Breaking Colts Quotes

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I close my eyes again. There’s the smell of mountain snow on the air. I shiver. I would have brought a coat if I’d known I was going to be in Wyoming today. I’m a wuss about cold. You’re my California flower, I remember Tucker saying to me once. We were sitting on the pasture fence at the Lazy Dog, watching his dad break in a colt, the leaves in the trees red just like they are today. I started shivering so hard my teeth actually began to chatter, and Tucker laughed at me and called me that—his delicate California flower— and wrapped me in his coat.
Cynthia Hand (Boundless (Unearthly, #3))
It doesn't sound very safe." - Colt "We're breaking into a company owned by aliens who want to wipe humans off the map. It's not supposed to be safe." - Oz "I guess you have a point." - Colt
Jon S. Lewis (Invasion (C.H.A.O.S., #1))
A grim expression came over Syah’s face. “The colt you speak of lost its mother during a storm. If this stallion was that colt, it is not just wild, it is insane. That horse will break your bones.” “And that will be a worthy end, a prince struck down by such a noble steed.” Fasime pushed himself off the support of the fence, but Oman grabbed his arm. “It’s not worth it, Brother.” “I can tame him.” “What will we tell Mother and Father if he kills you?” Oman questioned. “Tell them I gave my life with pride. Do not punish him if he kills me. Release him back into the wild, and my spirit will ride him into the mist.
D.M. Raver (Brother Betrayed)
Randy said softly under his breath, “We doing this?” “Colt replied, “Yup.” “On a count of three…
Addison Kline (Black Horse (Breaking Black, #1))
Nick leans down and kisses my eyelids. “Loving you, Zara, is a full-time job. It’s a great job, don’t get me wrong. It’s the best job in the universe. But it is not easy, because you tend to . . .” “Get hurt?” Betty suggests. “Find trouble? Pass out? Break arms?” “All of the above.” Nick laughs. My hand finds Nick’s wrist and I grab onto its thickness. “You know, I’m the patient here. Where’s the bedside manner? Where’s the sympathy?” “Zara, sympathy is just a good excuse to buy greeting cards and make sorry eyes and secretly gloat over how glad you are that you aren’t the person whose crap is hanging out there for the world to see,” Betty says.
Carrie Jones (Captivate (Need, #2))
This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.
Walt Whitman
We have to get the rest of the herd in before we lose any more horses.” “I’m going to look anyway,” Sophie insisted. “I have to find out what happened to Bando.” She wasn’t going to break down--wasn’t going to cry until she knew for sure, until she saw with her own eyes that the colt was dead. She thought of their promise to her grandmother to look after the horses while she was away. How could they let Gran down so totally and how could they say, “We think his bones are somewhere on the side of the canyon, but we don’t know for sure”?
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
A colt can trot shortly after birth; a kitten leaves its mother to forage on its own when it is just a few weeks old. Human babies are helpless, dependent for many years on their elders for sustenance, protection and education. This fact has contributed greatly both to humankind’s extraordinary social abilities and to its unique social problems. Lone mothers could hardly forage enough food for their offspring and themselves with needy children in tow. Raising children required constant help from other family members and neighbours. It takes a tribe to raise a human. Evolution thus favoured those capable of forming strong social ties. In addition, since humans are born underdeveloped, they can be educated and socialised to a far greater extent than any other animal. Most mammals emerge from the womb like glazed earthenware emerging from a kiln – any attempt at remoulding will only scratch or break them. Humans emerge from the womb like molten glass from a furnace. They can be spun, stretched and shaped with a surprising degree of freedom. This is why today we can educate our children to become Christian or Buddhist, capitalist or socialist, warlike or peace-loving.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Nick grabs the disgusting clump of soggy napkins off the table and says, “You’ve got to do it, man. She’s totally in love with you.” Devyn shakes his head. His eyes are hard. “I can’t.” It takes me a second to respond. “You better not like Cassidy, Devyn, because I swear I will kill you.” “Cassidy?” His voice is numb. “Dude. Everyone’s talking about it,” Nick says. “I don’t like Cassidy,” he says. “Then stop flirting with her.” I stand up. “Flirt?” Devyn looks at Nick, probably for help. “Yeah. Flirt. You’re always with her. She’s giving you rides to school. You’re always talking about her and messaging her,” I protest. “I don’t have the vaguest idea how to flirt. I’m a nerd. We have no social skills.” I can’t believe him. “Well, you are flirting up a freaking storm, Devyn.” “Zara, take it down a notch,” Nick says. “You sound jealous.” “Do not tell me to take it down a notch,” I say, and we glare at each other. “You can be so patronizing sometimes.” He looks away first. “I’m just trying to figure Cassidy out.” Devyn wipes at his hair, ignoring us. “Why? Why is she so fascinating? She’s always itching,” I ask. “And you have Issie. She is right here and she loves you. You know she loves you. I’m going to check on Issie,” I announce. I point at Devyn. “You better stop being an idiot and kiss her soon, or at least tell her you love her or I swear, Devyn, I will be the one who breaks your back and shoots you with an arrow next time.
Carrie Jones (Captivate (Need, #2))
I just run faster and hit the slowest of the lead boys. I wink and race by him. He smells like onions and he has big, wet circles in the pits of his shirt. He speeds up, but can only stay with me for a tenth of a mile before he drops back. Then it’s Nick. I cruise next to him. He’s some sort of running god, because he isn’t close to being winded. His stride is long, powerful, and quick. “Hi.” Why I said this, I do not know. He’s cute. Okay. I am a sucker for cute boys and he was nice to Issie. Plus, he has good hair and he isn’t as pale as most Maine males. He looks like he works in the sun, or at least has seen the sun once, maybe many weeks ago. Plus, life is all supposed to be about making love, not war. My dad listened to John Lennon; I know this stuff. “You’re fast,” he says, easy. No huffing. No puffing. No blowing the house down. “So are you.” We run together, keeping pace. The only one ahead of us is Ian, who is loping around the track as if it’s nothing. Nick shrugs at me while he runs, which is really something, because when I’m running full tilt it’s hard for me to speak, let alone break form to shrug. “You can go faster, can’t you?” I huff out. He just gives a little smile again and then his eyes shift into something cold, like gravestones with just the barest information about a life etched onto them. “Zara,” he whisper-says. I lean in closer to hear him. “What?” My voice is not a whisper. It matches the thudding beat of my heart, the bass of the music that blares out of the speakers. “Awesome job, new girl!” Devyn yells, clapping.
Carrie Jones (Need (Need, #1))
My fingers try to grab onto the net. I’m pulled away too quickly, dragged through the snow. Everything is white and flying and painful. “Nick!” I claw at the snow, trying to slow down. There’s nothing to hold on to. I kick and kick. The hands clutch my ankles. Flipping my torso over I get one quick glance of their backs. They’re wearing parkas and hats and look normal, like people, but faster. I smash onto my face again and lift up my head just in time to see Nick snarling inside the net. He’s transformed again. “Nick!” I yell, but snow pours into my mouth. Sharp cold pain smashes through my teeth and into my skull. I cough and try again. “Nick!” He raises himself up onto four legs and howls, a long, searing cry of anguish and rage. My heart breaks for him, caught there. I have to help him escape. I have to get free. I kick again. “Let me go.” Pain shoots through my head. Fireworks. Explosions. All inside my brain. The white world goes dark and I know what’s about to happen. I’m the one leaving. I am the one gone.
Carrie Jones (Need (Need, #1))
Daddy?” “I’m right here, baby.” Lumps form in my throat, going all the way down into the core of me. It’s his voice. His. Right there. I reach toward the doorknob but I don’t get to turn it. Nick smashes at me with his head, pushing against my lower jaw and cheek, like a blow. His muzzle moves my head away from the door. He presses his face in between me and the wood. Fur gets in my mouth. I spit it out and push at him. “That’s my dad. My dad.” I slap the door. “He’s on the other side. The pixies will get him.” Nick shows me his teeth. “I can’t lose him again, Nick.” The wolf snarls like he’s ready to bite. My head jerks back and away, but then I steady myself. “Get . . . out . . . of . . . the . . . way.” Pushing against his thick neck, I slam my hands against him over and over again, pummeling him. He doesn’t budge. “Move!” I order. “Move.” “Zara, is there a wolf in there with you? Do not trust him,” my dad’s voice says, calmly, really calmly. I grab a fistful of fur and freeze. All at once it hits me that something is not right. My dad would never be calm if I was in my bedroom with a wolf. He’d be stressed and screaming, breaking the door down, kicking it in like he did once when I was really little and had accidentally locked myself in the bathroom and couldn’t get the lock out of the bolt because it was so old. He’d kicked that door down, splintering the wood, clutching me to him. He’d kissed my forehead over and over again. “I’d never let anything happen to you, princess,” he’d said. “You’re my baby.” My dad would be kicking the door in. My dad would be saving me. “Let me in,” he says. “Zara . . .” Letting go of Nick, I stagger backward. My hands fly up to my mouth, covering it. Nick stops snarling at me and wags his fluffy tail. How would my dad know that it is a wolf in here and not a dog? How would he know that it isn’t pixies? I shudder. Nick pounds next to me, pressing his side against my legs. I drop my hands and plunge my fingers into his fur, burying them there, looking for something. Maybe comfort. Maybe warmth. Maybe strength. Maybe all three.
Carrie Jones (Need (Need, #1))
The first recalls Genesis 49:10-11—Jacob’s blessing, in which Judah is promised the scepter, the ruler’s staff, which is not to depart from between his feet “until he comes to whom it belongs; and to him shall be the obedience of the peoples”. Of him it is said that he binds his donkey to the vine (49:11). The tethered donkey, then, indicates the one who is to come, “to [whom] shall be the obedience of the peoples”. Even more important is Zechariah 9:9, the text that Matthew and John quote explicitly for an understanding of “Palm Sunday”: “Tell the daughter of Zion, Behold, your king is coming to you, humble, and mounted on a donkey, and on a colt, the foal of a donkey” (Mt 21:5; cf. Zech 9:9; Jn 12:15). The meaning of these prophetic words for the understanding of the figure of Jesus we have already considered at some length in our exegesis of the beatitude concerning the meek (cf. Part One, pp. 80-84). He is a king who destroys the weapons of war, a king of peace and a king of simplicity, a king of the poor. And finally we saw that he reigns over a kingdom that stretches from sea to sea, embracing the whole world (cf. ibid., pp. 81-82); we were reminded of the new world-encompassing kingdom of Jesus that extends from sea to sea in the communities of the breaking of bread in communion with Jesus Christ, as the kingdom of his peace (cf. ibid., p. 84). None of this could be seen at the time, but in retrospect those things that could be indicated only from afar, hidden in the prophetic vision, are revealed.
Pope Benedict XVI (Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection)
How did Max even know of Ethel? It's not like I talked about my long time nemesis around the dinner table. Maybe it had been Milo or Colt who blabbed about how Ethel had hated me since I was born. She was the nurse who delivered me! And shit you not, told my parents that I was gonna be a tyrant because I peed on her. I was three minutes old, lady! Give me a break! Babies pee! Correction... not Max. Max's first sentence was probably "And the shall name me Max and I shall rule the world!" AHH!!
Rachel Van Dyken
different than they were, and they appreciated having five shovels working rather than four. He no longer lived at home, but still spent a good portion of his rare free time with his family, especially on Sundays. His new residence was the room in the pump house that had been previously occupied by Horace Breedlove. Horace Breedlove hadn’t gone away as quietly as John Wittemore had hoped and after he was officially replaced a year later and sent back to the coal face eight hundred feet below the ground, he had more than once expressed his displeasure to Dylan when he caught him alone. That very real danger pushed Dylan into purchasing a Colt Baby Dragoon pistol two years ago. He kept the .31 caliber pistol in his jacket pocket which was usually in his office residence. He didn’t advertise that he had the five-shot revolver, but still managed to do quite a bit of practice with the gun inside the large pump house. Even with the engine shut down at night or on Sunday for maintenance, it was only quiet when Dylan wasn’t inside. The routine clanging and ringing easily disguised his gunfire. When it was time for their lunch break, Dylan and Bryn each took one of their mother’s sandwiches in hand, but rather than sit down, as they munched Dylan began giving his younger brother a tour of
C.J. Petit (Dylan's Journey: Book One of the Evans Family Saga)