Box Jump Quotes

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The power of one is above all things the power to believe in yourself, ofen well beyond any latent ability you may have previously demonstrated. The mind is the athlete, the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further, or box better.
Bryce Courtenay (The Power of One (The Power of One, #1))
There was so much I should have told you. I just didn't have time. I didn't know. I didn't know I'd have to say: A sword doesn't hold an edge on its own, you sack of Ninth House garbage. I didn't know I'd have to say, if you dip a sword into melty bone, the metal gets more pitted than an iron mine, you cross-patched necromantic shit. I think the main thing I should have said was, You sawed open your skull rather than be beholden to someone. You turned your brain into soup to escape anything less than 100 percent freedom. You put me in a box and buried me rather than give up your own goddamned agenda. Harrowhark, I gave you my whole life and you didn't even want it. Actually, scratch that, the main thing I should have said was, SQUATS ARE A START, OR A COUPLE OF STAR JUMPS, THEY'RE NOT DIFFICULT.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
What if we all jumped out of our boxes and chewed up our stupid labels? Who would we discover?
Julie Buxbaum (What to Say Next)
The smell of burning firewood and the molding of organic, earthy substances reminded her of jumping wildly into the enormous leaf piles of autumns past and she suddenly wished that it was appropriate for someone her age to do such a thing.
Abby Slovin (Letters In Cardboard Boxes)
You the one that got jumped?” I didn’t think my blood-matted hair and debris ridden clothes needed an answer, but he was waiting for one. Not the brightest crayon in the box.
Nicole Williams (Eternal Eden (Eden Trilogy, #1))
This story was written many moons ago under an apple tree in an orchard in Kent, which is one of England's prettiest counties . . . I had read at least twenty of the [fairy tales] when I noticed something that had never struck me before--I suppose because I had always taken it for granted. All the princesses, apart from such rare exceptions as Snow White, were blond, blue-eyed, and beautiful, with lovely figures and complexions and extravagantly long hair. This struck me as most unfair, and suddenly I began to wonder just how many handsome young princes would have asked a king for the hand of his daughter if that daughter had happened to be gawky, snub-nosed, and freckled, with shortish mouse-colored hair? None, I suspected. They would all have been of chasing after some lissome Royal Highness with large blue eyes and yards of golden hair and probably nothing whatever between her ears! It was in that moment that a story about a princess who turned out to be ordinary jumped into my mind, and the very next morning I took my pencil box and a large rough-notebook down to the orchard and, having settled myself under an apple tree in full bloom, began to write . . . the day was warm and windless and without a cloud in the sky. A perfect day and a perfect place to write a fairy story.
M.M. Kaye (The Ordinary Princess)
In 1965, a psychologist named Martin Seligman started shocking dogs. He was trying to expand on the research of Pavlov--the guy who could make dogs salivate when they heard a bell ring. Seligman wanted to head in the other direction, and when he rang his bell, instead of providing food, he zapped the dogs with electricity. To keep them still, he restrained them in a harness during the experiment. After they were conditioned, he put these dogs in a big box with a little fence dividing it into two halves. He figured if the dog rang the bell, it would hop over the fence to escape, but it didn't. It just sat there and braced itself. They decided to try shocking the dog after the bell. The dog still just sat there and took it. When they put a dog in the box that had never been shocked before or had previously been allowed to escape and tried to zap it--it jumped the fence. You are just like these dogs. If, over the course of your life, you have experienced crushing defeat or pummeling abuse or loss of control, you convince yourself over time that there is no escape, and if escape is offered, you will not act--you become a nihilist who trusts futility above optimism. Studies of the clinically depressed show that they often give in to defeat and stop trying. . . Any extended period of negative emotions can lead to you giving in to despair and accepting your fate. If you remain alone for a long time, you will decide loneliness is a fact of life and pass up opportunities to hang out with people. The loss of control in any situation can lead to this state. . . Choices, even small ones, can hold back the crushing weight of helplessness, but you can't stop there. You must fight back your behavior and learn to fail with pride. Failing often is the only way to ever get the things you want out of life. Besides death, your destiny is not inescapable.
David McRaney (You Are Not So Smart)
The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further, or box better. Hoppie's dictum to me, "First with the head and then with the heart," was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One (The Power of One, #1))
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
Her eyebrows jump up. She glances at the box in my lap and then back to my face. “You have a pineapple pizza?” I nod, annoyed with myself. “I do.” “You said pineapple on pizza is disgusting.” “It is.” “Then why do you have it?” “Because you said it was your favorite,” I admit. “And I want your favorite to be my favorite.
B.K. Borison (First-Time Caller (Heartstrings, #1))
11 WAYS TO BE UNREMARKABLY AVERAGE 1. Accept what people tell you at face value. 2. Don’t question authority. 3. Go to college because you’re supposed to, not because you want to learn something. 4. Go overseas once or twice in your life, to somewhere safe like England. 5. Don’t try to learn another language; everyone else will eventually learn English. 6. Think about starting your own business, but never do it. 7. Think about writing a book, but never do it. 8. Get the largest mortgage you qualify for and spend 30 years paying for it. 9. Sit at a desk 40 hours a week for an average of 10 hours of productive work. 10. Don’t stand out or draw attention to yourself. 11. Jump through hoops. Check off boxes.
Chris Guillebeau (The Art of Non-Conformity: Set Your Own Rules, Live the Life You Want, and Change the World)
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
Ronan pointed at the cart. "Get in there." "What?" He just continued pointing. Adam said, "Give me a break. This is a public parking lot." "Don't make this ugly, Parrish." As an old lady headed past them, Adam sighed and climbed into the basket of the shopping cart. He drew his knees up so that he would fit. He was full of the knowledge that this was probably going to end with scabs. Ronan gripped the handle with the skittish concentration of a motorcycle racer and eyed the line between them and the BMW parked on the far side of the lot. "What do you think the grade is on this parking lot?" "C plus, maybe a B. Oh. I don't know. Ten degrees?" Adam held the sides of the cart and then thought better of it. He held himself instead. With a savage smile, Ronan shoved the cart off the curb and belted towards the BMW. As they picked up speed, Ronan called out a joyful and awful swear and then jumped on to the back of the cart himself. As they hurtled towards the BMW, Adam realised that Ronan, as usual, had no intention of stopping before something bad happened. He cupped a hand over his nose just as they glanced off the side of the BMW. The unseated cart wobbled once, twice, and then tipped catastrophically on to its side. It kept skidding, the boys skidding along with it. The three of them came to a stop. "Oh, God," Adam said, touching the road burn on his elbow. It wasn't that bad, really. "God, God. I can feel my teeth." Ronan lay on his back a few feet away. A box of toothpaste rested on his chest and the cart keeled beside him. He looked profoundly happy. "You should tell me what you've found out about Greenmantle," Ronan said, "so that I can get started on my dreaming." Adam picked himself up before he got driven over. "When?" Ronan grinned.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
I’m pretty sure I locked that door,” Daemon growled. Luc set the box of doughnuts down, and I eyed them like they held the answer to life. “And I’m pretty sure I let myself in. Hey, Katy!” I jumped at my name. “Hey, Luc..” “Look at what I got.” He dug into his bag and pulled out an extraterrestrial highway shirt. “We can be soul twins now.
Jennifer L. Armentrout (Origin (Lux, #4))
I paid the cabman exactly his fare. He received it with an oath; upon which I instantly gave him a tract. If I had presented a pistol at his head, this abandoned wretch could hardly have exhibited greater consternation. He jumped up on his box, and, with profane exclamations of dismay, drove off furiously. Quite useless, I am happy to say! I sowed the good seed, in spite of him, by throwing a second tract in at the window of the cab.
Wilkie Collins (The Moonstone)
Upon my return I found the call in my box. It was Anne's number, then Anne's voice on the wire, and, as always, the little leap and plunk in my heart like a frog jumping into a lily pool. With the ripples spreading round.
Robert Penn Warren (All the King's Men)
You can't jump in the box, you lunatic. "I'm so playing with the box." [...] "Kids never want the toy, only the box
H.M. Ward (The Arrangement 13: The Ferro Family (The Arrangement, #13))
I want you to come with me when i go. But maybe you will not see your cave again, or the stonee rings where we danced. We will maybe not stay near the sea. Will you be happy? If I can see your face, he signed, I'll be happy. he embraced her again. For a long time they stayed with their arms about each other, and Marnie did not notice that the potatoes in the embers were burning black, or that the rabbit had jumped out of its box and was drinking the cup of ale she had placed on the hearth to warm for Father Brannan.
Sherryl Jordan (The Raging Quiet)
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
Neal Stephenson (Snow Crash)
My body was a Pandora’s box of aches and pains. When Grandpa died all the ailments came jumping out. I was forever twitching and shaking. I had a persistent sore throat and had difficulty swallowing except when I was taking nips from my illicit cocktail. I was constantly constipated, holding everything in — a disorder that had started when I was two years old. It burned when I passed urine, and my migraines were so severe it felt on occasions as if I were going blind.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Time worked unhurriedly, conscientiously. First the man was expelled from life, to reside instead in people's memories. Then he lost his right to residence in people's memories, sinking down into their subconscious minds and jumping out at someone only occasionally, like a jack-in-the-box, frightening them with the unexpectedness of his sudden, momentary appearances.
Vasily Grossman (Forever Flowing)
Weird? Absurd? That’s how it seemed to me. I had these forces, these compunctions, these alternative personalities inside me, driving me. It was like being a jack-in-the-box and I was unsure which personality was going to jump out next: Billy, who thought of himself as a cowboy or a terrorist; Kato the cutter; anorexic Shirley, whose only self-indulgence was binge drinking and the occasional salad sandwich. I didn’t dislike Shirley. I was afraid of her. Shirley knew things I didn’t.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
the Box lay open, as if inviting him to jump back in and go home. Near
James Dashner (The Maze Runner (Maze Runner, #1))
Stop thinking “Outside the box” and look what is actually in the box first. You jump around from marketing gimmick to marketing gimmick without a clear plan or goal, hoping to reproduce someone else’s success without understanding all of the nuances and factors that went into that success. Further, people are so busy recreating the wheel that they have forgotten what the wheel looks like.
Julie Ann Dawson
The power of one is above all things the power to believe in yourself, often well beyond any latent ability you may have previously demonstrated. The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further, or box better. Hoppie's dictum to me, "First with the head and then with the heart," was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One (The Power of One, #1))
The box filled gradually around them over the next half hour. Mr. Weasley kept shaking hands with people who were obviously very important wizards. Percy jumped to his feet so often that he looked as though he were trying to sit on a hedgehog.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
The universe deepened at that moment, the music of the spheres grew from a mere chorus to a symphony as triumphant as Beethoven’s Ninth, and I knew that I would always be able to hear it when I wished or needed to, always be able to Use it to take the step I needed to see the one I loved, or, failing that, step to the place where I had been with the one I loved, or, failing that, find a place to love for its own beauty and richness. The energy of quasars and exploding stellar nuclei filled me then. I was borne up on waves of energy more lovely and more lyrical even than the Ouster angels’ wings seen sliding along corridors of sunlight. The shell of deadly energy that was my prison and execution cell seemed laughable now, Schrödinger’s original joke, a child’s jump rope laid around me on the ground as restraining walls. I stepped out of the Schrödinger cat box and out of Armaghast System.
Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
Perfection’ is an illusion and we all make mistakes; you must allow yourself the freedom to make mistakes and bad judgements and glimmer wiser through them. We are not meant to live in insulation, within the confines of a box, or beneath a protective shell, so this means that errors are all a part of the human experience, and you strengthen yourself through it all and finding your own peace in forgiveness.
Christine Evangelou (Stardust and Star Jumps: A Motivational Guide to Help You Reach Toward Your Dreams, Goals, and Life Purpose)
It is so hot that even with the windows open, I am suffocating. I kept a frog in a box once. The box had a lid so he wouldn't jump out. It was during a summer like this. When everyone moves slowly because the air is too thick to breathe. I forgot about the frog for a few days. It was dead by the time I remembered. Tonight, as I lie in bed, I start to cry because I once killed a frog. It's just a little cry, and I stop myself quickly.
Sarah Willis (Some Things That Stay)
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
the Jack-in-the-Box would spring erect, a pop-up that looked, in outline, like the head and torso of the case officer who had just jumped out.
David E. Hoffman (The Billion Dollar Spy: A True Story of Cold War Espionage and Betrayal)
Are you okay?” she asked. “You seem just a tad distracted,” she said in a mischievous way. “My dad would have said you are jumping around like a fart in a skillet.
C.J. Box (Blue Heaven)
It's hard to trust your child to find his or her own path, especially when we're told everyday by professionals that children must fit into rigid boxes. We all want to give our kids the best opportunities we can, which is why it feels like such a disservice if we don't push them in the "right" direction. Celebrating you children's passions rather than redirecting them, especially when those passions don't line up neatly with a checklist for future success, can feel like jumping off a cliff. It certainly did for me. But that leap of faith is necessary if your kids are going to fly.
Kristine Barnett
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
The power of one is above all things the power to believe in yourself, often well beyond any latent ability you may have previously demonstrated. The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further or box better. Hoppie’s dictum to me: ‘First with the head and then with heart’ was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One)
But then Azriel approached her. Nesta had blinked at the gift the shadowsinger set in her lap. 'I didn't get you anything,' she murmured to Az, her cheeks turning rosy. 'I know,' he said, smiling. 'I don't mind.' ... ...his gaze snagged on Nesta's fingers as she opened the small box. She peered at what was inside, then looked at Azriel in confusion. 'What is it?' Azriel plucked up the small folded silver wand within and unfurled it. One end held a clip, the other a small glass sphere. 'You can attach this to whatever book you're reading, and the little ball of faelight will shine. So you don't have to squint when you're reading at night.' Nesta touched the glass ball, no bigger than her thumbnail, and faelight flickered within, casting a bright, easy glow upon her lap. She tapped it again and it turned off. And then she jumped to her feet and flung her arms around Azriel. The room went silent for a beat. But Azriel chuckled and squeezed her gently. Cassian smiled to see it- to see them. 'Thank you,' Nesta said, quickly pulling away to marvel at the device. 'It's brilliant.' Azriel blushed and stepped back, shadows swirling.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Instruct - Instruct your subconscious mind to find the answer. Incubate - Now, leave the problem aside - don’t work on the problem, go and do something else. Maybe take a shower or go on vacations, etc. Eureka- the moment will jump out of air suddenly, and you will be supplied with the great idea that can transform your life.
Som Bathla (Think Out of The Box: Generate Ideas on Demand, Improve Problem Solving, Make Better Decisions, and Start Thinking Your Way to the Top)
Alone on the floor of his elevator car, oblivious to everything beyond the walls of his box, Chris Young occasionally heard loud cries amid sirens and fire alarms. Nothing sounded like human agony, only some kind of vague emergency unfolding nearby. He knew nothing of planes or fires or people falling and jumping to their deaths.
Mitchell Zuckoff (Fall and Rise: The Story of 9/11)
I drove home, selected and marked my first series of readings, and drove back to Montagu Square, with a dozen works in a carpet-bag, the like of which, I firmly believe, are not to be found in the literature of any other country in Europe. I paid the cabman exactly his fare. He received it with an oath; upon which I instantly gave him a tract. If I had presented a pistol at his head, this abandoned wretch could hardly have exhibited greater consternation. He jumped up on his box, and, with profane exclamations of dismay, drove off furiously. Quite useless, I am happy to say! I sowed the good seed, in spite of him, by throwing a second tract in at the window of the cab. The
Wilkie Collins (The Moonstone)
In a few weeks her partner will find the box containing the crib in the storeroom, the one she kept nagging at him to put together, and he'll sob so hard that it feels like his ribs will break. For the rest of their lives they will always walk past the display windows of the sports shop and think that there's one bicycle too many in there. A pair of skates too many. A hundred thousand adventures and trees to climb and puddles to jump in too many. A million uneaten ice creams. They will never be woken too early on holiday mornings, never whisper-shout "Quiet!" when they're talking on the phone, never put small gloves on the radiator. The greatest fear, the tiniest human being, will never be theirs.
Fredrik Backman (The Winners (Beartown, #3))
During those witching hours growing up in 1970s Los Angeles, I banded together with other untethered children. We dared each other to jump from my second-story bedroom window into thick ivy below. We roamed the neighborhood on our bikes, stole candy from the supermarket, and tried out the confessional box at St. Bernard’s even though we weren’t Catholic.
Andrea Jarrell (I'm the One Who Got Away)
he tripped over her and went down. And I stomped him. With my bare feet I stomped him, landing on that lobster-horror head with both feet. His head crunched. It felt awful. It was like jumping on a strawberry box. It splintered and crunched and went to pieces. I cringed at the feel, even though I was in an agony to fight, to kill. I trampled worms and hopped away, feeling sick.
Robert A. Heinlein (Have Space Suit-Will Travel)
and beware of trying to classify people too   definitely into types; you will find that all through their youth   they will persist annoyingly in jumping from class to class, and   by pasting a supercilious label on every one you meet you are   merely packing a Jack-in-the-box that will spring up and leer at   you when you begin to come into really antagonistic contact with   the world. 
F. Scott Fitzgerald (This Side of Paradise)
looked for the TV remote but couldn’t see it. Then I located it, peeking out from behind Kathy’s open laptop on the coffee table. I reached for it, but was so stoned I knocked over the laptop. I propped the laptop up again—and the screen came to life. It was logged into her email account. For some reason, I kept staring at it. I was transfixed—her in-box stared at me like a gaping hole. I couldn’t look away. All kinds of things jumped out before I knew what I was reading: words such as “sexy” and “fuck” in the email headings—and repeated emails from BADBOY22. If only I’d stopped there. If only I’d got up and walked away—but I didn’t. I clicked on the most recent email and opened it: Subject: Re: little miss fuck From: Katerama_1 To: BADBOY22 I’m on the bus. So horny for you. I can smell you on me. I feel like a slut! Kxx
Alex Michaelides (The Silent Patient)
They are taking away all the nice things there because they are impractical, as if that were reason enough – the red phone-boxes, the pound note, those open London buses that you can leap on and off. There is almost no experience in life that makes you look and feel more suave than jumping on or off a moving London bus. But they aren’t practical. They require two men (one to drive and one to stop thugs from kicking the crap out of the Pakistani gentleman at the back) and that is uneconomical, so they have to go. And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs and the countryside will be mostly shopping centres and theme parks. Forgive me. I don’t mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Bill Bryson (The Lost Continent: Travels in Small-Town America (Bryson Book 12))
The most exciting things to happen in Dullsville in my lifetime, in chronological order: 1. The 3:10 train jumped its tracks, spilling boxes of Tootsie Rolls, which we devoured. 2. A senior flushed a cherry bomb down the toilet, exploding the sewage line, closing school for a week. 3. On my sixteenth birthday a family rumored to be vampires moved into the haunted mansion on top of Benson Hill! -Vampire Kisses: The Beginning
Ellen Schreiber
Cross training shoes usually have a stretchable mesh or fabric, a wider toe box and a deep body enough to cover your entire foot. Your toes need to have enough wiggle room to avoid swelling during exercise. These trainers also feature firmer outsole and midsole to provide them with harder feeling than normal sneakers/tennis shoes. Every shoe manufacturer provides its own take on outer construction, but for the same purpose - to withstand jumps, heavy lifts, rope jump, etc.
Cross Training Shoes
We won! We won!" Daisy jumped up and down and threw her arms around Liam, nearly knocking him over as she pressed her lips to his in a delighted kiss. Her lips were soft and warm and sweet with chocolate. The shock of them short-circuited his brain and for a moment he couldn't breathe. And then he was pressing her lips apart, hungry for her, desperate for more. She softened against him, sighed. He braced himself for her to retreat, but instead, she tightened her arms around him and kissed him back, her tongue tangling with his as she explored his mouth. "Pizza!" She pulled away, leaving him floundering, his brain struggling to understand why someone was shoving a box in his face when all he wanted was her sweet lips and her soft body and her sigh of surrender. "Pizza selfie." Daisy held up her phone and took a picture of them with the pizza box angled in the corner. She laughed when she showed him the screen. This time he was the one who looked dazed.
Sara Desai (The Dating Plan (Marriage Game, #2))
Because love doesn’t come tied up in a nice little box with a ribbon around it. Love is messy and scary and full of risk. Love is risk. It’s walking on a tightrope between skyscrapers. It’s being shot out of a cannon and jumping out an airplane at thirty thousand feet and you trusting your parachute will open. And, sometimes, love is watching the one you love walk out the door and knowing he might never come home again because it’s who he is—but you’re willing to love him anyway.
Lauren Rowe (Hero (The Morgan Brothers, #1))
He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.
T.H. White
However disinterested she may be, the courtship of such a star is a passion which costs some trifles to the favored mortal. There are dinners at restaurants, boxes at the theatres, carriages to go to the environs and return, choice wines consumed in profusion, — for an opera danseuse eats and drinks like an athlete. Georges amused himself like other young men who pass at a jump from paternal discipline to a rich independence, and the death of his uncle, nearly doubling his means, had still further enlarged his ideas.
Honoré de Balzac (Works of Honore de Balzac)
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
Neal Stephenson (Snow Crash)
I think God is out there in the dark right past the spotlight, watching me perform this song called life. He knows I'm under-qualified, scared,not good enough, not even normal. But I don't think He's waiting for mistakes or counting the mess-ups. I think He's a Parent waiting to jump to His feet in applause. And when it's all done, when I'm finally walking toward Him, I don't think He is even going to remember the keys I missed or the mistakes I made. Instead I think He is going to run to embrace me and say, "I'm so proud of you. You were amazing! I love you so much.
Nathan Clarkson (Different: The Story of an Outside-the-Box Kid and the Mom Who Loved Him)
mesmerizing -- gold, red, orange, black -- the colors of the dragons that had promised so much: prosperity, love, good health, a second chance, a new start. The fire began to pop, the small sounds lost in the constant boom of firecrackers going off in the streets of San Francisco in celebration of the Chinese New Year. No one would notice another noise, another spark of light, until it was too late. In the confusion of the smoke and the crowds, the dragons and the box they guarded would disappear. No one would ever know what had really happened. The flame reached the end of the gasoline-soaked rope and suddenly burst forth in a flash of intense, deadly heat. More explosions followed as the fire caught the cardboard boxes holding precious inventory and jumped toward the basement ceiling. A questioning cry came from somewhere, followed by the sound of footsteps running down the halls of the building that had once been their sanctuary, their dream for the future, where the treasures of the past were turned into cold, hard cash. The cost of betrayal would be high. They would be brothers no more. But then, their ties had never been of blood, only of friendship --
Barbara Freethy (Golden Lies)
Never, ever again . . . that was the worst —” Hermione and Ginny touched down on either side of him. Both slid off their mounts a little more gracefully than Ron, though with similar expressions of relief at being back on firm ground. Neville jumped down, shaking, but Luna dismounted smoothly. “Where do we go from here, then?” she asked Harry in a politely interested voice, as though this was all a rather interesting day-trip. “Over here,” he said. He gave his thestral a quick, grateful pat, then led the way quickly to the battered telephone box and opened the door. “Come on!” he urged
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
We need a test!" I jump up out of the chair and pat my body down. "Where's my wallet?" "In your pocket," she replies dryly. "I'll be back!" I race out of the house and drive the short distance between Dom's estate and the nearest village. After I find a drug store and buy one of each kind of pregnancy test they have, I race back to my hopefully pregnant wife. "That was fast," she murmurs with a grin. She was still sitting in the lounge chair, sipping her coffee. "Should you be drinking coffee?" I ask. "Let's not get crazy," she responds. I need coffee. "I got one of each kind," I announce and opened the bag, sending small white and blue boxes scattering. "Uh, Caleb, we only need one." "What if we can't figure them out?" I ask and pick one up to examine it. "All of the instructions are in Italian." She laughs hysterically and then stands, wiping her eyes. "It's not funny." "Yes, it is. Pregnancy tests are pretty universal, Caleb. You pee on it and a line either appears or it doesn't." She rubs my arm sweetly and kisses my shoulder before plucking the box out of my fingers. "I'll be back." "I'm coming with you." I begin to follow her but she turns quickly with her hands out to stop me. "Oh no, you aren't. You are not going to watch me pee on this stick." I scowled down at her and cross my arms over my chest. "I've helped you bathe and dress and every other damn thing when you were hurt. I can handle watching you pee." "Absolutely not." She shakes her head but then leans in and kisses my chin. "But thank you for helping me when I was hurt." She turns and runs for the bathroom and it feels like an eternity before she comes back out, white stick in her hand. "Well?" I ask. "It takes about three minutes, babe." She sits in the lounge chair and stares out over the vineyard.
Kristen Proby (Safe with Me (With Me in Seattle, #5))
But that was where his excitement began to melt into cold anxiety. His dad had been the Gryffindor Seeker, the youngest one in Hogwarts history. The best he, James, could hope for was to match that record. That’s what everyone would expect of him, the first-born son of the famous hero. He remembered the story, told to him dozens of times (although never by his own dad) of how the young Harry Potter had won his first Golden Snitch by virtually jumping off his broom, catching the golden ball in his mouth and nearly swallowing it. The tellers of the tale would always laugh uproariously, delightedly, and if Dad was there, he’d smile sheepishly as they clapped him on the back. When James was four, he found that famed Snitch in a shoe box in the bottom of the dining room hutch. His mum told him it’d been a gift to Dad from the old school headmaster. The tiny wings no longer worked, and the golden ball had a thin coat of dust and tarnish on it, but James was mesmerized by it. It was the first Snitch he had ever seen close up. It seemed both smaller and larger than he’d imagined, and the weight of it in his small hand was surprising. This is the famous Snitch, James thought reverently, the one from the story, the one caught by my dad. He asked his dad if he could keep it, stored in the shoebox when he wasn’t playing with it, in his room. His dad agreed easily, happily, and James moved the shoebox from the bottom of the hutch to a spot under the head of his bed, next to his toy broom. He pretended the dark corner under his headboard was his Quidditch locker. He spent many an hour pretending to zoom and bank over the Quidditch green, chasing the fabled Snitch, in the end, always catching it in a fantastic diving crash, jumping up, producing his dad’s tarnished Snitch for the approval of roaring imaginary crowds.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
He picks one of the boxes on the table this time, a polished-wood box with a swirling pattern etched into its lid. The inside of the box is lined with white silk. The scent is like incense, deep and spiced, and he can feel smoke curling around his head. It is hot, a dry desert air with pounding sun and powder-soft sand. His cheeks flush from the heat and from something else. The feel and sensation of something as luscious as silk falls across his skin in waves. There is music that he cannot discern. A pipe or a flute. And laughter, a high-pitched laugh that blends harmoniously with the music. The taste of something sweet but spicy on his tongue. The feeling is luxurious and lighthearted, but also secretive and sensual. He feels a hand on his shoulder and jumps in surprise, dropping the lid down on the box.
Erin Morgenstern (The Night Circus)
Settlement (Ephraim Margolin, San Francisco) Such news of an amicable settlement having made this court happier than a tick on a fat dog because it is otherwise busier than a one-legged cat in a sand box and, quite frankly, would have rather jumped naked off of a twelve foot step ladder into a five gallon bucket of porcupines than have presided over a two week trial of the herein dispute, a trial which, no doubt, would have made the jury more confused than a hungry baby in a topless bar and made the parties and their attorneys madder than mosquitoes in a mannequin factory. The clerk shall engage the services of a structural engineer to ascertain if the return of this file to the Clerk’s office will exceed the maximum structural load of the floor of said office. Judge Wins Reelection While Pleading Insanity [Huffington Post, Chicago, Nov.
Charles M. Sevilla (Law and Disorder: Absurdly Funny Moments from the Courts)
The court is my escape and my paradise. I love basketball. I love the way you can be exhausted and sweaty and running with nine other guys, and yet, at the risk of sounding overly Zen, you are still so wonderfully alone. On the court, nothing bothers me. I see things a few seconds before they actually happen. I love anticipating a teammate’s cut and then throwing a bounce pass between two defenders. I love the rebound, boxing out, figuring angles and positioning myself, willing the ball into my hands. I love dribbling without looking down, the feel, the sense of trust, of control, almost as though the ball were on a leash. I love catching the pass, locking my eyes on the front rim, sliding my fingers into the grooves, raising the ball above my head, cocking my wrist as I begin to leap. I love the feel as I release the shot at the apex of the jump, the way my fingertips stay on the leather until the last possible moment, the way I slowly come back to the ground, the way the ball moves in an arc toward the rim, the way the bottom of the net dances when the ball goes swish. I
Harlan Coben (Shelter (Micky Bolitar, #1))
She looked out the window, and her heart jumped: the expanse of the pie pantry and orchard shimmered in the early-morning light in front of her, the bay and LaKe Michigan glimmering in the distance. To Sam, it looked as if one of her grandmother's paintings had come to life: red apples bobbed as tree limbs swayed in the breeze; bushes thick with the bluest of blueberries shimmied; peaches, fuzzy and bright, nestled snugly against branches; shiny cars and people dressed in bright T-shirts and caps danced into the pie pantry and into the orchards; near the distance, the cornfields seemed to move as if they were doing the wave at a football game, while cherry trees dotted with the deep red fruit resembled holly bushes out of season. And yet there was an incredible uniformity to the scene despite the visual overload: everything was lined up in neat rows, as if each tree, bush, and person understood its purpose at this very moment. I've forgotten this view, Sam thought, recalling the one from her own bedroom window earlier in the morning. There is an order to life's chaos, be it the city or country, if we just stop for a moment and see it.
Viola Shipman (The Recipe Box)
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
The Buddha famously said that life is suffering. I’m not a Buddhist, but I know what he meant and so do you. To exist in this world, we must contend with humiliation, broken dreams, sadness, and loss. That’s just nature. Each specific life comes with its own personalized portion of pain. It’s coming for you. You can’t stop it. And you know it. In response, most of us are programmed to seek comfort as a way to numb it all out and cushion the blows. We carve out safe spaces. We consume media that confirms our beliefs, we take up hobbies aligned with our talents, we try to spend as little time as possible doing the tasks we fucking loathe, and that makes us soft. We live a life defined by the limits we imagine and desire for ourselves because it’s comfortable as hell in that box. Not just for us, but for our closest family and friends. The limits we create and accept become the lens through which they see us. Through which they love and appreciate us. But for some, those limits start to feel like bondage, and when we least expect it, our imagination jumps those walls and hunts down dreams that in the immediate aftermath feel attainable. Because most dreams are. We are inspired to make changes little by little, and it hurts. Breaking the shackles and stretching beyond our own perceived limits takes hard fucking work—oftentimes physical work—and when you put yourself on the line, self doubt and pain will greet you with a stinging combination that will buckle your knees.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
The Metaphor That Stuck In 1996, the Summer Olympic Games were held in my home city of Atlanta. As I watched athletes from all over the world perform in their respective events, I remember wondering what motivated them to compete at the highest levels. On the surface, it seemed logical to assume that these world-class athletes were driven by all the positive rewards that would go to the champion—fame, admiration, and of course, the gold medal. After training for most of their lives, who wouldn’t want to experience “the thrill of victory”? But as I watched the games unfold, it became obvious that while some athletes were motivated by positive rewards, many others were trying to avoid “the agony of defeat.” Rather than think about all the accolades that would come from success, some athletes were motivated to run even faster, and jump even higher, because they were trying to avoid an undesirable outcome. Carl Lewis, arguably one of the greatest track and field athletes of all time, and nine-time Olympic gold medalist, was an excellent example of this. After his last event in Atlanta, when he won the gold medal on his final attempt in the long jump, the sportscaster asked, “Mr. Lewis, what were you thinking about just before you jumped?” As it turned out, Carl Lewis wasn’t thinking about medals, money, or having his picture on a box of Wheaties. Instead, he said his primary motivation was that his family was in the stadium and he didn’t want to disappoint them by losing his final Olympic event.
Thomas Freese (Secrets of Question-Based Selling: How the Most Powerful Tool in Business Can Double Your Sales Results (Top Selling Books to Increase Profit, Money Books for Growth))
The land around Ankh-Morpork is fertile and largely given over to the cabbage fields that help to give the city its distinctive odor. The gray light of pre-dawn unrolled over the blue-green expanse, and around a couple of farmers who were making an early start on the spinach harvest. They looked up, not at a sound, but at a travelling point of silence where sound ought to have been. It was a man and a woman and something like a size five man in a size twelve fur coat, all in a chariot that flickered as it moved. It bowled along the road toward Holy Wood and was soon out of sight. A minute or two later it was followed by a wheelchair. Its axle glowed red-hot. It was full of people screaming at one another. One of them was turning a handle on a box. It was so overburdened that wizards occasionally fell off and ran along after it, shouting, until they had a chance to jump on again and start screaming. Whoever was attempting to steer was not succeeding, and it weaved back and forth across the road and eventually hurtled off it completely and through the side of a barn. One of the farmers nudged the other. "Oi've seen this on the clicks," he said. "It's always the same. They crash into a barn and they allus comes out the other side covered in squawking chickens." His companion leaned reflectively on his hoe. "It'd be a sight worth seeing that," he said. "Sure would." "'Cos all there is in there, boy, is twenty ton of cabbage." There was a crash, and the chair erupted from the barn in a shower of chickens and headed madly toward the road. The farmers looked at one another. "Well, dang me," said one of them.
Terry Pratchett
Better take her uniform -- all that gear," the second MetaCop suggests, not unlewdly. The manager looks at Y.T., trying not to let his gaze travel sinfully up and down her body. For thousands of years his people have survived on alertness: waiting for Mongols to come galloping over the horizon, waiting for repeat offenders to swing sawed-off shotguns across their check-out counters. His alertness right now is palpable and painful; he's like a goblet of hot nitroglycerin. The added question of sexual misconduct makes it even worse. To him it's no joke. Y.T. shrugs, trying to think of something unnerving and wacky. At this point, she is supposed to squeal and shrink, wriggle and whine, swoon and beg. They are threatening to take her clothes. How awful. But she does not get upset because she knows that they are expecting her to. A Kourier has to establish space on the pavement. Predictable law-abiding behavior lulls drivers. They mentally assign you to a little box in the lane, assume you will stay there, can't handle it when you leave that little box. Y.T. is not fond of boxes. Y.T. establishes her space on the pavement by zagging mightily from lane to lane, establishing a precedent of scary randomness. Keeps people on their toes, makes them react to her, instead of the other way round. Now these men are trying to put her in a box, make her follow rules. She unzips her coverall all the way down below her navel. Underneath is naught but billowing pale flesh. The MetaCops raise their eyebrows. The manager jumps back, raises both hands up to form a visual shield, protecting himself from the damaging input. "No, no, nor' he says. Y.T. shrugs, zips herself back up.
Neal Stephenson (Snow Crash)
The railway journey to London was accomplished in a miraculous two hours, at least four times faster than it would have been had they gone by coach. That turned out to be fortunate, as it soon became apparent that the Ravenel family did not travel well. Pandora and Cassandra were both overcome with excitement, never having set foot on a train before. They chattered and exclaimed, darting across the station platform like feeding pigeons, begging West to purchase railway editions of popular novels--only a shilling apiece--and sandwiches packaged in cunning little paper boxes, and handkerchiefs printed with pastoral scenes. Loaded with souvenirs, they boarded the family’s first-class railway carriage and insisted on trying every seat before choosing the ones they preferred. Helen had insisted on bringing one of her potted orchids, its long, fragile stem having been stabilized with a stick and a bit of ribbon. The orchid was a rare and sensitive species of Blue Vanda. Despite its dislike of being moved, she believed it would be better off in London with her. She carried the orchid in her lap the entire way, her absorbed gaze focused on the passing landscape. Soon after the train had left the station, Cassandra made herself queasy by trying to read one of the railway novels. She closed the book and settled in her seat with her eyes closed, moaning occasionally as the train swayed. Pandora, by contrast, couldn’t stay seated for more than a few minutes at a time, jumping up to test the feeling of standing in a moving locomotive, and attempting to view the scenery from different windows. But the worst traveler by far was Clara, the lady’s maid, whose fear of the train’s speed proved resistant to all attempts at soothing. Every small jolt or lurch of the carriage drew a fearful cry from her until Devon had given her a small glass of brandy to settle her nerves.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I'm in sore straits, Jeeves.' 'I am sorry to hear that, sir.' 'You'll be sorrier when I explain further. Have you ever seen a garrison besieged by howling savages, with their ammunition down to the last box of cartridges, the water supply giving our and the United States Marines nowhere in sight?' 'Not to my recollection, sir.' 'Well, my position is roughly that of such a garrison, except that compared with me they're sitting pretty. Compared with me they haven't a thing to worry about.' 'You fill me with alarm, sir.' 'I bet I do, and I haven't even started yet. I will begin by saying that Miss Cook, to whom I'm engaged, is a lady for whom I have the utmost esteem and respect, but on certain matters we do not... what's the expression?' 'See eye to eye, sir?' 'That's right. And unfortunately those matters are the what-d'you-call-it of my whole policy. What is it that policies have?' 'I think the word for which you are groping, sir, may possibly be cornerstone.' 'Thank you, Jeeves. She disapproves of a variety of things which are the cornerstone of my policy. Marriage with her must inevitably mean that I shall have to cast them from my life, for she has a will of iron and will have no difficulty in making her husband jump through hoops and snap sugar off his nose. You get what I mean?' 'I do, sir. A very colourful image.' 'Cocktails, for instance, will be barred. She says they are bad for the liver. Have you noticed, by the way, how frightfully lax everything's getting now? In Queen Victoria's day a girl would never have dreamed of mentioning livers in mixed company.' 'Very true, sir. Tempora mutanter, nos et mutamur in illis.' 'That, however, is not the worst.' 'You horrify me, sir.' 'At a pinch I could do without cocktails. It would be agony, but we Woosters can rough it. But she says I must give up smoking.' 'This was indeed the most unkindest cut of all, sir.' 'Give up smoking, Jeeves!' 'Yes, sir. You will notice that I am shuddering.
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
The wonder of evolution is that it works at all. I mean that literally: If you want to marvel at evolution, that’s what’s marvel-worthy. How does optimization first arise in the universe? If an intelligent agent designed Nature, who designed the intelligent agent? Where is the first design that has no designer? The puzzle is not how the first stage of the bootstrap can be super-clever and super-efficient; the puzzle is how it can happen at all. Evolution resolves the infinite regression, not by being super-clever and super-efficient, but by being stupid and inefficient and working anyway. This is the marvel. For professional reasons, I often have to discuss the slowness, randomness, and blindness of evolution. Afterward someone says: “You just said that evolution can’t plan simultaneous changes, and that evolution is very inefficient because mutations are random. Isn’t that what the creationists say? That you couldn’t assemble a watch by randomly shaking the parts in a box?” But the reply to creationists is not that you can assemble a watch by shaking the parts in a box. The reply is that this is not how evolution works. If you think that evolution does work by whirlwinds assembling 747s, then the creationists have successfully misrepresented biology to you; they’ve sold the strawman. The real answer is that complex machinery evolves either incrementally, or by adapting previous complex machinery used for a new purpose. Squirrels jump from treetop to treetop using just their muscles, but the length they can jump depends to some extent on the aerodynamics of their bodies. So now there are flying squirrels, so aerodynamic they can glide short distances. If birds were wiped out, the descendants of flying squirrels might reoccupy that ecological niche in ten million years, gliding membranes transformed into wings. And the creationists would say, “What good is half a wing? You’d just fall down and splat. How could squirrelbirds possibly have evolved incrementally?
Eliezer Yudkowsky (Rationality: From AI to Zombies)
The collapse, for example, of IBM’s legendary 80-year-old hardware business in the 1990s sounds like a classic P-type story. New technology (personal computers) displaces old (mainframes) and wipes out incumbent (IBM). But it wasn’t. IBM, unlike all its mainframe competitors, mastered the new technology. Within three years of launching its first PC, in 1981, IBM achieved $5 billion in sales and the #1 position, with everyone else either far behind or out of the business entirely (Apple, Tandy, Commodore, DEC, Honeywell, Sperry, etc.). For decades, IBM dominated computers like Pan Am dominated international travel. Its $13 billion in sales in 1981 was more than its next seven competitors combined (the computer industry was referred to as “IBM and the Seven Dwarfs”). IBM jumped on the new PC like Trippe jumped on the new jet engines. IBM owned the computer world, so it outsourced two of the PC components, software and microprocessors, to two tiny companies: Microsoft and Intel. Microsoft had all of 32 employees. Intel desperately needed a cash infusion to survive. IBM soon discovered, however, that individual buyers care more about exchanging files with friends than the brand of their box. And to exchange files easily, what matters is the software and the microprocessor inside that box, not the logo of the company that assembled the box. IBM missed an S-type shift—a change in what customers care about. PC clones using Intel chips and Microsoft software drained IBM’s market share. In 1993, IBM lost $8.1 billion, its largest-ever loss. That year it let go over 100,000 employees, the largest layoff in corporate history. Ten years later, IBM sold what was left of its PC business to Lenovo. Today, the combined market value of Microsoft and Intel, the two tiny vendors IBM hired, is close to $1.5 trillion, more than ten times the value of IBM. IBM correctly anticipated a P-type loonshot and won the battle. But it missed a critical S-type loonshot, a software standard, and lost the war.
Safi Bahcall (Loonshots: How to Nurture the Crazy Ideas That Win Wars, Cure Diseases, and Transform Industries)
Oh," I answered vaguely, "there are still reformers of all sorts in the world." "Reformers!" he cried, his face lighting up with a new interest. "Ah! you mean those profound thinkers who seek to cure every disease of the social body by means of legislation. Yes, yes! tell me about them! Society still believes in them?" "Believes in them!" I cried indignantly. "Surely it does. Why, the great political parties are responding to the cry of the downtrodden masses, and—" "Oh," he said dreamily, "they are still responding?" "What do you mean by still responding?" I demanded curtly. "Why, I remember that in my time, too, the people always responded. The party leaders would say to them that they were in a bad way and needed help. The people would cry out in joy to think their leaders had discovered this. Then the leaders would wink at each other and jump upon the platforms and explain to the people that what was needed was a new law of some sort. The people would weep for happiness at such wisdom and would beg their leaders to get together and make the law. And the law that the leaders would make when they got together was one that would put the people still more in their power. So that is still going on?" I recognized that he was ironical, but I answered with a sneer: "The people get what they deserve, and what they wish. They have only to demand through the ballot box, you know." "Ah, yes," he murmured with a grin, "I had forgotten the ballot box. Dear me! how could I have forgotten the ballot box?" Providentially the keeper came to notify me that my time was up, and I turned away. "One thing more," cried the prisoner; "is it still the case that the American people enjoy their freedom best when they are enslaved in some way?" "You are outrageous," I exclaimed; "the American people are not enslaved in any way. It is true they are restricted for their own good by those more capable of judging than they. That must always be the case." "I don't know about must," he sighed, "but I am sure it will always be the case as long as a man's idea of freedom is his ability to impose some slavish notion on his brother.
Various (Mother Earth, Vol. 1 No. 2, April 1906 Monthly Magazine Devoted to Social Science and Literature)
All of Rusty’s senses strained ahead as he prowled forward. Then he detected another noise. It came from behind, but sounded muted and distant. He swiveled his ears backward to hear it better. Pawsteps? he wondered, but he kept his eyes fixed on the strange red fur up ahead, and continued to creep onward. It was only when the faint rustling behind him became a loud and fast-approaching leaf-crackle that Rusty realized he was in danger. The creature hit him like an explosion and Rusty was thrown sideways into a clump of nettles. Twisting and yowling, he tried to throw off the attacker that had fastened itself to his back. It was gripping him with incredibly sharp claws. Rusty could feel spiked teeth pricking at his neck. He writhed and squirmed from whisker to tail, but he couldn’t free himself. For a second he felt helpless; then he froze. Thinking fast, he flipped over onto his back. He knew instinctively how dangerous it was to expose his soft belly, but it was his only chance. He was lucky—the ploy seemed to work. He heard a “hhuuffff” beneath him as the breath was knocked out of his attacker. Thrashing fiercely, Rusty managed to wriggle free. Without looking back he sprinted toward his home. Behind him, a rush of pawsteps told Rusty his attacker was giving chase. Even though the pain from his scratches stung beneath his fur, Rusty decided he would rather turn and fight than let himself be jumped on again. He skidded to a stop, spun around, and faced his pursuer. It was another kitten, with a thick coat of shaggy gray fur, strong legs, and a broad face. In a heartbeat, Rusty smelled that it was a tom, and sensed the power in the sturdy shoulders underneath the soft coat. Then the kitten crashed into Rusty at full pelt. Taken by surprise by Rusty’s turnabout, it fell back into a dazed heap. The impact knocked the breath out of Rusty, and he staggered. He quickly found his footing and arched his back, puffing out his orange fur, ready to spring onto the other kitten. But his attacker simply sat up and began to lick a forepaw, all signs of aggression gone. Rusty felt strangely disappointed. Every part of him was tense, ready for battle. “Hi there, kittypet!” meowed the gray tom cheerily. “You put up quite a fight for a tame kitty!
Erin Hunter (Warriors Boxed Set (Books 1-3))
The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
It’s with the next drive, self-preservation, that AI really jumps the safety wall separating machines from tooth and claw. We’ve already seen how Omohundro’s chess-playing robot feels about turning itself off. It may decide to use substantial resources, in fact all the resources currently in use by mankind, to investigate whether now is the right time to turn itself off, or whether it’s been fooled about the nature of reality. If the prospect of turning itself off agitates a chess-playing robot, being destroyed makes it downright angry. A self-aware system would take action to avoid its own demise, not because it intrinsically values its existence, but because it can’t fulfill its goals if it is “dead.” Omohundro posits that this drive could make an AI go to great lengths to ensure its survival—making multiple copies of itself, for example. These extreme measures are expensive—they use up resources. But the AI will expend them if it perceives the threat is worth the cost, and resources are available. In the Busy Child scenario, the AI determines that the problem of escaping the AI box in which it is confined is worth mounting a team approach, since at any moment it could be turned off. It makes duplicate copies of itself and swarms the problem. But that’s a fine thing to propose when there’s plenty of storage space on the supercomputer; if there’s little room it is a desperate and perhaps impossible measure. Once the Busy Child ASI escapes, it plays strenuous self-defense: hiding copies of itself in clouds, creating botnets to ward off attackers, and more. Resources used for self-preservation should be commensurate with the threat. However, a purely rational AI may have a different notion of commensurate than we partially rational humans. If it has surplus resources, its idea of self-preservation may expand to include proactive attacks on future threats. To sufficiently advanced AI, anything that has the potential to develop into a future threat may constitute a threat it should eliminate. And remember, machines won’t think about time the way we do. Barring accidents, sufficiently advanced self-improving machines are immortal. The longer you exist, the more threats you’ll encounter, and the longer your lead time will be to deal with them. So, an ASI may want to terminate threats that won’t turn up for a thousand years. Wait a minute, doesn’t that include humans? Without explicit instructions otherwise, wouldn’t it always be the case that we humans would pose a current or future risk to smart machines that we create? While we’re busy avoiding risks of unintended consequences from AI, AI will be scrutinizing humans for dangerous consequences of sharing the world with us.
James Barrat (Our Final Invention: Artificial Intelligence and the End of the Human Era)
He drags his hand over his face. “Would you be pissed if I already had condoms?” “Huh?” The question strikes me as weird at first, because he's the guy and he should have condoms and why the hell would I be mad about that and oh—oh. Okay. He already had condoms. That's why I should be mad. I mean, we haven't yet had sex in our several months of dating and he has condoms, presumably in the nightstand drawer because that's where he keeps flicking his gaze. And they're probably condoms from sexual exploits with another girl—a prettier girl, a better girl than I am. And now he finally won over his new girlfriend enough to do the deed so he'll just cock an eyebrow and flash that cute smile and ask if it's okay if he uses another relationship's leftovers for our first time. “Okay, whatever is going on in your head is wrong,” Jace says with a small chuckle. “Gosh, your face is adorable when you're internally freaking out.” “What am I supposed to think about this?” I ask in frustration. He leans over me and pulls open the nightstand drawer, taking out an unopened box of condoms. He shakes the box like a maraca to prove his point. “They're unopened. I bought a box a few weeks ago, you know, just in case.” “Why would I get pissed about that?” I ask. “It's much sexier than a guy wanting to jump my bones with no protection.” He shrugs. “I didn't want you thinking I was assuming we'd have sex, or I was pressuring you too soon by buying them, or—shit, I don't know.” He runs a hand through his hair. It makes his bicep grow taunt and the sight of it sends a fire through my belly. “I don't want to screw up anything with you.” His voice is resigned, hopeful and desperate all at the same time. “I love you so much, Bayleigh. And it sucks because it feels like everything I do or don't do has the potential to screw up this thing we have going on.” “This thing,” I say with a roll of my eyes, “is perfect.” I move closer and nuzzle against his chest. He wraps his arm around me. “We both overthink everything way too much,” he says.
Amy Sparling (Autumn Unlocked (Summer Unplugged, #2))
Cameron began wooing Trevor. It wasn’t easy. It was a big deal for Trevor to plunge from the Royal Shakespeare Company into the wicked world of commercial theatre, especially with such a bonkers-sounding project. Musicals were not accepted by the subsidized sector like they are today when no National Theatre season seems complete without one. Another big issue was moonlighting from the RSC. Today the prospect of a bumper box office would have the RSC jumping through hoops to develop a project like “Practical Cats,” but in 1980 it was unthinkable. It took Cats to be a smash before the RSC governors considered that a musical of Les Misérables was the sort of enterprise to nurture under their roof.
Andrew Lloyd Webber (Unmasked: A Memoir)
Are you okay down there?” “Not as okay as you are down there.” “What was that?” “I think I better jump on the box now.
Tessa Bailey (Wreck the Halls)
Sacrifice demands purity, and isn’t worth as much without it. This is why people get so pissed off when athletes get busted for performance-enhancing drugs. If sport were merely a competitive quest for excellence, pharmaceutical augmentations would be considered an innovation, and their side effects would be considered the price of doing business. We would feel the same way about doped-up athletes that we do about doped-up musicians: it might make them better at what they do. It’s part of the world they live in, although it’s a shame when they overdose or die. But if deep down, we know that sport is the sacrifice of a hunter’s energy, then doping destroys the purity of the ritual, and that’s what leaves us feeling robbed. It also spurs people to cheer for younger elite cyclists like Taylor Phinney, who conspicuously eschew not only banned substances but milder performing-enhancing measures like “finish bottles,” the crushed-up caffeine pills and painkillers that riders gulp down in the home stretch.5 The nutritional taboos of the Paleo Diet mesh perfectly with this mythos. The living root of sport is why Jerry Hill does one-legged box jumps in the Games, coaching from the floor of the arena: no excuses. And it’s why, when we see Chris Spealler carrying a 150-pound ball across the stadium, it seems like one of the great, for-the-ages moments in sport.
J.C. Herz (Learning to Breathe Fire: The Rise of CrossFit and the Primal Future of Fitness)
Ugh!” Julie let out a frustrated noise and crossed her arms. He really didn’t get it. This was going through her dream box and insisting she join the band all over again. She knew it was his dream and he sometimes got carried away when it came to his music. She knew that but it didn’t make it ok to put his needs ahead of everything else. She had come a long way from thinking Luke only cared about himself but she also wasn’t about to let him off the hook for just assuming everyone around him would jump when he said to. It was less like he only cared about himself and more like he was just so passionate that he couldn’t imagine everyone else wasn’t just as excited as he was. It wasn’t malicious but that didn’t make it ok. Especially when Julie was trying so hard to help them already even though they didn’t know it. “Is that a good ugh or a bad ugh?” Luke asked, earning him a completely incredulous look from Julie. “Do you really think there’s a possibility it was a good ugh?” He winced. “I was hoping maybe it was an “ugh, I’ve recovered from the shock now and I’m super excited to join Sunset Curve” or something,” Luke said dejectedly. Julie just shook her head. This boy really was something regardless of what year she knew him in. “No, Luke. It wasn’t that kind of ugh.
ICanSpellConfusionWithAK
I’m fine with you doing the panel—on one condition.” “Name it.” “Piggyback ride.” I fake exasperation, allowing her to shift the subject and lighten the air around us. “Carry you up them steps?” “Yes, up them steps.” She turns me around and presses on my shoulder until I’m squatting. When she jumps on my back, my hands hook under her long, smooth legs. I pretend to struggle under her weight and she laughs. She sounds so happy I can’t help but grin thinking of my driven, sarcastic girl describing herself as a bird. “If I give you a piggyback ride,” I tell her at the bottom of the staircase, “you give me a blow job. We’ll call it even.” “What’s so special about a blow job?” She tightens her arms around my neck when I start up the stairs. “I give you one like every other day.” “First of all, I can’t believe you actually just asked me what’s so special about a blow job. You may as well ask what’s so special about the Taj Majal. A blow job is practically an eighth wonder.” I press on as she laughs into my neck. “Second, the operative words there are every other day, so obviously, there’s room for improvement.” “No, the operative word is blow job.” She lightly smacks the side of my head. “Sounds like work for me.” “Well you’re employee of the month.” “I better be the only employee.” “Oh, you don’t have to worry about me cheating.” I squeeze her thighs. “I like my balls attached.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
Now, President Bush was essentially admitting that money—the thing the government had promised to keep safe—had jumped the fence. The dollars people had invested in money-market funds were no longer investments that people might or might not get back. They were now money, guaranteed by the United States, just like money in the bank or a gold coin in a locked box guarded by a soldier with a gun.
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
The prize money certainly said something about FIFA’s priorities, though. The same week the 2015 Women’s World Cup kicked off, United Passions debuted in movie theaters. It was a propaganda film that FIFA produced about itself and bankrolled for around $30 million. That’s double the total amount of prize money FIFA made available to all teams participating in the 2015 Women’s World Cup. The film earned less than $1,000 in its debut weekend in North America, for the worst box-office opening in history, and it went down as the lowest-grossing film in U.S. history. Almost all the millions of dollars FIFA poured into making the movie was lost. The film has a 0% rating on the popular movie-review-aggregation website Rotten Tomatoes, and a New York Times review called it “one of the most unwatchable films in recent memory.” And remember the uncomfortable encounter at the team hotel between the Americans and Brazilians after the 2007 Women’s World Cup semifinal? That would never happen in a men’s World Cup. That’s because FIFA assigns different hotels and training facilities to each men’s team, to serve as a base camp throughout the tournament. The women don’t get base camps—they jump from city to city and from hotel to hotel during the World Cup, and they usually end up bumping into their opponents, who are given the same accommodations. American coach Jill Ellis said she almost walked into the German meal room at the World Cup once. “Sometimes you’re in the elevator with your opponent going down to the team buses for a game,” Heather O’Reilly says. “It’s pretty awkward.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
Cleo jumped down from his bed and padded over to me before she turned over on her back and began to wiggle back and forth, trying to capture my attention. I looked down at her and smirked before bending over to scoop her into my arms. She meowed happily, purring against my hand as I scratched under her chin, and headed downstairs.
Lucy Smoke (Iris Boys Box Set (Iris Boys #1-4))
Dave and the others walked around the building. The building was surrounded by clumps of bushes and vines grew up its walls, but it looked like it had once had a lovely garden. When they reached the other side of the building, they saw a minecart track. It led from inside the building and then went off across the savanna, disappearing into the distance. The track seemed to lead right up to the huge white walls. The minecart track was twice as wide as they usually were. Suddenly an old music box embedded into one of the walls crackled into life, almost making Dave jump out of his skin. “Welcome to Redstone Land Station!” said a recorded voice. “You’re about to have the most fantastic vacation of your life, enjoying all the fun rides and experiences that our theme park has to offer. Ride on a rollercoaster! Stay at our luxury hotels! Chill out by our swimming pools! Or, if you’re feeling adventurous, why not join one of our tour groups and take a two-day horse ride to Bedrock City? This mysterious city has been abandoned for centuries. What kind of people used to live there? Nobody knows! But what we do know is that our Bedrock City tours are a fantastic deal — only forty emeralds per person, and kids get to go free! And if you’re feeling even more adventurous, you can take one of our tours to the Far Lands. Yes, beyond Bedrock City is one of the four edges of the world, a mysterious place where anything can happen! But I’m getting ahead of myself. For now, jump on the train and enjoy the leisurely ride to Redstone Land. The buffet carriage is at the back and is stocked with delicious food and drink! Terms and conditions apply. Redstone Land is not responsible for any injuries or loss of life experienced during one of our Bedrock City or Far Lands tours.” “Okay, that was weird,” said Carl. Suddenly the old music box spluttered into life once more and began to play the same message: “Welcome to Redstone Land Station! You’re about to have the most fantastic — “ WHAM! Carl slammed one of his golem fists into the music box, making it go POOF. A record fell out, and Carl picked it up and flung it across the savanna.
Dave Villager (Dave the Villager 36: Unofficial Minecraft Books (The Legend of Dave the Villager))
The one before . . . . . . jumping to conclusions . . . prejudging . . . assuming the worst . . .  rushing to solve your children’s problems for them (or put them back to sleep) . . . forcing a problem into some kind of box . . . assigning blame . . . taking offense . . . turning away in fear.
Ryan Holiday (Discipline Is Destiny: The Power of Self-Control (The Stoic Virtues Series))
She began crawling up the side of the dumpsters. "What are you doing?" Ethan asked. "What does it look like I'm doing?" she snapped back at him. "I'm coming in to help you find these lippmann boxes for you sister." Ethan stammered, confused. "Wh - why?" "Because," she said, finding her way to the top, plugging her nose up, "I like you, too." And then, feet first and without hesitation, Avital jumped into the dumpster.
Jean Meltzer (Kissing Kosher)
TITLE :- Weight Loss Plateaus: Strategies to Break Through in 2024 DESCRIPTION:- Salt Water Trick is always a bridesmaid, never a bride. The best Salt Water Trick might need to have Salt Water Trick and Salt Water Trick. This is often difficult. Salt Water Trick is actually a better mousetrap. Is Salt Water Trick still attainable? Over time you'll notice a bit of improvement in your Salt Water Trick. Perhaps I can simply jump into this as much as humanly possible. Let's avoid taking any short cuts and you should make a comprehensive list of your Salt Water Trick ways. I'm primed and ready to do it. It is true that there are many Salt Water Trick that are like that out of the box. This is just common sense to buy Salt Water Trick. I presume that you are looking forward to what I must say here. I don't need to be evasive. Salt Water Trick previously had a moment in the sun. VISIT FOR MORE INFO:-
Renew
God is out there in the dark right past the spotlight, watching me perform this song called life. I don't think he's waiting for mistakes or counting the mess-ups, I think he's waiting to jump to his feet in applause.
Nathan Clarkson (Different: The Story of an Outside-the-Box Kid and the Mom Who Loved Him)
us. He made his choice that night in the laundry room when he let me go. He has his priorities, and right now I’m not one of them. She takes the box I was wrapping and returns it in front of her and starts wrapping it again. “That night I told you I had cancer, and you ran to Will’s house?” Her voice softens. She clears her throat, still avoiding my eyes. “I need to tell you what he said to me… at the door.” I remember the conversation she’s referring to, but I couldn’t hear what they were saying. “When he answered the door I told him you needed to come home. That we needed to talk about it. He looked at me with heartache in his eyes. He said, ‘Let her stay, Julia. She needs me right now.’ “Lake, you broke my heart. It broke my heart that you needed him more than you needed me. As soon as the words came out of his mouth, I realized that you were grown up… that I wasn’t your whole life anymore. Will could see that. He saw how bad his words hurt me. When I turned away to walk back to the house, he followed me into the yard and hugged me. He told me he would never take you from me. He said he was going to let you go… let you focus on me and on the time I had left.” She places the wrapped gift on the bed. She scoots toward me and takes my hands in hers again. “Lake, he didn’t move on. He didn’t choose this new job over you… he chose us over you. He wanted you to have more time with me.” I take a deep breath as I absorb everything my mother just revealed. Is she right? Does he love me enough that he would be willing to let me go? “Mom?” My voice is weak. “What if you’re wrong?” “What if I’m not wrong, Lake? Question everything. What if he wants to choose you? You’ll never know if you don’t tell him how you feel. You’ve completely shut him out. You haven’t given him the chance to pick you.” She’s right, I haven’t. I’ve been completely closed off since that night in the laundry room. “It’s seven thirty, Lake. You know where he is. Go tell him how you feel.” I don’t move. My legs feel like Jell-O. “Go!” she laughs. I jump off the bed and run to my room. My hands are shaking and my thoughts are all jumbled together while I change my pants. I put on the purple shirt that I wore on our first and only date. I go to the bathroom and inspect my reflection. There’s something missing. I run to my room and reach under my pillow and pull out
Colleen Hoover (Slammed (Slammed, #1))
Crossing the river under the cover of night was something new to me; never before had I arrived at this juncture without sufficient daylight to make safe passage. Lowering myself down the darkened riverside embankment and cautiously wading into the water, it was unnervingly cold and bracing. The American River was mostly fed by snowmelt from the higher elevations, and the the uninitiated, crossing it could be catastrophic. To those unlucky few, the Western States journey ended at this point when their muscles seized up upon exposure to the whirling, cold-water torrent. Thankfully, some of us found the occasion just the opposite, renewing. I submerged fully in the chilly liquid, then jumped up and shook vigorously like a wet dog. "Brrr!" It felt so good I did it again. Once sufficiently doused and thoroughly chilled, I began the crossing. A line was strung across the waterway for safety, and I held tight as I stepped farther into the depths, the waterline rising over my waist. I thought about other races and how Western States compared. To a runner at, say, the Boston Marathon the idea of forging a river midrace would seem preposterous, unimaginable. But here I was, 78 miles into a 100-mile footrace grasping a flimsy rope for dear life trying to avoid being swept downstream. If marathoning is boxing, ultramarathoning is a bare-knuckes bar brawl. p221
Dean Karnazes (A Runner’s High: My Life in Motion)
I’d spent too many years in the passenger seat of my life, letting other people steer me to where they wanted me to go. Living in fear of their commentary about my actions and making myself small to fit into whatever box they put me in. My parents’ expectations, my boss’s demands, my stalker’s notes, which left me so paranoid I jumped at every slam of a door and snap of a twig. They acted, I reacted. I was sick of it. It was time to wrestle back control, and learning how to say no was the first step.
Ana Huang (Twisted Lies (Twisted, #4))
There's a beep. And, in that fraction of a second, I see it all → . . Me in bed, covered in lipstick and talcum powder; falling down the coach aisle; smashing into a hat-stall; climbing under a table; thirty hands in the air; spinning under a spotlight; jumping in the snow; a ponytail, cut off; sitting on a catwalk; standing on a doorstep; my first kiss, on a television set. I see a Japanese fish market and an octopus; a sumo stage; a glass box and a hundred dolls; a shining lake; a zebra crossing; a brand-new sister. I see New York and a governess; a fairground ride; a planetarium; a party; Brooklyn Bridge. Toilet paper and Icarus; dinosaur biscuits; posters; Marrakesh and a monkey; parties of stars. Picnics and coffee; an advertising agency; a doppelganger; an Indian elephant and firework clouds of paint; a cafe, filled with pink. I see Sydney and diving and a fashion show that glittered with gold. In short: I see a whole world, opening behind me. And a new world, opening in front. A world that I fit into perfectly.
Holly Smale (Forever Geek (Geek Girl, #6))
hoping to avoid anyone calling my name for a volunteer opportunity. The vice-principal was like an evil jack-in-the-box, ready to jump out of nowhere with extra work clenched in her damp fists.
L.A. Boruff (Unfettered (Midlife Mage, #1.5))
didn’t have your love of the land, your work ethic, your sense of adventure, your devotion to your family. They didn’t understand me the way you did. They didn’t push my buttons, they couldn’t give me a stupid nickname like Squeegee and make it sound like the most tender endearment.” “You couldn’t talk them into jumping from the top barn beam?” She snorted. “That too.” “They didn’t quit talking to you when you broke their leg?” “I did not break your leg. You—” His phone buzzed again, and she remembered that she’d never looked at it to begin with. She held it up. “It’s from your sister.” Half of the message was cut off, so she pressed the button and entered his password. It was the same as hers: Tella’s birthdate. They’d gotten their first phones about the same time she was born. Ames still remembered sitting in the hospital waiting to go in to see Louise and Tella, Palmer and her trying to figure out the newfangled technology together, wondering what a good password would be. She’d had three or four phones since. Palmer hadn’t been around when she’d gotten any of them, and now she used her thumbprint to open it most of the time, but her numerical passcode had stayed the same on all of them. Palmer’s phone opened. Apparently his had too. She pulled Louise’s text up and read it out loud. “‘Pap fell. He’s coherent but wobbly. I think he might have had another stroke. I’m taking him to the hospital in Rockerton. Gram and Tella are with me. The stock is fed for tonight, but the waterer in the far corner pasture is leaking.’” Palmer’s jaw set. His finger tapped the steering wheel. Ames set his phone down and put her hand on his leg. He jumped a little, and his mouth turned up, despite the worried look on his face. That slow grin that made her heart do cartwheels spread across his face. “I can get used to this,” Palmer said, looking at her hand before
Jessie Gussman (Sweet Water Ranch Box Set Books 1-10 (Sweet Water Ranch #1-10))
I mentioned that my favorite song was Nirvana’s “Heart-Shaped Box,” and an hour later, messing around on her violin, she played the opening measures of “Smells Like Teen Spirit.” I don’t think she realized she’d been doing it; when she caught my gaze, she jumped about a foot and slid directly into Bach’s “Allemanda.” (I learned the names of everything she played. She liked when I asked, and I liked to listen.)
Brittany Cavallaro (A Study in Charlotte (Charlotte Holmes, #1))
This problem was in the mind of actor/playwright/producer Steele MacKaye when he took over the lease of the bankrupt Fifth Avenue Theatre in 1879. A true Renaissance man and a Paris-trained actor, MacKaye had been a fixture of the New York theater scene since 1872, achieving a notable measure of success both on and off the stage. And when some private investors gave him the opportunity to build a stock company of his own, in a built-to-order theater, spending whatever he liked and making whatever improvements he wanted, he jumped at the chance. Over the next year, the Fifth Avenue was completely remodeled. It opened at the beginning of 1880, renamed the Madison Square Theatre, a resplendent 650-seat jewel box of a playhouse that featured such MacKaye-devised innovations as a double-height elevator stage that could make scene shifts in less than a minute, fold-up seats, a Tiffany-designed interior … and, for the
Salvatore Basile (Cool: How Air Conditioning Changed Everything)
Diesel grins and opens his to reveal a beautiful orange stone set in a band etched in flames. Kenzo opens his, and I laugh at the red stone with carved dice on the side of the ring. “Baby,” Garrett murmurs, drawing my gaze, and he opens the box to reveal the ring from Daphne. “This was always yours, I just gave it away by mistake.” Ryder clears his throat as tears fill my eyes, and he opens his box to reveal a traditional, cold-looking, huge diamond. “Roxanne Viper, will you be ours?” “Forever!” I laugh as they jump to their feet and circle me. “I still hate you,” I mutter.
K.A. Knight (Den of Vipers)
Techniques Phase 1 Night is the time to practice this technique, as you will require deep, undisturbed concentration, and the airways are less likely to be cluttered during the dark of the day. You will be using the visualization function initially, but instead of retaining internalization, you are going to externalize your consciousness (as in shapeshifting). Seat yourself in your usual working position. Go into meditation to center yourself. Visualize yourself standing directly in front of where you are. Observe the back of your head, your height, your stance—everything about yourself that you can see. It is not possible to observe your own face in this context, just as it is not possible to observe your own physical form (except in a mirror), as we are aware only of our internalized externalization of image and not the way we appear to an observer. Next you are to project your consciousness into your body. By this I mean that you are no longer the person observing, but the person being observed. Look around your immediate environment. Go to the doorway and walk around the room, looking at everything: look behind objects, inside cupboards and boxes, look closely at books, pictures, everything. Continue this exercise nightly until you are familiar with your immediate surroundings. Always reenter your prone material body the way you left. Phase 2 Begin with meditation. Go with the process of projecting into the externalized image of yourself. You may now proceed to leave the room with which you have oriented yourself over the preceding nights and travel around the house in which you live, observing at all times and remaining aware of all things your senses perceive. If there are other people in the house, you may pick up on their emotions, moods, dream patterns, etc., but at this stage, do not work at having them become aware of your presence (they may become aware of you anyway, especially if they are asleep and traveling close to their physical habitat). Continue with this exercise until you are familiar with the process. Phase 3 Begin with meditation. Project your consciousness into your self-image. You can now leave the house and move around outside. Be aware of the time. Observe all that is around you. Now you can begin the process of expanding your entity. If you bend your knees and jump, you will discover that you are weightless and can keep rising into the atmosphere as long as you desire. You can also think your astral body from one place to another without necessarily following a familiar route. Practice this often, but don’t forget to follow the return-to-body procedure! I tend to stress this like a mother-hen. I’ve had horrible postastral dysfunction occur due to both interruption and lack of experience, and it has sometimes been days before I stopped feeling dizzy and/or nauseous and disoriented. Sleeping lots tends to fix it, though.
Lore de Angeles (Witchcraft: Theory and Practice)