Box Ii Quotes

We've searched our database for all the quotes and captions related to Box Ii. Here they are! All 68 of them:

Okay. Then...I can talk. Ask me something." "Okay." He laughs shakily in my ear. "Why is your heart racing Tris?" I cringe and say, "Well, I...I barely know you. I barely know you and I'm crammed up against you in a box, Four, what do you think?"... "Maybe you were cut out for Candor," he says, "because you're a terrible liar.
Veronica Roth (Divergent (Divergent, #1))
In researching this volume, I interviewed veterans who had been at the front during World War II. I read countless books, examined film footage, and listened to many detailed and intense stories firsthand, but the one comment that affected me the most came from a former soldier who lowered his gaze to the tabletop and said, ‘I never watch war movies.
Hiromu Arakawa (Fullmetal Alchemist Complete Box Set)
That is the way we decided to talk, free and easy, two young men discussing a boxing match. That was the only way to talk. You couldn't let too much truth seep into your conversation, you couldn't admit with your mouth what your eyes had seen. If you opened the door even a centimeter, you would smell the rot outside and hear the screams. You did not open the door. You kept your mind on the tasks of the day, the hunt for food and water and something to burn, and you saved the rest for the end of the war.
David Benioff (City of Thieves)
All we shared was a mattress, and a lie, and an address Baby I don't need you, well baby I don't need you Once occupied by a goddess, now it's a room full of boxes She said, "it's time to leave you" but baby I don't need you! In a perfect world... her face would not exist In a perfect world... a broken heart is fixed
Billy Talent (Billy Talent II (Guitar Recorded Versions))
With only hook latches for locks, Louise took to sitting by the front door on an apple box with a rolling pin in her hand, ready to brain any prowlers who might threaten her children.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
What makes this city different is that nobody expects to be in one place for ten minutes. Everybody moves all the time. Seven nameless men own everything and move us around on a board. People are swept out into the streets because the owners need the space. Then they are swept off the streets because someone owns the air they breathe. Men buy and sell air in the sky and there are bodies heaped together in boxes on the sidewalk. Then they sweep away the boxes." "You like to overstate." "I overstate things to stay alive. This is the point of New York. I completely love and trust this city but I know the moment I stop being angry I'm finished forever.
Don DeLillo (Mao II)
The next morning, Louie was taken to an airfield to be flown to Okinawa, where many POWs were being collected before being sent home. Seeing a table stacked with K rations, he began cramming the boxes under his shirt, brushing off an attendant who tried to assure him that he didn't have to hoard them, as no one was going to starve him anymore. Looking extremely pregnant, Louie boarded the plane.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
Louie's mother, Louise, took a different tack. Louie was a copy of herself, right down to the vivid blue eyes. When pushed, she shoved; sold a bad cut of meat, she'd march down to the butcher, frying pan in hand. Loving mischief, she spread icing over a cardboard box and presented it as a birthday cake to a neighbor, who promptly got the knife stuck. When Pete told her he'd drink his castor oil if she gave him an empty candy box. "You only asked for the box, honey," she said with a smile. "That's all I got." And she understood Louie's restiveness. One Halloween, she dressed as a boy and raced around town trick-or-treating with Louie and Pete. A gang of kids, thinking she was one of the local toughs, tackled her and tried to steal her pants. Little Louise Zamperini, mother of four, was deep in the melee when the cops picked her up for brawling.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
~Have NO fear of moving into the unknown. Simply step out fearlessly knowing that I am with YOU, therefore NO harm can befall YOU; all is very, very well. Do this in complete faith and confidence~
Pope John Paul II
I found myself surrounded by really old veterans wearing hats that said, "Retired Marine - SEMPER FI." These hats didn't appear to fit on their heads, but instead seemed to hover over them. At one point, I mistakenly tried to take the last box of crackers that a veteran also wanted. He started yelling, "I ran away from home at seventeen, lied about my age, and joined the Corps! I fought in World War II, Korea, and NAM! I have no cartilage in my right knee! It's bone-on-bone, but every morning I run six miles! I did not sacrifice my knee for this country to come here today and have you disrespect me at the commissary. Oooh-RAH!" I dropped the crackers and walked away.
Mollie Gross (Confessions of a Military Wife)
Case in point: On one of their first dates, he brought her a box of Ivory Flakes soap. Who needs flowers? Roses fade, but flaky soap available from the PX lasted months. Having Ivory Flakes was a rarity in itself, and also saved her valuable time—one less line to stand in, only to find that the grocer was out. Again. That was romance, as far as Colleen was concerned. Maybe this guy was a keeper after all.
Denise Kiernan (The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II)
They were discussing something about some guy from the DEA.  That stands for Drug Enforcement Agency,” he explained.
Hope Callaghan (Garden Girls: Box Set II (Garden Girls #4-6))
Didn't open the box? What was it last time? Didn't know what it was? And yet we do keep finding each other, don't we? - Cenobite
Clive Barker
Wine came from grapes and grapes were fruit. If you were going to judge every wine connoisseur, you would also have to walk around the playground and slap the box of grape juice out of every child's chubby little hands as well.
Eric Dimbleby (Eulogies II: Tales From the Cellar)
The chariot refashioned itself into a black metal box with caterpillar treads, a turret, and a long gun barrel. A tank. I recognized it from this research report I’d had to do for history class. Phobos was grinning at me from the top of a World War II panzer.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
Lucy, the wild and crazy one that would try anything once.  Margaret, the one who seemed the most judgmental of others but had a heart of gold underneath her tough exterior.  Then there was Dot, the mother hen of the group.  Dot was the one Gloria considered the most levelheaded.  And then here was Ruth.  Her dear friend that loved a good gossip and always wanted to be in the middle of all the action.
Hope Callaghan (Garden Girls: Box Set II (Garden Girls #4-6))
That week—the week of the rain—was one of my dad’s bad times. So I went out to the site a lot. One day, I was just picking around one of the foundations. It was all cinder block and pits; hardly any of the building had actually gotten done. And then I saw this little box. A shoe box.” She sucks in a breath, and even in the dark I see her tense. The rest of her story comes out in a rush: “Someone must have left it there, wedged in the space underneath a part of the foundation. Except the rain was so bad it had caused a miniature mudslide. The box had rolled out into the open. I don’t know why I decided to look inside. It was filthy. I thought I might find a pair of shoes, maybe some jewelry.” I know, now, where the story is going. I am walking toward the muddy box alongside her; I am lifting the water-warped cover. The horror and disgust is a mud too: It is rising, black and choking, inside of me. Raven’s voice drops to a whisper. “She was wrapped in a blanket. A blue blanket with yellow lambs on it. She wasn’t breathing. I—I thought she was dead. She was … she was blue. Her skin, her nails, her lips, her fingers. Her fingers were so small.” The mud is in my throat. I can’t breathe. “I don’t know what made me try to revive her. I think I must have gone a little crazy. I was working as a junior lifeguard that summer, so I’d been certified in CPR. I’d never had to do it, though. And she was so tiny—probably a week, maybe two weeks old. But it worked. I’ll never forget how I felt when she took a breath, and all that color came rushing into her skin. It was like the whole world had split open. And everything I’d felt was missing—all that feeling and color—all of it came to me with her first breath. I called her Blue so I would always remember that moment, and so I would never regret.
Lauren Oliver (Pandemonium (Delirium, #2))
I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.
T.S. Eliot (The Waste Land)
Elizabeth’s concern that Ian might insult them, either intentionally or otherwise, soon gave way to admiration and then to helpless amusement as he sat for the next half-hour, charming them all with an occasional lazy smile or interjecting a gallant compliment, while they spent the entire time debating whether to sell the chocolates being donated by Gunther’s for $5 or $6 per box. Despite Ian’s outwardly bland demeanor, Elizabeth waited uneasily for him to say he’d buy the damned cartload of chocolates for $10 apiece, if it would get them on to the next problem, which she knew was what he was dying to say. But she needn’t have worried, for he continued to positively exude pleasant interest. Four times, the committee paused to solicit his advice; four times, he smilingly made excellent suggestions; four times, they ignored what he suggested. And four times, he seemed not to mind in the least or even notice. Making a mental note to thank him profusely for his incredible forbearance, Elizabeth kept her attention on her guests and the discussion, until she inadvertently glanced in his direction, and her breath caught. Seated on the opposite side of the gathering from her, he was now leaning back in his chair, his left ankle propped atop his right knee, and despite his apparent absorption in the topic being discussed, his heavy-lidded gaze was roving meaningfully over her breasts. One look at the smile tugging at his lips and Elizabeth realized that he wanted her to know it. Obviously he’d decided that both she and he were wasting their time with the committee, and he was playing an amusing game designed to either divert her or discomfit her entirely, she wasn’t certain which. Elizabeth drew a deep breath, ready to blast a warning look at him, and his gaze lifted slowly from her gently heaving bosom, traveled lazily up her throat, paused at her lips, and then lifted to her narrowed eyes. Her quelling glance earned her nothing but a slight, challenging lift of his brows and a decidedly sensual smile, before his gaze reversed and began a lazy trip downward again. Lady Wiltshire’s voice rose, and she said for the second time, “Lady Thornton, what do you think?” Elizabeth snapped her gaze from her provoking husband to Lady Wiltshire. “I-I agree,” she said without the slightest idea of what she was agreeing with. For the next five minutes, she resisted the tug of Ian’s caressing gaze, firmly refusing to even glance his way, but when the committee reembarked on the chocolate issue again, she stole a look at him. The moment she did, he captured her gaze, holding it, while he, with an outward appearance of a man in thoughtful contemplation of some weighty problem, absently rubbed his forefinger against his mouth, his elbow propped on the arm of his chair. Elizabeth’s body responded to the caress he was offering her as if his lips were actually on hers, and she drew a long, steadying breath as he deliberately let his eyes slide to her breasts again. He knew exactly what his gaze was doing to her, and Elizabeth was thoroughly irate at her inability to ignore its effect. The committee departed on schedule a half-hour later amid reminders that the next meeting would be held at Lady Wiltshire’s house. Before the door closed behind them, Elizabeth rounded on her grinning, impenitent husband in the drawing room. “You wretch!” she exclaimed. “How could you?” she demanded, but in the midst of her indignant protest, Ian shoved his hands into her hair, turned her face up, and smothered her words with a ravenous kiss. “I haven’t forgiven you,” she warned him in bed an hour later, her cheek against his chest. Laughter, rich and deep, rumbled beneath her ear. “No?” “Absolutely not. I’ll repay you if it’s the last thing I do.” “I think you already have,” he said huskily, deliberately misunderstanding her meaning.
Judith McNaught (Almost Heaven (Sequels, #3))
EARLY IN 1986, I learned of a rumor that Kurt Waldheim, a former United Nations secretary-general and a candidate for Austria’s presidency, had a file as a Nazi war criminal—in the United Nations no less! There were always whispers about Waldheim’s past but a UN file was something new. “Do you have such a file?” I asked the United Nations Secretariat. “We don’t know,” came the answer. “Why not?” I asked. “Because we’re not allowed to open the archives.” During World War II, Churchill had established a tribunal of the sixteen Allied governments (some in exile) to document Nazi war crimes for future prosecution. The tribunal’s findings were handed over to the United Nations when it was established. The files were stored in one of the UN buildings in New York. I asked once more to see them. “You can’t,” a UN official explained. “When the archives were deposited in the United Nations, it was agreed they will be opened only with the unanimous consent of all sixteen countries.” “What the…” I muttered, outraged. In the face of such obstinacy I set out on a yearlong public and diplomatic campaign to convince these sixteen governments to give their consent. In this I was greatly helped by Edgar Bronfman Sr. and Israel Singer of the World Jewish Congress. It was like peeling a diplomatic onion. One layer led to another, and then to another, until at last all the countries had agreed. We had opened the padlock. When I walked into the unlocked storeroom, I saw rows and rows of cardboard boxes containing yellowing files. Picking up a box marked with the letter W, I started going file by file. Sure enough, there was a file marked WALDHEIM KURT. It detailed acts of wanton murder that this Austrian Nazi officer’s unit carried out in the war. Declassified documents later showed that the CIA had been aware of some details of Waldheim’s wartime past since 1945. They didn’t publish the information and Waldheim was able to assume the august post of United Nations secretary-general, in which he was warmly welcomed around the world.
Benjamin Netanyahu (Bibi: My Story)
At a time when I believed what people told me, I should have been tempted to believe Germany, then Bulgaria, then Greece when they proclaimed their pacific intentions. But since my life with Albertine and with Françoise had accustomed me to suspect those motives they did not express, I did not allow any word, however right in appearance of William II, Ferdinand of Bulgaria or Constantine of Greece to deceive my instinct which divined what each one of them was plotting. Doubtless my quarrels with Françoise and with Albertine had only been little personal quarrels, mattering only to the life of that little spiritual cellule which a human being is. But in the same way as there are bodies of animals, human bodies, that is to say, assemblages of cellules, which, in relation to one of them alone, are as great as a mountain, so there exist enormous organised groupings of individuals which we call nations; their life only repeats and amplifies the life of the composing cellules and he who is not capable of understanding the mystery, the reactions and the laws of those cellules, will only utter empty words when he talks about struggles between nations. But if he is master of the psychology of individuals, then these colossal masses of conglomerate individuals facing one another will assume in his eyes a more formidable beauty than a fight born only of a conflict between two characters, and he will see them on the scale on which the body of a tall man would be seen by infusoria of which it would require more than ten thousand to fill one cubic milimeter. Thus for some time past the great figure of France, filled to its perimeter with millions of little polygons of various shapes and the other figure of Germany filled with even more polygons were having one of those quarrels which, in a smaller measure, individuals have. But the blows that they were exchanging were regulated by those numberless boxing-matches of which Saint-Loup had explained the principles to me. And because, even in considering them from the point of view of individuals they were gigantic assemblages, the quarrel assumed enormous and magnificent forms like the uprising of an ocean which with its millions of waves seeks to demolish a secular line of cliffs or like giant glaciers which, with their slow and destructive oscillation, attempt to disrupt the frame of the mountain by which they are circumscribed. In spite of this, life continued almost the same for many people who have figured in this narrative, notably for M. de Charlus and for the Verdurins, as though the Germans had not been so near to them; a permanent menace in spite of its being concentrated in one immediate peril leaving us entirely unmoved if we do not realise it.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
Dear KDP Author, Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year. With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion. Well… history doesn’t repeat itself, but it does rhyme. Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive. Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers. The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books. Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive. Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We've quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.
Amazon Kdp
The movies were just kind of figuring out how to use computers in 2003, and nobody was just kind of figuring out how to use computers harder than Michael Bay. It’s tempting to say that every frame of Bad Boys II looks like a TV commercial, but truly every frame looks like a print advertisement, like those Candies ads where Jenny McCarthy’s taking a shit, shallow and glossy and tinged acid green. There are four car chases, one of which is at least fifteen minutes long. Even the most passing transitions are giddily tasteless: the camera EXPLODES out of the speedboat’s tailpipe and ZOOMS across Biscayne Bay and WHAMS down the ventilation shaft in the backward sunglasses factory and SHOOMPS into the buttcrack of a raver’s low-rise jeans and SPROINGS across her transverse colon and SQUEAKS through her appendix and AIRHORNS out her belly button and PLOPS into the Cuban drug lord’s mojito as he shoots his favorite nephew in the head while saying, “Adios, kemosabe,” or something fucking cool like that. When faced with a choice, Bay picks “all of the above” every time. He’s like a dog in one of those obedience trials who’s like, “Obedience? I don’t know her,” and just goes buck wild on the sausages. Except instead of “obedience” it’s “having a coherent plot that holds the audience’s attention” and instead of “sausages” it’s “explosions, Ferrari chases, and how many different cool kinds of box could a gun come in.
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
That’s my story, Zachary, and I am sticking to it.
Mark M. Bello (A Zachary Blake Legal Thriller Box Set Books 1 - 3 (A Zachary Blake Legal Thriller Series Book 4))
This kind of IDF information war strategy is now routinely copied by the US military. The CIA launched a social media campaign, Humans of CIA, in 2021 that aimed to recruit from more diverse communities into its ranks. It felt deeply inspired by the IDF’s woke posturing. One of the most discussed (and mocked) campaigns, considering the CIA’s role in destabilizing and overthrowing governments since World War II, was the video of a Latina intelligence officer declaring: “I am a cisgender millennial, who has been diagnosed with generalized anxiety disorder. I am intersectional, but my existence is not a box-checking exercise. I used to struggle with imposter syndrome, but at 36 I refuse to internalize misguided patriarchal ideas of what a woman can or should be.
Antony Loewenstein (The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World)
obsessive-compulsive disorder.
Hope Callaghan (Garden Girls: Box Set II (Garden Girls #4-6))
and took a big gulp.  Gloria noticed his
Hope Callaghan (Garden Girls: Box Set II (Garden Girls #4-6))
yellow fever
Hope Callaghan (Made in Savannah Box Set II (Made in Savannah #4-6))
brown recluse.
Hope Callaghan (Made in Savannah Box Set II (Made in Savannah #4-6))
unorthodox
Hope Callaghan (Made in Savannah Box Set II (Made in Savannah #4-6))
Treoir Dragon Chronicles of the Belador World: Volume II, Books 4-6
Dianna Love (Treoir Dragon Chronicles of the Belador(TM) World: Volume I, Books 1-3 (Treoir Dragon Chronicles of the Belador (TM) World box sets and volumes Book 1))
I am not fucking you.” “But you are.” I lean closer. “No more marriage talk. That’s the deal.” “No.” “Okay.” I pull the ring back out and drop down to one knee. “Get up.” “Which option?” I go to open the box. She snaps it shut. “I won’t marry you.” “So you’ll fuck me?” “You know this is a really weird way to try to seduce someone,” she whispers. “The people are waiting for an answer.” She quickly scans the restaurant before her gaze comes back to me. “Stand up.” “Which option?” “For fuck’s sake.” “Which option?” “I can still knee you in the balls.” “Is the thought of fucking me that bad for you?” “I-I…” I stand at her stutter. “We’re fucking,” I say with finality.
Kia Carrington-Russell (Lethal Vows (Lethal Vows, #1))
Mildred Elizabeth Sisk later named Mildred Elizabeth Gillars was born in Portland, Maine on November 29, 1900. In 1929, Gillars left the United States for France, where she worked as an artist's model in Paris. During World War II she was employed as a radio announcer with RRG, Reichs-Rundfunk-Gesellschaftm, the official German State Radio Station. In 1941, the US State Department advised American nationals to return to the United States however, she voluntarily stayed in Germany because her fiancé, Paul Karlson, said he would never marry her if she returned to the United States. Shortly afterwards, Karlson, was killed in action on the Eastern Front. She remained in Germany broadcasting propaganda to the US forces in Europe and became known as Axis Sally. From Christmas Eve in 1942, until the end of the war she broadcast the Home Sweet Home Hour from Berlin. During these broadcasts she talked about the infidelity of soldiers' wives and sweethearts, while they were fighting in Europe. Midge-at-the-Mike broadcast American songs and GI's Letter-box and Medical Reports was directed towards the United States in which Gillars used information on wounded and captured US airmen, with the intent of causing fear and anxiety for their families.
Hank Bracker
softly. His head bows forward and touches my hand. I place my other hand on the back of his head and I feel him shake. “He was my brother,” Liam says as another tear falls from my cheek. “I-I . . . ” The stuttering of my words are all I can get out while he looks at me. He takes a second and draws a deep breath, stands, and walks over to the box. Initially, Liam refused to accept
Corinne Michaels (Consolation (The Consolation Duet #1; Salvation #3))
head and I feel him shake. “He was my brother,” Liam says as another tear falls from my cheek. “I-I . . . ” The stuttering of my words are all I can get out while he looks at me. He takes a second and draws a deep breath, stands, and walks over to the box. Initially, Liam refused to accept
Corinne Michaels (Consolation (The Consolation Duet #1; Salvation #3))
Salmon's crew was extremely lucky to be alive. A very heavy depth charging had dished in the pressure hull, knocked one engine off the base plate, severely damaged all radio and radar equipment, and caused major structural damage throughout the ship. Exhausted and forced to the surface by three escort vessels, she took them on with the deck gun, picking her way in and out of rain squalls. At the peak of the gunfight, a box of galley stores was inadvertently passed topside as ammunition. Dick claimed that on a close pass by one of the escorts, the gun crew threw potatoes at the enemy, using oranges for tracers. I doubt this. We never had oranges that late in the patrol.
Paul R. Schratz (Submarine Commander: A Story of World War II and Korea)
door,
Elizabeth Bevarly (Unforgettable Heroes II Boxed Set)
During the post–World War II era of box living, our minds became boxed in by thinking that was defined by consumption and production.
Steve Sammartino (The Great Fragmentation: And Why the Future of Business is Small)
No twenty-first-century reader can understand the ultimate triumph of the Allied powers in World War II in 1945 without a grasp of the large drama that unfolded in North Africa in 1942 and 1943. The liberation of western Europe is a triptych, each panel informing the others: first, North Africa; then, Italy; and finally the invasion of Normandy and the subsequent campaigns across France, the Low Countries, and Germany. From a distance of sixty years, we can see that North Africa was a pivot point in American history, the place where the United States began to act like a great power—militarily, diplomatically, strategically, tactically.
Rick Atkinson (The Liberation Trilogy Box Set: An Army at Dawn, The Day of Battle, The Guns at Last Light)
Instead of adhering to his father’s commands, Donald had a new master, a gruff, barrel-chested combat veteran named Theodore Dobias. Dobias, or Doby as he was known, had served in World War II and had seen Mussolini’s dead body hanging by a rope. As the freshman-football coach and tactical-training instructor, Doby smacked students with an open hand if they ignored his instructions. Two afternoons a week, he would set up a boxing ring and order cadets with poor grades and those who had disciplinary problems to fight each other, whether they wanted to or not. “He could be a fucking prick,” Trump once recalled. “He absolutely would rough you up. You had to learn to survive.” To glare at Doby, or suggest the slightest sarcasm, Trump said, caused the drill sergeant to come “after me like you wouldn’t believe.” Whether
Michael Kranish (Trump Revealed: The Definitive Biography of the 45th President)
tableau /tablo/ I. nm 1. (œuvre d'art) picture; (peinture) painting voir aussi: galerie, vieux 2. (description) picture • brosser un ~ sombre de la situation | to paint a black picture of the situation • et pour achever or compléter le ~ | and to cap it all 3. (spectacle) picture • des enfants jouant dans un jardin, quel ~ charmant! | children playing in a garden, what a charming picture! • le ~ général est plus sombre | the overall picture is more gloomy • en plus, il était ivre, tu vois un peu le ~○! | on top of that he was drunk, you can just imagine! 4. (présentation graphique) table, chart • ‘voir ~’ | ‘see table’ • ~ des marées | tide table • ~ des températures | temperature chart • ~ synchronique/synoptique | historical/synoptic chart • ~ à double entrée | (Ordinat) two-dimensional array • présenter qch sous forme de ~ | to present sth in tabular form 5. blackboard • écrire qch au ~ | to write sth on the blackboard • passer or aller au ~ | to go (up) to the blackboard 6. (affichant des renseignements) board; (Rail) indicator board • ~ des départs/arrivées | departures/arrivals indicator • ~ horaire | timetable 7. (support mural) board • ~ des clés | key rack • ~ pour fusibles | fuse box 8. (liste) register (GB), roll (US) 9. short scene II. Idiomes 1. jouer or miser sur les deux tableaux | to hedge one's bets 2. gagner/perdre sur tous les tableaux | to win/to lose on all counts
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
During the post–World War II decades, and due in large part to the profit-conscious food technologies and advertising of big business food companies, most American cooking had an open-a-can ethos, a philosophy that extolled Wonder Bread, boxed cake mixes, and ten-minute meal preparation.
Harva Hachten (The Flavor of Wisconsin: An Informal History of Food and Eating in the Badger State)
There are no comebacks--just survival.
Jennifer Olmstead (The Virginia Southern Point Collection Boxed Set: Volumes I and II)
loge /lɔʒ/ I. nf 1. (de gardien d'immeuble) lodge 2. (d'artiste) dressing room; (de spectateur) box 3. (de franc-maçons) (lieu) lodge • (groupe) Loge | Lodge • frères de Loge | Lodge brothers • Grande Loge | Grand Lodge 4. loggia 5. loculus • les ~s | loculi II. Idiome • être aux premières loges | to be in an ideal position
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
The heart, with the other parts removed, were placed in a tin box, which had formerly contained flour, and decently and reverently buried in a hole dug some four feet deep on the spot where they stood. Jacob was then asked to read the Burial Service, which he did in the presence of all.
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death, Volume II (of 2), 1869-1873 Continued By A Narrative Of His Last ... ... From His Faithful Servants Chuma And Susi)
It must have been about 4 A.M. when Susi heard Majwara's step once more. "Come to Bwana, I am afraid; I don't know if he is alive." The lad's evident alarm made Susi run to arouse Chumah, Chowperé, Matthew, and Muanyaséré, and the six men went immediately to the hut. Passing inside they looked towards the bed. Dr. Livingstone was not lying on it, but appeared to be engaged in prayer, and they instinctively drew backwards for the instant. Pointing to him, Majwara said, "When I lay down he was just as he is now, and it is because I find that he does not move that I fear he is dead." They asked the lad how long he had slept? Majwara said he could not tell, but he was sure that it was some considerable time: the men drew nearer. A candle stuck by its own wax to the top of the box, shed a light sufficient for them to see his form. Dr. Livingstone was kneeling by the side of his bed, his body stretched forward, his head buried in his hands upon the pillow. For a minute they watched him: he did not stir, there was no sign of breathing; then one of them, Matthew, advanced softly to him and placed his hands to his cheeks. It was sufficient; life had been extinct some time, and the body was almost cold: Livingstone was dead.
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death, Volume II (of 2), 1869-1873 Continued By A Narrative Of His Last ... ... From His Faithful Servants Chuma And Susi)
Phyl Newton was visiting Sandy that evening, but the girls displayed a marked coolness toward Tom and Bud. Instead of engaging in conversation, they retired to Sandy's room upstairs to play records, while Mrs. Swift served the boys a warmed-up but tasty meal of roast beef and mince pie. "What's wrong? Are we repulsive or something?" Bud asked as they ate. Tom shrugged, concentrating on a mouthful of roast beef. "Search me. We sure don't seem very popular with the girls tonight." Mrs. Swift, overhearing their remarks in the kitchen, smiled but maintained a diplomatic silence. Suddenly Bud slapped his forehead. "Good night! No wonder!" Tom looked up with a grin of interest. "Well, what have we done?" "It's what we haven't done, pal!" Bud retorted. "We had a date this afternoon, remember? That beach party and dance put on by Sandy and Phyl's school sorority!" Tom gulped. "Oops! Boy, we really did pull a boner this time! I completely forgot!" As they finished supper, the boys discussed various ways to make amends. Boxes of chocolates? Flowers? None of their ideas seemed to have the proper spark. "We'll have to come up with something super," Bud said. "Right!" Tom agreed. "Let's sleep on it and see if we can't dream up something by tomorrow morning that'll really wow them." The next morning Tom had a flash of inspiration as he drove to the plant in his sports car. He hailed Bud at the first opportunity. "I
Victor Appleton II (Tom Swift and the Electronic Hydrolung)
A mischievous smile spread across Gloria’s face. “We could finish it off with a pile of cow poop for dessert.” Ruth waved a hand in the air, her eyes never leaving the computer screen. “Sure.  Whatever you want to eat is fine with me.” Gloria grinned.  This was fun.  “Then, we can pull the rocket ship from the barn and fly to the moon.” “This is your place, Gloria.  We can do whatever you want,” Ruth agreed.
Hope Callaghan (Garden Girls: Box Set II (Garden Girls #4-6))
Narcotics trafficking.
Hope Callaghan (Garden Girls: Box Set II (Garden Girls #4-6))
The fact that Ben Cutler had lied, he was lurking about and had paid his deposit, first and last months’ rent deposit in cash sent up a red flag.  Who walked around with five thousand dollars in cash in their pocket?
Hope Callaghan (Made in Savannah Box Set II (Made in Savannah #4-6))
The creature was coming to take her. The most dreadful creature imaginable was coming to abduct her and keep her in its black abyss. And she was guarded by a man with a box, another with a fruit knife and a third who had promised to kill her. Oh, and an opera singer lending her countenance.
Ju Honisch (Obsidian Secrets (Steam Age Quest Book 1))
I’ve been telling you forever that you have to learn how to cook for yourself!” “I-I do.” “You mean you take stuff out of a box or the freezer!” “I-I serve it on a plate.
Reki Kawahara (Accel World, Vol. 03: The Twilight Marauder (Accel World Light Novel, #3))
Here is G. Gordon Liddy, the celebrated Watergate felon, telling us how it all works in his best-selling 2002 backlash book, When I Was a Kid, This Was a Free Country. There exists in this country an elite that believes itself entitled to tell the rest of us what we may and may not do—for our own good, of course. These left-of-center, Ivy-educated molders of public opinion are concentrated in the mass news media, the entertainment business, academia, the pundit corps, and the legislative, judicial, and administrative government bureaucracies. Call it the divine right of policy wonks. These people feed on the great American middle class, who do the actual work of this country and make it all happen. They bleed us with an income tax rate not seen since we were fighting for our lives in the middle of World War II; they charge us top dollar at the box office for movies that assail and undermine the values we are attempting to inculcate in our children.4
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
I’d finally let myself accept that when I wasn’t too proud to take help and let myself dream big, other people took joy in helping.
A.C.F. Bookens (Stitches in Crime Box Set Volume II (Stitches in Crime #4-6))
Justice is important, but so is grace,
A.C.F. Bookens (Stitches in Crime Box Set Volume II (Stitches in Crime #4-6))
My eyes roved over each and every one of the horses, approximating their age and probably stage in training, assessing their form and temperament and noting their reproductive potential. Eventually it dawned on me that silence had fallen. I turned toward Grayden to offer some excuse, but to my surprise, he was gazing at me with affection and sympathy in his green eyes. He smiled and produced a small box, which he extended to me. “What’s this?” I asked, thoroughly confused. He shrugged. “A token of friendship. I would be honored if you would accept it.” Curiously, I took the box from his hand. Anticipating jewelry, I prepared for a show of fake enthusiasm. Such a gift would be a sweet gesture, and undoubtedly beautiful, but I was not one for baubles. The box did contain jewelry, but not of the type I supposed. On a lovely chain of gold hung a small, golden horse, head high, legs outstretched in a gallop. I looked at Grayden, stupefied, although I didn’t need to feign my pleasure. “As I said, your uncle told me of your love for horses,” he explained almost shyly. “That it was a love you shared with your father.” “But I…I don’t understand. What are you…?” Seeing how flustered I was, he reached out and took my hand. “I’m not asking for anything, Shaselle. I just…I think you’re used to being seen as a problem. Maybe it’s presumptuous of me to say that, but your family apologized for so many things about you that I can’t help drawing the conclusion.” Not sure how to react, I opted to remain silent. “I think you’re only a problem for those people who are trying to turn you into something you’re not.” “A lady?” I wryly suggested, regaining my sense of humor. I leaned back on the fence, certain he would agree. “No,” he said, and there was conviction in his voice. “They need to stop trying to turn a free spirit into a traditional wife.” I couldn’t move, couldn’t speak. Could he truly believe what he was saying? Men played games to placate women. But I knew of no man other than my father who would enjoy seeing a horse pendant around the neck of the woman he was courting. “I do have a question for you,” Grayden said, leaning against the fence next to me. He hesitated, obviously uncertain about where our relationship stood. “The Harvest Festical is approaching. If you have no other plans to attend, would you consider accompanying me?” My eyes again filled with tears. There was no good reason--why should I be breaking down now, when Grayden was being so understanding, so tolerant of my eccentricities? “Come,” he said softly. “I’ll take you back to your cousin.” I let him escort me into the house, feeling like an ungrateful fool. I hadn’t even thanked him for his gift, and I desperately wanted to do so. But I couldn’t conjure the words to convey how I was feeling, and so I murmured farewell at the door.
Cayla Kluver (Sacrifice (Legacy, #3))
Two Valentines are actually described in the early church, but they likely refer to the same man — a priest in Rome during the reign of Emperor Claudius II. According to tradition, Valentine, having been imprisoned and beaten, was beheaded on February 14, about 270, along the Flaminian Way. Sound romantic to you? How then did his martyrdom become a day for lovers and flowers, candy and little poems reading Roses are red… ? According to legends handed down, Valentine undercut an edict of Emperor Claudius. Wanting to more easily recruit soldiers for his army, Claudius had tried to weaken family ties by forbidding marriage. Valentine, ignoring the order, secretly married young couples in the underground church. These activities, when uncovered, led to his arrest. Furthermore, Valentine had a romantic interest of his own. While in prison he became friends with the jailer’s daughter, and being deprived of books he amused himself by cutting shapes in paper and writing notes to her. His last note arrived on the morning of his death and ended with the words “Your Valentine.” In 496 February 14 was named in his honor. By this time Christianity had long been legalized in the empire, and many pagan celebrations were being “christianized.” One of them, a Roman festival named Lupercalia, was a celebration of love and fertility in which young men put names of girls in a box, drew them out, and celebrated lovemaking. This holiday was replaced by St. Valentine’s Day with its more innocent customs of sending notes and sharing expressions of affection. Does any real truth lie behind the stories of St. Valentine? Probably. He likely conducted underground weddings and sent notes to the jailer’s daughter. He might have even signed them “Your Valentine.” And he probably died for his faith in Christ.
Robert Morgan (On This Day: 365 Amazing and Inspiring Stories about Saints, Martyrs and Heroes)
head lulled to one side, a trickle of blood dripped down the front of her dress, and her eyes stared at the ceiling, wide and unseeing. And totally dead.
Gemma Halliday (High Heels Mysteries Boxed Set Vol. II (High Heels, #4-6))
them up to carry
Sarah J. Stone (Exiled Dragons Box Set (Volume II))
Why don’t you tell me where this fear comes from. Maybe talking about it will help us somehow.” I feel like this fear should have vanished already, but what she’s doing is keeping me at a steady level of heightened uneasiness, not taking my fear away completely. I try to focus on where this box comes from. “Um…okay.” Okay, just do it, just say something real. “This one is from my…fantastic childhood. Childhood punishments. The tiny closet upstairs.” Shut in the dark to think about what I did. It was better than other punishments, but sometimes I was in there for too long, desperate for fresh air. “My mother kept our winter coats in our closet,” she says, and it’s a silly thing to say after what I just told her, but I can tell she doesn’t know what else to do. “I don’t really want to talk about it anymore,” I say with a gasp. She doesn’t know what to say because no one could possibly know what to say, because my childhood pain is too pathetic for anyone else to handle--my heart rate spikes again. “Okay. Then…I can talk. Ask me something.” I lift my head. It was working before, focusing on her. Her racing heart, her body against mine. Two strong skeletons wrapped in muscle, tangled together; two Abnegation transfers working on leaving tentative flirtation behind. “Why is your heart racing, Tris?” “Well, I…I barely know you.” I can picture her scowling. “I barely know you and I’m crammed up against you in a box, Four, what do you think?” “If we were in your fear landscape…” I say. “Would I be in it?” “I’m not afraid of you.” “Of course you’re not. That’s not what I meant.” I meant not Are you afraid of me? but Am I important enough to you to feature in the landscape anyway? Probably not. She’s right, she hardly knows me. But still: Her heart is racing.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Ask me something.” I lift my head. It was working before, focusing on her. Her racing heart, her body against mine. Two strong skeletons wrapped in muscle, tangled together; two Abnegation transfers working on leaving tentative flirtation behind. “Why is your heart racing, Tris?” “Well, I…I barely know you.” I can picture her scowling. “I barely know you and I’m crammed up against you in a box, Four, what do you think?” “If we were in your fear landscape…” I say. “Would I be in it?” “I’m not afraid of you.” “Of course you’re not. That’s not what I meant.” I meant not Are you afraid of me? but Am I important enough to you to feature in the landscape anyway?
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Why is your heart racing, Tris?” “Well, I…I barely know you.” I can picture her scowling. “I barely know you and I’m crammed up against you in a box, Four, what do you think?
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Why is your heart racing, Tris?” “Well, I…I barely know you.” I can picture her scowling. “I barely know you and I’m crammed up against you in a box, Four, what do you think?” “If we were in your fear landscape…” I say. “Would I be in it?” “I’m not afraid of you.” “Of course you’re not. That’s not what I meant.” I meant not Are you afraid of me? but Am I important enough to you to feature in the landscape anyway? Probably not. She’s right, she hardly knows me. But still: Her heart is racing.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
I believe marginalizing people is wrong, whoever it’s done to,” Mendelsohn said. “Whether it’s my great-grandparents in Germany during World War II or some hip atheist sneering at a religious person, it’s wrong to look down on others, to feel you’re better than they. Popular, sure. But an easy way to stir resentment that festers and lasts long beyond the calling of it.
Robert J. Crane (Blood Ties (Out of the Box #25))
there’s nothing more dangerous than an eager Gestapo agent.
Michael Wallace (Enemy Lines: A World War II Thriller Box Set)
The plotters had underestimated America’s spy technology. Soviet intelligence was not yet fully aware of just how good the SOSUS hydrophones, radio intercepts, and satellite spy systems had become in tracking Soviet submarines. The DIA and NSA had been accurately tracking all Soviet submarines for more than a year, and had tracked K-129 from the time it sailed from Kamchatka Peninsula to its arrival in the patrol box northwest of Hawaii. The U.S. Navy knew they had a Soviet Golf II, not a Chinese Golf I submarine, in the vicinity of the Hawaiian Islands on March 7, 1968.
Kenneth Sewell (Red Star Rogue: The Untold Story of a Soviet Submarine's Nuclear Strike Attempt on the U.S.)
You cannot lose the truth. You must keep it buried, in a box under the stairs in the cellar of your brain. You might even struggle to find it some days. But if it's tossed out, if it's lost... then so are you." Ewen sighed and said, "Sometimes I think the whole of Germany is like that. Hitler invented a fiction for them, and they're all living it... and they've totally lost the truth." He got very quiet. "But why? How? How does a whole country bury the truth and forget where they buried it?
Adam Gidwitz (Max in the House of Spies: A Tale of World War II (Operation Kinderspion #1))
The central garden courtyard rang with conversation and tinkling bells, sphere vines in every shade of green and blue bobbing from ropes across the yard. There were streamers and bouquets of everbue branches, and white incense smoke curled up from the four corners. Marda saw Ferize and her partners cushioned on blankets and holding their new babies for everyone to greet. On the long table were bowls of cider and small towers of honey candy, a few bottles of gnostra berry wine probably from town and candied fruit and boxes of pastries certainly from town. Most people wore the simple tunics of the Path, but there were others, newcomers, and visitors. Two small droids near the road to town projected competing music, and Marda nearly laughed as they fought with percussion.
Tessa Gratton (Path of Deceit (Star Wars: The High Republic: Phase II: Quest of the Jedi #1))