Breath Of Fresh Air Love Quotes

We've searched our database for all the quotes and captions related to Breath Of Fresh Air Love. Here they are! All 87 of them:

Who will tell whether one happy moment of love or the joy of breathing or walking on a bright morning and smelling the fresh air, is not worth all the suffering and effort which life implies
Erich Fromm
I love the night passionately. I love it as I love my country, or my mistress, with an instinctive, deep, and unshakeable love. I love it with all my senses: I love to see it, I love to breathe it in, I love to open my ears to its silence, I love my whole body to be caressed by its blackness. Skylarks sing in the sunshine, the blue sky, the warm air, in the fresh morning light. The owl flies by night, a dark shadow passing through the darkness; he hoots his sinister, quivering hoot, as though he delights in the intoxicating black immensity of space.
Guy de Maupassant
So here's the truth - I love you. I love everything about you – the way you stick up for people even when it costs you. The way you keep trying to do the right thing even when you're not exactly sure what the right thing is. I love how you put words together. You're as skilled with words as any knife fighter with a blade. You can put an enemy down on his back, or you can raise people up so they find what's best in themselves. You've changed my life. You've given me the words I need to become whatever I want. I love how you talk to lytlings. You don't talk down to them. You respect them, and anybody can tell you're actually interested in what they have to say. I love the way you ride a horse – how you stick there like an upland thistle, whooping like a Demonai. I love the way you throw back your head and stomp your feet when you dance. I love how you go after what you want – whether it's kisses or a queendom. I love your skin, like copper dusted over with gold. And your eyes – they're the color of a forest lake shaded by evergreens. One of the secret places that only the Demonai know about. I love the scent of you – when you've been out in the fresh air, and that perfume you put behind your ears sometimes. Believe it or not, I even love your road smell – of sweat and horses and leather and wool. I want to breathe you in for the rest of my life.
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
Libraries are lungs, [...] books the fresh air breathed in to keep the heart beating, to keep the brain imagining, to keep hope alive.
Janet Skeslien Charles (The Paris Library)
I love you. I love the way you rub the scar on the back of your hand when you're nervous. I love the way you make a sword into a living part of your body. I love the way you burn your eyes into me, as if you're seeing me fresh every time. I love the black streak in you that wants to kill the world, and the soft streak that is sorry afterward. I love the way you laugh, as if you're surprised that you can laugh at all. I love the way you kiss my breath away. I love the way you breathe and speak and smile. I love the way you take the air out of my lungs when you hold me. I love the way you make a dance out of death. I love the confusion I see in your eyes when you realize you are happy. I love every muscle and bone in your body, every twist and bend in your soul.
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
Be thankful for a breath of fresh air to be alive and well. Allow love and happiness to penetrate throughout your mind and soul. Take time to relax and live in the moment, the now, the present. Enjoy today.
Amaka Imani Nkosazana
I live to enjoy life by the littlest things, feeling the grass between my toes, breathing fresh air, watching the wind sway the trees, enjoying the company of loved ones, a deep conversation, getting lost in a good book, going for a walk in nature, watching my kids grow up. Just the feeling itself of being alive, the absolute amazing fact that we are here right now, breathing, thinking, doing.
Marigold Wellington
1 Somewhere, out at the edges, the night Is turning and the waves of darkness Begin to brighten the shore of dawn The heavy dark falls back to earth And the freed air goes wild with light, The heart fills with fresh, bright breath And thoughts stir to give birth to color. 2 I arise today In the name of Silence Womb of the Word, In the name of Stillness Home of Belonging, In the name of the Solitude Of the Soul and the Earth. I arise today Blessed by all things, Wings of breath, Delight of eyes, Wonder of whisper, Intimacy of touch, Eternity of soul, Urgency of thought, Miracle of health, Embrace of God. May I live this day Compassionate of heart, Clear in word, Gracious in awareness, Courageous in thought, Generous in love.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Poetry is Life. We experience poetry from the time we awake each morning and inhale that fresh breath of air. You are living poetry. Poetry is not defined by the laws of man. Inspiration is the key.
Amaka Imani Nkosazana (Release The Ink)
Steven and I had always come to the market to check out the fresh flowers, so when Friday came around with the fresh roses, I always stood in the middle of it all, breathing in the memories and breathing out the hurt.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
There was a ripe mystery about it, a hint of bedrooms upstairs more beautiful and cool than other bedrooms, of gay and radiant activities taking place through its corridors and of romances that were not musty and laid away already in lavender but fresh and breathing and redolent of this year's shining motor cars and of dances whose flowers were scarcely withered. It excited him too that many men had already loved Daisy--it increased her value in his eyes. He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions.
F. Scott Fitzgerald (The Great Gatsby)
Roxy was my breath of fresh air. My soft place to land. She was home to me.
Ashleigh Z. (Louisiana Sky (Love in Belle Pont #2))
I let go of the past And took in a deep breath I’m ready to embrace what’s next Whatever comes my way I’ll find a way to cope As I breathe the fresh air of a new day My lungs fill with hope
Elaine Allen (No Ordinary Love)
Lissette started cheesing so hard that she grabbed her pillow to cover her face. I loved seeing her so excited about this. She was like a breath of fresh air and I was loving every minute of it. “Ok,
Raven St. Pierre (Again for the First Time (Again for the First Time, #1))
It was so amazing to see how she just opened up, how she felt safe, and how she, I believe, felt my love for her because I knew how to validate her. I could tell it was like a breath of fresh air. That she could finally breathe. That she felt heard and understood.
Michael S. Sorensen (I Hear You: The Surprisingly Simple Skill Behind Extraordinary Relationships)
The families who gather around their beloved—their beloved whose sheared heads contained battered brains—do not usually recognize the full significance, either. They see the past, the accumulation of memories, the freshly felt love, all represented by the body before them. I see the possible futures, the breathing machines connected through a surgical opening in the neck, the pasty liquid dripping in through a hole in the belly, the possible long, painful, and only partial recovery—or, sometimes more likely, no return at all of the person they remember.
Paul Kalanithi (When Breath Becomes Air)
It’s as if an impossibly heavy lid has been lifted off his emotional life and suddenly he can breathe fresh air. It is physically possible to type and send a message reading: I love you! It had never seemed possible before, not remotely, but in fact it’s easy. Of course if someone saw the messages he would be embarrassed, but he knows now that this is a normal kind of embarrassment, an almost protective impulse towards a particularly good part of life.
Sally Rooney (Normal People)
Lord love us, I need a drink,” said Calhoun, looking faintly green around the gills as he paused on the flagway in front of the chapel to draw in a deep breath of fresh air. “I’ve dressed many a gentleman in my career—sober, drunk, and even dead. But I must say, this is the first time I’ve ever been called upon to dress one who was in bits.”   Monday,
C.S. Harris (Where Shadows Dance (Sebastian St. Cyr, #6))
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
Frédéric Gros (A Philosophy of Walking)
Evie…” His whisper stirred the tiny wisps at her hairline. “I want to make love to you.” Her blood turned to boiling honey. Eventually she managed a stammering reply. “I-I thought y-you never called it that.” His hands lifted to her face, his fingertips exploring delicately. She remained docile beneath his caress while the scent of his skin, fresh and clove-like, drugged her like some narcotic incense. Reaching to his own throat, Sebastian fumbled beneath his shirt and extracted the wedding band on the fine chain. He tugged it, breaking the fragile links, and let the chain drop to the floor. Evie’s breathing hastened as he reached for her left hand and slid the gold band onto her fourth finger. Their hands matched together, palm to palm, wrist to wrist, just as they had been bound during their wedding ceremony. His forehead lowered to hers, and he whispered, “I want to fill every part of you…breathe the air from your lungs…leave my handprints on your soul. I want to give you more pleasure than you can bear. I want to make love to you, Evie, as I have never done with anyone before.” She was now trembling so violently that she could hardly stand. “Your w-wound—we have to be careful—” “You let me worry about that.” His mouth took hers in a soft, smoldering kiss. Releasing her hand, he gathered her body closer, applying explicit pressure against her shoulders, back, hips, until she was molded completely against him. Evie wanted him with a desperation that almost frightened her. She tried to catch his gently shifting mouth with her own, and pulled at his clothes with a fumbling urgency that made him laugh softly. “Slowly,” he murmured. “The night is just beginning…and I’m going to love you for a long time.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
you want to love again… but first, you have to put to rest the unrest that you felt with the hands you held before. you gave that half-love your full attention for so long, and now your heart needs to take some space to breathe… new love needs fresh air.
butterflies rising
I loved the shadows from the early morning sun as I’d walk up a vineyard row, breathing deeply at the smell of freshly worked earth, watching the hawks ride the air currents over the vineyard, and the goldfinches, bluebirds, and swallows flutter among the vines.
Susan Sokol Blosser (Letting Go)
The families who gather around their beloved—their beloved whose sheared heads contained battered brains—do not usually recognize the full significance, either. They see the past, the accumulation of memories, the freshly felt love, all represented by the body before them.
Paul Kalanithi (When Breath Becomes Air)
The answers to your problems lie all around you. The keys to your self-discovery are waiting to be found in each sunset, each pair of eyes, each breath of fresh air. Listen to the symphony of life and you will hear yourself. Find the beauty of nature and you have found your soul.
Vironika Tugaleva
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
By shutting her eyes, by losing consciousness, Albertine had stripped off, one after another, the different human personalities with which we had deceived me ever since the day when I had first made her acquaintance. She was animated now only by the unconscious life of plants, of trees, a life more different from my own, more alien, and yet one that belonged more to me. Her psonality was not constantly escaping, as when we talked, by the outlets of her unacknowledged thoughts and of her eyes. She had called back into herself everything of her that lay outside, had withdrawn, enclosed, reabsorbed herself into her body. In keeping her in front of my eyes, in my hands, I had an impression of possessing her entirely which I never had when she was awake. Her life was submitted to me, exhaled towards me its gentle breath. I listened to this murmuring, mysterious emanation, soft as a sea breeze, magical as a gleam of moonlight, that was her sleep. So long as it lasted, I was free to dream about her and yet at the same time to look at her, and when that sleep grew deeper, to touch, to kiss her. What I felt then was a love as pure, as immaterial, as mysterious, as if I had been in the presence of those inanimate creatures which are the beauties of nature. And indeed, as soon as her sleep became at all deep, she ceased to be merely the plant that she had been; her sleep,on the margin of which I remained musing, with a fresh delight of which I never tired, which I could have gone on enjoying indefinitely, was to me a whole lanscape. Her sleep brought within my reach something as serene, as sensually delicious as those nights of full moon on the bay of Balbec, calm as a lake over which the branches barely stir, where, stretched out upon the stand, one could listen for hours on end to the surf breaking and receding. On entering the room, I would remain standing in the doorway, not venturing to make a sound, and hearing none but that of her breath rising to expire upon her lips at regular intervals, like the reflux of the sea, but drowsier and softer. And at the moment when my ear absorbed that divine sound, I felt that there was condensed in it the whole person, the whole life of the charming captive outstretched there before my eyes. Carriages went rattling past in the street, but her brow remained as smooth and untroubled, her breath as light, reduced to the simple expulsion of the necessary quantity of air. Then, seeing that her sleep would not be disturbed, I would advance cautiously, sit down on the chair that stood by the bedside, then on the bed itself.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
As you breathe in the morning air, may you breathe in a fresh revelation of God's love. As you stretch your muscles and move through your day, may you also activate and stretch your faith in the promises of God. Believe God when He says He is for you and with you. You possess more than you need when you are in Christ Jesus. Walk, live, and breathe like the heir of God you are.
An Unknown Christian
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master." The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death." Duroy began to laugh: "You make me shudder all over." Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath." He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain." "Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
Guy de Maupassant
If you love someone, you will want to understand them and accept them as they grow and change; similarly, loving yourself involves a never-ending process of self-understanding and self-acceptance through life's ups and downs...we are finally coming to understand that love for neighbor and love for self naturally lead to love for the earth...if you love your neighbor as yourself, you want both them and you to be able to breathe, so you need to love clean fresh air...you want them and you to be able to drink, so you need to love pure water in all its forms...you want them and you to be be able to eat, so you need to care about the climate...." (p. 59-60)
Brian D. McLaren (The Great Spiritual Migration: How the World's Largest Religion Is Seeking a Better Way to Be Christian)
I took a moment to breathe in the fresh air, glad I’d decided to get out of the house. After a moment, I continued on to Fisherman’s Wharf. Paul and I had often taken the kids there to feed the harbor seals—you could buy a bucket of fish for a dollar. Lisa had been obsessed and talked about becoming a marine biologist for years. She’d loved animals ever since she was little, begging to come to the clinic with her father, sitting up with a sick animal. Many nights we had to drag her home. We’d been sure she’d become a vet of some kind, but that was another dream that had fallen by the wayside. I still liked to go down and see the seals myself, though it was lonelier now
Chevy Stevens (Always Watching)
The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.
Theodore Roethke (The Collected Poems)
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
They see the past, the accumulation of memories, the freshly felt love, all represented by the body before them. I see the possible futures, the breathing machines connected through a surgical opening in the neck, the pasty liquid dripping in through a hole in the belly, the possible long, painful, and only partial recovery—or, sometimes more likely, no return at all of the person they remember. In these moments, I acted not, as I most often did, as death’s enemy, but as its ambassador. I had to help those families understand that the person they knew—the full, vital independent human—now lived only in the past and that I needed their input to understand what sort of future he or she would want: an easy death or to be strung between bags of fluids going in, others coming out, to persist despite being unable to struggle.
Paul Kalanithi (When Breath Becomes Air)
When he came at her suddenly, flattened her against the wall, and tried to kiss her, she no longer had any doubt. He had surprised her, but the wine addling his brains made her work easy. You don’t want to kiss me. Nash stopped trying to kiss her but continued to press himself against her, groping her breasts and her back. Hurting her arm. “I’m in love with you,” he said, breathing sour air into her face. “I want to marry you.” You don’t want to marry me. You don’t even want to touch me. You want to release me. Nash stepped back from her and she pushed herself away, gulping fresh air, smoothing her clothing. She turned to make her escape. Then she swung back at him and did a thing she never did. Apologize to me, she thought to him fiercely. I’ve had enough of this. Apologize. Instantly the king kneeled at her feet, gracious, gentlemanly, black eyes swimming with penitence. “Forgive me, Lady, for my insult to your person. Go safely to your bed.
Kristin Cashore (Fire)
Evie..." His whisper stirred the tiny wisps at her hairline. "I want to make love to you." Her blood turned to boiling honey. Eventually she managed a stammering reply. "I-I thought y-you never called it that." His hands lifted to her face, his fingertips exploring delicately. She remained docile beneath his caress while the scent of his skin, fresh and clove-like, drugged her like some narcotic incense. Reaching to his own throat, Sebastian fumbled beneath his shirt and extracted the wedding band on the fine chain. He tugged it, breaking the fragile links, and let the chain drop to the floor. Evie's breathing hastened as he reached for her left hand and slid the gold band onto her fourth finger. Their hands matched together, palm to palm, wrist to wrist, just as they had been bound during their wedding ceremony. His forehead lowered to hers, and he whispered, "I want to fill every part of you... breathe the air from your lungs... leave my handprints on your soul. I want to give you more pleasure than you can bear. I want to make love to you, Evie, as I have never done with anyone before.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Once, on the road, Prim met a meditating sage who had spent most of his life on top of a flat rock. They had black bread and shared some ajash, as was custom. The sage was thankful, as the road was not very frequently traveled in those days and he was very near the point of starvation. During his conversation, he was delighted to learn of Prim’s extensive mastery of Empty Palms and the fifty five earthly purities. Delighted, and as payment for his meal, he taught Prim the meaning of watchfulness. This was the old breathing and cold-atum technique often used by warrior monks in those days. It ran through the following methodology: Build a tower, and make it impregnable. Make every stone so tightly sealed that no insect can squeeze through, no grain of sand can make it inside. Your tower must have no windows or doors. It must not accept passage by friend or foe. No weapon, no act of violence, and not one mote of love may penetrate its stony interior. “Why build the tower this way?” said Prim? “It will make you invincible,” said the sage, “This is the way of Ya-at slave monks. Their skin is like iron, and so are their hearts. They are inured to death and fear. Grief shall never find them, and neither shall weakness.” Prim thought a moment, and came upon a realization, for she was wise, obedient, and an excellent daughter. “If a man built a tower this way, he would quickly starve, no matter how strong he became.” The sage was even more delighted. “Yes,” he said, “There is a better way, and I will teach it to you: Once you have built your tower, you must deconstruct it, brick by brick, stone by stone. You must do it meticulously and carefully, so that while you leave no physical trace of it remaining, your tower is still built in your mind and your heart, ready to spring anew at a moment’s notice. You can enjoy the fresh air, and eat fine meals, and enjoy a good drink with your friends, but all the while your tower remains standing. You are both prisoner and warden. This is the hardest way, but the strongest.” Prim saw the wisdom in this, and quickly made to return to the road, but the sage stopped her before she left. “As you to your earlier remark,” the sage said, “The man who builds his tower but cannot take it apart again – that man is at the pinnacle of his strength. But that man will surely perish.” – Prim Masters the Road
Tom Parkinson-Morgan (Kill 6 Billion Demons, Book 1)
For amid that unique suffering invoked by severe brain damage, the suffering often felt more by families than patients, it is not merely the physicians who do not see the full significance. The families who gather around their beloved--their beloved whose sheared heads contain battered brains--do not usually recognize the full significance, either. They see the past, the accumulation of memories, the freshly felt love, all represented by the body before them. I see the possible futures, the breathing machines connected through a surgical opening in the neck, the pasty liquid dripping in through a hole in the belly, the possible long, painful, and only partial recovery--or, sometimes more likely, no return at all of the person they remember. In these moments, I acted not, as I most often did, as death's enemy, but as its ambassador. I had to help those families understand that the person they knew--the full, vital independent human--now lived only in the past and that I needed their input to understand what sort of future he or she would want: an easy death or to be strung between bags of fluids going in, others coming out, to persist despite being unable to struggle. Had I been more religious in my youth, I might have become a pastor, for it was the pastoral role I'd sought.
Paul Kalanithi (When Breath Becomes Air)
I take a deep breath, relishing in the fresh air and open space around me. Something wet splatters on my cheek, and I turn my face toward the cloudy sky that is now beginning to drizzle down on me. I spread out my arms and tilt my head up, loving the feel of rain pelting my skin. The the drizzle turns into a downpour. Rain is falling rapidly while I'm smiling stupidly. My head feels clearer than it has in days as cool water coats my skin, my dress, my hair. I spin in place, the skirts of my gown swishing around my ankles, feeling like an idiot and absolutely loving it. I slip the shoes from my aching feet and pad through puddles like I did as a little girl, reminding me of a time when I was younger... Laughter bubbles out of me. Hysterical. I am completely hysterical. Rain is sticking strands of hair to my face and dripping down the tip of my nose while I smile through it all, momentarily forgetting about my troubles and simply taking a moment to exist. "I don't know that I ever lived before lying eyes on the likes of you." I spin, blinking through the steady stream of rain before my eyes find the gray ones blending in with the sheet of water falling down on us. His hair is dripping wet, all wavy and tousled. His white button-down shirt is sticky and see-through, showing off an inked chest and tanned torso beneath. And the sight of him has me smiling. "oh, but I only have eyes for one little lady, and I can't seem to take them off of her." His chest is rising and falling just as rapidly as the rain while my heart is thundering just as loudly as the storm.
Lauren Roberts, Powerless
No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself—of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every moment, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. I now see death so near that I often want to stretch my arms to push it back. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, "Behold it!" It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breathe.
Guy de Maupassant (Bel-Ami)
The ingenious creativity of thought of mind comes at your lowest darkest point of life. Just like I have the tower's densities of being struck by their lightning… that pulls on me constantly into their constellations, yet that makes me reflect on the extraordinary level, or so I think. I always have to be one step ahead of them! You never know where they are at… they could be in the barn for all I know! Up to this point, I have never had anyone tell me what he or she truly thinks about me that goes for appearance, personality, or anything. So, if I would have to describe myself this is what I would say. I would have to say that I find my eyes to be the most striking thing about myself, at least that's what she said- what she has told me… the first time I met her. Oh- finely things were looking up for me when I met her. She said that my light blue eyes tell the stories of my life. You can see the emotional- feelings when gazing into them, or at least that is what she made me believe. So, we got a new reject in class this week named Maiara, she is a transfer student; I liked her as soon as I saw her, she is wild, sweet, and outstandingly suggestive! She was what I was looking for and everything I needed. There was a glowing connection at first sight on both of our faces. The look of shock and surprise from both of us at that moment was dreamlike! Our eyes were fixated on each other the first time in the tiny room, she was like a love dove that flapped her wings my way, I knew, at last, I had someone that would brighten my drab cell for me. She came in there with a breath of fresh air; she is the hope I needed. Maiara- Hi everyone…! The others groaned their welcomes in false enthusiasm, one even yawned loudly. So, who are you? She walked up to me and bent a little into me in front of my desk? Nevaeh! I am shrieking said with butterflies like jitters. Then she touched my hair, and brushed my chin and lower lip with her soft fingertips!
Marcel Ray Duriez (Nevaeh The Forbidden Touches)
I am in no rush. Let Life happen to me just as Life has planned. Because at the end of the day, when the sun sets there is always a horizon somewhere waiting to call forth another sun, in a paradox of Time. Because at the end of each chapter, the story walks towards its culmination. But just like it is not in the setting or rising of the sun but in the sunshine that one basks, just like it is not the finishing line but the voyage through the storyline where one finds the true understanding of the book, Life is about exploring the voyage all the while knowing full well that each chapter shall find its beginning middle and end just how it's meant to be. It is about the truth that Life is but a dream in Time's illusion and the only sharp truth is to love and be loved, and through that assemble moments in Time that smile beyond Time, to make a garden of experiences through lessons and understandings that Life puts at our journey only to walk us closer to our destination. It is not about the destination rather about the journey, and perhaps about who we share the journey with at each crossroad. And no matter how Time walks by, until and unless we cross all the alleys along the way, until and unless we climb up the peak bit by bit, we cannot reach that destination where we belong. But if we tread along the mountain peak or a winding alley soaking in all the freshness of the air enjoying the crispness of our walk, the journey becomes even more enriching not just to our soul but to all of our senses and our very heart. While if we try to run along the way, we might actually topple down a bad turn, taking in a scar that might demand another cup of our soul's portion to heal. Such is Life. A journey that takes smiles and tears, a voyage that bathes in hope and hopelessness, but in all of it, it never stays stagnant, always tiptoeing to exactly where we are meant to be, at any point of our journey. So when something seems to go stagnant or few things make no sense, I tell myself to pause and pat my soul acknowledging each and every decision or detour of mine as part and parcel of Life's plan. I close my eyes and breathe in the freshness of air that flows in every part of my soul to know, to feel alive to all that this journey has shared with me, while believing in the grace and magnanimity of Time who takes Time but eventually shows and leads us to where we belong. And I hear my heart smiling, Let Life happen to me just as Life has planned. I am in no rush.
Debatrayee Banerjee
The ten rules of ikigai We’ll conclude this journey with ten rules we’ve distilled from the wisdom of the long-living residents of Ogimi: Stay active; don’t retire. Those who give up the things they love doing and do well lose their purpose in life. That’s why it’s so important to keep doing things of value, making progress, bringing beauty or utility to others, helping out, and shaping the world around you, even after your “official” professional activity has ended. Take it slow. Being in a hurry is inversely proportional to quality of life. As the old saying goes, “Walk slowly and you’ll go far.” When we leave urgency behind, life and time take on new meaning. Don’t fill your stomach. Less is more when it comes to eating for long life, too. According to the 80 percent rule, in order to stay healthier longer, we should eat a little less than our hunger demands instead of stuffing ourselves. Surround yourself with good friends. Friends are the best medicine, there for confiding worries over a good chat, sharing stories that brighten your day, getting advice, having fun, dreaming . . . in other words, living. Get in shape for your next birthday. Water moves; it is at its best when it flows fresh and doesn’t stagnate. The body you move through life in needs a bit of daily maintenance to keep it running for a long time. Plus, exercise releases hormones that make us feel happy. Smile. A cheerful attitude is not only relaxing—it also helps make friends. It’s good to recognize the things that aren’t so great, but we should never forget what a privilege it is to be in the here and now in a world so full of possibilities. Reconnect with nature. Though most people live in cities these days, human beings are made to be part of the natural world. We should return to it often to recharge our batteries. Give thanks. To your ancestors, to nature, which provides you with the air you breathe and the food you eat, to your friends and family, to everything that brightens your days and makes you feel lucky to be alive. Spend a moment every day giving thanks, and you’ll watch your stockpile of happiness grow. Live in the moment. Stop regretting the past and fearing the future. Today is all you have. Make the most of it. Make it worth remembering. Follow your ikigai. There is a passion inside you, a unique talent that gives meaning to your days and drives you to share the best of yourself until the very end. If you don’t know what your ikigai is yet, as Viktor Frankl says, your mission is to discover it.
Héctor García (Ikigai: The Japanese Secret to a Long and Happy Life)
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano. Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place… At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void. Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning… Everybody and everything is a part of life... As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth. Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Helena had been standing by her window looking out to sea, breathing in the fresh air and admiring the picturesque scene of a small ship sailing into the harbor. She had not been able to think of anything other than Mikolas for days." From LONGING the 3rd chapter of TRUE LOVE
Destin Bays
... The freshly devoured peppermint she loved lofted from her breath and up to his nose with her loud bellow of Father in his ear, and Caxton was sure that he could smell that scent now out in the crisp night air. "You demon!" he screamed with all his might. ...
Jettie Necole (Ruby (Tree of Blood Book 1))
She might seem like a breath of fresh air to him, but he was barn-lot stench to her. He hated that she had such a low opinion of him. Couldn’t she see he was not the kind of man she’d originally pictured? All his work today seemed to do little to change her mind.
Lorna Seilstad (When Love Calls (The Gregory Sisters, #1))
Her heart now pounding, a strange feeling of combined fear and happiness invaded her. She took a deep breath. Her lungs filled with fresh air. An invigorating rush of electricity all over her body overcame her. “So, is this how falling in love feels?” she thought. She knew the answer.
Yasmin Tirado-Chiodini (Antonio's Will)
the more the world around her grew dark and burdensome, the more her exterior freedom was stifled, so much the more did she find herself a peaceful space, of freedom, an immense love of life, of God, of every creature. Here is one of the many passages that testifies to this: This morning, in going by bicycle along the Stadionkade, I was enchanted by the vast horizon you find at the edge of the city and I was breathing the fresh air that hasn’t yet been rationed for us. There were notices all over forbidding Jews from using the little paths that lead into nature. But at this end of the road that was left open to us the sky spread out entirely. They couldn’t do anything about this, really nothing. They could make life rather hard for us, deprive us of certain good products, take away from us a certain freedom of exterior movement, but we’re the ones who deprive ourselves of our best forces by a disastrous psychological attitude, by feeling ourselves persecuted, humiliated, oppressed. By feeling hate.
Jacques Philippe (Fire & Light: Learning to Receive the Gift Of God)
How spacious are these squares, How resonant bridges and stark! Heavy, peaceful, and starless Is the covering of the dark. And we walk on the fresh snow As if we were mortal people. That we are together this hour Unseparable -- is it not a miracle? The knees go unwittingly weaker It seems there's no air -- so long! You are my life's only blessing, You are the sun of my song. Now the dark buildings are stirring And I'll fall on earth as they shake -- Inside of my village garden I do not fear to awake. Escape "My dear, if we could only Reach all the way to the seas" "Be quiet" and descended the stairs Losing breath and looking for keys. Past the buildings, where sometime We danced and had fun and drank wine Past the white columns of Senate Where it's dark, dark again. "What are you doing, you madman!" "No, I am only in love with thee! This evening is wide and noisy, Ship will have lots of fun at the sea!" Horror tightly clutches the throat, Shuttle took us at dusk on our turn. The tough smell of ocean tightrope Inside trembling nostrils did burn. "Say, you most probably know: I don't sleep? Thus in sleep it can be" Only oars splashed in measured manner Over Nieva's waves heavy. And the black sky began to get lighter, Someone called from the bridge to us, As with both hands I was clutching On my chest the rim of the cross. On your arms, as I lost all my power, Like a little girl you carried me, That on deck of a yacht alabaster Incorruptible day's light we'd meet.
Anna Akhmatova
You can do the best that you can do and conquer your life and future. Your future may seem dark, but running from it will not save you. You can willingly embrace the present and not let it slip away. You wish you can turn back time. You wish to spend your time with your loved ones and cherish what once was yours. You are thankful. You can do the best that you can do and conquer your life and future. Your future may seem dark, but running from it will not save you. You may fail. You may fall. You may achieve defeat. You may loss. You are facing failure and others have faced the failures in life too. You can conquer. The key to success is failure and strength to never give up on your dreams. You can breath in the fresh air and put your mind at ease. You can relax, rejuvenate, restore, reawaken and rekindle." - Shwin J Brad
Kenty Rosse (Mindfulness and stress relief)
The ten rules of ikigai We’ll conclude this journey with ten rules we’ve distilled from the wisdom of the long-living residents of Ogimi: 1. Stay active; don’t retire. Those who give up the things they love doing and do well lose their purpose in life. That’s why it’s so important to keep doing things of value, making progress, bringing beauty or utility to others, helping out, and shaping the world around you, even after your “official” professional activity has ended. 2. Take it slow. Being in a hurry is inversely proportional to quality of life. As the old saying goes, “Walk slowly and you’ll go far.” When we leave urgency behind, life and time take on new meaning. 3. Don’t fill your stomach. Less is more when it comes to eating for long life, too. According to the 80 percent rule, in order to stay healthier longer, we should eat a little less than our hunger demands instead of stuffing ourselves. 4. Surround yourself with good friends. Friends are the best medicine, there for confiding worries over a good chat, sharing stories that brighten your day, getting advice, having fun, dreaming … in other words, living. 5. Get in shape for your next birthday. Water moves; it is at its best when it flows fresh and doesn’t stagnate. The body you move through life in needs a bit of daily maintenance to keep it running for a long time. Plus, exercise releases hormones that make us feel happy. 6. Smile. A cheerful attitude is not only relaxing—it also helps make friends. It’s good to recognize the things that aren’t so great, but we should never forget what a privilege it is to be in the here and now in a world so full of possibilities. 7. Reconnect with nature. Though most people live in cities these days, human beings are made to be part of the natural world. We should return to it often to recharge our batteries. 8. Give thanks. To your ancestors, to nature, which provides you with the air you breathe and the food you eat, to your friends and family, to everything that brightens your days and makes you feel lucky to be alive. Spend a moment every day giving thanks, and you’ll watch your stockpile of happiness grow. 9. Live in the moment. Stop regretting the past and fearing the future. Today is all you have. Make the most of it. Make it worth remembering. 10. Follow your ikigai. There is a passion inside you, a unique talent that gives meaning to your days and drives you to share the best of yourself until the very end. If you don’t know what your ikigai is yet, as Viktor Frankl says, your mission is to discover it.
Héctor García (Ikigai: The Japanese secret to a long and happy life)
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
Monique was the most unlikely girl to be tending bar at a place like the French Hotel in Monrovia. She was the girl guys would ask, “What’s a sweet girl like you doing in a place like this?” I, like everyone else, liked Monique and always chatted her up. Monique loved the attention and had a heavy hand with the bottles. The later into the evening it got, the more she poured. In Liberia there were no laws holding a bartender responsible for the inebriated actions of their patrons and she was just being friendly. What’s more is that all the expats kept returning. Monique was a dark haired beauty. Slight of stature, she had a pleasant demeanor and a cute French accent. Having some difficulty with English, she would listen intently and try to repeat what was said. Her mannerisms were a delight to watch as she tended bar. For the men, in this hot forsaken place, Monique was a breath of fresh air and an attentive young female to talk to. Her French perfume was a most pleasant contrast to the foul odors that normally filled the air in Monrovia. I liked Monique, didn’t everyone? She was a hot French mademoiselle and looked the part with her cute slightly turned up nose, brown eyes and dark brown hair. In fact she looked very much like Leslie Caron. No one took photos like they do today, so just to give you an idea of how she looked, I was tempted to use a publicity photo of Leslie. However with copyright laws being what they are, I prudently resisted that idea. Although Monique always flirted with me, it was always in a cute or perhaps an innocent way. Without the little encouragement, which I hoped for, I was starting to think of her more like a sister. No, that wasn’t quite it. Although she was always flirtatious and cutesy, the truth was that she just wasn’t available to me and I didn’t know why.
Hank Bracker
It was a breezy rainy day. As the breathful afternoon melted away into a warm evening, the cold caress of fresh air lapped up my heart with images of forever's smile. I watched and watched how a little boy walked hand in hand with his mother, how an old man sat waiting for someone in a distant shelter, how a youthful love sparkled away in that gentle embrace of moments in making, how an old lady watched the children laughing away in a happy carousel, how a noisy afternoon throbbed through clutching silences, how the sky sailed along a bunch of stories never to share, an untold harmony of unsung moments. And as the rain smoothed its wings to a lulling breeze, I saw a day smiling with moments of forever's shine. It was a breezy rainy day, and one of the most beautiful days of my wandering heart.
Debatrayee Banerjee
In the very beginning of her life, the girl-child has direct access to the spirit of life. It is as near to her as the breath that fills her. And it connects her to everything. She is not alone. Her spirit is one with the spirit of her beloved grandmother, her favorite rock, tree, and star. She develops her own methods for contacting the spirit in all things. She climbs a tree and sits in its branches, listening. She loves the woods and listens there too. She has a special friend—a rock. She gives it a name and eats her lunch with it whenever she can. She keeps the window open next to her bed even on the coldest of nights. She loves the fresh air on her face. She pulls the covers tight around her chin and listens to the mysterious night sky. She believes that her grandmother is present even though everyone else says she is dead. Each night, she drapes the curtain over her shoulders for privacy, looks out the window near her bed, listens for Grandma and then says silent prayers to her. Her imagination is free for a time. She does not need priest or teacher to describe god to her. Spirit erupts spontaneously in colorful and unique expressions. God is Grandma, the twinkling evening star, the gentle breeze that washes across her face, the peaceful quiet darkness after everyone has fallen asleep, and all the colors of the rainbow. And because she is a girl, her experience and expression of spirit is uniquely feminine. The spirit of the universe pulsates through her. She is full of herself.
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
TEN WAYS A PARTNER CAN HELP Before the baby’s born, help stock the freezer with meals that can be eaten with one hand. Find a good phone number for help and call it as needed. (La Leche League’s website, llli.org, and U.S.-based phone line, 877–4-LA LECHE (877–452–5324), can both lead you to your closest local group, and that’s a fast route to anything else you might need.) Buy the grocery basics, and keep easy, healthy snacks on hand. Get dinner—any dinner! Nights can be tough at first. Be flexible about where and when everyone sleeps. Going to bed early helps! Do more than your share. You may be what keeps the household running for a while. Everything won’t get done. Talk about what’s most important to her—a clean kitchen? a cleared desk?—and do that first. Get home on time. You’re like a breath of fresh air for mother and baby both. Helping out means helping emotionally, too. Remind her how much you love her, how wonderful she looks, and what a great job she’s doing. There she is, holding your child. She really is beautiful, isn’t she? Remind her that this part is temporary. Most women feel it takes at least six weeks to start to have a handle on this motherhood thing. Life will settle down. But it takes a while.
La Leche League International (The Womanly Art of Breastfeeding)
When we are man and wife you will do as I say. You will never speak of this again!” Samuel came forward and loomed over her, his thick breath clouding the air in front of her face. “When you are mine, you will obey me.” “I will not be your wife. I refuse to marry a man who is dishonest.” “I have never been dishonest with you.” Fresh malice boiled in Eliza’s belly. “You said you would not harm Thomas if I promised to return here and marry you, did you not?” “I did.” “So why did you tell Donaldson to burn Thomas’s property after we were married? I refuse to be your wife, since you have rescinded on our agreement.” A monster unleashed before her. Samuel shoved Eliza against Father’s rows of books, their hard covers stabbing into her back just as Samuel’s eyes stabbed into her chest. “If you do not marry me, not only will his house burn, but Thomas will as well.” Eliza’s blood escaped her face and she braced herself as the room twisted around her. “You wouldn’t.” Samuel’s eyes narrowed into small black slits. “I would.” Her bones wanted to crack under the weight of his words and her voice refused to work, but somehow she found her ability to speak. “If I find that you have done anything to him after we are married I will do everything in my power to leave you, make no mistake.” Samuel relaxed his numbing grip, a wicked laugh rumbling in his chest. “You can’t leave me, Eliza. Not after everything I’ve done for you.” “I can, and I will!” Samuel roared and without warning slapped her across the face, causing her to tumble sideways. She hit Father’s chair and landed in a rough heap on the floor. He rushed to her, panic lighting his features, as if it had been someone else who had struck her. “Eliza, I’m so sorry. I don’t know what came over me. Are you hurt?” A trickle of warm liquid ran down her cheek. He tried to touch her face, but she slapped his hand away. “Don’t you dare touch me.” His face drained of all color and he sputtered as he spoke, his voice quiet. “I’m so sorry, Eliza, I—” “Thomas would have never dreamed of hitting me, Samuel.” She straightened to her full height, breathing in deep heaves. “He lets me speak my mind and ask questions. He believes that what I think matters. He loves me!” Samuel lowered his brow and his tone rumbled in his chest as he shook her shoulders. “You will never speak of Thomas again. Today we will be married, and you will be mine forever and you will love me! As far as you are concerned, Thomas never existed.” The finality of his statement sluiced over her, causing her knees to buckle. She gripped the row of books behind her to steady her stance. “So be it, Samuel Martin,” she said, filling her voice with razors. “But know this, there is only one man that I will ever love—dead or alive. And it will never be you!
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Sandcastles are a lot like relationships. As we built one all week, I realized they are beautiful but vulnerable. Easy to break. One lie, misunderstanding, one small wave can wash it away, but as long as there is sand and water, love and trust and devotion, it can be built again. I’m also a lot like sand. Kinda boring, nothing too fancy, but paired with something like water—like you, a breath of fresh air and fun and full of life—it can become something pretty damn special. I want that with you. I’ll wait until you’re ready though. I broke us, so it’s up to me to fix it, and I will. I’ll do whatever it takes, okay?
Jaqueline Snowe (Teaching with the Enemy (Shut Up and Kiss Me, #2))
UNCONVENTIONAL DESTINATION WEDDING LOCALES Destination Wedding Jan 6 This wedding season, fall in love with endearing unconventional destination wedding locales Theme Weavers Designs Since all the travel restrictions have been lifted, destination weddings are back in vogue. However, the pandemic has led to a major paradigm shift. In this case, Indian couples are looking into hidden gems to take on as their wedding destination, instead of opting for an international location. With the rich cultural heritage and a myriad of local traditions, it has been observed by industry insiders that couples feel closer to their past and history after getting married in a regional wedding destination. At the same time, it is a very cumbersome task to find the perfect wedding destination - it has to be perfectly balanced in terms of the services it offers as well as having breathtaking views. This wedding season, choose something offbeat, by opting for an unexplored destination, that is both visually appealing and has a romantic vibe to them. Start off your wedding journey with an auspicious location. Rishikesh, on the banks of the holy river Ganges is one of the most sacred places a couple can tie the knot. This tiny town’s interesting traditions, picturesque locales, and ancient customs make this one of the most underrated places to get married in india. Perfect for a riverside wedding in extravagant outdoor tents, this wedding season, it is high time Rishikesh gets the hype it deserves. “The Glasshouse on the Ganges,” is one of the most stunning places to get married. While becoming informed travellers, this place is interred with a vast and vibrant cultural history. It offers an extremely unique experience as it revitalises ruined architectural wonders for the couple to tour or get married in, making it a heartwarming and wonderful experience for all those who are involved. Steep your wedding party in the lap of nature, in Naukuchiatal, Nainital, Uttarakhand. This place is commonly referred to as “treasure of natural beauty,” where it offers mesmerising natural spectacles for a couple to get married in a gorgeous outdoor ceremony. Away from the hustle and bustle of the urban jungles that have slowly been taking over the Indian subcontinent, this location provides a much needed breath of fresh air. This location also provides much needed reprieve from the fast paced lifestyle that we live, making a wedding a truly relaxing affair. As this is a quaint hill station, surrounded with lush greens, there are numerous ideas to create a natural and sustainable wedding. The most distinguishing feature of this location is the nine-cornered lake, situated 1,220 m above sea level. There is something classic and timeless about the Kerala backwaters. This location is enriching and chock full of unique cultural traditions. With spectacular and awe-inspiring views of the backwaters, Kumarakom in Kerala easily qualifies as one of the top wedding destinations in india. Just like Naukuchiatal, this space is a study in serenity, where it is far away from the noisy streets and bazaars. Perfect for a cozy and intimate wedding, the Kerala backwaters are a gorgeous choice for couples who are opting for a socially distant wedding, along with having a lot of indigenous flora and fauna. Punctuated with the salty sea and the sultry air, the backwaters in Kerala are an underrated gem that presents couples with a unique wedding location that is perfect for a historical and regal wedding. The beaches of Goa and the forts of Rajasthan are a classic for a reason, but at the same time, they can get boring. Couples have been exploring more underrated wedding locations in order to experience the diverse local cultures of India that can also host their weddings
Theme Weavers
TEN WAYS A PARTNER CAN HELP Before the baby’s born, help stock the freezer with meals that can be eaten with one hand. Find a good phone number for help and call it as needed. (La Leche League’s website, llli.org, and U.S.-based phone line, 877-4-LA LECHE (877-452-5324), can both lead you to your closest local group, and that’s a fast route to anything else you might need.) Buy the grocery basics, and keep easy, healthy snacks on hand. Get dinner—any dinner! Nights can be tough at first. Be flexible about where and when everyone sleeps. Going to bed early helps! Do more than your share. You may be what keeps the household running for a while. Everything won’t get done. Talk about what’s most important to her—a clean kitchen? a cleared desk?—and do that first. Get home on time. You’re like a breath of fresh air for mother and baby both. Helping out means helping emotionally, too. Remind her how much you love her, how wonderful she looks, and what a great job she’s doing. There she is, holding your child. She really is beautiful, isn’t she? Remind her that this part is temporary. Most women feel it takes at least six weeks to start to have a handle on this motherhood thing. Life will settle down. But it takes a while.
La Leche League International (The Womanly Art of Breastfeeding)
Creativity is a breath of fresh air in the monotony of this world driven by facts.
Purvi Mehta (When Fate Conspires)
I took a step back. He was right. I did have a problem. I… I… I was racist. I’d become that which I’d hated all my life. These guys didn’t see themselves as black and white and brown as I did. They simply saw themselves as Latinos, as cubanos and panameños and mexicanos, and… and as brothers. I gripped my head. My mind was reeling. I decided to go outside to get some fresh air. The air was crisp and clean. I took a big, deep breath. Then it hit me like a sledgehammer between the eyes. Then words weren’t reality. They were “labels” that were placed on reality. I began to shiver, this thought WAS SO GREAT! Then words were like maps, and a map could tell us about a state or nation, but a map wasn’t that state or nation any more than words were the person or place we were referring to. I mean, I could get a map that laid out the freeway systems of California, the towns and cities, and I could get another map that laid out the rivers and mountain ranges, the valleys, the different types of vegetation at different elevations, and yet all this information would still never give me the reality of California.
Victor Villaseñor (Crazy Loco Love: A Memoir)
She smiled, tightening her arm about Daniel's middle. His breathing had the deep and even cadence of sleep, his heart beating strong under her ear. He smelled of soap and fresh air and warm man. It was exactly where she wanted to be.
Christina Britton (A Duke Worth Fighting For (Isle of Synne, #3))
Angus turned to Domenica. "This view always makes me feel sad. I don't know why, but it does." He drew in his breath, savouring the freshness of the air. Freshly mown grass was upon it, and the smell of lavender, too, from Elspeth's kitchen garden. "Well, perhaps not sad--more wistful, perhaps, which is one notch below actual sadness.
Alexander McCall Smith (Love in the Time of Bertie (44 Scotland Street, #15))
You begin to find comfort in simple and essential stuff as your soul expands, but you create apathy for a repetitive career, a toxic relationship, fake human relationships, etc. I don't suggest you give up your simple life in order to awaken your spirit. It's nice to have healthy relationships and love-filled interactions with others, but you may find yourself challenging other issues about your identity, relationships and laws created by society at the beginning of soul awakening. You find yourself in a bond with nature  When you felt alive in the vicinity of nature and felt grateful for seeing the landscapes, plants, wildlife, stars, mountains, etc., you may have developed a rare and precious connection with nature. It is no wonder that knowledge has been raised by those who find peace in existence. Such people know their priorities in life and are grateful to God for creating this beautiful world. You may also become more conscious of the rights of climate and animals. You might want to plant trees and live in a place to breathe in the fresh air.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
You are the love of my life, Luce. You are the happy ending I'm always finding for my clients. You are the breath of fresh air that makes me feel alive. You are all I want. All the good and the bad, I'm here, I'll help shoulder the burden, because you are worth it. All of it I love you. I want you. I'm here.
Fiona Riley (Miss Match)
I was rain, not only to myself, but to Caspian Marks, too. I wasn’t the kind of gloomy rain that was unwanted and unappreciated, though. Not to him. I was the kind that was necessary when you felt shriveled and dry; in need of something to give you energy and strength to lighten and flourish again. The kind that was like a breath of fresh air. The kind of rain that after, created rainbows. The kind of rain that was crucial—absolutely crucial—in romance movies when the most dramatic kiss of the century was cued to happen. I was Caspian Mark’s rain. I gave him energy and I revived him. I gave him air to breathe. My coldness reminded him that life was not always sunny or ideal, but would still be good, anyway. The rain, I suppose I was.
Braelyn Wilson (Counting Stars)
I wanted to remember what you felt like,’ Kai’s words from earlier that day sank in his mind and rippled in his body, like a rock thrown on a deep lake, stirring up the waters that had remained calm right until that moment. Ren had never forgotten what his past lover felt like. Kai was a breath of fresh air, nourishing the fire within, making Ren burn bright… but Ren had always feared losing control. He feared becoming a flame too big, too dangerous and frightening that could burn Kai to the bone. That was why he had promised himself to keep away from his heart.
Myosotis (Potions and Arsons)
We have seen what significance, given socialism, the wealth of human needs acquires, and what significance, therefore, both a new mode of production and a new object of production obtain: a new manifestation of the forces of human nature and a new enrichment of human nature. Under private property their significance is reversed: every person speculates on creating a new need in another, so as to drive him to fresh sacrifice, to place him in a new dependence and to seduce him into a new mode of enjoyment and therefore economic ruin. Each tries to establish over the other an alien power, so as thereby to find satisfaction of his own selfish need. The increase in the quantity of objects is therefore accompanied by an extension of the realm of the alien powers to which man is subjected, and every new product represents a new potentiality of mutual swindling and mutual plundering. Man becomes ever poorer as man, his need for money becomes ever greater if he wants to master the hostile power. The power of his money declines in inverse proportion to the increase in the volume of production: that is, his neediness grows as the power of money increases. The need for money is therefore the true need produced by the economic system, and it is the only need which the latter produces. The quantity of money becomes to an ever greater degree its sole effective quality. Just as it reduces everything to its abstract form, so it reduces itself in the course of its own movement to quantitative being. Excess and intemperance come to be its true norm. Subjectively, this appears partly in the fact that the extension of products and needs becomes a contriving and ever-calculating subservience to inhuman, sophisticated, unnatural and imaginary appetites. Private property does not know how to change crude need into human need. Its idealism is fantasy, caprice and whim; and no eunuch flatters his despot more basely or uses more despicable means to stimulate his dulled capacity for pleasure in order to sneak a favour for himself than does the industrial eunuch – the producer – in order to sneak for himself a few pieces of silver, in order to charm the golden birds, out of the pockets of his dearly beloved neighbours in Christ. He puts himself at the service of the other’s most depraved fancies, plays the pimp between him and his need, excites in him morbid appetites, lies in wait for each of his weaknesses – all so that he can then demand the cash for this service of love. (Every product is a bait with which to seduce away the other’s very being, his money; every real and possible need is a weakness which will lead the fly to the glue-pot. General exploitation of communal human nature, just as every imperfection in man, is a bond with heaven – an avenue giving the priest access to his heart; every need is an opportunity to approach one’s neighbour under the guise of the utmost amiability and to say to him: Dear friend, I give you what you need, but you know the conditio sine qua non; you know the ink in which you have to sign yourself over to me; in providing for your pleasure, I fleece you.) This estrangement manifests itself in part in that the sophistication of needs and of the means (of their satisfaction) on the one side produces a bestial barbarisation, a complete, crude, abstract simplicity of need, on the other; or rather in that it merely reproduces itself in its opposite. Even the need for fresh air ceases to be a need for the worker. Man returns to a cave dwelling, which is now, however, contaminated with the pestilential breath of civilisation, and which he continues to occupy only precariously, it being for him an alien habitation which can be withdrawn from him any day – a place from which, if he does ||XV| not pay, he can be thrown out any day.
Karl Marx
In Conversation With The Earth! Hello I am Earth , your home, Hello I am human from Climate summit at Rome, Pleasure meeting you today, Well I thought you met and saw me everyday, Nevermind, human mind is a curious creation, Look at the devastation and your numb sensation, Water levels rising, Frequent wildfires are least surprising, Landslides burying people alive, For the poor Earth is no longer a place to thrive, CO2 emissions creating a blanket of doom, The world looks like a planet draped in agony and gloom, Deforestation has left me naked, By your callousness I feel raped, you humans are so ungrateful and wicked, The rising heat will kill us both, I will manage drifting in the universe but imagine your plight in the cosmic broth? You are the cause of your own extinction, And you seek mercy from me for this inevitable destruction, I am part of the universe the universe is not a part of me, And if there is a cause, an effect too there shall be! But I am wondering why you are still procrastinating, You are more interested in Mars’s Terraforming, Instead of saving your present home, Where there is Italy, Germany, India, America, Russia, China, many others and Rome, You seem to ignore my pleadings and warning signs, And somehow your conscience resigns, Into a slumber of thoughtlessness, And you seem willing to endure this perpetual feeling of restlessness, But refrain from acting now, Sometimes you just need to start, without wasting too much time on thinking how, This maybe my last conversation with you , my dear human being, It is time you believed in what you are seeing, A ravaged soul of mine, I fret and fume, yet you convince yourself I am fine, Because you can still breathe in my air, But how long, because you are offering me a bargain that is unfair, Very soon you may need protected air zones to survive, And then only those with a penny in the pocket shall be alive, Where will your less fortunate brothers and sisters go? I think after the great fall, today humanity has fallen really too low, Not placing restraint on their acts so ignoble, Although you see my scars so fresh and palpable, Anyway, why shall you care as long as you can breathe, And not realise the irony, the day you feel choked I too shall no more be able to breathe! Mars is a distant dream, Pay heed now when I yell and scream, Mars is just a reflection in the mirror, But I am the mirror, you just need to be a heedful observer, And act now before it is too late, And stop wasting time in a bureaucratically complex debate, Maybe this will be the last summer for you and me too, But I am still believing and expecting the best from you! By: Javid Ahmad Tak
Javid Ahmad Tak (They Loved in 2075!)
He is here. There is the sweet perfume of death in the air.’ He drew a deep breath. ‘I love it even more than the smell of fresh quimmy.
Wilbur Smith (The Triumph of the Sun: The Courtney Series 12)
About Damn Time” by Lizzo, yes, she’s brilliant. I love that song; I love all her songs.’ Maggie nodded. ‘Me too, she’s like a breath of fresh air and I think we should all be more Lizzo.
Helen Phifer (Their Burning Graves (Detective Morgan Brookes, #8))
When we have the impression that we're all alone and nobody supports us, we can remember that it's only a perception. It's not accurate. Think of a tree standing outside right now. The tree is supporting us with beauty, freshness, and oxygen for us to breathe. That kind of support is also a kind of love. The fresh air outside, the plants that feed us, and the water that flows over our hands from the tap all support. There are many ways that people can support us and love us without actually saying, "I love you." You may know people who have never said, "I love you," but you know they love you. When I was ordained as a novice monk, I had a teacher who I knew loved me deeply, but he never said, "I love you." That is the traditional way. If one pronounced the words, "I love you," it seemed that some of the sacredness was lost. Sometimes we feel very grateful, but we want to express our gratefulness in ways other than simply saying, "thank you." Look for the many ways people communicate their love without saying it. Maybe, like the tree, they are supporting you in other ways.
Thich Nhat Hanh (The Art of Communicating)
The thing I love about Edna, compared to Cello’s Prom Date or Little Shop’s Mrs. Luce, is that she is such a wonderful, well-rounded (pun not intended) character. I felt that Mrs. Luce and the Prom Date were one note characters, whether they were played by a man or a woman - but were definitely played for laughs by throwing me in a wig and dress, that playing Edna was a breath of fresh hairspray…I mean air. She was actually developed into a human being; she loves her husband and her daughter, she has her fears about how the world would view her and her daughter for being overweight, disappointment that her hopes and dreams didn’t come true (explaining why she is strict with Tracy), and the pride she feels when Tracy becomes successful.
Michael J. Mantsourani (Life is Staged: A Memoir on Finding Myself in High School Theater)
In the communist times, the High Tatras were an escape. For most it was an escape to nature and the fresh air, but for many it was an escape from communism as such. One could really breathe easier in the Tatras. Life was different, travelling was different and more limited, information flowed differently and more slowly, and this is not only true for the communist period. It was the kind of freedom that we probably can no longer imagine today, because luckily, we don't have to imagine it. The High Tatras were far away, the valleys long and the lodges high above. They were inhabited by people who loved mountains and couldn't get to any other mountains - and they wanted to be left in peace.
Samo Marec (Tam hore: Nevypovedané príbehy tatranských chát)
There are two basic ways of working with this painful habit. The first is to build up internal resources to counter the harshness of self-criticism. Cultivate positive practices such as gratitude and self-empathy (chapter 9), as well as other methods such as self-compassion and loving-kindness meditation. These practices strengthen resilience. It’s like stepping out of a burning house to breathe fresh air.
Oren Jay Sofer (Say What You Mean: A Mindful Approach to Nonviolent Communication)
Good girls are the ones who are most hunted, married, and shut away in their homes like treasure. They live in a box, without light or air, between love and submission. Bad girls are rejected and left free. They fly anywhere they feel like going, like butterflies. They lend nature the color of their wings and breathe the fresh air of the fields, between love and freedom.
Paulina Chiziane (The First Wife: A Tale of Polygamy)
BRIGHT LIGHT CAN NEVER BE OVER POWERED BY DARKNESS EVEN IN THE MOMENT OF BLACKEST DEATH THERE WILL ALWAYS BE LIFE A LITE WILL FOR EVER SHINE WITH GOD FOR EVERY DEATH A STAR IS BORN IN THE SKY THE A FOREVER PROMISE FOR ETERNA LIFE FOR EVERY CLOSED DOOR A NEW ONE OPENS YOU WILL HOLD THE KEY TO UNLOCK EACH DOOR IN LIFE ON EARTH AND YOUR HEAVENLY LIFE YOU WILL NEVER BE SEPERATED FROM THE PEOPLE YOU LOVE AND THOSE THAT LOVE YOU THE ONLY ONE THAT BREATHES FRESH AIR INTO YOUR SOUL TO RECIEVE ONLY A NEW MESSAGE LIFE HAS NO END FOR GOD"S PROMISES NEVER LIE HIS WIND WILL CONTINUE TO BLOW EVEN AFTER YOUR LAST BREATH IS TAKEN A WORLD WITH NO END
SGG
Welcome to Earth (World Tourism Sonnet) When you are down with doubts sit down, For lessons of revolution from the Americas. When you are beginning to have cold feet, Siphon some much needed resilience from Africa. When your heart is beginning to turn cold, Have a rejuvenating swim in the warmth of Asia. When clouds of gloom start to grab hold, Breathe in some fresh air from Australia. Whenever the bickering goes overboard, Draw some lessons of unity from Europe. Whatever it is you seek my friend, We just might be able to satisfy your hope. Come visit us sometime, on our little blue dot. We are the beings of love, light and colors, as such we often go overboard.
Abhijit Naskar (Find A Cause Outside Yourself: Sermon of Sustainability)
Whoa, Tornado. Where’s the fire?” She should’ve said, “In the stove,” just to be annoying. But that would only be half-true. Because the fire was right here, between them. In the air, popping like static. In his eyes, gone dark and intense. Her breath caught when she realized he was still holding her arms. “I was gonna shower. You’re all fresh, and I probably smell like trail dirt and river water.” “You smell amazing.” He spoke low, and she gave in to desire, her body arching toward him. “Like always.” Finn’s hands fisted in the hem of her hoodie, and he tugged her closer, bringing their hips together. She gasped. “Like a garden after a thunderstorm.
Chandra Blumberg (Stirring Up Love (Taste of Love, #2))
The onlookers' rudeness irked Lavender. How quickly their veneer of courtesy fell away. Beholding the man, they acted as if they viewed an exhibit in some monstrous hall of wonders. Terrible as the ruined side of his face was to look upon, balancing it, the good half was nothing short of godlike. He stopped in front of her floral cart. As if swished away by some invisible magician's wand, the gawking masses faded, leaving only quietude---a radical privacy---as though a glass dome ventilated with fresh oxygen closed over the two of them, and they alone existed in the world. "Your flowers steal my breath away," he said. He wished to make a purchase. "How many bouquets or tussie-mussies, Sir?" "All of them," the man said, then pointed to the sachet that had, earlier, toppled into the dirt. "What is this?" "A scent-filled sachet." "Sewn with your own hands, I presume?" the man asked. She nodded. "What fills it?" "Achillea millefolium. Yarrow. It heals. Protects. It's also known as a love charm." "Heals, you say?" The man sighed. "If only it could." Then he inquired the cost---of everything. Normally, Lavender ciphered like the wind, but a tallying void struck. She told him... a number... some totted up, air-castle sum bolted from her mouth. He paid her. The sum almost overflowed her hands. She transferred the bounty into her coin purse. "I worship at your cart," the man declared. "And tomorrow, with even the slightest sliver of serendipity, you shall hear Mr. Whitman's divine words.
Jeanette Lynes (The Apothecary's Garden)
Darren McGrady Darren McGrady was personal chef to Princess Diana until her tragic accident. He is now a private chef in Dallas, Texas, and a board member of the Pink Ribbons Crusade: A Date with Diana. His cookbook, titled Eating Royally: Recipes and Remembrances from a Palace Kitchen, will be released in August 2007 by Rutledge Hill Press. His website is located at theroyalchef. I knew Princess Diana for fifteen years, but it was those last four years after I became a part of her everyday life that I really got to know her. For me, one of the benefits of being a Buckingham Palace chef was the chance to speak to “Lady Di.” I had seen her in the newspapers; who hadn’t? She was beautiful. The whole world was in love with her and fascinated by this “breath of fresh air” member of the Royal Family. The first time I met her, I just stood and stared. As she chatted away with the pastry chef in the Balmoral kitchen, I thought she was even more beautiful in real life than her pictures in the daily news. Over the years, I’ve read account after account of how the Princess could light up a room, how people would become mesmerized by her natural beauty, her charm, and her poise. I couldn’t agree more. In time, I became a friendly face to the Princess and was someone she would seek out when she headed to the kitchens. At the beginning, she would pop in “just for a glass of orange juice.” Slowly, her visits became more frequent and lasted longer. We would talk about the theater, hunting, or television; she loved Phantom of the Opera and played the CD in her car. After she and Prince Charles separated, I became her private chef at Kensington Palace, and our relationship deepened as her trust in me grew. It was one of the Princess’s key traits; if she trusted you, then you were privy to everything on her mind. If she had been watching Brookside--a UK television soap opera--then we chatted about that. If the Duchess of York had just called her with some gossip about “the family,” she wanted to share that, too. “You’ll never believe what Fergie has just told me,” she would announce, bursting into the kitchen with excitement. She loved to tell jokes, even crude ones, and would laugh at the shock on my face--not so much because of the joke, but because it was the Princess telling it. Her laughter was infectious.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
The curtain billows gently in the breeze behind him as he steps out to meet me, his hair jet-black by contrast with the translucent white fabric. I jump, gasp, and nearly swallow the grip that I’m still holding between my lips; quickly, I pull it out before it goes down my throat and chokes me. It’s wet with drool. Lovely, Violet. Really attractive. I shove it into my hair, anywhere, praying it will stay and not fall on the floor, still dripping with spit. Luca’s smiling down at me. His face is half in light, half in shade, from the spots playing across the dance floor, his blue eyes gleaming. “You like to dance,” he observes conversationally. “Yes…” Safe question, safe answer. Well, at least I didn’t babble. But he doesn’t say anything else; he’s just looking me up and down, and I feel incredibly awkward under his scrutiny. I’m sweaty, catching my breath; my eyeliner’s probably running. I desperately need to escape into the dark night beyond the dance floor, where the breeze will cool me down and the shadows will hide my shiny face. “I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Who will tell whether one happy moment of love or the joy of breathing or walking on a bright morning and smelling the fresh air is not worth all the suffering and effort which life implies. —Erich Fromm
Aleatha Romig (Consequences (Consequences, #1))
I take a deep breath, relishing in the fresh air and open space around me. Something wet splatters on my cheek, and I turn my face toward the cloudy sky that is now beginning to drizzle down on me. I spread out my arms and tilt my head up, loving the feel of rain pelting my skin. The the drizzle turns into a downpour. Rain is falling rapidly while I'm smiling stupidly. My head feels clearer than it has in days as cool water coats my skin, my dress, my hair. I spin in place, the skirts of my gown swishing around my ankles, feeling like an idiot and absolutely loving it. I slip the shoes from my aching feet and pad through puddles like I did as a little girl, reminding me of a time when I was younger... Laughter bubbles out of me. Hysterical. I am completely hysterical. Rain is sticking strands of hair to my face and dripping down the tip of my nose while I smile through it all, momentarily forgetting about my troubles and simply taking a moment to exist. "I don't know that I ever lived before lying eyes on the likes of you." I spin, blinking through the steady stream of rain before my eyes find the gray ones blending in with the sheet of water falling down on us. His hair is dripping wet, all wavy and tousled. His white button-down shirt is sticky and see-through, showing off an inked chest and tanned torso beneath. And the sight of him has me smiling. "oh, but I only have eyes for one little lady, and I can't seem to take them off of her." Hos chest is rising and falling just as rapidly as the rain while my heart is thundering just as loudly as the storm.
Lauren Roberts, Powerless
Hey, can you do me a favor?" "Anything." "Will you... Will you call me by my name?" She beams, her face brighter than the sun. He realizes just how fitting her name is. She's his ray of sunshine, his garden of Eden. She's a breath of fresh mountain air. She's the warmth of a calm fire in the middle of a dark winter evening. She's absolutely everything to him, so when she opens her mouth to say his name, the world suddenly clicks into place and makes sense. "Shang," she whispers, so soft, so sweet.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
As she spoke, she turned her face toward his, and in that instant, with the wind catching her hair and painting her cheeks pink, she looked so enchantingly lovely that Simon nearly forgot to breathe. Her lush mouth was caught somewhere between a laugh and a smile, and the sun glinted almost red on her hair. Here on the water, away from stuffy ballrooms, with the fresh air swirling about them, she looked natural and beautiful and just being in her presence made Simon want to grin like an idiot.
Julia Quinn (The Duke and I (Bridgertons, #1))