Bracelet Business Quotes

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We have branded Jesus beyond recognition. Church has become a business. Jesus is our marketing scheme. We create bookstores, T-shirts, bracelets, bumper stickers, and board games all in the name of Jesus.
Jefferson Bethke (Jesus > Religion: Why He Is So Much Better Than Trying Harder, Doing More, and Being Good Enough)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
I expect Caz to move away, but instead he slides his long fingers around my wrist. Runs a thumb over the frayed string bracelet there. 'You always wear this,' he says. I nod. Swallow. 'Yeah. I know.' He waits for me to say more, but I’m too busy trying to act normal, like I’m not hyperaware of how close we are, how his hand is still moving slowly over my skin, his touch warmer and lighter than the summer air.
Ann Liang (This Time It's Real)
I shake my head, thinking of times past, before everything had happened. I wish I could take back all of the times I complained about being too hot, or too cold, or being bored, or too busy. I wish I could have all those times back, and just be happy to be in the moment. All of my little complaints seem so silly, so trite, especially now.
Melissa Hill (The Charm Bracelet: A Novel (New York Christmas Romance))
It appeared to Mr. Thornton that all these graceful cares were habitual to the family; and especially of a piece with Margaret. She stood by the tea-table in a light-coloured muslin gown, which had a good deal of pink about it. She looked as if she was not attending to the conversation, but solely busy with the tea-cups, among which her round ivory hands moved with pretty, noiseless, daintiness. She had a bracelet on one taper arm, which would fall down over her round wrist. Mr. Thornton watched the replacing of this troublesome ornament with far more attention than he listened to{61} her father. It seemed as if it fascinated him to see her push it up impatiently until it tightened her soft flesh; and then to mark the loosening—the fall. He could almost have exclaimed—“There it goes again!” There was so little left to be done after he arrived at the preparation for tea, that he was almost sorry the obligation of eating and drinking came so soon to prevent him watching Margaret.
Elizabeth Gaskell (North and South)
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
What’s going on, chick?” she asks, taking a drink. She knows that when Johnnie comes out, something bad has happened. I suck on my teeth and shake my head. She cringes at the burn of whiskey, waiting for me to say more. I glance down at my bracelet. “My past caught up with me.” She slides the bottle back my way. “Need me to hurt someone?” she asks, dead serious. She and I are as close as friends come, and we have been since senior year of high school. And at the core of our friendship is a pact of sorts: nothing’s going to drag her towards the future she doesn’t want, and nothing’s going drag me back into the past I’ve worked to forget. Nothing. I huff out a laugh. “Eli’s already beaten you to it.” “Eli?” she says, raising an eyebrow. “Girl, I’m hurt. Hoes before bros, remember?” “I didn’t ask him to get involved. I broke up with him, and then he got involve—” “What!” She grabs the table. “You broke up with him? When were you going to tell me?” “Today. I was going to tell you today.” She’s shaking her head. “Bitch, you should’ve called me.” “I was busy ending a relationship.” She falls back into her seat. “Shit girl, Eli’s going to stop giving us a discount.” “That’s what your most upset by?” I say, taking another swig of whiskey. “No,” she says. “I’m happy you grew a vagina and broke up with him. He deserves better.” “I’m going to throw this bottle of whiskey at you.” She holds her hands up to placate me. “I’m kidding. But seriously, are you okay?” I barely stop myself from looking at my computer screen again. I exhale. “Honestly? I have no fucking clue.
Laura Thalassa (Rhapsodic (The Bargainer, #1))
passant /pasɑ̃, ɑ̃t/ I. adj [rue] busy II. nm,f passer-by • quelques ~s | a few passers-by III. nm (anneau de ceinture, bracelet-montre) loop
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
They are looking for a shortcut. Information, more time, easy payments, or something else. PayPal, lawn mowing, TripAdvisor. They want to feel more connected to the group, to belong. Instagram, live events, Startup weekend, book clubs. It works. Think Dropbox, WordPress, Amazon, FedEx. It makes their lives easier. Fruit smoothies, online groceries, Thermomix. It gives them a story to tell. A Tiffany & Co. bracelet, dinner at Jamie’s Italian restaurant, Christian Louboutin red-soled shoes. They need a solution to a problem. Online dating, personal training, gluten-free bread. It helps them get from where they are to where they want to be. Gym membership, consulting services, design. They like what you stand for. Whole Foods Markets, Method cleaning products, Patagonia outdoor wear. Their friends are doing it, too. Facebook, dinner at a new restaurant, Jägerbomb cocktails. This is why great brands become a part of the customer’s story, and customers in turn help to shape the brand’s story.
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
Business was booming for Tiffany & Co. in the late 1990s, thanks to the introduction of a new affordable silver jewellery line. The $110 silver charm bracelet inscribed with the Tiffany name was coveted by teenage girls, causing sales of the new silver product line to skyrocket 67% between 1997 and 2002. By 2003, company earnings had doubled and the silver jewellery line accounted for a third of Tiffany’s U.S. sales. And yet the queues of excited girls didn’t fill the store managers with joy. Sure, sales were up and stores were busy, but the people close to the brand, who understood its heritage, began to worry that this lower price point would forever change how the brand was perceived by its high-end customers. “We didn’t want the brand to be defined by any single product.” —Michael Kowalski, CEO, Tiffany & Co. Despite some unease from investors, Tiffany raised prices on their most popular silver products by 30% over the next three years and managed to halt the growth of their highly profitable silver line. And so the company sacrificed short-term gain and profits for the long-term good of the brand by telling the story they wanted customers to believe—that Tiffany’s represents something special. A client recently told me about her friend’s excited engagement announcement on Facebook. All she did was post a photo of the Tiffany blue box—not a picture of the ring in sight. The box alone was enough to say everything she wanted to say. QUESTIONS FOR YOU How are you least like the competition?
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
He cast aside the mangled blade of grass and idly reached to capture both my hands in one of his, drawing them forward so that he could see my wrists. “You’re not wearing the bracelet,” he observed. I flushed crimson, pulling ineffectually against his grasp. “I cannot wear it,” I protested. “Faith, I cannot accept it, it would not be seemly. I meant to return it to you.” “I will not have it returned.” He looked seriously offended. “I bought it for you as a present, and I would have you wear it.” “My uncle would doubtless not approve, my lord,” I reminded him gently. Releasing my hands he rose to collect the grazing horse, gathering the trailing reins in his fist. “I care not,” he told me. “What business has your uncle in my affairs?” “None,” I had to admit, “but he takes a great interest in mine, and I would not wish to rouse his ire.” He turned at that, looming tall against the gray stallion, his expression serious. “If Jabez Howard dares to mark you in any way, I will hear of it.” I stood up, too, and faced him squarely. “I am flattered, my lord, but it is none of your concern. I am not your responsibility.” “You are wrong, mistress,” he informed me in a voice as smooth as honey. “You are very much my responsibility. I have made it so.
Susanna Kearsley (Mariana)
Interestingly, the palace was itself a contributor to Dilmun expeditions. Governmental participation in the southern maritime ventures was nothing new. The temple of Eanna had been involved in financing the Dilmun trade for at least five centuries before Ea-nasir’s time. The interesting thing about his partnership records is that ordinary citizens, some with only small contributions like a bracelet or two, could join in the profits of the venture. Enterprise was not only for the wealthy or the politically powerful. The financial technology of second-millennium Ur made the power of time accessible to a broad spectrum of society. Like modern-day investors in mutual funds, Ea-nasir’s investors did not have to be experts in the copper trade to profit from it. Neither did they have to commit their entire fortunes to a single risky venture. The effect of this business structure on personal fortunes must have been significant. People were able to insure themselves against personal failure—if their own venture collapsed, then the investment in Ea-nasir’s might carry them through hard times.
William N. Goetzmann (Money Changes Everything: How Finance Made Civilization Possible)
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Adam Simba
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Corazon Latino
He turned on his heel, calling to Rhew as he hurried down the shadowy hallway. The wolf trotted along to catch up with him, but he wasn't fast enough. An all too familiar voice called his name. A voice he had always struggled to say no to. Taking a deep breath, he turned and faced Ciara. Longing and heartache warred within him at the sight of her, leaving his chest tight. She was wearing a light green, gauzy gown, the color reminding him of the young grass that would blanket the valleys every spring. Her dark hair had been piled on top of her head, a few wavy locks left down to frame her face, while her diamond studded hair pins glittered in the torch light. She was breathtaking and he was caught in her gaze, unable to look away. "Maura said you weren't feeling well," she said, her movements tentative as she closed the distance between them. He cleared his throat, wetting his lips. "Yes, I... the afternoon took much out of me." She tilted her head to the side, her full lips pursing. His gaze dropped to them, his breath hitching. Lips that you have no business focusing on, he reminded himself, slightly shaking his head. "But you're feeling better now?" she asked. "Considerably." He paused, glancing behind her to see if anyone was coming up the steps. "Is dinner over already?" She looked away, biting her lip and fidgeting with her pearl bracelet. "I left early," she answered. "I found that I wasn't quite up to the company." Her words were hollow, leaving a dull ache in his chest.
Hannah E. Carey (The Betrayer: Tales of Pern Coen (Legacy, #1))