Brave Lady Quotes

We've searched our database for all the quotes and captions related to Brave Lady. Here they are! All 100 of them:

Stars," she whispered. "I can see the stars again, my lady." A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight." Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
He held up a book then. “I'm going to read it to you for relax.” “Does it have any sports in it?” “Fencing. Fighting. Torture. Poison. True Love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest Ladies. Snakes. Spiders... Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.” “Sounds okay,” I said and I kind of closed my eyes.
William Goldman (The Princess Bride)
Few other griefs amid the ill chances of this world have more bitterness and shame for a man's heart than to behold the love of a lady so fair and brave that cannot be returned.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
I'm learning there is no one way for life to be lived, no one way to be strong or brave or kind or good. Rather there are many people doing the best they can with the heart they are given and the hand they are dealt. Our best is all we can do, and all we can hold on to is each other.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
I've never met anyone as quietly brave and strong as you. I've never met a woman so unassuming, so kind, and so selfless. You are a complex lady." His mouth curled up at the corners. "And you are smart, and passionate, and funny, and exciting, and you blow me fucking away.
Samantha Young (Down London Road (On Dublin Street, #2))
In the company of women like this— sharp-edged as raw diamonds but with soft hands and hearts, not strong in spite of anything but powerful because of everything— I feel invincible. Every chink and rut and battering wind has made us tough and brave and impossible to strike down. We are mountains— or perhaps temples, with foundations that could outlast time itself.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
ONCE UPON A time, there was a king who had three beautiful daughters. He loved each of them dearly. One day, when the young ladies were of age to be married, a terrible, three-headed dragon laid siege to the kingdom, burning villages with fiery breath. It spoiled crops and burned churches. It killed babies, old people, and everyone in between. The king promised a princess’s hand in marriage to whoever slayed the dragon. Heroes and warriors came in suits of armor, riding brave horses and bearing swords and arrows. One by one, these men were slaughtered and eaten. Finally the king reasoned that a maiden might melt the dragon’s heart and succeed where warriors had failed. He sent his eldest daughter to beg the dragon for mercy, but the dragon listened to not a word of her pleas. It swallowed her whole. Then the king sent his second daughter to beg the dragon for mercy, but the dragon did the same. Swallowed her before she could get a word out. The king then sent his youngest daughter to beg the dragon for mercy, and she was so lovely and clever that he was sure she would succeed where the others had perished. No indeed. The dragon simply ate her. The king was left aching with regret. He was now alone in the world. Now, let me ask you this. Who killed the girls? The dragon? Or their father?
E. Lockhart (We Were Liars)
We were all just as brave,’ finished Julia Abatemarco. ‘Neither of the sides had the strength to be braver. But we … We managed to be brave for a minute longer.
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautiful ladies. Snakes. Spiders. Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
The marquis de Carabas was not a good man, and he knew himself well enough to be perfectly certain that he was not a brave man. He had long since decided that the world, Above or Below, was a place that wished to be deceived, and, to this end, he had named himself from a lie in a fairy tale, and created himself--his clothes, his manner, his carriage--as a grand joke. There was a dull pain in his wrists and his feet, and he was finding it harder and harder to breathe. There was nothing more to be gained by feigning unconsciousness, and he raised his head, as best he could, and spat a gob of scarlet blood into Mr. Vandemar's face. It was a brave thing to do, he thought. And a stupid one. Perhaps they would have let him die quietly, if he had not done that. Now, he had no doubt, they would hurt him more. And perhaps his death would come the quicker for it.
Neil Gaiman (Neverwhere (London Below, #1))
Zoe—" I said. "Stars," she whispered. "I can see the stars again, my lady." A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight." "Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again. Thalia lowered her head. Annabeth gulped down a sob, and her father put his hands on her shoulders. I watched as Artemis cupped her hand above Zoe's mouth and spoke a few words in Ancient Greek. A silvery wisp of smoke exhaled from Zoe's lips and was caught in the hand of the goddess. Zoe's body shimmered and disappeared. Artemis stood, said a kind of blessing, breathed into her cupped hand and released the silver dust to the sky. It flew up, sparkling, and vanished. For a moment I didn't see anything different. Then Annabeth gasped. Looking up in the sky, I saw that the stars were brighter now. They made a pattern I had never noticed before—a gleaming constellation that looked a lot like a girl's figure—a girl with a bow, running across the sky. "Let the world honor you, my Huntress," Artemis said. "Live forever in the stars.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.
William Goldman
I'm learning there is no one way for life to be lived, no one way to be strong or brave or kind or good. Rather there are many people doing the best they can with their heart they are given and the hand they are dealt.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
If you had to pack your whole life into a suitcase--not just the practical things, like clothing, but the memories of the people you had lost and the girl you had once been--what would you take? The last photograph you had of your mother? A birthday gift from your best friend--a bookmark embroidered by her? A ticket stub from the traveling circus that had come through town two years ago, where you and your father held your breath as jeweled ladies flew through the air, and a brave man stuck his head in the mouth of a lion? Would you take them to make wherever you were going feel like home, or because you needed to remember where you had come from?
Jodi Picoult (The Storyteller)
The brave princess Lucretia raced through the marble halls of the palace. "I must find Cordelia, " she gasped. "I must save her." "I believe Prince James holds her even now, captive in his throne room!" Sir Jerrod exclaimed. "But Princess Lucretia, even though you are the most beautiful and wise lady that I have ever met, surely you cannot fight your way through a hundred of his stoutest palace guard!" The knight's green eyes flashed. His straight black hair was is disarranged, and his white shirt entirely undone. "But I must!" Lucretia cried.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
She walks, on the streets, with a face that, doesn't belong. It smiles more than, many put together, whole day long. Her heart misfit, a little chipped. And she likes to, call it once broken, but now stitched.
Jasleen Kaur Gumber
a plain white note card tucked into Lady Indomitable’s belt and printed with the ambiguous phrase: “One cannot be brave who has no fear.
Marissa Meyer (Renegades (Renegades, #1))
Learn to win a lady's faith Nobly, as the thing is high; Bravely as for life and death - With a loyal gravity. Lead her from the festive boards, Point her to the starry skies, Guard her, by your truthful words, Pure from courtship's flatteries.
Elizabeth Barrett Browning
A fine lady she weren't, oh, but a damn fine woman and a brave one....
C.J. Cherryh (Fortress in the Eye of Time (Fortress, #1))
I’m proud of you, my Phiren. You may be just brave—and just foolish—enough to triumph.
Laura Sebastian (Lady Smoke (Ash Princess Trilogy, #2))
We rose from our chairs and bowed at each other, Japanese-style. The eight of them sat on the opposite side of the table to us, leaving the middle chair empty. All looking at us, no-one speaking a word. A long minute later, a very short, rather elderly lady – also dressed in funereal black – waddled in and seated herself in the empty chair in the middle of the row, directly facing us. She smiled; well, she attempted to twist her mouth. Too much effort. Her expression reverted to seriousness. Lin, sitting next to her, now spoke and introduced her as the Managing Director. She didn’t speak any English. Nor, it transpired, did any of the others – or if they did, we would never know, as either they weren’t brave enough to try or were inhibited by the business hierarchy. A scene that could have come out of Kafka.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Be brave, she told herself. Be brave, like a lady in a song.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
True strength...is being brave in the hard seasons. True strength is getting back up one more time. True strength is believing you were made for such a time as this and fighting against all odds. True strength is having hope even when the stars go out.
Melissa K. Roehrich (Lady of Shadows (Lady of Darkness, #2))
Women in the industry: Ladies, you need to step up and realize the men are never going to scoot aside for you/ they're not going to offer you a seat at their table, so build your own damn table. Figure it out, you can do it. In all other respects in your life, your a boss, right? So figure this out. You got this.
Rose McGowan (Brave)
Still, I couldn't get over Dad calling those farmers. People might think helping is hard, but really that's the easy part; just look how good it makes people feel. Look how happy all those Red Bend ladies were about chipping in. It's the asking that's so painful. It takes real courage, real strength, to say you're not strong enough to do it alone. Mom must really be hurting for Dad to be so brave.
Catherine Gilbert Murdock (Front and Center (Dairy Queen, #3))
Tink looked over at Ren. “Wait. Have you two stopped fighting? Oh my Queen Mab, you guys are in love again!” My eyes widened as I glanced around, seeing that several of the strangers were watching us with detached interest. “Tink . . .” “We were never not together,” Ren said, dropping his arm over my shoulders. The blue and red bag slipped to the floor as he clapped his hands like an overexcited seal. “You guys are! This is amazing.” “Tink,” I said again, this time with a little more force behind his name. “Thank the faery lords and ladies, I will not be a product of a split home.” “For the last time, we are not your parents, Tink.” I shook my head as I started to turn but stopped. “Pick up your bag.” Ren leaned in as Tink snatched the bag off the floor. “You sound like his mom.” “Shut up,” I hissed.
Jennifer L. Armentrout (Brave (Wicked Trilogy, #3))
If you have a dream, fight for it. There's a discipline for passion. And it's not about how many times you get rejected or you fall down or you're beaten up. It's about how many times you stand up and are brave and you keep on going.
Lady Gaga
Yes, that's so,' said Sam. 'And we shouldn't be here at all, if we'd known more about it before we started. But I suppose it's often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that's not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually – their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn't. And if they had, we shouldn't know, because they'd have been forgotten. We hear about those as just went on – and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same – like old Mr Bilbo. But those aren't always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we've fallen into?' 'I wonder,' said Frodo. 'But I don't know. And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.' 'No, sir, of course not. Beren now, he never thought he was going to get that Silmaril from the Iron Crown in Thangorodrim, and yet he did, and that was a worse place and a blacker danger than ours. But that's a long tale, of course, and goes on past the happiness and into grief and beyond it – and the Silmaril went on and came to Eärendil. And why, sir, I never thought of that before! We've got – you've got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we're in the same tale still! It's going on. Don't the great tales never end?' 'No, they never end as tales,' said Frodo. 'But the people in them come, and go when their part's ended. Our part will end later – or sooner.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
only the brave may enter, but only the worthy may leave.
Elizabeth Lim (Reflection)
Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more. As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth. "We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it." She did not understand even now. "We must go," she said, almost brightly. "Yes," he answered faintly. "Shall we swim or fly, Peter?" He had to tell her. "Do you think you could swim or fly as far as the island, Wendy, without my help?" She had to admit she was too tired. He moaned. "What is it?" she asked, anxious about him at once. "I can't help you, Wendy. Hook wounded me. I can neither fly nor swim." "Do you mean we shall both be downed?" "Look how the water is raising." They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away. "Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him. "It lifted Michael off the ground," he cried; "why should it not carry you?" "Both of us!" "It can't left two; Michael and Curly tried." "Let us draw lots," Wendy said bravely. "And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon. The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.
J.M. Barrie (Peter Pan)
I tried to imagine myself as an old lady, grey and wrinkled, with my life behind me. And suddenly I knew what I wanted. Not in the details, but the broad sweep of things. I wanted my life to be like one of my favourite books: a big, fat novel, each page filled with smallwritten words as though the only way to cram so much life in was to make the writing really small. I wanted to be brave, take risks, make a difference, fall in love. The characters would be colourful, the landscapes exotic. I wanted my life to be a page-turner.
Helen Douglas
Then Eomer was silent, and looked on his sister, as if pondering anew all the days of their past life together. But Aragorn said: "I saw also what you saw, Eomer. Few other griefs amid the ill chances of this world have more bitterness and shame for a man's heart than to behold the love of a lady so fair and brave that cannot be returned. Sorrow and pity have followed me ever since I left her desperate in Dunharrow and rode to the Paths of the Dead; and no fear upon that way was so present as the fear for what might befall her. And yet, Eomer, I say to you that she loves you more truly than me; for you she loves and knows; but in me she loves only a shadow and a thought: a hope of glory and great deeds, and lands far from the fields of Rohan.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
I think a gentleman respects women and doesn’t pretend to know better than his lady what is good or bad for her. I think a gentleman is brave enough to eschew the silly rules society tries to enforce on women. I think a gentleman tells the world to mind its own business and concerns himself only with what he and the lady in his life want to do together in private.
Tiffany Reisz (The Headmaster)
My story starts at sea, a perilous voyage to an unknown land. A shipwreck. The wild waters roar and heave. The brave vessel is dashed all to pieces. And all the helpless souls within her drowned. All save one. A lady. Whose soul is greater than the ocean, and her spirit stronger than the sea's embrace. Not for her a watery end, but a new life beginning on a stranger shore. It will be a love story. For she will be my heroine for all time. And her name will be Viola." "She was incomprehensible, for, in her, soul and spirit were one - the beauty of her body was the essence of her soul. She was that unity sought for by philosophers through many centuries. In this outdoor waiting room of winds and stars she had been sitting for a hundred years, at peace in the contemplation of herself." "He knew that there was passion there, but there was no shadow of it in her eyes or on her mouth; there was a faint spray of champagne on her breath. She clung nearer desperately and once more he kissed her and was chilled by the innocence of her kiss, by the glance that at the moment of contact looked beyond him out into the darkness of the night, the darkness of the world." "Her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him." "I used to build dreams about you." "Then she kissed him until the sky seemed to fade out and all her smiles and tears to vanish in an ecstasy of eternal seconds.
F. Scott Fitzgerald
Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss. Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together. For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us. We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers. And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them. I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute. We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue. I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it." There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete. The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God." Thank you.
Ronald Reagan
Anyone who braves the world sooner or later feels the consequences of it. —Lady Elizabeth Melbourne
Meagan McKinney (Till Dawn Tames the Night)
Every chink and rut and battering wind has made is tough and brave and impossible to strike down.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
What the Lady was happening? The man had his mouth smashing on Tarin's, and his tongue was shoving at Tarin's tongue. Tarin tried to scream. The men did eat boys. It wasn't just a scary fire-rumor. He bucked his body and writhed. He was going to be consumed alive! "Lady!" he bawled like a little kid. It sort of worked. The man moved his mouth and laughed. "Now, no fussing. I won't hurt you if you're a good boy." "Don't eat me," moaned Tarin. He was too scared to be brave. This was why no boys ever escaped from the Before Times buildings. The men ate them! No wonder men were so sleek and strong. They had boy meat to get them through the winter
Syd McGinley (Out of the Woods (Tarin's World, #1))
When you lose a friend [in battle] you have an overpowering desire to go back home and yell in everybody's ear, "This guy was killed fighting for you. Don't forget him--ever. Keep him in your mind when you wake up in the morning and when you go to bed at night. Don't think of him as the statistic which changes 38,788 casualties to 38,789. Think of him as a guy who wanted to live every bit as much as you do. Don't let him be just one of 'Our Brave Boys' from the old home town, to whom a marble monument is erected in the city park, and a civic-minded lady calls the newspaper ten years later and wants to know why that 'unsightly stone' isn't removed.
Bill Mauldin (Up Front)
Over the sea there dwelt a queen whose like was never known, for she was of vast strength and surpassing beauty. With her love as the prize, she vied with brave warriors at throwing the javelin, and the noble lady also hurled the weight to a great distance and followed with a long leap; and whoever aspired to her love had, without fail, to win these three tests against her, or else, if he lost but one, he forfeited his head.
The Nibelungenlied
Wit was insulting each person as they stepped onto the island. “Brightness Marakal! What a disaster that hairstyle is; how brave of you to show it to the world. Brightlord Marakal, I wish you’d warned us you were going to attend; I’d have forgone supper. I do so hate being sick after a full meal. Brightlord Cadilar! How good it is to see you. Your face reminds me of someone dear to me.” “Really?” wizened Cadilar said, hesitating. “Yes,” Wit said, waving him on, “my horse. Ah, Brightlord Neteb, you smell unique today—did you attack a wet whitespine, or did one just sneeze on you? Lady Alami! No, please, don’t speak—it’s much easier to maintain my illusions regarding your intelligence that way. And Brightlord Dalinar.” Wit nodded to Dalinar as he passed. “Ah, my dear Brightlord Taselin. Still engaged in your experiment to prove a maximum threshold of human idiocy? Good for you! Very empirical of you.
Brandon Sanderson
Frank grabbed a tourist brochure stuck under the napkin dispenser. He began to read it. Piper patted Leo’s arm, like she couldn’t believe he was really here. Nico stood at the edge of the group, eyeing the passing pedestrians as if they might be enemies. Coach Hedge munched on the salt and pepper shakers. Despite the happy reunion, everybody seemed more subdued than usual—like they were picking up on Leo’s mood. Jason had never really considered how important Leo’s sense of humor was to the group. Even when things were super serious, they could always depend on Leo to lighten things up. Now, it felt like the whole team had dropped anchor. “So then Jason harnessed the venti,” Hazel finished. “And here we are.” Leo whistled. “Hot-air horses? Dang, Jason. So basically, you held a bunch of gas together all the way to Malta, and then you let it loose.” Jason frowned. “You know, it doesn’t sound so heroic when you put it that way.” “Yeah, well. I’m an expert on hot air. I’m still wondering, why Malta? I just kind of ended up here on the raft, but was that a random thing, or—” “Maybe because of this.” Frank tapped his brochure. “Says here Malta was where Calypso lived.” A pint of blood drained from Leo’s face. “W-what now?” Frank shrugged. “According to this, her original home was an island called Gozo just north of here. Calypso’s a Greek myth thingie, right?” “Ah, a Greek myth thingie!” Coach Hedge rubbed his hands together. “Maybe we get to fight her! Do we get to fight her? ’Cause I’m ready.” “No,” Leo murmured. “No, we don’t have to fight her, Coach.” Piper frowned. “Leo, what’s wrong? You look—” “Nothing’s wrong!” Leo shot to his feet. “Hey, we should get going. We’ve got work to do!” “But…where did you go?” Hazel asked. “Where did you get those clothes? How—” “Jeez, ladies!” Leo said. “I appreciate the concern, but I don’t need two extra moms!” Piper smiled uncertainly. “Okay, but—” “Ships to fix!” Leo said. “Festus to check! Earth goddesses to punch in the face! What are we waiting for? Leo’s back!” He spread his arms and grinned. He was making a brave attempt, but Jason could see the sadness lingering in his eyes. Something had happened to him…something to do with Calypso.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Mrs Loudon was even more successful than her husband thanks to a single work, Practical Instructions in Gardening for Ladies, published in 1841, which proved to be magnificently timely. It was the first book of any type ever to encourage women of elevated classes to get their hands dirty and even to take on a faint glow of perspiration. This was novel almost to the point of eroticism. Gardening for Ladies bravely insisted that women could manage gardening independent of male supervision if they simply observed a few sensible precautions – working steadily but not too vigorously, using only light tools, never standing on damp ground because of the unhealthful emanations that would rise up through their skirts.
Bill Bryson (At Home: A Short History of Private Life)
If you had to pack your whole life into a suitcase—not just the practical things, like clothing, but the memories of the people you had lost and the girl you had once been—what would you take? The last photograph you had of your mother? A birthday gift from your best friend—a bookmark embroidered by her? A ticket stub from the traveling circus that had come through town two years ago, where you and your father held your breath as jeweled ladies flew through the air, and a brave man stuck his head in the mouth of a lion? Would you take them to make wherever you were going feel like home, or because you needed to remember where you had come from?
Jodi Picoult (The Storyteller)
Trumpai tariant, tai vyras, kurio stiprybė ir drąsa puikiai tinka bet kokiam sumanymui įgyvendinti. Jis išdrįsta ir išdrįstų padaryti bet ką pasaulyje arba už jo ribų, žemėje ar po žeme, jūroje ar ore, nebijodamas nieko materialaus ar neregėto: nei žmogaus ar vaiduoklio, nei Dievo, nei Velnio.
Bram Stoker (The Lady of the Shroud)
Wylla." Lord Wyman smiled. "Did you see how brave she was? Even when I threatened to have her tongue out, she reminded me of the debt White Harbor owes to the Starks of Winterfell, a debt that can never be repaid. Wylla spoke from the heart, as did Lady Leona. Forgive her if you can, my lord. She is a foolish, frightened woman, and Wylis is her life. Not every man has it in him to be Prince Aemon the Dragonknight or Symeon Star-Eyes, and not every woman can be as brave as my Wylla.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Raghu's race. Well has he planned and bravely fought, And with due care my lady sought. But of the sea I sadly think,
Vālmīki (The Rámáyan of Válmíki)
She could be quite brave in the presence of a Wyverary, but tall and lovely ladies made her shy, even if they were made of soap.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
It's very easy to laugh at her but it is not easy to be as brave as she.
Henry James (The Portrait of a Lady)
Wit was insulting each person as they stepped onto the island. “Brightness Marakal! What a disaster that hairstyle is; how brave of you to show it to the world. Brightlord Marakal, I wish you’d warned us you were going to attend; I’d have forgone supper. I do so hate being sick after a full meal. Brightlord Cadilar! How good it is to see you. Your face reminds me of someone dear to me.” “Really?” wizened Cadilar said, hesitating. “Yes,” Wit said, waving him on, “my horse. Ah, Brightlord Neteb, you smell unique today—did you attack a wet whitespine, or did one just sneeze on you? Lady Alami! No, please, don’t speak—it’s much easier to maintain my illusions regarding your intelligence that way. And Brightlord Dalinar.” Wit nodded to Dalinar as he passed. “Ah, my dear Brightlord Taselin. Still engaged in your experiment to prove a maximum threshold of human idiocy? Good for you! Very empirical of you.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Real quick, I just wanna tell you why I wrote this book. I wanted to write a book about fat ladies—because I am one. Not curvy, not plus-size, not big-boned, not fluffy, not phat. I’m FAT.
Nicole Byer (#VERYFAT #VERYBRAVE: The Fat Girl's Guide to Being #Brave and Not a Dejected, Melancholy, Down-in-the-Dumps Weeping Fat Girl in a Bikini)
Charlie desperately wanted to find some magic words to fix the mess and move on, but that wasn't how life worked. Instead, she needed to be brave and honest. Hopefully that would be enough.
Camille Cabrera (Lady Cavendish’s Christmas Caper)
He would think of Heaven and London and Our Lady of Acoma and the rows and rows of babies in clean bottles and Jesus flying up and Linda flying up and the great Director of World hatcheries and Awonawilona.
Aldous Huxley (Brave New World)
If you read the translation, know this: it is a work in progress. All such things are. Other scholars will come along, armed with a better comprehension of the language, other texts, the evidence of archaeology, and they will refine our words, or replace them entirely. We once thought that southern Anthiope was the homeland of my people; now we know it was their second home, as the Sanctuary we live in today is the third. We should not lament this alteration in our knowledge, but celebrate it. Our understanding should always change, always grow—even when that means the necessary destruction of what we knew before.
Marie Brennan (Turning Darkness Into Light (The Memoirs of Lady Trent, #6))
Stories of the brave, glamorous girl stopped selling so the press changed its angle and turned mean (and dumb); "transvestite", "degenerate", etc. Magazines start to use the pronouns "he" to refer to Christine
Pénélope Bagieu (Brazen: Rebel Ladies Who Rocked the World)
I couldn’t speak, but I brought out Riptide and put the pen in her hand. She grasped it contentedly. ‘You spoke the truth, Percy Jackson. You are nothing like… like Hercules. I am honoured that you carry this sword.’ A shudder ran through her body. ‘Zoë –’ I said. ‘Stars,’ she whispered. ‘I can see the stars again, my lady.’ A tear trickled down Artemis’s cheek. ‘Yes, my brave one. They are beautiful tonight.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Wait!" she cried, and she yanked away from him and gathered her heels and her ruined purse. She slid the shoes on and straightened her shoulders. "I will go as a lady should," she claimed bravely. "In patent leather heels.
Abigail Roux (Fish & Chips (Cut & Run, #3))
Has it got any sports in it?” “Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.” “Sounds okay,” I said, and I kind of closed my eyes. “I’ll do my best to stay awake . . . but I’m awful sleepy, Daddy . . . .” Who can know when his world
William Goldman (The Princess Bride)
Mrs. O’Dowd, the good housewife, arrayed in curl papers and a camisole, felt that her duty was to act, and not to sleep, at this juncture. “Time enough for that,” she said, “when Mick’s gone”; and so she packed his travelling valise ready for the march, brushed his cloak, his cap, and other warlike habiliments, set them out in order for him; and stowed away in the cloak pockets a light package of portable refreshments, and a wicker-covered flask or pocket-pistol, containing near a pint of a remarkably sound Cognac brandy, of which she and the Major approved very much; ... Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence was, that the Major appeared on parade quite trim, fresh, and alert, his well-shaved rosy countenance, as he sate on horseback, giving cheerfulness and confidence to the whole corps. All the officers saluted her when the regiment marched by the balcony on which this brave woman stood, and waved them a cheer as they passed; and I daresay it was not from want of courage, but from a sense of female delicacy and propriety, that she refrained from leading the gallant--personally into action.
William Makepeace Thackeray (Vanity Fair)
Mr Carr, if the lady... loved you...is it quite fair to her-to say nothing?" There was a long silence and then my lord lied bravely. "I hope that she will - in time- forget me," he said. Diana sat very still. No more roses were destroyed; the breeze wafted the fallen petals over her feet, lightly, playfully. Somewhere in the hedge a bird was singing, a full-throated sobbing plaint, and from all around came an incessant chirping and twittering. The sun sent its bright rays all over the garden,bathing it in gold and happiness; but for the two in the pleasaunce the light had gone out , and the world was very black.
Georgette Heyer (The Black Moth)
Has it got any sports in it?” “Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.” “Sounds
William Goldman (The Princess Bride)
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
Ten tears fall, and I call. Nine hundred trees, but only one is for me. Eight times eight times eight they fly, whatever you do, don’t stay dry. Seven ladies dancing, ignore their sweet romancing. Six seconds to hide, up, up, and you’ll survive. Five times four times three, and that is where he’ll be. Two I’ll save, I’ll be brave, brave, brave. The one I adore, I’ll come back for.
Gena Showalter (Firstlife (Everlife, #1))
They had no relish for gossiping about their acquaintance and even politics seemed a little dull. In short they felt that they should like to have the pleasure of looking at Lady Pole again, and so they told Sir Walter – rather than asked him – that he missed his wife. He replied that he did not. But this was not allowed to be possible; it was well known that newly married gentlemen were never happy apart from their wives; the briefest of absences could depress a new husband's spirits and interfere with his digestion. Sir Walter's guests asked each other if they thought he looked bilious and they agreed that he did. He denied it. Ah, he was putting a brave face on it, was he? Very good. But clearly it was a desperate case. They would have mercy on him and go and join the ladies.
Susanna Clarke (Jonathan Strange & Mr Norrell)
XII.—LOCHINVAR. Oh! young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword, he weapons had none, He rode all unarmed, and he rode all alone; So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone; He swam the Esk river, where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bride's-men, and kinsmen, and brothers, and all; Then spoke the bride's father, his hand on his sword - For the poor craven bridegroom said never a word - "Oh! come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?" "I long wooed your daughter, my suit you denied; Love swells like the Solway, but ebbs like its tide; And now am I come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Lochinvar." The bride kissed the goblet: the knight took it up, He quaffed off the wine, and he threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand, ere her mother could bar - "Now tread we a measure!" said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume: And the bride's-maidens whispered, "'Twere better by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near; So light to the croup the fair lady he swung, So light to the saddle before her he sprung. "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Netherby clan; Forsters, Fenwicks, and Musgraves, they rode and they ran: There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Walter Scott (Marmion)
I wonder what Miss Skeeter would do if she was here and it kind a makes me sad. I know ain’t nobody in town gone sign a book for her and tell her she brave. Ain’t nobody gone tell her they look after her. Then the Reverend hands me a box, wrapped in white paper, tied with light blue ribbon, same colors as the book. He lays his hand on it as a blessing. “This one, this is for the white lady. You tell her we love her, like she’s our own family.
Kathryn Stockett (The Help)
So, where’s my brother?” “I have no idea.” She tested the weight of the blade. “I hope you’re not . . . well, getting any feelings for him. That would be a mistake.” “Really? And why is that?” She gripped the handle of the dagger with one hand, while checking the sharpness of its blade with the other. “I just don’t think he could appreciate a woman like you.” “And you?” Gwenvael gave that smile that had gotten him more pleasure than he cared to admit. “I am not my brother, lady.” That’s when she moved. She was up and across the room, snatching him out of his chair in mere seconds. Annwyl slammed him face down on the table, her knee against his back to hold him in place. The point of her blade burrowed into the skin of his neck. As human, that blade could easily kill him. She leaned in and spoke quietly. “I don’t know what’s going on between you and your brother. And I don’t want to know. But I’ll not be the bone between you two dogs. So take yourself from my sight. I am in no mood.” With that she lifted him off the table and shoved him from the chamber. The crazed bitch had more strength than he had known, he realized as she sent him tumbling from her presence. He fell and slid across the cave floor, coming to an abrupt stop when a large boot slammed into his head. He looked up and braved a smile. “Oh. Hello, brother.” With a growl, Fearghus lifted him off the ground by the back of his neck.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
I want to marry ye.” His confession took her breath away. She took a step back, unsure of herself and the worth he thrust onto her. “Why?” Daniel shrugged. “Ye are fair bonny, lass. Ye’re brave and I like my women strong in mind as well as body.” She was flattered that he’d noticed those things about her and that he liked them. Most were turned off by how not simperish she was. Myra was no Rose. She was not likely to do what her husband told her, and she was likely to get into trouble with the gust of the wind.
Eliza Knight (The Highlander's Lady (Stolen Bride, #3))
And is this why you won’t marry your earl? Because you think she’ll go after him if you do?” Maggie, pretty, brave, competent Maggie subsided back into her chair and bowed her head. “She will. She’ll stop at nothing once she understands exactly what has happened. I know this, and I’ve tried to tell Benjamin, but he’s proud, and he’s too good-hearted himself to understand what she’s capable of. He doesn’t listen.” “Sister?” When Maggie looked up, Bridget pointed to the large, dark, unsmiling man looming in the doorway. “I think he’s listening now.” ***
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
To the enormous majority of persons who risk themselves in literature, not even the smallest measure of success can fall. They had better take to some other profession as quickly as may be, they are only making a sure thing of disappointment, only crowding the narrow gates of fortune and fame. Yet there are others to whom success, though easily within their reach, does not seem a thing to be grasped at. Of two such, the pathetic story may be read, in the Memoir of A Scotch Probationer, Mr. Thomas Davidson, who died young, an unplaced Minister of the United Presbyterian Church, in 1869. He died young, unaccepted by the world, unheard of, uncomplaining, soon after writing his latest song on the first grey hairs of the lady whom he loved. And she, Miss Alison Dunlop, died also, a year ago, leaving a little work newly published, Anent Old Edinburgh, in which is briefly told the story of her life. There can hardly be a true tale more brave and honourable, for those two were eminently qualified to shine, with a clear and modest radiance, in letters. Both had a touch of poetry, Mr. Davidson left a few genuine poems, both had humour, knowledge, patience, industry, and literary conscientiousness. No success came to them, they did not even seek it, though it was easily within the reach of their powers. Yet none can call them failures, leaving, as they did, the fragrance of honourable and uncomplaining lives, and such brief records of these as to delight, and console and encourage us all. They bequeath to us the spectacle of a real triumph far beyond the petty gains of money or of applause, the spectacle of lives made happy by literature, unvexed by notoriety, unfretted by envy. What we call success could never have yielded them so much, for the ways of authorship are dusty and stony, and the stones are only too handy for throwing at the few that, deservedly or undeservedly, make a name, and therewith about one-tenth of the wealth which is ungrudged to physicians, or barristers, or stock-brokers, or dentists, or electricians. If literature and occupation with letters were not its own reward, truly they who seem to succeed might envy those who fail. It is not wealth that they win, as fortunate men in other professions count wealth; it is not rank nor fashion that come to their call nor come to call on them. Their success is to be let dwell with their own fancies, or with the imaginations of others far greater than themselves; their success is this living in fantasy, a little remote from the hubbub and the contests of the world. At the best they will be vexed by curious eyes and idle tongues, at the best they will die not rich in this world’s goods, yet not unconsoled by the friendships which they win among men and women whose faces they will never see. They may well be content, and thrice content, with their lot, yet it is not a lot which should provoke envy, nor be coveted by ambition.
Andrew Lang (How to Fail in Literature: A Lecture)
I honour a good, a generous, a brave, and humane soldier: But were such an one to be the bravest of men, how can his wife expect constant protection from the husband who is less his own, and consequently less hers, than almost any other man can be (a sailor excepted); and who must therefore, oftener, than any other man, leave her exposed to those insults, from which she seems to think he can best defend her? Lady L. (smiling) But may it not be said, Sir, that those women who make soldiers their choice, deserve in some degree, a rank with heroes; when they can part with their husbands for the sake of their country’s glory?
Samuel Richardson (Complete Works of Samuel Richardson)
I couldn’t believe how relevant and applicable The Portrait of a Lady was to my life—way more so than Against Nature. The main character, Isabel, was my age, American, and lively. Only some people thought she was beautiful. The work of art she was creating was her own character: how she acted, how she was, how other people saw her. From this perspective, the aesthetic wasn’t really the opposite of the ethical. The way Isabel wanted to be, and act, and seem, was generous and brave. Her main goal was to avoid meanness, jealousy, and cruelty—not because God said they weren’t permitted, but because who even wanted to be like that?
Elif Batuman (Either/Or)
If you had to pack your whole life into a suitcase—not just the practical things, like clothing, but the memories of the people you had lost and the girl you had once been—what would you take? The last photograph you had of your mother? A birthday gift from your best friend—a bookmark embroidered by her? A ticket stub from the traveling circus that had come through town two years ago, where you and your father held your breath as jeweled ladies flew through the air, and a brave man stuck his head in the mouth of a lion? Would you take them to make wherever you were going feel like home, or because you needed to remember where you had come from? In
Jodi Picoult (The Storyteller)
An irregular birthmark stood out on the crest of her hip, like a splash of wine on snow. He touched a finger to it, and she stirred. “Don’t look at that,” she mumbled, rubbing sleep from her eyes. “I know it’s horrid.” “Horrid?” Despite the pained expression on her face, he had to laugh. “Sweetheart, I can honestly say that there is nothing about you that’s horrid in the least.” “My painting master would not agree.” The bitter taste of envy filled his mouth. “Do you know, that Frenchman of yours had better hope I never meet with him. “Oh, no,” she said quickly. “Not Gervais. Never Gervais. My painting master was an old, balding prig called Mr. Turklethwaite.” Gray’s bafflement must have been obvious. She went on, “There was never any Gervais. I mean, you know that I’d never taken a man to my bed, but you must understand…I’ve never allowed another man into my heart, either.” She kissed his brow, then his lips. “I love you, only you.” God. How brave she was. Tossing those words about as though they were feathers. Could she possibly suspect how they landed in his chest like cannonballs, detonating deep in his heart? Struggling for equanimity, he asked casually, “So when did this other painting master have occasion to see your birthmark?” She laughed. “He didn’t. But I painted something like it once, on a portrait of Venus. I told him I thought it lent her an air of reality. Oh, how he scolded me. A lady who paints, he said-“ She gave Gray a teasing look. “He would not apply the term “artist” to a female, you see.” “I see.” “A lady who paints, he said, should approach the art as she would any other genteel accomplishment. Her purpose is to please; her goal is to create an example of refinement. A true lady would not paint an imperfection, he said, any more than she would strike a false note in a sonata. Beauty is not real, and reality is not beautiful.” Gray shook his head. “Remarkable. I believe I despise your real painting master even more than I hated the fictional one. I wouldn’t have thought it possible.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Fine Knacks for Ladies Fine knacks for ladies, cheap, choice, brave and new! Good pennyworths! but money cannot move. I keep a fair but for the fair to view. A beggar may be liberal of love, Though all my wares be trash, the heart is true. Great gifts are guiles and look for gifts again; My trifles come as treasures from the mind. It is a precious jewel to be plain; Sometimes in shell the Orient’s pearls we find. Of others take a sheaf, of me a grain. Within this pack pins points laces and gloves, And diverse toys fitting a country fair. But in my heart, where duty serves and loves, Turtles and twins, court’s brood, a heavenly pair. Happy the heart that thinks of no removes!
John Dowland
Or perhaps, despite your brave words to my parents, you've forgotten what love and loyalty look like. They aren't sacraments, Jane, for only God is perfect, only Go deserves our love without judgement. Men--women--we make mistakes. We judge those we love. But we keep loving them anyway, because we know that mistakes can be repaired, and that tomorrow, our love will be deserved again. It only takes faith--or loyalty, as you called it. Those ARE what tie a family together, through tick and thin. And they tie a husband and wife together, too. There is no happy ending, you're right--not in the singular. but in a marriage, there might be countless happy endings and even more sweet beginnings, if loyalty and love are what guide you.
Meredith Duran (A Lady's Code of Misconduct (Rules for the Reckless, #5))
Do tell the story,” says Shadow. Cal taps a finger against his cup. “It was almost as if she just appeared in my room one day, out of the blue.” “Oh! Who is she?” cries the duchess. “A lady I met in Renovia,” he answers, as Shadow’s cheeks burn. “In a castle.” “Renovian,” says the duchess with distaste. “What is she like?” “Shadow is about to answer when Cal cuts her off. He looks right at her when he speaks. “She’s the most beautiful girl I’ve ever met. Brave, courageous, loyal. In all the kingdoms of Avantine I have never met her equal.” “And how did you propose, brother? Seeing that you had sworn off marriage and children to look after Mother’s estate,” says Shadow softly. “Ah, but she too had vowed not to marry,” Cal answers. “So we promised to be unmarried to each other, but together forever.” “What an atypical arrangement,” says Shadow, not quite meeting his eye. The duchess was fully agitated by now. “Sworn off marriage and children? How strange! What kind of engagement is this?” She takes an aggressive bite of toast. “A promise between two souls,” he says, but he only has eyes for Shadow. “A promise can be broken,” Shadow replies. “Not mine,” he says, so quietly that he’s not sure she can hear him. “Nor mine,” she says, which means that she did. They catch each other’s eye, and Cal wants nothing more than to reach across the table for her hand and to pull her to him. But they are at the Duke and Duchess of Girt’s table, and must conform to propriety.
Melissa de la Cruz (The Queen's Assassin (The Queen's Secret, #1))
Lady Mary was young, and Lady Mary was fair. She had two brothers, and more lovers than she could count. But of them all, the bravest and most gallant, was a Mr. Fox, whom she met when she was down at her father's country-house. No one knew who Mr. Fox was; but he was certainly brave, and surely rich, and of all her lovers, Lady Mary cared for him alone. At last it was agreed upon between them that they should be married. Lady Mary asked Mr. Fox where they should live, and he described to her his castle, and where it was; but, strange to say, did not ask her, or her brothers to come and see it. So one day, near the wedding-day, when her brothers were out, and Mr. Fox was away for a day or two on business, as he said, Lady Mary set out for Mr. Fox's castle. And after many searchings, she came at last to it, and a fine strong house it was, with high walls and a deep moat. And when she came up to the gateway she saw written on it: BE BOLD, BE BOLD. But as the gate was open, she went through it, and found no one there. So she went up to the doorway, and over it she found written: BE BOLD, BE BOLD, BUT NOT TOO BOLD. Still she went on, till she came into the hall, and went up the broad stairs till she came to a door in the gallery, over which was written: BE BOLD, BE BOLD, BUT NOT TOO BOLD, LEST THAT YOUR HEART'S BLOOD SHOULD RUN COLD. But Lady Mary was a brave one, she was, and she opened the door, and what do you think she saw? Why, bodies and skeletons of beautiful young ladies all stained with blood.
Joseph Jacobs (English Fairy Tales)
Learn to win a lady's faith Nobly, as the thing is high; Bravely, as for life and death— With a loyal gravity. Lead her from the festive boards, Point her to the starry skies, Guard her, by your truthful words, Pure from courtship's flatteries.' MRS. BROWNING. “my own case it is no good luck, nor merit, nor talent,—but simply the habits of life which taught me to despise indulgences not thoroughly earned...” 'There's iron, they say, in all our blood, And a grain or two perhaps is good; But his, he makes me harshly feel, Has got a little too much of steel.' ANON. ‘I ask Thee for a thoughtful love, Through constant watching wise, To meet the glad with joyful smiles, And to wipe the weeping eyes; And a heart at leisure from itself To soothe and sympathise.' ANON.
Elizabeth Gaskell (North and South)
Their cook at Badenoch was a crotchety old lady who hadn't tried a new recipe in decades. "Dinna tell Mrs. MacGuff that or she'll put a spider in your tea." "Try it and tell me 'tis not worth the risk." He tore off a corner of the bridie and lifted the bite to Katherine's lips. It fairly melted on her tongue. In addition to the crusty pasty, a unique mix of spices seasoned the savory meat inside, a burst of sensations for her mouth. "Och, you're right. This is worth braving a spider. I'll get Cook to show me how she makes these, and then Mrs. MacGuff will either learn from me or she'll have to suffer my presence in her kitchen from time to time. And we know how she loves that!" "So," he said smugly, his dark eyes alight with triumph, "ye do intend to come home with me after Christmas, then.
Mia Marlowe (Once Upon a Plaid (Spirit of the Highlands, #2))
Grey was here.” He hadn’t known, that was obvious from the way his eyes widened. “You lie.” Rose chuckled. “I saw him. I spoke to him. He said he came to see me. And then he ran out of here as though the hounds of hell were nipping at his heels.” Archer shook his head, an expression of disbelief on his face. “They tend to do that when Hades freezes over.” Then he offered her a grin. “He braved being seen in public just to come here and see you?” “He was watching from a balcony. I wouldn’t have known he was here if the fortune teller hadn’t told me.” His brows shot up. “And there’s a story for another time. Look, Lady Rose, I know he’s frustrating as all get-out, but you cannot expect Grey to change years of behavior in a week. You have to be patient-like waves lapping at a stone.” That was so very easily said. He wasn’t the one being pressured to find a husband. He wasn’t the one who felt as though everything she wanted was just out of reach. “You know, I suddenly find myself very interested in Lady Monteforte’s literary tastes. Shall I make the introductions?” “I will hang your puppy if you do not.” Rose grinned. He truly was the most charming of rascals. “How very fortunate for me then, that I do not own a puppy.” “For shame. Every young lady should have a puppy.” Rose made the introductions, and Archer wasted no time in asking Lady Monteforte if she cared to dance. For a moment it seemed the lady might decline, but then Rose offered to stay with Jacqueline and Archer offered the widow his arm. She hesitated before taking it. Interesting. Rose had never seen a woman react so coolly to Archer’s charm before. The Kane men were obviously losing their touch.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
How do you think I've liked it, watching you sit in her place, walk in her footsteps, touch the things that were hers? What do you think it’s meant to me all these months knowing that you wrote at her desk in the morning-room, using the very pen that she used, speaking down the house telephone, where she used to speak every morning of her life to me, ever since she first came to Manderley? What do you think it meant to me to hear Frith and Robert and the rest of the servants talking about you as “Mrs de Winter”? “Mrs de Winter has gone out for a walk.” “Mrs de Winter wants the car this afternoon at three o’clock.” “Mrs de Winter won’t be in to tea till five o’clock,” And all the while my Mrs de Winter, my lady with her smile and her lovely face and brave ways, the real Mrs de Winter, lying dead and cold and forgotten in the church crypt.
Daphne du Maurier (Rebecca)
How do you think I've liked it, watching you sit in her place, walk in her footsteps, touch the things that were hers? What do you think it’s meant to me all these months knowing that you wrote at her desk in the morning-room, using the very pen that she used, speaking down the house telephone, where she used to speak every morning of her life to me, ever since she first came to Manderley? What do you think it meant to me to hear Frith and Robert and the rest of the servants talking about you as “Mrs de Winter”? “Mrs de Winter has gone out for a walk.” “Mrs de Winter wants the car this afternoon at three o’clock.” “Mrs de Winter won’t be in to tea till five o’clock.” And all the while my Mrs de Winter, my lady with her smile and her lovely face and brave ways, the real Mrs de Winter, lying dead and cold and forgotten in the church crypt.
Daphne du Maurier (Rebecca)
He walked right past me.” Sophie turned before the harpsichord, skirts swishing, and paced back to Val’s side. “He barely looked at me, Valentine. Am I not even worth a glance?” She veered off and marched over to the great harp. “Maggie offered to poison his drink. What has the blessed punch bowl got that I haven’t got? What is that?” “Your cloak. Some fresh air will settle you down, Soph.” “I don’t want to settle down !” He held her gaze, thinking his wife would be proud of him. Only a brave—or perhaps very foolish man—tried to console a woman with a heart in the process of breaking. “I rather think you do want to settle down, preferably with Sindal and a brace of offspring.” Her head came up, and Valentine was grateful he’d be leaving in a couple days. Much more of this drama, and he’d be swearing off family holidays for the next decade. “I
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
The Lady of the Ladle The Youth at Eve had drunk his fill, Where stands the “Royal” on the Hill, And long his mid-day stroll had made, On the so-called “Marine Parade”—(Meant, I presume, for Seamen brave, Whose “march is on the Mountain wave”; ’Twere just the bathing-place for him Who stays on land till he can swim—) And he had strayed into the Town, And paced each alley up and down, Where still, so narrow grew the way, The very houses seemed to say, Nodding to friends across the Street, “One struggle more and we shall meet.” And he had scaled that wondrous stair That soars from earth to upper air, Where rich and poor alike must climb, And walk the treadmill for a time. That morning he had dressed with care, And put Pomatum on his hair; He was, the loungers all agreed, A very heavy swell indeed: Men thought him, as he swaggered by, Some scion of nobility, And never dreamed, so cold his look, That he had loved—and loved a Cook. Upon the beach he stood and sighed Unheedful of the treacherous tide; Thus sang he to the listening main, And soothed his sorrow with the strain! «
Lewis Carroll (Carroll, Lewis: Complete Poems (Book Center))
you do not go, because only your brother called for you, and to look on the Lord Aragorn, Elendil's heir, in his triumph would now bring you no joy. Or because I do not go, and you desire still to be near me. And maybe for both these reasons, and you yourself cannot choose between them. Éowyn, do you not love me, or will you not?' 'I wished to be loved by another,' she answered, 'But I desire no man's pity.' 'That I know,' he said. 'You desired to have the love of the Lord Aragorn. Because he was high and puissant, and you wished to have renown and glory and to be lifted far above the mean things that crawl on the earth. And as a great captain may to a young soldier he seemed to you admirable. For so he is, a lord among men, the greatest that now is. But when he gave you only understanding and pity, then you desired to have nothing, unless a brave death in battle. Look at me, Éowyn!' And Éowyn looked at Faramir long and steadily; and Faramir said: 'Do not scorn pity that is the gift of a gentle heart, Éowyn! But I do not offer you my pity, For you are a lady high and valiant and have yourself won renown that shall not be forgotten; and you are a lady beautiful, I deem, beyond even the words of the Elven-tongue to tell. And I love you. Once I pitied your sorrow. But now, were you sorrowless, without fear or any lack, were you the blissful Queen of Gondor, still I would love you. Éowyn do you not love me?' Then the heart of Éowyn changed, or else at last she understood it. And suddenly her winter passed, and the sun shone on her. 'I stand in Minas Anor, the Tower of the Sun,' she said; 'and behold! the Shadow has departed! I will be a sheildmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren.' And again she looked at Faramir. 'No longer do I desire to be a queen,' she said. Then Faramir laughed merrily. 'That is well,' he said; 'for I am not a king. Yet I will wed with the White Lady of Rohan, if it be her will. And if she will, then let us cross the River and in happier days let us dwell in fair Ithilien and there make a garden. All things will grow with joy there, if the White Lady comes.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
The lady was all business. “Come,” she said, extending a hand. The boy looked up at his mother. He had no reason to hold back the tears, and he didn’t. They flowed down his face freely. He jumped to his feet and hugged her, shattering her heart a million times over. She squeezed him back. “You’re going to do great things for this world,” she whispered, somehow keeping herself under control. “You’re going to make me so proud. I love you, sweet boy. I love you so much and don’t you ever forget it.” His only response was to sob into her shoulder. And that said everything. Finally it had to end. “I’m very sorry,” the lady in the dark suit and mask said. “But we have a tight schedule. Truly, I’m sorry.” “Go on now,” the mother said to her son. “Go on, and be brave.” He pulled back, his face wet, his eyes red. A strength seemed to come over him and he nodded, helping her believe he’d be okay in the end. He was strong, this one. The boy turned away, never to look at her again. He walked to the door and went through it with no hesitation. No glance back, no complaints. “Thank you again,” the visiting lady said. She followed the boy out.
James Dashner (The Kill Order (Maze Runner, #4))
Vague assertions as to the equality of the sexes and the similarity of their duties are only empty words; they are no answer to my argument. It is a poor sort of logic to quote isolated exceptions against laws so firmly established. Women, you say, are not always bearing children. Granted; yet that is their proper business. Because there are a hundred or so of large towns in the world where women live licentiously and have few children, will you maintain that it is their business to have few children? And what would become of your towns if the remote country districts, with their simpler and purer women, did not make up for the barrenness of your fine ladies? There are plenty of country places where women with only four or five children are reckoned unfruitful. In conclusion, although here and there a woman may have few children, what difference does it make? Is it any the less a woman's business to be a mother? And do not the general laws of nature and morality make provision for this state of things? Even if there were these long intervals, which you assume, between the periods of pregnancy, can a woman suddenly change her way of life without danger? Can she be a nursing mother to-day and a soldier tomorrow? Will she change her tastes and her feelings as a chameleon changes his color? Will she pass at once from the privacy of household duties and indoor occupations to the buffeting of the winds, the toils, the labors, the perils of war? Will she be now timid, now brave, now fragile, now robust? If the young men of Paris find a soldier's life too hard for them, how would a woman put up with it, a woman who has hardly ventured out of doors without a parasol and who has scarcely put a foot to the ground? Will she make a good soldier at an age when even men are retiring from this arduous business? There are countries, I grant you, where women bear and rear children with little or no difficulty, but in those lands the men go half-naked in all weathers, they strike down the wild beasts, they carry a canoe as easily as a knapsack, they pursue the chase for 700 or 800 leagues, they sleep in the open on the bare ground, they bear incredible fatigues and go many days without food. When women become strong, men become still stronger; when men become soft, women become softer; change both the terms and the ratio remains unaltered.
Jean-Jacques Rousseau (Emile, or On Education)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
She Is Remarkable Salute to the woman who knows who she is And why she is who she is A powerful being Once thrown into the deep end of the ocean But swam her way back to shore She never stops moving forward Nothing can ever pull her backwards Such a brave warrior Shout out to the superwoman Determined to change the status quo Because she feels the need to do so Just like an eagle She soars higher and higher As the wind blows stronger She does not let anything deter her From reaching another level in life Thumbs up to an amazing woman A great force to be reckoned with That committed Mother on the street Who trades from sunrise to sunset Trying to make ends meet Oh, she has a heart so big Being mindful that come snow or sunshine She has mouths to feed I revere this gifted woman Who uses her creativity To make an impact in society Despite the uniqueness of her talent She remains a trendsetter It could be the potter in whose hands clay becomes magic The miner who touches gold, before it even gets sold to the markets Or the strategist who sits in high-level meetings, making sure organisations do not collapse A special mention to the special woman Who chooses not to give up She understands that others look up to her The smart lady out there, with a clear vision She makes things happen for her family, community, and the world at large She deserves a badge of honour Because she is remarkable!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Yesterday, after he had gone, they emerged into the verandah fresh from Moses and bursting with eagerness to tell me all about it. "Herr Schenk told us to-day about Moses," began the April baby, making a rush at me. "Oh?" "Yes, and a boser, boser Konig who said every boy must be deaded, and Moses was the allerliebster." "Talk English, my dear baby, and not such a dreadful mixture," I besought. "He wasn't a cat." "A cat?" "Yes, he wasn't a cat, that Moses—a boy was he." "But of course he wasn't a cat," I said with some severity; "no one ever supposed he was." "Yes, but mummy," she explained eagerly, with much appropriate hand- action, "the cook's Moses is a cat." "Oh, I see. Well?" "And he was put in a basket in the water, and that did swim. And then one time they comed, and she said—" "Who came? And who said?" "Why, the ladies; and the Konigstochter said, 'Ach hormal, da schreit so etwas.'" "In German?" "Yes, and then they went near, and one must take off her shoes and stockings and go in the water and fetch that tiny basket, and then they made it open, and that Kind did cry and cry and strampel so"—here both the babies gave such a vivid illustration of the strampeln that the verandah shook—"and see! it is a tiny baby. And they fetched somebody to give it to eat, and the Konigstochter can keep that boy, and further it doesn't go." "Do you love Moses, mummy?" asked the May baby, jumping into my lap, and taking my face in both her hands—one of the many pretty, caressing little ways of a very pretty, caressing little creature. "Yes," I replied bravely, "I love him." "Then I too!" they cried with simultaneous gladness, the seal having thus been affixed to the legitimacy of their regard for him.
Elizabeth von Arnim (The Solitary Summer)
Mal watched Mary hurry to meet her aunt, her skirts rippling like water. She was beauty itself, and Mal wanted her. Not simply in bed- though he definitely would have that- he wanted her nearness, her warmth, that silken voice that tried to be haughty, the sudden flash of her smile. Mal's body tightened, goading him to pursue her and do all the good things he longed to. He would. He'd see her again; he'd make certain of it. Mal reflected as he moved down the passage on his errand that he'd already learned much about Lady Mary Lennox. She was passionate and romantic, beguilingly so, but tried to hide that nature under proper behavior. She'd wanted Malcolm to kiss her- he'd seen it in her heartrendingly blue eyes. Mary had stopped herself only at the last moment, and reluctantly. She also had compassion, helping her sister communicate with a forbidden lover. If Mary *truly* believed in propriety, she'd never condone her sister writing such a heartfelt letter. She also risked censure for being the go-between. This showed that Mary was fond enough for her sister to risks for her. Brave then, as well. Courage, passion, beauty, compassion, and something inside her that longed to be wicked- *what a woman.* One night in bed with her would be worth every step he took to get her there. Whatever errands Mal had to run for her, whatever billet doux he needed to carry, or drippy-nosed suitors to run through with his sword, he would do it all for his reward at the end. *Mary*. Even her name was a joy to say. Mal spoke it out loud in the silence of the empty hall. He'd teach her to call him Mal, and she'd say it in her smooth voice when she was deep in passion. She'd be reluctant at first, but Mal would coax her, like a bird to his hand, teaching her to trust, never breaking her. And then Mary would be his.
Jennifer Ashley (The Stolen Mackenzie Bride (MacKenzies & McBrides, #8))
The story of Lourdes starts centuries before young Bernadette encountered the beautiful woman at Massabielle. While the area of Massabielle was known as a decrepit place during Bernadette’s time—fit only to feed swine and gather kindling—it hadn’t always been regarded as such. In 778, Charlemagne approached the Muslim stronghold in the Aquitaine region of Southern France. On the edge of the Pyrenees mountains, the fortress of Massbielle was the last refuge of the indefatigable Saracen fighters who had occupied the area for forty years. Led by the fierce Saracen Mirat, the fortress was impregnable. Mirat was determined to fight to the death because he had made an oath in the name of Mohammed that he would never surrender to a mortal man. Charlemagne and his soldiers were left with one option: starve them out. After weeks passed, resources inside the fort were running low. An eagle dropped a trout inside to the desperate men. The starving Mirat, rather than devour the fish, flippantly threw it back at the enemy soldiers, as if to indicate that their food was still plenty in hopes that it would break their resolve, and Charlemagne and his men would leave. Suspecting a trick, the local bishop of Le Puy, Roracius, requested an audience with Mirat. After seeing the sorry state of the Saracens, but knowing of Mirat’s oath, the bishop said, “Brave prince, you have sworn never to yield to any mortal man. Could you not with honor make your surrender to an immortal Lady? Mary, Queen of Heaven, has her throne at Le Puy, and I am her humble minister there.”2 Mirat saw that agreeing would free him from his oath; he promptly surrendered to the Queen of Heaven. He and his men became subjects to the Queen; all were baptized, and Mirat was given a new name, Lorus. Charlemagne knighted him, and Lorus went on to command the Fortress of Mass-abielle. It is the name Lorus from which the name Lourdes comes.
Carrie Gress (The Marian Option: God’s Solution to a Civilization in Crisis)
Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain. In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses. One Independent, strong, honest, brave, straightforward, pioneering, lonely. Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible. Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious. Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable. Five Balanced, central, cute, fat, dominant but not too much so, happy. Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble. Seven Magical, unalterable, intelligent, awkward, overconfident, masculine. Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable. Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving. Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober. Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek. Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational. Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse. You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.
Alex Bellos (The Grapes of Math: How Life Reflects Numbers and Numbers Reflect Life)
Everyone knew there had never been a cowardly Confederate soldier and they found this statement peculiarly irritating. He always referred to the soldiers as “our brave boys” or “our heroes in gray” and did it in such a way as to convey the utmost in insult. When daring young ladies, hoping for a flirtation, thanked him for being one of the heroes who fought for them, he bowed and declared that such was not the case, for he would do the same thing for Yankee women if the same amount of money were involved. Since Scarlett’s first meeting with him in Atlanta on the night of the bazaar, he had talked with her in this manner, but now there was a thinly veiled note of mockery in his conversations with everyone. When praised for his services to the Confederacy, he unfailingly replied that blockading was a business with him. If he could make as much money out of government contracts, he would say, picking out with his eyes those who had government contracts, then he would certainly abandon the hazards of blockading and take to selling shoddy cloth, sanded sugar, spoiled flour and rotten leather to the Confederacy. Most of his remarks were unanswerable, which made them all the worse. There had already been minor scandals about those holding government contracts. Letters from men at the front complained constantly of shoes that wore out in a week, gunpowder that would not ignite, harness that snapped at any strain, meat that was rotten and flour that was full of weevils. Atlanta people tried to think that the men who sold such stuff to the government must be contract holders from Alabama or Virginia or Tennessee, and not Georgians. For did not the Georgia contract holders include men from the very best families? Were they not the first to contribute to hospital funds and to the aid of soldiers’ orphans? Were they not the first to cheer at “Dixie” and the most rampant seekers, in oratory at least, for Yankee blood? The full tide of fury against those profiteering on government contracts had not yet risen, and Rhett’s words were taken merely as evidence of his own bad breeding. He not only affronted the town with insinuations of venality on the part of men in high places and slurs on the courage of the men in the field, but he took pleasure in tricking the dignified citizenry into embarrassing situations. He could no more resist pricking the conceits, the hypocrisies and the flamboyant patriotism of those about him than a small boy can resist putting a pin into a balloon. He neatly deflated the pompous and exposed the ignorant and the bigoted, and he did it in such subtle ways, drawing his victims out by his seemingly courteous interest, that they never were quite certain what had happened until they stood exposed as windy, high flown and slightly ridiculous.
Margaret Mitchell (Gone with the Wind)
Before their chaise drew to a complete halt in front of the house a door was already being flung open, and a tall, stocky man was bouncing down the steps. “It would appear that our greeting here is going to be far more enthusiastic than the one we received at our last stop,” Elizabeth said in a resolute voice that still shook with nerves as she drew on her gloves, bravely preparing to meet and defy the next obstacle to her happiness and independence. The door of their chaise was wrenched open with enough force to pull it from its hinges, and a masculine face poked inside. “Lady Elizabeth!” boomed Lord Marchman, his face flushed with eagerness-or drink; Elizabeth wasn’t certain. “This is indeed a long-awaited surprise,” and then, as if dumbstruck by his inane remark, he shook his large head and hastily said, “A long-awaited pleasure, that is! The surprise is that you’ve arrived early.” Elizabeth firmly repressed a surge of compassion for his obvious embarrassment, along with the thought that he might be rather likeable. “I hope we haven’t inconvenienced you overmuch,” she said. “Not overmuch. That is,” he corrected, gazing into her wide eyes and feeling himself drowning, “not at all.” Elizabeth smiled and introduced “Aunt Berta,” then allowed their exuberant host to escort them up the steps. Beside her Berta whispered with some satisfaction, “I think he’s as nervous as I am.” The interior of the house seemed drab and rather gloomy after the sunny splendor outside. As their host led her forward Elizabeth glimpsed the furnishings in the salon and drawing room-all of which were upholstered in dark leathers that appeared to have once been maroon and brown. Lord Marchman, who was watching her closely and hopefully, glanced about and suddenly saw his home as she must be seeing it. Trying to explain away the inadequacies of his furnishings, he said hastily, “This home is in need of a woman’s touch. I’m an old bachelor, you see, as was my father.” Berta’s eyes snapped to his face. “Well, I never!” she exclaimed in outraged reaction to his apparent admission of being a bastard.” “I didn’t mean,” Lord Marchman hastily assured, “that my father was never married. I meant”-he paused to nervously tug on his neckcloth, as if trying to loosen it-“that my mother died when I was very young, and my father never remarried. We lived here together.” At the juncture of two hallways and the stairs Lord Marchman turned and looked at Berta and Elizabeth. “Would you care for refreshment, or would you rather go straight to bed?” Elizabeth wanted a rest, and she particularly wanted to spend as little time in his company as was possible. “The latter, if you please.” “In that case,” he said with a sweeping gesture of his arm toward the staircase, “let’s go.” Berta let out a gasp of indignant outrage at what she perceived to be a clear indication that he was no better than Sir Francis. “Now see here, milord! I’ve been putting her in bed for nigh onto two score, and I don’t need help from the likes of you!” And then, as if she realized her true station, she ruined the whole magnificent effect by curtsying and adding in a servile whisper, “if you don’t mind, sir.” “Mind? No, I-“ It finally occurred to John Marchmen what she thought, and he colored up clear to the roots of his hair. “I-I only meant to show you how,” he began, and then he leaned his head back and briefly closed his eyes as if praying for deliverance from his own tongue. “How to find the way,” he finished with a gusty sigh of relief. Elizabeth was secretly touched by his sincerity and his awkwardness, and were the situation less threatening, she would have gone out of her way to put him at his ease.
Judith McNaught (Almost Heaven (Sequels, #3))
THIS IS MY ABC BOOK of people God loves. We’ll start with . . .           A: God loves Adorable people. God loves those who are Affable and Affectionate. God loves Ambulance drivers, Artists, Accordion players, Astronauts, Airplane pilots, and Acrobats. God loves African Americans, the Amish, Anglicans, and Animal husbandry workers. God loves Animal-rights Activists, Astrologers, Adulterers, Addicts, Atheists, and Abortionists.           B: God loves Babies. God loves Bible readers. God loves Baptists and Barbershop quartets . . . Boys and Boy Band members . . . Blondes, Brunettes, and old ladies with Blue hair. He loves the Bedraggled, the Beat up, and the Burnt out . . . the Bullied and the Bullies . . . people who are Brave, Busy, Bossy, Bitter, Boastful, Bored, and Boorish. God loves all the Blue men in the Blue Man Group.           C: God loves Crystal meth junkies,           D: Drag queens,           E: and Elvis impersonators.           F: God loves the Faithful and the Faithless, the Fearful and the Fearless. He loves people from Fiji, Finland, and France; people who Fight for Freedom, their Friends, and their right to party; and God loves people who sound like Fat Albert . . . “Hey, hey, hey!”           G: God loves Greedy Guatemalan Gynecologists.           H: God loves Homosexuals, and people who are Homophobic, and all the Homo sapiens in between.           I: God loves IRS auditors.           J: God loves late-night talk-show hosts named Jimmy (Fallon or Kimmel), people who eat Jim sausages (Dean or Slim), people who love Jams (hip-hop or strawberry), singers named Justin (Timberlake or Bieber), and people who aren’t ready for this Jelly (Beyoncé’s or grape).           K: God loves Khloe Kardashian, Kourtney Kardashian, Kim Kardashian, and Kanye Kardashian. (Please don’t tell him I said that.)           L: God loves people in Laos and people who are feeling Lousy. God loves people who are Ludicrous, and God loves Ludacris. God loves Ladies, and God loves Lady Gaga.           M: God loves Ministers, Missionaries, and Meter maids; people who are Malicious, Meticulous, Mischievous, and Mysterious; people who collect Marbles and people who have lost their Marbles . . . and Miley Cyrus.           N: God loves Ninjas, Nudists, and Nose pickers,           O: Obstetricians, Orthodontists, Optometrists, Ophthalmologists, and Overweight Obituary writers,           P: Pimps, Pornographers, and Pedophiles,           Q: the Queen of England, the members of the band Queen, and Queen Latifah.           R: God loves the people of Rwanda and the Rebels who committed genocide against them.           S: God loves Strippers in Stilettos working on the Strip in Sin City;           T: it’s not unusual that God loves Tom Jones.           U: God loves people from the United States, the United Kingdom, and the United Arab Emirates; Ukrainians and Uruguayans, the Unemployed and Unemployment inspectors; blind baseball Umpires and shady Used-car salesmen. God loves Ushers, and God loves Usher.           V: God loves Vegetarians in Virginia Beach, Vegans in Vietnam, and people who eat lots of Vanilla bean ice cream in Las Vegas.           W: The great I AM loves will.i.am. He loves Waitresses who work at Waffle Houses, Weirdos who have gotten lots of Wet Willies, and Weight Watchers who hide Whatchamacallits in their Windbreakers.           X: God loves X-ray technicians.           Y: God loves You.           Z: God loves Zoologists who are preparing for the Zombie apocalypse. God . . . is for the rest of us. And we have the responsibility, the honor, of letting the world know that God is for them, and he’s inviting them into a life-changing relationship with him. So let ’em know.
Vince Antonucci (God for the Rest of Us: Experience Unbelievable Love, Unlimited Hope, and Uncommon Grace)