Brake Quotes

Even though you may want to move forward in your life, you may have one foot on the brakes. In order to be free, we must learn how to let go. Release the hurt. Release the fear. Refuse to entertain your old pain. The energy it takes to hang onto the past is holding you back from a new life. What is it you would let go of today?

...and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires

I have no brakes on...analysis is for those who are paralyzed by life.

Daemon followed me home after school. Literally. He tailed me in his new Infiniti SUV. My old Camry, with its leaky exhaust and loud muffler, was no match for the speed he wanted to go. I’d brake-checked him several times. He’d blown his horn. It made me feel all warm and fuzzy inside.

I had this feeling that he and I , in this moment, were a car crash, and instead of putting on the brakes, I was hitting the accelerator.

But Rose? While I'm fine with you two dating and being happy, please try not to brake his heart too much when the time comes.

The buck stops here," Ronan said, pulling up the hand brake. "Home shit home.

I couldn't repair your brakes, so I made your horn louder.

As the taxi entered the intersection, the two drivers in the attorney general’s entourage slammed on the brakes. Both Suburbans fishtailed out of control. Ducking in the back seat, Blake could smell the burning rubber from tires skidding on the asphalt and hear the pedestrians screaming and car horns sounding off in rebuke.

When you get rid of your fear of failure, your tensions about succeeding... you can be yourself. Relaxed. You'll no longer be driving with your brakes on.

River Song: Use the stabilisers! The Doctor: It doesn't have stabilisers! River Song: The blue switches! The Doctor: The blue ones don't do anything, they're just... blue! River Song: Yes they're blue: they're the blue stabilisers! [presses the button and the TARDIS indeed stabilises] See? The Doctor: Yeah? Well, it's boring now, isn't it? They're boring-ers! They're blue... boring-ers! Amy: Doctor, how come she can fly the TARDIS? The Doctor: You call that flying the TARDIS? [scoffs] Ha! River Song: Okay, I've mapped the probability vectors, done a foldback on the temporal isometry, charted the ship to its destination and... [presses a button, the cloister bell clangs] parked us right alongside. The Doctor: Parked us? But we haven't landed! River Song: Of course we've landed; I just landed her. The Doctor: But it didn't make the noise. River Song: What noise? The Doctor: You know, the... [does an impression of the TARDIS materialisation sound] River Song: It's not supposed to make that noise. You leave the brakes on. The Doctor: Yes, well, it's a brilliant noise. I love that noise.

Why?' is always the most difficult question to answer. You know where you are when someone asks you 'What's the time?' or 'When was the battle of 1066?' or 'How do these seatbelts work that go tight when you slam the brakes on, Daddy?' The answers are easy and are, respectively, 'Seven-thirty in the evening,' 'Ten-fifteen in the morning,' and 'Don't ask stupid questions.

Before, as soon as I came home from all sorts of places I would sit down and write in my journal. Now I want to write you, talk with you... I love when you say all that happens is good, it is good. I say all that happens is wonderful. For me it is all symphonic, and I am so aroused by living - god, Henry, in you alone I have found the same swelling of enthusiasm, the same quick rising of the blood, the fullness... Before, I almost used to think there was something wrong. Everybody else seemed to have the brakes on... I never feel the brakes. I overflow. And when I feel your excitement about life flaring, next to mine, then it makes me dizzy.

The use of self control is like the use of brakes on train. It is useful when you find yourself in wrong direction but merely harmful when the direction is right

Upon arriving at the murder scene, they saw Deputy Sheriff Peewee Stubblefield pacing back and forth on the front walk. He stopped and smirked as Sheriff Roosevelt Baker braked the patrol car. He emitted a noise sounding more like a groan than a sigh.

Now you listen to me," says Ove calmly while he carefully closes the door. "You've given birth to two children and quite soon will be squeezing out a third. You've come here from a land far away and most likely you fled war and persecution and all sorts of other nonsense. You've learned a new language and got yourself an education and you're holding together a family of obvious incompetents. And I'll be damned if I've seen you afraid of a single bloody thing in this world before now....I'm not asking for brain surgery. I'm asking you to drive a car. It's got an accelerator, a brake and a clutch. Some of the greatest twits in world history have sorted out how it works. And you will as well." And then he utters seven words, which Parvaneh will always remember as the loveliest compliment he'll ever give her. "Because you are not a complete twit.

I'm a whore!" Miki hit the brakes...her hands.. gripping the steering wheel, glanced at Sara. "You're not wearing any underwear, are you?" Sara let out a strangled squeal...

As we go through the flightiness of time, dazed by the inebriety of our mental time voyage, we must hit the brakes, sometimes, and not shy away from questioning ourselves, when we wade through the tanning mist of our memory that embroiders our thoughts or distorts them. ("Uber alle Gipfeln ist Ruh" )

A lack of clarity could put the brakes on any journey to success.

Well, heaven forgive him! and forgive us all! Some rise by sin, and some by virtue fall: Some run from brakes of ice, and answer none: And some condemned for a fault alone.

When we don’t put the brakes on our self-absorption, we have nothing stopping us from total self-destruction. We become the fruits of our actions.

I'm terrified of the thought of time passing (or whatever is meant by that phrase) whether I 'do' anything or not. In a way I may believe, deep down, that doing nothing acts as a brake on 'time's - it doesn't of course. It merely adds the torment of having done nothing, when the time comes when it really doesn't matter if you've done anything or not.

When you step on the brakes your life is in your foot's hands.

I will never fail to inflate my lungs for you when you're a hundred miles deep, heading headfirst towards a telephone pole - screaming - because you have pulled out all your own brakes.

Life is a egg you have to be patient and carefull with it or it will brake

The only reason I lost, the only reason I failed to get what I want, is because the monster is me, there's no difference between us. It makes all the moves, calls all the shots, while I'm just along for the ride, with no idea how to pull the brakes or get off.

In an earlier life, were you a pair of brakes?" "Try a brick wall.

People who make no mistakes lack boldness and the spirit of adventure. They are the brakes on the wheels of progress.

What good is speed without the ability to brake?

You know," she murmured, "we're all heading straight to hell." "Yes," said Masako, giving her a bleak look. "It's like riding downhill with no brakes." "You mean, there's no way to stop?" "No, you stop all right - when you crash.

The Audi tires squealed as the vehicle tracked the same path. Jake hammered down the avenue, hunting for a getaway. Traffic thickened at the juncture ahead. A green light flickered into amber. He ramped up over the limit, punching over the white lines on a red signal. Tires screeched and a horn beeped. The needle sat on one hundred kilometers per hour. He fishtailed at a laneway. The GPS showed a right angle, car slid into a slot in an overhang. Jake got out and crept toward the opening, hugged the brick wall. He pulled the SIG and flicked off the safety. The Audi braked at the mouth. Door slammed. A shadow fell over the concrete. The swish of clothing indicated a possible weapon draw.

Life is a short, wild ride. Don't try to put the brakes on, don't over-analyze or try to control it. If you're lucky, like I was, you'll find that perfect someone who'll sit next to you and hold your hand through every curve, every up and down.

She wished it was an unfamiliar feeling, that ache, the urge that made her hit the gas when she ought to hit the brake.

And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would write a better song on the walls. That's all I'm saying.

Good God, woman. Hit the brakes on the freight train that is your mouth.

There are two Newman's laws. The first one is "It is useless to put on your brakes when you're upside down." The second is "Just when things look darkest, they go black.

The problem isn’t the desire itself, it’s the context. You need more sexually relevant stimuli activating the accelerator and fewer things hitting the brake.

Asher said, "Does it really ever go anywhere?" "Does what?" "Love. Does it vanish?" Yale looked at his own hand, resting on the dashboard to keep himself steady whenever Asher braked suddenly. "I mean, we never want it to. But it does, doesn't it?" Asher said, "I think that's the saddest thing in the world, the failure of love. Not hatred, but the failure of love.

I felt the familiar warm tingling at the center of my chest and had just enough time to gasp as some invisible hand yanked me forward, smacking my forehead against the dashboard with enough force to stun me dumb. Chubs slammed on the brakes, forcing my seat belt to do its job and lock against my chest. I was thrown back into my seat, an explosion of colors bursting in my vision. "Oh, hell no!" Chubs roared, slamming a hand against the steering wheel. "That's it! We don not use our abilities on one another, goddammit! Behave yourself!

My life motto: My brakes are broke, but luckily my gas pedal works just fine.


One-hundred-and-fifty miles per hour. No brakes.” His eyes redden. Our gazes are locked, all of our experiences together rushing through us, every moment where we kissed death but never tasted it. Every time we lived life so terribly— so fully. And then he snatches my hairband, my brown locks tumbling out of a bun. His jaw glides across my cheek, his hand protectively on the back of my head, his breath warming my ear. And he says, “I’m right beside you, Calloway.

She's just playing a trick on us. This is just an Alaska Young Prank Extraordinaire. It's Alaska being Alaska, funny and playful and not knowing when or how to put on the brakes.

I don't know. Maybe we're all chaos theorists. Lovers of pattern and predictability, we're scared shitless of explosive change. But we're fascinated by it, too. Drawn to it. Travelers tap their brakes to ogle the mutilation and mangled metal on the side of the interstate, and the traffic backs up for miles. Hijacked planes crash into skyscrapers, breached levees drown a city, and CNN and the networks rush to the scene so that we can all sit in front of our TVs and feast on the footage. Stare, stunned, at the pandemonium--the devils let loose from their cages.

When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what.

There's something wrong with the brakes." He didn't recognize his shaky, weak voice. He pumped them again. Nothing.  "There's something wrong with the BRAKES?" "I don't think we have any." "We don't have any BRAKES?" "Bro, it doesn't help to repeat everything I say!" Jonah yelled.

So?" she said, giving me a slow, wicked smile when we accelerated forward. " You told Will you found a woman who likes to have sex in public?" "Not in my cab!" the cabbie yelled so loud we both jumped and then broke into laughter. He pumped the brakes, jolting us. "Not in my cab!" "Don't worry, mate," I told him. I turned to her and murmured, "She doesn't let me fuck her in cars. Or on Tuesdays." "She doesn't," she whispered, though she did let me kiss her again. "Shame," I said into her mouth. "I'm good in cars. And especially good on Tuesdays.

If you ahve ever unloaded your pickup by backing up really fast and slamming on the brakes, you might be a redneck.

Anxiety is like being in freeway traffic all the time. There's the constant sense of dodging and darting, seeking your chance to cut in, the irritation of others pulling ahead of you. You hit the accelerator, you slam the brakes. You scout and scan for danger.

Being praised essentially means that one is receiving judgment from another person as 'good.' And the measure of what is good or bad about that act is that person's yardstick. If receiving praise is what one is after, one will have no choice but to adapt to that person's yardstick and put the brakes on one's own freedom.

In you alone I have found the same swelling of enthusiasm, the same quick rising of the blood, the fullness… Before, I almost used to think there was something wrong. Everybody else seemed to have the brakes on… I never feel the brakes. I overflow. And when I feel your excitement about life flaring, next to mine, then it makes me dizzy.

Eh.” She waved a hand. “There are thousands of me there.” Brendan snorted at her joke. And then he realized she was serious. “Piper, there is nobody like you.” She smiled like she was humoring him... He pulled the car onto the side of the road, slammed on the brakes, and threw it into park. “Did you hear me?” He reached over to tilt up her chin. “There is nobody like you.” “Why are you getting so worked up?” “Because I . . .thought I was an intuitive man. A smart man. But I keep finding out new ways I’m flying blind when it comes to something so important. You. You are important.

On teaching:...the job seems to require the sort of skills one would need to pilot a bus full of live chickens backwards, with no brakes, down a rocky road through the Andes while simultaneously providing colorful and informative commentary on the scenery.

The sense of beauty puts a brake upon destruction, by representing its object as irreplaceable. When the world looks back at me with my eyes, as it does in aesthetic experience, it is also addressing me in another way. Something is being revealed to me, and I am being made to stand still and absorb it. It is of course nonsense to suggest that there are naiads in the trees and dryads in the groves. What is revealed to me in the experience of beauty is a fundamental truth about being - the truth that being is a gift, and receiving it is a task. This is a truth of theology that demands exposition as such.

I'm sure we've all experienced really malevolent feelings once or twice in our lives, the desire to kill somebody,say.but there's always a braking mechanism somewhere along the line that stop us.

The insanity of love, and that’s why you’re trying to drive away with the park brake on.

But you have to learn to bend a little," "Or you'll brake." -Clarissa Fray

Life isn't about irresponsibly and subconsciously travelling without any brakes on, yet it's not about consciously jamming those brakes shut all the time either. Inner-peace and happiness comes to those who can accelerate and brake when required, basically making that person a better and more accomplished train driver

Common sense is the guy who tells you that you ought to have had your brakes relined last week before you smashed a front end this week. Common sense is the Monday morning quarterback who could have won the ball game if he had been on the team. But he never is. He's high up in the stands with a flask on his hip. Common sense is the little man in a grey suit who never makes a mistake in addition. But it's always someone else's money he's adding up.

It’s getting closer,” Tristan said. Ayden nodded. “So let’s track it.” “No,” Ayden snapped. “She’s our priority.” “I know, but it’s following her, so,” Tristan held one hand up, “find the demon,” he held up the other, “find Aurora. It could work.” The itching intensified. Invisible claws grazed up the back of my neck, wrenching every nerve to painful attention. Another hungry screech sent spikes piercing my brain. Lights shattered my vision. I couldn’t breathe. I burst out of the suffocating space just as the engine roared to life and gunned the car forward. With a violent curse, Ayden slammed on the brakes but not before the Maserati rammed my hip. I hurtled into the air and rolled a fast spin onto the hood. “Or you could just hit her with the car,” Tristan said. “Real smooth.

No," I said. And maybe it was only because Alaska couldn't hit the brakes and I couldn't hit the accelerator.

Always ask any questions that are to be asked and never answer any. Turn everything you hear to your own advantage. Always carry a repair outfit. Take left turns as much as possible. Never apply your front brake first. ‘If you follow them’, said the Sergeant, ‘you will save your soul and never get a fall on a slippery road.

A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. Therefore, on every morrow, are we wreathing A flowery band to bind us to the earth, Spite of despondence, of the inhuman dearth Of noble natures, of the gloomy days, Of all the unhealthy and o'er-darkn'd ways Made for our searching: yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; and clear rills That for themselves a cooling covert make 'Gainst the hot season; the mid-forest brake, Rich with a sprinkling of fair musk-rose blooms: And such too is the grandeur of the dooms We have imagined for the mighty dead; An endless fountain of immortal drink, Pouring unto us from the heaven's brink.

It will be as if I'd never existed. The words ran through my head, lacking the perfect clarity of my hallucination last night. They were just words, soundless, like print on a page. Just words, but they ripped the hole wide open, and I stomped on the brake, knowing I should not drive while this incapacitated. I curled over, pressing my face against the steering wheel and trying to breathe without lungs.

I slammed the door, floored the throttle, and reversed down the road as fast as the old car would go, which was not very. Then I spun the wheel and hit the brakes, backing off the road. I crunched the transfer lever into four-wheel drive and trundled off toward the water. Behind us, the pickup was backing and filling, trying to turn around on the narrow road.

I had a dream about you. You were on a bike going 70 miles an hour, I could see you approaching my car in the mirror. You were trying to say something so, I jumped on the brakes as hard as I could, I guess I forgot I had tied your bike on my bumper.

At first it's bliss. It's drunken, heady, intoxicating. It swallows the people we were - not particuarly wonderful people, but people who did our best, more or less - and spits out the monsters we are becoming. Our friends despise us. We are an epic. Everything is grand, crashing, brilliant, blinding. It's the Golden Age of Hollywood, and we are a legend in our own minds, and no one outside can fail to see that we are headed for hell, and we won't listen, we say they don't understand, we pour more wine, go to the parties, we sparkle, fly all over the country, we're on an adventure, unstoppable, we've found each other and we race through our days like Mr. Toad in his yellow motorcar, with no idea where the brakes are and to hell with it anyway, we are on fire, drunk with something we call love.

In a werewolf pack, you cannot interfere with the mate choice of a clan fellow. You cannot intentionally harm that werewolf’s chosen mate. You are not, however, required to help that person should he find himself in a life - threatening situation. Somehow, Zeb had managed to stumble into several such situations in the few months since he ’d been engaged to Jolene. He’d had several hunting “accidents” while visiting the McClaine farm, even though he didn’t hunt. The brakes on his car had failed while he was driving home from the farm—twice. Also, a running chainsaw mysteriously fell on him from a hayloft. He would never get that pinkie toe back.

Take care of your car in the garage, and the car will take care of you on the road.

أن تحتكم إلى ضميرك ، كالذي يقود سيارته ورجله على الفرامل دائما

If we're open to it, God can use even the smallest thing to change our lives... to change us. It might be a laughing child, car brakes that need fixing, a sale on pot roast, a cloudless sky, a trip to the woods to cut down a Christmas tree, a school teacher, a Dunhill Billiard pipe...or even a pair of shoes. Some people will never believe. They may feel that such things are too trivial, too simple, or too insignificant to forever change a life. But I believe. And I always will.

Forgive your child and yourself nightly. You didn't ask to live with the effects of ADHD any more than did your child.

Doing something was better than doing nothing. Without warning Lucas hit the emergency stop but-ton, and the elevator braked with an uncomfortable jolt. Then he mashed the OPEN DOOR button and punched the door itself. The front doors opened in between the second and first floors. Lucas’s heart pumped in his chest. “I hear that baby in the parking lot crying.

Her grey, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires, and I knew that first I had to get myself definitely out of that tangle back home.

Because, what does it mean, to say that things aren't going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that's not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can't spend those moments saying that the second car is much better off than the first. Death and disaster are at our shoulders every second of our lives, trying to get at us. Missing, a lot of the time. A lot of miles on the motorway without a front wheel blow-out. A lot of viruses that slither through our bodies without snagging. A lot of pianos that fall a minute after we've passed. Or a month, it makes no difference. So unless we're going to get down on our knees and give thanks every time disaster misses, it makes no sense to moan when it strikes. Us, or anyone else. Because we're not comparing it with anything.

They’re off, and the big excitement this match is the Firebolt that Harry Potter is flying for Gryffindor. According to Which Broomstick, the Firebolt’s going to be the broom of choice for the national teams at this year’s World Championship —” “Jordan, would you mind telling us what’s going on in the match?” interrupted Professor McGonagall’s voice. “Right you are, Professor — just giving a bit of background information — the Firebolt, incidentally, has a built-in auto-brake and —” “Jordan!” “Okay, okay, Gryffindor in possession, Katie Bell of Gryffindor heading for goal …

I looked around me to make sure it was clear. That's when I noticed the still, white figure. Edward Cullen was leaning against the front door of the Volvo, three cars down from me, and staring intently in my direction. I swiftly looked away and threw the truck into reverse, almost hitting a rusty Toyota Corolla in my haste. Lucky for the Toyota, I stomped on the brake in time. It was just the sort of car that my truck would make scrap metal of. I took a deep breath, still looking out the other side of my car, and cautiously pulled out again, with greater success. I stared straight ahead as I passed the Volvo, but from a peripheral peek, I would swear I saw him laughing.

Anxiety can be replaced only by the freedom whose harsh requirements are its cause. Being free requires us to release the brakes that anxiety represents in order to accept and appropriate our proper spiritual fulfillment or perhaps even to recognize, if that is what we in the end believe, that no such prospect is in store.

Feelings of helplessness, immobility, and freezing. If hyperarousal is the nervous system’s accelerator, a sense of overwhelming helplessness is its brake. The helplessness that is experienced at such times is not the ordinary sense of helplessness that can affect anyone from time to time. It is the sense of being collapsed, immobilized, and utterly helpless. It is not a perception, belief, or a trick of the imagination. It is real.

A grate wall of darkness moves towards him. He can see it coming. Wast and imperious. It is unconsciousness and it its sleep. It moves like a grate tidal wave. But before it brakes over him and he is away. Before he renders himself completely to that oblivious sleep. He thinks with a sudden terrible bottomless dread of Avril Lavigne's vagina.

She turned her car onto the last stretch of straight drive leading her directly, face to face, to Hill House and, moving without thought, pressed her foot on the brake to stall the car and sat, staring. The house was vile. She shivered and thought, the words coming freely into her mind, Hill House is vile, it is diseased; get away from here at once.

Force is as pitiless to the man who possesses it as it is to its victims—the second it crushes, the first it intoxicates.

all bags are pack ready to go i am standing here outside your door i hate to wake you up to say goodbye dawn is braking its early morn the taxi waiting he blowing his horn already i am so lonesome i could die so kiss me and smile for me tell me that you'll wait for me and hold me like you never let me go cause leaving on a jet plane don't know when ill be back again oh babe i hate to go there so many let you down so many time i played around i tell you know that don't mean a thing every plase i go i'll think of you every song i sing i'll sing for you.

Spiritual growth is not running faster, as in more meetings, more Bible studies, and more prayer meetings. Spiritual growth happens when we slow our activity down. If we want to meet Jesus, we can't do it on the run. If we want to stay on the road of faith, we have to hit the brakes, pull over to a rest area, and stop. Christianity is not about inviting Jesus to speed through life with us; it's about noticing Jesus sitting at the rest stop. While the church earnestly warns Christians to watch for the devil, the devil is sitting in the congregation encouraging everyone to keep busy doing "good things.

A red traffic light loomed, and Cecilia slammed her foot on the brake. The fact that Polly no longer wanted a pirate party was breathtakingly insignificant in comparison to that poor man (thirty!) crashing to the ground for the freedom that Cecilia took for granted, but right now, she couldn’t pause to honor his memory, because a last-minute change of party theme was unacceptable. That’s what happened when you had freedom. You lost your mind over a pirate party.

It’s important to understand that in the Third World most driving is done with the horn, or “Egyptian Brake Pedal,” as it is known. There is a precise and complicated etiquette of horn use. Honk your horn only under the following circumstances: 1. When anything blocks the road 2. When anything doesn’t. 3. When anything might. 4. At red lights 5. At green lights. 6. At all other times.

I’ll wait until we’re both older,” the kid went on, “and then I’ll nail her.”Van hit the brakes. “What?”“Like you and Aunt Irene.”Panic beginning to set in, Van asked again, “What?”“That’s what you told her last night when I was scrubbing the pots from dinner. You were going to nail her. Then you laughed.”Oh, shit. “Uh, Ric . . .”“And so I’ll just wait until my future mate and I are older and then I’ll nail her. Or we’ll nail each other. That sounds like more fun. Nailing each other.”“Listen, Ulrich—”“What is that, anyway? Nailing? The way Aunt Irene smiled when you said it; I’m guessing its fun, right?

[...] and as I walked, I tried to see the funny side. It wasn't easy, and I'm still not sure that I managed it properly, but it's just something I like to do when things aren't going well. Because what does it mean, to say that things aren't going well? Compared to what? You can say: compared to how things were going a couple of hours ago, or a couple of years ago. But that's not the point. If two cars are speeding towards a brick wall with no brakes, and one car hits the wall moments before the other, you can't spend those moments saying that the second car is much better off than the first.

Her grey, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires, and I knew that first I had to get myself definitely out of that tangle back home. I'd been writing letters once a week and signing them: "Love, Nick," and all I could think of was how, when that certain girl played tennis, a faint mustache of perspiration appeared on her upper lip. Nevertheless there was a vague understanding that had to be tactfully broken off before I was free.

Murder, you see, is an amateur crime... One feels, very often, as though these nice ordinary chaps, had been overtaken, as it were, by murder, almost accidentally. They've been in a tight place, or they've wanted something very badly, money or a woman - and they've killed to get it. The brake that operates with most of us doesn't operate with them... They continue to be aware that murder is wrong, but they do not feel it. I don't think, in my experience, that any murderer has really felt remorse... Murderers are set apart, they are 'different' - murder is wrong - but not for them - for them it is necessary - the victim has 'asked for it,' it was 'the only way.

right nostril is a gas pedal. When you’re inhaling primarily through this channel, circulation speeds up, your body gets hotter, and cortisol levels, blood pressure, and heart rate all increase. This happens because breathing through the right side of the nose activates the sympathetic nervous system, the “fight or flight” mechanism that puts the body in a more elevated state of alertness and readiness. Breathing through the right nostril will also feed more blood to the opposite hemisphere of the brain, specifically to the prefrontal cortex, which has been associated with logical decisions, language, and computing. Inhaling through the left nostril has the opposite effect: it works as a kind of brake system to the right nostril’s accelerator. The left nostril is more deeply connected to the parasympathetic nervous system, the rest-and-relax side that lowers blood pressure, cools the body, and reduces anxiety. Left-nostril breathing shifts blood flow to the opposite side of the prefrontal cortex, to the area that influences creative thought and plays a role in the formation of mental abstractions and the production of negative emotions.

Pleasure at simply being there had him swinging fast across the road, shooting up the snaking lane carved into the rock, then, in shock, slamming on the brakes to avoid crashing into a high iron gate. He scowled at it for a moment before the intercom beside his car buzzed on. "Templeton House.May i help you?" "What the hell is this? Who put this damn thing up?" "I-Mr. Joshua?" Recognizing the voice, he struggled to bank down on his irritation. "Annie, open this ridiculous gate,will you? And unless we're under attack, leave the damn thing open.

These Negroes, they're getting pretty uppity these days and that's a problem for us since they've got something now they never had before, the political pull to back up their uppityness. Now we've got to do something about this, we've got to give them a little something, just enough to quiet them down, not enough to make a difference. For if we don't move at all, then their allies will line up against us and there'll be no way of stopping them, we'll lose the filibuster and there'll be no way of putting a brake on all sorts of wild legislation. It'll be Reconstruction all over again. [Said to Senator Richard Russell, Jr. (D-GA) regarding the Civil Rights Act of 1957]

The days are passing so quickly. This is the only time of year when I want to slow time down. I spend the entire year trying to get here as fast as I can, then once I'm here I want to slam on the brakes. I'm beginning to have those moments when the feel of autumn is so strong it drowns out everything else. Lately it's been making me think about the perfect soundtrack for a Halloween party. The top of any Halloween music list as to be the theme song from the movie Halloween; right on its heels is "Pet Sematary" by the Ramones. For some reason I've always equated the old Van Morrison song "Moondance" with Halloween, too. I love that song. "Bela Lugosi's Dead" by Bauhaus is an October classic, as well as anything by Type O Negative. And Midnight Syndicate. If you've never heard anything by Midnight Syndicate, look them up right this moment. If you distilled the raw essence of every spooky story you ever heard, you would have Midnight Syndicate. I have a friend who swears by them, believing them to be a vital element of any Halloween party. To finish off the list you must have "The Lyre of Orpheus" by Nick Cave and "I Feel Alright" by Steve Earle.

The family which takes its mauve an cerise, air-conditioned, power-steered and power-braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, lighted buildings, billboards and posts for wires that should long since have been put underground. They pass on into countryside that has been rendered largely invisible by commercial art. (The goods which the latter advertise have an absolute priority in our value system. Such aesthetic considerations as a view of the countryside accordingly come second. On such matters we are consistent.) They picnic on exquisitely packaged food from a portable icebox by a polluted stream and go on to spend the night at a park which is a menace to public health and morals. Just before dozing off on an air mattress, beneath a nylon tent, amid the stench of decaying refuse, they may reflect vaguely on the curious unevenness of their blessings. Is this, indeed, the American genius?

Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism. Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief. You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.

When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.

Once, headed uptown on the 9 train, I noticed a sign posted by the Metropolitan Transit Authority advising subway riders who might become ill in the train. The sign asked that the suddenly infirm inform another passenger or get out at the next stop and approach the stationmaster. Do not, repeat, do not pull the emergency brake, the sign said, as this will only delay aid. Which was all very logical, but for the following proclamation at the bottom of the sign, something along the lines of, “If you are sick, you will not be left alone.” This strikes me as not only kind, not only comforting, but the very epitome of civilization, good government, i.e., the the crux of the societal impulse. Banding together, pooling our taxes, not just making trains, not just making trains that move underground, not just making trains that move underground with surprising efficiency at a fair price—but posting on said trains a notification of such surprising compassion and thoughtfulness. I found myself scanning the faces of my fellow passengers, hoping for fainting, obvious fevers, at the very least a sneeze so that I might offer a tissue.

Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.

so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.

XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.