β
Of all creatures that breathe and move upon the earth, nothing is bred that is weaker than man.
β
β
Homer (The Odyssey)
β
For books are not absolutely dead things, but do contain a potency of life in them to be as active as that soul was whose progeny they are; nay, they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them.
β
β
John Milton (Areopagitica)
β
I am an American; free born and free bred, where I acknowledge no man as my superior, except for his own worth, or as my inferior, except for his own demerit.
β
β
Theodore Roosevelt
β
I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open.
β
β
Madeline Miller (Circe)
β
To care only for well-being seems to me positively ill-bred. Whether itβs good or bad, it is sometimes very pleasant, too, to smash things.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
Fear and Bigotry are bred fom isolation and ignorance.
-Shekinah
β
β
P.C. Cast (Untamed (House of Night, #4))
β
The liar was the hottest to defend his veracity, the coward his courage, the ill-bred his gentlemanliness, and the cad his honor
β
β
Margaret Mitchell (Gone with the Wind)
β
The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away and he almost burnt the house down with a tinder.
β
β
Virginia Woolf (Orlando)
β
He's getting old. I don't count the years. I don't multiply by seven. They bred dogs for everything else, even diving for fish, why didn't they breed them to live longer, to live as long as a man?
β
β
Peter Heller (The Dog Stars)
β
But nobody ever forgot anything, not really, though sometimes they pretended, when it suited them. Memories were permanent. Sorrowful ones remained sad even with the passing of time, yet happy ones could never be recreated - not with the same joy. Remembering bred its own peculiar sorrow. It seemed so unfair: that time should render both sadness and happiness into a source of pain.
β
β
Rohinton Mistry (A Fine Balance)
β
To be born, or at any rate bred, in a hand-bag, whether it had handles or not, seems to me to display a contempt for the ordinary decencies of family life that reminds one of the worst excesses of the French Revolution.
β
β
Oscar Wilde (The Importance of Being Earnest)
β
Tell me where is fancy bred,
Or in the heart, or in the head?
β
β
William Shakespeare (The Merchant of Venice)
β
Today is filled with anger, fueled with hidden hate.
Scared of being outkast, afraid of common fate.
Today is build on tragedies which no one want's to face.
Nightmares to humanity and morally disgraced.
Tonight is filled with Rage, violence in the air.
Children bred with ruthlessness cause no one at home cares.
Tonight I lay my head down but the pressure never stops,
knowing that my sanity content when I'm droped.
But tomorrow I see change, a chance to build a new,
build on spirit intent of heart and ideas based on truth.
Tomorrow I wake with second wind and strong because of pride.
I know I fought with all my heart to keep the dream alive.
β
β
Tupac Shakur
β
What do I know of cultured ways, the gilt, the craft and the lie?
I, who was born in a naked land and bred in the open sky.
The subtle tongue, the sophist guile, they fail when the broadswords sing;
Rush in and die, dogsβI was a man before I was a king.
β
β
Robert E. Howard
β
I watched him, filled with tenderness and ache, wondering what it was that connected us. Was it the wounded places down inside people that sought each other out, that bred a kind of love between them?
β
β
Sue Monk Kidd (The Secret Life of Bees)
β
My nameβs Lassiter, and Iβll tell you all you need to know about me. Iβm an angel first and a sinner second, and Iβm not here for long. Iβll never hurt you, but Iβm prepared to make you pretty goddamn uncomfortable if I have to, to get my job done. I like sunsets and long walks on the beach, but my perfect female no longer exists. Oh, and my favorite hobby is annoying the shit out of people. Guess Iβm just bred to want to get a rise out of folksβprobably the whole resurrection thing.
β
β
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
β
Golden retrievers are not bred to be guard dogs, and considering the size of their hearts and their irrepressible joy in life, they are less likely to bite than to bark, less likely to bark than to lick a hand in greeting. In spite of their size, they think they are lap dogs, and in spite of being dogs, they think they are also human, and nearly every human they meet is judged to have the potential to be a boon companion who might, at many moment, cry, "Let's go!" and lead them on a great adventure.
β
β
Dean Koontz
β
Women wish to be loved not because they are pretty, or good, or well bred, or graceful, or intelligent, but because they are themselves.
β
β
Henri-FrΓ©dΓ©ric Amiel
β
It was the old New York way...the way people who dreaded scandal more than disease, who placed decency above courage, and who considered that nothing was more ill-bred than "scenes", except those who gave rise to them.
β
β
Edith Wharton (The Age of Innocence)
β
With a chuckle, Jack mumbled under his breath to Nick. 'It's like watching the preppy, well-bred versions of you and me trash-talking.
β
β
Julie James (A Lot like Love (FBI/US Attorney, #2))
β
It was obvious that bigotry was never a one-way operation, that hatred bred hatred!
β
β
Isaac Asimov (Pebble in the Sky (Galactic Empire, #3))
β
And she looked at him and saw the grave tenderness in his eyes, and yet knew, for she was bred among men of war, that here was one whom no Rider of the Mark could outmatch in battle.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
Proximity bred familiarity, and familiarity bred comfort.
β
β
Nicholas Sparks (The Lucky One)
β
Remembering bred its own peculiar sorrow. It seemed so unfair: that time should render both sadness and happiness into a source of pain.
β
β
Rohinton Mistry (A Fine Balance)
β
The relator is part tardigrade, part fungus and all supernatural. Itβs a new species of life bred for one specific reason, to communicate with Time.
β
β
Frank Lambert (Ghost Doors)
β
Nature can't evolve a species that hasn't the will to survive. Individuals might be bred to sacrifice themselves, but the race as a whole can never cease to exist.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
I believe that sanitizing this aspect of the modern and ancient world is at the root of our troubles as a culture now. We're bred to be smug about how peaceful we are, so we can watch television and feel safely distant from violence, when it is part of our makeup. That smugness means we don't feel we have to do anything about the violence we see, because it's obviously committed by people who aren't as educated or civilized as we are. By holding ourselves aloof from global and historical violence, we allow it to continue. If we are ever to survive as a species, we need to admit we are violent and find ways to ease the plight of the victims of violence worldwide. (No, invading a violent country and bombing it will not inspire its people to give violence up. Go figure.) We must face who we are and what creates violence: helplessness, envy, rage, even the drive to grab the good things of the world that are flaunted in the faces of the poor. We must take responsibility and protect each other from violence.
β
β
Tamora Pierce
β
Well, what was I to do? For the well-bred gentleman there was clearly only one recourse. I fucked him.
β
β
Mark Gatiss (The Vesuvius Club (Lucifer Box, #1))
β
Earth will be monetized until all trees grow in straight lines, three people own all seven continents, and every large organism is bred to be slaughtered.
β
β
Richard Powers (The Overstory)
β
Oh, the torment bred in the race,
the grinding scream of death
and the stroke that hits the vein,
the hemorrhage none can staunch, the grief,
the curse no man can bear.
But there is a cure in the house, and not outside it, no,
not from others but from them,
their bloody strife. We sing to you,
dark gods beneath the earth.
Now hear, you blissful powers underground --
answer the call, send help.
Bless the children, give them triumph now.
β
β
Aeschylus (The Oresteia Trilogy: Agamemnon, the Libation-Bearers and the Furies)
β
Farm animals are far more aware and intelligent than we ever imagined and, despite having been bred as domestic slaves, they are individual beings in their own right. As such, they deserve our respect. And our help. Who will plead for them if we are silent? Thousands of people who say they βloveβ animals sit down once or twice a day to enjoy the flesh of creatures who have been treated so with little respect and kindness just to make more meat.
β
β
Jane Goodall
β
A lady should never feel anxious about her behavior. The status is bred in the bone. To show anxiety is to lower oneself. Anxiety is vulgar.
β
β
Eloisa James (A Kiss at Midnight (Fairy Tales, #1))
β
Elizabethβs entire body started to tremble as his lips began descending to hers. and she sought to forestall what her heart knew was inevitable by reasoning with him. βA gently bred Englishwoman,β she shakily quoted Lucindaβs lecture. βfeels nothing stronger than affection. We do not fall in love.β
His warm lips covered hers. βIβm a Scot,β he murmured huskily. βWe do.
β
β
Judith McNaught (Almost Heaven (Sequels, #3))
β
Not with whom you are born, but with whom you are bred.
β
β
Miguel de Cervantes Saavedra (Don Quixote)
β
The Shadow that bred them can only mock, it cannot make: not real things of its own. I don't think it gave life to the orcs, it only ruined them and twisted them.
β
β
J.R.R. Tolkien
β
The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge.
β
β
H.G. Wells (Ann Veronica)
β
Ambrose turned on his heel and stormed off, but before he made it through the door, Elodin burst out singing:
βHe's a well-bred ass, you can see it in his stride!
And for a copper penny he will let you take a ride!
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
What well-bred woman would refuse her heart to a man who had just saved her life? Not one; and gratitude is a short cut which speedily leads to love.
β
β
ThΓ©ophile Gautier (Mademoiselle de Maupin)
β
Makedon was explaining the virtues of iron tea to Laurent, and when Laurent massaged his own temple with finely bred fingers, Makedon remarked, rising, βYou should have your slave fetch you some.β
βFetch me some,β Laurent said.
Damen rose. And stopped.
Laurent had gone very still. Damen stood there, awkwardly. He could think of no other reason why he had stood up.
He looked up and his eyes met those of Nikandros, who was staring at him. Nikandros was with a small group to one side of the table, the last of the men in the hall. He was the only one to have seen and heard. Damen just stood there.
βThis meeting is over,β Nikandros announced to the men around him, too loudly. βThe King is ready to ride.
β
β
C.S. Pacat (Kings Rising (Captive Prince, #3))
β
Arabiaβwhere the greatest horses in the world were bred!
β
β
Walter Farley (The Black Stallion (The Black Stallion, #1))
β
The Ramkins were more highly bred than a hilltop bakery, whereas Corporal Nobbs had been disqualified from the human race for shoving.
β
β
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
β
What other creatures are bred so exquisitely and purposefully for mistreatment as women are?
β
β
Euripides (Medea)
β
SEPTEMBER 1, 1939
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
β
β
W.H. Auden (Another Time)
β
Oh, this age! How tasteless and ill-bred it is.
β
β
Catullus
β
I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.
β
β
Madeline Miller (Circe)
β
What virtue is there in a man who demonstrates goodness because he has been bred to it? It is his habit from youth. But a man who has known unkindness and want, for him to be kind and charitable to those who have been the cause of his misfortunes, that is a virtuous man.
β
β
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
β
Exultation is the going
Of an inland soul to sea
Past the houses, past the headlands
Into deep eternity!
Bred as we, among the mountains
Can the sailor understand
The divine intoxication
Of the first league out from land?
β
β
Emily Dickinson
β
Adaptation is one of the great advantages to being born and bred in Jersey. We're simply not bested by bad air or tainted water. We're like that catfish with lungs. Take us out of our environment and we can grow whatever body parts we need to survive. After Jersey the rest of the country's a piece of cake. You want to send someone into a fallout zone? Get him from Jersey. He'll be fine.
β
β
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
β
She refused almost every aspect of my help, the way women will when they've been bred to accept little more than the baset civility.
β
β
Julia Armfield (Our Wives Under the Sea)
β
Then, like a born and bred asshole, he added to the sheriff, "He writes murder mysteries.
β
β
Josh Lanyon (A Dangerous Thing (The Adrien English Mysteries, #2))
β
Being apart was wrong. Simply lying side by side did more for a relationship than words. A warm bed, a nest of animal intimacy. Words could be misunderstood, whereas loving companionship bred trust.
β
β
Michel Faber (The Book of Strange New Things)
β
People who are bred, selected, and compensated to find complicated solutions do not have an incentive to implement simplified ones.
β
β
Nassim Nicholas Taleb (Skin in the Game: The Hidden Asymmetries in Daily Life)
β
Mr Beach was too well bred to be inquisitive, but his eyebrows here not.
'Ah!' he said.
'?', cried the eyebrows. '? ? ?'
Ashe ignored the eyebrows.
...
Mr Beach's eyebrows were still mutely urging him to reveal all, but Ashe directed his gaze at that portion of the room which Mr Beach did not fill. He was hanged if he was going to let himself be hypnotized by a pair of eyebrows into incriminating himself.
β
β
P.G. Wodehouse (Something Fresh (Blandings Castle, #1))
β
I shall be much obliged to you, cousin, if you will refrain from telling my sisters that she has a face like a horse!β
βBut, Charles, no blame attaches to Miss Wraxton! She cannot help it, and that, I assure you, I have always pointed out to your sisters!β
βI consider Miss Wraxtonβs countenance particularly well-bred!β
βYes, indeed, but you have quite misunderstood the matter! I meant a particularly well-bred horse!β
'You mean, as I am perfectly aware, to belittle Miss Wraxton!'
'No, no! I am very fond of horses!' Sophy said earnestly.
Before he could stop himself he found that he was replying to this. 'Selina, who repeated the remark to me, is not fond of horses, however, and sheβ' He broke off, seeing how absurd it was to argue on such a head.
'I expect she will be, when she has lived in the same house with Miss Wraxton for a month or two,' said Sophy encouragingly.
β
β
Georgette Heyer (The Grand Sophy)
β
It is only the infinite mercy and love of God that has prevented us from tearing ourselves to pieces and destroying His entire creation long ago. People seem to think that it is in some way a proof that no merciful God exists, if we have so many wars. On the contrary, consider how in spite of centuries of sin and greed and lust and cruelty and hatred and avarice and oppression and injustice, spawned and bred by the free wills of men, the human race can still recover, each time, and can still produce man and women who overcome evil with good, hatred with love, greed with charity, lust and cruelty with sanctity. How could all this be possible without the merciful love of God, pouring out His grace upon us? Can there be any doubt where wars come from and where peace comes from, when the children of this world, excluding God from their peace conferences, only manage to bring about greater and greater wars the more they talk about peace?
β
β
Thomas Merton (The Seven Storey Mountain)
β
Atrocity is recognized as such by victim and perpetrator alike, by all who learn about it at whatever remove. Atrocity has no excuses, no mitigating argument. Atrocity never balances or rectifies the past. Atrocity merely arms the future for more atrocity. It is self-perpetuating upon itself β a barbarous form of incest. Whoever commits atrocity also commits those future atrocities thus bred.
β
β
Frank Herbert (Children of Dune (Dune, #3))
β
I look upon logical proofs the way a well-bred girl looks upon a love letter.
β
β
Johann Georg Hamann
β
No justification of virtue will enable a man to be virtuous. Without the aid of trained emotions the intellect is powerless against the animal organism. I had sooner play cards against a man who was quite skeptical about ethics, but bred to believe that βa gentleman does not cheatβ, than against an irreproachable moral philosopher who had been brought up among sharpers.
β
β
C.S. Lewis (The Abolition of Man)
β
For the error bred in the bone of each woman and each man craves what it cannot have, not universal love but to be loved alone.
β
β
W.H. Auden
β
Whoever had said that the hand rocked the cradle ruled the world must have has a Southern,born bred mother.
β
β
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
β
He Looked and smelt like Autumn's very brother, his face being sunburnt to wheat-colour, his eyes blue as corn-flowers, his sleeves and leggings dyed with fruit-stains, his hands clammy with the sweet juice of apples, his hat sprinkled with pips, and everywhere about him the sweet atmosphere of cider which at its first return each season has such an indescribable fascination for those who have been born and bred among the orchards.
β
β
Thomas Hardy (The Woodlanders)
β
People are gregarious by necessity. Since the days of the first cave dwellers, humans -- hairless, weak, and helpless save for cunning -- have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct. And I feared I did not have it, and fearing, was ashamed.
β
β
Diana Gabaldon (Outlander (Outlander, #1))
β
Our culture has bred consumers and addicts. We eat too much, buy too much, and want too much. We set ourselves on the fruitless mission of filling the gaping hole within us with material things. Blindly, we consume more and more, believing we are hungry for more food, status, or money, yet really we are hungry for connection.
β
β
Vironika Tugaleva (The Love Mindset: An Unconventional Guide to Healing and Happiness)
β
We were bred of earth before we were bred of our mothers. Once born, we can live without mother or father, or any other kin, or any friend, or any human love. We cannot live without the earth or apart from it, and something is shrivelled in a man's heart when he turns away from it and concerns himself only with the affairs of men.
β
β
Marjorie Kinnan Rawlings (Cross Creek)
β
He said to people: youβre free. And they said hooray, and then he showed them what freedom costs and they called him a tyrant and, as soon as heβd been betrayed, they milled around a bit like barn-bred chickens whoβve seen the big world outside for the first time, and then they went back into the warm and shut the door...
β
β
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
β
That is what exile meant: no one was coming, no one ever would. There was fear in that knowledge, but after my long night of terrors it felt small and inconsequential. The worst of my cowardice had been sweated out. In its place was a giddy spark. I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.
β
β
Madeline Miller (Circe)
β
How skillful to tax the middle class to pay for the relief of the poor, building resentment on top of humiliation! How adroit to bus poor black youngsters into poor white neighborhoods, in a violent exchange of impoverished schools, while the schools of the rich remain untouched and the wealth of the nation, doled out carefully where children need free milk, is drained for billion-dollar aircraft carriers. How ingenious to meet the demands of blacks and women for equality by giving them small special benefits, and setting them in competition with everyone else for jobs made scares by an irrational, wasteful system. How wise to turn the fear and anger of the majority toward a class of criminals bred - by economic inequity - faster than they can be put away, deflecting attention from the huge thefts of national resources carried out within the law by men in executive offices.
β
β
Howard Zinn (A Peopleβs History of the United States: 1492 - Present)
β
I am a book.
Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.
I am a book.
I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.
I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.
I am a tale of woe and secrets,
I am a mystery.
I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
from the evil that lurks within
and the evil we cannot lurk without.
I am words of adventure,
of faraway places where no one knows my tongue,
of curious cultures in small, back alleys, mean streets,
the crumbling house in each of us.
I am primordial fear, the great unknown,
I am life everlasting.
I touch you and you shiver, I blow in your ear and you follow me,
down foggy lanes, into places you've never seen,
to see things no one should see,
to be someone you could only hope to be.
I ride the winds of imagination on a black-and-white horse,
to find the truth inside of me, to cure the ills inside of you,
to take one passenger at a time over that tall mountain,
across that lonely plain to a place you've never been
where the world stops for just one minute
and everything is right.
I am a mystery.
-Rides a Black and White Horse
β
β
Lise McClendon
β
The choir always tittered and whispered all through service. There was once a church choir that was not ill-bred, but I have forgotten where it was, now. It was a great many years ago, and I can scarcely remember anything about it, but I think it was in some foreign country.
β
β
Mark Twain (The Adventures of Tom Sawyer)
β
I figured I had kept her from being too depressed after fucking--it's hard for a girl with any force in her and any brains to accept the whole thing of fucking, of being fucked without trying to turn it on its end, so that she does some fucking, or some fucking up; I mean, the mere power of arousing the man so he wants to fuck isn't enough; she wants him to be willing to die in order to fuck. There's a kind of strain or intensity women are bred for, as beasts, for childbearing when childbearing might kill them, and child rearing when the child might die at any moment: it's in women to live under that danger, with that risk, that close to tragedy, with that constant taut or casual courage. They need death and nobility near. To be fucked when there's no drama inherent in it, when you're not going to rise to a level of nobility and courage forever denied the male, is to be cut off from what is inherently female, bestially speaking.
β
β
Harold Brodkey
β
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have;
Not universal love
But to be loved alone.
β
β
W.H. Auden (Collected Poems)
β
You are racist because you were born and bred in a racist, white supremacist society. White Supremacy is, as Iβve said earlier, insidious by design. The racism required to uphold White Supremacy is woven into every area of our lives. There is no way you can inherit white privilege from birth, learn racist white supremacist history in schools, consume racist and white supremacist movies and films, work in a racist and white supremacist workforce, and vote for racist and white supremacist governments and not be racist.
β
β
Ijeoma Oluo (So You Want to Talk About Race)
β
The Santa Monica Freeway is traditionally the scene of every form of automotive folly known to man. It is not white and well-bred like the San Diego, nor as treacherously engineered as the Pasadena, nor quite as ghetto-suicidal as the Harbor. No, one hesitates to say it, but the Santa Monica is a freeway for freaks.
β
β
Thomas Pynchon (Gravity's rainbow)
β
The food we eat masks so much cruelty. The fact that we can sit down and eat a piece of chicken without thinking about the horrendous conditions under which chickens are industrially bred in this country is a sign of the dangers of capitalism, how capitalism has colonized our minds. The fact that we look no further than the commodity itself, the fact that we refuse to understand the relationships that underly the commodities that we use on a daily basis. And so food is like that.
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Angela Y. Davis
β
Being a copper I like to see the law win. I'd like to see the flashy well-dressed mugs like Eddie Mars spoiling their manicures in the rock quarry at Folsom, alongside of the poor little slum-bred guys that got knocked over on their first caper amd never had a break since. That's what I'd like. You and me both lived too long to think I'm likely to see it happen. Not in this town, not in any town half this size, in any part of this wide, green and beautiful U.S.A. We just don't run our country that way.
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β
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
β
Did you think they did it alone?
Built whole armies,
and conquered thrones?
Constructed promised lands
that would outlive the sun
resurrected prosperity from ash and bone?
A crest is not just a manmade thing
it is also created by generations of women
who wield swords through guile and letters.
Show me your kings,
and I will show you the queens that willed them,
that bred them, and taught them to do better.
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β
Nikita Gill
β
He had relieved whores beyond counting of frocks, stays, chemises, garters, and stockings. He had never before in his life unbuttoned a gently bred maiden's glove. He'd committed salacious acts beyond number. He'd never before felt so depraved as he did now, as the last pearl came free and he drew the soft kid down, baring her wrist, and his dark fingers grazed the delicate skin he'd exposed.
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β
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
β
As to when I shall visit civilization, it will not be soon, I think. I have not tired of the wilderness; rather I enjoy its beauty and the vagrant life I lead, more keenly all the time. I prefer the saddle to the streetcar and star-sprinkled sky to a roof, the obscure and difficult trail, leading into the unknown, to any paved highway, and the deep peace of the wild to the discontent bred by cities. Do you blame me then for staying here, where I feel that I belong and am one with the world around me? It is true that I miss intelligent companionship, but there are so few with whom I can share the things that mean so much to me that I have learned to contain myself. It is enough that I am surrounded with beauty....
Even from your scant description, I know that I could not bear the routine and humdrum of the life that you are forced to lead. I don't think I could ever settle down. I have known too much of the depths of life already, and I would prefer anything to an anticlimax.
β
β
Everett Ruess
β
My application's not bought,' I am telling them, calling into the darkness of the red cave that opens out before closed eyes. 'I am not just a boy who plays tennis. I have an intricate history. Experiences and feelings. I'm complex.
'I read,' I say. 'I study and read. I bet I've read everything you've read. Don't think I haven't. I consume libraries. I wear out spines and ROM-drives. I do things like get in a taxi and say, "The library, and step on it." My instincts concerning syntax and mechanics are better than your own, I can tell, with due respect. But it transcends the mechanics. I'm not a machine. I feel and believe. I have opinions. Some of them are interesting. I could, if you'd let me, talk and talk. Let's talk about anything. I believe the influence of Kierkegaard on Camus is underestimated. I believe Dennis Gabor may very well have been the Antichrist. I believe Hobbes is just Rousseau in a dark mirror. I believe, with Hegel, that transcendence is absorption. I could interface you guys right under the table,' I say. 'I'm not just a creatus, manufactured, conditioned, bred for a function.'
I open my eyes. 'Please don't think I don't care.
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β
David Foster Wallace (Infinite Jest)
β
Richard Gansey III had forgotten how many times he had been told he was destined for greatness. He was bred for it; nobility and purpose coded in both sides of his pedigree. His motherβs father had been a diplomat, an architect of fortunes; his fatherβs father had been an architect, a diplomat of styles. His motherβs mother had tutored the children of European princesses. His fatherβs mother had built a girlsβ school with her own inheritance. The Ganseys were courtiers and kings, and when there was no castle to invite them, they built one.
He was a king.
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Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
β
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Leonard Cohen (Flowers for Hitler)
β
I'm a Southerner, born and bred, but that doesn't mean I approve of all that goes on here. And there are a lot of other white people who feel the same'
'If you and so many others feel that way,' said Uncle Hammer with a wry sneer, 'then how come them Wallaces ain't in jail.'
'Hammer,' Big Ma started.
'Because,' answered Mr. Jamison candidly. 'There aren't enough of those same white people who would admit how they feel, or even if they did, would hang a white man for killing a black one. It's as simple as that.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
β
The little boy nodded at the peony and the peony seemed to nod back. The little boy was neat, clean and pretty. The peony was unchaste, dishevelled as peonies must be, and at the height of its beauty.(...) Every hour is filled with such moments, big with significance for someone.
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Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
β
For the Age has itself become vulgar, and most people have no idea to what extent they are themselves tainted. The bad manners of all parliaments, the general tendency to connive at a rather shady business transaction if it promises to bring in money without work, jazz and Negro dances as the spiritual outlet in all circles of society, women painted like prostitutes, the efforts of writers to win popularity by ridiculing in their novels and plays the correctness of well-bred people, and the bad taste shown even by the nobility and old princely families in throwing off every kind of social restraint and time-honoured custom: all of these go to prove that it is now the vulgar mob that gives the tone.
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Oswald Spengler
β
Recently Mr. Mawdsleyβs donkey escaped from his stall, raced down the road, and somehow found his way into an enclosed pasture. Mr. Cairdβs prized mare was innocently grazing when the ill-bred seducer had his way with her. Now it appears the mare has conceived, and a feud is raging between Caird, who demands financial compensation, and Mawdsley, who insists that had the pasture fencing been in better repair, the clandestine meeting would never have occurred. Worse still, it has been suggested that the mare is a shameless lightskirt and did not try nearly hard enough to preserve her virtue.
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Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
β
One particularly poor argument in defence of eating meat is that if humans did not eat animals, those animals would not have been brought into existence in the first place. Humans would simply not have bred them in the numbers they do breed them. The claim is that although these animals are killed, this cost to them is outweighed by the benefit to them of having been brought into existence. This is an appalling argument for many reasons. First, the lives of many of these animals are so bad that even if one rejected my argument one would still have to think that they were harmed by being brought into existence. Secondly, those who advance this argument fail to see that it could apply as readily to human babies that are produced only to be eaten. Here we see quite clearly that being brought into existence only to be killed for food is no benefit. It is only because killing animals is thought to be acceptable that the argument is thought to have any force.
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β
David Benatar (Better Never to Have Been: The Harm of Coming into Existence)
β
Beauty means this to one person, perhaps, and that to another. And yet when any one of us has seen or heard or read that which to him is beautiful, he has known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting. A choirboy's voice, a ship in sail, an opening flower, a town at night, the song of the blackbird, a lovely poem, leaf shadows, a child's grace, the starry skies, a cathedral, apple trees in spring, a thorough-bred horse, sheep-bells on a hill, a rippling stream, a butterfly, the crescent moon -- the thousand sights or sounds or words that evoke in us the thought of beauty -- these are the drops of rain that keep the human spirit from death by drought. They are a stealing and a silent refreshment that we perhaps do not think about but which goes on all the time....It would surprise any of us if we realized how much store we unconsciously set by beauty, and how little savour there would be left in life if it were withdrawn. It is the smile on the earth's face, open to all, and needs but the eyes to see, the mood to understand.
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John Galsworthy
β
The places we are born come back. They disguise themselves as migraines, stomach aches, insomnia. They are the way we sometimes wake falling, fumbling for the bedside lamp, certain everything weβve built has gone in the night. We become strangers to the places we are born. They would not recognize us but we will always recognize them. They are marrow to us; they are bred into us. If we were turned inside out there would be maps cut into the wrong side of our skin. Just so we can find our way back. Except, cut wrong side into my skin are not canals and train tracks and a boat, but always: you.
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Daisy Johnson (Everything Under)
β
One of the first evidences of a real lady, is that she should be modest. By modesty we mean that she shall not say, do, nor wear anything that would cause her to appear gaudy, ill-bred, or unchaste. There should be nothing about her to attract unfavorable attention, nothing in her dress or manner that would give a man an excuse for vulgar comment. When we dress contrary to the rule of modesty we give excuse for unwholesome thoughts in the mind of those who look upon us, and every girl who oversteps these bounds makes herself liable to misunderstanding and insult, though she may be innocent of any such intention.
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β
Margaret Hale
β
You may plainly perceive the traitor through his mask; he is well known every-where in his true colors; his rolling eyes and his honeyed tones impose only on those who do not know him. People are aware that this low-bred fellow, who deserves to be pilloried, has, by the dirtiest jobs, made his way in the world; and that the splendid position he has acquired makes merit repine and virtue blush. Yet whatever dishonourable epithets may be launched against him everywhere, nobody defends his wretched honour. Call him a rogue, an infamous wretch, a confounded scoundrel if you like, all the world will say βyea, β and no one contradicts you. But for all that, his bowing and scraping are welcome everywhere; he is received, smiled upon, and wriggles himself into all kinds of society; and, if any appointment is to be secured by intriguing, he will carry the day over a man of the greatest worth. Zounds! these are mortal stabs to me, to see vice parleyed with; and sometimes times I feel suddenly inclined to fly into a wilderness far from the approach of men.
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β
Molière (The Misanthrope)
β
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
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Ernest Hemingway
β
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writerβs assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a manβs life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
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Ernest Hemingway (Death in the Afternoon)
β
...a great man who is vicious will only be a great doer of evil, and a rich man who is not liberal will be only a miserly beggar; for the possessor of wealth is not made happy by possessing it, but by spending it - and not by spending as he please but by knowing how to spend it well. To the poor gentleman there is no other way of showing that he is a gentleman than by virtue, by being affable, well-bred, courteous, gentle-mannered and helpful; not haughty, arrogant or censorious, but above all by being charitable...and no one who sees him adorned with the virtues I have mentioned, will fail to recognize and judge him, though he know him not, to be of good stock.
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Miguel de Cervantes Saavedra
β
The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about herβher sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that βIt isnβt the same for them as it would be for us,β and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to herβunderstood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.
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George Orwell (The Road to Wigan Pier)
β
These thoughts were as familiar to her, and as comforting, as the precise configuration of her knees, their matching but competing, symmetrical and reversible, look. A second thought always followed the first, one mystery bred another: Was everyone else really as alive as she was? For example, did her sister really matter to herself, was she as valuable to herself as Briony was? Was being Cecilia just as vivid an affair as being Briony? Did her sister also have a real self concealed behind a breaking wave, and did she spend time thinking about it, with a finger held up to her face? Did everybody, including her father, Betty, Hardman? If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyoneβs thoughts striving in equal importance and everyoneβs claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance. But if the answer was no, then Briony was surrounded by machines, intelligent and pleasant enough on the outside, but lacking the bright and private inside feeling she had. This was sinister and lonely, as well as unlikely. For, though it offended her sense of order, she knew it was overwhelmingly probably that everyone else had thoughts like hers. She knew this, but only in a rather arid way; she didnβt really feel it.
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Ian McEwan (Atonement)
β
For books are not absolutely dead things, but ...do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them. I know they are as lively, and as vigorously productive, as those fabulous Dragon's teeth; and being sown up and down, may chance to spring up armed men....Yet on the other hand unless wariness be used, as good almost kill a Man as kill a good Book; who kills a Man kills a reasonable creature, God's Image; but he who destroys a good Book, kills reason itself, kills the Image of God, as it were in the eye. Many a man lives a burden to the Earth; but a good Book is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life.
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John Milton (Areopagitica)
β
...we're a people who pollute the very air we breathe. And our rivers. We're destroying the great lakes; Erie is already gone, and now we've begun on the oceans. We filled our atmosphere with radioactive fallout that put poison into our children's bones, and we knew it. We've made bombs that can wipe out humanity in minutes, and they are aimed and ready to fire. We ended polio, and then the United States Army bred new strains of germs that can cause fatal, incurable disease. We had a chance to do justice to our Negroes, and when they asked it, we refused. In Asia we burned people alive, we really did. We allow children to grow up malnourished in the United States. We allow people to make money by using our television channels to pursued our own children to smoke, knowing what it is going to do to them. This is a time when it becomes harder and harder to continue telling yourself that we are still good people. We hate each other. And we're used to it.
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Jack Finney
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Marked.β My face was on fire, my limbs shaking. βAll of you. I will take all of you out with my own bare hands!β
There was laughter building in Bramβs voice as he responded. βAs cute as Iβm sure that would be, your attemptβ¦if we thought the people who might try to trace that chip could make you absolutely, one hundred percent safe, I would carry you to them and hand you over myself.β
I gingerly rested my fingertips against my forehead, breathing deeply, trying to calm myself down.
βThere are some very bad men out to get you, Miss Dearly.β
βYou have got to be kidding me.β
βBy the way, you have quite the vocabulary, for a princess.β He still sounded amused.
This statement was random enough to get my attention. βPrincess?β I asked, confused.
βYou know, a princess. A New Victorian girl.β
My lips parted to fire off another question before it clicked. βYouβre a Punk.β
βBorn and bred.β
βFantastic.
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Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
β
I am sorry that I cannot make it okay. I am sorry that I cannot save you -- but not that sorry. Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it. The fact is that despite their dreams, their lives are also not inviolable. When their own vulnerability becomes real -- when the police decide that tactics for the ghetto should enjoy wider usage, when their armed society shoots down their children, when nature sends hurricanes against their cities -- they are shocked in a way that those of us who were born and bred to understand cause and effect can never be. And I would not have you like them. You have been cast into a race in which the wind is always at your face and the hounds are always at your heels. And to varying degrees this is true of all life. The difference is that you do not have the privilege of living in ignorance of this essential fact. I am speaking to you as I always have -- as the sober and serious man I have always wanted you to be, who does not apologize for his human feelings, who does not make excuses for his height, his long arms, his beautiful smile. You are growing into consciousness, and my wish for you is that you feel no need to constrict yourself to make other people comfortable. None of that can change the math anyway. I never wanted you to be twice as good as them, so much as I have always wanted you to attack every day of your brief bright life in struggle. The people who must believe they are white can never be your measuring stick. I would not have you descend into your own dream. I would have you be a conscious citizen of this terrible and beautiful world.
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Ta-Nehisi Coates (Between the World and Me)
β
We may see a Creature with forty-nine heads
Who lives in the desolate snow,
And whenever he catches a cold (which he dreads)
He has forty-nine noses to blow.
'We may see the venomous Pink-Spotted Scrunch
Who can chew up a man with one bite.
It likes to eat five of them roasted for lunch
And eighteen for its supper at night.
'We may see a Dragon, and nobody knows
That we won't see a Unicorn there.
We may see a terrible Monster with toes
Growing out of the tufts of his hair.
'We may see the sweet little Biddy-Bright Hen
So playful, so kind and well-bred;
And such beautiful eggs! You just boil them and then
They explode and they blow off your head.
'A Gnu and a Gnocerous surely you'll see
And that gnormous and gnorrible Gnat
Whose sting when it stings you goes in at the knee
And comes out through the top of your hat.
'We may even get lost and be frozen by frost.
We may die in an earthquake or tremor.
Or nastier still, we may even be tossed
On the horns of a furious Dilemma.
'But who cares! Let us go from this horrible hill!
Let us roll! Let us bowl! Let us plunge!
Let's go rolling and bowling and spinning until
We're away from old Spiker and Sponge!
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Roald Dahl (James and the Giant Peach)