. The eyes in the poster! he thought. His hopes took a leap. "I aim to ride through the woods until I'm long out of reach, sir. He won't know where to look. I'll thank you everlastingly if you'll oblige me with a horse." A snarl burst out of the tall weeds. It wasn't a horse. It was a scruffy wild dog, its teeth looking like rusty nails. And it was coming straight for Touch. Touch began to shinny up a porch column, but he knew that hound was going to get its rusty teeth into his leg. Then he heard a snap of fingers and a voice in the air. "Hey! Hey!" The bundle of straw changed into a horse.
Sid Fleischman (The Midnight Horse)
His scales were smooth and hot beneath my palms but I managed to gain purchase by grabbing hold of his wing and hoisting myself higher. His body was trembling beneath me and he bellowed in pain again, urging me on faster. I reached up, grabbing a thick spine which ran down the centre of his neck before coming face to face with the creature from my nightmares. The Nymph shrieked, lunging at me faster than should have been possible and I almost lost my grip on Darius as I fell back. My heart lurched violently but I managed to catch the top of his wing, swinging myself around as that paralysing rattle juddered through my core, halting my magic in its tracks and stealing my energy from me. Fear shot through me as the Nymph pounced, its probes aimed right for my chest. I screamed, throwing my fist out even though I knew it was no good. As my knuckles connected with the bony ridges of its face, pain exploded through my hand swiftly followed by a flood of red and blue flames. The Nymph shrieked so loudly that I threw my hands over my ears as the flames consumed it, a wisp of black smoke sweeping up towards the sky where it had been moments before. I fell forwards, my palms meeting the warmth of Darius’s blood as I braced myself against him. More Nymphs were running straight for us and with an echoing roar which vibrated right through my body, Darius destroyed all five of them with a torrent of Dragon Fire. His head fell forward as he used the last of his energy and I cried out, grabbing hold of his wing as he tilted sideways beneath me. He crashed to the ground on his side and through some miracle, I managed to keep hold of his wing before falling against his neck. I wrapped my arms around him, scrunching my eyes closed as a tremor tore through his body and the golden colour of his scales seemed to shine with inner power and heat. My stomach lurched and I released a scream as I found myself falling over ten foot down to the ground as Darius retreated into his Fae form. I kept hold of him as I fell, crashing down into the mud of the Pitball pitch on top of him with a cry of fear. All around us the fight raged on but beneath my hands, blood was pulsing from his chest and he was lying deathly still. “Darius?” I demanded, shaking him while still trying to press down on his wounds. It wouldn’t be enough though, his back and legs were bleeding too. A bloody gouge shone wetly on his neck and his breaths were far too shallow. “Help!” I shouted, though my eyes stayed fixed on Darius’s face and my heart was pounding the rhythm of a war drum in my chest. The hairs were rising along the back of my neck, a strange sensation prickling in my chest. This moment felt eternal and fleeting all at once, like we were hanging between two great points and everything could change on the turn of a coin. “Wake up!” I demanded, pushing my magic towards him in hopes of being able to do something. Instead of stopping the blood or healing him, my magic spilled into his body, merging with his in the reverse of what we’d been doing when he helped me with my fire magic. His power welcomed mine instantly, drawing it in, blending with it completely like it had been waiting for this moment. The feeling took my breath away and though it didn’t slow the blood, I felt the tension ease from his muscles and the fear loosen its grip on his heart. My hands were shaking as they ran slick with Darius’s blood and silent tears tracked down my cheeks. His heart was slowing down, his power flickering like a candle in a breeze. If someone didn’t get to us soon, Darius Acrux was going to die. And though it seemed like he should have been the last person in the world for me to care about after everything he’d done to me, I wasn’t sure I could bear it if I lost him here.(tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
I crept through the trees and brush for no more than an hour before I felt a presence behind me- coming ever closer, sending the animals running for cover. I smiled to myself, and twenty minutes later, I settled in the crook of a towering elm and waited. Brush rustled- hardly more than a breeze's passing, but I knew what to expect, knew the signs. A snap and a roar of fury echoed across the lands, scattering the birds. When I climbed out of the tree and walked in to the little clearing, I merely crossed my arms and looked up at the High Lord, dangling by his legs from the snare I'd laid. Even upside down, he smiled lazily at me as I approached. 'Cruel human.' He chuckled, and I came close enough to dare stroke a finger along the silken golden hair dangling just above my face, admiring the many colours within it- the hues of yellow and brown and wheat. My heart thundered, and I knew he could probably hear it. But he leaned his head toward me, a silent invitation, and I ran my fingers through his hair- gently, carefully. He purred, the sound rumbling through my fingers, arms, legs, and core. I wondered how that sound would feel if he were fully pressed up against me, skin-to-skin. I stepped back. He curled upward in a smooth, powerful motion and swiped with a single claw at the creeping vine I'd use for rope. I took a breath to shout, but he flipped as he fell, landing smoothly on his feet. It would be impossible for me to ever forget what he was, and what he was capable of. He took a step closer to me, the laughter still dancing on his face.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Tell me you hate me, and I’ll still count every heartbeat, every freckle, every shiver of your body, if only you say it with a smile.” He backs away, freeing my face from his hands. “I may be a monster, but if you cut me, I’ll bleed. And if you break my heart, Pae, you’ll break me. So, if even a sliver of your soul longs for mine, I’ll spend the rest of my life trying to deserve it.” My eyes are glassy, rimmed with tears I’m too stubborn to let fall. The plea in his gaze is poetic. He flexes his hands at his side, as though it’s an effort to keep them off me. I take in his hair of petals and eyes of ice that only seem to melt when they fall on me. “Maybe you really are a poet,” I whisper. He smiles softly. “Or just a fool for you.” “Pretend?” My voice is small, soft like the breeze blowing through my short hair. “Never.” “None of it?” I ask quietly. “Darling”—he smiles—“I have never had to pretend to want you.
Lauren Roberts, Reckless
It was mid-day when you went away. The sun was strong in the sky. I had done my work and sat alone on my balcony when you went away. Fitful gusts came winnowing through the smells of many distant fields. The doves cooed tireless in the shade, and a bee strayed in my room humming the news of many distant fields. The village slept in the noonday heat. The road lay deserted. In sudden fits the rustling of the leaves rose and died. I glazed at the sky and wove in the blue the letters of a name I had known, while the village slept in the noonday heat. I had forgotten to braid my hair. The languid breeze played with it upon my cheek. The river ran unruffled under the shady bank. The lazy white clouds did not move. I had forgotten to braid my hair. It was mid-day when you went away. The dust of the road was hot and the fields panting. The doves cooed among the dense leaves. I was alone in my balcony when you went away.
Rabindranath Tagore (The Gardener)
Near my feet is a glowing archway. The light is white and shimmery, like iridescent glitter, and it’s so tall the top nearly brushes the ceiling. Inside, instead of seeing the cement wall of the basement, I’m looking at evenly spaced wooden pillars and a reed-mat floor. Standing on that mat is a woman with curves that would make a Playboy model jealous. She’s wearing a long, butter yellow dress, and her white hair hangs down to her waist. She looks like an angel when she smiles at me, holding out her hands. “Hudson, come with me.” Her voice reminds me of the breeze rustling through the trees near the lake. Soft and subtle and calming. “Let me help you.” Did I die? Maybe the scratch on my side got infected. Maybe I’ve been slowly bleeding to death from internal injuries for the past week. Who knows? If this is death, if she’s what’s waiting for me on the other side, then fuck it. I’m letting go.
Erica Cameron (Sing Sweet Nightingale (The Dream War Saga, #1))
When the music stopped and he set her down, Lily swayed and almost fell before Cade could catch her. Looking down at her suddenly pale face and glazed look, Cade swore under his breath and discreetly led her toward the door, supporting her with his arm as he practically carried her out. He saw her father bearing down on them, but he gave the old man a look that scared him off before hauling Lily through the barn door and into the brisk breeze of a December night. "Stand here, out of the wind." Cade leaned her against the barn behind the open door, blocking her from view with his bulk. "I'm all right. It's just the punch. I'd better go back in," Lily whispered unconvincingly as she pushed upright and avoided Cade's eyes. She had never felt like this in her life. Her head was spinning and she wasn't at all certain she could continue standing. She wasn't given to queasiness or the vapors. She wasn't even wearing a corset, for heaven's sake. It had to be the punch. "I only gave you the kind without whiskey," Cade replied, blocking her path with the barrier of his arm. Irrelevantly, he added, "The moon is full tonight." Lily leaned against the wall to ease her spinning head and met Cade's gaze. She was beginning to understand his mind too well, and it frightened her. A shock of black hair fell over his brow and she let her thoughts wander to how it would look if Cade grew just the one long braid of hair down the right side of his head and shaved the left like his father did. She thought he would look very good with feathers and beads in that braid. She wondered if he had tattoos like most Indians were said to have. She didn't even know what his body looked like beneath his shirt. "I'm fine, Cade. Really I am. I'd better go inside before my father comes after us." She tried to stand, but he was too close for her to get far. "It's been two moons, Lily. There's been time to know if there's a child." She had known that was what he was after. She looked over his shoulder at the blue-black night sky. "I'm not that regular, Cade. I can't count the times I thought Jim and I..." She stopped, unwilling to reveal any more of the embarrassing details of her intimate life. Her face was pale against the dark backdrop of the barn, and Cade lifted his hand to touch her cheek. Noting the difference between dark and light, he dropped it again. "In the eyes of my father, you are my wife. We will go to the alcalde to please your father. You have only to say when." He didn't mean to abandon her as Travis had. That was small consolation. Lily closed her eyes and tried to imagine Cade's hand on her cheek, but imagination failed her. He wasn't a tender man. She had evidence enough of that. She wasn't certain she wanted a tender man. She wasn't certain she wanted a man at all. But if a child existed... "I'll hold you to that," she murmured. He
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it. “You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.
Catherine Anderson (Comanche Moon (Comanche, #1))
Swift Antelope caught Hunter’s arm before he could go inside his mother’s lodge. “Hunter, about the little yellow-hair.” “Yes, what about her?” Swift Antelope glanced uneasily at Bright Star, then plunged ahead. “I would like to make arrangements with you--to take her as my wife. Not right away, of course. When she grows old enough.” The young warrior straightened his shoulders. “I will pay a fine bride price, fifty horses and ten blankets.” Hunter smothered a grin. After a year of raiding, Swift Antelope had only ten horses. How much horse stealing did he plan to do? “Swift Antelope, I don’t think she even likes you.” “Your yellow-hair doesn’t like you too well, either.” He had a point. Hunter stroked his chin, acutely aware of a sparrow singing nearby, of cottonwood leaves rustling in the gentle breeze. Such a peaceful sound. He had enough problems without Swift Antelope adding to them. “Can we discuss this another time?” “No! I mean…well, I’ve heard some other warriors talking. I’m not the only one who wants her. If I wait, you may accept the suit of another. She is very fine, is she not?” Hunter wondered if they were talking about the same skinny girl. Then he focused on Swift Antelope, who was only a few years Amy’s senior. He supposed a younger man might find Amy’s coltish prettiness appealing. “I can see your concern. But you forget one thing, Swift Antelope. You have proven yourself my loyal friend. I will not accept the suit of another. Does that ease your mind?” Swift Antelope still gripped Hunter’s arm. “May I visit with her?” “I don’t know about that. She’s been through a terrible time. Having a young man around might upset her.” “Old Man told me what happened to her. But someone must help her walk back to the sunshine, eh?” Again, Hunter had to concede the point. A difficult path lay ahead of Amy, and her way would be made easier if she had a good friend, a young man who could teach her to trust again. “You will take great care with her?” Swift Antelope grinned. “I will protect her with my life. Your mother says she will be strong enough to go on a walk tomorrow. May I take her?” Hunter placed a heavy hand on the boy’s shoulder. “She won’t want to go. You do realize that?” Swift Antelope nodded. “I can handle her until she gets used to me.” “She’s a fighter.” “And I am twice her size.” Hunter almost wished he could go on this walk. It might prove interesting. Little did Swift Antelope know how useless strength could be when tussling with a frightened female. “Come to my lodge late tomorrow afternoon.” Swift Antelope beamed. “I think we should change her name. Aye-mee? It sounds like a sheep baaing. Golden One. That is a good name for her.
Catherine Anderson (Comanche Moon (Comanche, #1))
Maybe you really are a poet," I whisper. He smiles softly. "Only a fool for you." "Pretend?" My voice is small, soft like the breeze blowing through my short hair. "Never." "None of it?" I ask quietly. "Darling"-he smiles- "I have never had to pretend to want you.
Lauren Roberts, Reckless
Old Country Longing August 9, 2024 at 8:49 AM [Verse] Old country, I miss your dusty roads, The fields where wildflowers still grow. I feel lonely when I can't see your face, Yearnin' for your warm, familiar embrace. [Verse 2] I desire to walk through your rolling hills, To hear the whisper of your creeks and rills. Obsessed, I hunger for your taste and scent, Missin' every single moment we spent. [Chorus] Old country, you fill my dreams, Your rivers and plains, your whispering streams. In your fields and farms, I long to find, The feel of your soul, touchin' mine. [Verse 3] I reminisce 'bout your moonlit nights, Your crickets singin' soft lullabies. The summer breeze that danced in my hair, In your presence, I felt no despair. [Verse 4] Your rusty barns and your forest trails, Every path tells a hundred tales. I crave the scent of your fresh cut hay, Dreamin' of home every single day. [Chorus] Old country, you fill my dreams, Your rivers and plains, your whispering streams. In your fields and farms, I long to find, The feel of your soul, touchin' mine.
James Hilton-Cowboy
He wakes to blinding light and a shockingly verdant landscape: flooded paddy fields with narrow mud bunds snaking between them, barely containing the water whose still surface mirrors the sky; coconut palms that are as abundant as leaves of grass; tangled cucumber vines on the side of a canal; a lake crowded with canoes; and a stately barge parting the smaller vessels like a processional down a church aisle. His nostrils register jackfruit, dried fish, mango, and water. Even before his brain digests these sights, his body—skin, nerve endings, lungs, heart—recognizes the geography of his birth. He never understood how much it mattered. Every bit of this lush landscape is his; its every atom contains him. On this blessed strip of coast where Malayalam is spoken, the flesh and bones of his ancestors have leached into the soil, made their way into the trees, into the iridescent plumage of the parrots on swaying branches, and dispersed themselves into the breeze. He knows the names of the forty-two rivers running down from the mountains, one thousand two hundred miles of waterways, feeding the rich soil in between, and he is one with every atom of it. I’m the seedling in your hand, he thinks, as he gazes on Muslim women in colorful long-sleeved blouses and mundus, with cloths loosely covering their hair, bent over at the waist like paper creased down the middle, moving as one line through the paddy fields, poking new life into the soil. Whatever is next for me, whatever the story of my life, the roots that must nourish it are here. He feels transformed as though by a religious experience, but it has nothing to do with religion.
Abraham Verghese (The Covenant of Water)
I’m watching the day through a breeze blown slice in my curtains, obscuring nothing but my hour, summer and wind making peace, moving the leaves in the trees standing guard by my window, nervous after my attempts, the sun stroking fronds but leaving others in shadows, seeing the movement of the branches but hearing nothing but the serene sound of cars beyond the garden, limbs waving to me as a bird perches, maybe scouting for a house, onto the bough scratching the glass, knocking to bring me out into contentment while tiny flies shoot in and out of view, their quick existence something I could argue as I smell the fresh air through the dour scent of a depression that hasn’t left my room in days, then swiftly feeling like I’m outside, alive and welcoming the wind to raise the hairs on my arms, a contrast that blossoms into hope.
Derek Owusu (That Reminds Me)
A summer breeze blew through my wavy chestnut-colored hair as I leaned against the hood of my 1985 Alfa Romeo Spider.
Ivy Wild (The Estate (Kings of Capital, #1))
Bittersweet" A little light looks through her bedroom window. She dances and I dream, she's not so far as she seems, Of brighter meadows, melting sunsets, Her hair blowing in the breeze. And she can't see me watching. And I'm thinking love... Love... Love... Love... It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. I'm older now. I work in the city. We live together. But it's different than my dream. Morning light fills the room. I rise. She pretends she's sleeping. Are we everything we wanted? And I'm thinking love... Love... Love... Love... It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. I know we don't talk about it. We don't tell each other. All the little things that we need. We work our way around each other. As we tremble and we As we tremble and we bleed. As we tremble and we As we tremble and we bleed. It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. Big Head Todd & The Monsters, Sister Sweetly (1993)
Big Head Todd and the Monsters
He’d parked in the very corner of the lot, far, far away from the lights and other cars. As I approached, I heard the telltale sign of glass breaking. Through the shadows, I spotted a figure standing on the hood, swinging something down on the windshield. A skateboard. My feet stopped moving, stupefied at the sight of Helen, on top of my car, her long hair flowing behind her in the breeze, looking like an angel of vengeance. She swung her skateboard high, bringing it down on the windshield with a crash. It was so crazy, such a ridiculously glorious scene, I barked a loud laugh. She whirled, eyes wide, but not panicked. Our gazes locked, and that got me moving toward her. Why, I didn’t know yet. The second I moved, she did too, running to the edge of the hood. She was a step away from jumping off when I lunged, hooking my arms around her before she could escape. “What’s going on, Little Tiger? Are you getting into trouble again?
Julia Wolf (Soft Like Thunder (Savage U, #1))
I’m gonna pull my hair out,” I say, “and I don’t have much left.” I run my hand through the remnants of my curls, and then it happens: I have one of those all-too-rare epiphany moments. It seems like everything happens at once: The sun comes out of the clouds, and it stops drizzling. The sand truck wheezes to life and merges into the proper lane, and traffic starts to move. It feels like I can see for miles, down into the clogged heart of San Jose: houses, office buildings, treetops waving in the breeze. We pick up speed, and the redwoods fall away behind us, and in the distance I see Mount Hamilton, its crest sparkling with fresh snow. And then it comes to me. The idea that will finally work. “Personalized shampoo by mail,” I say.
Marc Randolph (That Will Never Work: The Birth of Netflix and the Amazing Life of an Idea)
The ocean breeze blew her flimsy gown against her body. Hip bones jutted out on either side of her concave stomach. I’d once seen a picture of sacred cows on the Ganges. Starving. “What’s with the outfit?” I asked. “No time to change,” she said. “Had to make a quick getaway.” She kicked the pumps off, pulled the dress over her head. There she stood in a lacy bra and butt-floss thong. Some yacht dads gazed our way. “Evie!” stage-whispered Jack to me. “She’s naked!” “Listen, kid,” said Alycia. “What was your name again?” “Jack?” said Jack. “Right, right. Well, Jack, I can show you naked if you want. But this isn’t it. See this piece of fabric? They call it underwear.” “But I can see your regina.” “Jack, it’s your lucky day.” She turned from us, splashed through the shallows, and dove. Graceful as a dolphin. The yacht dads rubbernecked. She front-crawled out past the breakers. “Why is my day lucky?” asked Jack. I tousled his hair.
Lydia Millet (A Children's Bible)
I tell her of the varieties of silence in a language she does not understand. There is silence where hath been no sound, There is silence where no sound may be, In the cold wave—under the deep, deep sea, Or in wide desert where no life is found, Which hath been mute, and still must sleep profound; No voice is hushed—no life treads silently, But clouds and cloudy shadows wander free, That never spoke, over the idle ground: But in green ruins, in the desolate walls, Of antique palaces, where Man hath been, Though the dun fox or wild hyaena calls, And owls, that flit continually between, Shriek to the echo, and the low winds moan- These true silence is, self-conscious and alone. The evening stars shine in the grey sky. A soft breeze begins to blow. After the hot wind it feels cool, soporific. My eyes are heavy with sleep. I ruffle Bhagmati’s hair. She has fallen asleep. I shut my eyes and am lost to the world. I waken with a feeling of someone looking at me. It is the full moon shining in my face. A papeeha comes out of the grey sky and settles on a crag a few feet away. It raises its head to the moon and fills the haunted landscape with its plaintive cries pee ooh, pee ooh. ‘Listen Eugenia!’ Her name is not Eugenia but Bhagmati. The bird is not the nightingale but a Hawk Cuckoo. Nevertheless its full-throated bursts come crowding through the moonlight. Eternal passion! Eternal pain! *
Khushwant Singh (Delhi: A Novel)
Daybreak" At dawn she lay with her profile at that angle Which, when she sleeps, seems the carved face of an angel. Her hair a harp, the hand of breeze follows And plays, against the white cloud of the pillows. Then, in a flush of rose, she woke, and here eyes that opened Swam in blue through her rose flesh that dawned. ‘My dream becomes my dream,’ she said, ‘come true. I waken from you to my dream of you.’ Oh, my own wakened dream then dared assume The audacity of her sleep. Our dreams Poured into each other’s arms, like streams.
Stephen Spender (New Collected Poems of Stephen Spender)
Nevertheless, it also means that someone would be passing on. One day later, we were married at the small red brick church, which she went to as a young girl. It was the day at last; it was here; there she was walking down the aisle. With the flower pedals, everywhere. I remember seeing the angel oak trees with their leaves blowing in the breeze; it was the perfect heartwarming day. As I walked into the church. At that time, there were daisy and lily flowers all over the place on the floor, with the colors of white and pink in her bouquet, and some were even in her lovely hair, around the white lace veil, and of course next to the glittery silver princess tiara, which she wore. However, there was no one to give her away, but right before the ceremony, this older gentleman walked up to Kristen, he could barely stand or speak, yet he got up on his own two feet, he was very weak, he said that he was living with lung cancer. Yet he said- ‘I’ll do it for the little lady.’ That gentleman’s name was Greg; he said that he knew Nevaeh, and he knew Kristen’s mom, from way back when, so we both said okay, we all thought that was sweet of him to do. We said our vows, ‘I take you, to be my soul mate, to love what I know of you, and trusting what I do not yet know.’ ‘To love and hold and to grow old, as one soul. To get to be with you all the days of my life. While falling even more in love with you every day, as we pray. To keep you in my life.’ ‘I promise to love, and cherish you through whatever life may bring our way, as we become- us!’ We both quoted a remarkable saying by an astonishing person. ‘Love it is like the cupid's arrow, that hits at the most unlikely times. We chose to be as one forever and ever to never- ever forget that bond… now and forever!’ (We all said –Amen! in the house of the Lord.) You may kiss the bride! Brandon- and I did! Kristen- The kiss was magnificent and sweet. Then we walked out of the church together off into the sunset. Nevaeh- I am glad that I got to be there to see them be married!
Marcel Ray Duriez (Nevaeh Struggle with Affections)
Sometimes, I lean out my split-pane window that seems to be high off the ground, and I can hear the whistling wind stream through the leaves of the growth of trees, sometimes this reminds me about being in the garden and golden fields when my eyes are closed. But, when my eyes were open, I realized that it is just the wind rushing through the various hills and valleys of ‘The Land of Many Steeples.’ I do not know what it is… but there is just something about letting your hair blow in the breeze, which feels so amazing. I feel that it is just one of the amazing moments in time, which I have experienced. Oh, just the same can be said, about me standing in the rain, freely and naturally on a warm spring day, while I am filling the ground squish under my toes. Yes, likewise can be said for the winters when I come home from the hellhole, and see the fireplace with its warm glow, from outside the frost chilled arched windows of the tort section of the house that is part of the dwelling. ‘It is amazing also because I know that I will soon be warm and comfortable, and out of this uniform that labels me as one of them.’ In the wintertime, the snowdrifts, the pointed part of the roof along with the weathervane are covered in a blanket of white, ‘The Land of Many Steeples’ sparkles, and soft with an almost spooky light blue cast in the moonlight. The trees down the lane drip with ice like a crystal cave, but- yet we all carve a pathway down the road that leads to the hell and then back to the emptiness. Snow days are rare, but that does not matter to me either way because I cannot truly share it with anyone it seems, as you all know. So, would you be my friend if I asked you? Would you spend some time with me? Can I depend on you; I would be there for you! So, on any day in any weather condition, unless the fog is rising from the valley, I can see in the distance ‘The Land of Many Steeples’, a far cry from this country land, where the dwelling of lost and lonely dreams is upon. Then there are some days there are thunderstorms outside my window, and it takes me back to the past, like when I was in that dark room. I do not think anyone gets over their past, the past that haunts me, and a past that the tower uses against me. Yes, you can change your name. Change your hair, and change your style, but the words of slander will remain. The only thing I can do is find someone that does not care about what the words mean or say, or just plainly pray for it to all go away.
Marcel Ray Duriez (Nevaeh Struggle with Affections)
I’ve never been afraid of ghosts. I live with them daily, after all. When I look in a mirror, my mother’s eyes look back at me; my mouth curls with the smile that lured my great-grandfather to the fate that was me. No, how should I fear the touch of those vanished hands, laid on me in love unknowing? How could I be afraid of those that molded my flesh, leaving their remnants to live long past the grave? Still less could I be afraid of those ghosts who touch my thoughts in passing. Any library is filled with them. I can take a book from dusty shelves, and be haunted by the thoughts of one long dead, still lively as ever in their winding sheet of words. Of course it isn’t these homely and accustomed ghosts that trouble sleep and curdle wakefulness. Look back, hold a torch to light the recesses of the dark. Listen to the footsteps that echo behind, when you walk alone. All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see the shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our ghosts; we haunt ourselves. Each ghost comes unbidden from the misty grounds of dream and silence. Our rational minds say, “No, it isn’t.” But another part, an older part, echoes always softly in the dark, “Yes, but it could be.” We come and go from mystery and, in between, we try to forget. But a breeze passing in a still room stirs my hair now and then in soft affection. I think it is my mother. PART ONE
Diana Gabaldon (Drums of Autumn (Outlander, #4))
On a field of white, Minna has appliqued pieces of fabric that together paint a scene. A young girl sits by a tree-lined brook. If I'd had more time, I think I might have imagined my way inside, my sore feet dangling in the calm water, the breeze braiding through my hair. It is as pretty as a picture on a penny postcard.
Dianne E. Gray (Holding Up the Earth)
I’d always jogged along the beach. I loved the gentle sound of the waves lapping against the shore and the warm salty breeze rushing through my hair. There was nothing more soothing than watching the morning light shimmer over the waves or seeing the water devour footprints in the sand.
Alexandra Moody (Weybridge Academy: The Complete Series)