Bracket Word Quotes

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His arms became a set of parentheses bracketing the sweetest secret phrase.
Christina Lauren (Love and Other Words)
Her hair is longer now, and fine lines bracket her mouth, parentheses around a lifetime of words I was not around to hear.
Jodi Picoult (My Sister’s Keeper)
He would wrap his arms all the way around her shoulders, press his face into her hair while his body curved over hers. His arms became a set of parentheses bracketing the sweetest secret phrase.
Christina Lauren (Love and Other Words)
Yet Irina had once tucked away, she wasn't sure when or why, that happiness is almost definitionally a condition of which you are not aware at the time. To inhabit your own contentment is to be wholly present, with no orbiting satellite to take clinical readings of the state of the planet. Conventionally, you grow conscious of happiness at the very point that it begins to elude you. When not misused to talk yourself into something - when not a lie - the h-word is a classification applied in retrospect. It is a bracketing assessment, a label only decisively pasted onto an era once it is over.
Lionel Shriver (The Post-Birthday World)
The phobic has no other object than the abject. But that word, "fear"- a fluid haze an elusive clamminess- no sooner has it cropped up than it shades off like a mirage and permeates all words of the language with nonexistence, with a hallucinatory, ghostly glimmer. Thus, fear having been bracketed, discourse will seem tenable only if it ceaselessly confront that otherness, a burden both repellent and repelled, a deep well of memory that is unapproachable and intimate: the abject.
Julia Kristeva (Powers of Horror: An Essay on Abjection)
So much for the recreational side of night life in the upper-bracket-income hotels of Manhattan. And in its root-origins the very word itself is implicit with implication: re-create. Analyze it and you'll see it also means to reproduce. But clever, ingenious Man has managed to sidetrack it into making life more livable. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
Her hair is longer now, and fine lines bracket her mouth, parentheses around a lifetime of words I wasn't around to hear.
Jodi Picoult (My Sister’s Keeper)
His arms became a set of parentheses bracketing the sweetest secret phase.
Christina Lauren (Love and Other Words)
A few words which he wanted to emphasize were put into brackets or set off by quotation marks. My first impulse was to point out to him that it was ridiculous to put slang words and expressions between quotation marks, for that prevents them from entering the language. But I decided not to. When I received his letters, his parentheses made me shudder. At first, it was a shudder of slight shame, disagreeable. Later (and now, when I reread them) the shudder was the same, but I know, by some indefinable, imperceptible change, that it is a shudder of love- it is both poignant and delightful, perhaps because of the memory of the word shame that accompanied it in the beginning. Those parentheses and quotation marks are the flaw on the hip, the beauty mark on the thigh whereby my friend showed that he was himself, irreplaceable, and that he was wounded.
Jean Genet (Miracle of the Rose)
He couldn’t be— Oh, Lord. He was. He was going to kiss her. “Wait.” Panicked, Maddie put both hands on his chest, holding him off. “Your men, my servants … they could be watching us.” “I’m certain they’re watching us. That’s why we’re going to kiss.” “But I don’t know how. You know I don’t know how.” His lips quirked. “I know how.” Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns. Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon. With one long, slow tug, he eased it loose and cast it aside. It landed in the loch with a splash. His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes. “That was my best drawing pencil,” she said. “It’s just a pencil.” “It came from London. I have a limited supply.” His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.” “But—” Her breath caught. “Oh.” He bracketed her cheeks with his hands, tilting her face to his. Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her. She whispered, “This is really happening, isn’t it?” In answer, he pressed his lips to hers.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
(and if it is rambling talk, disconnected, trivial, dull, and sometimes unintelligible, it is the reader's fault for listening to a lady talking to herself; we only copy her words as she spoke them, adding in brackets which self in our opinion is speaking, but in this we may well be wrong).
Virginia Woolf (Orlando)
Mr. Lomax had signed for Emmeline. That told me that she had survived the fire, at least. And on the second line, the name I had been hoping for. Vida Winter. And after it, in brackets, the words, formerly known as Adeline March. Proof. Vida Winter was Adeline March. She was telling the truth.
Diane Setterfield (The Thirteenth Tale)
He put down the receiver and looked vaguely at the paper in his hand. It was a rough piece of white wrapping paper. Scrawled in pencil in ragged block letters were the words: HE DISAGREED WITH SOMETHING THAT ATE HIM And underneath in brackets: (P.S. WE HAVE PLENTY MORE JOKES AS GOOD AS THIS)
Ian Fleming
Now, brooder is an interesting word. People who worry a lot in silence are known as brooders. But then again so is a hen sitting on her eggs. The more I get to know chickens, the more I realize half our language comes from chickens. Well, not half. But an awful lot considering this isn't Latin or anything. Cooped up. Egghead. Hatch a plan. Henpecked. Pecker. Cock. Chickenshit. Chicken-scratch. A lot of chicken words are meant to deliver attitude, which isn't surprising to me now that I have chickens. Chickens aren't background animals like fish or sheep or horses. Chickens are in-your-face animals. Chickens if you have them, come to bracket your days. The rooster hollers all morning, and then in the evening the hens have left you their mysterious gift of eggs. Silkies are said to be excellent brooders, to have a tendency toward "broodiness." This, too, is usually meant as a compliment.
Jeanne Marie Laskas (Growing Girls: The Mother of All Adventures)
It was his fault.She could put the blame for this entirely on Brian Donnelly's shoudlers.If he hadn't been so insufferable,if he hadn't been there being insufferable when Chad had called, she wouldn't have agreed to go out to dinner.And she wouldn't have spent nearly four hours being bored brainless when she could've been doing something more useful. Like watching paint dry. There was nothing wrong with Chad, really.If you only had,say,half a brain, no real interest outside of the cut of this year's designer jacket and were thrilled by a rip-roaring debate over the proper way to serve a triple latte,he was the perfect companion. Unfortunately,she didn't gualify on any of those levels. Right now he was droning on about the painting he'd bought at a recent art show. No,not the painting,Keeley thought wearily. A discussion of the painting,of art,might have been the medical miracle that prevented her from slipping into a coma.But Chad was discoursing-no other word for it-on The Investment. He had the windows up and the air conditioning clasting as they drove. It was a perfectly beautiful night, she mused, but putting the windows down meant Chad's hair would be mussed. Couldn't have that. At least she didn't have to attempt conversation. Chad preferred monologues. What he wanted was an attractive companion of the right family and tax bracket who dressed well and would sit quietly while he pontificated on the narrow areas of his interest. Keeley was fully aware he'd decided she fit the bill,and now she'd only encouraged him by agreeing to this endlessly tedious date.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The problem was acutely described in 1909 in a penetrating essay by Adolf Schlatter: According to the sceptical position, it is true that the historian explains; he observes the New Testament neutrally. But in reality this is to begin at once with a determined struggle against it. The word with which the New Testament confronts us intends to be believed, and so rules out once and for all any sort of neutral treatment. As soon as the historian sets aside or brackets the question of faith, he is making his concern with the New Testament and his presentation of it into a radical and total polemic against it.... If he claims to be an observer, concerned solely with his object, then he is concealing what is really happening. As a matter of fact, he is always in possession of certain convictions, and these determine him not simply in the sense that his judgments derive from them, but also in that his perception and observation is molded by them.
Ellen F. Davis (Art of Reading Scripture)
His eyes seemed to drink in every line, every shade of her face. He softened his grip on her chin, then bracketed her throat lightly with his fingers. As she held her breath, he stroked his thumb and fingers down both sides of her neck. “No,” he said, his voice growing husky. “I prefer to have you as you were yesterday…soft…lovely…yielding…” The words themselves were a caress, and the way he looked at her mouth, as if it were a particularly juicy morsel, made shivers dance down her spine. She fought the traitorous sensations. “You can’t have me at all.” “Can’t I?” A knowing smile touched his lips. He lowered his head and she braced herself for another brutal kiss. Instead, he pressed his lips to the pulse on the side of her neck. His lips were warm and buttery soft, nothing like they’d been a few moments ago. She tried to sit still, to pretend he wasn’t heating up her blood and making her tremble like a needle on a compass. Whole surges of feeling were taking over her body. She couldn’t seem to stop them.
Sabrina Jeffries (The Pirate Lord (Lord Trilogy, #1))
In other words, in the long list, most everything is about a leader’s character; only a single characteristic pertains to giftedness (teaching). Depending on how the traits are counted, the ratio is as drastic as twelve to one. There’s nothing on this list about being a strong leader, being able to cast a vision, or being charismatic or dynamic. I am not suggesting those aspects of leadership are irrelevant, but they certainly are not the heart of God’s concern for a pastor. Nor are they ever to trump God’s concern over character. As the Reformer Martin Bucer noted, “It is better to take those who may be lacking in eloquence and learning, but are genuinely concerned with the things of Christ.”33 When this God-given ratio is reversed and churches prefer giftedness over character, churches inevitably begin to overlook a pastor’s character flaws because he’s so successful in other areas. Leadership performance becomes the shield that protects the pastor from criticism. As Michael Jensen observed, “We frequently promote narcissists and psychopaths. Time and time again, we forgive them their arrogance. We bracket out their abuses of their power, because we feel that we need that power to get things done.”34
Michael J. Kruger (Bully Pulpit: Confronting the Problem of Spiritual Abuse in the Church)
Chaworth," the dark-haired man beside him intervened quietly, "if I may speak." The speaker was ruggedly attractive, with boldly hewn features and the sun-browned complexion of an avid outdoorsman. Although he was not young- his black locks were liberally shot with steel, and time had deepened the laugh-lines around his eyes and the brackets between his nose and mouth- he certainly couldn't have been called old. Not with that air of robust health, and the presence of a man with considerable authority. "I've known the lad since the day he was born," he continued, voice deep and a bit gravelly. "As you know, his father is a close friend. I'll vouch for his character, and his word. For the girl's sake, I suggest that we hold our silence and handle the matter with discretion." "I am also acquainted with his father," Lord Chaworth snapped, "who plucked many a fair flower in his day. Obviously the son is following in his footsteps. No, Westcliff, I will not remain silent- he must be held accountable for his actions." Westcliff? Pandora glanced at him with alert interest. She had heard of the Earl of Westcliff, who, after the Duke of Norfolk, held the oldest and most respectable peerage title in England. His vast Hampshire estate, Stony Cross Park, was famed for its fishing, hunting, and shooting.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Sweat popped out on his brow. Little by little he advanced. Higher. Deeper. Her flesh yielding beneath his gentle but inevitable penetration. She moaned. "It's not enough. Dammit, it's not enough!" His laugh was triumphant. "Patience, love. Patience." She buried her head against his shoulder. He buried his finger inside her cleft, as far as he could. His thumb slowly circled her velvety pearl, pressed, then circled anew, faster and faster, gaining a tempo he knew would drive her wild. Her hands came up, clenching and unclenching against his chest. He felt the tension strung throughout her body and knew precisely what caused it. Knew precisely how to ease it. "Don't fight it." The words were a low, silken whisper, yet his tone was almost gritty with self-control. "Just let it happen, darling. Just let it happen." She couldn't stop it. He knew that pure sensation burned inside her. She writhed around his finger, her hips seeking, stark and wanton. He knew precisely when the spasms of release seized hold. She cried aloud. Her body contracted around him, again and again. She collapsed against him, spent and satiated, his finger still deep inside her. Aidan, however, was more aroused than he had ever been in his life. Every part of his body, every muscle, every nerve, was taut and on edge, almost to the breaking point. A crimson haze of desire scorched his insides, for though Fionna had gained release, he had not. He could barely think. Powerful arms lifted her, catching her so that she faced him, her bare legs bracketed around his. a long arm swept around her back. "You pleased me, love. And I am glad that I pleased you so much. But the next time we are together like this, it will be a different part of me that will be inside you. The next time it will be this." Reaching between them, he fumbled with his trousers, freeing his rigid erection, curling her fingers around his thick, swollen flesh and sealing it there with the pressure of his own. "And there will be nothing between us, sweet. No barriers of clothing. No barriers of words. Do you understand what I am saying?" Fionna gaped at him, stunned at what he'd said. Stunned at what he was doing. She could feel that rigidly masculine part of him... good heavens, her palm was filled with that rigidly masculine part of him.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
People, for the most part, live in the objective-immediate mode (discussed earlier). This means that they are totally absorbed in and identified with positive worldly interests and projects, of which there is an unending variety. That is to say, although they differ from one another in their individual natures, the contents of their respective positivities, they are all alike in being positive. Thus, although the fundamental relation between positives is conflict (on account of their individual differences), they apprehend one another as all being in the same boat of positivity, and they think of men generally in terms of human solidarity, and say 'we'. But the person who lives in the subjective-reflexive mode is absorbed in and identified with, not the positive world, but himself. The world, of course, remains 'there' but he regards it as accidental (Husserl says that he 'puts it in parentheses, between brackets'), and this means that he dismisses whatever positive identification he may have as irrelevant. He is no longer 'a politician' or 'a fisherman', but 'a self'. But what we call a 'self', unless it receives positive identification from outside, remains a void, in other words a negative. A 'self', however, is positive in this respect—it seeks identification. So a person who identifies himself with himself finds that his positivity consists in negativity—not the confident 'I am this' or 'I am that' of the positive, but a puzzled, perplexed, or even anguished, 'What am I?'. (This is where we meet the full force of Kierkegaard's 'concern and unrest'.) Eternal repetition of this eternally unanswerable question is the beginning of wisdom (it is the beginning of philosophy); but the temptation to provide oneself with a definite answer is usually too strong, and one falls into a wrong view of one kind or another. (It takes a Buddha to show the way out of this impossible situation. For the sotāpanna, who has understood the Buddha's essential Teaching, the question still arises, but he sees that it is unanswerable and is not worried; for the arahat the question no longer arises at all, and this is final peace.) This person, then, who has his centre of gravity in himself instead of in the world (a situation that, though usually found as a congenital feature, can be acquired by practice), far from seeing himself with the clear solid objective definition with which other people can be seen, hardly sees himself as anything definite at all: for himself he is, at best, a 'What, if anything?'. It is precisely this lack of assured self-identity that is the secret strength of his position—for him the question-mark is the essential and his positive identity in the world is accidental, and whatever happens to him in a positive sense the question-mark still remains, which is all he really cares about. He is distressed, certainly, when his familiar world begins to break up, as it inevitably does, but unlike the positive he is able to fall back on himself and avoid total despair. It is also this feature that worries the positives; for they naturally assume that everybody else is a positive and they are accustomed to grasp others by their positive content, and when they happen to meet a negative they find nothing to take hold of.
Nanavira Thera
Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
even the formidable deputy seemed lost for words – or was saving them for later. Maths followed a similar pattern. While the others struggled over algebra, Janet spent the first half of the lesson hidden behind her ponytail of tangled hair – ‘looking for split ends,’ she explained to Edie afterwards – until Mr Robinson, a nervous young teacher who had joined the school the previous term, invited her to come to the front of the class and write an answer to the question he had just chalked up on the board. ‘Why are you picking on me?’ Janet asked sulkily. ‘Because I don’t think you’ve been paying attention,’ Mr Robinson replied. Janet scraped back her chair, and walked to the front of the class with her shoulders swaying. ‘What’s the point trying to work out the answer when the question doesn’t make sense?’ she said, and proceeded to insert a missing bracket into Mr Robinson’s equation. ‘That was awesome,’ said Belinda later, over tea. ‘He looked so embarrassed! Oh, Janet, you should have seen him when you were walking back to your desk – his face was like strawberry jam!’ ‘I felt sorry for him,’ said Anastasia. ‘He’s so shy, and sometimes I think he’s frightened of us. Do you remember that time he was on supper duty last term and
Esme Kerr (Knight's Haddon 2: Mischief at Midnight)
Ruth Bracket’s arms moved backward and forward in rhythmic motion. She was rowing, yet no sound came from her oarlocks. Oars and oarlocks were padded. She liked it best that way. Why? Mystery—that magic word “mystery.” How she loved it!
Mildred A. Wirt (The Girl Detective Megapack: 25 Classic Mystery Novels for Girls)
Chunking When I was young, I was told to read word by word very carefully. While this was useful for the early stages of learning, it is counterproductive later in life. The ultimate purpose of speed reading isn’t actually to read fast: it is to form images of what you read. In essence, it is really reading in images. Let’s take a sentence: The big fat cat jumped over the large spiky fence. Reading this word by word, our brain processes ten words. Hypothetically, if every word took us one second to read, the above sentence would take ten seconds to read. Now let’s break the sentence into chunks. (The big fat cat) (jumped over) (the large spiky fence) In this instance, we have ‘chunked’ the words into three (bracketed) images. If it took you one second to read each ‘chunk’ or image, the sentence could now be read in three seconds. This is more than three times faster than reading word by word! And you still read every word. In order to apply chunking, we apply it to a minimum set of words. To begin with, start by taking three words at a time. How to chunk:   1. Place your reading guide in the middle of the three words (i.e. beneath the second word). 2. Instead of reading each word, look at them as a group and visualise an image for them.  
Tansel Ali (The Yellow Elephant: Improve Your Memory and Learn More, Faster, Better)
Your wooden walls are far away, Yellow Hair. If you try to slip away, this Comanche will find you.” Until that moment, the thought of swimming off hadn’t occurred to her. She shot a glance over her shoulder at the swift current. If only she had clothes… “You do not make like a fish so good. Save this Comanche much trouble, eh?” She thought she detected laughter in his voice, but when she looked back at him, his gaze, blue-black and piercing, was as unreadable as ever. He studied her for several endless seconds. She wondered what he was thinking and decided, from the gleam in his eye, that she didn’t want to find out. “Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it.
Catherine Anderson (Comanche Moon (Comanche, #1))
Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it. “You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.
Catherine Anderson (Comanche Moon (Comanche, #1))
I want to go home very badly.” Loretta fixed her gaze on her captor’s medallion. All around her, the smell of his world permeated her senses, leather, dust, smoke, and unidentifiable foods. She was probably out of her mind to trust him. But, oh, how she wanted to. Home. To Aunt Rachel and Amy. It was a fact that he hadn’t lied to her--except for the time he had promised to cut out her tongue and hadn’t. She couldn’t very well hold that against him. She scooped up a handful of nuts and berries, taking a small amount into her mouth. The sweet taste of honey washed over her tongue, activating her salivary glands. Her stomach growled in response. He heard the sound and cocked an eyebrow. “It is good?” “Mm,” she said, taking another bite and brushing her palm clean on her bloomers. “Delicious.” “Dee-lish-us?” For the space of a heartbeat she forgot to be afraid of him, and a smile spread across her lips before she realized it was coming. When he smiled back at her, the strangest feeling swept over her, an inexplicable warmth. He had smiled at her before, of course, but never like this. “Delicious,” she repeated. “That means very good, much better than just good.” His smile didn’t fade, and she found herself fascinated. On a civilized man, that lopsided grin of his could have been heart-stopping. His sharply defined lips lifted lazily at one corner to reveal gleaming white teeth, deep creases bracketing his mouth. Not the face of a killer, surely. The mood shattered when he reached out to touch her cheek. The sudden movement made her recoil, reminding her of who he was and what he was. That he considered her his property. Because she jerked away, he settled for capturing a lock of her hair, twining it through his fingers. “You are dee-lish-us. Like sunshine, eh?” Unnerved by the gleam that had stolen into his eyes, Loretta caught hold of his hand to disentangle it from her hair. Just because there were no scalps in his lodge didn’t mean he was above taking one if the mood struck. “Only things you can taste are delicious.” The moment the words passed her lips, she recalled how he had nibbled at her neck. Heat crept up her nape. As if he guessed her thoughts, his gaze dropped to her throat. She found herself longing for her homespun dress with its mutton sleeves and high neckline. Mischief danced in his eyes. Or was it a trick of the light? “This Comanche is not a Tonkowa, a People Eater.
Catherine Anderson (Comanche Moon (Comanche, #1))
How many planes there are, we do not know. The levels of nature that science discriminates give us no clue, for these all pertain to size which, being an aspect of space, belongs to our plane only. (We discount as irrelevant for present purposes the peculiar modes of space we experience when dreaming.) The entire size-continuum, from minutest particle to our 26-billion-light-year universe, falls along the horizontal arms we see. The planes that bracket this central one—central from our point of view—may be indefinite in number, but even if they are, something can be said about their antipodes. As the levels of reality array themselves along the vertical axis in descending degrees of reality, reality being (as noted in the preceding chapter) worth's final criterion, the bottom of the arm represents the point—a fraction of a degree above absolute zero as we might say—where being phases out completely; all that could lie beyond this margin is a nothing that is as unthinkable as it is non-existent. The top of the axis represents the opposite of this, that is, everything. Opposites being well acquainted, this everything shares in common with its antithesis the fact that it too cannot be imaged, but unlike complete nothingness it can be conceived. Being we experience, whereas nothing, by itself, we do not. The zenith of being is Being Unlimited, Being relieved of all confines and conditionings. The next chapter will discuss it; for now we simply name it. It is All-Possibility, the Absolute, the In-finite in all the directions that word can possibly point." from_The Forgotten Truth_
Huston Smith
The basic idea of Heidegger’s Being and Time is that we are finite beings, “thrown,” as Heidegger puts it, into the world with no knowledge of where we came from, what we are here for or where we are going. We live in a present, yet we are constantly aware of multiple future possibilities in which we must choose even though we can know only in retrospect whether we chose wisely and well. This radical uncertainty about our situation, Heidegger argued, produces in us anxiety—anxiety that is heightened by our knowledge of death. “Being,” in other words, is bracketed by “time.” Humans are perishable beings that for the time being exist.
Dinesh D'Souza (United States of Socialism: Who's Behind It. Why It's Evil. How to Stop It.)
The Rock: You have to remember that the IRS wants to tax you on your money so badly that, at a certain point, they will force you to take money out. This happens at age 70½, and it’s called a Required Minimum Distribution (RMD). If you forget or choose not to take the money out, the IRS imposes what’s called an excise tax. In reality it’s a penalty, and it’s an astounding 50% of your RMD. In other words, if you were supposed to take out $10,000 but didn’t, you would get a bill in the mail for $5,000. And that doesn’t even include the income tax! Throw in another 30% (24% federal and 6% state) for that, and you’re looking at forfeiting 80% of whatever you were supposed to take out but didn’t. As you can see, the IRS is pretty serious about getting their money. The Hard Place: Now we understand what happens if you don’t take enough money out of your tax-deferred investments. But what happens if you take out too much? Beyond paying increasingly higher amounts of tax, the IRS says that as much as 85% of your Social Security becomes taxable. What?! you may be thinking. Social Security felt like a tax when it came out of my paycheck, and now they’re going to tax it before I get it back? That’s like a double tax! Sadly, you read correctly.
David McKnight (The Power of Zero, Revised and Updated: How to Get to the 0% Tax Bracket and Transform Your Retirement)
Second, money distributed from a truly tax-free investment cannot count as provisional income. In other words, true tax-free investments do not contribute to the thresholds that determine whether your Social Security benefits get taxed. Not to pick on municipal bonds again, but interest on these bonds does count as provisional income and may cause a portion of your Social Security to be taxed. So, an investment vehicle widely touted as tax-free doesn’t even satisfy the two litmus tests required of a truly tax-free investment.
David McKnight (The Power of Zero, Revised and Updated: How to Get to the 0% Tax Bracket and Transform Your Retirement)
Gnosticism, a highly intellectual second-century movement (the word ‘gnostic’ comes from the Greek word for ‘knowledge’) that was later declared heretical, didn’t help. Heretics were intellectual therefore intellectuals were, if not heretical, then certainly suspect. So ran the syllogism. Intellectual simplicity or, to put a less flattering name on it, ignorance was widely celebrated. The biography of St Antony records with approval that he ‘refused to learn to read and write or to join in the silly games of the other little children’. Education and silly games are here bracketed together, and both are put in opposition to holiness. Instead of this, we learn, Antony ‘burned with the desire for God’. That this wasn’t quite true – Antony’s letters reveal a much more careful thinker than this implies – didn’t much matter: it appealed to a powerful ideal. No need to read: give up both books and bread and you will win God’s favour. Even intellectuals were susceptible to this pretty picture: it was hearing about how the simple, unlettered Antony had inspired so many to turn to Christ that led Augustine to start striking himself on the head, tearing his hair and asking, ‘What is wrong with us?’ Ignorance was power.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
Tags separate normal texts from codes. They are the words found between angle brackets and they allow tables and images among others to tell the browser what needs to be rendered on the page.
Micheal Knapp (HTML & CSS: Learn The Fundamentals In 7 days)
Tags separate normal texts from codes. They are the words found between angle brackets and they allow tables and images among others to tell the browser what needs to be rendered on the page. HTML tags perform a variety of functions. They do not show up when you use a browser to view the page. You only see their effects. The most basic and simplest of tags do not have a lot of functions. They merely apply formatting to texts.
Micheal Knapp (HTML & CSS: Learn The Fundamentals In 7 days)
Since the eighteenth century, the Celtic fringes have posed for the urban intellectual as a location of the wild, the natural, the creative and the insecure. We can often find it said, with warm approval, that the Celts are impetuous, natural, spiritual and naive. I try in what follows to make a clear that such an approval is drawing on the same system of structural oppositions as is the accusation that the Celt is violent (impetuous), animal (natural), devoid of any sense of property (spiritual), or without manners (naive). I include the bracketed terms as effective synonyms of the words that precede them, that we would use to praise rather than deride... We are dealing here with a rich verbal and metaphorical complex, and I have not thought it very important to distinguish between those who find a favourable opinion of the Gael within this complex, and those who dip into it to find the materials for derision. In both cases the coherence of the statements can only be found at their point of origin, the urban intellectual discourse of the English language, and not at their point of application, the Celt, the Gael, the primative who is ever departing, whether his exit be made to jeers or to tears.
Malcolm Chapman (The Gaelic Vision in Scottish Culture)
She transferred the baby and his Tupperware into the playpen for safety, stormed into the well-equipped garage, and searched frantically for a screwdriver. With an exultant cry of victory, she punched the button to the garage door opener and waited impatiently for it to rise. Resolutely, Aggie charged out of the gaping hole left by the door only to return moments later for a ladder. This posed a bigger problem than she’d anticipated. There wasn’t a ladder in sight. She searched corners and behind cabinets. In sheer exasperation, she threw her hands into the air and looked up as if to say, “I can’t take much more, Lord,” but the sight of a ladder hanging horizontally from the rafters halted her internal ranting. Now, she spoke aloud, her voice tinged with disgust. “Who would put a ladder up so high that you need a ladder to get the ladder down in the first place?” After a moment’s pause, she dashed into the kitchen and banged around the room, searching for the step stool. Ian squealed his slobbery encouragement as Aggie dragged the stool through the room, ruffling the few ruddy curls atop his bald little baby head. She teetered on the step stool, barely avoiding a collapse, and finally managed to jerk the ladder from its hooks. Hauling her prize out the garage door, Aggie surveyed the tattered basketball net she had remembered hanging deserted over the garage. The uncooperative ladder fought her at every step. After several frustrating minutes, where every swear word she’d ever heard filled her brain and threatened to overtake her self-control, Aggie realized that the ladder was upside down. Righting it, she climbed to the mounting bracket, the ladder teetering with every step. She eventually managed to unscrew one side of the apparatus and then the other. With a few jerky movements, the backboard lay on the ground beneath the swaying ladder, hardly worse for the fall. Aggie felt like a housekeeping genius as she wobbled through the house carrying her conquest upstairs to the wall above the hamper at the end of the hallway. The backboard was heavy and cumbersome; she found it difficult to hold in place and screw it into the wall at the same time, but several minutes later, she stood back and surveyed the results of her efforts. Though nearly satisfied, the lid on the hamper mocked her brilliant idea. Undaunted, she gave a swift jerk and ripped the cover off the offending hamper. “There. That’ll work,” she muttered as she trudged back downstairs, fighting the compulsion to pick up all the dirty laundry herself.
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
His arms became a set of parentheses bracketing the sweetest secret phrase.
Christina Lauren (Love and Other Words)
there is a possibility that Noah's descendants could easily have read previous documents passed down from patriarchs back to Adam. The presence of the 11 toledoths in Genesis, and the fact that Genesis 5:1 says, "This is the book [cepher, the normal Hebrew word for "book"] of the genealogy [toledoth] of Adam" (brackets mine) is strong evidence that when Moses compiled Genesis into its present form, he was working with existing written documents passed on from the patriarchs.
Bodie Hodge (Tower of Babel)
I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
The line in question ends in a word that would not be legal as the end of a statement, such as a period or an infix operator. The next line begins with a word that cannot start a statement. The line ends while inside parentheses (...) or brackets [...], because these cannot contain multiple statements anyway.
Martin Odersky (Programming in Scala)
What are you facing today that you wouldn’t be facing if you were in control? What are you required to deal with that you really wish you could avoid? Where have your plans dripped like sand through your fingers? Where would you like to take back choices and redo decisions? Where do you tend to look over the fence and wish you had someone else’s life? Where do you feel troubled, inadequate, weak, defeated, overwhelmed, alienated, or alone? Where do thoughts of the past tend to flood you with regret, or visions of the future make you a bit afraid? What causes you to wish life was easier or at least a bit more predictable? If you could change a couple of things in your life right now, what would they be? Where does it feel to you as if you’re on an amusement park ride that you never intended to be on? If you’re not in one of the moments I’ve described above, you will be someday, and you are near to someone who is. Life in this fallen world is often very hard. This world and everything in it are not functioning the way God intended. The brokenness of this fallen world will enter your door and somehow alter the trajectory of your life. In those moments, it is tempting to conclude that life is all about surviving the chaos. You feel that you don’t have much power, you have been confronted with the fact that there’s not much that you control, and you have no idea of what might be lurking around the corner. It all seems impossible and scary. But this is not where God’s Word leaves us. Yes, it does confront us with our smallness, weakness, and lack of control, but it doesn’t leave us there. The Bible declares something to us that is the opposite of the way we tend to think. It tells us that the difficulties that we face every day, the seeming chaos that regularly greets us, are not the result of the world being out of control, but the result of the reign of One who is in complete control. Paul says in Ephesians 1:22, “And he [God] put all things under his [Christ’s] feet and gave him as head over all things to the church” (the explanations in brackets are mine). So no matter how it looks to you at street level, your world is not out of control; no, it is under careful rule. As radical as that thought is, it’s not radical enough, because it does not do justice to all that Paul says. Paul wants you to know something else. That rule has you in view! Right now, Jesus rules over all things for the sake of his children. This is where peace is to be found.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
Harry strained his ears. Distantly, from the floor above, and growing fainter still, he heard the voice: ‘… I smell blood … I SMELL BLOOD!’ His stomach lurched. ‘It’s going to kill someone!’ he shouted, and ignoring Ron and Hermione’s bewildered faces, he ran up the next flight of steps three at a time, trying to listen over his own pounding footsteps. Harry hurtled around the whole of the second floor, Ron and Hermione panting behind him, not stopping until they turned a corner into the last, deserted passage. ‘Harry, what was that all about?’ said Ron, wiping sweat off his face. ‘I couldn’t hear anything …’ But Hermione gave a sudden gasp, pointing down the corridor. ‘Look!’ Something was shining on the wall ahead. They approached, slowly, squinting through the darkness. Foot-high words had been daubed on the wall between two windows, shimmering in the light cast by the flaming torches. THE CHAMBER OF SECRETS HAS BEEN OPENED. ENEMIES OF THE HEIR, BEWARE. ‘What’s that thing – hanging underneath?’ said Ron, a slight quiver in his voice. As they edged nearer, Harry almost slipped over: there was a large puddle of water on the floor. Ron and Hermione grabbed him, and they inched towards the message, eyes fixed on a dark shadow beneath it. All three of them realised what it was at once, and leapt backwards with a splash. Mrs Norris, the caretaker’s cat, was hanging by her tail from the torch bracket. She was stiff as a board, her eyes wide and staring. For a few seconds, they didn’t move. Then Ron said, ‘Let’s get out of here.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
So much for the recreational side of night life in the upper-bracket-income hotels of Manhattan. And in its root-origins the very word itself is implicit with implication: re-create. Analyze it and you’ll see it also means to reproduce. But clever, ingenious Man has managed to sidetrack it into making life more livable.
Cornell Woolrich (New York Blues)