“
What's wrong?"
I didn't say a word."
Something's up. What is it?"
Nothing."
His head turned, gaze going to mine. "Yeah?"
Yes."
A snort and he returned to his bowl…
”
”
Kelley Armstrong (The Summoning (Darkest Powers, #1))
“
In the rough-and-tumble play of politics, dog-whistle messages are copiously dispatched over the heads of the grassroots people that cannot see the writing on the wall and have to remain in the cold, like dumb puppets on a string. ("What after bowling alone?" )
”
”
Erik Pevernagie
“
And of course, when you see your brother in the toilet bowl...there's a little voice that say, 'I wonder where he would go...'...if it hadn't been for his head...
”
”
Bill Cosby
“
I like flowers, I also like children, but I do not chop their heads off and keep them in bowls of water around the house.
”
”
George Bernard Shaw
“
Another thing that got forgotten was the fact that against all probability a sperm whale had suddenly been called into existence several miles above the surface of an alien planet.
And since this is not a naturally tenable position for a whale, this poor innocent creature had very little time to come to terms with its identity as a whale before it then had to come to terms with not being a whale any more.
This is a complete record of its thoughts from the moment it began its life till the moment it ended it.
Ah … ! What’s happening? it thought.
Er, excuse me, who am I?
Hello?
Why am I here? What’s my purpose in life?
What do I mean by who am I?
Calm down, get a grip now … oh! this is an interesting sensation, what is it? It’s a sort of … yawning, tingling sensation in my … my … well I suppose I’d better start finding names for things if I want to make any headway in what for the sake of what I shall call an argument I shall call the world, so let’s call it my stomach.
Good. Ooooh, it’s getting quite strong. And hey, what’s about this whistling roaring sound going past what I’m suddenly going to call my head? Perhaps I can call that … wind! Is that a good name? It’ll do … perhaps I can find a better name for it later when I’ve found out what it’s for. It must be something very important because there certainly seems to be a hell of a lot of it. Hey! What’s this thing? This … let’s call it a tail – yeah, tail. Hey! I can can really thrash it about pretty good can’t I? Wow! Wow! That feels great! Doesn’t seem to achieve very much but I’ll probably find out what it’s for later on. Now – have I built up any coherent picture of things yet?
No.
Never mind, hey, this is really exciting, so much to find out about, so much to look forward to, I’m quite dizzy with anticipation …
Or is it the wind?
There really is a lot of that now isn’t it?
And wow! Hey! What’s this thing suddenly coming towards me very fast? Very very fast. So big and flat and round, it needs a big wide sounding name like … ow … ound … round … ground! That’s it! That’s a good name – ground!
I wonder if it will be friends with me?
And the rest, after a sudden wet thud, was silence.
Curiously enough, the only thing that went through the mind of the bowl of petunias as it fell was Oh no, not again. Many people have speculated that if we knew exactly why the bowl of petunias had thought that we would know a lot more about the nature of the universe than we do now.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
The bowl landed, in glorious perfection, atop the head of Mrs Barnaclegoose, who was not the kind of woman to appreciate the finer points of being crowned by trifle.
”
”
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
“
I sat up in bed. "What did he say?"
Tyson groaned, still half asleep. He was lying facedown on the couch, his feet so far over the edge they were in the bathroom. "The happy man said...bowling practice?"
I hoped he was right, but then there was an urgent knock on the suite's interior door.
Annabeth stuck her head in--her blonde hair in a rat's nest. "DISEMBOWLING practice?
”
”
Rick Riordan
“
Where do you think the money went?” he repeated.
“Guns?” asked Jesper.
“Ships?” queried Inej.
“Bombs?” suggested Wylan.
“Political bribes?” offered Nina. They all looked at Matthias. “This is where you tell us how awful we are,” she whispered.
He shrugged. “They all seem like practical choices.”
“Sugar,” said Kaz.
Jesper nudged the sugar bowl down the table to him.
Kaz rolled his eyes. “Not for my coffee, you podge. I used the money to buy up sugar shares and placed them in private accounts for all of us—under aliases, of course.”
“I don’t like speculation,” said Matthias.
“Of course you don’t. You like things you can see. Like piles of snow and benevolent tree gods.”
“Oh, there it is!” said Inej, resting her head on Nina’s shoulder and beaming at Matthias. “I missed his glower.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I have loved in life and I have been loved.
I have drunk the bowl of poison from the hands of love as nectar,
and have been raised above life's joy and sorrow.
My heart, aflame in love, set afire every heart that came in touch with it.
My heart has been rent and joined again;
My heart has been broken and again made whole;
My heart has been wounded and healed again;
A thousand deaths my heart has died, and thanks be to love, it lives yet.
I went through hell and saw there love's raging fire,
and I entered heaven illumined with the light of love.
I wept in love and made all weep with me;
I mourned in love and pierced the hearts of men;
And when my fiery glance fell on the rocks, the rocks burst forth as volcanoes.
The whole world sank in the flood caused by my one tear;
With my deep sigh the earth trembled, and when I cried aloud the name of my beloved,
I shook the throne of God in heaven.
I bowed my head low in humility, and on my knees I begged of love,
"Disclose to me, I pray thee, O love, thy secret."
She took me gently by my arms and lifted me above the earth, and spoke softly in my ear,
"My dear one, thou thyself art love, art lover,
and thyself art the beloved whom thou hast adored.
”
”
Hazrat Inayat Khan (The Dance of the Soul: Gayan, Vadan, Nirtan (Sufi Sayings))
“
He's better-looking then the last vagabond I had to take in," Eddie said, standing and carrying empty bowls to the sink. "I'll give him that."
The insult slid off of Bobby like water. "So, you know, kid, according to thief culture, if you're going to court Kat, you now owe me two dozen goats."
"It's a dozen," Eddie corrected.
"Yeah, but Kat's worth two," Hamish said with a wink.
Through it all, Hale said nothing. Then, finally, he smiled. "I'm afraid I'm all out of goats at the moment, but I've got some ruby cuff links you can have."
"No." Bobby shook his head. "It's goats or nothing."
"Sorry, Kat." Hale shrugged, disappointed. "It was fun while it lasted."
"Don't look at me." Kat threw up her hands. "I'm officially ignoring all of you.
”
”
Ally Carter (Perfect Scoundrels (Heist Society, #3))
“
Zach shoveled another spoonful of Fruit Loops cereal with milk into his mouth. “It is not possible!”
“How do you know? Just because there’s no proof to prove it, there’s no proof to disprove it either.”
“You’re trying to make me crazy, aren’t you?”
“Not at all.” Sara put her bowl down. “I’m just saying there could be bunny shifters.”
“There are no bunny shifters!”
Shaking her head she accused, “You’re a bunny bigot.”
Zach threw his spoon back in the near-empty bowl. “And there is no such thing as bunny bigots.
”
”
Shelly Laurenston (Pack Challenge (Magnus Pack, #1))
“
Oh, heads are going to roll for this. I’m going to set up a special lane and use their skulls for bowling balls.
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
What if I promise to make you a batch of brownies tomorrow?" she asked, deciding
to use his love of baked goods against him.
He snorted in disbelief as he got to his feet. "I'm not some whore you can buy with a
pan of yummy baked goods, woman. How dare you insult me?" he said on a sniff as
he folded his arms over his chest and did his best to look put out.
"Fine," Haley said with a sigh. "What if I promise to make a big bowl of frosting tomorrow and let you lick it off me?"
She had to bite back a smile as Jason shifted anxiously while he licked his lips and ran his eyes hungrily down her body. "Buttercream?" he croaked out.
"Mmmmhmm," she said, walking over to him. She cupped the back of his head and
gently tugged him down for a quick kiss. "And if you're good I might lick some off you," she said, loving the idea.
"Get your own bowl of frosting. I don't share," he simply said, giving her one last kiss before walking out the door, whistling happily, no doubt thinking about the large bowl of frosting he was going to devour tomorrow.
”
”
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
“
Silently, I lifted my doggy bowl off the floor. Then, with a quick, powerful flip of my wrist, I threw it into the back of Blondie’s head so hard that – with an earsplitting bang – it smashed flat before it ricocheted across the room and snapped the round top piece off the thick newel post at the foot of the stairs.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
For all your talk, you don't know the first thing about love." Tears spilled over her lashes and rolled down her cheeks. She slipped the chain that held his Super Bowl ring over her head and pressed it into his palm. "I love you, Bobby Tom, and I'll love you till the day I die. But I've never been for sale. I was a free offering all along.
”
”
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
She put a spoonful of mint chocolate chip in her mouth. [...]
"Let me try it."
She held her bowl toward him, but he didn't put his spoon in it. He trailed his fingers over her jaw as he tipped her head back and sealed his lips over hers. His tongue speared into her mouth, and the salt of him mixed with the flavor of the ice cream. She didn't know if she was mortified, shocked, aroused or all three.
”
”
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
“
I guess we are juste two lost souls swimming in a fish bowl," I say.
Her eyes narrow. "I've heard that somewhere before."
I smile and point at her briefly. "Pink Floyd. But it's the truth."
"You think we're lost?"
I tilt my head back a little and look up at the stars behind her and say, "In society maybe. But together, no. I think we're right where we need to be.
”
”
J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
“
Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
"Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donder and Blixen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!"
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight—
“Happy Christmas to all, and to all a good night!
”
”
Clement Clarke Moore (The Night Before Christmas)
“
Even as I hold you
I think of you as someone gone
far, far away. Your eyes the color
of pennies in a bowl of dark honey
bringing sweet light to someone else
your black hair slipping through my fingers
is the flash of your head going
around a corner
your smile, breaking before me,
the flippant last turn
of a revolving door,
emptying you out, changed,
away from me.
Even as I hold you
I am letting go.
”
”
Alice Walker
“
Enough already of Lacan, Derrida, and Foucault poured like ketchup over everything. Lacan: the French fog machine; a grey-flannel worry-bone for toothless academic pups; a twerpy, cape-twirling Dracula dragging his flocking stooges to the crypt. Lacan is a Freud T-shirt shrunk down to the teeny-weeny Saussure torso. The entire school of Saussure, inluding Levi-Strauss, write their muffled prose of people with cotton wool wrapped around their heads; they're like walking Q-tips. Derrida: a Gloomy Gus one-trick pony, stuck on a rhetorical trope already available in the varied armory of New Criticism. Derrida's method: masturbating without pleasure. It's a birdbrain game for birdseed stakes. Neo-Foucaldian New Historicism: a high-wax bowling alley where you score points just by knockng down the pins.
”
”
Camille Paglia (Sex, Art, and American Culture: Essays)
“
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.
Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look.
The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
”
”
Charles Dickens (Bleak House)
“
Guy grabs my head like it’s a bowling ball and smashes it against his chest. “I said I’d never let anything happen to you again.
”
”
Victoria Scott (Salt & Stone (Fire & Flood, #2))
“
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!
”
”
Comte de Lautréamont (Maldoror and the Complete Works)
“
We're running out of time, he said.
As if time were the kind of thing you could run out of, as if it were measured into bowls that were handed to us at birth and if we ate too much or too fast or right before jumping into the water then our time would be lost, wasted, already spent.
But time is beyond our finite comprehension. It's endless, it exists outside of us; we cannot run out of it or lose track of it or find a way to hold on to it. Time goes on even when we do not.
We have plenty of time, is what Castle should have said. We have all the time in the world, is what he should have said to me. But he didn't because what he meant tick tock is that our time tick tock is shifting. It's hurtling forward heading in an entirely new direction slamming face-first into something else and
tick
tick
tick
tick
tick
it's almost
time for war
”
”
Tahereh Mafi
“
There might be fighting, and you look like a hard stare could break a limb off,” I said in exasperation.
Something beamed me in the back. I whirled, already shooting, but I’d been struck with a detached head—gross, yet not dangerous. Then another head came rushing toward me as if it were a bowling ball, and my legs were pins. I dodged out of the way only to have it turn in midair and smack me in the ass.
“Stop it, you made your point!
”
”
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
“
Ella finished her burger and dug into a side of fries. Hi watched, enraptured.
She couldn't help but notice. “Would you like one?”
“What? Sure.” Hi smiled, made no move.
After a moment, Ella nudged the bowl his way. “Careful, they're still hot.”
“Oh, no problem.” Hi fumbled for a fry. “I like food that's hot.”
I caught Shelton slowly shaking his head.
“Oh, shoot!” Ella winced. “I forgot to stop by the office. My mother had to drop off my shin guards.” She slid her fries over to Hi. “Enjoy. They're hot, which apparently you like.”
“Got that right. Hot hot hot!” Hi awkwardly shoved another fry into his mouth.
“Okay, wow.” Ella gathered her things, then brushed my cheek with a kiss. “Later, Tor.” Shouldering her bag, she hurried from the cafeteria.
A loud thunk drew my attention back to the table.
Hi's forehead was resting on his tray. “Tell me that wasn't as bad as I think.”
“Worse,” Shelton said. “So, so much worse.”
Then head rose, then thunked back down. “I don't remember parts. I think I lost time.”
I patted his shoulder. “That's probably for the best.”
“Such.” Thunk. “A.” Thunk. “Dumbass.” Thunk.
Shelton laughed nervously. “See? That's why I don't talk.”
Hi's face shot up. “Tell her I have brain seizures. A serious medical condition. Or that I have an evil twin who sometimes takes my place, but can't talk for crap.”
“Got it," I promised. His head dropped once more.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
The most work he did on [the urinals] was to run a brush once or twice apiece, singing some song as loud as he could in time to the swishing brush; then he'd splash in some Clorox and he'd be through. ... And when the Big Nurse...came in to check McMurphy's cleaning assignment personally, she brought a little compact mirror and she held it under the rim of the bowls. She walked along shaking her head and saying, "Why, this is an outrage... an outrage..." at every bowl. McMurphy sidled right along beside her, winking down his nose and saying in answer, "No; that's a toilet bowl...a TOILET bowl.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
After three glasses, Cynthia flung the windows open and announced, “Zac Efron, I love you!” to the whole of Chelsea, while Lesley was crouched head down over the lavatory bowl throwing up, Maggie had made Sarah a declaration of love (“you’re sho, sho beautiful, marry me!”), and Sarah was shedding floods of tears without knowing why. It hit me worst of all. I had jumped on Cynthia’s bed and was bawling out “Breaking Free” in an endless loop. When Cynthia’s father came into the room, I’d held Cynthia’s hairbrush up to him like a microphone and called out, “Sing alone, baldie! Get those hips swinging!” Although the next day I couldn’t even being to explain why myself.
After that embarrassing episode, Lesley and I had decided to give the demon drink a wide berth in future (we gave Cynthia’s father a wide berth as well for a couple of months), and we had stuck to that resolution.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
Archer’s eyes narrowed. “I can’t believe you two..”
The whole time he was talking, I was singing “Don’t Cha” in my head, desperately trying not to think about the marriage, but one of us must’ve failed, because Archer’s mouth snapped shut, and he looked floored. Like someone just explained to him that you can have an endless salad bowl at Olive Garden.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
I’m an Aristos. I don’t think you want to tangle with me. (Angelia)
Like I give a shit. I’m a god, baby, so in the grand scheme of things, if I wanted to rip your head off and use it for a bowling ball, there’s not many who could stop me and most of those who could would be too afraid of me to even try. (Zarek)
”
”
Sherrilyn Kenyon (Dead After Dark)
“
You're trying to make me crazy, aren't you?"
"Not at all." Sara put her bowl down. "I'm just saying there could be bunny shifters."
"THERE ARE NO BUNNY SHIFTERS!"
Shaking her head she accused, "You're a bunny bigot."
Zach threw his spoon back in the near-empty bowl. "And there is no such thing as bunny bigots."
"Bunny bigot," she accused again.
”
”
Shelly Laurenston (Pack Challenge (Magnus Pack, #1))
“
It has been a hard and lonely life, she says, and a wonderful one, too. She has lived through wars, and fought in them, witnessed revolutions and rebirth. She has left her mark on a thousand works of art, like a thumbprint in the bottom of a drying bowl. She has seen marvels, and gone mad, has danced in snowbanks and frozen to death along the Seine. She fell in love with the darkness many times, fell in love with a human once.
And she is tired. Unspeakably tired.
But there is no question she has lived.
'Nothing is all good or all bad,' she says. 'Life is os much messier than that.'
And there in the dark, he asks if it was really worth it.
Were the instants of joy worth the stretches of sorrow?
Were the moments of beauty worth the years of pain?
And she turns her head, and looks at him, and says, 'Always.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Xhex couldn't stop herself from torturing them both. She sent him a mental scene, drilling the image right into his head : the two of them in a private bathroom, him up on the sink and leaning back, her with one foot planted on the counter, his sex deep in hers, the two of them panting. While he stared accross the crowded room, John's mouth parted, and the flush on his cheeks had nothing to do with embarrassment and everything to do with the orgasm that was no doubt pounding up his shaft. God, she wanted him. His buddy, the readhead, snapped her out of the madness. Blaylock came back to the table with three beers hanging from their necks, and as he took a look at John's hard, sexep-up face, he stopped short and glanced over at her in surprise.
Shit.
Xhex waved off the bouncers who were coming up to her and walked out of the VIP section so fast, she nearly bowling-pinned a waitress. Her office was the only place that was safe, and she headed there at a dead run.
”
”
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
“
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark.
You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came.
...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
”
”
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
“
She knelt at the side of my bed, kissed my cheek, and I woke, rubbed my eyes, looked up at her dreamily. The hall light shone in my eyes. There was a halo in her hair. It must have been that Tupperware bowl on her head.
”
”
Laura Kasischke (White Bird In A Blizzard)
“
If your head comes off, don't start a fight in a goddamn bowling alley.
”
”
J.F. Lewis (Burned (Void City, #4))
“
Gwen smiled and asked hopefully, "Is there coffee again this morning?"
Silvan put his book down and glanced absently at Gwen. His gaze dropped to her cleavage, and a single white brow shot up. He blinked several times.
"There certainly is," Nell said, circling the table.
She stopped behind Gwen and draped a linen cloth over her shoulders, so it tumbled from her neck like a bib.
"Peel yer eyes off the lass's breasts," Nell said sweetly to Silvan.
Gwen turned twenty shades of red, sneaked a hand beneath the bib, and tugged at her bodice, trying to jiggle them back down a little. Mortified, she devoted her attention to eyeing the medieval dining ware-plates and goblets made of heavy silver, a fat spoon and broad knife, and heavy blue bowls.
"She's the one who fluffed them up," Silvan protested indignantly. "I didn't mean to look, but they were ... so ... there. Like trying not to see the sun in the sky."
Nell arched a brow and circled round the table again.
"I hardly think 'twas ye she fluffed 'em for, was it lass?" Gwen glanced up and gave an embarrassed shake of her head.
”
”
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
“
If I order an appetizer is there any chance I can get it quickly? I'm two and a half months pregnant with a Bradford," she said, not mentioning it was twins because the thought was actually starting to scare her and she hadn't told Trevor yet and didn't want him finding out this way. She just hoped the woman understood because she was close to crying. Judging by the slightly startled look on the woman's face she did.
The waitress shook her head. "No, you're right. You probably won't be able to survive the wait," she said, sending Trevor, who was still trying to get the woman to leave, a glare. "I'll bring you out a bowl of clam chowder followed by chicken fingers, they'll only take a few minutes to prepare. Will that work?"
Zoe nodded solemnly. "You are my hero."
"I'll put a rush on your food," the waitress said before walking away.
"Bless you," Zoe said, fighting the urge to kiss the woman.
”
”
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
“
Hello, Celaena,” he said as calmly as he could, well aware that two Fae males behind him could hear his thundering heart. Rolfe whipped his head toward him. Because it was Celaena who sat here—for whatever purpose, it was Celaena Sardothien in this room. She jerked her chin at Rolfe. “You’ve seen better days, but considering half your fleet has abandoned you, I’d say you look decent enough.” “Get out of my chair,” Rolfe said too quietly. Aelin did no such thing. She just gave Rowan a sultry sweep from foot to face. Rowan’s expression remained unreadable, eyes intent—near-glowing. And then Aelin said to Rowan with a secret smile, “You, I don’t know. But I’d like to.” Rowan’s lips tugged upward. “I’m not on the market, unfortunately.” “Pity,” Aelin said, cocking her head as she noticed a bowl of small emeralds on Rolfe’s desk. Don’t do it, don’t— Aelin swiped up the emeralds in a hand, picking them over as she glanced at Rowan beneath her lashes. “She must be a rare, staggering beauty to make you so faithful.” Gods save them all. He could have sworn Fenrys coughed behind him. Aelin chucked the emeralds into the metal dish as if they were bits of copper, their plunking the only sound. “She must be clever”—plunk—“and fascinating”—plunk—“and very, very talented.” Plunk, plunk, plunk went the emeralds. She examined the four gems remaining in her hand. “She must be the most wonderful person who ever existed.” Another cough from behind him—from Gavriel this time. But Aelin only had eyes for Rowan as the warrior said to her, “She is indeed that. And more.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
I’m not sure,” she said. “There’s no one answer to that. You have to
find your own way. Sometimes I try to erase myself. I imagine a big
pink soft soap eraser, and it’s going back and forth, back and forth,
and it starts down at my toes, back and forth, back and forth, and
there they go-poof!-my toes are gone. And then my feet. And then my
ankles. But that’s the easy part. The hard part is erasing my senses-my
eyes, my ears, my nose, my tongue. And last to go is my brain. My
thoughts, memories, all the voices inside my head. That’s the hardest,
erasing my thoughts.” She chuckled faintly. “My pumpkin. And then, if
I’ve done a good job, I’m erased. I’m gone. I’m nothing. And then the
world is free to flow into me like water into an empty bowl.
”
”
Jerry Spinelli (Stargirl (Stargirl, #1))
“
She was keeping her head for a reason, for a cause; and the labour of this detachment, with the labour of her forcing the pitch of it down, held them together in the steel hoop of an intimacy compared with which artless passion would have been but a beating of the air. Her
”
”
Henry James (The Golden Bowl)
“
We’re going bowling tomorrow. Can’t you wait until then?”
“I went from being with you every second of the day to seeing you for ten minutes if I’m lucky.”
I smiled and shook my head. “It’s only been two days, Trav.”
“I miss you. Get your ass on the seat and let’s go.”
I couldn’t argue. I missed him, too. More than I would ever admit to him. I zipped up my jacket and climbed on behind him, slipping my fingers through the belt loops of his jeans. He pulled my wrists to his chest and then folded them across one another. Once he was satisfied that I was holding him tightly enough, he took off, racing down the road.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Why did I, like thousands of others, have to carry a cross I hadn't chosen, a cross which was not made for my shoulders and which didn't concern me? Who decided to come rummaging around in my obscure existence, invade my gray anonymity, my meager tranquility, and bowl me like a little ball in a great game of skittles? God? Well, in that case, if He exists, if He really exists, let Him hide His face. Let Him put His two hands on His head, and let Him bow down. It may be, as Peiper used to teach us, that many men are unworthy of Him, but now I know that He, too, is unworthy of most of us, and that if the creature is capable of producing horror, it's solely because his Creator has slipped him the recipe for it.
”
”
Philippe Claudel (Brodeck)
“
After about half an hour I give up, thinking he must have stumbled home, when I find him. I'm in the girls' toilets, washing my hands, and I hear drunken poetry being recited from the end stall.
I walk down to it, push open the door, and there he is, lying on the ground, his head between the wall and the bowl. "Do you mind? I'm having a private moment here, Rachel."
I crouch on the floor beside him. "Here's a tip for a private moment: don't have it on the floor of the girls' toilets."
"The girls?" he asks.
"The added extras didn't give it away?"
He lifts his head and squints at the unit in the opposite corner. "Not a mailbox?"
"Not a mailbox, Henry," I say as I try, unsuccessfully, to haul him into a standing position.
”
”
Cath Crowley (Words in Deep Blue)
“
What?"
Her breathing stuttered at the thought of tasting the sweet cream off his skin. "Nothing."
"No, tell me." He stepped closer.
She shook her head. "Why mint and peach?"
He quirked a crooked smile. "Mint for fresh breath, peach because it's breakfast. You know, fruit."
"I don't think peach ice cream counts as fruit."
"What's that right there?" He pointed to the hunks of frozen orange buried in the mounds of ice cream overflowing his bowl.
"Peach, but--"
"Nuh uh. No but. It's peach. Case closed." He lifted the bowl and took a big bite.
”
”
Laura Kaye (North of Need (Hearts of the Anemoi, #1))
“
We may see a Creature with forty-nine heads
Who lives in the desolate snow,
And whenever he catches a cold (which he dreads)
He has forty-nine noses to blow.
'We may see the venomous Pink-Spotted Scrunch
Who can chew up a man with one bite.
It likes to eat five of them roasted for lunch
And eighteen for its supper at night.
'We may see a Dragon, and nobody knows
That we won't see a Unicorn there.
We may see a terrible Monster with toes
Growing out of the tufts of his hair.
'We may see the sweet little Biddy-Bright Hen
So playful, so kind and well-bred;
And such beautiful eggs! You just boil them and then
They explode and they blow off your head.
'A Gnu and a Gnocerous surely you'll see
And that gnormous and gnorrible Gnat
Whose sting when it stings you goes in at the knee
And comes out through the top of your hat.
'We may even get lost and be frozen by frost.
We may die in an earthquake or tremor.
Or nastier still, we may even be tossed
On the horns of a furious Dilemma.
'But who cares! Let us go from this horrible hill!
Let us roll! Let us bowl! Let us plunge!
Let's go rolling and bowling and spinning until
We're away from old Spiker and Sponge!
”
”
Roald Dahl (James and the Giant Peach)
“
those cries rose from among the twisted roots
through which the spirits of the damned were slinking
to hide from us. Therefore my Master said:
'If you break off a twig, what you will learn
will drive what you are thinking from your head.'
Puzzled, I raised my hand a bit and slowly
broke off a branchlet from an enormous thorn:
and the great trunk of it cried: 'Why do you break me?'
And after blood had darkened all the bowl
of the wound, it cried again: 'Why do you tear me?
Is there no pity left in any soul?
Men we were, and now we are changed to sticks;
well might your hand have been more merciful
were we no more than souls of lice and ticks.'
As a green branch with one end all aflame
will hiss and sputter sap out of the other
as the air escapes- so from that trunk there came
words and blood together, gout by gout.
Startled, I dropped the branch that I was holding
and stood transfixed by fear,...
”
”
Dante Alighieri (Inferno)
“
In a moment of panic, he reached back and grasped the large punch bowl, still three quarters full of bright red juice and an assortment of fruit slices. He lifted it above his head and threatened the growing crowd.
"Stand back," he said. "I will splash you all.
”
”
Christopher Meades (The Last Hiccup)
“
We lay side by side on the extension roof, hands behind our heads, elbows just touching. My head was still spinning a little, not unpleasantly, from the dancing and the wine. The breeze was warm across my face, and even through the city lights I could see constellations: the Big Dipper, Orion's Belt. The pine tree at the bottom of the garden rustled like the sea, ceaselessly. For a moment I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars and nocturne, and I knew, beyond any doubt, that everything was going to be all right.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
This is not a begging bowl. I found a human skull and out of the human skull I made this begging bowl. It has not forgotten its old habit. Have you looked into your own begging bowl, your own head? Give it anything and it will ask for more and more and more. It knows only one language, ‘more.’ It is always empty, it is always a beggar.
”
”
Osho (Maturity: The Responsibility of Being Oneself)
“
UP
You wake up filled with dread.
There seems no reason for it.
Morning light sifts through the window,
there is birdsong,
you can't get out of bed.
It's something about the crumpled sheets
hanging over the edge like jungle
foliage, the terry slippers gaping
their dark pink mouths for your feet,
the unseen breakfast--some of it
in the refrigerator you do not dare
to open--you will not dare to eat.
What prevents you? The future. The future tense,
immense as outer space.
You could get lost there.
No. Nothing so simple. The past, its density
and drowned events pressing you down,
like sea water, like gelatin
filling your lungs instead of air.
Forget all that and let's get up.
Try moving your arm.
Try moving your head.
Pretend the house is on fire
and you must run or burn.
No, that one's useless.
It's never worked before.
Where is it coming form, this echo,
this huge No that surrounds you,
silent as the folds of the yellow
curtains, mute as the cheerful
Mexican bowl with its cargo
of mummified flowers?
(You chose the colours of the sun,
not the dried neutrals of shadow.
God knows you've tried.)
Now here's a good one:
you're lying on your deathbed.
You have one hour to live.
Who is it, exactly, you have needed
all these years to forgive?
”
”
Margaret Atwood (Morning In The Burned House: Poems)
“
The wild. I have drunk it, deep and raw, and heard it's primal, unforgettable roar. We know it in our dreams, when our mind is off the leash, running wild. 'Outwardly, the equivalent of the unconscious is the wilderness: both of these terms meet, one step even further on, as one,' wrote Gary Snyder. 'It is in vain to dream of a wildness distinct from ourselves. There is none such,' wrote Thoreau. 'It is the bog in our brains and bowls, the primitive vigor of Nature in us, that inspires the dream.'
And as dreams are essential to the psyche, wildness is to life.
We are animal in our blood and in our skin. We were not born for pavements and escalators but for thunder and mud. More. We are animal not only in body but in spirit. Our minds are the minds of wild animals. Artists, who remember their wildness better than most, are animal artists, lifting their heads to sniff a quick wild scent in the air, and they know it unmistakably, they know the tug of wildness to be followed through your life is buckled by that strange and absolute obedience. ('You must have chaos in your soul to give birth to a dancing star,' wrote Nietzsche.) Children know it as magic and timeless play. Shamans of all sorts and inveterate misbehavers know it; those who cannot trammel themselves into a sensible job and life in the suburbs know it.
What is wild cannot be bought or sold, borrowed or copied. It is. Unmistakeable, unforgettable, unshamable, elemental as earth and ice, water, fire and air, a quitessence, pure spirit, resolving into no contituents. Don't waste your wildness: it is precious and necessary.
”
”
Jay Griffiths (Wild: An Elemental Journey)
“
[Adapted and condensed Valedictorian speech:]
I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
”
”
Marisha Pessl
“
With that, she pounced upon me, like an eagle on a lamb, and my face was squeezed into wooden bowls in sinks, and my head was put under taps of water-butts, and I was soaped, and kneaded, and towelled, and thumped, and harrowed, and rasped, until I really was quite beside myself. (I may here remark that I suppose myself to be better acquainted than any living authority, with the ridgy effect of a wedding-ring, passing unsympathetically over the human countenance.)
”
”
Charles Dickens (Great Expectations)
“
Is Lisa going to the prom?"
I shelved my worries for the moment. "I don't know, Mom. We don't talk about the You-Know-What. We made a pact."
"You could go together, if you didn't want to mess with dates and things."
"I don't want to mess with the prom at all, Mom."
She ignored me, placidly eating popcorn, piece by piece. "Some girls in my high school class did that and had a wonderful time. They weren't lesbians or anything. Not that it would matter if they were."
"That's nice, Mom. I'm glad you're so open-minded." I grabbed my Coke and the popcorn bowl and headed for the stairs, because I could go my whole life without ever hearing my mother talk about lesbians again.
"Maybe you could take Justin to the prom," she called after me, laughter in her voice. "He is such a hottie."
Shoot me now.
”
”
Rosemary Clement-Moore (Prom Dates from Hell (Maggie Quinn: Girl Vs. Evil, #1))
“
Sept 15 1930 at the independence festival of the school of cretins…"At the head of the table by the bowl of pomegranates, Senora Bartolome had put a note: Take only one, our Lord Jesus is watching!.
A second note appeared at the foot of the table beside the sugared almonds: Take all you want, Jesus is looking at the pomegranates.
”
”
Barbara Kingsolver (The Lacuna)
“
Peeling an Orange
Between you and a bowl of oranges I lie nude
Reading The World’s Illusion through my tears.
You reach across me hungry for global fruit,
Your bare arm hard, furry and warm on my belly.
Your fingers pry the skin of a naval orange
Releasing tiny explosions of spicy oil.
You place peeled disks of gold in a bizarre pattern
On my white body. Rearranging, you bend and bite
The disks to release further their eager scent.
I say “Stop, you’re tickling,” my eyes still on the page.
Aromas of groves arise. Through green leaves
Glow the lofty snows. Through red lips
Your white teeth close on a translucent segment.
Your face over my face eclipses The World’s Illusion.
Pulp and juice pass into my mouth from your mouth.
We laugh against each other’s lips. I hold my book
Behind your head, still reading, still weeping a little.
You say “Read on, I’m just an illusion,” rolling
Over upon me soothingly, gently unmoving,
Smiling greenly through long lashes. And soon
I say “Don’t stop. Don’t disillusion me.”
Snows melt. The mountain silvers into many a stream.
The oranges are golden worlds in a dark dream.
”
”
Virginia Adair (Ants on the Melon: A Collection of Poems)
“
It must be really rough, forced to put on a beautiful dress, stick some diamonds or whatever all over you and choke down champagne and lobster croquettes beside the most beautiful man ever born, on or off planet. I don't know how you get through the day with that weight on your shoulders, Dallas."
"Shut up."
"And here I am, free to squeeze into the local pizza place with McNab where we will split the pie and the check." Peabody shook her head slowly. The dark bowl of hair under her cap swayed in conceit. "I can't tell you how guilty I feel knowing that."
"You looking for trouble, Peabody?"
"No, sir." Peabody did her best to look pious. "Just offering my support and sympathy at this difficult time.
”
”
J.D. Robb (Purity in Death (In Death, #15))
“
Don't be stupid," Hermione snapped, starting to pound up her beetles again. "No,it's just. . . how did she know Viktor asked me to visit him over the summer?" Hermione blushed scarlet as she said this and determinedly avoided Ron's eyes.
"What?" said Ron, dropping his pestle with a loud clunk.
"He asked me right after he'd pulled me out of the lake," Hermione muttered. "After he'd got rid of his shark's head. Madam Pomfrey gave us both blankets and then he sort of pulled me away from the judges so they wouldn't hear, and he said, if I wasn't doing anything over the summer, would I like to -"
"And what did you say?" said Ron, who had picked up his pestle and was grinding
it on the desk, a good six inches from his bowl, because he was looking at
Hermione.
"And he did say he'd never felt the same way about anyone else," Hermione went
on, going so red now that Harry could almost feel the heat coming from her, "but
how could Rita Skeeter have heard him? She wasn't there ... or was she? Maybe
she has got an Invisibility Cloak; maybe she sneaked onto the grounds to watch
the second task. ..."
"And what did you say?" Ron repeated, pounding his pestle down so hard that it
dented the desk.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
Lucrezia had not known it was possible to fall asleep--or, at least, a halfway version of it--on horseback. That you could be riding along, a leading rein stretching from your horse's bridle to the hand of a groomsman, mounted beside you, and your head could tilt forward, slowly, so slowly, and you would believe you were just resting your eyes for a moment, but then you would jerk it upright again and see that the sun had slipped down behind the rocks and the trees had clothed themselves in darkness and the night sky was a black bowl upturned over your head.
”
”
Maggie O'Farrell (The Marriage Portrait)
“
Water splashes and runs in a film across the glass floor suspended above the mosaics. The Hacı Kadın hamam is a typical post-Union fusion of architectures; Ottoman domes and niches built over some forgotten Byzantine palace, years and decades of trash blinding, gagging, burying the angel-eyed Greek faces in the mosaic floor; century upon century. That haunted face was only exposed to the light again when the builders tore down the cheap apartment blocks and discovered a wonder. But Istanbul is wonder upon wonder, sedimented wonder, metamorphic cross-bedded wonder. You can’t plant a row of beans without turning up some saint or Sufi. At some point every country realizes it must eat its history. Romans ate Greeks, Byzantines ate Romans, Ottomans ate Byzantines, Turks ate Ottomans. The EU eats everything. Again, the splash and run as Ferid Bey scoops warm water in a bronze bowl from the marble basin and pours it over his head.
”
”
Ian McDonald (The Dervish House)
“
You just want to give up, he said when he was able to speak. Only you keep going. You still have to get up in the morning and pour the cereal in the bowls. You keep on breathing, whether you want to or not. Nobody's around to tell you how it's supposed to work. The usual rules just don't apply anymore.
He was still talking, but she wasn't even sure if it was to her.
When it started, he said, I thought nothing could be worse than those first days. And it wasn't only us, but everyone else you'd see, wandering around like they'd landed on a whole different planet. Instead of just dealing with your own heart getting ripped into pieces, wherever you looked you knew there were other people dealing with the same thing. You couldn't even be alone with it. Like you're out in the ocean and the undertow catches you and you start yelling for help, but then you look around, and all around you in the water for as far as you can see, there's all these other people flailing too.
He sat there for a moment, shaking his head.
You keep getting up in the morning and knowing this will continue maybe ten thousand more mornings. You wish you were the one who died.
How much better would that be?
”
”
Joyce Maynard (The Usual Rules)
“
Just when I think you can’t get any creeper, you astounded me by reaching a whole new plateau. What did you do to yourself? You’re twitching like a meth head.” “Went into the kitchen. Consumed any products that claimed to boost energy. Ate a bowl of those disgusting brown rinds.” “Rinds? That’s coffee, dumbass. You’re supposed to brew it.” Rip rambled on as if she hadn’t spoken, which—judging by his herky-jerky gestures—he might not have been aware she had. “Then I drank your last three of those products involving some sort of red bovine, followed by half a dozen vials that claim to bestow energy for an allotted period of time. Every part of me tingles. Quite honestly, I think I could fly if the moment required it.
”
”
Stacey Rourke (Crane (The Legends Saga, #1))
“
Somewhere en route to Port Via in the New Hebrides, for my last meal I serve dinner the way I've always dreamed.
Anybody caught buttering their bread before breaking it, I promise to shoot them.
Anybody who drinks their beverage with food still in their mouth will also be shot.
Anybody caught spooning toward themself will be shot.
Anybody caught without a napkin in their lap-
Anybody caught using their fingers to move their food-
Anybody who begins eating before everybody is seved-
Anybody who blows on food to cool it-
Anybody who talks with food in their mouth-
Anybody who drinks white wine holding their glass by the bowl or drinks red wine holding their glass by the stem-
You will each of you get a bullet in the head.
We are 30,000 feet above earth, going 455 miles per hour. We're at a pinnacle of human achievement, we are going to eat this meal as civilized human beings.
”
”
Chuck Palahniuk (Survivor)
“
A trinket can be lost,’ he answered. I suppressed the fuming reply I wanted to give. ‘It can be stolen, it can be twisted or tarnished and lose its lustre,’ he went on. ‘I want no gift that I give to you to be so transient. And so I took it from your head, where it can only look dull in comparison to your radiance, and I put it somewhere it will shine forever.’ He cupped my cheek in his hand and lifted my chin to the dark bowl of the night sky. ‘See the new constellation there?’ In the eternity of night, I saw the brand new pinpricks of light that shone in a sweeping arc. The lustre of my crown, now a fiery illumination against the darkness. ‘Just as you will never lose me, you will never lose your crown,’ he murmured, his arms wrapped tightly around me.
”
”
Jennifer Saint (Ariadne)
“
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later.
Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day."
Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter
"Excuse me?" He says
"I'll keep the earpiece in!" I say loud enough to wake half the hospital.
"You sure? Because I'm equally happy with any of the three options," he tells me
"I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?"
Haymitch rises to go. "While I was waiting. . . I ate your lunch."
My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow.
"You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Life is a great big beautiful three-ring circus. There are those on the floor making their lives among the heads of lions and hoops of fire, and those in the stands, complacent and wowed, their mouths stuffed with popcorn.
I know less now than ever about life, but I do know its size. Life is enormous. Much grander than what we’ve taken for ourselves, so far.
When the show is over and the tent is packed, the elephants, lions and dancing poodles are caged and mounted on trucks to caravan to the next town. The clown’s makeup has worn, and his bright, red smile has been washed down a sink. All that is left is another performance, another tent and set of lights. We rest in the knowledge: the show must go on.
Somewhere, behind our stage curtain, a still, small voice asks why we haven’t yet taken up juggling. My seminars were like this. Only, instead of flipping shiny, black bowling balls or roaring chainsaws through the air, I juggled concepts.
The world is intrinsically tied together. All things march through time at different intervals but move ahead in one fashion or another.
Though we may never understand it, we are all part of something much larger than ourselves—something anchoring us to the spot we have mentally chosen. We sniff out the rules, through spiritual quests and the sciences. And with every new discovery, we grow more confused.
Our inability to connect what seems illogical to unite and to defy logic in our understanding keeps us from enlightenment. The artists and insane tiptoe around such insights, but lack the compassion to hand-feed these concepts to a blind world.
The interconnectedness of all things is not simply a pet phrase. It is a big “T” truth that the wise spend their lives attempting to grasp.
”
”
Christopher Hawke (Unnatural Truth)
“
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head.
“Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.”
Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.”
“This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes.
Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen.
His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me.
“And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away.
“She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“
“Okay, ew. Don’t say it. That’s where I draw the line.”
Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for?
“Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.”
My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was.
Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop.
“You’re sure?” he says again.
“More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of.
But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something.
No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
From the pit of his stomach a violent spasm of nausea rose up and seized his throat. He ran to the bathroom, barely able to stand, knelt down in front of the toilet and started to vomit. He vomited the whiskey he'd just drunk, vomited what he'd eaten that day as well as what he'd eaten the day before, and the day before that, and he felt, with his sweaty head now entirely inside the toilet bowl and a sharp pain in his side, as if he were endlessly vomiting up the entire time of his life on earth, going all the way back to the pap he was given as a baby, and when, at last, he'd expelled his own mother's milk, he kept vomiting poison bitterness, bile, pure hatred.
”
”
Andrea Camilleri (Excursion to Tindari (Inspector Montalbano, #5))
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
You would be forgiven for thinking Alex Morningside was a boy. In fact, she would be the first to laugh at this, because, for one thing, she wasn't, and for another, she had an Excellent Sense of Humour. It wasn't that she wanted to be a boy or anything, it was simply that she didn't see much difference in being treated as a girl or boy. Because, after all, everyone is just people.
One of the reasons people thought she was a boy was her haircut. Her haircut looked like someone had put a bowl on her head and cut around it. Which is exactly what her uncle had done. Also, they thought she was a boy because her name was Alex. Of course, Alex was short for Alexandra, but neither Alex nor her uncle liked that very much, so they shortened the name. They could have shortened it the other was I suppose - Andra - but she and her uncle preferred Alex.
”
”
Adrienne Kress (Alex and the Ironic Gentleman (Alex and the Ironic Gentleman, #1))
“
So what did you want to talk to Wesley about?" he asked me.
"Kelly likes him," I said. "So I figured while we were discussing Lady Macbeth's insanity and Duncan's murder, I could, you know, casually find out if he likes her too."
Colton didn't blink. "He likes her."
"He does? How do you know?"
He shrugged like it was a silly question. "We talk sometimes. He told me on the drive over he hoped she would be here."
"Then why hasn't he ever asked her out?"
"He's shy. And we're in the middle of wrestling season, midterms, and Christmas." Colton picked up the liter of soda. "Have a little patience."
I reached for the bowl of popcorn, but didn't start out of the kitchen yet. "Well can I hurry him along? Is there any chance he'll ask her out before this weekend?"
Colton shook his head at me, then walked toward the living room. "You're not quite grasping the nature of patience, Charlotte.
”
”
Janette Rallison (It's a Mall World After All)
“
Calypso took pity on him in some ways. She sent her invisible servants to leave bowls of stew and goblets of apple cider at the edge of the garden. She even sent him a few new sets of clothes—simple, undyed cotton pants and shirts that she must have made on her loom. They fit him so well, Leo wondered how she’d gotten his measurements. Maybe she just used her generic pattern for SCRAWNY MALE. Anyway, he was glad to have new threads, since his old ones were pretty smelly and burned up. Usually Leo could keep his clothes from burning when he caught fire, but it took concentration. Sometimes back at camp, if he wasn’t thinking about it, he’d be working on some metal project at the hot forge, look down, and realize his clothes had burned away, except for his magic tool belt and a smoking pair of underwear. Kind of embarrassing. Despite the gifts, Calypso obviously didn’t want to see him. One time he poked his head inside the cave and she freaked out, yelling and throwing pots at his head. Yeah, she was definitely on Team Leo. He ended up pitching a more permanent camp near the footpath, where the beach met the hills. That way he was close enough to pick up his meals, but Calypso didn’t have to see him and go into a pot-throwing rage.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
The women we become after children, she typed, then stopped to adjust the angle of the paper....We change shape, she continued, we buy low-heeled shoes, we cut off our long hair, We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, persoective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and-look!-they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live, We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean-only clothes to the back of the wardrobe. Eventually we throw them away. We school ourselves to stop saying 'shit' and 'damn' and learn to say 'my goodness' and 'heavens above.' We give up smoking, we color our hair, we search the vistas of parks, swimming-pools, libraries, cafes for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their makeup, their tight-seamed dresses, their tiny handbags, their smooth washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.
”
”
Maggie O'Farrell (The Hand That First Held Mine)
“
It's hard to do nothing totally. Even just sitting here, like this, our bodies are churning, our minds are chattering. There's a whole commotion going on inside us."
"That's bad?" I said.
"It's bad if we want to know what's going on outside ourselves."
"Don't we have eyes and ears for that?"
She nodded. "They're okay most of the time. But sometimes they just get in the way. The earth is speaking to us, but we can't hear because of all the racket our senses are shaking. Sometimes we need to erase them, erase our senses. Then-maybe- the earth will touch us. The universe will speak. The stars will whisper."
The sun was glowing orange now, clipping the mountains' purple crests.
"So how do I become this nothing?"
"I'm not sure,"she said "There's no one answer to that. You have to find your own way. Sometimes I try to erase myself. I imagine a big pink soft soap eraser, and it's going back and forth, back and forth, and it starts down at my toes, back and forth, back and forth, and there they go-poof!-my toes are gone. And then my feet. And then my ankles. But that's the easy part. The hard part is erasing my senses-my eyes,my ears,my nose, my tongue. And last to go is my brain. My thoughts, memories, all the voices inside my head. That's the hardest, erasing my thoughts." She chuckled faintly. "My pumpkin. And then, if I've done a good job, I'm erased. I'm gone. I'm nothing. And then the world is free to flow into me like water into and empty bowl."
"And?" I said.
"And I see. I hear. But not with eyes and ears. I'm not outside my world anymore, and I'm not really inside it either. The thing is, there's no difference anymore between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain." She smiled dreamily. "I like that most of all, being rain.
”
”
Jerry Spinelli (Stargirl (Stargirl, #1))
“
His hands have begun to tremble, and he stuffs them into his pockets. They have put him in a thick gray coat, but he wears no scarf, and the skin of his neck and chest are exposed at the open collar. The healer in Arsinoe resists the urge to wrap him in a cloak. He is still weak and should be in front of a cozy fire with a hot bowl of soup.
"How is it that I have come to be here?" he asks. "I gather that I was stolen from the capital."
Emilia shoves him again. "You are here to give information, not get it."
"Emilia." Jules shakes her head, then returns her attention to Pietyr. "You were stolen from you sickbed in Greavesdrake Manor. From what we have heard, you had been there for a long time."
"You don't remember anything?" asks Arsinoe.
"Have you ever been unconscious, Queen Arsinoe?"
"Yes."
"Then you should know that is a stupid question."
She frowns. In her mind, she takes away his bowl of soup.
”
”
Kendare Blake (Five Dark Fates (Three Dark Crowns, #4))
“
The walls were hung with rich tapestries representing the Triumph of Beauty. A large press, inlaid with agate and lapis-lazuli, filled one corner, and facing the window stood a curiously wrought cabinet with lacquer panels of powdered and mosaiced gold, on which were placed some delicate goblets of Venetian glass, and a cup of dark-veined onyx. Pale poppies were broidered on the silk coverlet of the bed, as though they had fallen from the tired hands of sleep, and tall reeds of fluted ivory bare up the velvet canopy, from which great tufts of ostrich plumes sprang, like white foam, to the pallid silver of the fretted ceiling. A laughing Narcissus in green bronze held a polished mirror above its head. On the table stood a flat bowl of amethyst.
”
”
Oscar Wilde (A House of Pomegranates)
“
Cannabis sativa and its derivatives are strictly prohibited in Turkey, and the natural correlative of this proscription is that alcohol, far from being frowned upon as it is in other Moslem lands, is freely drunk; being a government monopoly it can be bought at any cigarette counter. This fact is no mere detail; it is of primary social importance, since the psychological effects of the two substances are diametrically opposed to each other. Alcohol blurs the personality by loosening inhibitions. The drinker feels, temporarily at least, a sense of participation. Kif abolishes no inhibitions; on the contrary it reinforces them, pushes the individual further back into the recesses of his own isolated personality, pledging him to contemplation and inaction. It is to be expected that there should be a close relationsip between the culture of a given society and the means used by its members to achieve release and euphoria. For Judaism and Christianity the means has always been alcohol; for Islam it has been hashish. The first is dynamic in its effects, the other static. If a nation wishes, however mistakenly, to Westernize itself, first let it give up hashish. The rest will follow, more or less as a manner of course. Conversely, in a Western country, if a whole segment of the population desires, for reasons of protest (as has happened in the United States), to isolate itself in a radical fashion from the society around it, the quickest and surest way is for it to replace alcohol by cannabis.
”
”
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
“
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
”
”
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
“
Today is one of the days when Ma is Gone.
She won't wake up properly. She's here but not really. She stays in Bed with the pillows on her head.
Silly Penis is standing up, I squish him down.
I eat my hundred cereal and I stand on my chair to wash the bowl and Meltedy Spoon. It's very quiet when I switch off the water. I wonder did Old Nick come in the night. I don't think he did because the trash bag is still by Door, but maybe he did only he didn't take the trash? Maybe Ma's not just Gone. Maybe he squished her neck even harder and now she's -
I go up really close and listen till I hear breath. I'm just one inch away, my hair touches Ma's nose and she puts her hand up over her face so I step back.
I don't have a bath on my own, I just get dressed.
There's hours and hours, hundreds of them.
Ma gets up to pee but not talking, with her face all blank. I already put a glass of water beside Bed but she just gets back under Duvet.
”
”
Emma Donoghue (Room)
“
New Rule: You don't have to teach both sides of a debate if one side is a load of crap. President Bush recently suggested that public schools should teach "intelligent design" alongside the theory of evolution, because after all, evolution is "just a theory." Then the president renewed his vow to "drive the terrorists straight over the edge of the earth."
Here's what I don't get: President Bush is a brilliant scientist. He's the man who proved you could mix two parts booze with one part cocaine and still fly a jet fighter. And yet he just can't seem to accept that we descended from apes. It seems pathetic to be so insecure about your biological superiority to a group of feces-flinging, rouge-buttocked monkeys that you have to make up fairy tales like "We came from Adam and Eve," and then cover stories for Adam and Eve, like intelligent design! Yeah, leaving the earth in the hands of two naked teenagers, that's a real intelligent design.
I'm sorry, folks, but it may very well be that life is just a series of random events, and that there is no master plan--but enough about Iraq.
There aren't necessarily two sides to every issue. If there were, the Republicans would have an opposition party. And an opposition party would point out that even though there's a debate in schools and government about this, there is no debate among scientists. Evolution is supported by the entire scientific community. Intelligent design is supported by the guys on line to see The Dukes of Hazzard.
And the reason there is no real debate is that intelligent design isn't real science. It's the equivalent of saying that the Thermos keeps hot things hot and cold things cold because it's a god. It's so willfully ignorant you might as well worship the U.S. mail. "It came again! Praise Jesus!"
Stupidity isn't a form of knowing things. Thunder is high-pressure air meeting low-pressure air--it's not God bowling. "Babies come from storks" is not a competing school of throught in medical school.
We shouldn't teach both. The media shouldn't equate both. If Thomas Jefferson knew we were blurring the line this much between Church and State, he would turn over in his slave.
As for me, I believe in evolution and intelligent design. I think God designed us in his image, but I also think God is a monkey.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
The bartender is Irish. Jumped a student visa about ten years ago but nothing for him to worry about. The cook, though, is Mexican. Some poor bastard at ten dollars an hour—and probably has to wash the dishes, too. La Migra take notice of his immigration status—they catch sight of his bowl cut on the way home to Queens and he’ll have a problem. He looks different than the Irish and the Canadians—and he’s got Lou Dobbs calling specifically for his head every night on the radio. (You notice, by the way, that you never hear Dobbs wringing his hands over our border to the North. Maybe the “white” in Great White North makes that particular “alien superhighway” more palatable.) The cook at the Irish bar, meanwhile, has the added difficulty of predators waiting by the subway exit for him (and any other Mexican cooks or dishwashers) when he comes home on Friday payday. He’s invariably cashed his check at a check-cashing store; he’s relatively small—and is unlikely to call the cops. The perfect victim. The guy serving my drinks, on the other hand, as most English-speaking illegal aliens, has been smartly gaming the system for years, a time-honored process everybody at the INS is fully familiar with: a couple of continuing education classes now and again (while working off the books) to get those student visas. Extensions. A work visa. A “farm” visa. Weekend across the border and repeat. Articulate, well-connected friends—the type of guys who own, for instance, lots of Irish bars—who can write letters of support lauding your invaluable and “specialized” skills, unavailable from homegrown bartenders. And nobody’s looking anyway. But I digress…
”
”
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
“
Are you falling asleep before midnight?" Cassie leaned over the edge of the couch to look at Jack. He was stretched out on the floor, his head resting against a pillow near the center of the couch, his eyes closed. She was now wide awake and headache free. He wasn't in so good a shape. "The new year is eighteen minutes away."
"Come kiss me awake in seventeen minutes."
She blinked at that lazy suggestion, gave a quick grin, and dropped Benji on his chest.
He opened one eye to look up at her as he settled his hand lightly on the kitten. "That's a no?"
She smiled. She was looking forward to dating him, but she was smart enough to know he'd value more what he had to work at.
He sighed. "That was a no. How much longer am I going to be on the fence with you?"
"Is that a rhetorical question or do you want an answer?" If this was the right relationship God had for her future, time taken now would improve it, not hurt it. She was ready to admit she was tired of being alone.
He scratched Benji under the chin and the kitten curled up on his chest and batted a paw at his hand. "Rhetorical. I'd hate to get my hopes up."
She leaned her chin against her hand, looking down at him. "I like you, Jack."
"You just figured that out?"
"I'll like you more when you catch my mouse."
"The only way we are going to catch T.J. is to turn this place into a cheese factory and help her get so fat and slow that she can no longer run and hide."
Or you could move your left hand about three inches to the right right and catch her."
Jack opened one eye and glanced toward his left. The white mouse was sitting motionless beside the plate he had set down earlier. "Let her have the cheeseburger. You put mustard on it."
"You're horrible."
He smiled. "I'm serious."
"So am I."
Jack leaned over, caught Cassie's foot, and tumbled her to the floor. "Oops."
"That wasn't fair. You scared my mouse."
Jack set the kitten on the floor. "Benji, go get her mouse."
The kitten took off after it.
"You're teaching her to be a mouser."
"Working on it. Come here. You owe me a kiss for the new year."
"Do I?" She reached over to the bowl of chocolates on the table and unwrapped a kiss. She popped the chocolate kiss into his mouth. "I called your bluff."
He smiled and rubbed his hand across her forearm braced against his chest. "That will last me until next year."
She glanced at the muted television. "That's two minutes away."
"Two minutes to put this year behind us." He slid one arm behind his head, adjusting the pillow.
She patted his chest with her hand. "That shouldn't take long." She felt him laugh. "It ended up being a very good year," she offered.
"Next year will be even better."
"Really? Promise?"
"Absolutely." He reached behind her ear and a gold coin reappeared. "What do you think? Heads you say yes when I ask you out, tails you say no?"
She grinned at the idea. "Are you cheating again?" She took the coin. "This one isn't edible," she realized, disappointed. And then she turned it over. "A real two-headed coin?"
"A rare find." He smiled. "Like you."
"That sounds like a bit of honey."
"I'm good at being mushy."
"Oh, really?"
He glanced over her shoulder. "Turn up the TV. There's the countdown."
She grabbed for the remote and hit the wrong button. The TV came on full volume just as the fireworks went off. Benji went racing past them spooked by the noise to dive under the collar of the jacket Jack had tossed on the floor. The white mouse scurried to run into the jacket sleeve.
"Tell me I didn't see what I think I just did."
"I won't tell you," Jack agreed, amused. He watched the jacket move and raised an eyebrow. "Am I supposed to rescue the kitten or the mouse?
”
”
Dee Henderson (The Protector (O'Malley, #4))
“
Here, let me do it,” Peter says, coming up close behind me.
I jerk away from him. “No no, I’ll do it,” I say, and he shakes his head and tries to take the measuring cup from me, but I won’t let go, and flour poufs out of the cup and into the air. It dusts us both. Peter starts cracking up and I let out an outraged shriek. “Peter!”
He’s laughing too hard to speak.
I cross my arms. “I’d better still have enough flour.”
“You look like a grandma,” he says, still laughing.
“Well, you look like a grandpa,” I counter. I dump the flour in my mixing bowl back into the flour canister.
“Actually, you’re really a lot like my granny,” Peter says. “You hate cussing. You like to bake. You stay at home on Friday nights. Wow, I’m dating my granny. Gross.”
I start measuring again. One, two. “I don’t stay home every Friday night.” Three.
“I’ve never seen you out. You don’t go to parties. We used to hang out back in the day. Why’d you stop hanging out?”
Four. “I…I don’t know. Middle school was different.” What does he want me to say? That Genevieve decided I wasn’t cool enough so I got left behind? Why is he so clueless?
“I always wondered why you stopped hanging out with us.”
Was I on five or six? “Peter! You made me lose my count again!”
“I have that effect on women.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Pilchard begins his long run in from short stump. He bowls and … oh, he’s out! Yes, he’s got him. Longwilley is caught leg-before in middle slops by Grattan. Well, now what do you make of that, Neville?’ ‘That’s definitely one for the books, Bruce. I don’t think I’ve seen offside medium slow fast pace bowling to match it since Baden-Powell took Rangachangabanga for a maiden ovary at Bangalore in 1948.’ I had stumbled into the surreal and rewarding world of cricket on the radio. After years of patient study (and with cricket there can be no other kind) I have decided that there is nothing wrong with the game that the introduction of golf carts wouldn’t fix in a hurry. It is not true that the English invented cricket as a way of making all other human endeavours look interesting and lively; that was merely an unintended side effect. I don’t wish to denigrate a sport that is enjoyed by millions, some of them awake and facing the right way, but it is an odd game. It is the only sport that incorporates meal breaks. It is the only sport that shares its name with an insect. It is the only sport in which spectators burn as many calories as players (more if they are moderately restless). It is the only competitive activity of any type, other than perhaps baking, in which you can dress in white from head to toe and be as clean at the end of the day as you were at the beginning.
”
”
Bill Bryson (In a Sunburned Country)
“
Then one night a report about breast cancer came on the news, all about mammograms and early detection, women talking about finding a lump in their breast. We were making dinner. We always turned the television off when we sat down to eat but we could watch it while we were cooking. That was the rule. “I have one of those,” she said to the television set. “You had a mammogram?” She shook her head. She wasn’t looking at me. “A lump.” I had been cutting up a head of broccoli and I put down the knife and washed my hands. “What did you do about it?” “I didn’t do anything about it.” “What did the doctor say?” She looked at me then. “The whole thing scared me to death.” “So what happened?” My brain insisted on hearing it in the past tense, I had a lump in my breast once. I couldn’t understand that this was something that was happening. “I thought I’d wait for you to come home,” she said. “You’re always so good at figuring things out.” “I’ve been home three months.” But she had found the lump a year before, and taped a gauze square over it when it started to leak. When I looked at her again I could actually see a disruption in the pattern of her dress. That’s how big it was. Once we started making the hopeless rounds of oncologist appointments, the past broke away. All the things I’d thought about myself before—I am an actress, I am not an actress, I was in love, I was betrayed—disintegrated into nothing. I made bowls of Cream of Wheat she wouldn’t eat and then scraped them into the trash once they turned cold. I managed the schedule of people who wanted to come and see her, her two sons and two daughters—one of those daughters my mother—my father, my brothers, all my cousins, all her friends. I made sure no one stayed too long. I sat by her bed and read to her.
”
”
Ann Patchett (Tom Lake)
“
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel.
Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest.
JACKSONVILLE
FLA OR BUST
I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust.
The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
”
”
Charles Portis (The Dog of the South)
“
It's an old story," Julia says, leaning back in her chair. "Only for me, it's new. I went to school for industrial design. All my life I've been fascinated by chairs - I know it sounds silly, but it's true. Form meets purpose in a chair. My parents thought I was crazy, but somehow I convinced them to pay my way to California. To study furniture design. I was all excited at first. It was totally unlike me to go so far away from home. But I was sick of the cold and sick of the snow. I figured a little sun might change my life. So I headed down to L.A. and roomed with a friend of an ex-girlfriend of my brother's. She was an aspiring radio actress, which meant she was home a lot. At first, I loved it. I didn't even let the summer go by. I dove right into my classes. Soon enough, I learned I couldn't just focus on chairs. I had to design spoons and toilet-bowl cleaners and thermostats. The math never bothered me, but the professors did. They could demolish you in a second without giving you a clue if how to rebuild. I spent more and more time in the studio, with other crazed students who guarded their projects like toy-jealous kids. I started to go for walks. Long walks. I couldn't go home because my roommate was always there. The sun was too much for me, so I'd stay indoors. I spent hours in supermarkets, walking aisle to aisle, picking up groceries and then putting them back. I went to bowling alleys and pharmacies. I rode buses that kept their lights on all night. I sat in Laundromats because once upon a time Laundromats made me happy. But now the hum of the machines sounded like life going past. Finally, one night I sat too long in the laundry. The woman who folded in the back - Alma - walked over to me and said, 'What are you doing here, girl?' And I knew that there wasn't any answer. There couldn't be any answer. And that's when I knew it was time to go.
”
”
David Levithan (Are We There Yet?)
“
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play.
Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister?
It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in.
Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others.
That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success."
Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton.
So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
In the life of Moses, in Hebrew folklore, there is a remarkable passage. Moses finds a shepherd in the desert. He spends the day with the shepherd and helps him milk his ewes, and at the end of the day he sees that the shepherd puts the best milk he has in a wooden bowl, which he places on a flat stone some distance away. So Moses asks him what it is for, and the shepherd replies 'This is God's milk.' Moses is puzzled and asks him what he means. The shepherd says 'I always take the best milk I possess, and I bring it as on offering to God.' Moses, who is far more sophisticated than the shepherd with his naive faith, asks, 'And does God drink it?' 'Yes,' replies the shepherd, 'He does.' Then Moses feels compelled to enlighten the poor shepherd and he explains that God, being pure spirit, does not drink milk. Yet the shepherd is sure that He does, and so they have a short argument, which ends with Moses telling the shepherd to hide behind the bushes to find out whether in fact God does come to drink the milk. Moses then goes out to pray in the desert. The shepherd hides, the night comes, and in the moonlight the shepherd sees a little fox that comes trotting from the desert, looks right, looks left and heads straight towards the milk, which he laps up, and disappears into the desert again. The next morning Moses finds the shepherd quite depressed and downcast. 'What's the matter?' he asks. The shepherd says 'You were right, God is pure spirit, and He doesn't want my milk.' Moses is surprised. He says 'You should be happy. You know more about God than you did before.' 'Yes, I do' says the shepherd, 'but the only thing I could do to express my love for Him has been taken away from me.' Moses sees the point. He retires into the desert and prays hard. In the night in a vision, God speaks to him and says 'Moses, you were wrong. It is true that I am pure spirit. Nevertheless I always accepted with gratitude the milk which the shepherd offered me, as the expression of his love, but since, being pure spirit, I do not need the milk, I shared it with this little fox, who is very fond of milk.
”
”
Anthony Bloom (Beginning to Pray)
“
Clarisse’s friends were all laughing, and I was trying to find the strength I’d used to fight the Minotaur, but it just wasn’t there. “Like he’s ‘Big Three’ material,” Clarisse said as she pushed me toward one of the toilets. “Yeah, right. Minotaur probably fell over laughing, he was so stupid looking.” Her friends snickered. Annabeth stood in the corner, watching through her fingers. Clarisse bent me over on my knees and started pushing my head toward the toilet bowl. It reeked like rusted pipes and, well, like what goes into toilets. I strained to keep my head up. I was looking at the scummy water, thinking, I will not go into that. I won’t. Then something happened. I felt a tug in the pit of my stomach. I heard the plumbing rumble, the pipes shudder. Clarisse’s grip on my hair loosened. Water shot out of the toilet, making an arc straight over my head, and the next thing I knew, I was sprawled on the bathroom tiles with Clarisse screaming behind me. I turned just as water blasted out of the toilet again, hitting Clarisse straight in the face so hard it pushed her down onto her butt. The water stayed on her like the spray from a fire hose, pushing her backward into a shower stall. She struggled, gasping, and her friends started coming toward her. But then the other toilets exploded, too, and six more streams of toilet water blasted them back. The showers acted up, too, and together all the fixtures sprayed the camouflage girls right out of the bathroom, spinning them around like pieces of garbage being washed away. As soon as they were out the door, I felt the tug in my gut lessen, and the water shut off as quickly as it had started. The entire bathroom was flooded. Annabeth hadn’t been spared. She was dripping wet, but she hadn’t been pushed out the door. She was standing in exactly the same place, staring at me in shock.
”
”
Rick Riordan (Percy Jackson and the Olympians: Books I-III)
“
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.”
“I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm.
She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances.
“Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.”
Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?”
“What about it?” she asked.
“I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.”
She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby.
“Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.”
“Obviously,” came a deep, gruff voice that cut like a knife.
Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said.
Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind.
“Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?”
“What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?”
His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice.
Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her.
Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I usually enjoy setting up a new kitchen, but this has become a joyless and highly charged task. My mother and I each have our own set of kitchen boxes, which means that if there are two cheese graters between us, only one will make it into a cupboard. The other will be put back in a box or given to Goodwill.
Each such little decision has the weight of a Middle East negotiation. While her kitchenware is serviceable, I’m a sucker for the high end: All-Clad saucepans and Emile Henry pie dishes. Before long, I’m shaking my head at pretty much everything my mother removes from her San Diego boxes. She takes each rejected item as a personal slight – which in fact it is. I begrudge her even her lightweight bowls, which she can lift easily with her injured hand.
Here she is, a fragile old woman barely able to bend down as she peers into a low cupboard, looking for a place where she can share life with her grown daughter. At such a sight my heart should be big, but it’s small, so small that when I see her start stuffing her serving spoons into the same drawer as my own sturdy pieces, lovingly accumulated over the years, it makes me crazy. Suddenly I’m acting out decades of unvoiced anger about my mother’s parenting, which seems to be materializing in the form of her makeshift collection of kitchenware being unpacked into my drawers.
When I became a mother myself, I developed a self-righteous sense of superiority to my mother: I was better than my mother, for having successfully picked myself up and dusted myself off, for never having lain in bed for days on end, too blotto to get my child off to school or even to know if it was a school day. By sheer force of will and strength of character, I believed, I had risen above all that she succumbed to and skirted all that I might have inherited. This, of course, is too obnoxiously smug to say in words. So I say it with flatware.
”
”
Katie Hafner (Mother Daughter Me)
“
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead...
...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin.
It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair.
Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus...
...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
”
”
Rupert Thomson (The Five Gates of Hell)
“
Imagine you live on a planet where the dominant species is far more intellectually sophisticated than human beings but often keeps humans as companion animals. They are called the Gorns. They communicate with each other via a complex combination of telepathy, eye movements & high-pitched squeaks, all completely unintelligible & unlearnable by humans, whose brains are prepared for verbal language acquisition only.
Humans sometimes learn the meaning of individual sounds by repeated association with things of relevance to them. The Gorns & humans bond strongly but there are many Gorn rules that humans must try to assimilate with limited information & usually high stakes. You are one of the lucky humans who lives with the Gorns in their dwelling. Many other humans are chained to small cabanas in the yard or kept in outdoor pens of varying size. They are so socially starved they cannot control their emotions when a Gorn goes near them. The Gorns agree that they could never be House-Humans.
The dwelling you share with your Gorn family is filled with water-filled porcelain bowls.Every time you try to urinate in one,nearby Gorn attack you. You learn to only use the toilet when there are no Gorns present. Sometimes they come home & stuff your head down the toilet for no apparent reason. You hate this & start sucking up to the Gorns when they come home to try & stave this off but they view this as evidence of your guilt. You are also punished for watching videos, reading books, talking to other human beings, eating pizza or cheesecake, & writing letters. These are all considered behavior problems by the Gorns.
To avoid going crazy, once again you wait until they are not around to try doing anything you wish to do. While they are around, you sit quietly, staring straight ahead. Because they witness this good behavior you are so obviously capable of, they attribute to “spite” the video watching & other transgressions that occur when you are alone. Obviously you resent being left alone, they figure. You are walked several times a day and left crossword puzzle books to do. You have never used them because you hate crosswords; the Gorns think you’re ignoring them out of revenge. Worst of all, you like them. They are, after all, often nice to you. But when you smile at them, they punish you, likewise for shaking hands. If you apologize they punish you again.
You have not seen another human since you were a small child. When you see one you are curious, excited & afraid. You really don’t know how to act. So, the Gorn you live with keeps you away from other humans. Your social skills never develop.
Finally, you are brought to “training” school. A large part of the training consists of having your air briefly cut off by a metal chain around your neck. They are sure you understand every squeak & telepathic communication they make because sometimes you get it right. You are guessing & hate the training. You feel pretty stressed out a lot of the time. One day, you see a Gorn approaching with the training collar in hand. You have PMS, a sore neck & you just don’t feel up to the baffling coercion about to ensue. You tell them in your sternest voice to please leave you alone & go away. The Gorns are shocked by this unprovoked aggressive behavior. They thought you had a good temperament.
They put you in one of their vehicles & take you for a drive. You watch the attractive planetary landscape going by & wonder where you are going. You are led into a building filled with the smell of human sweat & excrement. Humans are everywhere in small cages. Some are nervous, some depressed, most watch the goings on on from their prisons. Your Gorns, with whom you have lived your entire life, hand you over to strangers who drag you to a small room. You are terrified & yell for your Gorn family to help you. They turn & walk away.You are held down & given a lethal injection. It is, after all, the humane way to do it.
”
”
Jean Donaldson (The Culture Clash: A Revolutionary New Way to Understanding the Relationship Between Humans and Domestic Dogs)
“
(3) Insight Surpasses All [The Buddha said to Anāthapiṇḍika:] “In the past, householder, there was a brahmin named Velāma. He gave such a great alms offering as this: eighty-four thousand bowls of gold filled with silver; eighty-four thousand bowls of silver filled with gold; eighty-four thousand bronze bowls filled with bullion; eighty-four thousand elephants, chariots, milch cows, maidens, and couches, many millions of fine cloths, and indescribable amounts of food, drink, ointment, and bedding. “As great as was the alms offering that the brahmin Velāma gave, it would be even more fruitful if one would feed a single person possessed of right view.22 As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred persons possessed of right view, it would be even more fruitful if one would feed a single once-returner. As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred once-returners, it would be even more fruitful if one would feed a single nonreturner. As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred nonreturners, it would be even more fruitful if one would feed a single arahant. As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred arahants, it would be even more fruitful if one would feed a single paccekabuddha.23 As great as the brahmin Velāma’s alms offering was, and though one would feed a hundred paccekabuddhas, it would be even more fruitful if one would feed a single Perfectly Enlightened Buddha ... it would be even more fruitful if one would feed the Saṅgha of monks headed by the Buddha and build a monastery for the sake of the Saṅgha of the four quarters … it would be even more fruitful if, with a trusting mind, one would go for refuge to the Buddha, the Dhamma, and the Saṅgha, and would undertake the five precepts: abstaining from the destruction of life, from taking what is not given, from sexual misconduct, from false speech, and from the use of intoxicants. As great as all this might be, it would be even more fruitful if one would develop a mind of loving-kindness even for the time it takes to pull a cow’s udder. And as great as all this might be, it would be even more fruitful still if one would develop the perception of impermanence just for the time it takes to snap one’s fingers.” (AN 9:20, abridged; IV 393–96) VI.
”
”
Bhikkhu Bodhi (In the Buddha's Words: An Anthology of Discourses from the Pali Canon (Teachings of the Buddha))
“
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume.
"Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper.
"Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London."
Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek.
"There's something else," Marcus said.
Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?"
"With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses.
Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it.
"Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?"
"Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?"
Marcus gave her a speaking look, as if only an imbecile would suppose otherwise.
Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes.
No miles of level desert, no jagged mountain heights,
no sea of endless blue
Neither words nor tears, nor silent fears
will keep me from coming back to you.
There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought.
"It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes.
"Let me see it."
Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in.
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anesthetist and my body to surgeons.
They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.
My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage——
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.
I have let things slip, a thirty-year-old cargo boat
stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.
I didn’t want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free——
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.
The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle : they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their color,
A dozen red lead sinkers round my neck.
Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I have no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.
Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.
The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
--"Tulips", written 18 March 1961
”
”
Sylvia Plath (Ariel)
“
Freddy and his brother Tesoro have not seen each other in five years, and they sit at the kitchen table in Freddy's house and have a jalapeno contest. A large bowl of big green and orange jalapeno peppers sit between the two brothers. A saltshaker and two small glasses of beer accompany this feast. When Tesoro nods his head, the two men begin to eat the raw jalapenos. The contest is to see which man can eat more peppers. It is a ritual from their father, but the two brothers tried it only once, years ago. Both quit after two peppers and laughed it off. This time, things are different. They are older and have to prove a point. Freddy eats his first one more slowly than Tesoro, who takes to bites to finish his and is now on his second. Neither says anything, though a close study of each man's face would tell you the sudden burst of jalapeno energy does not waste time in changing the eater's perception of reality. Freddy works on his second as Tesoro rips into his fourth. Freddy is already sweating from his head and is surprised to see that Tesoro's fat face has not shanged its steady, consuming look. Tesoro's long, black hair is neatly combed, and not one bead of sweat has popped out. He is the first to sip from the beer before hitting his fifth jalapeno. Freddy leans back as the table begins to sway in his damp vision. He coughs, and a sharp pain rips through his chest. Tesoro attempts to laugh at his brother, but Freddy sees it is something else. As Freddy finishes his third jalapeno, Tesoro begins to breathe faster upon swallowing his sixth. The contest momentarily stops as both brothers shift in their seats and the sweat pours down their faces. Freddy clutches his stomach as he reaches for his fourth delight. Tesor has not taken his seventh, and it is clear to Freddy that his brother is suffering big-time. There is a bright blue bird sitting on Tesoro's head, and Tesoro is struggling to laugh because Freddy has a huge red spider crawling on top of his head. Freddy wipes the sweat from his eyes and finishes his fourth pepper. Tesoro sips more beer, sprinkles salt on the tip of his jalapeno, and bites it down to the stem. Freddy, who has not touched his beer, stares in amazement as two Tesoros sit in front of him. They both rise hastily, their beer guts pushing the table against Freddy, who leans back as the two Tesoros waver in the kitchen light. Freddy hears a tremendous fart erupt from his brother, who sits down again. Freddy holds his fifth jalapeno and can't breathe. Tesoro's face is purple, but the blue bird has been replaced by a burning flame of light that weaves over Tesoro's shiny head. Freddy is convinced that he is having a heart attack as he watches his brother fight for breath. Freddy bites into his fifth as Tesoro flips his eighth jalapeno into his mouth, stem and all. This is it. Freddy goes into convulsions and drops to the floor as he tries to reach for his glass of beer. He shakes on the dirty floor as the huge animal that is Tesoro pitches forward and throws up millions of jalapeno seeds all over the table. The last thing Freddy sees before he passes out is his brother's body levitating above the table as an angel, dressed in green jalapeno robes, floats into the room, extends a hand to Tesoro, and floats away with him. When Freddy wakes up minutes later, he gets up and makes it to the bathroom before his body lets go through his pants. As he reaches the bathroom door, he turns and gazes upon the jalapeno plants growing healthy and large on the kitchen table, thick peppers hanging under their leaves, their branches immersed in the largest pile of jalapeno seeds Freddy has ever seen.
”
”
Ray Gonzalez