Box Of Insults Quotes

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If they can make penicillin out of moldy bread, then they can sure make something out of you.
Muhammad Ali
Sometimes, very occasionally, you do your best boxing with your mouth.
Bryce Courtenay (The Power of One (The Power of One, #1))
....And b-t-w, if anyone asks you what's in the box, I'd say 'feminine supplies.'" The box was large and heavy, and there was a distinct clanging sound as I carried it. "As in tampons?" "Keely's not going to ask questions. Ali's busy with the twins, and everyone else around here is male. Tampons scare the bejeezus out of them, my dad included, but if the person who asks is a Were, they'd smell a lie. Hence, feminine supplies." "Because we're females, and they're our supplies?" I guessed. "No. Because weapons are feminine." Lake gave me an insulted look. "Why do you think I named my gun Matilda?
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
I mean, that's at least in part why I ingested chemical waste - it was a kind of desire to abbreviate myself. To present the CliffNotes of the emotional me, as opposed to the twelve-column read. I used to refer to my drug use as putting the monster in the box. I wanted to be less, so I took more - simple as that. Anyway, I eventually decided that the reason Dr. Stone had told me I was hypomanic was that he wanted to put me on medication instead of actually treating me. So I did the only rational thing I could do in the face of such as insult - I stopped talking to Stone, flew back to New York, and married Paul Simon a week later.
Carrie Fisher (Wishful Drinking)
Every day, the New York Times carries a motto in a box on its front page. "All the News That's Fit to Print," it says. It's been saying it for decades, day in and day out. I imagine most readers of the canonical sheet have long ceased to notice this bannered and flaunted symbol of its mental furniture. I myself check every day to make sure that the bright, smug, pompous, idiotic claim is still there. Then I check to make sure that it still irritates me. If I can still exclaim, under my breath, why do they insult me and what do they take me for and what the hell is it supposed to mean unless it's as obviously complacent and conceited and censorious as it seems to be, then at least I know I still have a pulse. You may wish to choose a more rigorous mental workout but I credit this daily infusion of annoyance with extending my lifespan.
Christopher Hitchens (Letters to a Young Contrarian)
I do not care if they do not like me," he said. "Maybe then they will let me alone, and I will not have to stay in China." The thought visibly struck him, and his head came up with sudden enthusiasm. "If I were very offensive, do you suppose they would go away now?" he asked. "Laurence, what would be particularly insulting" Hammond looked like Pandora, the box open and horrors loose upon the world. Laurence was inclined to laugh, but he stifled it out of sympathy.
Naomi Novik (Throne of Jade (Temeraire, #2))
She's dumber than a box of hair.
Bink Cummings (The Diary of Bink Cummings: Vol 2 (MC Chronicles, #2))
You're in trouble. Do you expect me to just walk away?" "I wouldn't hold it against you if you did." "In know you wouldn't. That's only one of the reasons I'm crazy about you. I've got a million more." "Just a million?" "Okay, a million plus one—your cat." She giggled. "You're bonding with Saladin?" "Somebody has to protect that cat from your cousin Ian. And I feed him. The cat. Not Ian. He's on his own. Anyway, if that doesn't get me Perfect Boyfriend status, I don't know what will." "Emptying the litter box?" "Hey. I have my limits." Amy laughed. She had the phone pressed to her ear so tightly it burned. She closed her eyes, picturing his face... Ian's crisp voice broke in. "All right, lovebirds, let's move on. No offense, but I believe Amy and Dan might need a short course in style and class." "Is this the nonoffensive part?" Dan asked. "I can't wait until you really insult us." "Let's deal with reality, shall we? You don't just walk into an auction house in your jeans and backpacks. You have to blend in. And that's going to be hard." Ian sniffed. "Considering that you're Americans." "What are you talking about, dude?" Dan asked. "This is my best SpongeBob T-shirt.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her. It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.
Saul Bellow (All Marbles Accounted for)
Look in your bill box, do you see someone else’s name? When you do; then you can worry about what that person thinks.
Ron Baratono
Why,” said Jane, “there’s nothing in it!” “What do you mean—nothing?” demanded Mary Poppins, drawing herself up and looking as though she had been insulted. “Nothing in it, did you say?” And with that she took out from the empty bag a starched white apron and tied it round her waist. Next she unpacked a large cake of Sunlight Soap, a toothbrush, a packet of hairpins, a bottle of scent, a small folding armchair and a box of throat lozenges.
P.L. Travers (Mary Poppins)
I go to New York City, the Tournament of Champions, a significant milestone because it’s a clash of the top players in the world. Once more I square off against Chang, who’s developed a bad habit since we last met. Every time he beats someone, he points to the sky. He thanks God—credits God—for the win, which offends me. That God should take sides in a tennis match, that God should side against me, that God should be in Chang’s box, feels ludicrous and insulting. I beat Chang and savor every blasphemous stroke.
Andre Agassi (Open)
You big ugly. You too empty. You desert with your nothing nothing nothing. You scorched suntanned. Old too quickly. Acres of suburbs watching the telly. You bore me. Freckle silly children. You nothing much. With your big sea. Beach beach beach. I’ve seen enough already. You dumb dirty city with bar stools. You’re ugly. You silly shopping town. You copy. You too far everywhere. You laugh at me. When I came this woman gave me a box of biscuits. You try to be friendly but you’re not very friendly. You never ask me to your house. You insult me. You don’t know how to be with me. Road road tree tree. I came from crowded and many. I came from rich. You have nothing to offer. You’re poor and spread thin. You big. So what. I’m small. It’s what’s in. You silent on Sunday. Nobody on your streets. You dead at night. You go to sleep too early. You don’t excite me. You scare me with your hopeless. Asleep when you walk. Too hot to think. You big awful. You don’t match me. You burnt out. You too big sky. You make me a dot in the nowhere. You laugh with your big healthy. You want everyone to be the same. You’re dumb. You do like anybody else. You engaged Doreen. You big cow. You average average. Cold day at school playing around at lunchtime. Running around for nothing. You never accept me. For your own. You always ask me where I’m from. You always ask me. You tell me I look strange. Different. You don’t adopt me. You laugh at the way I speak. You think you’re better than me. You don’t like me. You don’t have any interest in another country. Idiot centre of your own self. You think the rest of the world walks around without shoes or electric light. You don’t go anywhere. You stay at home. You like one another. You go crazy on Saturday night. You get drunk. You don’t like me and you don’t like women. You put your arm around men in bars. You’re rough. I can’t speak to you. You burly burly. You’re just silly to me. You big man. Poor with all your money. You ugly furniture. You ugly house. You relaxed in your summer stupor. All year. Never fully awake. Dull at school. Wait for other people to tell you what to do. Follow the leader. Can’t imagine. Workhorse. Thick legs. You go to work in the morning. You shiver on a tram.
Ania Walwicz
During a Middle East peace talk you insulted the Iraqi ambassador.” “He was a pervert who liked little girls.
Lee Goldberg (Ultimate Thriller Box Set)
I refuse to put God into a little box I can handle, for that would insult us both.
L.M. Fields
Are your ass cheeks touching my desk right now?” “You don’t even insult me the normal way that you used to,” she said. “I actually miss that.” I pulled out a box of Clorox wipes.
Whitney G. (Reasonable Doubt: Full Series (Reasonable Doubt, #1-3.25))
Pretty soon you’re not going to be able to understand me. I’ll be so smart that you’ll have no idea I’m insulting you.” I chuck my empty box at her. I miss again.
Chelsea M. Cameron (Nocturnal (The Noctalis Chronicles, #1))
Do you ever smile?” I asked, peeking inside the box to make sure they hadn’t messed up the order. Nope. One Death by Chocolate, coming right up. “It might help with your condition.” “What condition?” Alex sounded bored. “Stickuptheassitis.” I’d already called the man an asshole, so what was one more insult? I might’ve imagined it, but I thought I saw his mouth twitch before he responded with a bland, “No. The condition is chronic.
Ana Huang (Twisted Love (Twisted, #1))
That’s ridiculous!” I said, and with such genuine indignation that Al chuckled. The chuckles tried to morph into a coughing fit and he stifled them. Here in the privacy of his own home, he wasn’t using tissues, handkerchiefs, or napkins to deal with that cough; there was a box of maxi pads on the table beside his chair. My eyes kept straying to them. I’d urge them away, perhaps to look at the photo on the wall of Al with his arm around a good-looking woman, then find them straying back. Here is one of the great truths of the human condition: when you need Stayfree Maxi Pads to absorb the expectorants produced by your insulted body, you are in serious fucking trouble.
Stephen King (11/22/63)
Do you ever smile?” I asked, peeking inside the box to make sure they hadn’t messed up the order. Nope. One Death by Chocolate, coming right up. “It might help with your condition.” “What condition?” Alex sounded bored. “Stickuptheassitis.” I’d already called the man an asshole, so what was one more insult? I might’ve imagined it, but I thought I saw his mouth twitch before he responded with a bland, “No. The condition is chronic.” My hands froze while my jaw unhinged. “D-did you make a joke?
Ana Huang (Twisted Love (Twisted, #1))
I was just thinking, when I first met you, you seemed really... obvious. And you're not. Not just how you are in bed," she said, rambling. "On the outside you're like uber-macho, Mr. Toolbelt-and-Boxing Gloves with your bossy accent and your attitude and your...tallness." "My tallness?" "And your body and everything. But you're really something else on the inside. Sorry," she said. "That sounded was more squishy than I meant it to. Should I insult you, to take the edge off all that squishiness?" "Nah. I'll just take it out on you next time." She smiled to herself. "I'm sure you will.
Cara McKenna (Willing Victim (Flynn and Laurel, #1))
Women facing sexual violence rarely speak up or call the police because they know what awaits them. Even good men hate it when women express their feelings, often responding with mockery, insults or threats. There’s a box in the minds of American men, a box labeled 'Girl Problems,' into which men can stuff any complaint made by women they wish to ignore.
Israel Morrow (Gods of the Flesh: A Skeptic's Journey Through Sex, Politics and Religion)
Goldfish in a glass bowl are harmless to the human mind, maybe even helpful to minds casting about for something, anything, to think about. But goldfish let loose, propagating themselves, worst of all surviving in what has to be a sessile eddy of the East River, somehow threaten us all. We do not like to think that life is possible under some conditions, especially the conditions of a Manhattan pond. There are four abandoned ties, any number of broken beer bottles, fourteen shoes and a single sneaker, and a visible layer, all over the surface, of that grayish-green film that settles on all New York surfaces. The mud at the banks of the pond is not proper country mud but reconstituted Manhattan landfill, ancient garbage, fossilized coffee grounds and grapefruit rind, the defecation of a city. For goldfish to be swimming in such water, streaking back and forth mysteriously in small schools, feeding, obviously feeding, looking as healthy and well-off as goldfish in the costliest kind of window-box aquarium, means something is wrong with our standards. It is, in some deep sense beyond words, insulting.
Lewis Thomas (The Medusa and the Snail: More Notes of a Biology Watcher)
The Stoics, as we have seen, recommend that we use humor to deflect insults: Cato cracked a joke when someone spit in his face, as did Socrates when someone boxed his ears. Seneca suggests that besides being an effective response to an insult, humor can be used to prevent ourselves from becoming angry: “Laughter,” he says, “and a lot of it, is the right response to the things which drive us to tears!
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
Carpool,my foot. But it's still not a date,MacGregor. What we'll call this is a...a civilized transit agreement. That sounds bureaucratic enough.I like your car," she added, patting the hood of his Mercedes. "Very sedate." Alan opened the trunk and set the box inside. He glanced back up at Shelby as he closed it. "You have an interesting way of insulting someone." She laughed,that free smoke-edged laugh as she went to him. "Dammit, Alan, I like you." Throwing her arms around his neck, she gave him a friendly hug that sent jolts of need careening through him. "I really like you," she added, tilting back her head with a smile that lit her whole face with a sense of fun. "I could probably have said that to a dozen other men who'd never have realized I was insulting them." "So." His hands settled at her hips. "I get points for perception.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Do you ever smile?” I asked, peeking inside the box to make sure they hadn’t messed up the order. Nope. One Death by Chocolate, coming right up. “It might help with your condition.” “What condition?” Alex sounded bored. “Stickuptheassitis.” I’d already called the man an asshole, so what was one more insult? I might’ve imagined it, but I thought I saw his mouth twitch before he responded with a bland, “No. The condition is chronic.
Ana Huang (Twisted Love (Twisted, #1))
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Colby Lane and Pierce Hutton had the manager of Tate’s apartment building open his door for them. They knew that Tate had come back from Tennessee, and that he’d saved Cecily from Gabrini, but nobody had seen him for almost a week. His answering machine was left on permanently. He didn’t answer knocks at the door. It was such odd behavior that his colleague and his boss became actually concerned. They were more concerned when they saw him passed out on the couch in a forest of beer cans and discarded pizza boxes. He hadn’t shaved or, apparently, bathed since his return. “Good God,” Pierce said gruffly. “That’s a familiar sight,” Colby murmured. “He’s turned into me.” Pierce glared at him. “Don’t be insulting.” He moved to the sofa and shook Tate. “Wake up!” he snapped. Tate didn’t open his eyes. He shifted, groaning. “She won’t come back,” he mumbled. “Won’t come. Hates me…” He drifted off again. Pierce and Colby exchanged knowing glances. Without a word, they rolled up their sleeves and set to work, first on the apartment, and then on Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
That”-Mr. Grayson slammed the door of the captain’s cabin-“was the most breathtaking display of stupidity I have ever witnessed in my life.” Sophia cringed in her chair as he plunked a basin of water on the table. Liquid sloshed over the side, trickling toward the floor. With jerky motions, he removed a flask from his breast pocket, unscrewed the top, and added a splash of brandy. Then he threw back a healthy swallow, himself. She’d never seen him so agitated. He took everything as a joke, laughed off confrontation, deflected insult with a roguish smile. “You’re angry,” she said. “Damn right, I’m angry. I’d like to string every one of those bloody idiots up to the yardarm and shout them deaf.” “So why are you here, shouting at me?” He yanked open a drawer and removed a box. When he flung it on the table and flipped the latch, the box proved to be a medicine kit, crowded with brown glass vials and plasters and rolls of gauze. “Because…” With a sullen sigh, he dropped into the other chair. “Shouting the crew deaf is the captain’s privilege. And I’m not the captain. So I’m here instead, playing nursemaid. Give me your hands.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Every day, the New York Times carries a motto in a box on its front page. “All the News That’s Fit to Print,” it says. It’s been saying it for decades, day in and day out. I imagine that most readers of the canonical sheet have long ceased to notice this bannered and flaunted symbol of its mental furniture. I myself check every day to make sure that the bright, smug, pompous, idiotic claim is still there. Then I check to make sure that it still irritates me. If I can still exclaim, under my breath, why do they insult me and what do they take me for and what the hell is it supposed to mean unless it’s as
Christopher Hitchens (Letters to a Young Contrarian)
This is the carpenter's painful truth: that nothing is true. By true, he means level, plumb, perfect. Every room you've ever entered has been off by at least a sixteenth of an inch -- more probably an eighth. Guaranteed. We think we live in boxes until we look closer and find we're in fact living in irregular shapes, in big, misshapen accidents. Which makes carpenters the high priests of living with mistakes. And while sloppiness is the most grievous insult you could throw at another carpenter, true perfection is maddeningly unattainable, which is why it's never spoken of. Because even after you cut a piece of wood and lay it straight, it lives on after you've finished, soaking up moisture, twisting, bowing, and warping into unintended forms. Our lives are no different.
Michael Christie (Greenwood)
Elizabeth’s concern that Ian might insult them, either intentionally or otherwise, soon gave way to admiration and then to helpless amusement as he sat for the next half-hour, charming them all with an occasional lazy smile or interjecting a gallant compliment, while they spent the entire time debating whether to sell the chocolates being donated by Gunther’s for $5 or $6 per box. Despite Ian’s outwardly bland demeanor, Elizabeth waited uneasily for him to say he’d buy the damned cartload of chocolates for $10 apiece, if it would get them on to the next problem, which she knew was what he was dying to say. But she needn’t have worried, for he continued to positively exude pleasant interest. Four times, the committee paused to solicit his advice; four times, he smilingly made excellent suggestions; four times, they ignored what he suggested. And four times, he seemed not to mind in the least or even notice. Making a mental note to thank him profusely for his incredible forbearance, Elizabeth kept her attention on her guests and the discussion, until she inadvertently glanced in his direction, and her breath caught. Seated on the opposite side of the gathering from her, he was now leaning back in his chair, his left ankle propped atop his right knee, and despite his apparent absorption in the topic being discussed, his heavy-lidded gaze was roving meaningfully over her breasts. One look at the smile tugging at his lips and Elizabeth realized that he wanted her to know it. Obviously he’d decided that both she and he were wasting their time with the committee, and he was playing an amusing game designed to either divert her or discomfit her entirely, she wasn’t certain which. Elizabeth drew a deep breath, ready to blast a warning look at him, and his gaze lifted slowly from her gently heaving bosom, traveled lazily up her throat, paused at her lips, and then lifted to her narrowed eyes. Her quelling glance earned her nothing but a slight, challenging lift of his brows and a decidedly sensual smile, before his gaze reversed and began a lazy trip downward again. Lady Wiltshire’s voice rose, and she said for the second time, “Lady Thornton, what do you think?” Elizabeth snapped her gaze from her provoking husband to Lady Wiltshire. “I-I agree,” she said without the slightest idea of what she was agreeing with. For the next five minutes, she resisted the tug of Ian’s caressing gaze, firmly refusing to even glance his way, but when the committee reembarked on the chocolate issue again, she stole a look at him. The moment she did, he captured her gaze, holding it, while he, with an outward appearance of a man in thoughtful contemplation of some weighty problem, absently rubbed his forefinger against his mouth, his elbow propped on the arm of his chair. Elizabeth’s body responded to the caress he was offering her as if his lips were actually on hers, and she drew a long, steadying breath as he deliberately let his eyes slide to her breasts again. He knew exactly what his gaze was doing to her, and Elizabeth was thoroughly irate at her inability to ignore its effect. The committee departed on schedule a half-hour later amid reminders that the next meeting would be held at Lady Wiltshire’s house. Before the door closed behind them, Elizabeth rounded on her grinning, impenitent husband in the drawing room. “You wretch!” she exclaimed. “How could you?” she demanded, but in the midst of her indignant protest, Ian shoved his hands into her hair, turned her face up, and smothered her words with a ravenous kiss. “I haven’t forgiven you,” she warned him in bed an hour later, her cheek against his chest. Laughter, rich and deep, rumbled beneath her ear. “No?” “Absolutely not. I’ll repay you if it’s the last thing I do.” “I think you already have,” he said huskily, deliberately misunderstanding her meaning.
Judith McNaught (Almost Heaven (Sequels, #3))
I was curled up on the floor, with Felix the kitty sleeping up against me. I’d given up trying to shove him away; Felix apparently thought I was his mother, which was insulting, but he was a cat and therefore, in my opinion, completely brainless.
W. Bruce Cameron (A Dog's Purpose Boxed Set (A Dog's Purpose #1-2))
I tried!” She screamed, her eyes filled with raw emotion. All Sarah could do is stand there, speechless at this outburst. Sunni whirled on her heels, pacing back and forth in the narrow confines of the bedroom. “I tried as hard as I fucking could!” She continued, her voice thick with tears and heavy with anger .”I did the best I could! I loved you, no matter what. I loved every part of you, and I accepted who you were! I didn't like some parts, but you know what? It's who you fucking are! That's what you do as a partner!” She turned on Sarah now, her finger pointed in her direction, tears spilling over as the emotion got the best of her. “I loved you through it all, and what did you do? You abandoned me. You made empty promises to me, ones that filled my heart with hope. Even in my darkest times, you made it about you. Is that who you are, Sarah?!” H Sunni's voice dropped now, a whisper of shattered glass. “You left me, you abandoned me. Even in my greatest need, I was still there for you. And yet, you couldn't do the same for me. Why? Am I not good enough for you?” Sarah moved to speak, her throat closing with raw emotion. Sunni shook her head, her hand up to halt Sarah. “No, don't speak. Don't lie to me. No more lies, no more bullshit. If I was enough, then why weren't you there?” She let out a laugh now, a sound that was reminiscence to raw sandpaper. “I needed you, time and time again. I was there for you, because it was my job. It was my fucking duty as your partner to help you, to lift you up. And all you saw me as was a burden, someone who didn't conform to your little box. You're just like your fucking step mom.” Sarah jerked at the insult, her blood going cold. She didn't freeze because she was insulted. She froze because she knew it was true. “Sunni....Please. I really am sorry. I want to fix this with you. I can be bet-” Sunni shook her head, cutting off Sarah. “You've promised that before. I've shattered my heart with you, I've dedicated myself to you. And you didn't even have the common decency to return the favor. We're done, Sarah.” Her heart felt like lead, now. But she knew what she had to do. “I'm leaving you, Sarah. I can't do this anymore. I can't let myself be lead on my false lies. I've been there for you, and you can't do the same. I'm sorry. I need to take care of myself.
Zoe Santana
To make matters worse, the Starlight Captain, Quentin, got to them before we could and he offered them a teasing bow and a smile which made me want to knock his teeth out. Which I intended to do as soon as the second half started. The girls both laughed at something he said, smiling like he was the funniest fucking dipshit they’d ever met. Roxy’s dark eyes moved to mine and I felt a lurch right in the centre of my gut for a half a second as it seemed almost like she was directing that smile at me. She’d made a dress out of an oversized Pitball shirt which skimmed her thighs and made her look like she'd just crawled out of my bed and pulled it on. The idea of that excited me way more than it should have but as she turned to whisper something to her sister, I saw the name printed across the back of her shirt wasn’t Acrux, it was Grus. Of course it is. Stop thinking with your dick and get your head back in the game! The Starlight Captain noticed us approaching and made himself scarce but I noted the lingering looks the twins gave him as he jogged away. “Enjoying the game, sweetheart?” Caleb asked as we drew close enough to speak with them. I didn’t miss the way Roxy’s eyes trailed over him and the fact that there was considerably less hatred in her gaze when she looked his way than what she directed at me. I guessed he hadn’t half drowned her but it still pissed me off. “We are,” she admitted with a wide smile. “Isn’t Geraldine amazing?” “Yeah she’s the fucking cat's pyjamas,” I growled, wishing I could actually aim an insult the Cerberus’s way but that girl was single handedly saving our asses from total annihilation at this point so I couldn’t even pretend to do it. Without her we would have been royally screwed. “Maybe she should be the Captain,” Gwendalina suggested with a taunting smile. “Maybe she should,” Lance agreed loudly and I scowled at my friend. There was no way he’d offer me any loyalty when it came to Pitball. If I wasn’t the best then he’d say it to my face. I just wished he’d hold his opinion back in front of the Vegas. “I just need a quick top up,” Caleb said and Roxy didn’t even fucking flinch at that. She sighed like him biting her was a goddamn inconvenience and pulled her long hair over her shoulder to offer him access to her neck. “You’d better hurry up,” she added. “Only two minutes of half time left.” I glanced around at the board to confirm what she’d said and by the time I looked back, Caleb had her in his arms and his teeth were in her throat. She didn’t even have the decency to look horrified, her fingers twisting into his hair as he held her in place. His fucking hand was on her thigh, skimming the hem of that shirt and for a moment I actually wanted to rip his arm off. I shook my head and turned away from them. This anger with Milton was spilling into everything I did today. I just couldn’t believe that he’d done such a thing to me. He was one of my most loyal followers, I’d never even sensed an inch of defiance in him let alone a betrayal of this magnitude and I couldn’t get it out of my head. If I couldn’t trust someone as devoted as him then who the hell could I trust? My gaze skimmed over the box above the twins where my parents were sitting but I didn’t let it linger there. If I saw the look of frustration and disappointment I knew would be on my father’s face then I really would lose the plot. Caleb released Roxy, leaning close to whisper something in her ear which made her fucking laugh while I ground my teeth. He spared a moment to heal the bite on her neck and we turned back to the pitch. “I hope you do better this half!” Gwen called after us. “You can’t do any worse, right?” Roxy added and I clenched my fists to stop myself from rounding on them. (Darius POV)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
i wish i could clean up the mess that i made of myself pack it up in boxes drop it off at the thrift store fill garbage bags with my self-criticism rent a dumpster to toss out the insults i throw at myself have a trash fire kindled with unrequited love and all the longing i do that lasts for too long is it thursday already don’t let the garbage truck leave i’m not finished yet i just need a little more time to get this messed cleaned up
Michaela Angemeer (Please Love Me at My Worst)
Ugh!” exclaimed the cow with a little shiver. “I know how that is! Nothing makes me more nervous than to have something watching me and not saying anything. I remember, when the rats used to live in our barn, that old Simon used to sit in his hole and just watch me without moving a whisker. Just did it to make me nervous. But excuse me, Freddy; I didn’t mean to mention the rats.” “Oh, that’s all right,” said the pig. “I don’t mind. Though I must confess I don’t know just what to do about them. It’s the only case so far that has given me much trouble.” “Nasty creatures!” exclaimed the cow. “If I could just get up in that loft, I’d show ’em!” “I wish you could,” said Freddy. “You could just pick the train up on one horn and walk off with it. But the stairs are too narrow. No, I’ve got to think out something else. Oh, I’ll get an idea sooner or later.” “That’s it,” said Mrs. Wiggins. “Ideas! You’ve got to have ’em to be a detective. And I can’t remember when I had my last one. But land sakes, there must be some way of getting the train. Couldn’t you tie a rope on it and pull it out?” “H’m,” said Freddy thoughtfully, “that’s an idea.” “An idea!” exclaimed the cow. “Gracious, Freddy, that isn’t an idea; it’s just something I thought of.” “It’s an idea all the same,” said the pig, “and a good one. But we’d have to do it quick, or they’d gnaw the rope in two. Come on, walk back to the barn with me and talk it over. I’d like to get at it tonight if I can.” So they strolled back, talking so earnestly that they never noticed that they were being rather clumsily shadowed by half a dozen animals of assorted sizes who dodged behind trees and darted across open places like Indians on the war-path. Mrs. Wiggins was so excited to find that she had really had an idea after all, and so flattered that Freddy was actually asking for her advice, that she hardly looked where she was going, and Alice remarked to Emma as they passed: “I’ve rarely seen Mrs. Wiggins so animated. She looks quite flushed.” “Humph!” replied Emma, who was a little upset that day because her Uncle Wesley had scolded her for eating minnows—“Humph! It always goes to her head when she gets a little attention!” Jinx was up in the loft where he spent much of his time now, though there was very little he could do there but watch the train make its periodic trips to the grain-box and back and listen to the insults and ribald songs that the rats shouted at him. He came down at once when Freddy called him, and went into conference with the pig and the cow. And when they finally separated to go to supper, they had decided on a plan. There was a door in the loft through which Mr.
Walter Rollin Brooks (Freddy the Detective (Freddy the Pig))
Come along.” Nick took her arm when they left the box, and with his superior height, navigated her deftly through the crowds. “Where are we going?” Ellen asked, for she did not recognize the path they were traveling. “To meet your fate, my lady,” Nick said, but his eyes were sparkling, and Ellen didn’t realize the significance of his comment until she was being tugged backstage toward a growing buzz of voices. “The green room is this way”—Nick steered her along—“but for you, we will refer to it as the throne room. Ladies and gentlemen…” Nick bellowed as he gently pushed Ellen into a crowded, well-lit room. “Make way for the artist’s muse and for a large fellow bent on reaching that punch bowl.” Applause burst forth, and the crowd parted, leaving Ellen staring across the room at Valentine where he stood, a glass in his hand, still in his formal attire. He’d never looked so handsome to her, or so tired and happy and uncertain. He set the glass down and held out his left hand to her. “My Ellen,” he said, as if introducing her. She tried to make her steps dignified before all these strangers, but then she was walking very quickly, then, hang it, she pelted the rest of the distance right into his arms, holding on to him with every ounce of her strength. She did not leave his side when the duke and duchess were announced or when his various siblings and friends came to congratulate him. She was still right by his side when the duke approached. “Well.” Moreland smiled at his youngest son. “Suppose I was mistaken, then.” “Your Grace?” Ellen heard surprise in Val’s voice, and pleasure. “I kept trying to haze you off in a different direction, afraid the peasants wouldn’t appreciate you for the virtuoso you are.” The duke sipped his drink, gaze roving the crowd until it lit on his wife standing beside Westhaven. “I was worrying for nothing all those years. Of course they’re going to love you—you are my son, after all.” “I am that,” Val said softly, catching his father’s eye. “I always will be.” “I think you’re going to be somebody’s husband too, eh, lad?” The duke winked very boldly at Ellen then sauntered off, having delivered a parting shot worthy of the ducal reputation. “My papa is hell-bent on grandchildren. I hope you are not offended?” Ellen shook her head. “Of course not, but Valentine, we do need to talk.” “We do.” He signaled to Nick, where that worthy fellow stood guarding the punch bowl. Nick nodded imperceptibly in response and called some inane insult over the crowd to Westhaven, who quipped something equally pithy right back to the amusement of all onlookers, while Val and Ellen slipped out the door. By the light of a single tallow candle, he led Ellen to a deserted practice room. He set the candle on the floor before tugging her down beside him on the piano bench. “I can’t marry you,” Ellen said, wanting to make sure the words were said before she lost her resolve. “Hear me out,” Val replied quietly. “I think you’ll change your mind. I hope and pray you’ll change your mind, or all my talent, all my music, all my art means nothing.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
After that they had the presents. Those from the guests to the hosts were chiefly a disguised dole: tins or pots of more or less luxurious food, bottles of hard liquor, wide-spectrum gift tokens. Hosts showered guests with diversely unwearable articles of clothing: to Keith from Adela, a striped necktie useful for garroting underbred rivals in his trade; to Tracy from George, a liberation-front lesbian's plastic apron. Under a largely unspoken kind of non-aggression pact, the guests gave one another things like small boxes of chocolates or very large boxes of matches with (say) aerial panoramas of Manhattan on their outsides and containing actual matches each long enough, once struck, to kindle the cigarettes of (say) the entire crew of a fair-sized merchant vessel, given the assembly of that crew in some relatively confined space. Intramural gifts included a bathroom sponge, a set of saucepans, a cushion in a lop-sided cover, a photograph-frame wrought by some vanished hand and with no photographs in it, an embroidered knitting bag. Keith watched carefully what Bernard gave, half expecting a chestnut-coloured wig destined for Adela, or a lavishly-illustrated book on karate for George, but was disappointed, although he savored Bernard's impersonation of a man going all out to hide his despondency as he took the wrappings off present after useless, insultingly cheap, no doubt intended to be facetious, present.
Kingsley Amis
The motive behind my arguments have always been to come at truth. I am not interested in conquering anyone with my ideologies or seeking converts. There are no absolute philosophies, not one argument that does not have its drawbacks. To paint debates as homogenous is to insult those who risked thinking outside of the box, the people who made our civilization possible.
Crystal Evans
Some politicians have a gift for language. Trump is not one of those politicians. His sentences call to mind an aerial shot of a burning, derailed freight train. The syntax is mangled. The grammar is gone. 'Donald Trump isn't a simpleton, he just talks like one,' reads a Politico article from last August. 'If you were to market Donald Trump's vocabulary as a toy, it would resemble a small box of Lincoln Logs.' Every fourth word seems to be very, great, beautiful, or tremendous. He loves the word winning. In fact we're going to have so much of it, Trump says we'll get sick of it. His insults are even simpler. Our leaders are 'dumb,' 'stupid,' or 'weak.' Our deals are 'terrible.' His critics are 'losers' and 'haters.' The press is 'scum.' Women he doesn't find attractive are 'disgusting.
Katie Tur (Unbelievable)
Ironically both of them were on the pavement that night to escape their past and all that had circumscribed their lives so far. And yet, in order to arm themselves for battle, they retreated right back into what they sought to escape, into what they were used to, into what they really were. He, a revolutionary trapped in an accountant’s mind. She, a woman trapped in a man’s body. He, raging at a world in which the balance sheets did not tally. She, raging at her glands, her organs, her skin, the texture of her hair, the width of her shoulders, the timbre of her voice. He, fighting for a way to impose fiscal integrity on a decaying system. She, wanting to pluck the very stars from the sky and grind them into a potion that would give her proper breasts and hips and a long, thick plait of hair that would swing from side to side as she walked, and yes, the thing she longed for most of all, that most well stocked of Delhi’s vast stock of invectives, that insult of all insults, a Maa ki Choot, a mother’s cunt. He, who had spent his days tracking tax dodges, pay-offs and sweetheart deals. She, who had lived for years like a tree in an old graveyard, where, on lazy mornings and late at night, the spirits of the old poets whom she loved, Ghalib, Mir and Zauq, came to recite their verse, drink, argue and gamble. He, who filled in forms and ticked boxes. She, who never knew which box to tick, which queue to stand in, which public toilet to enter (Kings or Queens? Lords or Ladies? Sirs or Hers?). He, who believed he was always right. She, who knew she was all wrong, always wrong. He, reduced by his certainties. She, augmented by her ambiguity. He, who wanted a law. She, who wanted a baby. A circle formed around
Arundhati Roy (Ministry of Utmost Happiness)
No one can be indifferent to being ignored.” “There isn’t any protection from it, there can’t be … Once it happens it can’t be unhappened … It’s like being haunted by someone who wants to forget about you … all the moments when one goes unnoticed.” “There can be a freedom in those moments,” I said, and there was a long silence. It was as though I had insulted him. “When we’re ignored we just collapse back into our histories, into all the ways we coped … The problem is we get stuck with the ways we try and protect ourselves from it.
Adam Phillips (Houdini's Box: The Art of Escape)
She’s insane,” Anders whispered. “Quite possibly. But that might also be an insult to the mentally unbalanced,” Malady suggested.
James David Victor (Memories of Earth Boxed Set (Memories of Earth #1-9))
This cramped little space that stank of earth and smoke and sweat, that dripped water during every hard rain, and whose floor was often a half-frozen soup of mud and sunflower seeds and straw, now seemed to him more comfortable than Ketterling’s HQ could ever be, and he knew why. Here, surrounded by the weapons hanging from nails by their straps, the boxes of hand grenades, the cut-down artillery shells filled with cigarette butts, the crumpled moisture-bloated magazines and greasy playing cards, one lived an honest life. You couldn’t get that back home anymore. The radio and the newspapers were full of lies that would have been insulting even if the streets hadn’t been full of rubble and the air with the shriek of air-raid sirens, and it wasn’t enough for the government that the people merely endure it all, bombs and lies, without objecting. They had to believe the lies, had to parrot them back with sickly smiles plastered on their faces, lest they be branded defeatists and be taken away. It wasn’t like that here. Nickolaus wanted it to be, but it wasn’t. Here, a man might be hungry, he might itch with lice, he might sting with pain from cuts that never healed, he might be empty-headed with fatigue and half-deafened from noise, but he always knew precisely where he stood—with his comrades and with the enemy. There were no intrigues, no politics, no flag-waving. A man never looked you in the eyes and told you black was white, or worse yet, demanded that you agree that black was white. There was no need because he had already asked you to die for him, and once you had agreed, what need was there for words?
Miles Watson (Sinner's Cross)
I don’t have enough slots in my crayon box. But I still need that. Just in a different way. You may need a lot of colors, but the ones I need are the most important ones. I only have space for those. And there is no replacing them. I don’t connect two people just because they’re people. I don’t miss people. I can find use in someone and even like them, but that doesn’t mean I attach to them. Lakyn saw me. She did her best to connect to me. But even she was temporary. I know that. That sounds harsh, but I don’t mean it to. It’s not an insult to her. It’s an awareness of my own ability to stay connected. “It’s different when I find one of the colors that I need. There’s a drawer; an attachment. It never goes away, and that slot can’t be just filled up again. People from my past don’t come into my mind. I wouldn’t want to see any of them because I don’t know how to react. I remember tiny details, but sometimes not the big things. I don’t know how much of me
A.J. Rivers (The Girl and the Black Christmas (Emma Griffin FBI Mystery, #11))
I've made my thoughts clear enough on what I want from you.' He'd never met someone able to imply so much in so few words, in placing so much emphasis on you as to make it an outright insult. Cassian clenched his jaw. And didn't bother to restrain himself when he said, 'I'm tired of playing these bullshit games.' She kept her chin high, the portrait of queenly arrogance. 'I'm not.' 'Well, everyone else is. Perhaps you can find it in yourself to try a little harder this year.' Those striking eyes slid toward him, and it was an effort to stand his ground. 'Try?' 'I know that's a foreign word to you.' Nesta stopped at the bottom of the street, right along the icy Sidra. 'Why should I have to try to do anything?' Her teeth flashed. 'I was dragged into this world of yours, this court.' 'Then go somewhere else.' Her mouth formed a tight line at the challenge. 'Perhaps I will.' But he knew there was no other place to go. Not when she had no money, no family beyond this territory. 'Be sure to write.' She launched into a walk again, keeping along the river's edge. Cassian followed, hating himself for it. 'You could at least come live at the House,' he began, and she whirled on him. 'Stop,' she snarled. He halted in his tracks, wings spreading slightly to balance him. 'Stop following me. Stop trying to haul me into your happy little circle. Stop doing all of it.' He knew a wounded animal when he saw one. Knew the teeth they could bare, the viciousness they displayed. But it couldn't keep him from saying, 'Your sisters love you. I can't for the live of me understand why, but they do. If you can't be bothered to try for my happy little circle's sake, then at least try for them.' A void seemed to enter those eyes. An endless, depthless void. She only said, 'Go home, Cassian.' He could count on one hand the number of times she'd used his name. Called him anything other than you or that one. She turned away- toward her apartment, her grimy part of the city. It was instinct to lunge for her free hand. Her gloved fingers scraped against his calluses, but he held firm. 'Talk to me, Nesta. Tell me-' She ripped her hand out of his grip. Stared him down. A mighty vengeful queen. He waited, panting, for the verbal lashing to begin. For her to shred him into ribbons. But Nesta only stared at him, her nose crinkling. Stared, then snorted- and walked away. As if he were nothing. As if he weren't worth her time. The effort. A low-born Illyrian bastard. This time, when she continued onward, Cassian didn't follow. He watched her until she was a shadow against the darkness- and then she vanished completely. He remained staring after her, that present in his hands. Cassian's fingertips dug into the soft wood of the small box. He was grateful the streets were empty when he hurled the box into the Sidra. Hurled it hard enough that the splash echoed off the buildings flanking the river, ice cracking from the impact. Ice instantly re-formed over the hole he'd blown over. As if it, and the present, had never been.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
I know you're not the brightest crayon in the box, but I'd seriously warn against insulting Madison Kate in her own home. She's got claws and isn't afraid to use them." Now it was my turn to jerk in shock. Had he just defended me?
Tate James (Liar (Madison Kate, #2))
Insecurities around my identity have also transformed my heart and my perspective for those who feel less-than. I empathize with people who know what it’s like to overhear quiet insults directed at them, who pretend not to notice the sideways glances, the wandering eyes. People who feel like they have to break themselves down to fit into the box the world tells them to, the same box I’d squeezed myself into more times than I care to remember. I know I’m not the only one who has felt this way—misunderstood, misrepresented, or missed all together. So the last thing I would ever want anyone to believe is that I’d throw rocks at you for being different.
Joanna Gaines (The Stories We Tell: Every Piece of Your Story Matters)
You just have to start a fight, don’t you?” “He was insulting,” she complained. “Although that might be true, you realize that you don’t have to attend every argument you’re invited to, right?” Paris blinked at her friend and deflated, never having heard it put so eloquently. “Yeah, no, I guess I don’t.
Sarah Noffke (The Inscrutable Paris Beaufont Complete Series Boxed Set)
insult, actually.” He breathed into the phone while he moved around. Then I heard typing. “It’s probably running slow because you’re downloading too much porn.” “I don’t download porn,” I argued. “Hey, I’m not judging you.” “Well, I don’t.” “Come on…let’s be real here,” he teased. “I’m not dumb enough to download it. I stream it.” He laughed. “Smart boy.” He typed on his computer. “Let me take a look.
E.L. Todd (Forever and Ever Boxed Set (Forever and Ever #1-3))
But do you like being slaves?" the Savage was saying as they entered the Hospital. His face was flushed, his eyes bright with ardour and indignation. "Do you like being babies? Yes, babies. Mewling and puking," he added, exasperated by their bestial stupidity into throwing insults at those he had come to save. The insults bounced off their carapace of thick stupidity; they stared at him with a blank expression of dull and sullen resentment in their eyes. "Yes, puking!" he fairly shouted. Grief and remorse, compassion and duty–all were forgotten now and, as it were, absorbed into an intense overpowering hatred of these less than human monsters. "Don't you want to be free and men? Don't you even understand what manhood and freedom are?" Rage was making him fluent; the words came easily, in a rush. "Don't you?" he repeated, but got no answer to his question. "Very well then," he went on grimly. "I'll teach you; I'll make you be free whether you want to or not." And pushing open a window that looked on to the inner court of the Hospital, he began to throw the little pill-boxes of soma tablets in handfuls out into the area.
Aldous Huxley (Brave New World)
She was a complex woman,” Anastasia said. “Brilliant, erratic, passionate, committed, idealistic, talented, charming, insulting, bold, incautious, arrogant—and short-sighted, yes.
Jim Butcher (The Dresden Files Books 7-12)
Will you want an estimate of all the livestock, my lord?” “Naturally.” “Not my horse.” A new voice entered the conversation. All four men looked to the doorway, where Kathleen stood as straight and rigid as a blade. She stared at Devon with open loathing. “The Arabian belongs to me.” Everyone rose to his feet except for Devon, who remained seated at the desk. “Do you ever enter a room the ordinary way?” he asked curtly, “or is it your usual habit to slink past the threshold and pop up like a jack-in-the-box?” “I only want to make it clear that while you’re tallying the spoils, you will remove my horse from the list.” “Lady Trenear,” Mr. Fogg interceded, “I regret to say that on your wedding day, you relinquished all rights to your movable property.” Kathleen’s eyes narrowed. “I’m entitled to keep my jointure and all the possessions I brought to the marriage.” “Your jointure,” Totthill agreed, “but not your possessions. I assure you that no court in England will regard a married woman as a separate legal being. The horse was your husband’s, and now it belongs to Lord Trenear.” Kathleen’s face went skull-white, and then red. “Lord Trenear is stripping the estate like a jackal with a rotting carcass. Why must he be given a horse that my father gave to me?” Infuriated that Kathleen would show him so little deference in front of the others, Devon stood from the desk and approached her in a few strides. To her credit, she didn’t cower, even though he was twice her size. “Devil take you,” he snapped, “none of this is my fault.” “Of course it is. You’ll seize on any excuse to sell Eversby Priory because you don’t want to take on a challenge.” “It’s only a challenge when there’s some small hope of success. This is a debacle. The list of creditors is longer than my bloody arm, the coffers are empty, and the annual yields have been cut in half.” “I don’t believe you. You’re planning to sell the estate to settle personal debts that have nothing to do with Eversby Priory.” Devon’s hands knotted with the urge to destroy something. His rising bloodlust would only be satisfied with the sound of shattering objects. He had never faced a situation like this, and there was no one to give him trustworthy advice, no kindly aristocratic relation, no knowledgeable friends in the peerage. And this woman could only accuse and insult him.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
You probably don’t even realize that you’ve been societally conditioned to see the white woman as the ideal. On some level, winning the white man’s prize is a symbol that you are now equal to him. You acquire her as an extension of your success.” “Acquire her?” I throw my voice across the desk like a blade, honed and precise. “It’s natural really,” he continues matter-of-factly. “It’s the ultimate act of defiance against those who have traditionally oppressed you. She’s an ideal to achieve, and we see that, in every aspect of your life, you’re an overachiever.” “Bris isn’t some ideal, some lie mainstream media fed me and I fell for. This is love, not politics.” “Love is politics,” he counters. “Because love is merely a function of your values and priorities.” “If you think love is politics, then I see why your marriage failed.” A storm cloud bursts on his face, raining anger. “Watch it, Grip,” he says. “You’re way out of line.” “I’m out of line?” Incredulity and fury brawl within me. “You dare to bring this bullshit to me, insult the woman I plan to marry, insult me this way, and then you say I’m out of line?” He narrows his eyes on my face at the word “marry.” “That’s your decision, of course,” he says. “Not one I would ever make. I believe the greatest expression of commitment to Black people and the Black family is the commitment to a Black woman. For that reason, I don’t date outside of Black, much less marry.” “Oh, so I imagined the vibe between you and Callie?” A mocking laugh grates in my throat. “You don’t date or marry outside your race, but you’d fuck outside of it if Callie was down.” The fury in his eyes bores into me. “Who the hell do you think you’re talking to?” “I really have no idea who I’m talking to.” I grab my saddlebag and stand, my hands shaking with the rage I’m suppressing. “I can’t believe I moved to New York to study under a bigot.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))