Breathing Underwater Quotes

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Frank stared at him. "Unfair? You can breathe underwater and blow up glaciers and summon freaking hurricanes-and it's unfair that I can be an elephant?" Percy considered. "Okay. I guess you got a point. But the next time I say you're totally beast-" "Just shut up," Frank said. "Please." Percy cracked a smile.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
All good writing is like swimming underwater and holding your breath.
F. Scott Fitzgerald
Anyone else feel like that? Like your life's a big act. Like you're trying to be a man when you're just a scared kid, trying to keep under control when you really want to scream, cry, maybe hit someone. Ever feel like you're breathing underwater, and you have to stop because you're gulping in too much fluid?
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?
Jennifer Egan (A Visit from the Goon Squad)
Christians are usually sincere and well-intentioned people until you get to any real issues of ego, control power, money, pleasure, and security. Then they tend to be pretty much like everybody else. We often given a bogus version of the Gospel, some fast-food religion, without any deep transformation of the self; and the result has been the spiritual disaster of "Christian" countries that tend to be as consumer-oriented, proud, warlike, racist, class conscious, and addictive as everybody else-and often more so, I'm afraid.
Richard Rohr (Breathing Underwater: Spirituality and the 12 Steps)
Frank couldn't breathe underwater. But where was he? Percy turned in a full circle. Nothing. Then he glanced up. Hovering above him was a giant goldfish. Frank had turned -clothes, backpack, and all- into a koi the size of a teen-aged boy. "dude." Percy sent his thoughts through the water, the way he spoke to other sea creatures. "A goldfish?" Frank's voice came back to him: "I freaked. We were talking about goldfish, so it was on my mind. Sue me.
Rick Riordan
I wondered how it could be that people could love God and hate one another.
Julie Orringer (How to Breathe Underwater)
It's easier to fake it. When you fake it for sixteen years, it becomes part of you, something you don't think about.
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
...religion either produces the very best people or the very worst.
Richard Rohr (Breathing Underwater: Spirituality and the 12 Steps)
You cannot heal what you do not first acknowledge.
Richard Rohr (Breathing Underwater)
We carry our families like anchors, rooting us in storms, making sure we never drift from where and who we are. We carry our families within us the way we carry our breath underwater, keeping us afloat, keeping us alive.
Erika Swyler (The Book of Speculation)
The funny thing is,' Calvin said, 'I thought I'd been breathing underwater this whole time, but I guess I've been drowning.
Shaun David Hutchinson (At the Edge of the Universe)
I want to stay," he admitted. "I haven't felt this way in a long time. I feel like ... like I came up from being underwater, and I can finally breathe. I don't want to stop feeling that way. That's how I know I have to leave.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Silent," the carved wizardwood on his wrist breathed. "Silent as a blinded ship, floating hull-up in the sea. Silent as a scream underwater.
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
God does not love us if we change, God loves us so that we can change.
Richard Rohr (Breathing Underwater)
As we rose over the rooftops I caught my breath-well, if you can catch your breath underwater.
Rick Riordan
Instead, I try to imagine someone she might fall in love with. Maybe it will be a merrow, and he will give her the gift of breathing underwater and a crown of pearls and take her to his bed under the sea. Actually, that sounds amazing. Maybe I am making all the wrong choices.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Religion is lived by people who are afraid of hell. Spirituality is lived by people who have been through hell.
Richard Rohr (Breathing Underwater)
How you do life is your real and final truth, not what ideas you believe.
Richard Rohr (Breathing Underwater)
Surrender will always feel like dying, and yet it is the necessary path to liberation.
Richard Rohr (Breathing Underwater)
Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.
Sarah Kay
all mature spirituality, in one sense or another, is about letting go and unlearning.
Richard Rohr (Breathing Underwater)
Only hour by hour gratitude is strong enough to overcome all temptations to resentment.
Richard Rohr (Breathing Underwater)
We suffer to get well. We surrender to win. We die to live. We give it away to keep it.
Richard Rohr (Breathing Underwater)
It turns out the real you is a quilt, made up of the light and the dark. The life you’ve lived in sunshine and your shadow life, stretching underneath the surface of your mind like a deep underwater world, exerting invisible power. You are a living, breathing story made up of the moments in time you cherish, all strung together, and those you hide. The moments that seem lost. Until the day they’re not.
Ashley Winstead (In My Dreams I Hold a Knife)
As any good therapist will tell you, you cannot heal what you do not acknowledge, and what you do not consciously acknowledge will remain in control of you from within, festering and destroying you and those around you.
Richard Rohr (Breathing Underwater)
I'm not named after the character,' she said. 'I'm named after the entire opera.
Julie Orringer (How to Breathe Underwater)
Forgiveness is to let go of our hope for a different or better past.
Richard Rohr (Breathing Underwater)
Sarah had a saying: Der gleichster veg iz ful mit shtainer." "What's it mean?" "The smoothest way is sometimes full of stones.
Julie Orringer (How to Breathe Underwater)
In my experience, if you are not radically grateful every day, resentment always takes over.
Richard Rohr (Breathing Underwater)
Writing is like breathing underwater. It's really hard to do unless you can imagine yourself a nice set of gills.
Alane Adams (The Red Sun (Legends of Orkney #1))
We carry our families like anchors, rooting us in storms, making sure we never drift from where and who we are. We carry our families within us the way we carry our breath underwater, keeping us afloat, keeping us alive. I’ve been lifting anchors since I was eighteen. I’ve been holding my breath since before I was born.
Erika Swyler (The Book of Speculation)
What happened December 12?” Polyester asks. I look at the wall, my attention suddenly riveted by a palmetto bug, feelers writhing. I could kill it if I wanted. He hit me.” The bug slides to the floor.
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
It's like swimming, underwater, this whole year. I just close my eyes. hold my breath, and keep kicking.
Laura Moriarty (The Center of Everything)
God brings us—through failure—from unconsciousness to ever-deeper consciousness and conscience.
Richard Rohr (Breathing Underwater)
He knows that when you snap a mast it's time to get a set of oars or learn how to breathe underwater. Rely on one thing too long and when it disappears and you have nothing–well, that's just bad planning. It's embarrassing, to think it could never happen. It happens.
Richard Siken (War of the Foxes)
Tell me, baby. What does drowning sound like?” “Like the first breath of air after being trapped underwater. It's a sound of both pain and relief. Of desperation and desire. When you’ve gone so long without oxygen, that first breath is the only thing that makes sense, and your body takes it in without permission.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
Funny how you can know something and yet not believe it's possible.
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
One has to wonder, do we really want people to grow, or do we just want to be in control of the moment?
Richard Rohr (Breathing Underwater)
Detective: How did this man drown? Me: He couldn't breathe underwater
₴₭ɎⱠ₳Ɽ ฿ⱠɄɆ
It gets us loose enough to talk about politics, but as he talks, I hold my breath. I know we are in agreement on the most general, least controversial ideological points—women are people, racism is bad, Florida will be underwater in fifty years—but there is still ample time for him to bring up how much he enjoyed Atlas Shrugged. Even with good men, you are always waiting for the surprise.
Raven Leilani (Luster)
It's funny isn't it, how everything's changing all time. Nothing stays still.
Julia Green (Breathing Underwater)
Some things get lost others return. That is how it is: the way of things.
Julia Green (Breathing Underwater)
you are often most gifted to heal others precisely where you yourself were wounded, or wounded others.
Richard Rohr (Breathing Underwater)
You can't respect yourself if you're letting someone beat you up–inside or out.
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
I grabbed my tackle box and bole and caught up with Pancake to go scare away some fish. He was really good at it- stuck his snout in the water like he could sniff them out, and then he'd come up sneezing and shaking like, Blasted! Dog's can't breathe underwater- how could I forget? We don't have gills and we can't... Hey, what's this? Water? Oh boy oh boy I wonder if I can sniff out fish?
Sarah Ockler (The Book of Broken Hearts)
I'm not sure I'll ever know the meaning of life or what comes for us after death, but I know it's more than the hysteria people make it out to be. It's about freeing your soul when no one else can; turning thirty and still feeling like you're seventeen. It's about taking chances on a whim, embracing the rain during the storm, and smiling so damn much that you start to cry. It's never regretting, never forgetting, and always being. It's kissing underwater and touching in the dark. Loving even when you think it's emotionally impossible and surviving someway and somehow. It's about living life with a full heart and an overflowing glass. I live life on the edge. I dream, I care, and I belong. I know there's a here and now. I know that I want it.
Nadège Richards (5 Miles (Breathe, #1))
All Mature Spirituality Is About Letting Go
Richard Rohr (Breathing Underwater)
I can't go on like this
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
There are lots of different ways grown-ups disappear. It's lonely being the one left behind.
Julia Green (Breathing Underwater)
Change & transformation. That kind of magic.
Julia Green (Breathing Underwater)
Being stern was like being underwater-she could do it, but never for long, and how her whole boy burned to come up for breath!
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
We accept without question that we–human beings– are the center of the universe. Talk about hubris. But when a woman says, 'I love you', that won't go through our skulls.
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
It's about doing the right thing even if you don't want to do it. About taking responsibility for your actions...it's about letting go when you really, really want to hold on so bad.
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
Because that's what you do when something terrible happens. You go over and over every little thing, looking for clues, trying to find a pattern and a way to make sense out of the muddle and hurt.
Julia Green (Breathing Underwater)
Forgiveness is to let go of our hope for a different or better past.” It is what it is, and such acceptance leads to great freedom, as long as there is also accountability and healing in the process.
Richard Rohr (Breathing Underwater)
...organized religion is no longer good news for most people, but bad news indeed. It set us up for the massive atheism, agnosticism, hedonism, and secularism we now see in almost all formerly Christian countries.
Richard Rohr (Breathing Underwater: Spirituality and the 12 Steps)
Almost all true spirituality has a paradoxical character to it, which is why the totally rational or dualistic mind invariably misses the point, and just calls things it does not understand wrong, heresy, or stupid.
Richard Rohr (Breathing Underwater)
All I’m saying is the most powerful demigod of our generation is sitting right here, and it isn’t me.” He nodded to Annabeth. “Wise Girl can’t shape-shift or breathe underwater or talk to pegasi. She can’t fly, and she isn’t superstrong. But she’s crazy smart and good at improvising. That’s what makes her deadly. Doesn’t matter whether she’s on land, in water, in the air, or in Tartarus. Magnus, you were training with me all weekend. I think you should’ve been training with Annabeth instead.” Annabeth’s stormy gray eyes were hard to read. At last she said, “Okay, that was sweet.” She kissed Percy on the cheek.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
When I looked a little closer, I noticed a guy sitting in the dark, tapping his leg in slow, deliberate movements. His head was cast down, but his eyes...his eyes looked directly at me. My breath caught. I tried to focus on what was being said, but the penetrating gaze from the guy in shadows made my heart pound wildly. When my eyes found their way back to him, I noticed the scowl on his face and immediately looked away. My goodness, this was going to be a long meeting.
Maayan Nahmani (Underwater (Serendipity, #1))
Control is part of faking it
Alex Flinn (Breathing Underwater (Breathing Underwater, #1))
The game is over once we see clearly because evil succeeds only by disguising itself as good, necessary, or helpful.
Richard Rohr (Breathing Underwater)
Only love effects true inner transformation, not duress, guilt, shunning, or social pressure.
Richard Rohr (Breathing Underwater)
You're not really in control, not with this falling-for-people stuff. You don't plan who you're going to fall in love with. It's all random - chance accidents of time and place.
Julia Green (Breathing Underwater)
If we try to change our ego with the help of our ego, we only have a better-disguised ego!
Richard Rohr (Breathing Underwater)
most people do not see things as they are, they see things as they are!
Richard Rohr (Breathing Underwater)
Playlist 1. Wild Honey - U2 2. Like Real People Do - Hozier 3. Colorblind - Counting Crows 4. Oh Darling - Gossling 5. Breathing Underwater - Metric 6. Let It Die - Foo Fighters 7. I’m Sorry - Imagine Dragons 8. Fools - Troye Sivan 9. Don’t Mess Me Around - Clare Maguire 10. Heal - Tom Odell 11. Unbreakable - Jamie Scott 12. I’m The Man Who Loves You - Wilco 13. Creep - Radiohead
B.L. Berry (An Unforgivable Love Story)
Young Emma.” It doesn’t sound condescending at all, the way he says it. Just wistful. “The twins will need you now. More than they realize.” He eases closer to me, pensive. “It was difficult for them when we lost our mother. Losing Rachel is…They suffered a great lost today.” I draw in a breath. If we weren’t underwater, tears would be spilling down my cheeks instead of getting sopped up by the gentle current. I wonder how many tears the ocean has swallowed, how much of the ocean is actually made of tears.
Anna Banks (Of Triton (The Syrena Legacy, #2))
All societies are addicted to themselves and create deep codependency on them. There are shared and agreed-upon addictions in every culture and every institution. These are often the hardest to heal because they do not look like addictions because we have all agreed to be compulsive about the same things and blind to the same problems. The Gospel exposes those lies in every culture: The American addiction to oil, war, and empire; the church’s addiction to its own absolute exceptionalism; the poor person’s addiction to powerlessness and victimhood; the white person’s addiction to superiority; the wealthy person’s addiction to entitlement.
Richard Rohr (Breathing Underwater)
Then he tells his son, "This feels like that breath you take after coming up from a long swim underwater. The most gorgeous feeling, that sip of air you feared you'd never have again." He looks at Compass, and touches his cheek, gently. "Surfacing," he says.
Lauren Groff (Delicate Edible Birds and Other Stories)
I realized that all those superheroes were doing was fighting themselves, and that getting to breathe underwater or shoot fire from your fingers didn't really make up for being screwed up in the first place. It was just the consolation prize--you got the great costume and the invisible jet for being a loser in everything else.
Michael Thomas Ford (Suicide Notes)
Sacrificial religion was all exposed in Jesus’ response to any mechanical or mercenary notion of religion, but we soon went right back to it in many Catholic, Orthodox, and Protestant forms, because the old ego will always prefer an economy of merit and sacrifice to any economy of grace and unearned love, where we have no control.
Richard Rohr (Breathing Underwater)
I wondered if Kate would harden as my mother had when she was young and her own mother died. Some people exist quite well in injury. It's like having gills to breathe underwater. Some people are clever about not drawing others into their affliction. You could hardly tell by looking at my mother that she was a stranger to providence.
Hilary Thayer Hamann (Anthropology of an American Girl)
Human blood has a chemical composition startlingly similar to seawater. An infant will reflexively breaststroke when placed underwater and can comfortably hold his breath for about forty seconds, longer than many adults. We lose this ability only when we learn how to walk.
James Nestor (Deep: Freediving, Renegade Science, and What the Ocean Tells Us About Ourselves)
Underwater, bubbles erupted before my eyes as a swift hand snatched my arm and pulled me to the surface. I gasped for air, coughing and gagging at the amount of water I sucked into my lungs by pure shock. What was up with me and breathing in water? I needed to grow some gills or something.
Laura Kreitzer (Abyss (Timeless, #3))
It seems we are not that free to be honest, or even aware, because most of our garbage is buried in the unconscious. So it is absolutely essential that we find a spirituality that reaches to that hidden level. If not, nothing really changes.
Richard Rohr (Breathing Underwater: Spirituality and the 12 Steps)
Jasper felt the sadness then. A strong sensation of being pulled underwater, of being helpless to do anything but sink. Further into the despair. Until it completely surrounded you. Until every breath you took was just swallowing more pain. Until you were in so deep that there wasn't any hope of ever breaking the surface again.
Jessica Gadziala (Into The Green (Into the Green #1))
How will we sing when Miami goes underwater, when the raft of garbage in the ocean gets as big as Texas, when the only remaining polar bear draws his last breath, when fracking, when Keystone, when Pruitt? I don’t know. And I imagine, sometimes, often, we will get it wrong. But I’m not celebrating the earth because I am an optimist—though I am an optimist. I am celebrating because this magnificent rock we live on demands celebration. I am celebrating because how in the face of this earth could I not?
Pam Houston (Deep Creek: Finding Hope in the High Country)
A young man asked Socrates the secret to success. Socrates told the young man to meet him near the river the next morning. They met and Socrates asked the young man to walk with him toward the river. When the water got up to their necks, Socrates took the young man by surprise and pushed him under the water. The boy struggled to get out but Socrates kept him there. When the boy started turning blue, Socrates raised the boy’s head out of the water. The first thing the boy did was to take a deep breath of air. Socrates asked, “What did you want the most when you were under water?” The boy replied, “Air.” Socrates said, “That is the secret to success. When you want success as badly as you wanted air underwater, you will have it.” There is no other secret. This is called the burning desire.
Shiv Khera (You Can Win: A Step-by-Step Tool for Top Achievers)
You don’t see yourself at all, do you? It seems to me that you’re good at everything you try,” said Ethan sincerely. “I had a dream I could breathe underwater,” I said flippantly, “Maybe I’ll go swim with the mermaids.” Ethan turned to look at me with shock in his eyes. “Just kidding,” I said, alarmed at his reaction
Derrolyn Anderson (Between the Land and the Sea (Marina's Tales, #1))
The New Testament called it salvation or enlightenment, the Twelve Step Program called it recovery. The trouble is that most Christians pushed this great liberation off into the next world, and many Twelve Steppers settled for mere sobriety from a substance instead of a real transformation of the self. We have all been the losers, as a result—waiting around for “enlightenment at gunpoint” (death) instead of enjoying God’s banquet much earlier in life.
Richard Rohr (Breathing Underwater)
Thomas Merton who said: “The will of God is not a ‘fate’ to which we must submit, but a creative act in our life that produces something absolutely new, something hitherto unforeseen by the laws and established patterns. Our cooperation consists not solely in conforming to external laws, but in opening our wills to this mutually creative act.”5
Richard Rohr (Breathing Underwater)
It's a good-bye, so I hug her back, breathing in the tangerine shampoo that I will associate with her forever, remembering how we used to shower together in her tiny blue-tiled bathroom after days spent by the pool, and how in the beginning, when things still felt easy and right, holding her close like this—underwater, in the sunlight in the quietest nighttime hours—was the best feeling in my life.
Nina LaCour
When religion does not move people to the mystical or non-dual level of consciousness9 it is more a part of the problem than any solution whatsoever. It solidifies angers, creates enemies, and is almost always exclusionary of the most recent definition of “sinner.” At this level, it is largely incapable of its supreme task of healing, reconciling, forgiving, and peacemaking. When religion does not give people an inner life or a real prayer life, it is missing its primary vocation. Let me sum up, then, the foundational ways that I believe Jesus and the Twelve Steps of A.A. are saying the same thing but with different vocabulary:   We suffer to get well. We surrender to win. We die to live. We give it away to keep it.   This counterintuitive wisdom will forever be resisted as true, denied, and avoided, until it is forced upon us—by some reality over which we are powerless—and if we are honest, we are all powerless in the presence of full Reality.
Richard Rohr (Breathing Underwater)
There’s nothing. Nothing to hold on to while the current takes me. Whatever I might have had until today, I’ve lost. I feel my love for her, swelling; bloating into something that’s about to explode, like an abscess that’s been allowed to rot for too long, but the pain drowns it so completely I know I’m never coming back out. This feeling, that you’re choking and that your body is underwater, immersed in the ocean, a dense flood that overpowers your breathing abilities, and your will to survive gets drowned right along with it. And as I’m drowning I see her face and hear her voice—and it doesn’t give me hope, it terrifies me. I’m terrified because I know she’s going to be the death of me. I’m terrified because I know I won’t be able to cope. I’m terrified because the darkness is the only true friend I’ve ever had and if it wants to embrace me I don’t have the power to make it stop.
Kady Hunt (Seven Cuts)
Faith itself became a “good work” that I could perform, and the ego was back in charge. Such a mechanical notion of salvation frequently led to all the right religious words, without much indication of self-critical or culturally critical behavior. Usually, there was little removal of most “defects of character,” and many Christians have remained thoroughly materialistic, warlike, selfish, racist, sexist, and greedy for power and money—while relying on “amazing grace” to snatch them into heaven at the end.
Richard Rohr (Breathing Underwater)
PERCY WAS WAITING FOR THEM. He looked mad. He stood at the edge of the glacier, leaning on the staff with the golden eagle, gazing down at the wreckage he’d caused: several hundred acres of newly open water dotted with icebergs and flotsam from the ruined camp. The only remains on the glacier were the main gates, which listed sideways, and a tattered blue banner lying over a pile of snow-bricks. When they ran up to him, Percy said, “Hey,” like they were just meeting for lunch or something. “You’re alive!” Frank marveled. Percy frowned. “The fall? That was nothing. I fell twice that far from the St. Louis Arch.” “You did what?” Hazel asked. “Never mind. The important thing was I didn’t drown.” “So the prophecy was incomplete!” Hazel grinned. “It probably said something like: The son of Neptune will drown a whole bunch of ghosts.” Percy shrugged. He was still looking at Frank like he was miffed. “I got a bone to pick with you, Zhang. You can turn into an eagle? And a bear?” “And an elephant,” Hazel said proudly. “An elephant.” Percy shook his head in disbelief. “That’s your family gift? You can change shape?” Frank shuffled his feet. “Um…yeah. Periclymenus, my ancestor, the Argonaut—he could do that. He passed down the ability.” “And he got that gift from Poseidon,” Percy said. “That’s completely unfair. I can’t turn into animals.” Frank stared at him. “Unfair? You can breathe underwater and blow up glaciers and summon freaking hurricanes—and it’s unfair that I can be an elephant?” Percy considered. “Okay. I guess you got a point. But next time I say you’re totally beast—” “Just shut up,” Frank said. “Please.” Percy cracked a smile.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Breathing Under Water,” a title taken from a telling poem by Carol Bieleck, r.s.c.j., which seemed to sum up so much of the common message. I quote it here in full:   “Breathing Under Water”   I built my house by the sea. Not on the sands, mind you; not on the shifting sand. And I built it of rock. A strong house by a strong sea. And we got well acquainted, the sea and I. Good neighbors. Not that we spoke much. We met in silences. Respectful, keeping our distance, but looking our thoughts across the fence of sand. Always, the fence of sand our barrier, always, the sand between.   And then one day, —and I still don’t know how it happened— the sea came. Without warning.   Without welcome, even Not sudden and swift, but a shifting across the sand like wine, less like the flow of water than the flow of blood. Slow, but coming. Slow, but flowing like an open wound. And I thought of flight and I thought of drowning and I thought of death. And while I thought the sea crept higher, till it reached my door. And I knew then, there was neither flight, nor death, nor drowning. That when the sea comes calling you stop being neighbors Well acquainted, friendly-at-a-distance, neighbors And you give your house for a coral castle, And you learn to breathe underwater.3
Richard Rohr (Breathing Underwater)
There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.
Alden Bell (The Reapers are the Angels (Reapers, #1))
For a moment we are weightless, eyes open and locked underwater, flowers drawn down with us, swirling around us in a current of white bubbles. My hair floats around us both like black silk. His hands are still around my waist, mine pressed against his bare chest. My lamp drifts between us. Aladdin plants his feet against the bottom of the pool and kicks off, pushing us upward to burst through the surface. He gasps in air and shakes the wet hair from his eyes. Without pulling away, we float in silence, and I cannot take my gaze from him. Water runs down his cheeks and lips, dripping from his jaw. A lock of his hair is stuck to his forehead, and I gently lift it away, curling it around my finger before letting it go. “What are we doing?” he whispers, pulling me closer. I cannot reply. I don’t trust my own voice. He brings his forehead down to rest against mine, and everything outside this pool and this moment ceases to exist. All that matters is the gentle sound of our breathing, our reflections on the water, the feel of his hands around me.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
As humans, our territory is on land. If we were meant to control the skies, we would have been given wings, and if we were meant to control the seas and oceans, we would have been designed to breathe underwater. The Creator created for us many natural water sources: lakes, ponds, rivers, springs, and streams — so that we would not tamper with the seas or oceans. This is why there is salt in the them, so we do not drink from them, or bother the huge creatures he put there to control the food chain. The salt content found in huge bodies of water is extremely vital to the elevation and balancing of the earth. This can be explained through basic physics or metaphysics. At the same time, wild creatures were also placed in jungles and forests to keep humans out of them. Plants are vital to purifying the atmosphere, and many wild animals rely on them as their food and medicine. Had the Creator not placed animals like tigers, wolves, bears, and other big creatures in untamed regions which are intended to remain inhabited, he knew that mankind would take over those areas — leaving nothing for the animals.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Right Relationship With Life Itself Gerald May, a dear and now deceased friend of mine, said in his very wise book Addiction and Grace that addiction uses up our spiritual desire. It drains away our deepest and true desire, that inner flow and life force which makes us “long and pant for running streams” (Psalm 42). Spiritual desire is the drive that God put in us from the beginning, for total satisfaction, for home, for heaven, for divine union, and it just got displaced onto the wrong object. It has been a frequent experience of mine to find that many people in recovery often have a unique and very acute spiritual sense; more than most people, I would say. It just got frustrated early and aimed in a wrong direction. Wild need and desire took off before boundaries, strong identity, impulse control, and deep God experience were in place.2
Richard Rohr (Breathing Underwater)
Do you know why the lotus is one of my favorite flowers?" I cocked my head to one side so I could see his expression. He shook his head. "This beautiful flower lives in the most vile, muddy water of swamps and bogs," I said and rubbed the smooth metal of the pendant between my fingers. He frowned. "No, seriously... the grosser the environment, the better," I said. "So let me get this straight. You like a flower that lives in disgusting places?" One of his eyebrows rose. "That ain't right." "No, I love this flower," I corrected. He glanced at me out of the corner of his eye, "Seriously?" "What?" You don't believe me?" "Sure, I believe you. It's just weird." "I'll tell you why, but only if you promise not to laugh," I said. He nodded. Taking a cleansing breath, I rested my head against the seat, closed my eyes, and took that scary first step. "This flower stays in the mud and muck all night long." I peeked at him without moving my head. His face had become set in the smooth lines of one who listens intently. "Then, at sunrise, it climbs toward the light and opens into a pristine bloom. After the sun goes down, the bloom sinks into the mire. Even though it spends the whole night underwater, the flower emerges every morning as beautiful as the day before." Smiling, I swiveled in my seat to face him. "I love this flower because it reminds me that we get second chances every day, no matter what muck life drags us through.
K.D. Wood (Unwilling (Unwilling #1))
The Lanyard The other day I was ricocheting slowly off the blue walls of this room, moving as if underwater from typewriter to piano, from bookshelf to an envelope lying on the floor, when I found myself in the L section of the dictionary where my eyes fell upon the word lanyard. No cookie nibbled by a French novelist could send one into the past more suddenly— a past where I sat at a workbench at a camp by a deep Adirondack lake learning how to braid long thin plastic strips into a lanyard, a gift for my mother. I had never seen anyone use a lanyard or wear one, if that's what you did with them, but that did not keep me from crossing strand over strand again and again until I had made a boxy red and white lanyard for my mother. She gave me life and milk from her breasts, and I gave her a lanyard. She nursed me in many a sick room, lifted spoons of medicine to my lips, laid cold face-cloths on my forehead, and then led me out into the airy light and taught me to walk and swim, and I , in turn, presented her with a lanyard. Here are thousands of meals, she said, and here is clothing and a good education. And here is your lanyard, I replied, which I made with a little help from a counselor. Here is a breathing body and a beating heart, strong legs, bones and teeth, and two clear eyes to read the world, she whispered, and here, I said, is the lanyard I made at camp. And here, I wish to say to her now, is a smaller gift—not the worn truth that you can never repay your mother, but the rueful admission that when she took the two-tone lanyard from my hand, I was as sure as a boy could be that this useless, worthless thing I wove out of boredom would be enough to make us even.
Billy Collins (Aimless Love: New and Selected Poems)
I step on the stage and find the lights blazing against me and yet in the same distance pulling me forward. I am like something left over after a storm. Slight, a waif. It is like I am underwater in a pool of brightness. Slowly slowly I walk down towards the men. (...) I guess they don't know what they are seeing. I guess it is true they are seeing a lovely woman. Soft-breasted woman (...) I might be one of the footlights, with a burning wick for a heart. I don't utter a blessed word. (...) John Cole all spit and polish approaches from the far side of the stage and we hear the men draw in their breath like a sea tide drawing back on the shingle of a beach. He approaches and approaches. They know I'm a man because they have read it on the bill. But I'm suspecting that every one of them would like to touch me and now John Cole is their ambassador of kisses. Slowly slowly he edges nearer. He reaches out a hand, so openly and plainly that I believe I am going to expire. The held-in breath of the audience is not let out again. Half a minute passes. It is unlikely any of them could of holded their breath like this underwater. They have found new lungs. Down down we go under them waters of desire. Every last man, young and old, wants John Cole to touch my face, hold my narrow shoulders, put his mouth against my lips. Handsome John Cole, my beau. Our love in plain sight. Then the lungs of the audience giving out, and a rasping rush of sound. We have reached the very borderland of our act, the strange frontier. (…) We part like dancers, we briefly go down to our patrons, we briefly bow, and then we have turned and are gone. As if for ever. They have seen something they don’t understand and partly do, in the same breath. We have done something we don’t understand neither and partly do.
Sebastian Barry (Days Without End (Days Without End, #1))
Goggles but no bathing suit?" she asked. Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?" Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course." The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below. The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder. "This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea? "I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me." Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon. Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim." They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove. Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew. He was glowing.
Lauren Kate (Rapture (Fallen, #4))
There was a young man who, you know, He wanted to make a lot of money And so he went to this Guru, right. And he told the Guru, “You know I wanna be on the same level you’re on.” And so The Guru said, “If you wanna be on the same level I’m on, I’ll meet tomorrow, At the beach, at 4 AM.” He’s like, “The beach? I said I wanna make money. I don’t wanna swim.” Guru said, “If you wanna make money, I’ll meet you tomorrow. 4 AM.” So the young man got there 4 AM. He all ready to rock n’ roll. Got on a suit. Should have worn shorts. The old man grabs his hand and said, “How bad do you wanna be successful?” He said, “Real bad”. [The Guru] He said, “Walk on out in the water.” So he walks out into the water. Watch this. When he walks out into the water it goes waist deep. So he’s like, “This guy crazy. I wanna make money and he got me out here swimming. I didn’t ask to be a lifeguard. I wanna make money.” So he [The Guru] said, “Come out a little further.” [He] walked out a little further. Then he had it right around this area, The shoulder area. “So this old man crazy. He making money, But he crazy.” So he [The Guru] said, “Come on out a little further.” He came out a little further, It was right at his mouth, My man like, “I’m not about to go back in. This guy out of his mind.” So the old man said, “I thought you said you wanted to be successful?” He said, “I do.” He [The Guru] said, “Walk a little further.” He came, Dropped his head in, Held him down, Hold him down, My man getting scratchy, Holding him down, He [The Guru] had him held down, Just before my man was about to pass out, He [The Guru] raised him up. He [The Guru] said, “I got a question for you.” He [The Guru] said, “When you were underwater, what did you want to do?” He said, “I wanted to breathe.” He [The Guru] told the guy; He [The Guru] said, “When you want to succeed, As bad as you want to breathe, Then you’ll be successful.
Eric Thomas (The Secret to Success)
Something Rich and Strange She takes a step and the water rises higher on her knees. Four more steps, she tells herself. Just four more and I'll turn back. She takes another step and the bottom is no longer there and she is being shoved downstream and she does not panic because she has passed the Red Cross courses. The water shallows and her face breaks the surface and she breathes deep. She tries to turn her body so she won' t hit her head on a rock and for the first time she's afraid and she's suddenly back underwater and hears the rush of water against her ears. She tries to hold her breath but her knee smashes against a boulder and she gasps in pain and water pours into her mouth. Then for a few moments the water pools and slows. She rises coughing up water, gasping air, her feet dragging the bottom like an anchor trying to snag waterlogged wood or rock jut and as the current quickens again she sees her family running along the shore and she knows they are shouting her name though she cannot hear them and as the current turns her she hears the falls and knows there is nothing that will keep from it as the current quickens and quickens and another rock smashes against her knee but she hardly feels it as she snatches another breath and she feels the river fall and she falls with it as water whitens around her and she falls deep into the whiteness and she rises her head scrapes against a rock ceiling and the water holds her there and she tells herself don't breathe but the need rises inside her beginning in the upper stomach then up through her chest and throat and as that need reaches her mouth her mouth and nose open and the lungs explode in pain and then the pain is gone as bright colors shatter around her like glass shards, and she remembers her sixth-grade science class, the gurgle of the aquarium at the back of the room, the smell of chalk dust that morning the teacher held a prism out the window so it might fill with color, and she has a final, beautiful thought - that she is now inside that prism and knows something even the teacher does not know, that the prism's colors are voices, voices that swirl around her head like a crown, and at that moment her arms and legs she did not even know were flailing cease and she becomes part of the river.
Ron Rash (Nothing Gold Can Stay: Stories)
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
Anna Khvolson