Brass Ring Quotes

It’s a very American illness, the idea of giving yourself away entirely to the idea of working in order to achieve some sort of brass ring that usually involves people feeling some way about you – I mean, people wonder why we walk around feeling alienated and lonely and stressed out.

Not all of us need to spend every second of our lives trying to get somewhere other than where we are. Not all of us have to grab the brass ring on the carousel. Some of us just like to go around and enjoy the ride.

Fred at six years old thought her the nicest girl in the world, making her his wife with a brass ring which he had cut from an umbrella.

Although your staff may be exposed to the message “work longer and harder” while they’re at the office, they’re getting a very different message at home. The message at home is, “Life is passing you by. Your laundry is piling up in the closet, your babies are uncuddled, your spouse is starting to look elsewhere. There is only one time around on this merry-go-round called life, only one shot at the brass ring. And if you use your life up on C++ . . .

I’m a weak character, without guts or ambition. I caught the brass ring and it shocked me to find out it wasn’t gold. A guy like me has one big moment in his life, one perfect swing on the high trapeze. Then he spends the rest of his time trying not to fall off the sidewalk into the gutter.

Only then will women be able to talk about what “beauty” really involves: the attention of people we do not know, rewards for things we did not earn, sex from men who reach for us as for a brass ring on a carousel, hostility and scepticism from other women, adolescence extended longer than it ought to be, cruel aging, and a long hard struggle for identity. And we will learn that what is good about “beauty”—the promise of confidence, sexuality, and the self-regard of a healthy individuality—are actually qualities that have nothing to do with “beauty” specifically, but are deserved by and, as the myth is dismantled, available to all women. The best that “beauty” offers belongs to us all by right of femaleness. When we separate “beauty” from sexuality, when we celebrate the individuality of our features and characteristics, women will have access to a pleasure in our bodies that unites us rather than divides us. The beauty myth will be history.

He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark. He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles. Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.

Indian Creek, in its whole length, flows through a magnificent forest. There dwells on its shore a tribe of Indians, a remnant of the Chickasaws or Chickopees, if I remember rightly. They live in simple huts, ten or twelve feet square, constructed of pine poles and covered with bark. They subsist principally on the flesh of the deer, the coon, and opossum, all of which are plenty in these woods. Sometimes they exchange venison for a little corn and whisky with the planters on the bayous. Their usual dress is buckskin breeches and calico hunting shirts of fantastic colors, buttoned from belt to chin. They wear brass rings on their wrists, and in their ears and noses. The dress of the squaws is very similar.

And after that they had gone through many streets they came to a little door that was set in a wall that was covered with a pomegranate tree. And the old man touched the door with a ring of graved jaspar and it opened, and they went down five steps of brass into a garden filled with black poppies and green jars of burnt clay.

I would rather have seen them all succeed, catch the brass ring. As it turned out, it was I who got one of the best horses.

Do you think you are the only one who hopes to achieve your goal? You can’t possibly believe you’re the only one reaching for that brass ring.

I couldn’t write. I grew tense. I was strangled by my own ego, by my petty desire for what I perceived to be the literary brass ring. I was missing the point, of course. The reward is in the doing.

The building was crowded with men and women packing stuff into boxes and bags, leather stuff, nylon, canvas, and rubber stuff, with brass rings and silver chains, steel buckles and studded straps. Elephant stuff.

Never had anyone said, "Listen. Life is short. Pretend your body is still in its twenties. Jump for the brass ring. Swing for those bleachers. Dive into the deep end of the pool. Act like a fool if you must, but at least *live*.

The dinner bell rings, and everyone trots off, Frederick coming in last with his taffy-colored hair and wounded eyes, bootlaces trailing. Werner washes Frederick’s mess tin for him; he shares homework answers, shoe polish, sweets from Dr. Hauptmann; they run next to each other during field exercises. A brass pin weighs lightly on each of their lapels; one hundred and fourteen hobnailed boots spark against pebbles on the trail. The castle with its towers and battlements looms below them like some misty vision of foregone glory. Werner’s blood gallops through his ventricles, his thoughts on Hauptmann’s transceiver, on solder, fuses, batteries, antennas; his boot and Frederick’s touch the ground at the exact same moment.

Most people are manipulated by the approval of others, the paycheck that supports them, and the lifestyle that has handcuffed them to the brass ring of perceived success. On this path we eventually live like slaves to a man-made system. We chase the goals of others instead of pursuing our own dreams. We anesthetize our despair with the next purchase, pill, or plunder.

The acne-pitted kid manning the controls flips the switch, and the carousel begins to wheeze to a stop. Sophie leans forward, caressing the plaster mane. Fitz and Delia appear again, standing up in the stirrups for a last stretch at the brass ring. They're batting at each other's hands and laughing. There's an S-curved steel bar at the top of the carousel that makes one of their horses rise as the other falls. It looks like they're moving separately, but they're not.

in this world, there’s only one person with whom you are meant to connect. This is a God-woven thread. You cannot change it; you cannot fight it. The person is not necessarily your wife or your husband, your long-term lover. It may not even be a good friend. In many cases it is not someone with whom you spend the rest of your life. I would hazard a guess that ninety percent of all people never find the other person. But those lucky few, those very lucky few, are given the chance to grab the brass ring.

It begins with a doorway. There is a huge, burnished metal door, erected by the First, that is heavy as sin, three times the height of a man and half that distance in width. It is a full cubit thick and bears a head-sized ring of brass, a complicated pressure-plate lock and an inscription that reads, roughly, "Go away. This is not a place to be. If you do try to enter here, you will fail and also be cursed. If somehow you succeed, then do not complain that you entered unwarned, nor bother us with your deathbed prayers." Signed, "The Gods.

I learned a doctrine long ago from an ancient Muslim in Marrakech: in this world, there's only one person with whom you are meant to connect. This is a God-woven thread. You cannot change it; you cannot fight it. The person is not necessarily your wife or your husband, your long term lover. It may not even be a good friend. In many cases it is not someone with whom you spend the rest of your life. I would hazard a guess that ninety percent of all people never find the other person. But those lucky few, those very lucky few, are given the chance to grab the brass ring.

Set flush in the wall behind the desk was a steel door. It was knobless, and along one edge were three brass keyholes spaced a few inches apart. Rube brought out a key ring, selected a key, then walked around the desk, inserted the key in the topmost lock, and turned it. From his watch pocket he took a single key, pushed it into the middle keyhole, and turned. The guard stood waiting beside him, and now the guard inserted a key in the bottom keyhole, turned it and pulled the door open with the key. Rube removed his two keys and gestured me in through the open door before him. He followed, and the door swung solidly shut behind us. I heard the multiple click of the locks engaging, and we were standing in a space hardly larger than a big closet, dimly lighted by an overhead bulb in a wire cage. Then I saw that we were at the top of a circular metal staircase.

Jin!" she exclaimed as he shuffled through a mess of silver and gold until he found three brass keys that he slid onto a ring. "Oh, this is marvelous. Wherever did you find all of this?" "Under my pillow, love," he answered. He'd meant for the words to be innocent, but her breath caught and he curled a crooked grin. "You'd be surprised what all can be found on my bed.

Night fell. The full moon shone sweetly and tremulously, bewitching and foreboding with rays which were cold and funereally silent. The heart of the Youth was filled with an apprehensive fear as he went up to his window. His hand, clutching the edge of the yellow curtain, hesitated and vacillated for a long time before he resolved to draw the curtain slowly aside. The yellow linen rustled as it slowly gathered, and its rustle was like the barely audible hissing of a serpent in the forest's undergrowth; and the thin brass rings jingled and scraped against the brass curtain rod. The Beauty stood beneath the window and looked at the window and waited. And the heart of the Youth shuddered, and he could not make out whether his heart was seized by ecstasy or terror. The black braids of the Beauty were undone and fell on her naked shoulders. A sharply outlined shadow lay on the ground beside her. Illuminated from the side by the moon, she stood like some distinct and well-defined spectre. That half of her face which was illuminated by the moon, as well as her shoulders and her arms, were deathly white, as white as her robe. The folds of her white robe were severe and dark. Dark was the azure of her eyes, mysterious her frozen smile. A smooth, burnished clasp, fastened at the shoulder, gleamed dully against the strange tranquility of her body and garments. She began to speak softly, and her words, ringing like the fine silver chains of a lighted censer, gave forth a fragrance of ambergris, musk and lily. ("The Poison Garden

Their eyes, warm not only with human bond but with the shared enjoyment of the art objects he sold, their mutual tastes and satisfactions, remained fixed on him; they were thanking him for having things like these for them to see, pick up and examine, handle perhaps without even buying. Yes, he thought, they know what sort of store they are in; this is not tourist trash, not redwood plaques reading Muir Woods, Marin County, PSA, or funny signs or girly rings or postcards or views of the Bridge. The girl’s eyes especially, large, dark. How easily, Childan thought, I could fall in love with a girl like this. How tragic my life, then; as if it weren’t bad enough already. The stylish black hair, lacquered nails, pierced ears for the long dangling brass handmade earrings. “Your

Oh! to think that he should actually let her come as near to him as that! He knew nothing in the world would make her put out her hand toward him or startle him in the least tiniest way. He knew it because he was a real person—only nicer than any other person in the world. She was so happy that she scarcely dared to breathe. The flower-bed was not quite bare. It was bare of flowers because the perennial plants had been cut down for their winter rest, but there were tall shrubs and low ones which grew together at the back of the bed, and as the robin hopped about under them she saw him hop over a small pile of freshly turned up earth. He stopped on it to look for a worm. The earth had been turned up because a dog had been trying to dig up a mole and he had scratched quite a deep hole. Mary looked at it, not really knowing why the hole was there, and as she looked she saw something almost buried in the newly-turned soil. It was something like a ring of rusty iron or brass and when the robin flew up into a tree nearby she put out her hand and picked the ring up. It was more than a ring, however; it was an old key which looked as if it had been buried a long time.

Dance with me', he says. There is a longing in his voice, and loss, and she thinks, perhaps, it is the end, of this, of them. A game finally played out. A war with no winners. And so she agrees to dance. There is no music, but it does not matter. When she takes his hand, she hears the melody, soft and soothing in her head. Not a song, exactly, but the sound of the woods in summer, the steady hush of the wind through the fields. And as he pulls her close, she hears a violin, low and mournful, along the Seine. His hand slides through hers, and there is the steady murmur of the seaside. The symphony soaring through Munich. Addie leans her head against his shoulder, and hears the rain falling in Villon, the brass band ringing in an L.A. lounge, and the ripple of a saxophone thorugh the open windows on Bourbon.

god is the one that help us with all thing in the world and may the lord bless you to.

How do you do this to me?” Jamie asked quietly. “This?” “Make me feel as flighty as a child on a carousel, always chasing the brass ring. Up, down, and round and round. One minute I’m certain we have no future, that we are better off going our separate ways, the next, I’m positive I shall go quite mad without you.

In Washington, brass rings weren’t plucked off ribbons, they were ripped from flesh.

Sarah had finally caught that brass ring she’d been reaching for her whole life. Family. Friends. Love.

It was not altogether easy to be cordial and warm with this lawyer. She snapped and clicked. Heavy brass snap catch on handbag, heavy copper and brass jewelry that clattered, clump-heel shoes, and a huge silver ring with a horribly ugly African mask design, frowning eyebrows, hard voice: clack, clash, snap … In the second ten seconds, Haber suspected that the whole affair was indeed a mask, as the ring said: a lot of sound and fury signifying timidity. That, however, was none of his business. He would never know the woman behind the mask, and she did not matter, so long as he could make the right impression on Miss Lelache the lawyer.

She possessed that odd blousy quality that is independent of good clothes and well-dressed hair and skilful maquillage. Her figure was full but good and she held herself well; her dress was probably expensive, her thick, dark hair looked as though it had spent the past two hours in the hands of a hairdresser. Yet she remained, unmistakably and irrevocably, a slattern. There was something temporary, an air of suspended animation, about her. It seemed as if at any moment the hair should begin to straggle, the dress slip down negligently over one soft, creamy shoulder, the hand with the diamond cluster ring which now hung loosely at her side reach up to pluck at pink shoulder straps and pat abstractly at the hair. You saw it in her dark eyes. The mouth was firm and good-humoured in the loose, raddled flesh about it; but the eyes were humid with sleep and of the carelessness of sleep. They made you think of things you had forgotten, of clumsy gilt hotel chairs strewn with discarded clothes and of grey dawn light slanting through closed shutters, of attar of roses and the musty smell of heavy curtains on brass rings, of the sound of the warm, slow breathing of a sleeper against the ticking of a clock in the darkness. Yet now the eyes were open and watchful, moving about while the mouth smiled a greeting here and there. Latimer watched her turn suddenly and go towards the bar.

All visitors ashore!” shouted a steward. All visitors a—!” As the call to leave the Winschoten faded away in the distance, there was a hum of excitement on the ocean-going vessel. Bells were ringing and the ship’s horn was bellowing out short blasts. “Good-by! Tot ziens!” passengers called to those on the pier. Three attractive girls stood together, leaning on the rail and watching the people onshore, who were waving. One was Nancy Drew, a strawberry blond who had sparkling blue eyes. On her right stood pretty Bess Marvin, a slightly plump blond, while on her left was Bess’s cousin, a slender, athletic girl who enjoyed her boyish name, George Fayne. The three girls were about to sail from Rotterdam in Holland to New York City. Along with other passengers they waved and shouted good-by to those on the pier, although they knew no one.

First, I am thrilled that paramedics are finally getting the respect they deserve for being the professionals they can be. The scope of practice is expanding, and patient care modalities are improving, seemingly by the minute. Patient outcomes are also improving as a result, and EMS is passing through puberty and forging into adulthood. On the other hand, autonomy in the hands of the “lesser-motivated,” can be a very dangerous thing. You know as well as I do that there are still plenty of providers who operate from a subjective, complacent, and downright lazy place. Combined with the ever-expanding autonomy, that provider just became more dangerous than he or she ever has been – to the patients and to you. Autonomy in patient care places more pressure for excellence on the provider charged with delivering it, and also on the partner and crew members on scene. Since the base hospital is not involved like it once was, they are likewise less responsible for the errors and omissions of the medics on the scene. Now more than ever, crew members are being held to answer for the mistakes and follies of their coworkers; now more than ever, EMS providers are working without a net. What’s next? I predict (and hope) emergency medical Darwinism is going to force some painful and necessary changes. First, increasing autonomy is going to result in the better and best providing superior patient care. More personal ownership of the results is going to manifest in outcomes such as increased cardiac arrest survival rates, faster and more complete stroke recovery, and significantly better outcomes for STEMI patients, all leading to the brass ring: EMS as a profession, not just a job. On the flip side of that coin, you will see consequences for the not-so-good and completely awful providers. There will be higher instances of licensure action, internal discipline, and wash-out. Unfortunately, all those things will stem from generally preventable negative patient outcomes. The danger for the better provider will be in the penumbra; the murky, gray area of time when providers are self-categorizing. Specifically, the better provider who is aware of the dangerously poor provider but does nothing to fix or flush him or her, is almost certain to be caught up in a bad situation caused by sloppy, complacent, or ultimately negligent patient care that should have been corrected or stopped. The answer is as simple as it is difficult. If you are reading this, it is more likely because you are one of the better, more committed, more professional providers. This transition is up to you. You must dig deep and find the strength necessary to face the issue and force the change; you have to demand more from yourself and from those around you. You must have the willingness to help those providers who want it – and respond to those who need it, but don’t want it – with tough love by showing them the door. In the end, EMS will only ever be as good as you make it. If you lay silent through its evolution, you forfeit the right to complain when it crumbles around you.

If you want a happy ending, that depends, of course, on where you stop your story. —Orson Welles, The Big Brass Ring

The reality is, when you want something bad enough, and it means enough to you, at some point you have to be willing to reach for the brass ring and not give a fuck about risk anymore. You have to embrace that sometimes the cliché is true: the bigger the risk, the bigger the reward.

San Francisco was the poster child for growing America. Brash, striving and never satisfied, it embodied the spirit of a nation feeling its oats. From President Teddy Roosevelt to the newest immigrant to land on its shores, America was in vigorous pursuit of greatness. Always bold, often blundering, and seldom tactful, America was reaching for the brass ring with both hands.

Being Governor of a state is generally considered a prelude or stepping stone to a U.S. Senate seat. Not so in Alabama. The governor's office has always seemed to be the ultimate brass ring

often called ‘giraffe women’. This is because of their long necks stretched by putting on row upon row of thick brass rings from the time they are about ten, increasing the number over the years. Many of the women wear twenty or more rings. Situated

This is not to say that history repeats itself. Time is not a carousel on which we might, next time around, snatch the brass ring by being better prepared. Rather we see the past as flowing powerfully through the present and think that charting historical currents can enhance our ability to navigate them.

When Prince Charles arrived home from a recent private visit to France she found his presence so oppressive that she literally ran out of Kensington Palace. Diana phoned a friend who was grieving over the death of a loved one. She could sense that her chum was crying and said: “Right I’m coming over now.” As her friend recalls: “She came instantly for me but when she arrived she was visibly unsettled. Diana told me: “I’m here for you but I’m also here for me. My husband appeared and I just had to fly out and escape.’ She was all of a dither.” As far as is practicable they lead separate lives, joining forces only to maintain a façade of unity. These reunions merely give the public a glimpse into their isolated existences. At last year’s soccer Cup Final at Wembley they sat next to each other but never exchanged a word or glance during the ninety-minute game. More recently Prince Charles missed his wife’s cheek and ended up kissing her neck at the end of a polo match during their tour of India. Even their notepaper which used to have a distinctive intertwined “C and D” has been discarded in favour of individual letterheadings. When she is at Kensington palace he will be at Highgrove or Birkhall on the Balmoral estate. At Highgrove she has the large four-poster in the master bedroom; he sleeps in a brass bed which he borrowed from his son, Prince William, because he found its extra width more comfortable after he broke his right arm during a polo match. Even these distant sleeping arrangements have led to marital discord. When Prince William asked for his bed back, his father refused. “Sometimes I don’t know who the baby is in this family,” commented Diana caustically. The days when she affectionately called him “Hubcap” are long gone. As James Gilbey notes: “Their lives are spent in total isolation. It’s not as though they ring each other and have sweet chats each evening and say: ‘Darling what have you been doing?’ It simply doesn’t happen.

Courage is not a goal set in the dark throes of desperation. It’s the need to survive. It’s the need to push through the fears and find the strength to face the perils ahead. It’s not a brass ring to be claimed or a trophy to boast over. It’s the personal level of discomfort we all must face when no outstretched arm is there to help you.” Helena Hawthorn

There are large and stately studios, panelled and high, in strong stone houses filled with gleaming brass and polished oak. There are workaday studios – summer perching-places rather than settled homes – where a good north light and a litter of brushes and canvas form the whole of the artistic stock-in-trade. There are little homely studios, gay with blue and red and yellow curtains and odd scraps of pottery, tucked away down narrow closes and adorned with gardens, where old-fashioned flowers riot in the rich and friendly soil. There are studios that are simply and solely barns, made beautiful by ample proportions and high-pitched rafters, and habitable by the addition of a tortoise stove and a gas-ring. There are artists who have large families and keep domestics in cap and apron; artists who engage rooms, and are taken care of by landladies; artists who live in couples or alone, with a woman who comes in to clean; artists who live hermit-like and do their own charing. There are painters in oils, painters in water-colours, painters in pastel, etchers and illustrators, workers in metal; artists of every variety, having this one thing in common – that they take their work seriously and have no time for amateurs.

We tell people,” he said, “to follow their dreams. We tell them that they won’t be complete until they do, that they’ll be miserable until they start reaching for that brass ring. They never tell you how good it feels to give up on a dream. That it’s a…” “Relief?” Lucy said. “A relief, exactly,” Jack said, nodding. “I decided one day that kids weren’t ever going to happen for me, that I was going to be single and childless and that was that. And I awoke the next morning and the sun was dancing on the water and the coffee tasted better than it ever had. It tasted like one less thing to worry about. One less promise to keep. One less fight to fight. One less heart to break. And it was sweet. Almost as sweet as victory. The sweetness of giving up.

We tell people,” he said, “to follow their dreams. We tell them that they won’t be complete until they do, that they’ll be miserable until they start reaching for that brass ring. They never tell you how good it feels to give up on a dream. That it’s a…” “Relief?” Lucy said. “A relief, exactly,” Jack said, nodding. “I decided one day that kids weren’t ever going to happen for me, that I was going to be single and childless and that was that. And I awoke the next morning and the sun was dancing on the water and the coffee tasted better than it ever had. It tasted like one less thing to worry about. One less promise to keep. One less fight to fight. One less heart to break. And it was sweet.

many reality TV women fail to grab the brass ring of intensive motherhood.

Its breadth on each side was a cubit, but the altitude double. Upon it was a grate of gold, that was extant above the altar, which had a golden crown encompassing it round about, whereto belonged rings and bars, by which the priests carried it when they journeyed. Before this tabernacle there was reared a brazen altar, but it was within made of wood, five cubits by measure on each side, but its height was but three, in like manner adorned with brass plates as bright as gold.

I'd painted nearly every surface in the main room. And not with just broad swaths of colour, but with decorations- little images. Some were basic: colours of icicles drooping down the sides of the threshold. They melted into the first shoots of spring, then burst into full blooms of summer, before brightening and deepening into fall leaves. I'd painted a ring of flowers round the card table by the window, leaves and crackling flames around the dining table. But in between the intricate decorations, I'd painted them. Bits and pieces of Mor, and Cassian, and Azriel, and Amren... and Rhys. Mor went up to the large hearth, where I'd painted the mantel in black shimmering with veins of gold and red. Up close, it was a solid pretty bit of paint. But from the couch... 'Illyrian wings,' she said. 'Ugh, they'll never stop gloating about it.' But she went to the window, which I'd framed in tumbling strands of gold and brass and bronze. Mor fingered her hair, cocking her head. 'Nice,' she said, surveying the room again. Her eyes fell on the open threshold to the bedroom hallway, and she grimaced. 'Why,' she said, 'are Amren's eyes there?' Indeed, right above the door, in the centre of the archway, I'd painted a pair of glowing silver eyes. 'Because she's always watching.' Mor snorted. 'That simply won't do. Paint my eyes next to hers. So the males of this family will know we're both watching them the next time they come up here to get drunk for a week straight.' 'They do that?' They used to.' Before Amarantha. 'Every autumn, the three of them would lock themselves in this house for five days and drink and drink and hunt and hunt, and they'd come back to Velaris looking halfway to death but grinning like fools. It warms my heart to know that from now on, they'll have to do it with me and Amren staring at them.

Our mission, which we choose to accept, is to blow up the One Percent, who’ve earned their place in this world standing on the tired backs of the Ninety-nine. Step one: Destroy Big Tech. UrbanMyth is a wholly owned subsidiary of TallTale Media Corp., whose CEO was paid a seventeen-million-dollar bonus last year but denied workers the forty hours a week that would have entitled them to benefits. He wouldn’t let go of the brass ring, so it’s time to pry his greedy fingers off of it. Let this data dump be a warning to Big Tech everywhere—pay your workers a living wage or you’re next. Happy reading.

True justice was the brass ring just out of reach.

For anyone with busfare and a harmonica, The Original Amateur Hour was a grab at the brass ring. Some came without busfare, hitching rides across the country. Poor blacks came up from the South; cowboys from the West. Freak acts came from everywhere. Many had sung in choirs back home. Some had played tank towns in the corn belt, with three-piece combos held together by long strings of one-night stands. They were supposed to be “simon pures,” strictly amateur, but who was to know? The common denominator was desperation. The Depression hung over the nation like a shroud. If a man with a smooth baritone singing voice was told by enough friends that he sounded better than Bing Crosby, he began to believe it. Major Bowes gave him a chance to prove it.

make your way to the Schöner Brunnen. The fountain is a rather large statue wrapped in gold and protected by an impressively built iron fence. But off to the side, in the fence, there are two bronze rings dangling from the iron. Legend has it that it’s good luck to spin the brass rings.

Chimes at the Edge of Hearing (2011) Chimes in the heavens sound so fine, Whither does it go; how it chimes the time. Tumultuous river of colored tinselly sounds, Their music brasses forth, it has no bounds. Tinkle clackle tinke koo, How infinite the melody with notes so few. Chimes clanging silent at the edge of hearing, Does it not sound so jingly and endearing? Klankle ping chinkle cree, Quite the sound of discordant harmony. Pakkle kikkle ringly kat, Chimes echo out; they drift cackling back. A cacophony of clingles, pims and tinkle-ets, Chimes shinkle loud at the crescendo of their octets. Pakickle tamtankle jjingling kites, They fly into darkness on the clatter of midnight. Chimes symphonic at the coming black storm, Upon the shrieks their shimmering rrrings are born. Sounds and silences; the glistening chimes adorn, Haunting images of sounds so distant and forlorned. Cymbal they together; the sound of crackly glass, They remind of the times and rattles of the past. Metals on metals trinklelink clapping down the time, Their clittering rhythms broke, raw and refined. Concerto of jangles jinkles and dings, See their sound, how pleasant they dream. Off they go, winds klickle on smooth breeze, And chinkle and pinkle through my melodic tree. dlaurent

I walked out into the parking lot and found the space he’d written on the rental folder.  I frowned at the bright yellow and black machine that sat there waiting for me.  What is that?  A riding lawnmower?  “This can’t be right,” I said to no one.  I was the only one out there, so I don’t know who I thought I was talking to, but having a thousand conversations in my head over the last twenty-four hours was making me question my own sanity.  Probably talking out loud to myself wasn’t any better, but what the hell … might as well change up the crazy every once in a while to keep it fresh. I pressed the button on the key ring and the headlights flashed on once, proving this was not a mistake.  “A Smart Car?  Are you kidding me?”  It looked like a giant, wasp-yellow roller skate.  Maybe not even a giant one; maybe just a large-ish roller skate.  Surely looking like a giant wasp flying down a country road was a bad idea for a girl with a sting-allergy… I debated in my head whether I should go and argue for one of the other fifty full-sized cars on the lot, but then gave up on the idea five seconds later.  “Screw it,” I said, annoyed as hell.  “Might as well get eight hundred miles to the gallon, right?!”  The tone of my voice had drifted a little over to the hysterical side, but there was nothing I could do about it.  I was barely hanging on, the stress almost enough to send me to the looney bin.  I just kept picturing Bradley saying, “You got married?  To a complete stranger?  In Las Vegas?  When you were drunk?  By a guy named Elvis?”  It was too horrible to fully fathom.  He’d dump me just for humiliating him in front of all his clients and his frat brothers and his parents.  There were so many people expecting me to be the perfect fiancée. I threw my overnight bag in the passenger seat and drove off the lot, wishing I could peel out and really express my anger in a satisfyingly loud and obnoxious way.  But I quickly learned that a Smart Car doesn’t know how to peel out; it’s not equipped to do much with its lawn-mower sized engine.  It just knows how to deliver me from Point A to Point B on a very small amount of gas with almost zero elbow room.  I felt like a clown buzzing around in her little circus car.  The only things missing were a little face paint and some floppy shoes.  At first I thought I was also missing one of those brass honky-horns that clowns carry around, but then I pressed on the steering wheel and found out differently.  Yes, it’s true.  The Smart Car comes equipped with a clown honky-horn.

NOBODY CAN PREDICT WHO’LL MAKE it through BUD/S. The brass tries to figure it out; they bring in psychologists and boost the number of guys beginning the process, hoping more SEALs will be left standing at the end. They tweak the design to create more equal opportunity for minorities, but all that happens is that the instructors do to the students exactly what was done to them, and always 80 percent don’t make it. We have more white SEALs simply because more white guys try out. Eighty percent of white guys fail, 80 percent of Filipinos fail, 80 percent of black guys fail. And the irony is, the Navy doesn’t want an 80 percent failure rate. There can’t be too many SEALs. We’re always undermanned. From the beginning of boot camp, the instructors try separating guys who want to be SEALs. They put them together, feed them better, give them workouts designed to prepare them for BUD/S. These promising rookies get in better shape, are better nourished, and are psychologically primed to go. Then they’re sent to SEAL training and 80 percent fail. No matter what the Navy process tweakers do, they can’t crack it. You’d think the Olympic swimmer would make it. You’d think the pro-football player would make it. But they don’t—well, 80  percent don’t. In my experience, the one category of people who get reliably crushed in BUD/S are that noble demographic, the loudmouths. They’re usually the first to ring the bell. As for who will make it, all I can say is: Are you the person who can convince your body that it can do anything you ask it to? Who can hit the wall and say, “What wall?” That strength of mind isn’t associated with any ethnicity or level of skin pigmentation. It’s not a function of size or musculature or IQ. In the end, it’s sheer cussedness, and I’m guessing you’re either born that way or you never get there.

Internal triggers manifest automatically in your mind. Connecting internal triggers with a product is the brass ring of consumer technology.