Bracelets With Quotes

We've searched our database for all the quotes and captions related to Bracelets With. Here they are! All 200 of them:

Look at me, with my pretty bracelet and tiara... I'm a f****n' princess!
Gerard Way
Your Bracelet," she said. "Acheronta movebo.' It doesn't mean 'Thus always to tyrants.' That's 'sic semper tyrannis.' This is from Virgil. 'Flectere si nequeo superos, Acheronta movebo.' If I cannot move Heaven, I will raise Hell.
Cassandra Clare
Good memories are like charms...Each is special. You collect them, one by one, until one day you look back and discover they make a long, colorful bracelet.
James Patterson (Suzanne's Diary for Nicholas)
She was so evidently the victim of the civilization which had produced her, that the links of her bracelet seemed like manacles chaining her to her fate.
Edith Wharton (The House of Mirth (Dover Thrift Editions: Classic Novels))
I learned about the sacred art of self decoration with the monarch butterflies perched atop my head, lightning bugs as my night jewelry, and emerald-green frogs as bracelets.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
And so, surpassing my own records for dangerous, reckless behavior, I ripped off Sonya's bracelet. "I'm Rose Hathaway.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Sean reaches between us and slides a thin bracelet of red ribbons over my free hand. Lifting my arm, he presses his lips against the inside of my wrist. I'm utterly still; I feel my pulse tap several times against his lips, and then he releases my hand. "For luck," he says. He takes Dove's lead from me. "Sean," I say, and he turns. I take his chin and kiss his lips, hard. I'm reminded, all of a sudden, of that first day on the beach, when I pulled his head from the water. "For luck," I say to his startled face.
Maggie Stiefvater (The Scorpio Races)
You're right. And so was my snake." Snake?" He pulled my arm out to expose my bracelet. "When I carved this my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me.
Maria V. Snyder
He was dressed just like on TV, with lots of silver chains and bracelets, ripped jeans, and a black muscle shirt (Which was kind of stupid, since he didn't have any muscles).
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
In two decades I've lost a total of 789 pounds. I should be hanging from a charm bracelet.
Erma Bombeck
Wrists are for bracelets, not for cutting.
Kellin Quinn
She peels an orange, separates it in perfect halves, and gives one of them to me. If I could wear it like a friendship bracelet, I would. Instead I swallow it section by section and tell myself it means even more this way. To chew and to swallow in silence here with her. To taste the same thing in the same moment.
Nina LaCour (We Are Okay)
Also, I designed a pretty fascinating bracelet, where you put a rubber band around your favorite book of poems for a year, and then you take it off and wear it.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
But aren’t small things exactly what friendships are made up of? Frayed string bracelets and late-night texts and compilations of your favorite songs? When you take those things away, what do you have left?
Ann Liang (This Time It's Real)
There's a meeting in Command. Disregard your current schedule,' he says. 'Done,' I say. 'Did you follow it at all today?' he asks in exasperation. 'Who knows? I'm mentally disoriented.' I hold up my wrist to show my medical bracelet and realize it's gone. 'See? I can't even remember they took my bracelet.' (Katniss and Boggs)
Suzanne Collins (Mockingjay (The Hunger Games, #3))
A sister is not a friend. Who can explain the urge to take a relationship as primal and complex as a sibling and reduce it to something as replaceable, as banal as a friend? Yet this status is used again and again to connote the highest intimacy. True sisterhood is not the same as friendship. You don't choose each other and there is no furtive period of getting to know each other. You are a part of each other, right from the start. Look at an umbilical cord—tough, sinuous, unlovely, yet essential—and compare it to a friendship bracelet of brightly woven thread. That is the difference between a sister and a friend.
Coco Mellors (Blue Sisters)
I used to think that diamonds were a girl's best friend, but now I realize it's carbohydrates. Seriously, I have a French baguette at home sporting a matching friendship bracelet.
Lauren Conrad (Sweet Little Lies (L.A. Candy, #2))
Well, I always tried to look nice and be feminine even in the worst tragedies and crisis, there's no reason to add to everyone's misery by looking miserable yourself. That's my philosophy. This is why I always wore makeup and jewelry into the jungle-nothing too extravagant, but maybe just a nice gold bracelet and some earrings, a little lipstick, good perfume. Just enough to show that I still had my self-respect.
Elizabeth Gilbert (Eat, Pray, Love)
And the joys I've felt have not always been joyous. I could have lived differently. When I was your age, my grandfather bought me a ruby bracelet. It as too big for me an would slide up and down my arm. It was almost a necklace. He later told me that he had asked the jeweler make that way. Its size was supposed to be a symbol of his love. More rubies, more love. But I could not wear it comfortably. I could not wear it at all. So here is the point of everything I have been trying to say. IF I were to give a bracelet to you, now, I would measure your wrist twice
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Will began to straighten up, to turn away from the bed. And as he did, he felt something wrap tightly around his wrist. He glanced down and saw Jem’s hand braceleting his own. For a moment he was too shocked to do anything but stare. “I am not dead yet, Will,” Jem said in a soft voice, thin but as strong as wire. “What did Magnus mean by asking you if I knew you were in love with Tessa?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
She had a bracelet on one taper arm, which would fall down over her round wrist. Mr. Thornton watched the replacing of this troublesome ornament with far more attention than he listened to her father. It seemed as if it fascinated him to see her push it up impatiently, until it tightened her soft flesh; and then to mark the loosening—the fall. He could almost have exclaimed—'There it goes, again!
Elizabeth Gaskell (North and South)
The moon on a bracelet and the sun in a jar,” said Sarai. “We really wreak havoc on the heavens, don’t we?” Lazlo’s voice sank deeper in his throat. Smokier. Hungrier. “I expect the heavens will survive,” he said, and then he kissed her.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
I love your bracelet!’ I said to the brunette next to me, because, while most girls are onto the whole stranger-with-candy thing, the strangers-with-compliments strategy is still remarkably effective.
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
And in a small house five miles away was a man who held my mud-encrusted charm bracelet out to his wife. Look what I found at the old industrial park," he said. "A construction guy said they were bulldozing the whole lot. They're afraid of sink holes like that one that swallowed the cars." His wife poured him some water from the sink as he fingered the tiny bike and the ballet shoe, the flower basket and the thimble. He held out the muddy bracelet as she set down his glass. This little girl's grown up by now," she said. Almost. Not quite. I wish you all a long and happy life.
Alice Sebold (The Lovely Bones)
I put the charm bracelet away in the purse and return it to my jewel case. I don't need a spell to foresee the future; I am going to make it happen.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
He pulled my arm out to expose my bracelet. "When I carved this, my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me." His sapphire eyes held a promise. - Valek
Maria V. Snyder (Magic Study (Study, #2))
I’m going to make a man bracelet. Let me see your wrist.
Kasie West (P.S. I Like You)
I curl up, make myself smaller, try to disappear entirely. Wrapped in silence, I slide my bracelet that reads 'mentally disoriented' around and around my wrist.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
if it was murder, what if the murderer was, like, weird, which would make their subsequent marriage to Gideon pretty awkward? Maybe they could just swap friendship bracelets. In
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Bracelets with white symbols?” Michael made the question casual; in fact, he bent his head and concentrated on tuning his guitar, not that it needed it. Every note sounded perfect as it whispered out of the strings. “Do you remember?” “No.” She felt a pure burst of something that wasn’t quite panic, wasn’t quite excitement. “Does that mean they have Protection?” He hesitated for about a second, just long enough for her to know he was surprised. “You mean condoms?” he asked. “Doesn’t everybody?
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
We both want you dead. I'm bringing the friendship bracelets to the next meeting.
Nenia Campbell (Armed and Dangerous (The IMA, #2))
What are we doing?" Asher helped himself to a seat at my table. "We aren't doing anything," I told him bluntly. "My mistake. I thought we were brooding in Henry's general direction. Like so." He adopted stormy countenance, then gestured to me. "Yours is better." "Go away, Asher." "You say go away, I hear be my bosom buddy." He gave an elaborate shrug. "Seriously, though: friendship bracelets—yea or nay?
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
ITS NOT FUNNY!" "You're right," agreed Sydney. "It's no funny. It's hilarious." We were back at Raymond's house, in the privacy of our room. It had taken forever for us to get away form the fireside festivities, particularly after learning a terrible fact about a Keeper custom. Well, I thought it was terrible, at least. It truned out that if someone wanted to marry domeone else around here, the prospectimve bride and groom each had to battle it out with the other's nearest relative of the same sex. Angeline had spotted Joshua's interest from the moment I'd arrived, and when she'd seen the bracelet, she'd assumed some sort of arragement has been made.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
And at the place where time stands still, one sees lovers kissing in the shadows of buildings, in a frozen embrace that will never let go. The loved one will never take his arms from where they are now, will never give back the bracelet of memories, will never journey afar from his lover, will never place himself in danger of self-sacrifice, will never fail to show his love, will never become jealous, will never fall in love with someone else, will never lose the passion of this instant of time.
Alan Lightman (Einstein’s Dreams)
Do what makes you happy. It sounds so simple and yet it's so hard, because few of us do. We live out of fear. We live for others, their hopes and expectations. We do what makes everyone else happy.
Viola Shipman (The Charm Bracelet)
Far below ran the silver ribbon of the East River, braceleted by shining bridges, flecked by boats as small as flyspecks, splitting the shining banks of light that were Manhattan and Brooklyn on either side.
Cassandra Clare
The bracelet validates that my memory is a real one.
Colleen Hoover (Hopeless (Hopeless, #1))
Sam looked at her outstretched hand, which he knew as well as any hand except his own---the precise pattern of the lines that made up the grid of her palm, the slim fingers with the purplish veins at the knuckles, the particular creamy olive hue of her skin, her delicate wrist, pinkish, with a penumbral callus that must have come from Dov, the white gold bracelet she wore that he knew had been a gift from Freda on her twelfth birthday. How could she honestly think he wouldn't know about the handcuffs? He had spent hours sitting next to her, playing games and then making them, staring at her hands as her fingers flew across a keyboard or jabbed at a controller. Tell me I don't know you, Sam thought. Tell me I don't know you when I could draw both sides of this hand, your hand, from memory.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.
Rebecca Solnit (A Field Guide to Getting Lost)
I just ordered a Life Alert bracelet, so if I get a life, I’ll be notified immediately. —BUMPER STICKER I
Darynda Jones (Eleventh Grave in Moonlight (Charley Davidson, #11))
A kiss on the hand may feel very, very good, but a diamond and sapphire bracelet lasts forever.
Anita Loos
Not only does he pause, he actually turns toward me and makes eye contact. Huge progress for us. Friendship bracelets incoming, surely.
Emily Henry (Great Big Beautiful Life)
Wrists are for bracelets not cutting
Kellin Quinn
Do that again and, bracelet or no bracelet, I’ll tear your head off and use it for a doorstop. (Xypher)
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
The Snowflake Charm Be As Unique As A Snowflake: Embrace All Your Dimensions
Viola Shipman (The Charm Bracelet)
Somewhere, a dark car raced along a night road. A hand gripped the wheel, leather bands looped over the wrist bone. The Greywaren. Ronan. In this dreamplace, all times were the same time, and so Adam had a strange, lucid beat of reliving the moment Ronan had offered his hand to help Adam up from the asphalt. Stripped of context, the physical sensations exploded: the surprising shock of heat from that skin-to-skin grip; the soft hiss of the bracelets against Adam’s wrist; the sudden bite of possibility —
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Nothing about you or Wonderland makes sense. And the ‘one abiding truth’ is that life was so much easier when I’d forgotten your massive ego and that other world ever existed.” A tremor shifts through his features, first fragile, then severe. His muscles twitch under his T-shirt, sending a tingling sensation through my knuckles. “You want me nonexistent?" Before I can respond, he steps back and flips the hat from his head. Then he drags off his vest and his T-shirt, dropping them all on the floor at my feet. Once he’s peeled off his necklace and bracelets, he stands there facing me in only jeans and boots. I watch him warily. “W-w-what are you doing?” “I’m clearing the way for my massive ego.
A.G. Howard (Unhinged (Splintered, #2))
You're right, Dad. Dr. Golan did help me. But that doesn't mean he has to control every aspect of my life. I mean, Jesus, you and mom might as well buy me one of those little bracelets that says, What Would Golan Do? That way I can ask myself before I do anything. Before I take a dump. How would Dr. Golan want me to take this dump? Should I bank it off the side or go straight down the middle? What would be the most psychologically beneficial dump I could take?
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
A Mother & Daughter's Love Is Never Separated
Viola Shipman (The Charm Bracelet)
Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.
Michael Tobert (Karna's Wheel)
You're weird," Nick grumbled, but he turned his face back to critically examine the new hand. "You're weird," Jamie returned. "As soon as this whole magical war is over, I'm going to make us some friendship bracelets, and we will wear them everywhere because we are best friends." "Drop dead," said Nick, and Jamie looked serenely pleased.
Sarah Rees Brennan (The Demon's Surrender)
Wrists are for bracelets, not cutting.
Kellin Quinn
The fact that Tory had given him that little friendship bracelet – which he religiously wore every day without comment – was the cutest damn thing ever.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.
Jandy Nelson (The Sky Is Everywhere)
Wait, we can not break bread with you. You have taken the land which is rightfully ours. Years from now my people will be forced to live in mobile homes on reservations. Your people will wear cardigans, and drink highballs. We will sell our bracelets by the road sides, and you will play golf, and eat hot h'ors d'ourves. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They said do not trust the pilgrims, especially Sarah Miller. And for all of these reasons I have decided to scalp you and burn your village to the ground.
Paul Rudnick
I nodded toward Cade’s wrist. “I’m sorry.” “It’s fun. I get a man bracelet.” I smiled. “I don’t think you get to keep it. She’s just using you as her model.” “Her model?” “It’s a fact, not a compliment.” “Because if you gave me a compliment you might have a stroke.” I laughed. “Probably not a stroke, but my brain would definitely revolt in some way.” He didn’t laugh along with me, just looked at the cording on his wrist. “Oh, stop, you don’t need me to tell you that you’re hot to know that it’s true.” “Are you okay? Did that hurt your head?” Cade asked. I kicked his foot with mine and he laughed. “So you think I’m hot?” Cade’s eyes sparkled. “Doesn’t every girl?” It surprised me when his cheeks turned a light shade of pink. I wasn’t sure why that embarrassed him in any way. I was positive he already knew it. He ran one hand through his hair. Then he said, almost too quiet for me to hear, “You’re not every girl.
Kasie West (P.S. I Like You)
Draw outside the lines! Make the sky purple instead of blue! That's what it looks like to dreamers!
Viola Shipman (The Charm Bracelet)
Usually at least once in a person's childhood we lose an object that at the time is invaluable and irreplaceable to us, although it is worthless to others. Many people remember that lost article for the rest of their lives. Whether it was a lucky pocketknife, a transparent plastic bracelet given to you by your father, a toy you had longed for and never expected to receive, but there it was under the tree on Christmas... it makes no difference what it was. If we describe it to others and explain why it was so important, even those who love us smile indulgently because to them it sounds like a trivial thing to lose. Kid stuff. But it is not. Those who forget about this object have lost a valuable, perhaps even crucial memory. Becuase something central to our younger self resided in that thing. When we lost it, for whatever reason, a part of us shifted permanently.
Jonathan Carroll (The Ghost in Love)
I don’t care if I’m the one who captures him. I just want bracelets on his wrists and a cell door slamming behind him.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
The Shooting Star Charm To Be Lucky in Love, You Must First Believe in Miracles
Viola Shipman (The Charm Bracelet)
I’m going to lend you my good-luck charm,” I announce, holding up the tacky pink-and-purple bracelet. She gasps. “Seriously?” “Yup.
Elle Kennedy (The Risk (Briar U, #2))
To know nothing, or little, is in the nature of some husbands. To hide, in the nature of how many women? Oh, ladies! how many of you have surreptitious milliners' bills? How many of you have gowns and bracelets which you daren't show, or which you wear trembling?--trembling, and coaxing with smiles the husband by your side, who does not know the new velvet gown from the old one, or the new bracelet from last year's, or has any notion that the ragged-looking yellow lace scarf cost forty guineas and that Madame Bobinot is writing dunning letters every week for the money!
William Makepeace Thackeray (Vanity Fair)
Why”—he buries his fingers in my hair, pulling my head lower until my mouth almost touches his lips—“did I buy the bracelet, Milene?” “Because I liked it?” I whisper against his lips. “Because you liked it,” he says as he presses his mouth to mine.
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
I wish you wouldn't have given the sundial bracelet to Terease" "Why?" I question and press my head onto his chest, pushing my arms back into his open jacket and around his back. "If I had it to lead me to my deepest desire, I know it would always be a direct path to you.
Michelle Warren (Wander Dust (The Seraphina Parrish Trilogy, #1))
You do realize that the cost of that bracelet is within spitting distance of my going rate as an assassin, right?” “You mean your going rate back when you were actually killing people for money,” Finn said. “Or as I like to call them— the good ole days.
Jennifer Estep (Deadly Sting (Elemental Assassin, #8))
The smell of peace is abroad, the air is cold, the skies are brittle, and the leaves have finally fallen. I wear a pony coat with skin like watered silk and muff of lamb. My fingers lie in depths of warmth. I have a jacket of silver sequins and heavy bracelets of rich corals. I wear about my neck a triple thread-like chain of lapis lazulis and pearls. On my face is softness and content like a veil of golden moonlight. And I have never in all my lives been so lonely.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
You see how good and evil are twisted together? Like a golden dragon bracelet snaking brightly about a person's arm.
Cressida Cowell (How to Twist a Dragon's Tale (How to Train Your Dragon, #5))
Selling bracelets to old ladies isn't as cute when you are a teenager with constant accidental boners.
Shane Dawson
The Sewing Machine Charm To A Life Bound by Family, The Thread That Ties Us All Together
Viola Shipman (The Charm Bracelet)
Her smile faded. “Do you know the worst thing about it? I forgot him. Daemon was a friend, and I forgot him. That Winsol, before I was…he gave me a silver bracelet. I don’t know what happened to it. I had a picture of him. I don’t know what happened to that either. And then he gave everything he had to help me, and when it was done, everyone walked away from him as if he didn’t matter.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
The library knows that it is a temporary fix. We have a stamp for the inside front cover: BROKEN SPINE NOTED. It is like a bracelet worn by a diabetic. When you return the book with this message stamped inside, we know you're not the one responsible for this horrible thing. It was some other bastard before you. The book has a preexisting condition.
Don Borchert
Beside the watch was a pearl bracelet she always wore. She never took it off. Will had given it to her when they had been married thirty years, smiling as fastened it on. He had had gray in his hair them, she knew, though she had never really seen it. As if her love had given him his own shape-shifting ability, no matter how much time had passed, when she looked at him, she always saw the wild, black-haired boy she had fallen in love with. It still seemed incredible to her sometimes that they had managed to grow old together, herself and Will Herondale, whom Gabriel Lightwood had once said would not live to be older than nineteen. They had been good friends with the Lightwoods too, through all those years. Of course Will could hardly not be friends with the man who was married to his sister. Both Cecily and Gabriel had seen Will on the day he dies, as had Sophie, though Gideon had himself passed away several years before.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I squint my eyes and glare at him. “I don’t have a crush on Quinn anymore.” He raises a golden eyebrow. “No?” I shake my head. “No.” “Why is that?” I stare at him long and hard, trying to decide what to say. Should I be downright, painfully honest? I’ve always found that the best way to be, so I nod. “Two words.” He waits. “Dante. Giliberti.” I hear him suck in his breath and I smile. Sometimes, honesty is refreshing and so very worth it. “Me?” He sounds so surprised, as though he doesn’t know that he is practically a living breathing Adonis. I nod. “You.” He studies me again and I fight the need to fidget as I wait for his reaction. After a minute of nerve-wracking silence, he finally answers. “So, will you keep the bracelet?” I nod. “Can I kiss you again?” I nod. So he does.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
I had felt guilty but honored. Genevieve liked me best. We were close,closer than with anyone else. The bracelets were proof. How cheaply I was bought then, with just a bracelet made out of string.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
The only tattoos visible as she dug out her sketchbook and handed it over were the ones on her wrists like bracelets - a single word on each: true and story.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
calling things by their right names is more than giving them an identity bracelet or a label, or a serial number. We summon a vision. Naming is power.
Jeanette Winterson (Frankissstein: A Love Story)
If I had to describe the scent of Michigan in spring and summer, it wouldn't be a particular smell – blooming wildflowers or boat exhaust off the lake – it would be a color: Green.
Viola Shipman (The Charm Bracelet)
The Mustard Seed Charm With Faith As Small As A Mustard Seed, Then You Can Move Mountains: Nothing Will Be Impossible
Viola Shipman (The Charm Bracelet)
The Ice Cream Cone Charm You Will Never Work A Day Once You Discover A Passion That Makes Your Life Rich & Sweet
Viola Shipman (The Charm Bracelet)
The Kite Charm For A Life Filled with High-Flying Fun, Play with the Wonder of A Child
Viola Shipman (The Charm Bracelet)
I didn't just see fireworks, I felt them. I felt like I'd eaten a million lightning bugs when I was with him. He made my soul brighter, and that's all you can ask for when you're in love.
Viola Shipman (The Charm Bracelet)
Autumn The autumn comes, a maiden fair In slenderness and grace, With nodding rice-stems in her hair And lilies in her face. In flowers of grasses she is clad; And as she moves along, Birds greet her with their cooing glad Like bracelets' tinkling song.
Kālidāsa
In short, a diamond bracelet is a much more honest instrument of courtship than a perforated stomach. She has the option of throwing the jewelry back at him, but she cannot decently walk out on the ulcer. ("Look How Hard I've Been Trying")
Eric Berne (Games People Play)
Give a piece of yourself. You will never realize how deep of a footprint you might make on a stranger.
Viola Shipman (The Charm Bracelet)
Wrists are made for bracelets, not cutting.
Kellin Quinn
I have a couple of long, funky necklaces I enjoy, some chunky rings, a few big bracelets to cover my wrist tattoo when I'm speaking at First (fill-in-the-denomination) Church, USA.
Jen Hatmaker (7: An Experimental Mutiny Against Excess)
Other tokens of maturity included a velvet choker of tiny pearls, the ginger tresses gathered at the nape and secured with an emerald clasp, three loose silver bracelets around a freckled wrist, and the fact that whenever she moved, the air about her tasted of rose water.
Ian McEwan (Atonement)
The morning light shimmered through the trees and gave the lake an otherworldly hue. Everything in summer Michigan seemed to have a soft shimmer to it, as though God had hung gauze over the sky and softly scattered glitter on all His creations.
Viola Shipman (The Charm Bracelet)
Wait long enough, and what was once mainstream will fall into obscurity. When that happens, it will become valuable again to those looking for authenticity or irony or cleverness. The value, then, is not intrinsic. The thing itself doesn’t have as much value as the perception of how it was obtained or why it is possessed. Once enough people join in, like with oversized glasses frames or slap bracelets, the status gained from owning the item or being a fan of the band is lost, and the search begins again. You would compete like this no matter how society was constructed. Competition for status is built into the human experience at the biological level. Poor people compete with resources. The middle class competes with selection. The wealthy compete with possessions. You sold out long ago in one way or another. The specifics of who you sell to and how much you make—those are only details.
David McRaney (You Are Not So Smart)
You’re one of the best men I know. You wear your tats and piercings and those damn leather bracelets that only you could get away with. But inside you are one big teddy bear. When someone you love needs you, there is nothing you won’t do for them. When I needed you, you were always there. I’ve never questioned your heart. It’s made of fucking gold, and we all know it. We laugh at your crude jokes and snide comments because we know they mean nothing. It’s part of your shield. Underneath, I don’t know many men that compare. You’re one of the best, Dewayne. One of the best.
Abbi Glines (Hold on Tight (Sea Breeze, #8))
If I look closely, I can almost see myself floating in my mother's palm. Yet, when I shut my eyes, I find a different image of my mother releasing me as we dance in the storm and twirl in separate circles that cause the water to ripple from us in widening rings which merge in one ebbing bracelet of waves where the borders of the quarry meet the water, far from the center where my mother and I continue to spin our bodies in the radiant sheen of lightning.
Ursula Hegi (Floating in My Mother's Palm)
I wear a pony coat with skin like watered silk and muff of lamb. My fingers lie in depths of warmth. I have a jacket of silver sequins and heavy bracelets of rich corals. I wear about my neck a triple thread-like chain of lapis lazulis and pearls. On my face is softness and content like a veil of golden moonlight. And I have never in all my lives been so lonely.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
trinket. A souvenir. It’s nothing.” “Oh, not nothing,” Macey said. She held her thin wrist out so that her bracelet caught the light. “I saw something just like it in the September Vogue.” Amazingly, that made me feel better. “Well, at least I’m a crazy person with good taste.
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
Each death laid a dreadful charge of complicity on the living; each death was incongenerous, its guilt irreducible, its sadness immortal; a bracelet of bright hair about the bone. I did not pray for her, because prayer has no efficacy; I did not cry for her, because only extroverts cry twice; I sat in the silence of that night, that infinite hostility to man, to permanence, to love, remembering her, remembering her.
John Fowles (The Magus)
Did I tell you how incredible you look tonight?” I shook my head and hugged him, laying my head on his shoulder. He tightened his grip, and buried his face in my neck, making me forget about decisions or bracelets or my separate personalities; I was exactly where I wanted to be.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Will you dance with me?" The charms on Sahara's bracelet clinked against one another as she lifted her arms to link them around his neck, her love for him proud and open. Deep inside, even the part of him that was the void, merciless and dark and broken, knew happiness, knew joy.
Nalini Singh (Allegiance of Honor (Psy-Changeling, #15))
The jacket wasn’t a diamond bracelet or a ruby necklace. It wasn’t some expensive purse picked blindly just because it was expensive. It wasn’t a new laptop I didn’t need because my old one was only a year old. These were things I needed. Things that he knew I needed. Things to keep me warm because that mattered to him.
Mariana Zapata (All Rhodes Lead Here)
If you’re that hard up for money, Pidge . . .” “I’m not borrowing money from you,” she sneered. “I was gonna suggest pawning that bracelet.” I smiled.
Jamie McGuire (Walking Disaster (Beautiful, #2))
The only things we can control are our happiness, our destiny, our impact on others. Rest is up to God.
Viola Shipman (The Charm Bracelet)
I've had an amazing life. One filled with blessings I could never have imagined. Depressed is the last thing I am. Realistic, yes. Sad, never.
Viola Shipman (The Charm Bracelet)
The Book Charm Your Story Will Never End As Long As Your Chapters Are Shared
Viola Shipman (The Charm Bracelet)
The Hot Air Balloon Charm Life Can Be Filled with Adventure If You Let Yourself Soar
Viola Shipman (The Charm Bracelet)
Todas as árvores e os pássaros, o céu e as estrelas, os seios e os braceletes estavam vendo tudo.
Suman Pokhrel
Kissing your hand may make you feel very very good but a diamond and safire bracelet lasts forever
Anita Loos (Gentlemen Prefer Blondes)
What bizarre planet have I landed on? So Haley settles for a single kiss, and I lose it to the first guy to ask me out, after falling for some crazy theory involving my lucky bracelet?
Talia Vance (Silver (Bandia, #1))
That's my school. I worked harder to get in than I did for anything else, ever. I went there because, coming out of it, I'd be able to be President. Or a lawyer. Rich, that's the point. Rich and successful. And look where it got me. One stupid year and here I am with not one, but two bracelets on my wrist, next to a shrink in a room adjacent to a hall where there's a guy named Human Being walking around. If I keep doing this for three more years, where will I be? I'll be a complete loser. And what If I keep on? What if I do okay, live with the depression, get into College, do College, go to Grad School, get the Job, get the Money, get Kids and a Wife and a Nice Car? What kind of crap will I be in then? I'll be completely crazy.
Ned Vizzini (It's Kind of a Funny Story)
Anyway, I'm in bed with her, with her bracelets. Her face is a blank, so I darken the lights. Off go her silky undergarments. The bracelets are all she has on. They glint slightly, a pleasant muffled clinking on the sheets. I have a hard-on. Which, halfway down the ladder, is what I noticed. Just great. Why now? Why didn't I get an erection when I needed one? And why was I getting so excited over two lousy bracelets? Especially under this slicker, with the world about to end.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Wonder Woman’ is gifted with tremendous physical strength—but unlike Superman she can be injured.” Marston went on, “ ‘Wonder Woman’ has bracelets welded on her wrists; with these she can repulse bullets. But if she lets any man weld chains on these bracelets, she loses her power. This, says Dr. Marston, is what happens to all women when they submit to a man’s domination.
Jill Lepore (The Secret History of Wonder Woman)
I expect you will not lack for company after I go. Just remember that some women see a man with their hearts, while others see no more than a bauble to wear, no different than a necklace or a bracelet. Remember that i will come back, and I am one who sees with her heart.
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
I’m confiscating the bracelet as potential evidence,” said Adrian, dragging her attention back to him. “Evidence?” she said, surprised that her voice even worked. “But that’s … My father made it. It’s all I have. You can’t … Adrian! Evidence of what?” “Evidence of your crimes against society and the Renegades.” He winced, as though he were in physical pain, when he said, “You’re under arrest … Nightmare.
Marissa Meyer (Supernova (Renegades, #3))
I’ll wait for you. I’ll wait all the way to the altar if we make it that far.” Startled, her body went stiff and her breath hitched. Her beautiful brown eyes, glossy from a layer of unshed tears, stared up at me with both fear and hope. Vulnerable as she was in that moment, she was the most beautiful thing I’d ever seen. “I’ve been waiting for you since the moment I put on the bracelet,” I said. “And you’re waiting for me, too.” I smirked at the question in her eyes. “Four years and you’ve never fallen for anyone else? You’re not over me. You still want this as much as I do.
Kelly Oram (A Is for Abstinence (V Is for Virgin, #2))
When she was gone, I went to the basement, found an empty box, and sealed the teddy bear and the NYU sweatshirt inside with heavy-duty tape. I started thinking about Leigh's ID bracelet and I imagined that one day, maybe years and years from now, I might open the box and say the same thing to my daughter that Leigh might say to hers: This was from a boy I used to know. He was very special to me, but that was so long ago.
Lorraine Zago Rosenthal (Other Words for Love)
Look, look!” Sage crows. I jerk my head up from my phone. Out in front of us, James rounds out of one of the beachwear shops, pushes a hairy guy in trunks out of the way, and sprints toward the public bathrooms. Wide-eyed, I stare at Sage. “Did you…” Sage smiles her demon grin. “Were those the new batch of chimichangas? Or were they chimichangas from last week?” She heaves a big shrug. “Who’s to say? Wibbly wobbly timey space stuff.” She wiggles her fingers, making her many bracelets jangle. Did my coworker just exact vegan food-poisoning revenge on my behalf? I don’t know whether to be grateful or terrified.
Ashley Poston (Geekerella (Once Upon a Con, #1))
When I talk to parents who tell me, as a way of justifying something unkind their child has done, 'What can I do? Kids will be kids," it's all I can do not to bop them on their heads with a friendship bracelet." -Mr. Browne
R.J. Palacio (365 Days of Wonder: Mr. Browne's Book of Precepts)
I raise my wrist, show him the bracelets. I have pride in them now. They’re true, and people can’t screw with them. And when you say the truth you get stronger.
Ned Vizzini (It's Kind of a Funny Story)
You can't schedule fun, and you can't put it off for the future. At some point, you just have to say to heck with everything and dive in headfirst.
Viola Shipman (The Charm Bracelet)
The worst thing in the world is to have regrets. You will always have a few, but they shouldn't be ones that keep you up at night.
Viola Shipman (The Charm Bracelet)
My mom says tears are just too much emotion, like when the bathtub overfills...and she says hugs are like Band-Aids.
Viola Shipman (The Charm Bracelet)
You can create and be anything in this world that you want to be...Your imagination should be limitless.
Viola Shipman (The Charm Bracelet)
Happiness, I've learned, is not only quite magical, but also contagious.
Viola Shipman (The Charm Bracelet)
I did and found words engraved into the inside of the bracelet. In the darkest hour you are my light
Cora Reilly (Bound by Love (Born in Blood Mafia Chronicles, #6))
There's only one way to tackle life, enjoy a day at the beach, and jump into a Great Lake: Headfirst!
Viola Shipman (The Charm Bracelet)
The Puzzle Piece Charm To A Life Filled with Friends Who Complete You
Viola Shipman (The Charm Bracelet)
The Loon Charm To A Life Filled with A Love Whose Voice Always Calls You Home
Viola Shipman (The Charm Bracelet)
I hear my family's voices in the jangling of my charms.
Viola Shipman (The Charm Bracelet)
What wish did you grant me?" Lolly asked. "I can't tell you," the little girl said very seriously. "But if you believe, it will come true.
Viola Shipman (The Charm Bracelet)
The Dragonfly Charm Embrace The Magic of Nature & Life Will Be Filled with Good Fortune
Viola Shipman (The Charm Bracelet)
My middle schooler doesn’t think the earth is flat, but she does think Taylor Swift invented friendship bracelets.
B.K. Borison (First-Time Caller (Heartstrings, #1))
My condolences I'll shed a tear with your family I'll open a bottle up, pour a little bit out in your memory I'll be at the wake dressed in all black I'll call out your name, but you won't call back I'll hand a flower to your mother when I say goodbye Cause baby you're dead to me I need to kill you That's the only way to get you out of my head Oh I need to kill you To silence all the sweet little things you said I really want to kill you Wipe you off the face of my earth And bury your bracelet Bury your bracelet Six feet under the dirt
Melanie Martinez
If it's just a matter of looking, I've looked! I've looked for happiness at home. I've looked all over this neighbourhood for happiness... Someday, I'll look all over this country for happiness... And, someday, I'll look all around the world for happiness, but I'll probably never find it... Then, after I've looked all over the world, I'll return home." "And when you return home, you'll find the very happiness that was there all along! Is that what you're trying to say?" "No, but maybe I'll find that stupid little pink bracelet I lost yesterday!
Charles M. Schulz (The Complete Peanuts, 1975-1976 (The Complete Peanuts, #13))
I believe we must do things in our lives for the right reasons, because we enjoy doing them, with no expectation of getting something back in return. Otherwise, we are constantly being disappointed." She moved her turquoise bracelet back and forth on her wrist. "So I had two sons, John and Richard, because I wanted to, not because I thought they would rescue me in old age. I got out of all social organizations and clubs in my fifties so I could spend time with my grandchildren, not because they would give something back to Jack and me later on, but because that was what I wanted to do--and I have loved doing it. Believe me, these have been selfish decisions.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
Up at Meru I saw a young Native girl with a bracelet on, a leather strap two inches wide, and embroidered all over with very small turquoise-coloured beads which varied a little in colour and played in green, light blue, and ultramarine. It was an extraordinarily live thing; it seemed to draw breath on her arm, so that I wanted it for myself, and made Farah buy it from her. No sooner had it come upon my own arm than it gave up the ghost. It was nothing now, a small, cheap, purchased article of finery. It had been the play of colours, the duet between the turquoise and the 'nègre' - that quick, sweet, brownish black, like peat and black pottery, of the Native's skin - that had created the life of the bracelet.
Karen Blixen (Out of Africa)
She was surprised to feel his hand on her arm and still more surprised-almost unbelieving-to see his fingers unclasp his identification bracelet and remove it from his arm. Silently he fumbled with the bracelet and slipped it around her right wrist. with a tiny click he snapped the clasp shut. Jane gave a gasp of astonishment and turned questioning to Stan. She was wearing his identification bracelet! The silver links on her wrist were still warm from his arm
Beverly Cleary (Fifteen)
There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.
Bret Easton Ellis (American Psycho)
We have all been given a seed of faith, but it is up to us to spread that around. We must believe in ourselves, have faith in what we don't understand. When we do, the world will open. You will no longer fear.
Viola Shipman (The Charm Bracelet)
No one else noticed, or cared. It was just something they did. Taking other people’s livestock. Other people’s lives. She watched the soldiers, hating them. They were different in so many ways, white and black, yellow and brown, skinny, short, tall, small, but they were all the same. Didn’t matter if they wore finger-bone necklaces, or baby teeth on bracelets, or tattoos on their chests to ward off bullets. In the end, they were all mangled with battle scars and their eyes were all dead.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Helen opened her eyes and gazed into the luminous blue of the sky. Was it crazy, she wondered, to be as grateful as she felt now, for moments like this, in a world that had atomic bombs in it—and concentration camps, and gas chambers? People were still tearing each other into pieces. There was still murder, starvation, unrest, in Poland, Palestine, India—God knew where else. Britain itself was sliding into bankruptcy and decay. Was it a kind of idiocy or selfishness, to want to be able to give yourself over to the trifles: to the parp of the Regent’s Park Band; to the sun on your face, the prickle of grass beneath your heels, the movement of cloudy beer in your veins, the secret closeness of your lover? Or were those trifles all you had? Oughtn’t you, precisely, to preserve them? To make little crystal drops of them, that you could keep, like charms on a bracelet, to tell against danger when next it came?
Sarah Waters (The Night Watch)
If I'd known you'd look so beautiful, I would've gotten dressed up," Loki teased when Finn and Thomas brought him into the War Room. Finn shoved him into a seat unnecessarily hard,but Loki didn't protest. "Don't get familiar with the Princess, Duncant told him,giving him a stony look. "My apologies," Loki said. "I wouldn't want to get familiar with anyone." Loki looked about the room. Duncan, Finn, Thomas, Tove,the Chancellor, and I were the ones set to meet Sara. The rest of the house was on standby, should we need them,but we didn't want to look like we were ambushing Sara when she arrived. "Did you change your mind and decide to execute me?" Loki asked,looking us over. "Because you all look like you're going to a funeral." "Not now," I said, fidgeting with my bracelet and watching the clock. "Then when,Princess?" Loki asked. "Because we only have about fifteen minutes until I leave." I rolled my eyes and ignored him.
Amanda Hocking (Torn (Trylle, #2))
Girl, you are the epitome of spoiled. I can smell it in your expensive perfume, in the quality of your ridiculous clothing, in the bracelet wrapped ’round that delicate wrist.” He closed the gap between us and all the air sucked from the room. “You won’t last out here. You’ll stay blind to the environment that surrounds you. You’ll live in your clean, perfect bubble and return to your posh life come six months. You are....you. I know your kind. I’ve seen it all before. You will never wake up. Not really,” he explained away before backing up and leaving me to my room once again.
Fisher Amelie (Vain (The Seven Deadly, #1))
I knew I didn't have much of a chance of getting away from that swarm of fae piranha, but it was an infinitely larger chance than I would have if I stayed in the car and burned to death. Hell's bells, what I wouldn't give to have my shield bracelet. Or my old staff. I didn't even have an umbrella.
Jim Butcher (Cold Days (The Dresden Files, #14))
She might be a dragon on a leash, but she was still a dragon. She would stall. She'd find a way to fix this, bracelet or not. Or, like witches, she and Nikolai would both burn
Evelyn Skye (The Crown's Fate (The Crown's Game, #2))
She shied away from the gazes of boys and girls, bound her hair in brambles, braceleted her arms in vines, filled her mouth with chestnut honey to say away, keep away; I have forgotten how to kiss, how to be kissed, and do not want to remember.
Amal El-Mohtar (The Honey Month)
It occurs to me that this boy has not faltered once in the time that I’ve known him. Not on any level. I reach my hand up, touch his chest, feel the muscles in his shoulder, and then run my palm down his arm, over the bracelets he always has on,
Jessica Park (180 Seconds)
I cross the street and walk into the Printemps. I go to the counter with necklaces and bracelets and earrings, which dazzle me always. I stand like a fascinated savage. Glitter. Amethyst. Turquoise. Shell pink. Irish green. I would like to be naked and cover myself in cold crystal jewelry. Jewelry and perfume.
Anaïs Nin (Henry and June: From the Unexpurgated Diary of Anaïs Nin)
He looked around and yawned. “I haven’t been sleeping well. It’s nice in here. But after a while the lushes will fill the place up and talk loud and laugh and the goddam women will start waving their hands and screwing up their faces and tinkling their goddam bracelets and making up with the packaged charm which will later on in the evening have a slight but unmistakable odour of sweat.” “Take it easy,” I said. “So they’re human, they sweat, they get dirty, they have to go to the bathroom. What did you expect – golden butterflies hovering in a rosy mist?
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
So make the friendship bracelets take the moment and taste it, you've got no reason to be afraid. You're on your own kid. Yeah you can face this. You're on your own kid, you always have been
Taylor Swift
I focus my eyes on my jade bracelet. All these years and for all the years after I die, it will remain unchanged. It will always be hard and cold- just a piece of stone. Yet for me it is an object that ties me to the past, to people and places that are gone forever. Its continued perfection serves as a physical reminder to keep living, to look to the future, to cherish what I have. It reminds me to endure. I'll live one morning after another.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
As for the bracelet Mom wore to the funeral, what I did was I converted Dad’s last voice message into Morse code, and I used sky-blue beads for silence, maroon beads for breaks between letters, violet beads for breaks between words, and long and short pieces of string between the beads for long and short beeps, which are actually called blips, I think, or something. Dad would have known.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Quando entraste no quarto, agitando o ar com a leveza do teu caminhar, despertando o silêncio com o tilintar dos teus címbalos, fazendo as cortinas dançarem ao som dos teus braceletes, um aroma espalhou-se no ar, vindo das telas e dos cadernos, meu pincel tornou-se inquieto e a caneta, arrebatada. Meus olhos, minhas mãos e estas e aquelas partes do meu corpo tornaram-se eletrificadas.
Suman Pokhrel
She saw that they felt themselves alone in that crowded room. And Vronsky’s face, always so firm and independent, held that look that had struck her, of bewilderment and humble submissiveness, like the expression of an intelligent dog when it has done wrong. Anna smiled, and her smile was reflected by him. She grew thoughtful, and he became serious. Some supernatural force drew Kitty’s eyes to Anna’s face. She was enchanting in her simple black dress, enchanting were her round arms with their bracelets, enchanting was her firm neck with its thread of pearls, fascinating the straying curls of her loose hair, enchanting the graceful, light movements of her little feet and hands, enchanting was that lovely face in its animation, but there was something terrible and cruel about her charm.
Leo Tolstoy (Anna Karenina)
Our name is Equality 7-2521, as it is written on the iron bracelet which all men wear on their left wrists with their names upon it. We are twenty-one years old. We are six feet tall, and this is a burden, for there are not many men who are six feet tall. Ever have the Teachers and the Leaders pointed to us and frowned and said: "There is evil in your bones, Equality 7-2521, for your body has grown beyond the bodies of your brothers." But we cannot change our bones nor our body.
Ayn Rand (Anthem)
It was a familiar sneer: the exact one that filled my own heart every time someone tried to tell me earnestly about how I would really clear my chakras if only I would wear this set of beads or that magnetic copper bracelet. They’d always get wound up when I told them that putting on a thing churned out of a machine from ore that had been strip-mined by underpaid laborers wasn’t likely to improve my mana balance any.
Naomi Novik (The Last Graduate (The Scholomance, #2))
Dorothy Parker once said: I require three things in a man. He must be handsome, ruthless, and stupid.” Upon delivering this Dot bon mot, with much waving of sparkly rings and jingly bracelets, Constance Langtry comments that she’d add a fourth: “Deft tongue. And I don’t mean a good talker.
Marie Wilson
In winter darkness, the Baghdad Arabian keen blue deepness of the piercing lovely January winter's dusk--it used to tear my heart out, one stabbing soft star was in the middle of the magicalest blue, throbbing like love--I saw Maggie's black hair in this night-- In the shelves of Orion her eye shades, borrowed, gleamed a dark and proud vellum somber power brooding rich bracelets of the moon rose from our snow, and surrounded the mystery.
Jack Kerouac (Maggie Cassidy)
We knew each other to our fingertips. No, that's not right. We only knew each other in our fingertips, and that was nothing at all, and for a while that was okay. We could have been a love story, a fairy tale, an indie film about high school and selective insanity featuring a boy of angel parts and a girl made of dreaming. We could have been all the best things: bracelets sliding down arms while shots slid down throats, laughter and crashing music in dark and flashing rooms, kisses that started hesitant but didn't stay that way.
Amy Zhang (This Is Where the World Ends)
A woman once of some height, she is bent small, and the lingering strands of black look dirty in her white hair. She carries a cane, but in forgetfulness, perhaps, hangs it over her forearm and totters along with it dangling loose like an outlandish bracelet. Her method of gripping her gardener is this: he crooks his right arm, pointing his elbow toward her shoulder, and she shakily brings her left forearm up within his and bears down heavily on his wrist with her lumpish freckled fingers. Her hold is like that of a vine to a wall; one good pull will destroy it, but otherwise it will survive all weathers.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
The dragon bracelet that Humongous created, out of misplaced love and gratitude, in the hellish nightmare of the Lava-Lout Jail-Forges is exquisitely made, for he was a far better goldsmith than he was a singer. It curls around my arm, its shining wings folded back, as if about to unfurl and take off, and now that its ruby eyes are set into the gold, you cannot see their tear shape, so they seem to be laughing rather than crying. It is a constant reminder to me of the human ability to create something beautiful even when things are at their darkest.
Cressida Cowell (How to Twist a Dragon's Tale (How to Train Your Dragon, #5))
The letter was destroyed, but its final paragraph is inside of me. She wrote, I wish I could be a girl again, with the chance to live my life again. I have suffered so much more than I needed to. And the joys I have felt have not always been joyous. I could have lived differently. When I was your age, my grandfather gought me a ruby bracelet. It was too big for me and would slide up and down my arm. It was almost a necklace. He later told me that he had asked the jeweler to make it that way. Its size was supposed to be a symbol of his love. More rubies, more love. But I could not wear it comfortably. I could not wear it at all. So here is the point of everything I have been trying to say. If I were to give a bracelet to you, now, I would measure your wrist twice.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
hand twirling my bracelet. It was Ivan that answered as he shifted around on the bench. “Four hours at four in the morning at the LC, and a three hour workout at one in the afternoon.” Shit. That would only leave me four hours to work and that was going to be cutting it
Mariana Zapata (From Lukov with Love)
She wrote, I wish I could be a girl again, with the chance to live my life again. I have suffered so much more than I needed to. And the joys I have felt have not always been joyous. I could have lived differently. When I was your age, my grandfather bought me a ruby bracelet. It was too big for me and would slide up and down my arm. It was almost a necklace. He later told me that he had asked the jeweler to make it that way. Its size was supposed to be a symbol of his love. More rubies, more love. But I could not wear it comfortably. I could not wear it at all. So here is the point of everything I have been trying to say. If I were to give a bracelet to you, now, I would measure your wrist twice. With love, Your grandmother
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
If you put yourself out there, you're going to get hurt at some point. Yes, your boyfriend or husband could leave you. He might stray. He could die way too young like your grandfather. And, at some point, you will both probably say things to one another you immediately want to take back. But, if you remain alone, your heart will ache for all that you never experienced. Love is filled with great beauty and great pain. But there is no beauty to life if you don't put your heart at risk. The ability to love is one of the greatest gifts we're given. It's the reason we're here.
Viola Shipman (The Charm Bracelet)
You don’t look like a mom,” Isabelle observed. “What does a mom look like to you?” “I don’t know.” She smiled. “Cartier Love bracelet? Lululemon?” I laughed at that, her referencing the staples of private-school carpool lanes. There were so many things I wanted to teach her. That being a mother did not have to mean no longer being a woman. That she could continue to live outside the lines. That forty was not the end. That there was more joy to be had. That there was an Act II, an Act III, an Act IV if she wanted it … But at thirteen, I imagined, she did not care. I imagined she just wanted to feel safe. I could not blame her. We had already shaken her ground. “Am I a mom?” I asked her then, kissing her forehead. She nodded. “Well, then, this is what a mom looks like.
Robinne Lee (The Idea of You)
Tell me about the loons,” Lolly would always reply. And he would. “They mate forever, just like humans,” he would tell her. “They always come home, to the same place, same lake, every year, as soon as the ice thaws. They are territorial, and mates will defend their home from other loons. Small lakes can only accommodate one pair of loons, so they are always together, and they always talk to each other.
Viola Shipman (The Charm Bracelet)
In my view, it is an error to think about 'alternatives to prison' if what we mean by that is 'electronic bracelets,' through which people are subject to computer-monitored house arrest, or granting fuller surveillance and disciplinary powers and technologies to other state agencies, such as welfare and mental health, through 'transcarceration' policies...We need to decrease, not increase, the means by which the state, in its multifarious networks of authority, controls human lives and selectively incapacitates people who, no less than others, have the potential to contribute to the improvement of hte human condition.
Karlene Faith (Unruly Women: The Politics of Confinement & Resistance)
Qibli slipped the bracelets around his wrists; they looked like bands of fire against his pale yellow scales. These were not like Turtle’s quiet, sidling, don’t-look-at-me spell things. These bracelets shouted POWER POWER POWER and I DO AMAZING THINGS and ADORE ME and DID YOU NOTICE THE AMAZING THINGS I CAN DO? and STAND BACK WHILE I BRING THE LIGHTNING and P.S. YES I SAID LIGHTNING! COWER BEFORE ME, BORING NORMAL DRAGONS!
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
Dabbling in the sandbox gives Rabbit a small headache. Over at the pavilion the rubber thump of Roofball and the click of checkers call to his memory, and the forgotten smell of that narrow plastic ribbon you braid bracelets and whistlechains out of and of glue and of the sweat on the handles on athletic equipment is blown down by a breeze laced with children's murmuring. He feels the truth: the thing that has left his life has left irrevocably; no search would recover it. No flight would reach it. It was here, beneath the town, in these smells and these voices, forever behind him. The fullness ends when we give Nature her ransom, when we make children for her. Then she is through with us, and we become, first inside, and then outside, junk. Flower stalks.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
Quintana's christening was in 1966, this Christian Dior show was two years later, 1968: 1966 and 1968 were a world removed from each other in the political and cultural life of the United States but they were for women who presented themselves a certain way the same time. It was a way of looking, it was a way of being. It was a period. What became of that way of looking, that way of being, that time, that period? What became of the women smoking cigarettes in their Chanel suits and their David Webb bracelets, what became of Diana holding the champagne flute and the one of Sara Mankiewicz's Minton plates? What became of Sara Mankiewicz's Minton plates?
Joan Didion (Blue Nights)
What are we waiting for, assembled in the forum? The barbarians are due here today. Why isn't anything happening in the senate? Why do the senators sit there without legislating? Because the barbarians are coming today. What laws can the senators make now? Once the barbarians are here, they'll do the legislating. Why did our emperor get up so early, and why is he sitting at the city's main gate on his throne, in state, wearing the crown? Because the barbarians are coming today and the emperor is waiting to receive their leader. He has even prepared a scroll to give him, replete with titles, with imposing names. Why have our two consuls and praetors come out today wearing their embroidered, their scarlet togas? Why have they put on bracelets with so many amethysts, and rings sparkling with magnificent emeralds? Why are they carrying elegant canes beautifully worked in silver and gold? Because the barbarians are coming today and things like that dazzle the barbarians. Why don't our distinguished orators come forward as usual to make their speeches, say what they have to say? Because the barbarians are coming today and they're bored by rhetoric and public speaking. Why this sudden restlessness, this confusion? (How serious people's faces have become.) Why are the streets and squares emptying so rapidly, everyone going home so lost in thought? Because night has fallen and the barbarians have not come. And some who have just returned from the border say there are no barbarians any longer. And now, what's going to happen to us without barbarians? They were, those people, a kind of solution
Constantinos P. Cavafy
Dot sat forward and tugged another handful of bracelets from the snarl. “Here’s something I believe.” She held up a green bracelet so that the sun shone clear through the colors on the beads. “I believe that when women like us meet, that our children in heaven also find their way to each other, on account of us all being in the same place and them watching over. So they’re all together—Stella your pair, Melinda’s, and mine. Right now, they’re up there, singing maybe, or playing Red Rover, and probably laughing at us sitting around trying to fix a mess we ourselves made.
Deanna Roy (Baby Dust)
Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, "What's the matter? You haven't been yourself lately.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
How does anyone lose against the Foxes with Andrew in your goal?" "He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze." "Bribed?" Neil echoed. "Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive." "He can't play like that and not care." "Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Andrew walked off the court for an entire month. He said he'd break his own fingers if Coach made him play with Kevin again." The thought of Andrew willingly destroying his talent made Neil's heart clench. "But he's playing now." [...] "Only because Kevin is. Kevin got back on the court with a racquet in his right hand, and Andrew wasn't far behind him. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life." "But why?" Neil asked. "Andrew hates Kevin's obsession with Exy." "The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
I listened, I understood and I didn’t understand. Long ago she had threatened Marcello with the shoemaker’s knife simply because he had dared to grab my wrist and break the bracelet. From that point on, I was sure that if Marcello had just brushed against her she would have killed him. But toward Stefano, now, she showed no explicit aggression. Of course, the explanation was simple: we had seen our fathers beat our mothers from childhood. We had grown up thinking that a stranger must not even touch us, but that our father, our boyfriend, and our husband could hit us when they liked, out of love, to educate us, to reeducate us. As
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
My mother died at eighty-three, of cancer, in pain, her spleen enlarged so that her body was misshapen. Is that the person I see when I think of her? Sometimes. I wish it were not. It is a true image, yet it blurs, it clouds, a truer image. It is one memory among fifty years of memories of my mother. It is the last in time. Beneath it, behind it is a deeper, complex, ever-changing image, made from imagination, hearsay, photographs, memories. I see a little red-haired child in the mountains of Colorado, a sad-faced, delicate college girl, a kind, smiling young mother, a brilliantly intellectual woman, a peerless flirt, a serious artist, a splendid cook—I see her rocking, weeding, writing, laughing — I see the turquoise bracelets on her delicate, freckled arm — I see, for a moment, all that at once, I glimpse what no mirror can reflect, the spirit flashing out across the years, beautiful. That must be what the great artists see and paint. That must be why the tired, aged faces in Rembrandt’s portraits give us such delight: they show us beauty not skin-deep but life-deep.
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination)
Scripture breathes wisdom like we breathe oxygen. It can't not. Through Scripture, God reveals himself. This wisdom cannot be captured, let alone contained, on a neon bumper sticker or rubber bracelet. Wisdom itself invites us to go deeper- right into a relationship with God himself. Through wisdom, we learn to love God and love what he loves. We find rich counsel on the life we were meant for- in our families, communities, and world. We discover our personal responsibilities to others. And we unearth how to put love into action." -Organic God
Margaret Feinberg (The Organic God)
I could tell him I love him, but love seems too cliché, too overdone. I feel love, but I also feel jokes and front porch fights, pinky promises and friendship bracelets. I feel rolling my eyes when he made fun of my favorite songs, yelling at him when he paired up with Ashley Olson on our seventh-grade field day. I feel love, but I also feel our history, years and years of choosing him, the good and bad, highs and lows. Choosing to love. Not despite the flaws. Because of them. Because the mistakes prove we were together long enough to make them. Because we knew each other at our worst and even then, no one else compared.
Caroline George (The Summer We Forgot)
Play it again," I said. I tried to imagine myself in the same way the singer saw the woman: the dangle of her silver bracelet, tinged with green, the fall of her hair. But I only felt foolish, opening my eyes to the sight of Connie at the mirror, separating her eyelashes with a safety pin, shorts wedged into her ass. It wasn't the same to notice things about yourself. Only certain girls ever called forth that kind of attention. Like the girl I'd seen in the park. Or Pamela and the girls on the high school steps, waiting for the lazy agitation of their boyfriends' idling cars, the signal to leap to their feet. To brush off their seat and trip out into the full sun, waving goodbye to the ones left behind.
Emma Cline (The Girls)
Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn't have known. The only things I noticed were silver bracelets on women's wrists and popsicle sticks in potted rubber plants. There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits. My world foreshortened, flattening into a credit card. Seen head on, things seemed merely skewed, but from the side the view was virtually meaningless—a one-dimensional wafer. Everything about me may have been crammed in there, but it was only plastic. Indecipherable except to some machine. My first circuit must have been wearing thin. My real memories were receding into planar projection, the screen of consciousness losing all identity.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Thank you to the fans who came to the show. You made the eras tour what it became. At the start of this, I could've never imagined you would cheer so loudly it would register as an earthquake on seismic charts (this happened multiple times) or that you would lift economics of whatever city we went to. More importantly you lifted the spirits of those around you... You made people feel included by making friendship bracelets and friends. ... A place for radical girlhood, boyhood , or person hood and unapologetic joy. Your excitement was truly contagious... you made everyone feel included, and for that I could never thank you enough. My hope is that you find ways to create these spaces around in your daily life... That would be a real legacy to leave.
Taylor Swift (The Official Taylor Swift | The Eras Tour Book)
Pride isn’t just for a parade one day a year. It is not a miniature rainbow flag or rubber bracelet with a corporate logo on it given freely on that day, like beads tossed during Mardi Gras. Pride is foremost our gay self-esteem, but it is also our bond with everyone in the LGBTQ community, everywhere. Pride is our unique way of letting everyone know that we are here, that we belong in this world. If we can say we are gay, we must not do so just to make our own lives better, easier, more transparent, and authentic. We do so to clear a path for those who can’t come out—for all the people who live in places where their freedom is not a given or who don’t feel safe in their own families—to make inroads in the straight world for them. Each time we come out, we send up a flare of hope and direction, showing the way.
Richie Jackson (Gay Like Me: A Father Writes to His Son)
That estrangement, that detachment, that distance allow me to buy, without any qualms and with full awareness of what I'm doing, a pair of shoes whose price in my native land would be enough to feed a family of five for one whole year. The salesperson just has to promise me, You'll walk on air, and I but them. When we're able to float in the air, to separate ourselves from our roots -not only by crossing an ocean and two continents but by distancing ourselves from our condition as stateless refugees, from the empty space of an identity crisis- we can also laugh at whatever might have happened to my acrylic bracelet ...
Kim Thúy (Ru)
And Throgmorten’s arched ginger body came flying out of the creepers like a furry orange boomerang and landed slap in the basket. Christopher was deeply impressed – so impressed that he was a bit slow getting the lid down. Throgmorten came pouring over the edge of the basket again in an instant ginger stream. The Goddess seized him and crammed him back, whereupon a large number of flailing ginger legs – at least seven, to Christopher’s bemused eyes – clawed hold of her bracelets and her robe and her legs under the robe, and tore pieces off them. Christopher waited and aimed for an instant when one of Throgmorten’s heads – he seemed to have at least three, each with more fangs than seemed possible – came into range. Then he banged the basket lid on it, hard. Throgmorten, for the blink of an eye, became an ordinary dazed cat instead of a fighting devil.
Diana Wynne Jones (The Lives of Christopher Chant (Chrestomanci, #2))
Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens. It proved to be a woman’s skirt. The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too. She’s altogether too shiny for a woman, he decided, and began to turn away. Which was when she tipped her face up into the light. Everything stopped. The beat of his heart, the pump of his lungs, the march of time. Seconds later, thankfully, it all resumed. Much more violently than previously. And then absurd notions roman-candled in his mind. His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.” Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.
Julie Anne Long
What are you doing?" "Activating it." "Uh... No you're not." I jerk my hand away. "You're not activating anything until I get some answers." "Yeah, I am. If I don't activate it, it explodes." He sounds dead serious. "For real?" He doesn't answer, and that pisses me off. But I can't be certain it isn't for real, and since I'm fond of having a hand at the end of my arm, I offer my wrist. He finishes running his fingers over the screen. I change direction and ask, "Would the bracelet really have exploded if you didn't activate it?" There's a slight pause that makes me think I've surprised him by shifting topics. Good. Better that I have him on his toes than he have me on mine. "No," he says, and I think the corners of his mouth twitch in the hint if a smile.
Eve Silver (Rush (The Game, #1))
The little girl fought and kicked. “No more monsters! Go away!” “It’s okay!” Luke struggled to hold her. “Thalia, put your shield up. You’re scaring her.” Thalia tapped Aegis, and it shrank into a silver bracelet. “Hey, it’s all right,” she said. “We’re not going to hurt you. I’m Thalia. This is Luke.” “Monsters!” “No,” Luke promised. “But we know all about monsters. We fight them too.” Slowly, the girl stopped kicking. She studied Luke and Thalia with large intelligent gray eyes. “You’re like me?” she said suspiciously. “Yeah,” Luke said. “We’re…well, it’s hard to explain, but we’re monster fighters. Where’s your family?” “My family hates me,” the girl said. “They don’t want me. I ran away.” Thalia and Luke locked eyes. I knew they both related to what she was saying.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I’m consumed. This is what it feels like. This is what right feels like. It was always wrong before. Kissing someone. Letting them touch me. I never had that burn low in my belly. I was never hungry. Until her. I sink into her mouth again, kissing, sucking, tasting… At least there’s this. I thought hating her was enough. If I couldn’t have this, at least I had her attention. Even if it was bad. At least I could destroy what I was going to lose anyway in three months when we graduated, and I couldn’t look at her every day anymore. But God, I do hate her. Her smile and her red lips. The way she smudges her dumb eyeliner, making her eyes look smoky and captivating, and her wild hair that always looks like it flew through the wind before she put it up in a ponytail. Her olive skin, how her bracelets make music every time she moves, her chipped, black nail polish, and those stupid biker boots with all the buckles she wears that make her legs so hard not to look at. The way she rolls her skirt up, and I can’t pay attention in calculus. I hate it all. How every part of her looks like it has a taste
Penelope Douglas (Tryst Six Venom)
This time, I sat next to a pixie girl called Takara, who had pinkish hair and wore a bright pink dress to match. She was the first forest-dweller I had seen wearing jewellery: she was wearing a necklace and bracelet of finely worked crystal beads. When she noticed my interest, she removed her bracelet and held it out to me. “Sophiel, I would be so pleased if you would wear this!” I was surprised by this kind and very selfless gesture; after all, I had not been admiring her jewels with any intention of asking her to part with them! “You’re very kind, Takara, but I was merely admiring your handiwork!” I said, trying politely to refuse her gift. “Mitsuko told me that you make your jewellery yourself. You’re very talented, they’re really lovely pieces, but I wouldn’t want to take them away from you. It’s you that makes these jewels really beautiful!
A.O. Esther (Elveszett lelkek (Összetört glóriák, #1))
Still, this moment belongs to the two of them, Mom and this handsome stranger. He reaches the passenger side door and stares down at her with steely violet eyes-down at my mother who never cries, down at my mother who’s now bawling like a spanked child-his face contorted in a rainbow of so many emotions, some that I can’t even name. Then Grom the Triton king sinks to his knees in front of her, and a single tear spills down his face. “Nalia,” he whispers. And then my mother slaps him. It’s not the kind of slap you get for talking back. It’s not the kind of punch she dealt Galen and Toraf in our kitchen. It’s the kind of slap a woman gives a man when he’s hurt her deeply. And Grom accepts it with grace. “I looked for you,” she shouts, even though he’s inches from her. Slowly, as if in a show of peace, he takes the hand that slapped him and sandwiches it between his own. He seems to revel in the feel of her touch. His face is pure tenderness, his voice like a massage to the nerves. “And I looked for you.” “Your pulse was gone,” she insists. By now she chokes back sobs between words. She’s fighting for control. I’ve never seen my mother fight for control. “As was yours.” I realize Grom knows what not to say, what not to do to provoke her. He is the complete opposite of her, or maybe just a completion of her. Her eyes focus on his wrist, and tears slip down her face, leaving faint trails of mascara on her cheeks. He smiles and slowly pulls his hand away. I think he’s going to show her the bracelet he’s wearing, but instead he rips it off his wrist and holds it out for her inspection. From where I’m standing it looks like a single black ball tied to some sort of string. By my mom’s expression, this black ball has meaning. So much meaning that I think she’s forgotten to breathe. “My pearl,” she whispers. “I thought I’d lost it.” He encloses it in her hand. “This isn’t your pearl, love. That one was lost in the explosion with you. For almost an entire season, I scoured the oyster beds, looking for another one that would do. I don’t know why, but I thought maybe if I found another perfect pearl, I would somehow find you, too. When I found this though, it didn’t bring me the peace I’d hoped for. But I couldn’t bring myself to discard it. I’ve worn it on my wrist ever since.” This is all it takes for my mom to throw herself into his arms, bringing Rachel partially with her. Even so, it’s probably the most moving moment I’ve ever encountered in my eighteen years. Or at least it would be, if my mom weren’t clinging to a man who is not my dad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank.
Charlotte Brontë (Jane Eyre)
Even in the warm faelight of the foyer, the gown glittered and gleamed like a fresh-cut jewel. We had taken my gown from Starfall and refashioned it, adding sheer silk panels to the back shoulders, the glittering material like woven starlight as it flowed behind me in lieu of a veil or cape. If Rhysand was Night Triumphant, I was the star that only glowed thanks to his darkness, the light only visible because of him. I scowled up the stairs. That is, if he bothered to show up on time. My hair, Nuala had swept into an ornate, elegant arc across my head, and in front of it... I caught Cassian glancing at me for the third time in less than a minute and demanded, 'What?' His lips twitched at the corners. 'You just look so...' 'Here we go,' Mor muttered from where she picked at her red-tinted nails against the stair banister. Rings glinted at every knuckle, on every finger; stacks of bracelets tinkled against each other on either wrist. 'Official,' Cassian said with an incredulous look in her direction. He waved a Siphon-topped hand to me. 'Fancy.' 'Over five hundred years old,' Mor said, shaking her head sadly, 'a skilled warrior and general, famous throughout territories, and complementing ladies is still something he finds next to impossible. Remind me why we bring you on diplomatic meetings?' Azriel, wreathed in shadows by the front door, chuckled quietly. Cassian shot him a glare. 'I don't see you spouting poetry, brother.' Azriel crossed his arms, still smiling faintly. 'I don't need to resort to it.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Why do you want to know?” The shrug again. “Just wondering.” “Really. You’ve skipped your lawn tennis or duck hunting or whiskey drinking or whatever else people of your sort do all day, only to come all the way out to the island to ask me about the piano piece. Because you were just wondering.” I pushed away from the door. “Coming here to kiss me would have been more believable.” “Well, it was second on my list.” “I’m not intimidated by you,” I said, blunt. “If you’re hoping I’ll turn out to be some pathetic, blubbering little rag-girl who begs you not to ruin her, you’re in for a surprise.” “That’s good.” Lord Armand met my eyes. “I like surprises.” We gazed at each other, he on the bed and me by the door, neither of us giving quarter. It seemed to me that the room was growing even more dim, that time was repeating the same ploy it had pulled in Jesse’s cottage, drawing out long and slow. The storm outside railed against the castle walls, drowning the air within. It layered darkness through Armand’s eyes, the once-vivid blue now deep as the ocean at night. Beyond my window the rain fell and fell, fat clouds weeping as if they’d never stop. “Nice bracelet,” Armand said softly. “Did you steal it?” I shook my head. “You gave it to me.” “Did I?” “As far as everyone else if concerned, yes. You did.” “Hmm. And what do I get in return for agreeing to be your…benefactor?” “The answer to your question.” “No kiss?” he asked, even softer. “No.” His lips quirked. “All right, then, waif. I accept your terms. We’ll try the kiss later.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.
Derek Walcott (Selected Poems)
What, then, would it mean to imagine a system in which punishment is not allowed to become the source of corporate profit? How can we imagine a society in which race and class are not primary determinants of punishment? Or one in which punishment itself is no longer the central concern in the making of justice? An abolitionist approach that seeks to answer questions such as these would require us to imagine a constellation of alternative strategies and institutions, with the ultimate aim of removing the prison from the social and ideological landscapes of our society. In other words, we would not be looking for prisonlike substitutes for the prison, such as house arrest safeguarded by electronic surveillance bracelets. Rather, positing decarceration as our overarching strategy, we would try to envision a continuum of alternatives to imprisonment—demilitarization of schools, revitalization of education at all levels, a health system that provides free physical and mental care to all, and a justice system based on reparation and reconciliation rather than retribution and vengeance. The creation of new institutions that lay claim to the space now occupied by the prison can eventually start to crowd out the prison so that it would inhabit increasingly smaller areas of our social and psychic landscape. Schools can therefore be seen as the most powerful alternative to jails and prisons. Unless the current structures of violence are eliminated from schools in impoverished communities of color—including the presence of armed security guards and police—and unless schools become places that encourage the joy of learning, these schools will remain the major conduits to prisons. The alternative would be to transform schools into vehicles for decarceration.
Angela Y. Davis (Are Prisons Obsolete? (Open Media Series))
Christy dug her hand deeper into her shoulder bag. Scanning the papers she finally located there, she found no phone numbers or addresses listed. All the plans had been made in such haste. All she knew was that someone was supposed to meet her here. She was here, and he or she wasn't. Never in her life had she felt so completely alone. Stranded with nowhere to turn. A prayer came quickly to her lips. "Father God, I'm at Your mercy here. I know You're in control. Please show me what to do." Suddenly she heard a voice calling to her. "Kilikina!" Christy's heart stopped. Only one person in the entire world had ever called her by her Hawaiian name. She spun around. "Kilikina," called out the tall, blond surfer who was running toward her. Christy looked up into the screaming silver-blue eyes that could only belong to one person. "Todd?" she whispered, convinced she was hallucinating. "Kilikina," Todd wrapped his arms around her so tightly that for an instant she couldn't breathe. He held her a long time. Crying. She could feel his warm tears on her neck. She knew this had to be real. But how could it be? "Todd?" she whispered again. "How? I mean, what...? I don't..." Todd pulled away, and for the first time she noticed the big gouquet of white carnations in his hand. They were now a bit squashed. "For you," he said, his eyes clearing and his rich voice sounding calm and steady. Then, seeing her shocked expression, he asked, "You really didn't know I was here, did you?" Christy shook her head, unable to find any words. "Didn't Dr. Benson tell you?" She shook her head again. "You mean you came all this way by yourself, and you didn't even know I was here?" Now it was Todd's turn to look surprised. "No, I thought you were in Papua New Guinea or something. I had no idea you were here!" "They needed me here more," Todd said with a chin-up gesture toward the beach. "It's the perfect place for me." With a wide smile spreading above his square jaw, he said, "Ever since I received the fax yesterday saying they were sending you, I've been out of my mind with joy! Kilikina, you can't imagine how I've been feeling." Christy had never heard him talk like this before. Todd took the bouquet from her and placed it on top of her luggage. Then, grasping both her quivering hands in his and looking into her eyes, he said, "Don't you see? There is no way you or I could ever have planned this. It's from God." The shocked tears finally caught up to Christy's eyes, and she blinked to keep Todd in focus. "It is," she agreed. "God brought us back together, didn't He?" A giggle of joy and delight danced from her lips. "Do you remember what I said when you gave me back your bracelet?" Todd asked. "I said that if God ever brought us back together, I would put that bracelet back on your wrist, and that time, it would stay on forever." Christy nodded. She had replayed the memory of that day a thousand times in her mind. It had seemed impossible that God would bring them back together. Christy's heart pounded as she realized that God, in His weird way, had done the impossible. Todd reached into his pocket and pulled out the "Forever" ID bracelet. He tenderly held Christy's wrist, and circling it with the gold chain, he secured the clasp. Above their heads a fresh ocean wind blew through the palm trees. It almost sounded as if the trees were applauding. Christy looked up from her wrist and met Todd's expectant gaze. Deep inside, Christy knew that with the blessing of the Lord, Todd had just stepped into the garden of her heart. In the holiness of that moment, his silver-blue eyes embraced hers and he whispered, "I promise, Kilikina. Forever." "Forever," Christy whispered back. Then gently, reverently, Todd and Christy sealed their forever promise with a kiss.
Robin Jones Gunn (A Promise Is Forever (Christy Miller, #12))
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.
Petr Ginz (The Diary of Petr Ginz, 1941–1942)
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.” “Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.” “It’s French,” retorted Runny-Nose, before Chloe could speak. “Then she smells like a French whore.” “Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.” “I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.” I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.” “How dare you threaten me, you little tart!” “I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.” Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“ “I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.” “What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?” Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed. “You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.” “I’m the one he wants,” I said evenly. “No one’s pretending that.” I didn’t have to say who. She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes. “That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.” “As if you could,” she scoffed, but there was apprehension behind those tears. “Try me.” I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug. “Cheerio,” I said to them all, and turned around and left.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))