“
Every woman that finally figured out her worth, has picked up her suitcases of pride and boarded a flight to freedom, which landed in the valley of change.
”
”
Shannon L. Alder
“
Lots of things can be fixed. Things can be fixed. But many times, relationships between people cannot be fixed, because they should not be fixed. You're aboard a ship setting sail, and the other person has joined the inland circus, or is boarding a different ship, and you just can't be with each other anymore. Because you shouldn't be.
”
”
C. JoyBell C.
“
The Friday before winter break, my mom packed me an overnight bag and a few deadly weapons and took me to a new boarding school.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Dropping in and out of your own life (for psychotic breaks, or treatment in a hospital) isn’t like getting off a train at one stop and later getting back on at another. Even if you can get back on (and the odds are not in your favor), you’re lonely there. The people you boarded with originally are far, far ahead of you, and now you’re stuck playing catch-up.
”
”
Elyn R. Saks (The Center Cannot Hold: My Journey Through Madness)
“
At least
I want to get up early one more morning,
before sunrise. Before the birds, even.
I want to throw cold water on my face
and be at my work table
when the sky lightens and smoke
begins to rise from the chimneys
of the other houses.
I want to see the waves break
on this rocky beach, not just hear them
break as I did in my sleep.
I want to see again the ships
that pass through the Strait from every
seafaring country in the world -
old, dirty freighters just barely moving along,
and the swift new cargo vessels
painted every color under the sun
that cut the water as they pass.
I want to keep an eye out for them.
And for the little boat that plies
the water between the ships
and the pilot station near the lighthouse.
I want to see them take a man off the ship
and put another one up on board.
I want to spend the day watching this happen
and reach my own conclusions.
I hate to seem greedy - I have so much
to be thankful for already.
But I want to get up early one more morning, at least.
And go to my place with some coffee and wait.
Just wait, to see what's going to happen.
”
”
Raymond Carver
“
She remembered Kelsier, standing boldly before a small group of thieves, proclaiming that they would
overthrow the Lord Ruler and free the empire. We're thieves, he'd said. And we're extraordinarily
good ones. We can rob the unrobbable and fool the unfoolable. We know how to take an
incredibly large task and break it down to manageable pieces, then deal with each of those pieces.
That day, when he'd written up the team's goals and plans on a small board, Vin had been amazed by
how possible he had made an impossible task seem. That day, a little bit of her had begun to believe that
Kelsier could overthrow the Final Empire.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
I've come to see our central nervous system as a kind of vintage switchboard, all thick foam wires and old-fashioned plugs. The circuitry isn't properly equipped; after a surplus of emotional information the system overloads, the circuit breaks, the board runs dark. That's what shock is.
”
”
Darin Strauss (Half a Life)
“
In this particular tub, two knees jut up
like icebergs, while minute brown hairs rise
on arms and legs in a fringe of kelp; green soap
navigates the tidal slosh of seas
breaking on legendary beaches; in faith
we shall board our imagined ship and wildly sail
among sacred islands of the mad till death
shatters the fabulous stars and makes us real.
--from "Tale of a Tub", written 1956
”
”
Sylvia Plath (The Collected Poems)
“
Now to sum it up,' said Bernard. 'Now to explain to you the meaning of my life. Since we do not know each other (though I met you once I think, on board a ship going to Africa), we can talk freely. The illusion is upon me that something adheres for a moment, has roundness, weight, depth, is completed. This, for the moment, seems to be my life. If it were possible, I would hand it you entire. I would break it off as one breaks off a bunch of grapes. I would say, "Take it. This is my life.
”
”
Virginia Woolf (The Waves)
“
History is ending because the dominator culture has led the human species into a blind alley, and as the inevitable chaostrophie approaches, people look for metaphors and answers. Every time a culture gets into trouble it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa 15,000 years ago rocked in the cradle of the Great Horned Mushroom Goddess before history, before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism, before, before, before. And this is where the future is taking us because the secret faith of the twentieth century is not modernism, the secret faith of the twentieth century is nostalgia for the archaic, nostalgia for the paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock-n-roll and catastrophe theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together the community will be better able to streamline itself for flight into hyperspace because what we need is a new myth, what we need is a new true story that tells us where we're going in the universe and that true story is that the ego is a product of pathology, and when psilocybin is regularly part of the human experience the ego is supressed and the supression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of the feeling of immediate experience - and nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience, but that's what holds the community together. And as we break out of the silly myths of science, and the infantile obsessions of the marketplace what we discover through the psychedelic experience is that in the body, IN THE BODY, there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life. I think of going to the grave without having a psychedelic experience like going to the grave without ever having sex. It means that you never figured out what it is all about. The mystery is in the body and the way the body works itself into nature. What the Archaic Revival means is shamanism, ecstacy, orgiastic sexuality, and the defeat of the three enemies of the people. And the three enemies of the people are hegemony, monogamy and monotony! And if you get them on the run you have the dominators sweating folks, because that means your getting it all reconnected, and getting it all reconnected means putting aside the idea of separateness and self-definition through thing-fetish. Getting it all connected means tapping into the Gaian mind, and the Gaian mind is what we're calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet. And without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set, and that's the idea; figuring out how to reset the compass of the self through community, through ecstatic dance, through psychedelics, sexuality, intelligence, INTELLIGENCE. This is what we have to have to make the forward escape into hyperspace.
”
”
Terence McKenna
“
I'm losing the game, which means I have three choices: cede, fight back..." ...Kaden smiled, "Or break the board.
”
”
Brian Staveley (The Providence of Fire (Chronicle of the Unhewn Throne, #2))
“
There were nights when I left the sessions physically and emotionally drained after hearing the anguish pour out like blood from a gaping wound. Don’t let anyone ever tell you different – psychotherapy is one of the most taxing endeavors known to mankind; I’ve done all sorts of work, from picking carrots in the scorching sun to sitting on national committees in paneled board rooms, and there’s nothing that compares to confronting human misery hour after hour and bearing the responsibility for easing that misery using only one’s mind and mouth. At its best it’s tremendously uplifting as you watch the patient open up, breathe, let go of the pain. At its worst is like surfing in a cesspool struggling for balance while being slapped with wave after putrid wave.
”
”
Jonathan Kellerman (When the Bough Breaks (Alex Delaware, #1))
“
The game had to be played the same way every day or the pieces would fall to the floor, the board would collapse, and the illusion that you were shaping your own life, that you were in control, would break.
”
”
Kevin Brockmeier (The Brief History of the Dead)
“
The figure stood in the flames, dark, hard to make out. "I've given you the blessing of pewter, Spook," the voice said. "Use it to escape this place. You can break through the boards on the far side of that hallway, escape out onto the roof of the building nearby. The soldiers won't be watching for you—they're too busy controlling the fire so it doesn't spread."
Spook nodded. The heat didn't bother him anymore. "Thank you."
The figure stepped forward, becoming more than just a silhouette. Flames played against the man's firm face, and Spook's suspicions were confirmed. There was a reason he'd trusted that voice, a reason why he'd done what it had said.
He'd do whatever this man commanded.
"I didn't give you pewter just so you could live, Spook," Kelsier said, pointing. "I gave it to you so you could get revenge. Now, go!
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
We make tactless remarks because we wish to hurt, break our legs because we do not wish to walk, marry the wrong man because we cannot let ourselves be happy, board the wrong train because we would prefer not to reach the destination.
”
”
Fay Weldon (Female Friends)
“
Welcome to Final Forum. Use this board to communicate with other who are completers. Please note: Participants may not attempt to dissuade or discourage self termination. Disregard for free will informed consent will result in immediate removal from the board. Future access to Through-The-Light will be denied. This board is monitored at all times."
That's comforting. I've been to suicide boards before where people get on and say stuff like, "Don't do it. Suicide is not the answer."
They don't know the question.
Or, "Life's a bitch. Get used to it."
Thanks.
"Suicide is the easy way out."
If it's so easy, why am I still here?
And my favorite: "God loves you. Life is the most precious gift from God. You will break God's heart if you throw His gift away."
God has a heart? That's news to me.
People on boards are very, very shallow.
The Final Forum has a long list of topic, including: Random Rants, Bullied, Divorce, Disease, So Tired, Hate This Life, Bleak, Bequests, Attempts.
Already I like this board.
I start with Random Rants.
”
”
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
“
When you want to break a board, cracking it in the middle is only the first step. Success comes when you bounce up and down with all your might until the board snaps in half
”
”
Arthur Golden
“
On the Soyuz, there’s simply not room to fly someone whose main contribution is expertise in a single area. The Russian rocket ship only carries three people, and between them they need to cover off a huge matrix of skills. Some are obvious: piloting the rocket, spacewalking, operating the robotic elements of the ISS like Canadarm2, being able to repair things that break on Station, conducting and monitoring the numerous scientific experiments on board. But since the crew is going to be away from civilization for many months, they also need to be able to do things like perform basic surgery and dentistry, program a computer and rewire an electrical panel, take professional-quality photographs and conduct a press conference—and get along harmoniously with colleagues, 24/7, in a confined space.
”
”
Chris Hadfield (An Astronaut's Guide to Life on Earth)
“
Her friend - and her partner on the stage. You will not believe me, but making love to Kitty - a thing done in passion, but always, too, in shadow and silence, and with an ear half-cocked for the sound of footsteps on the stairs - making love to Kitty and posing at her side in a shaft of limelight, before a thousand pairs of eyes, to a script I knew by heart, in an attitude I had laboured for hours to perfect - these things were not so very different. A double act is always twice the act that the audience thinks it; beyond our songs, our steps, our bits of business with coins and canes and flowers, there was a private language, in which we held an endless, delicate exchange of which the crowd knew nothing. This was a language not of the tongue but of the body, its vocabulary the pressure of a finger or a palm, the nudging of a hip, the holding or breaking of a gaze, that said, You are too slow - you got too fast - not there but here - that's good - that's better! It was as if we walked before the crimson curtain, lay down upon the boards and kissed and fondled - and were clapped, and cheered, and paid for it!
”
”
Sarah Waters (Tipping the Velvet)
“
It isn’t really possible for men to understand how much the world doesn’t want women to be complete people. The most important thing a woman can be, in our society—more important, even, than honest or decent—is identifiable. Even when Libby’s evil—perhaps most of all when she’s evil—she’s easy to categorize, to stick to a board with a pin like some scientific specimen. Those men in Stillwater are terrified of her because being terrified lets them know who she is—it keeps them safe. Imagine how much harder it would be to say, yes, she’s a woman capable of terrible anger and violence, but she’s also someone who’s tried desperately to be a nurturer, to be a good and constructive human being. If you accept all that, if you allow that inside she’s not just one or the other, but both, what does that say about all the other women in town? How will you ever be able to tell what’s actually going on in their hearts—and heads? Life in the simple village would suddenly become immensely complicated. And so, to keep that from happening, they separate things. The normal, ordinary woman is defined as nurturing and loving, docile and compliant. Any female who defies that categorization must be so completely evil that she’s got to be feared, feared even more than the average criminal—she’s got to be invested with the powers of the Devil himself. A witch, they probably would have called her in the old days. Because she’s not just breaking the law, she’s defying the order of things.
”
”
Caleb Carr (The Angel of Darkness (Dr. Laszlo Kreizler, #2))
“
We never stop the car. It's like if we stop, even for a rest break, reality will catch us. We are bank robbers. Kids running away from boarding school. Eloping teenage sweethearts.
”
”
Sally Thorne (The Hating Game)
“
First speech? Frightened beyond belief. First board meeting? Scared stiff. I was never good the first time, and I was always scared on top of that.
”
”
John C. Maxwell (The Power of Your Potential: How to Break Through Your Limits)
“
Breaking rules is indeed an important part of creativity. Innovation needs a level of guidance.
”
”
Pearl Zhu (Digitizing Boardroom: The Multifaceted Aspects of Digital Ready Boards (Digital Master Book 7))
“
Digital transformation represents a break with the past, having a high level of impact and complexity.
”
”
Pearl Zhu (Digitizing Boardroom: The Multifaceted Aspects of Digital Ready Boards (Digital Master Book 7))
“
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide.
(Is it clear I was a hero of rock'n'roll?)
Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other.
In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own.
I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel.
Is there a tunnel?" he said.
”
”
Don DeLillo
“
It is almost uncomfortable, this awareness of him. Each pause, each movement when he places a piece on the black and gray board. I want to reach out and grab his hand and hold it to me, right over my heart, right where it aches the most. I don't know if doing that would heal me or make my heart break entirely, but either way this constant hungry waiting would be over.
”
”
Ally Condie (Matched (Matched, #1))
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
He gestured at the brief and brutal lay of stones between us. “Look at that. Why would I ever want to win a game such as this?” I looked down at the board. “The point isn’t to win?” I asked. “The point,” Bredon said grandly, “is to play a beautiful game.” He lifted his hands and shrugged, his face breaking into a beatific smile. “Why would I want to win anything other than a beautiful game?
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Pip? whom call ye Pip? Pip jumped from the whaleboat. Pip's missing. Let's see now if ye haven't fished him up here, fisherman. It drags hard; I guess he's holding on. Jerk him, Tahiti! Jerk him off we haul in no cowards here. Ho! there's his arm just breaking water. A hatchet! a hatchet! cut it off—we haul in no cowards here. Captain Ahab! sir, sir! here's Pip, trying to get on board again.
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
My name is Rose.’” A shit-eating grin breaks out across his face. “And I yell, ‘There was room on that board!’” “And I burst into tears.” “Snot is flying everywhere and she rushes off the stage and out the door. I jump to my feet and race after her to find her sitting in the middle of the parking lot, sobbing into the quiet night. So, I wrap my arm around her and let her wipe her boogers all over me.
”
”
Teagan Hunter (Let's Get Textual (Texting, #1))
“
When people suggest that what, all along, has been holding women back is other women bitching about each other, I think they’re severely overestimating the power of a catty zinger during a cigarette break. We have to remember that snidely saying, “Her hair’s a bit limp on top” isn’t what’s keeping womankind from closing the 30 percent pay gap and a place on the board of directors. I think that’s more likely to be down to tens of thousands of years of ingrained social, political, and economic misogyny and the patriarchy, tbh. That’s just got slightly more leverage than a gag about someone’s bad trousers.
”
”
Caitlin Moran (How To Be A Woman)
“
There are stacks of notebooks that speak of years of aborted efforts, deflated euphoria, a relentless pacing of the boards. We must write, engaging in a myriad of struggles, as if breaking in a willful foal. We must write, but not without consistent effort and a measure of sacrifice: to channel the future, to revisit childhood, and to rein in the follies and horrors of the imagination for a pulsating race of readers.
”
”
Patti Smith (Devotion)
“
I know I’m wild. I’ve always been wild. Which beats tail-spinning into darkness every time. When I do stuff, my thoughts are on the act. I have a blast, I entertain, and my head takes a break. It’s win-win across the board.
”
”
Sunniva Dee (Pandora Wild Child)
“
Just like our forefathers in Boston Harbor, who boarded a British ship to let the king know they would have none of his tyrannical rule, this man boarded the pirate ship called the IRS, and let the repressive government, the unfeeling government that is embodied by the man who inhabits the building over there," Hamilton said, pausing and pointing to the White House, a few blocks away. "This courageous man let that evil government know he would no longer suffer under its indifference. Would no longer tolerate taxation without representation. Would no longer accept the injustice and indignity met out by that government organization."
From TAX BREAK, written in 1991, but sounding like today's politics.
”
”
Jay Williams (Tax Break)
“
The key is to take a larger project or goal and break it down into smaller problems to be solved, constraining the scope of work to solving a key problem, and then another key problem.
This strategy, of breaking a project down into discrete, relatively small problems to be resolved, is what Bing Gordon, a cofounder and the former chief creative officer of the video game company Electronic Arts, calls smallifying. Now a partner at the venture capital firm Kleiner Perkins, Gordon has deep experience leading and working with software development teams. He’s also currently on the board of directors of Amazon and Zynga. At Electronic Arts, Gordon found that when software teams worked on longer-term projects, they were inefficient and took unnecessary paths. However, when job tasks were broken down into particular problems to be solved, which were manageable and could be tackled within one or two weeks, developers were more creative and effective.
”
”
Peter Sims (Little Bets: How Breakthrough Ideas Emerge from Small Discoveries)
“
I know everyone else on board did similarly unheralded, unobtrusively helpful things. We’ve all fixed the toilet in space (it breaks down regularly). We’ve all wiped jam off the walls (it has a way of floating off your toast and splattering everywhere).
”
”
Chris Hadfield (An Astronaut's Guide to Life on Earth)
“
There's folly in her stride
that's the rumor
justified by lies
I've seen her up close
beneath the sheets
and sometime during the summer
she was mine for a few sweet months in the fall
and parts of December
((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. )))
I found her looking through a window
the same window I'd been looking through
She smiled and her eyes never faltered
this folly was a crime
((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” )))
She had an identity I could identify with
something my fingertips could caress in the night
((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other.
What constitutes peace is in the mind of the beholder. )))
Have you heard the argument?
This displacement of men and women
and women and men
the minds we all have
the beliefs we all share
Slipping inside of us
thoughts and religions and bodies
all bare
((( “Without darkness, there can be no light,”
he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. )))
When she left
she kissed with eyes open
I knew this because I'd done the same
Sometimes we saw eye to eye like that
Very briefly,
she considered an apotheosis
a synthesis
a rendering of her folly
into solidarity
((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. )))
Experiencing the subsequent sunrise
inhaling and drinking
breaking mirrors and regurgitating
just to start again
all in all
I was just another gash in the bark
((( Plato once said:
“Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. )))
Leaving town and throwing shit out the window
drinking boroughs and borrowing spare change
I glimpsed the rear view mirror
stole a glimpse really
I've believed in looking back for a while
it helps to have one last view
a reminder in case one ever decides to rebel
in the event the self regresses
and makes the declaration of devastation
once more
((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
”
”
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
“
This time she saw the whole board in her mind and caught every change of balance in the power that shifted over its surface. Each particle of it was neutralized by its counter-particle, but each was ready to discharge itself if allowed and break the structure open.
”
”
Walter Tevis (The Queen's Gambit)
“
Nina grew more and more anxious with every second. He could fall off, he could lose the board, he could break his leg or his hand or go under. Nina quietly calculated how she would save him, or what she would say if the owner showed up, how she could handle all of this if it went south.
”
”
Taylor Jenkins Reid (Malibu Rising)
“
Bagpipe Music'
It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crêpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.
John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.
It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.
Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.
The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.
It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.
Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.
It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.
It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.
It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.
”
”
Louis MacNeice
“
Perhaps the largest single trouble with our abundance of possessions is the fact that so many of them are owned, not because of what they are, but because of what they confer on us. They are there, but we seldom look at them. We have so much, but we love precious little of it for itself. After the itch of the mind has been scratched, matter itself goes into the discard; the junkyard is the true monument of our society. We have the most marvelous garbage the world has ever produced. Literally. Have you ever looked hard at a tin can? Don't. It will break your heart to throw it out, all silver and round and handy. But the truth is you have to throw it out. We produce so much that there isn't time or room to keep it. What is sad, though, is that the knack of wonder goes into the trash can with it. The tinfoil collectors and the fancy ribbon savers may be absurd, but they're not crazy. They are the ones who still retain the capacity for wonder that is at the root of caring
”
”
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
“
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come.
St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks.
"All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same.
This is the moment we're supposed to hug. For some reason,I can't do it.
"Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay."
He smiles softly. "Thanks.I'll tell her."
"Call me?"
"Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim....no...nationality."
I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs.
"Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear.
I rub my shins. "It's okay, we're in the way. I should go."
Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens.
We pull apart. "Have fun at the show tonight" he says.
"I will.Have a good flight."
"Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down.
He's lost from view.
I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The person who boarded that flight from LAX to Maui was weak. She was scared. Now I feel strong. Not quite indestructible, but much more durable. Like I used to be that crappy paper towel they show in the commercial, and now I’m the five-ply one. I used to break easily when there was a spill. Now I can mop up almost any mess. Pour that shit on me. I can handle it.
”
”
Liz Fenton (The Good Widow)
“
Jason grins. “I’d never miss your birthday. Remember last year?”
“Ugh! I thought I’d never thaw out after we went skiing in a blizzard. We were stranded for three days in that cabin we found in the woods.”
“Aw, come on, you didn’t even get frostbite. I took care of you.”
“At least I didn’t end up with any broken limbs. That time.”
“I still can’t believe we went snow-boarding on East Pillar Mountain Loop. That’s a tough trail, and then you broke your arm slipping in the parking lot on the way to the truck.”
My muscles were exhausted, and carrying my board on my shoulder, I wasn’t watching where I was going. I didn’t see the patch of ice. “Remember when you took me spelunking?”
“I had no idea that bear was in there.”
“I can’t remember ever being that scared.”
“But it was fun! Come on. We can’t break tradition.
”
”
Rita J. Webb (Playing Hooky (Paranormal Investigations, #1))
“
Let us consider some of the most important Anarchist acts within the last two decades. Strange as it may seem, one of the most significant deeds of political violence occurred here in America, in connection with the Homestead strike of 1892. During that memorable time the Carnegie Steel Company organized a conspiracy to crush the Amalgamated Association of Iron and Steel Workers. Henry Clay Frick, then Chairman of the Company, was intrusted with that democratic task. He lost no time in carrying out the policy of breaking the Union, the policy which he had so successfully practiced during his reign of terror in the coke regions. Secretly, and while peace negotiations were being purposely prolonged, Frick supervised the military preparations, the fortification of the Homestead Steel Works, the erection of a high board fence, capped with barbed wire and provided with loopholes for sharpshooters. And then, in the dead of night, he attempted to smuggle his army of hired Pinkerton thugs into Homestead, which act precipitated the terrible carnage of the steel workers. Not content with the death of eleven victims, killed in the Pinkerton skirmish, Henry Clay Frick, good Christian and free American, straightway began the hounding down of the helpless wives and orphans, by ordering them out of the wretched Company houses.
”
”
Emma Goldman (Anarchism and Other Essays)
“
Art Levinson, who was on Apple’s board, was chairing the board meeting of his own company, Genentech, when his cell phone rang and Jobs’s name appeared on the screen. As soon as there was a break, Levinson called him back and heard the news of the tumor. He had a background in cancer biology, and his firm made cancer treatment drugs, so he became an advisor. So did Andy Grove of Intel, who had fought and beaten prostate cancer. Jobs called him that Sunday, and he drove
”
”
Walter Isaacson (Steve Jobs)
“
Who cheats?
Well, just about anyone, if the stakes are right. You might say to yourself, I don’t cheat, regardless of the stakes. And then you might remember the time you cheated on, say, a board game. Last week. Or the golf ball you nudged out of its bad lie. Or the time you really wanted a bagel in the office break room but couldn’t come up with the dollar you were supposed to drop in the coffee can. And then took the bagel anyway. And told yourself you’d pay double the next time. And didn’t.
For every clever person who goes to the trouble of creating an incentive scheme, there is an army of people, clever and otherwise, who will inevitably spend even more time trying to beat it. Cheating may or may not be human nature, but it is certainly a prominent feature in just about every human endeavor. Cheating is a primordial economic act: getting more for less. So it isn’t just the boldface names — inside-trading CEOs and pill-popping ballplayers and perkabusing politicians — who cheat. It is the waitress who pockets her tips instead of pooling them. It is the Wal-Mart payroll manager who goes into the computer and shaves his employees’ hours to make his own performance look better. It is the third grader who, worried about not making it to the fourth grade, copies test answers from the kid sitting next to him.
Some cheating leaves barely a shadow of evidence. In other cases, the evidence is massive. Consider what happened one spring evening at midnight in 1987: seven million American children suddenly disappeared. The worst kidnapping wave in history? Hardly. It was the night of April 15, and the Internal Revenue Service had just changed a rule. Instead of merely listing the name of each dependent child, tax filers were now required to provide a Social Security number. Suddenly, seven million children — children who had existed only as phantom exemptions on the previous year’s 1040 forms — vanished, representing about one in ten of all dependent children in the United States.
”
”
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
“
With Petrov, everything is a zero-sum game—for Russia to rise, America must fall. Everything he’s done over the past decade has been an effort to sully and tarnish the reputation of Western democracies. Promoting Brexit, actively trying to break up the EU and NATO, turning Italy against France, stoking the fires of partisanship in the United States. And while we turn inward, trying to tame and manage the chaos Russia unleashed in our house, Petrov is systematically moving his chess pieces all over the board.
”
”
Brian Andrews (Red Specter (Tier One #5))
“
Jay was now past the breakers, but he was having trouble handling the full weight of the board. It was hard to turn, hard to control. And then he couldn’t get his legs around it quite right. The deck was wider than his straddle.
Nina grew more and more anxious with every second. He could fall off, he could lose the board, he could break his leg or his hand or go under. Nina quietly calculated how she would save him, or what she would say if the owner showed up, how she could handle all of this if it went south.
”
”
Taylor Jenkins Reid (Malibu Rising)
“
Now shall the hard war-helm bedight with the gold
Be bereft of its plating; its polishers sleep,
They that the battle-mask erewhile should burnish:
Likewise the war-byrny, which abode in the battle
O'er break of the war-boards the bite of the irons, Crumbles after the warrior; nor may the ring'd byrny After the war-leader fare wide afield
On behalf of the heroes: nor joy of the harp is,
No game of the glee-wood; no goodly hawk now Through the hall swingeth; no more the swift horse Beateth the burg-stead. Now hath bale-quelling
A many of life-kin forth away sent.
”
”
William Morris (Beowulf)
“
I gestured upward, which told Adam to tell my brother to speed up. Adam knew what I planned to do and shook his head at me. What a pain, to stop the boat and argue with him about it. He didn’t consult anyone before he tried a trick and busted ass. If we stopped, Sean would insist my turn was over, and I’d be done for the day. I wasn’t done. So I nodded my head vigorously. Adam shook his finger at me, scolding. Then he turned around and spoke to my brother.
The drone pitched higher as the boat sped up. I relaxed, relaxed, relaxed and let the boat and the wave do the work for me. My muscles remembered what they’d tried to do last summer, and this time they were able to do it. I caught miles of air, a huge thrill, and one glance at the boat: four boys with their mouths open. Then I almost panicked as I lost my balance when my board hit its high point behind me. Almost- but I kept myself together. I rode gravity down the opposite wave.
Immediately I arced out and back to pick up speed, and did a 360 with a grab. Landed it. Then a 540. Landed it.
I thought I might be pushing my luck. I’d probably break my leg climbing back into the boat.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
5-4-10 Tuesday 8:00 A.M.
Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on.
It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups.
I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board.
I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off.
Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures.
Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.
”
”
Andrew Neff (The Mind Game Company: The Players)
“
Tell me this- if you could have a guarantee that your child would be a National Merit Scholar and get into a prestigious college, have good work habits and a successful career, but that your relationship with him would be destroyed in the process, would you do it? Why not? Because you are made to love, that's why. We care about our relationships more than about our accomplishments. That's the way God made us. Then why don't we live that way? Why, come a damp and gloomy day in March, do we yell over a math lesson or lose our temper over a writing assignment? Why do we see the lessons left to finish and get lost in an anxiety-ridden haze? We forget that we are dealing with a soul, a precious child bearing the Image of God, and all we can see is that there are only a few months left to the school year and we are still only halfway through the math book. When you are performing mommy triage- that is, when you have a crisis moment and have to figure out which fire to put out first- always choose your child. It's just a math lesson. It's only a writing assignment. It's a Latin declension. Nothing more. But your child? He is God's. And the Almighty put him in your charge for relationship. Don't damage that relationship over something so trivial as an algebra problem. And when you do (because you will, and so will I), repent. We like to feed our egos. When our children perform well, we can puff up with satisfaction and pat ourselves on the back for a job well done. But as important as it is to give our children a solid education (and it is important, don't misunderstand me), it is far more important that we love them well. Our children need to know that the most important thing about them is not whether they finished their science curriculum or score well on the SAT. Their worth is not bound up in a booklist or a test score. Take a moment. Take ten. Look deep into your child's eyes. Listen, even when you're bored. Break out a board game or an old picture book you haven't read in ages. Resting in Him means relaxing into the knowledge that He has put these children in our care to nurture. And nurturing looks different than charging through the checklist all angst-like. Your children are not ordinary kids or ordinary people, because there are no ordinary kids or ordinary people. They are little reflections of the
”
”
Sarah Mackenzie (Teaching from Rest: A Homeschooler's Guide to Unshakable Peace)
“
That is, “Yes” is nothing without “How.” Asking “How,” knowing “How,” and defining “How” are all part of the effective negotiator’s arsenal. He would be unarmed without them. ■ Ask calibrated “How” questions, and ask them again and again. Asking “How” keeps your counterparts engaged but off balance. Answering the questions will give them the illusion of control. It will also lead them to contemplate your problems when making their demands. ■ Use “How” questions to shape the negotiating environment. You do this by using “How can I do that?” as a gentle version of “No.” This will subtly push your counterpart to search for other solutions—your solutions. And very often it will get them to bid against themselves. ■ Don’t just pay attention to the people you’re negotiating with directly; always identify the motivations of the players “behind the table.” You can do so by asking how a deal will affect everybody else and how on board they are. ■ Follow the 7-38-55 Percent Rule by paying close attention to tone of voice and body language. Incongruence between the words and nonverbal signs will show when your counterpart is lying or uncomfortable with a deal. ■ Is the “Yes” real or counterfeit? Test it with the Rule of Three: use calibrated questions, summaries, and labels to get your counterpart to reaffirm their agreement at least three times. It’s really hard to repeatedly lie or fake conviction. ■ A person’s use of pronouns offers deep insights into his or her relative authority. If you’re hearing a lot of “I,” “me,” and “my,” the real power to decide probably lies elsewhere. Picking up a lot of “we,” “they,” and “them,” it’s more likely you’re dealing directly with a savvy decision maker keeping his options open. ■ Use your own name to make yourself a real person to the other side and even get your own personal discount. Humor and humanity are the best ways to break the ice and remove roadblocks.
”
”
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
“
Take one famous example: arguments about property destruction after Seattle. Most of these, I think, were really arguments about capitalism. Those who decried window-breaking did so mainly because they wished to appeal to middle-class consumers to move towards global exchange-style green consumerism, and to ally with labor bureaucracies and social democrats abroad. This was not a path designed to provoke a direct confrontation with capitalism, and most of those who urged us to take this route were at least skeptical about the possibility that capitalism could ever really be defeated. Many were in fact in favor of capitalism, if in a significantly humanized form. Those who did break windows, on the other hand, didn't care if they offended suburban homeowners, because they did not figure that suburban homeowners were likely to ever become a significant element in any future revolutionary anticapitalist coalition. They were trying, in effect, to hijack the media to send a message that the system was vulnerable -- hoping to inspire similar insurrectionary acts on the part of those who might be considering entering a genuinely revolutionary alliance; alienated teenagers, oppressed people of color, undocumented workers, rank-and-file laborers impatient with union bureaucrats, the homeless, the unemployed, the criminalized, the radically discontent. If a militant anticapitalist movement was to begin, in America, it would have to start with people like these: people who don't need to be convinced that the system is rotten, only, that there's something they can do about it. And at any rate, even if it were possible to have an anticapitalist revolution without gun-battles in the streets -- which most of us are hoping it is, since let's face it, if we come up against the US army, we will lose -- there's no possible way we could have an anticapitalist revolution while at the same time scrupulously respecting property rights. Yes, that will probably mean the suburban middle class will be the last to come on board. But they would probably be the last to come on board anyway.
”
”
David Graeber (Revolutions in Reverse: Essays on Politics, Violence, Art, and Imagination)
“
Gardening Work
There was a man breaking up the ground, getting ready to plant, when
another man came by, "Why are you ruining this land?" "Don't interfere. Nothing can grow here
until the earth is turned over and crumbled. There can be no roses and no orchard without
first this devastation. You must lance an ulcer to heal.
You must tear down parts of
an old building to restore it." So it is with the sensual life that has no spirit. A person must
face the dragon of his or her appetites with another dragon, the life energy of the soul. When
that's not strong, everyone seems to be full of fear and wanting, as one thinks
the room is spinning when one's whirling around. If your love has contracted into anger, the
atmosphere itself feels threatening, but when you're expansive and clear, no matter
what the weather, you're in an open windy field with friends. Many people travel as far as Syria
and Iraq and meet only hypocrites. Others go all the way to India and see only people buying and selling.
Others travel to Turkestan and China to discover those countries are full of cheats
and sneak thieves. You always see the qualities that live in you. A cow may walk
through the amazing city of Baghdad and notice only a watermelon rind and a tuft of hay
that fell off a wagon. Don't repeatedly keep doing what your lowest self wants. That's like
deciding to be a strip of meat nailed to dry on a board in the sun.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
Bredon’s expression softened, and his voice became almost like an entreaty. “Tak reflects the subtle turning of the world. It is a mirror we hold to life. No one wins a dance, boy. The point of dancing is the motion that a body makes. A well-played game of tak reveals the moving of a mind. There is a beauty to these things for those with eyes to see it.” He gestured at the brief and brutal lay of stones between us. “Look at that. Why would I ever want to win a game such as this?” I looked down at the board. “The point isn’t to win?” I asked. “The point,” Bredon said grandly, “is to play a beautiful game.” He lifted his hands and shrugged, his face breaking into a beatific smile. “Why would I want to win anything other than a beautiful game?
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
I can’t make her stay, And I can’t watch her go. I’ll keep her hellfire heart, And bookmark it ’fore it goes cold. Fifty-seven times I didn’t call Fifty-seven letters I didn’t send, Fifty-seven stitches to breathe again, and then I fucking pretend. Fifty-seven days to not need you Fifty-seven times to give up on you Fifty-seven steps away from you, Fifty-seven nights of nothing but you. I’m just the punk who passed the time, Your bouncing board, your secret little thrill. Something tells me you’re close to breaking, ’Cause I need to be more to you than just time to fill. Bookmark it, says the cheerleader I promise we’ll come back to this spot. I have shit to do first. You won’t wait a lot. I can’t make her stay, And I can’t watch her go. I’ll keep her hellfire heart, And bookmark it ’fore it goes cold.
”
”
Penelope Douglas (Punk 57)
“
By human standards, I know far more than the dogs do. But Luke and June can do what I cannot. In a millisecond, forty feet from just encountered range Rambouillets the dogs see, big as a Wall Drug bill board, which sheep is the leader. They immediately understand the complex social order in this particular miniflock. they know whether the sheep are ready to fight, split up, or break for the tall timber, because the sheep tell them what they mean to do. For the sake of that instant, for that millisecond, that's why the Mister and Missus have put so many miles beneath their paws. Luke and June have developed an all-sheep, all-breed, all-terrain method that doesn't give them an edge over dogs who've been working these sheep on this terrain all their lives, but does help them transmute the novel into the manageable
”
”
Donald McCaig (Mr. and Mrs. Dog: Our Travels, Trials, Adventures, and Epiphanies)
“
If government had declined to build racially separate public housing in cities where segregation hadn’t previously taken root, and instead had scattered integrated developments throughout the community, those cities might have developed in a less racially toxic fashion, with fewer desperate ghettos and more diverse suburbs. If the federal government had not urged suburbs to adopt exclusionary zoning laws, white flight would have been minimized because there would have been fewer racially exclusive suburbs to which frightened homeowners could flee. If the government had told developers that they could have FHA guarantees only if the homes they built were open to all, integrated working-class suburbs would likely have matured with both African Americans and whites sharing the benefits. If state courts had not blessed private discrimination by ordering the eviction of African American homeowners in neighborhoods where association rules and restrictive covenants barred their residence, middle-class African Americans would have been able gradually to integrate previously white communities as they developed the financial means to do so. If churches, universities, and hospitals had faced loss of tax-exempt status for their promotion of restrictive covenants, they most likely would have refrained from such activity. If police had arrested, rather than encouraged, leaders of mob violence when African Americans moved into previously white neighborhoods, racial transitions would have been smoother. If state real estate commissions had denied licenses to brokers who claimed an “ethical” obligation to impose segregation, those brokers might have guided the evolution of interracial neighborhoods. If school boards had not placed schools and drawn attendance boundaries to ensure the separation of black and white pupils, families might not have had to relocate to have access to education for their children. If federal and state highway planners had not used urban interstates to demolish African American neighborhoods and force their residents deeper into urban ghettos, black impoverishment would have lessened, and some displaced families might have accumulated the resources to improve their housing and its location. If government had given African Americans the same labor-market rights that other citizens enjoyed, African American working-class families would not have been trapped in lower-income minority communities, from lack of funds to live elsewhere. If the federal government had not exploited the racial boundaries it had created in metropolitan areas, by spending billions on tax breaks for single-family suburban homeowners, while failing to spend adequate funds on transportation networks that could bring African Americans to job opportunities, the inequality on which segregation feeds would have diminished. If federal programs were not, even to this day, reinforcing racial isolation by disproportionately directing low-income African Americans who receive housing assistance into the segregated neighborhoods that government had previously established, we might see many more inclusive communities. Undoing the effects of de jure segregation will be incomparably difficult. To make a start, we will first have to contemplate what we have collectively done and, on behalf of our government, accept responsibility.
”
”
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
“
There’s a story that comes from the tradition of the Desert Fathers, an order of Christian monks who lived in the wastelands of Egypt about seventeen hundred years ago. In the tale, a couple of monks named Theodore and Lucius shared the acute desire to go out and see the world. Since they’d made vows of contemplation, however, this was not something they were allowed to do. So, to satiate their wanderlust, Theodore and Lucius learned to “mock their temptations” by relegating their travels to the future. When the summertime came, they said to each other, “We will leave in the winter.” When the winter came, they said, “We will leave in the summer.” They went on like this for over fifty years, never once leaving the monastery or breaking their vows. Most of us, of course, have never taken such vows—but we choose to live like monks anyway, rooting ourselves to a home or a career and using the future as a kind of phony ritual that justifies the present. In this way, we end up spending (as Thoreau put it) “the best part of one’s life earning money in order to enjoy a questionable liberty during the least valuable part of it.” We’d love to drop all and explore the world outside, we tell ourselves, but the time never seems right. Thus, given an unlimited amount of choices, we make none. Settling into our lives, we get so obsessed with holding on to our domestic certainties that we forget why we desired them in the first place. Vagabonding is about gaining the courage to loosen your grip on the so-called certainties of this world. Vagabonding is about refusing to exile travel to some other, seemingly more appropriate, time of your life. Vagabonding is about taking control of your circumstances instead of passively waiting for them to decide your fate. Thus, the question of how and when to start vagabonding is not really a question at all. Vagabonding starts now. Even if the practical reality of travel is still months or years away, vagabonding begins the moment you stop making excuses, start saving money, and begin to look at maps with the narcotic tingle of possibility. From here, the reality of vagabonding comes into sharper focus as you adjust your worldview and begin to embrace the exhilarating uncertainty that true travel promises. In this way, vagabonding is not a merely a ritual of getting immunizations and packing suitcases. Rather, it’s the ongoing practice of looking and learning, of facing fears and altering habits, of cultivating a new fascination with people and places. This attitude is not something you can pick up at the airport counter with your boarding pass; it’s a process that starts at home. It’s a process by which you first test the waters that will pull you to wonderful new places.
”
”
Rolf Potts (Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel)
“
We got to see a Corsair ship up close – all matt black, no markings, no lights – and practically invisible out here in the dark! What a sight to behold! Most people don’t get to see those bastards up close. That is, for very long! Anyways, the ship was just floating there, no sign of life. Our hails weren’t being answered, and so we assumed the ship was dead in space. Captain Mulligan, gods-rest-his-soul, told me to form a boarding party of security and medics from the sickbay and that we were going over there. We weren’t a military ship, and we’re not Star Marines, so we were lightly armed and quite nervous. I mean, this wasn’t just some of my security section being called out to break up a fight at one of the bars on the promenade, this was serious life-and-death shit! So I said ‘okay’, and told my assistant supervisor, Lisa Garfner, to get them all together. Seven of us shifted over to the other ship with the transmatter (you still use those things, I take it?) not knowing what to expect. It could’ve been anything… and it was. It was crazy.
”
”
Christina Engela (Space Vacation)
“
There was a rabbit, a bird, a squirrel, a fish and an eel, and they formed a Board of Education. The rabbit insisted that running be in the curriculum. The bird insisted that flying be in the curriculum. The fish insisted that swimming be in the curriculum, and the squirrel insisted that perpendicular tree climbing be in the curriculum. They put all of these things together and wrote a Curriculum Guide. Then they insisted that all of the animals take all of the subjects. Although the rabbit was getting an A in running, perpendicular tree climbing was a real problem for him; he kept falling over backwards. Pretty soon he got to be sort of brain damaged, and he couldn’t run any more. He found that instead of making an A in running, he was making a C and, of course, he always made an F in perpendicular climbing. The bird was really beautiful at flying, but when it came to burrowing in the ground, he couldn’t do so well. He kept breaking his beak and wings. Pretty soon he was making a C in flying as well as an F in burrowing, and he had a hellava time with perpendicular tree climbing. The moral of the story is that the person who was valedictorian of the class was a mentally retarded eel who did everything in a half-way fashion.
”
”
Leo F. Buscaglia (Love: What Love Is - And What It Isn't)
“
Now that she was twenty-two, the words were there in her head, jumbled. The feeling was still too hot to approach but was slowly beginning to make sense. If she would just give herself the time and space to think about it, to examine the thing she’d spent her whole life avoiding, she would realize that what she wanted to say to her mother was that she was the one who had no idea—no idea how badly Ky and people like Ky needed a break. No idea how speaking perfect English and having an office job and being born in Australia didn’t mean what any of them thought it would mean. No idea how hard it was to walk the narrow path where everyone expected her to be quiet and smart and hardworking and good—a narrow path not even laid out by her or people like her. No idea how it felt to suffer the slow death of a thousand cuts: from the things people said, from the way people looked at her. The looks she got when she knocked on doors, walked into a room, boarded a flight; the way they saw her skin before they saw her, wanted her to shut up and be grateful, expected her to take a joke when she was the joke. The way she was expected to feel lucky, so lucky, like her life was abundant and full, when all she felt was depleted and diminished. It made her feel crazy to be called lucky, and her mother had no idea.
”
”
Tracey Lien (All That's Left Unsaid)
“
What did Kavinsky say about it?” Chris asks me.
“Nothing yet. He’s still at lacrosse practice.”
My phone immediately starts to buzz, and the three of us look at each other, wide-eyed. Margot picks it up and looks at it. “It’s Peter!” She hot-potatoes the phone to me. “Let’s give them some privacy,” she says, nudging Chris. Chris shrugs her off.
I ignore both of them and answer the phone. “Hello.” My voice comes out thin as a reed.
Peter starts talking fast. “Okay, I’ve seen the video, and the first thing I’m going to say to you is don’t freak out.” He’s breathing hard; it sounds like he’s running.
“Don’t freak out? How can I not? This is terrible. Do you know what they’re all saying about me in the comments? That I’m a slut. They think we’re having sex in that video, Peter.”
“Never read the comments, Covey! That’s the first rule of--”
“If you say ‘Fight Club’ to me right now, I will hang up on you.”
“Sorry. Okay, I know it sucks but--”
“It doesn’t ‘suck.’ It’s a literal nightmare. My most private moment, for everybody to see. I’m completely humiliated. The things people are saying--” My voice breaks. Kitty and Margot and Chris are all looking at me with sad eyes, which makes me feel even sadder.
“Don’t cry, Lara Jean. Please don’t cry. I promise you I’m going to fix this. I’m going to get whoever runs Anonybitch to take it down.”
“How? We don’t even know who they are! And besides, I bet our whole school’s seen it by now. Teachers, too. I know for a fact that teachers look at Anonybitch. I was in the faculty lounge once and I overheard Mr. Filipe and Ms. Ryan saying how bad it makes our school look. And what about college admission boards and our future employers?”
Peter guffaws. “Future employers? Covey, I’ve seen much worse. Hell, I’ve seen worse pictures of me on here. Remember that picture of me with my head in a toilet bowl, and I’m naked?”
I shudder. “I never saw that picture. Besides, that’s you; that’s not me. I don’t do that kind of stuff.”
“Just trust me, okay? I promise I’ll take care of it.”
I nod, even though I know he can’t see me. Peter is powerful. If anyone could fix such a thing, it would be him.
“Listen, I’ve gotta go. Coach is gonna kick my ass if he sees me on the phone. I’ll call you tonight, okay? Don’t go to sleep.”
I don’t want to hang up. I wish we could talk longer. “Okay,” I whisper.
When I hang up, Margot, Chris, and Kitty are all three staring at me.
“Well?” Chris says.
“He says he’ll take care of it.”
Smugly Kitty says, “I told you so.”
“What does that even mean, ‘he’ll take care of it’?” Margot asks. “He hasn’t exactly proven himself to be responsible.”
“It’s not his fault,” Kitty and I say at the same time.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
When was the last time you made something that someone wasn’t paying you for, and looking over your shoulder to make sure you got it right?” When I ask creatives this question, the answer that comes back all too often is, “I can’t remember.” It’s so easy for creativity to become a means to a very practical end—earning a paycheck and pleasing your client or manager. But that type of work only uses a small spectrum of your abilities. To truly excel, you must also continue to create for the most important audience of all: yourself. In her book The Artist’s Way, Julia Cameron discusses a now well-known practice that she calls “morning pages.” She suggests writing three pages of free-flowing thought first thing in the morning as a way to explore latent ideas, break through the voice of the censor in your head, and get your creative juices flowing. While there is nothing immediately practical or efficient about the exercise, Cameron argues that it’s been the key to unlocking brilliant insights for the many people who have adopted it as a ritual. I’ve seen similar benefits of this kind of “Unnecessary Creation” in the lives of creative professionals across the board. From gardening to painting with watercolors to chipping away at the next great American novel on your weekends, something about engaging in the creative act on our own terms seems to unleash latent passions and insights. I believe Unnecessary Creation is essential for anyone who works with his or her mind.
”
”
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
“
5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.
”
”
Robert Greene (Mastery)
“
What’s going on, Helen?” Polydeuces came up behind us, followed closely by Castor. They’d been working hard down among the oarsmen again, and it was no pleasure to stand too near them on that windless day.
“The usual, from the look of things,” Castor said, glancing at Milo’s sagging body at the rail. He gave the boy an encouraging pat on the back. “Try to drink something, even if you can’t keep your food down, lad,” he said. “Shall I bring you a little watered wine?”
Milo lifted his sallow, haggard face and tried to thank my brother for his kindness but had to turn away quickly and spew over the side again.
Polydeuces sighed. “How can he still do that? I haven’t seen him eat a bite of food since we boarded. You’d think his gut would be empty by now.”
“Maybe it’s a sacred mystery and only the gods know the answer,” Castor said, smiling. “Like the horn of the she-goat who suckled the infant Zeus, the horn he broke off and blessed as soon as he was king of the gods so that it poured out a never-ending stream of food and drink.”
“I always thought it was a strange way to thank the poor beast, breaking off one of her horns, Polydeuces said. “But it’s not my place to question the gods.” He, too, patted Milo’s shivering back and added, “So, boy, how does it feel to be pouring out a never-ending stream of--?”
“Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?”
“To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider.
Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.
”
”
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
“
Ask calibrated “How” questions, and ask them again and again. Asking “How” keeps your counterparts engaged but off balance. Answering the questions will give them the illusion of control. It will also lead them to contemplate your problems when making their demands. ■Use “How” questions to shape the negotiating environment. You do this by using “How can I do that?” as a gentle version of “No.” This will subtly push your counterpart to search for other solutions—your solutions. And very often it will get them to bid against themselves. ■Don’t just pay attention to the people you’re negotiating with directly; always identify the motivations of the players “behind the table.” You can do so by asking how a deal will affect everybody else and how on board they are. ■Follow the 7-38-55 Percent Rule by paying close attention to tone of voice and body language. Incongruence between the words and nonverbal signs will show when your counterpart is lying or uncomfortable with a deal. ■Is the “Yes” real or counterfeit? Test it with the Rule of Three: use calibrated questions, summaries, and labels to get your counterpart to reaffirm their agreement at least three times. It’s really hard to repeatedly lie or fake conviction. ■A person’s use of pronouns offers deep insights into his or her relative authority. If you’re hearing a lot of “I,” “me,” and “my,” the real power to decide probably lies elsewhere. Picking up a lot of “we,” “they,” and “them,” it’s more likely you’re dealing directly with a savvy decision maker keeping his options open. ■Use your own name to make yourself a real person to the other side and even get your own personal discount. Humor and humanity are the best ways to break the ice and remove roadblocks.
”
”
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
“
Dead?” said Caspian.
“I think not, Sire,” said Reepicheep, lifting one of their hands out of its tangle of hair in his two paws. “This one is warm and his pulse beats.”
“This one, too, and this,” said Drinian.
“Why, they’re only asleep,” said Eustace.
“It’s been a long sleep, though,” said Edmund, “to let their hair grow like this.”
“It must be an enchanted sleep,” said Lucy. “I felt the moment we landed on this island that it was full of magic. Oh! do you think we have perhaps come here to break it?”
“We can try,” said Caspian, and began shaking the nearest of the three sleepers. For a moment everyone thought he was going to be successful, for the man breathed hard and muttered, “I’ll go eastward no more. Out oars for Narnia.” But he sank back almost at once into a yet deeper sleep than before: that is, his heavy head sagged a few inches lower toward the table and all efforts to rouse him again were useless. With the second it was much the same. “Weren’t born to live like animals. Get to the east while you’ve a chance--lands behind the sun,” and sank down. And the third only said, “Mustard, please,” and slept hard.
“Out ours for Narnia, eh?” said Drinian.
“Yes,” said Caspian, “you are right, Drinian. I think our quest is at an end. Let’s look at their rings. Yes, these are their devices. This is the Lord Revilian. This is the Lord Argoz: and this, the Lord Mavramorn.”
“But we can’t wake them,” said Lucy. “What are we to do?”
“Begging your Majesties’ pardons all,” said Rhince, “but why not fall to while you’re discussing it? We don’t see a dinner like this every day.”
“Not for your life!” said Caspian.
“That’s right, that’s right,” said several of the sailors. “Too much magic about here. The sooner we’re back on board the better.”
“Depend upon it,” said Reepicheep, “it was from eating this food that these three lords came by a seven years’ sleep.”
“I wouldn’t touch it to save my life,” said Drinian.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
Slavery has a special interaction with the normal structures of being a human being.
So a human being is sort of a generalist creature with a capacity to have its software re-worked for different habitats. The reason that human beings are able to exploit every terrestrial habitat where plants grow is that they don't all have the software program that's the same, right? You can have a software program for hunting in the Calihari, you can have one for terracing the Andes to grow potatoes, you can have any one of a number of software programs.
Well, slavery took the software program that Africans who were brought into the slave trade had, and it did its best to erase that program – and to render that program non-functional. It rendered it non-functional by combining people from different places who didn't even necessarily speak a language so there was not one culture available. And it sort of forces the bootstrapping of a new culture, which was composed of various things but of course it was, you know, prohibition against teaching slaves to read and things like that, and so there was a systematic breaking of the original culture that Africans had during the New World, and a substituting of a version that was not a much of a threat to the slave-holding population, right?
And at the point that slavery comes to an end, it is not as if, frankly, even, you know, we didn't even have the tools to talk about these things in responsible terms. There wasn't enough known about how the mind works and what its relationship is to the body and all...so, the thing that makes the black population and the Indian population different, I would argue, is the systematic hobbling of the on-board, the inherited, evolved culture in the case of Indians by transporting them to reservations and by putting them in schools that disrupt the passage of normal culture and in the case of Africans, it was breaking apart of families, keeping people from being in contact with others they had the right language to talk to and all...so in any case, that carries through to the present: it creates a situation where there has not been access to the materials to fully update software.
”
”
Bret Weinstein
“
“You like me, though. You want to go on a date with me.” It wasn’t a question.
“Cocky much?”
“Confident. Don’t be mistaken.”
“Why do you want to take me out so badly?”
“Fishing for more compliments, are we?” He’d caught me, but went on anyway. “Obviously you’re beautiful. You have nice, you know, legs and . . . stuff.”
“You’re laughing. I don’t think I’m really your type. I think you’re messing with me. I’m not at all like Charlize Theron.”
We pulled up to my car but he let Charlize idle before getting out. “You are so my type. Charlize—at least the actress—is not. I mean, she’s gorgeous, in a blond, Amazonian, I-might-kill-and-eat-my-own-young kind of way, but I like your look better.”
“Oh yeah? What’s my look?”
“There’s something dark about you . . . and interesting. Your creamy skin, your black hair. The way you move. Your mouth.” He reached out to touch my cheek but I jerked away, breaking the seriousness of the moment.
“What do you mean I’m dark?”
He smiled and shrugged. “I don’t know. Like I want to get naked with you and a Ouija board.”
I burst out laughing.
“And your laugh . . . it’s like the sound of someone squeezing the life out of a miniature trumpet. It’s really cute.”
“That is not a compliment. I have a nice laugh. And by the way, your voice is nasally when you’re not trying to impress people.”
He held his hand to his chest like he was offended, except he was still smiling. “I’m crushed. Penny, whatever your last name is—”
“Piper.”
“Ha! Penny Piper? You’ve got to be kidding! That’s either a children’s book character or a porn star’s name. Penny Piper picked a peck of pickled pep—”
“Stop! I know, trust me. I have to live with this name. My poor sister’s name is Kiki Piper. Like we’re fucking hobbits or something.”
“Penny Piper is worse than Kiki Piper, hands down.”
I cocked my head to the side. “Thanks.”
“Just sayin’. What’s your middle name?”
“Isabelle.”
“I’m gonna call you PIP Squeak.”
“Thank you. I can’t wait.”
“And by the way, I happen to have a deviated septum. That’s why my voice sounds like this sometimes, you asshole. Now get out and help me with your car.”
As we stepped out, he pointed to my Honda and said, “Try and start it when I tell you.”
I stopped and turned to him. “What’s your middle and last name?”
“Gavin Augusta Berninger.”
“Regal,” I said with a wink.
“I know, right?” He shrugged one arm like he was royalty or something.
“Is that French?”
“Yeah, my dad’s family is French . . . sort of. Like, his great-great-grandfather came from France. No one in our family even speaks French.”
“Hmm, not so regal anymore,” I said.
“Whatever, Penny Piper.
”
”
Renee Carlino (Blind Kiss)
“
I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced.
"Great, Emma! You got my new hair wet!" she sputters. "Happy now?"
"Nope."
"I said I was sorry." She blows her nose in her hand, then sets the snot to sea.
"Gross. And sorry's not good enough."
"Fine. I'll make it up to you. What do you want?"
"Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness.
"I'll let you do that because I love you. But it won't make you feel better."
"I won't know for sure until I try it." I keep eye contact, sit a little straighter.
"Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance.
"Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico.
"White than most," she grins. "People would think you're naked if you wore my swimsuit." I glance down at the white string bikini, offset beautifully against her chocolate-milk skin. She catches me and laughs.
"Well, maybe I could get a tan while we're here," I say, blushing. I feel myself cracking and I hate it. Just this once, I want to stay mad at Chloe.
"Maybe you could get a burn while we're here, you mean. Matterfact, did you put sunblock on?"
I shake my head.
She shakes her head too, and makes a tsking sound identical to her mother's. "Didn't think so. If you did, you would've slipped right off that guy's chest instead of sticking to it like that."
"I know," I groan.
"Got to be the hottest guy I've ever seen," she says, fanning herself for emphasis.
"Yeah, I know. Smacked into him, remember? Without my helmet, remember?"
She laughs. "Hate to break it to you, but he's still staring at you. Him and his mean-ass sister."
"Shut up."
She snickers. "But seriously, which one of them do you think would win a staring contest? I was gonna tell him to meet us at Baytowne tonight, but he might be one of those clingy stalker types. That's too bad, too. There's a million dark little corners in Baytowne for you two to snuggle-"
"Ohmysweetgoodness, Chloe, stop!
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
As the Princess performs the impossible balancing act which her life requires, she drifts inexorably into obsession, continually discussing her problems. Her friend Carolyn Bartholomew argues it is difficult not to be self-absorbed when the world watches everything she does. “How can you not be self-obsessed when half the world is watching everything you do; the high-pitched laugh when someone is talking to somebody famous must make you very very cynical.” She endlessly debates the problems she faces in dealing with her husband, the royal family, and their system. They remain tantalizingly unresolved, the gulf between thought and action achingly great. Whether she stays or goes, the example of the Duchess of York is a potent source of instability. James Gilbey sums up Diana’s dilemma: “She can never be happy unless she breaks away but she won’t break away unless Prince Charles does it. He won’t do it because of his mother so they are never going to be happy. They will continue under the farcical umbrella of the royal family yet they will both lead completely separate lives.”
Her friend Carolyn Bartholomew, a sensible sounding-board throughout Diana’s adult life, sees how that fundamental issue has clouded her character. “She is kind, generous, sad and in some ways rather desperate. Yet she has maintained her self-deprecating sense of humour. A very shrewd but immensely sorrowful lady.”
Her royal future is by no means well-defined. If she could write her own script the Princess would like to see her husband go off with his Highgrove friends and attempt to discover the happiness he has not found with her, leaving Diana free to groom Prince William for his eventual destiny as the Sovereign. It is an idle pipe-dream as impossible as Prince Charles’s wish to relinquish his regal position and run a farm in Italy. She has other more modest ambitions; to spend a weekend in Paris, take a course in psychology, learn the piano to concert grade and to start painting again. The current pace of her life makes even these hopes seem grandiose, never mind her oft-repeated vision of the future where she see herself one day settling abroad, probably in Italy or France. A more likely avenue is the unfolding vista of charity, community and social work which has given her a sense of self-worth and fulfillment. As her brother says: “She has got a strong character. She does know what she wants and I think that after ten years she has got to a plateau now which she will continue to occupy for many years.”
As a child she sensed her special destiny, as an adult she has remained true to her instincts. Diana has continued to carry the burden of public expectations while enduring considerable personal problems. Her achievement has been to find her true self in the face of overwhelming odds. She will continue to tread a different path from her husband, the royal family and their system and yet still conform to their traditions. As she says: “When I go home and turn my light off at night, I know I did my best.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
BACON, EGG, AND CHEDDAR CHEESE TOAST CUPS Preheat oven to 400 degrees F., rack in the middle position. 6 slices bacon (regular sliced, not thick sliced) 4 Tablespoons (2 ounces, ½ stick) salted butter, softened 6 slices soft white bread ½ cup grated cheddar cheese 6 large eggs Salt and pepper to taste Cook the 6 slices of bacon in a frying pan over medium heat for 6 minutes or until the bacon is firmed up and the edges are slightly brown, but the strips are still pliable. They won’t be completely cooked, but that’s okay. They will finish cooking in the oven. Place the partially-cooked bacon on a plate lined with paper towels to drain it. Generously coat the inside of 6 muffin cups with half of the softened butter. Butter one side of the bread with the rest of the butter but stop slightly short of the crusts. Lay the bread out on a sheet of wax paper or a bread board butter side up. Hannah’s 1st Note: You will be wasting a bit of butter here, but it’s easier than cutting rounds of bread first and trying to butter them after they’re cut. Using a round cookie cutter that’s three and a half inches (3 and ½ inches) in diameter, cut circles out of each slice of bread. Hannah’s 2nd Note: If you don’t have a 3.5 inch cookie cutter, you can use the top rim of a standard size drinking glass to do this. Place the bread rounds butter side down inside the muffin pans, pressing them down gently being careful not to tear them as they settle into the bottom of the cup. If one does tear, cut a patch from the buttered bread that is left and place it, buttered side down, over the tear. Curl a piece of bacon around the top of each piece of bread, positioning it between the bread and the muffin tin. This will help to keep the bacon in a ring shape. Sprinkle shredded cheese in the bottom of each muffin cup, dividing the cheese as equally as you can between the 6 muffin cups. Crack an egg into a small measuring cup (I use a half-cup measure) with a spout, making sure to keep the yolk intact. Hannah’s 3rd Note: If you break a yolk, don’t throw the whole egg away. Just slip it in a small covered container which you will refrigerate and use for scrambled eggs the next morning, or for that batch of cookies you’ll make in the next day or two. Pour the egg carefully into the bottom of one of the muffin cups. Repeat this procedure for all the eggs, cracking them one at a time and pouring them into the remaining muffin cups. When every muffin cup has bread, bacon, cheese and egg, season with a little salt and pepper. Bake the filled toast cups for 6 to 10 minutes, depending on how firm you want the yolks. (Naturally, a longer baking time yields a harder yolk.) Run the blade of a knife around the edge of each muffin cup, remove the Bacon, Egg, and Cheddar Cheese Toast Cups, and serve immediately. Hannah’s 4th Note: These are a bit tricky the first time you make them. That’s just “beginner nerves”. Once you’ve made them successfully, they’re really quite easy to do and extremely impressive to serve for a brunch. Yield: 6 servings (or 3 servings if you’re fixing them for Mike and Norman).
”
”
Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))
“
If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural.
For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, it's going to take virtue to bring it off.
Again, a husband and a wife cannot long exist as one flesh, if they are habitually unkind, rude, or untruthful. Every sin breaks down the body of the Mystery, puts asunder what God and nature have joined. The marriage rite is aware of this; it binds us to loving, to honoring, to cherishing, for just that reason. This is all obvious in the extreme, but it needs saying loudly and often. The only available candidates for matrimony are, every last one of them, sinners. As sinners, they are in a fair way to wreck themselves and anyone else who gets within arm's length of them. Without virtue, therefore, no marriage will make it. The first of all vocations, the ground line of the walls of the New Jerusalem is made of stuff like truthfulness, patience, love and liberality; of prudence, justice, temperance and courage; and of all their adjuncts and circumstances: manners, consideration, fair speech and the ability to keep one's mouth shut and one's heart open, as needed.
And since this is all so utterly necessary and so highly likely to be in short supply at the crucial moments, it isn't going to be enough to deliver earnest exhortations to uprightness and stalwartness. The parties to matrimony should be prepared for its being, on numerous occasions, no party at all; they should be instructed that they will need both forgiveness and forgivingness if they are to survive the festivities. Neither virtue, nor the ability to forgive the absence of virtue are about to force their presence on us, and therefore we ought to be loudly and frequently forewarned that only the grace of God is sufficient to keep nature from coming unstuck. Fallen man does not rise by his own efforts; there is no balm in Gilead. Our domestic ills demand an imported remedy.
”
”
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
“
Fruit of the Poisonous Tree, The True Story of Murder in a Small Town, begins on a steamy August night with two teenagers, brother and sister, on an evil mission deep in a rural Michigan forest. For one desperate moment headlights appear on the lonely access road. Will they be found out? Thus the story of one of state’s strangest criminal cases unfolds. Girl breaks up with boyfriend. He turns violent. She disappears without a trace. Then state police investigators set out on what at first looks like a fool’s journey. The story is colored by a bizarre Ouija board death prophesy and the roles of two psychics, a former practicing witch and a handsome young artist who is suspected of Satanism. The canny and elusive suspect taunts police and seems always to be one step ahead of them. When a key witness is daunted by uncharacteristic injuries, a mysterious medium tells him he is the victim of black magic practiced by the suspect’s grandmother. And when, after eight years, the suspect finally is brought to trial, he is represented by a Roman Catholic priest.
”
”
Richard W Carson
“
While living at a boarding school during her teen years, she experienced a deep sense of loneliness that was exacerbated because of her perceived Christian commitment. In an attempt to gain acceptance she experimented with the religions of her fellow students, however this led to a growing sense of guilt for abandoning her parent’s faith. This inner turmoil awakened the first stirring of faith in her heart. At home, during a summer break from college, she witnessed her mother praying and crying alone in her room. At first she thought her mother was attempting to manipulate her emotions. One day as she listened to her mother pray for strength and companionship, Margaret’s heart experienced a change. The next morning she joined her mother in prayer. A sense of love, warmth, and relief washed over her. She became her mother’s prayer partner and committed her life to Jesus Christ.
”
”
Anonymous
“
In a letter written to the play's director, Peter Wood, on 30th March 1958, just before the start of rehearsals, Pinter rightly refused to add extra lines explaining or justifying Stanley's motives in withdrawing from the world into a dingy seaside boarding-house: 'Stanley cannot perceive his only valid justification - which is he is what he is - therefore he certainly can never be articulate about it.' But Pinter came much closer than he usually does to offering an explanation of the finished work:
We've agreed: the hierarchy, the
Establishment, the arbiters, the socio-
religious monsters arrive to affect
censure and alteration upon a
member of the club who has discarded
responsibility (that word again) towards
himself and others. (What is your
opinion, by the way, of the act of
suicide?) He does possess, however, for
my money, a certain fibre - he fights for
his life. It doesn't last long, this fight. His
core being a quagmire of delusion, his
mind a tenuous fuse box, he collapses
under the weight of their accusation - an
accusation compounded of the shit-
stained strictures of centuries of
'tradition'.
This gets us right to the heart of the matter. It is not simply a play about a pathetic victim brainwashed into social conformity. It is a play about the need to resist, with the utmost vigour, dead ideas and the inherited weight of the past. And if you examine the text, you notice how Pinter has toughened up the original image of the man in the Eastbourne digs with 'nowhere to go'. Pinter's Stanley Webber - a palpably Jewish name, incidentally - is a man who shores up his precarious sense of self through fantasy, bluff, violence and his own manipulative form of power-play. His treatment of Meg initially is rough, playful, teasing: he's an ersatz, scarpegrace Oedipus to her boardinghouse Jocasta. But once she makes the fateful, mood-changing revelation - 'I've got to get things in for the two gentlemen' - he's as dangerous as a cornered animal. He affects a wanton grandeur with his talk of a European concert tour. He projects his own fear on to Meg by terrorising her with stories of nameless men coming to abduct her in a van. In his first solo encounter with McCann, he tries to win him over by appealing to a shared past (Maidenhead, Fuller's tea shop, Boots library) and a borrowed patriotism ('I know Ireland very well. I've many friends there. I love that country and I admire and trust its people... I think their policemen are wonderful'). At the start of the interrogation he resists Goldberg's injunction to sit down and at the end of it he knees him in the stomach. And in the panic of the party, he attempts to strangle Meg and rape Lulu. These are hardly the actions of a supine victim. Even though Stanley is finally carried off shaven, besuited, white-collared and ostensibly tamed, the spirit of resistance is never finally quelled. When asked how he regards the prospect of being able to 'make or break' in the integrated outer world, he does not stay limply silent, but produces the most terrifying noises.
”
”
Michael Billington (Harold Pinter)
“
A DAY IN THE WRITER’S LIFE . . . Virginia Woolf awoke early every morning, either at her home in London or the country house in Sussex, and breakfasted with her husband. Around 9:30 a.m., they both retreated to their respective writing rooms, hers an explosion of muddle—books, papers, odds and ends—where, assuming she was well, Woolf would sit in her armchair, plywood board on her lap, to work on her latest piece of fiction until 12:30 or 1 p.m., when she would break for lunch. In the afternoon, she would almost always take a walk, write in her diary, or work on an essay. Teatime came in the late afternoon. Then, before dinner, she would sometimes make revisions, sometimes read, or sometimes even see friends. The nighttime hours were for reading or socializing—her mind, she claimed, was no longer fit for writing after the sun went down.
”
”
Sarah Stodola (Process: The Writing Lives of Great Authors)
“
I grabbed Finnegan’s Magic 8 Ball from behind the cash register. My thumb went for the red scuff mark on the back of the ball, trying to rub it out like I always did whenever I got bored. Tucker was now preoccupied with lining up a pepper shaker cavalry across from a hostile regiment of saltshaker footmen.
...
While Tucker stepped out back for his break, I commandeered his condiment armies. Gus’s cigarette smoke wafted toward the ceiling, pulled into the vent. The oscillating fan on the wall made the papers on the employee bulletin board flutter.
Halfway through my recreation of the Battle of the Bulge, I shook Finnegan’s Magic 8 Ball to find out if the German saltshaker would be successful in his offensive.
Ask again later.
Useless thing. If the Allies had taken that advice, the Axis would have won the war.
”
”
Francesca Zappia (Made You Up)
“
Spanish Admiral Pascual Cervera y Topete’s fleet had been blockaded in Santiago harbor for two months. On July 3, 1898 four cruisers and two destroyers steamed out of Santiago de Cuba. As the Spanish warships attempted to escape by steaming along the coast, Commodore Winfield Schley led the pursuit on board the USS Brooklyn. Admiral Cervera’s flagship, Infanta Maria Theresa, gallantly engaged the Brooklyn in a delaying action in order to give the other ships a chance to escape, but in vain. The naval battles that ensued, starting with the first shot being fired by the USS Oregon, The United States Navy effectively destroyed one ship at a time, as the Spanish Fleet continued to steam out of Santiago harbor. The only Spanish ship to break the blockade was the cruiser Cristobal Colón which headed west along the Cuban coast. This final survivor was chased for 50 miles by the swift battleship USS Oregon before it was overrun. Colón’s captain scuttled his ship in shallow water to avoid the futile loss of life.
”
”
Hank Bracker
“
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover."
He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family."
Ísa frowned. "I don't think your family expects that."
"They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it."
Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?"
"He's building a ginormous mansion. Swimming pool, tennis court, the works."
"Is he hiring a buff personal masseuse named Sven?"
"Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?"
Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion.
"Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires."
A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders.
"And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats."
Throat moving, Ísa said, "How many?" It was a husky question.
"Seven, I think."
"Very funny, mister."
"I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart.
Ísa's lower lip began to quiver, but she didn't speak.
"I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them."
Silent tears rolled own Ísa's face.
"But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?"
Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online."
Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss.
Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there."
Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty.
"That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
”
”
Nalini Singh (Cherish Hard (Hard Play, #1))
“
FOOD FOR THOUGHT: Once upon a time our politicians did not tend to apologize for our country’s prior actions! Here’s a refresher on how some of our former patriots handled negative comments about our great country. These are quite good JFK’S Secretary of State, Dean Rusk, was in France in the early 60’s when De Gaulle decided to pull out of NATO. De Gaulle said he wanted all US military out of France as soon as possible.
Rusk’s response: “Does that include those who are buried here?” De Gaulle did not respond. You could have heard a pin drop.
When in England, at a fairly large conference, Colin Powell was asked by the Archbishop of Canterbury if our plans for Iraq were just an example of ‘empire building’ by George Bush.
He answered by saying, “Over the years, the United States has sent many of its fine young men and women into great peril to fight for freedom beyond our borders. The only amount of land we have ever asked for in return is enough to bury those that did not return.” You could have heard a pin drop.
There was a conference in France where a number of international engineers were taking part, including French and American. During a break, one of the French engineers came back into the room saying, “Have you heard the latest dumb stunt Bush has done? He has sent an aircraft carrier to Indonesia to help the tsunami victims. What does he intend to do, bomb them?”
A Boeing engineer stood up and replied quietly: “Our carriers have three hospitals on board that can treat several hundred people; they are nuclear powered and can supply emergency electrical power to shore facilities; they have three cafeterias with the capacity to feed 3,000 people three meals a day, they can produce several thousand gallons of fresh water from sea water each day, and they carry half a dozen helicopters for use in transporting victims and injured to and from their flight deck. We have eleven such ships; how many does France have?” You could have heard a pin drop.
A U.S. Navy Admiral was attending a naval conference that included Admirals from the U.S., English, Canadian, Germany and France. At morning tea the Frenchman complained that the conference should be conducted in French since it was being held in Paris. The German replied that, so far as he could see, the reason that it was being held in English was as a mark of respect to the other attendees, since their troops had shed so much blood so that the Frenchman wouldn’t be speaking German.
”
”
marshall sorgen
“
When (1603) the Emperor Rudolph II asked the Bohemian Diet, or Parliament, for money for his projected campaign against the Turks, Wenzel of Budowa demanded the repeal of the Edict of St. James, and that complete religious liberty should be given to the people. Only then would money be voted. The Protestant nobles of all shades supported him, and the people were enthusiastically on his side. The Emperor, between the Protestants and the Jesuits, promised and retracted repeatedly, and no progress was made. Then Wenzel called the nobles together, they collected men and supplies and swore to resort to force if their demands should not be granted. The Emperor yielded, signed the Bohemian Charter giving full religious liberty, and there was general rejoicing among the people. A Board of twenty-four “Defenders” was formed to attend to the proper carrying out of the terms of the Charter. All the Protestant parties and the United Brethren signed the general Bohemian National Protestant Confession. In 1616 Ferdinand II became King of Bohemia. He was entirely under the influence of the Jesuits and though at his coronation he took an oath to observe the Charter, he began immediately to break it.
”
”
E.H. Broadbent (The Pilgrim Church: Being Some Account of the Continuance Through Succeeding Centuries of Churches Practising the Principles Taught and Exemplified in The New Testament)
“
As negotiations seemed to be grinding to a halt, we were all feeling frustrated. Steve looked around at John, Judi, and the others. He could see that everybody had gotten a bit stretched on all our various projects. He decided we needed a break.
He didn’t lead us into the bush this time. Instead, Steve said a magic word. “Samoa.”
“Sea snakes?” I asked.
“Surfing,” he said. He planned a ten-day shoot for a surfing documentary.
Steve loved surfing almost as much as he loved wildlife. The pounding his body had taken playing rugby, wrestling crocs, and doing heavy construction at the zoo had left him with problem knees and a bad shoulder. He felt his time tackling some of the biggest surf might be nearing an end.
In Samoa, Steve didn’t spend just a few hours out in the waves. He would be out there twelve to fourteen hours a day. I didn’t surf, but I was awestruck at Steve’s ability to stare down the face of a wave that was as high as a building. He had endurance beyond any surfer I had ever seen. Steve had a support boat nearby, so he could swim over, get hydrated, or grab a protein bar. But that was it. He didn’t stop for lunch. He would eat breakfast, surf all day, and then eat a big dinner.
I knew this was the best therapy for him. Surfing at Boulders was downright dangerous, but Steve reveled in the challenge. He surfed with Wes, his best mate in the world. I sat on a rocky point with my eye glued to the camera so I wouldn’t miss a single wave. While Bindi gathered shells and played on the beach under her nanny’s watchful eye, I admired Steve with his long arms and broad shoulders, powerfully paddling onto wave after wave.
Not even the Pacific Ocean with its most powerful sets could slow him down. He caught the most amazing barrels I have ever seen, and carved up the waves with such ferocity that I didn’t want the camera to miss a single moment.
On the beach in Samoa, while Bindi helped her dad wax his board, I caught a glimpse of joy in eyes that had been so sad.
”
”
Terri Irwin (Steve & Me)
“
Please tell me we don’t have to go all the way upstairs for a condom,” she said.
“Back pocket.” She leaned with him as he fished it out, then tried to help him get his jeans down over his hips. Her foot hit the coffee table, which snagged on the throw rug and sent the Scrabble tiles sliding all over the board.
She laughed as he tore open the condom packet. “Now nobody wins.”
“I was ahead.” He put one hand on her hip, using the other to guide himself into her. “So I win.”
Emma moaned as he filled her, bracing herself against the couch with a hand on either side of his head. “The game wasn’t over. It’s a draw.”
He pulled down on her hips as he drove up into her, making her gasp. “Ties are for pussies. Admit I won.”
She looked down into his blue eyes, crinkled with amusement as he grinned at her. God, she loved…having sex with this man. “One good word isn’t a victory.”
“That’s not what the score sheet said.” He stopped moving, and when she tried to rock against him, he held down on her hips so she couldn’t move, either. Then he had the nerve to chuckle at her growl of sexual frustration. “Admit it. I can sit here all night.”
“Oh, really?” She went straight for a known weak spot—nipping at his earlobe before sucking it into her mouth.
He let go of her hips with one hand, intending to push her mouth away, but she rocked her hips. He groaned and put his hand back. She breathed softly against his ear and then ran her tongue along the outside.
“Admit I was going to win,” she whispered, “because I can do this all night.”
With one leg, he kicked at the table, sending it over and the letter tiles flying. Before Emma could react, she was on her back on the throw rug with Sean between her legs and her hands held over her head.
“I don’t lose.” He crossed her wrists so he could hold them with one hand, then used the other to pull her leg up over his hip so he was totally buried in her. “Give up?”
She shook her head, but couldn’t hold back the sigh as he oh, so slowly withdrew almost completely and then just as slowly filled her again. “You’re cheating.”
He did it again and again, the slow friction delicious and frustrating, until they were both trembling and on the edge.
Then, as he was pulling out of her once again with a self-control that made her want to scream, it became a matter of life or death, because she was going to die if she didn’t get what her body was looking for. “Okay, fine. You win.”
He drove into her hard, his fingers biting into her wrists before he released them so he could lift her legs to her shoulder. She cried his name as his fingers dug into her hips and he gave them what they both wanted.
When he collapsed on top of her, breathing hard against her neck, she wrapped her legs and arms around him, holding him close.
“Another one for the win column,” he said once they’d caught their breath.
“It has an asterisk, though, because you totally cheated.”
“All’s fair in sex and Scrabble, baby.” He propped his head on his hand and smiled down at her. “What should we play next?”
“I’ve still got clothes on. You’ve still got clothes on. Maybe we should break out a deck of cards.”
“You’re my kinda girl, Emma Shaw,” he said, and thankfully, he was in the process of getting up off the floor, because she didn’t think she did a good job of hiding how happy those words made her.
”
”
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
“
There was a whole subculture of mentalists who spent their nights breaking into boarded-up tube stations, forgotten sewers, abandoned buildings, and other places you just aren’t meant to be.
”
”
Cory Doctorow (Pirate Cinema)
“
MS didn’t come across as someone who was too ambitious. He seemed to enjoy every minute of being part of the team. We knew little about where he came from, or what hardships he had endured to get to where he had. Most youngsters breaking into the team are so busy trying to establish themselves that the fun element goes out of their cricket, and I say this from experience. MS was different. Whether he was batting, keeping wicket or at training, he had a ball. His room was an open house, the door open till past midnight. He was a big PlayStation freak, with a special liking for war games. He was understandably shy when he broke into the team, but we got to know each other well because I stood in the slips and we had lots of conversations. What stood out was his balance and maturity as a human being. He understood the game really well, and his situational awareness was excellent. And he had plenty of self-belief. He was unorthodox as a wicketkeeper and batsman, but he didn’t succumb to pressure and try to be classical. He had a unique batting technique, and because he knew his game so well, he knew how to use it to score runs. At the end of the day, the most important thing was runs on the board. MS didn’t care if people thought he scored those runs prettily or otherwise.
”
”
V.V.S. Laxman (281 and Beyond)
“
Rather than being a single entity, you can view yourself as a collection of different parts. Part of you wants to eat a pizza, and part of you wants to get the salad because it is healthier. Part of you hopes something will go well, and another part is paralyzed by fear of failure. In working with these parts of ourselves, it can be helpful to imagine that inside your head there is a corporate boardroom. There’s a large wooden table with many plush leather chairs, and around the table are all different parts of you. You are the head of the board, the arbiter of the discussion. It is your job to hear from each part, as well as to keep order and prevent one part from hijacking the entire meeting.
”
”
Aziz Gazipura (The Solution To Social Anxiety: Break Free From The Shyness That Holds You Back)
“
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”
”
ArabianDesertsafari
“
have had tenants ruin ovens when cleaning them, shatter shower doors, and even break windows with odd objects. Even with this litany of dings and cracks, when I step back and look at the cost of repairing one window, replacing a few boards on a fence, or even losing a used oven, keeping the good tenant long term is usually worth it. The lifetime value of a customer, especially one writing a four-figure check like clockwork every month for several years, far outweighs the cost or inconvenience of the minor repair.
”
”
Michael Boyer (Every Landlord's Guide to Managing Property: Best Practices, From Move-In to Move-Out)
“
Today we remember Milk as perhaps the most significant gay rights leader of all time. He is the person who unlocked the secret to reducing prejudice against same-sex relationships, by people disclosing to friends and family that they were gay. Sean Penn won an Oscar after immortalizing Milk’s life in a 2008 film. But Milk owed his political career to dog poop. Shortly after taking office in 1978, Milk introduced the “Scoop the Poop” Act,3 which by the end of the summer the Board of Supervisors had passed.4 Afterward, a journalist said to Milk, “The police department says it may be hard to enforce this,” to which Milk replied, beaming, “I think it will be easy based on peer pressure. It’s going to be hard to write citations. But when a San Franciscan is walking down the street and sees someone breaking the law you say ‘Hey!’—with a smile—‘You broke the law.’ And after a while, when enough people do that, the message will be clear. It will be an education process. I really hope not one single citation is ever issued. . . . I don’t want to put anybody in jail. I don’t want to fine anyone. I just want to clean up the mess.”5 People
”
”
Michael Shellenberger (San Fransicko: Why Progressives Ruin Cities)
“
sinew that holds him together. Our lips press and mold, mingling, taking, begging . . . Desperate. Beck’s tongue runs against my bottom lip, eliciting a moan from deep within me, lighting a fire so hot, so wild, my hands start to travel up his neck to his cheeks where I grip him, positioning his head so when I open my mouth, I can expertly dive my tongue onto his. He groans, his lap shifting against mine now, his hard-on pressing against my wet and throbbing center. I match his rocking, using my position on his lap to take advantage of his length I can feel through his board shorts. This is exactly what I didn’t want to happen, but God, am I happy it has. Maybe I really should live in the moment, maybe I should take advantage of the opportunity, maybe I should… “Woo, yeah, get it on!” Zoey screams from below us, immediately shooting me off Beck’s lap and into the rail behind me, causing me to lose my balance. With cat-like reflexes, Beck catches my arm and steadies me, his eyes aware but heady with lust, his breathing as erratic as mine. “Don’t let us disturb you,” Zoey calls out once again. “Just taking a midnight stroll.” “Yup, that’s great.” I give her a thumbs up with one hand as the other is holding on to Beck, our eyes never breaking contact. “Have a good night, you
”
”
Meghan Quinn (Two Wedding Crashers (Dating By Numbers, #2))
“
Ideas, as the saying goes, are a dime a dozen. An idea that has been at least partially proven, with the concept shown workable and a few customers on board, is a whole different animal. Simply put, the farther along you are, the lower the risk.
”
”
John W. Mullins (Getting to Plan B: Breaking Through to a Better Business Model)
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There are two methods of delivering a blow. First is a boxing-like movement, and the second is the traditional karate strike. While equal in force, the boxing-style strike has a greater range and is easier to execute. The boxing-style strike uses gravity and shift of weight to support the strike, while the traditional karate-style strike uses a sudden tightening of your body’s muscles to deliver a short blow. The longer range of the boxing blow facilitates greater acceleration to a higher speed and is more efficient in creating a knockout effect. The traditional karate-style strike is more suitable for breaking boards of wood, but the composition of wood fibers is quite different from the human body's protective tissues. The traditional straight karate strike takes longer to execute and requires slight preparation. Since even a split second is of the essence and the force used is more efficient with the boxing style, it has won popularity in the martial arts field. From the split second you decide to move your body and deliver the strike, all you need is to aim at the opponent’s chin. You then need to accelerate your arm to maximum speed, and maintain that speed as your fist lodges in your opponent’s face. The opponent’s skull will then shake the brain and nerves to a concussion. The ancient Olympics had fighting sports. Sparta is believed to have had boxing around 500 BC. Spartans used boxing to strengthen their fighters’ resilience. Boxing matches were not held since Spartans feared that it would lead to internal competitions, which could reduce the morale of the losers. Sparta did not want low morale on the battlefield. For many years the question of Bodhidharma’s existence has been a matter of controversy among historians. A legend prevails that the evolution of karate began around 5 BC when Bodhidharma arrived to the Shaolin temple in China from India, and taught Zen Buddhism. He introduced a set of exercises designed to strengthen the mind and body. This marked the roots of Shaolin-style temple boxing. This type of Chinese boxing, also called kung fu, concentrates on full-body energy blows and improving acrobatic level. Indian breathing techniques are incorporated, providing control of the muscles of the whole body while striking. This promotes self-resistance that helps achieve balance and force when striking and kicking. Krav Maga shows that it is not the most efficient approach. It is certainly forceful, but cannot be mastered quickly enough, and also does not promote a natural and fast reach to the opponent's pressure points, nor does it adhere to the principle of reaction time.
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Boaz Aviram (Krav Maga: Use Your Body as a Weapon)
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In a way, those who felt #MeToo had not gone far enough and those who protested that it was going too far were saying some of the same things: There was a lack of process or clear enough rules.
The public did not fully agree on the precise meaning of words like harassment or assault, let alone how businesses or schools should investigate or punish them. Everyone from corporate boards to friends in bars seemed to be struggling to devise their own new guidelines, which made for fascinating conversation but also a kind of overall chaos.
It was not clear how the country would ever agree on effective new standards or resolve the ocean of outstanding complaints.
Instead, the feeling of unfairness on both sides just continued to mount.
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Jodi Kantor (She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement)
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I confess that as I saw the tender plants and shining flowers bow before the remorseless beam, civilisation seemed a sad business, and yet there was something epic, something large-gestured and splendid in the "breaking" season. Smooth, glossy and unwrinkled the thick ribbon of jet-black sod rose upon the share and rolled away from the mold-board's glistening curve to tuck itself upside down into the furrow beneath the horse's heels, and the picture which my uncle made, gave me pleasure in spite of the sad changes he was making.
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Hamlin Garland (A Son of the Middle Border)
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2024 is a year to break new barriers, it's a year to ensure that our vision board is achieved and success is our priority! God speed on your 2024 journey!
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Hopal Green
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In Minnesota, they were seizing cars from every siding, from the Mesabi Range, from the ore mines of Paul Larkin where the cars had stood waiting for a dribble of iron. They were pouring wheat into ore cars, into coal cars, into boarded stock cars that went spilling thin gold trickles along the track as they clattered off. They were pouring wheat into passenger coaches, over seats, racks and fixtures, to send it off, to get it moving, even if it went moving into trackside ditches in the sudden crash of breaking springs, in the explosions set off by burning journal boxes. They fought for movement, for movement with no thought of destination, for movement as such, like a paralytic under a stroke, struggling in wild, stiff, incredulous jerks against the realization that movement was suddenly impossible. There were no other railroads: James Taggart had killed them; there were no boats on the Lakes: Paul Larkin had killed them. There was only the single line of rail and a net of neglected highways. The trucks and wagons of waiting farmers started trickling blindly down the roads, with no maps, no gas, no feed for horses—moving south, south toward the vision of flour mills awaiting them somewhere, with no knowledge of the distances ahead, but with the knowledge of death behind them—moving, to collapse on the roads, in the gullies, in the breaks of rotted bridges. One farmer was found, half a mile south of the wreck of his truck, lying dead in a ditch, face down, still clutching a sack of wheat on his shoulders. Then rain clouds burst over the prairies of Minnesota; the rain went eating the wheat into rot at the waiting railroad stations; it went hammering the piles spilled along the roads, washing gold kernels into the soil.
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Ayn Rand (Atlas Shrugged)