Bow Tie Quotes

We've searched our database for all the quotes and captions related to Bow Tie. Here they are! All 100 of them:

Bow ties are cool.
Steven Moffat
Big enough that I should tie a bow around it and attach a little card that says ‘To: Macy. You’re welcome. Love, Seth.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
It was my friend Frank, a writer in San Francisco, who finally set me straight. When asked about my new look he put down his fork and stared at me for a few moments. "A bow tie announces to the world you can no longer get an erection.
David Sedaris
Still dressed in matching butler suits with pink bow ties, the redcaps filed into the dining room, every one of them scowling at me. Ash's eyes widened and he quickly hid his mouth under his laced fingers, but I saw his shoulders shaking with silent laughter. Luckily, the redcaps didn't notice.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
I am so ready to hunt down those tiny adorable creatures and give them what for,” said Emma. “SO READY.” “Emma . . .” “I may even tie bows on their heads.” “We have to interrogate them.” “Can I get a selfie with one of them first?” “Eat your toast, Emma.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
He uncovered the boat, his hands working the knots like he'd been doing it his whole life. Under the tarp was an old steel rowboat with no oars. The boat had been painted dark blue at one point, but the hull was so crusted with tar and salt it looked like one massive nautical bruise. On the bow, the name Pax was still readable, lettered in gold. Painted eyes drooped sadly at the water level, as if the boat were about to fall asleep. On board were two benches, some steel wool, an old cooler, and a mound of frayed rope with one end tied to the mooring. At the bottom of the boat, a plastic bag and two empty Coke cans floated in several inches of scummy water. "Behold," Frank said. "The mighty Roman navy.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
I never knew true fear until I met pure evil. He wore a smile and a bow tie.
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part One (King, #5))
They were in love with him because he was a prince and a faerie and magical and you were supposed to love princes and faeries and magic people. They loved him the way they’d loved Beast the first time he swept Belle around the dance floor in her yellow dress. They loved him as they loved the Eleventh Doctor with his bow tie and his flippy hair and the Tenth Doctor with his mad laugh. They loved him as they loved lead singers of bands and actors in movies, loved him in such a way that their shared love brought them closer together.
Holly Black (The Darkest Part of the Forest)
It says 'Bet you were expecting a heart, shaped like a compass...'" Jack paused and pulled the note off the bow tie. "...And then he drew a frowny face.
Brodi Ashton (Evertrue (Everneath, #3))
Finally, the fox gently pulled both ear loops outward at the same time to make a pretty bow on top of the bunny’s head. The tips of her ears, hung just at her cheek bones.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
She tried to act as though it were nothing to go to the library alone. But her happiness betrayed her. Her smile could not be restrained, and it spread from her tightly pressed mouth, to her round cheeks, almost to the hair ribbons tied in perky bows over her ears.
Maud Hart Lovelace (Betsy and Tacy Go Downtown (Betsy-Tacy, #4))
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars. Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.' Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.' If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it? I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime. That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be. It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
Warren Buffett
The cat, covered in dust and standing on its hind legs, bowed to Margarita. Round its neck it was now wearing a made-up white bow tie on an elastic band, with a pair of ladies’ mother-of-pearl binoculars hanging on a cord. It had also gilded its whiskers.
Mikhail Bulgakov (The Master and Margarita)
Don’t let the bow tie fool you, Stella. I’m not always nice,” he says, a deep burr in his voice. “When the situation calls for it, I can be downright rough.
Tessa Bailey (Window Shopping)
Great Job! Now you have a bow just like Cleo.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
It's Life. It's the bumps and the bruises, the pain and the fear; it's messy and it's real and it's not some perfect little story that can be tied up in a bow.
Tara Sivec (Watch over Me)
He was danger wrapped in secrets tied with a bow of bad intentions,
Jeaniene Frost (The Beautiful Ashes (Broken Destiny #1))
Follow along at home to tie a bow just like the fox. Go find a scarf or ribbon that will fit around your waist or try these moves with your shoe laces.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
Watching my parents I've learnt a lesson many do not recognize. True love is not signaled by romantic, candle light dinners, red roses glistening with dew, or even Valentine's day celebrations. While these things may accompany our feelings, love is truly more than all those! Love is being with your spouse even when its not pleasing. Sometimes, love is walking down the hall, with your spouse hanging onto your shoulders and walking at a turtle's pace down the hall, just because surgery made life a burden. Love is patient, love is kind, love is Jesus! May we always remember love is not always tied in bows!
NOT A BOOK
Where do we have it? Do we do the whole nine yards or shorten the ceremony? Do we try to make it religious or keep it nondenominational? Do you have a best man or do you ask Annie to stand with you? Do we involve our families, make one of them travel? Does Chester get to put a corsage on his shovel? If we have to go to Texas, can I put Barnum in a bow tie and have him be the bouncer for the reception?
Abigail Roux (Crash & Burn (Cut & Run, #9))
The bunny was thrilled that her ears no longer dragged on the ground. They would stay nice and clean.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
Don’t be afraid,” the fox said, “I would never hurt you.” She smiled sweetly but the bunny was still a little scared.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
No one could endure lasting adversity if it continued to have the same force as when it first hit us. We are all tied to Fortune, some by a loose and golden chain, and others by a tight one of baser metal: but what does it matter? We are all held in the same captivity, and those who have bound others are themselves in bonds - unless you think perhaps that the left-hand chain is lighter. One man is bound by high office, another by wealth; good birth weighs down some, and a humble origin others; some bow under the rule of other men and some under their own; some are restricted to one place by exile, others by priesthoods: all life is a servitude. So you have to get used to your circumstances, complain about them as little as possible, and grasp whatever advantage they have to offer: no condition is so bitter that a stable mind cannot find some consolation in it.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
There are lots of different kinds of bows and Cleo loves them all.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
I make songs to tie people to me With a ribbon of fantasy around their necks Such a beautiful bow. That I hold in my fist And I will not let go.
Florence Welch (Useless Magic: Lyrics and Poetry)
Here’s a story that helps her tie the “bunny ear bow” exactly the same way every time.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
Maybe people can be happy and sad. Maybe stories are messy and complicated. Maybe endings don’t always include solutions that tie everything together in a bow. But that doesn’t mean that they have to be tragedies.
Ali Hazelwood (Not in Love)
Birdy sang out, “It’s true. She’s a friendly fox.” The deer chimed in, “She’s helped us all in some way.
Sybrina Durant (Cleo Can Tie A Bow: A Rabbit and Fox Story)
Exercises in manual dexterity build self-esteem in children. Knowing how to tie shoe-strings, scarves and more into a bow is a useful and rewarding skill.
Sybrina Durant (Boo's Shoes - A Rabbit and Fox Story: Learn To Tie Shoelaces)
Awesome!” Preppy hopped from one foot to the other. “I’m going to go iron my good bow tie.” “Prep?
T.M. Frazier (King (King, #1))
Truth usually makes no sense. If your desire is for everything to make perfect sense, then you should take refuge in fiction. In fiction, all threads tie together in a neat bow and everything moves smoothly from one point to the next to the next. In real life, though... nothing makes sense. Bad things happen to good people. The pious die young while the wicked live until old age. War, famine, pestilence, death all occur randomly and senselessly and leave us more often than not scratching our heads and hurling the question 'why?' into a void that provides no answers.
Peter David (Tigerheart)
It had a bow tie.” “Hey,” Clive said, “bow ties are cool.
Peter Clines (14 (Threshold, #1))
If you had told Gus even a week ago that a bow tie worn by a bearded guy who could pull off a man bun, for fuck’s sake, would be the beginning of his downfall, most likely he would have glowered at you until you returned to the pit from which you had crawled with the sole purpose of saying something ridiculous.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
This was the Big One. This was humiliation, disappointment, and dissolution all wrapped up together, tied with a big red bow of disgrace. The gift that keeps on giving.
Rachel Vincent (Rogue (Shifters, #2))
The first stirring of any kind of desire in over a year comes courtesy of the devil in a bow tie. Man, I was really fucked up.
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part One (King, #5))
She called him sweet. Next she'd be calling him nice,and if that happened, he might as well tie a big pink bow around his balls and hand them over." - Tyler
Samanthe Beck (Private Practice (Private Pleasures, #1))
In a society that is essentially designed to organize, direct, and gratify mass impulses, what is there to minister to the silent zones of man as an individual? Religion? Art? Nature? No, the church has turned religion into standardized public spectacle, and the museum has done the same for art. The Grand Canyon and Niagara Falls have been looked at so much that they've become effete, sucked empty by too many stupid eyes. What is there to minister to the silent zones of man as an individual? How about a cold chicken bone on a paper plate at midnight, how about a lurid lipstick lengthening or shortening at your command, how about a Styrofoam nest abandoned by a 'bird' you've never known, how about a pair of windshield wipers pursuing one another futilely while you drive home alone through a downpour, how about something beneath a seat touched by your shoe at the movies, how about worn pencils, cute forks, fat little radios, boxes of bow ties, and bubbles on the side of a bathtub? Yes, these are the things, these kite strings and olive oil cans and Valentine hearts stuffed with nougat, that form the bond between the autistic vision and the experiential world, it is to show these things in their true mysterious light that is the purpose of the moon.
Tom Robbins
And here," she said. "Let me fix your tie." She tugged on his bow tie, her eyes appraising him, and he basked in it. He had left his tie crooked on purpose, just so she could straighten it.
Elin Hilderbrand (Beautiful Day)
The third day, he wasn’t on the road. I wanted to feel relieved. Instead, I was disappointed. Until I got home. Mom had had the day off, the first in a long while. So, of course, she was home when I got there. And so was Joe. Sitting at our kitchen table. Wearing dress pants, a dress shirt. And a bow tie. Which, unbeknownst to me, turned out to be one of my greatest weaknesses. I
T.J. Klune (Wolfsong (Green Creek, #1))
The color of his pallor, however, was a curiously basic white - unmixed, that is, with the greens and yellows of guilt or abject contrition. It was very like the standard bloodlessness in the face of a small boy who loves animals to distraction, all animals, and who has just seen his favourite, bunny-loving sister's expression as she opened the box containing his birthday present to her - a freshly caught young cobra, with a red ribbon tied in an awkward bow around its neck.
J.D. Salinger (Franny and Zooey)
You’re wearing that bow tie, after all. Isn’t that rather an invitation to a young sir?
David Foster Wallace (Infinite Jest)
Even worse is the discovery that one has been living out certain greeting-card sentiments, with ribbons of middle-class virtue tied in a bow around one's heart.
Saul Bellow (Humboldt's Gift)
Traveling alone, you get to be whoever you want. I don't mean lie. I mean you get to be a blank slate. You can't leave behind your skin color, or your height, or the handsomeness or homeliness of your face. But you can leave your story behind. If you've broken hearts, the new place doesn't know. If you've lost trust in people and yourself, the new place doesn't know. If everyone thinks you love Jesus, but you never really have figured out what you believe, the new place doesn't care. It may assume you have it all tied nicely in a bow. All your thoughts and histories. Just feeling like your past isn't a vice to hold you in place can be very freeing. Feeling like your family and the expectations and the traditions and the judgments are absent... it can fill your veins with possibility and fire.
Jedidiah Jenkins (To Shake the Sleeping Self: A Journey from Oregon to Patagonia, and a Quest for a Life with No Regret)
The dean yanked the wrinkles from his suit vest. He adjusted his spectacles and, after a side-to-side waggle of the head, he tightened his bow tie. Placing both hands flat on his desk, he tipped forward, and radiated a practice glare--Superman style. Small wonder the visitor’s chair in front of him didn’t burst into flames.
Michael Ben Zehabe
Of the seminal moments in my life, Careers Day in the autumn of Year 5 is my favorite. Everyone had to dress as whatever they wanted to be once they grew up. I had gone in a tweed jacket and a bow tie, and when Miss Weston asked me what I wanted to be, I told her that I wanted to be the Doctor. 'Shouldn't you be wearing a lab coat and stethoscope like Paul?' She pointed to Paul Black, who was trying to strangle everyone with the stethoscope in question. Before I could answer, a boy I didn't know from the other class spoke up. 'Paul's *a* doctor,' he explained, giving me a look of approval. 'He wants to be *the* Doctor.' 'Who?' 'Exactly,' we said at the same time, relieved that she understood. She didn't. We were sent to the quiet table to reflect on why cheeking teachers was wrong.
Non Pratt (Trouble)
I want us to remember what happened that day and be horrified by ourselves because it really is a mirror on our society. And rather than tying it up in a bow and thinking that there is something we can take away from it and we'll be better people; I think what we really need to realize is that we're not very good people, and we're often not.
Craig Steven Wilder
I hope,' muttered Jasper, 'we do not ever shop again at a place where vampires can buy clip-on bow ties. You would think with all of eternity in front of them, they could take the time to learn a simple knot.
M.T. Anderson (Zombie Mommy (Pals in Peril, #5))
Jules: So first, breakfast, and afterward - piskie hunting. Emma: I am so ready to hunt down those tiny adorable creatures and give them what for. SO READY. Jules: Emma... Emma: I may even tie bows on their heads. Jules: We have to interrogate them. Emma: Can I get a selfie with one of them first? Jules: Eat your toast, Emma.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Suddenly one of the huge front doors swings open. A black teenager impeccably dressed in morning coat and bow tie emerges ... 'Good morning, I am Derrick Noble, president of the student body. Welcome to Central High School.
Melba Pattillo Beals (Warriors Don't Cry: A Searing Memoir of the Battle to Integrate Little Rock's Central High)
Fubuki, wouldn’t it be a thousand times better to stay unmarried than tie yourself down with some creep? What would you do with a husband like that? And how can you feel ashamed of not marrying one of these men, when you’re so sublime, so Olympian? They’re almost all shorter than you. Don’t you think that’s a sign? You’re too long a bow for any of these pathetic little shooters.
Amélie Nothomb (Stupeur et tremblements)
She could feel the heat from his body behind her. It radiated from his chest to her shoulder blades. The silk of his bow tie brushed against her hair, penetrating it, until it grazed across the surface of her neck, causing it to explode into goose-pimples.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
On matters of style, swim with the current,” Thomas Jefferson allegedly advised, but “on matters of principle, stand like a rock.” The pressure to achieve leads us to do the opposite. We find surface ways of appearing original—donning a bow tie, wearing bright red shoes—without taking the risk of actually being original. When it comes to the powerful ideas in our heads and the core values in our hearts, we censor ourselves.
Adam M. Grant (Originals: How Non-Conformists Move the World)
It is lonely behind these boundaries. Some people-particularly those whom psychiatrists call schizoid-because of unpleasant, traumatizing experiences in childhood, perceive the world outside of themselves as unredeemably dangerous, hostile, confusing and unnurturing. Such people feel their boundaries to be protecting and comforting and find a sense of safety in their loneliness. But most of us feel our loneliness to be painful and yearn to escape from behind the walls of our individual identities to a condition in which we can be more unified with the world outside of ourselves. The experience of falling in love allows us this escapetemporarily. The essence of the phenomenon of falling in love is a sudden collapse of a section of an individual's ego boundaries, permitting one to merge his or her identity with that of another person. The sudden release of oneself from oneself, the explosive pouring out of oneself into the beloved, and the dramatic surcease of loneliness accompanying this collapse of ego boundaries is experienced by most of us as ecstatic. We and our beloved are one! Loneliness is no more! In some respects (but certainly not in all) the act of falling in love is an act of regression. The experience of merging with the loved one has in it echoes from the time when we were merged with our mothers in infancy. Along with the merging we also reexperience the sense of omnipotence which we had to give up in our journey out of childhood. All things seem possible! United with our beloved we feel we can conquer all obstacles. We believe that the strength of our love will cause the forces of opposition to bow down in submission and melt away into the darkness. All problems will be overcome. The future will be all light. The unreality of these feelings when we have fallen in love is essentially the same as the unreality of the two-year-old who feels itself to be king of the family and the world with power unlimited. Just as reality intrudes upon the two-year-old's fantasy of omnipotence so does reality intrude upon the fantastic unity of the couple who have fallen in love. Sooner or later, in response to the problems of daily living, individual will reasserts itself. He wants to have sex; she doesn't. She wants to go to the movies; he doesn't. He wants to put money in the bank; she wants a dishwasher. She wants to talk about her job; he wants to talk about his. She doesn't like his friends; he doesn't like hers. So both of them, in the privacy of their hearts, begin to come to the sickening realization that they are not one with the beloved, that the beloved has and will continue to have his or her own desires, tastes, prejudices and timing different from the other's. One by one, gradually or suddenly, the ego boundaries snap back into place; gradually or suddenly, they fall out of love. Once again they are two separate individuals. At this point they begin either to dissolve the ties of their relationship or to initiate the work of real loving.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Gods it's well done, she thought, bowing her head, acknowledging consummate work. She felt skeins of cause, effect, effort, and interaction tying around her. She felt things all coming together, pushing her into this place, at this time, having done this thing.
China Miéville (The Scar (New Crobuzon, #2))
He had grown up believing in America and the individual and it was a stronger faith than his faith in God. This was the land where no man had to bow. In this place at last a man could stand up free of the past, free of tradition and blood ties and the curse of royalty and become what he wished to become.
Michael Shaara (The Killer Angels: A Novel of the Civil War)
To give her everything she needed financially, emotionally … sexually? To see that her appetites and worries were tied up in red bows and presented to her so all she ever needed to think about was what she wanted next from me. Not gonna lie. That shit fired a hole through my belly and bred like a disease.
V. Theia (Manhattan Sugar (From Manhattan #1))
No man has the right to rule over another man, otherwise such a right necessarily, and immediately becomes the right of the strongest. As the tiger in the jungle rules over the defenceless antelope, so on the banks of the Nile a Pharaoh ruled over the progenitors of the fellaheen of Egypt. Nor can a group of men, by contract, from their own right, compel you to obey a fellow-man. What binding force is there for me in the allegation that ages ago one of my progenitors made a ‘Contrat Social,’ with other men of that time? As man I stand free and bold, over against the most powerful of my fellow-men. I do not speak of the family, for here organic, natural ties rule; but in the sphere of the State I do not yield or bow down to anyone, who is man, as I am.
Abraham Kuyper (Lectures on Calvinism)
I saw an ancient man appear on the porch, wearing a huge red bow tie, a blue oxford shirt, khakis, and red suspenders. He had on little round glasses. He looked like Orville Redenbacher, the popcorn guy. He looked insane in that way of people who put great effort into choosing ridiculous clothing. I prayed this was not the doctor. “I’m the doctor!” he said, waving to the children.
Kevin Wilson (Nothing to See Here)
Without any warning, tears filled my eyes. No one had ever given me such a kind and thoughtful gift before. I pictured Will going into the shop, looking over the books, and then discovering the very one he knew I would love. I even pictured him watching as the clerk wrapped the volume in brown paper. I wondered if the clerk had tied the green bow on it or if Will had gone into a notion shop and chosen it himself. These were all small things, but kindness was built of small things.
Sharon Biggs Waller (A Mad, Wicked Folly)
Despite my strange desire to shield Stella from danger, I wasn’t a protector by nature. My version of protection always came wrapped in the pieces of a snuffed-out life and tied with a bloody bow.
Ana Huang (Twisted Lies (Twisted, #4))
Laurent had delivered all Damen had asked for, tied up neatly in a bow. All within the space of a day. If you put everything else aside, you had to admire it for sheer organisational efficiency. If
C.S. Pacat (Captive Prince (Captive Prince, #1))
Cinder hurried to join her, eager to see what the boys had done. But when she stepped into the sitting room, it was not the decorations that caught her attention first, but Wolf, standing in front of the fireplace altar in his formal black-and-red tuxedo. Thought it had been made especially for him, the jacket still stretched across his broad chest and shoulders, and the red bow tie was almost humorous against his fierce features and lupine bone structure. Almost. Despite everything Levana had tried to do to him, Cinder had to admit that he was still handsome, with his olive skin and vivid green eyes and unkempt hair. Most of all, though, it was the look he was giving Scarlet, which would have taken away the breath of any girl. Kai and Thorne were there, too, each of them standing with their hands in their pockets, rocking back on their heels with supremely smug looks on their faces, like they were daring anyone to suggest it wasn't the most beautiful impromptu wedding ever created.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
The Poet Ridiculed by Hysterical Academics" Is it, then, your opinion Women are putty in your hands? Is this the face to launch upon A thousand one night stands? First, please, would you be so kind As to define your contribution To modern verse, the Western mind And human institutions? Where, where is the long, flowing hair, The velvet suit, the broad bow tie; Where is the other-worldly air, Where the abstracted eye? Describe the influence on your verse Of Oscar Mudwarp’s mighty line, The theories of Susan Schmersch Or the spondee’s decline. You’ve labored to present us with This mouse-sized volume; shall this equal The epic glories of Joe Smith? He’s just brought out a sequel. Where are the beard, the bongo drums, Tattered T-shirt and grubby sandals, As who, released from Iowa, comes To tell of wondrous scandals? Have you subversive, out of date, Or controversial ideas? And can you really pull your weight Among such minds as these? Ah, what avails the tenure race, Ah, what the Ph.D., When all departments have a place For nincompoops like thee?
W.D. Snodgrass
The faith itself was simple; he believed in the dignity of man. His ancestors were Huguenots, refugees of a chained and bloody Europe. He had learned their stories in the cradle. He had grown up believing in America and the individual and it was a stronger faith than his faith in God. This was the land where no man had to bow. In this place at last a man could stand up free of the past, free of tradition and blood ties and the curse of royalty and become what he wished to become. This was the first place on earth where the man mattered more than the state. True freedom had begun here and it would spread eventually over all the earth. But it had begun HERE. The fact of slavery upon this incredibly beautiful new clean earth was appalling, but more even than that was the horror of old Europe, the curse of nobility, which the South was transplanting to new soil. They were forming a new aristocracy, a new breed of glittering men, and Chamberlain had come to crush it. But he was fighting for the dignity of man and i that way he was fighting for himself. If men were equal in America, all the former Poles and English and Czechs and blacks, then they were equal everywhere, and there was really no such thing as foreigner; there were only free men and slaves. And so it was not even patriotism but a new faith. The Frenchman may fight for France, but the American fights for mankind, for freedom; for the people, not the land.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
Sometimes, as a great treat, I was allowed to remove Nursie's snowy ruffled cap. Without it, she somehow retreated into private life and lost her official status. Then, with elaborate care, I would tie a large blue satin ribbon round her head - with enormous difficulty and holding my breath, because tying a bow is no easy matter for a four-year-old. After which I would step back and exclaim in ecstasy: "Oh Nursie, you ARE beautiful!" At which she would smile and say in her gentle voice: "Am I, love?
Agatha Christie (Agatha Christie: An Autobiography)
They were in love with him because he was a prince and a faerie and magical and you were supposed to love princes and faeries and magic people. They loved him the way they’d loved Beast the first time he swept Belle around the dance floor in her yellow dress. They loved him as they loved the Eleventh Doctor with his bow tie and his flippy hair and the Tenth Doctor with his mad laugh.
Holly Black (The Darkest Part of the Forest)
Reality is greater than the sum of its parts, also a damn sight holier. And the lives of such stuff as dreams are made of may be rounded with a sleep but they are not tied neatly with a red bow. Truth doesn’t run on time like a commuter train, though time may run on truth. And the Scenes Gone By and the Scenes to Come flow blending together in the sea-green deep while Now spreads in circles on the surface.
Ken Kesey (Sometimes a Great Notion)
The sight of the freshly swept floors and neatly furled curtains unsettled Wilder. He pulled the drawers on to the floor, heaved the mattresses off the beds, and urinated into the bath. His burly figure, trousers open to expose his heavy genitalia, glared at him from the mirrors in the bedroom. He was about to break the glass, but the sight of his penis calmed him, a white club hanging in the darkness. He would have liked to dress it in some way, perhaps with a hair-ribbon tied in a floral bow.
J.G. Ballard (High-Rise)
It wasn’t beautiful. A Winter wedding is a union of elation and depression, red velvet blankets in a cheap motel room stained with semen from sex devoid of meaning, and black mold clinging to the fringe of floral shower curtains like a heap of dead forevers. You sat down at the foot of the bed, looking at me like I had already
driven away. I was thinking about watching CNN. How fucked up is that? I wanted to know that your second hand, off-white dress, and my black polyester bow tie wasn’t as tragic as a hurricane devouring a suburb, or a train derailment in no where, Virginia, ending the lives of two young college hopefuls. I was naïve. I thought that there were as many right ways to feel love as the amount of
 pubic hair, 
 belly lint, and 
scratch marks abandoned by lovers in our honeymoon suite. When you looked at me in bed that night, I put my hand on your chest to feel a little more human. I don’t know what to call you; a name does not describe the aches, or lack of. This love is unusual and comfortable. If you were to leave, I know I’d search for days, in newspapers and broadcasts, in car accidents and exposés on genocide in Kosovo. (How do I address this? How is one to feel about a love without a name?) My heart would be ambivalent, too scared to look for you behind the curtains of the motel window, outside in the abyss of powder and pay phones because I don’t know how to love you. -Kosovo
Lucas Regazzi
Qhuinn dived into the plane, pulled himself into the pilot’s seat, and tried to make sense of all the…fucking hell, there were a lot of dials. The only saving grace he had was that he’d— Rat-tat-tat-tat! —watched enough movies to know that the lever with the grip was the gas and the bow tie–shaped wheel was the thing you pulled up to go up, and pushed down to go down. “Fuck,” he muttered as he stayed in a tuck position as much as he could.
J.R. Ward
It may surprise you to learn that at this moment, Sunny resembled the famous Greek conqueror Alexander the Great. Alexander the Great lived more than two thousand years ago, and his last name was not actually "The Great." "The Great" was something that he forced people to call him, by bringing a bunch of soldiers into their land and proclaiming himself king. Besides invading other people's countries and forcing them to do whatever he said, Alexander the Great was famous for something called the Gordian Knot. The Gordian Knot was a fancy knot tied in a piece of rope by a king named Gordius. Gordius said that if Alexander could untie it, he could rule the whole kingdom. But Alexander who was too busy conquering places to learn how to untie knots, simply drew his sword and cut the Gordian Knot in two. This was cheating, of course, but Alexander had too many soldiers for Gordius to argue, and soon everybody in Gordium had to bow down to You-Know-Who the Great. Ever since then, a difficult problem can be called a Gordian Knot, and if you solve the problem in a simple way - even if the way is rude - you are cutting the Gordian Knot.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
The faith itself was simple: he believed in the dignity of man. His ancestors were Huguenots, refugees of a chained and bloody Europe. He had learned their stories in the cradle. He had grown up believing in America and the individual and it was a stronger faith than his faith in God. This was the land where no man had to bow. In this place at last a man could stand up free of the past, free of tradition and blood ties and the curse of royalty and become what he wished to become. This was the first place on earth where the man mattered more than the state. True freedom had begun here and it would spread eventually over all the earth. But it had begun here. The fact of slavery upon this incredibly beautiful new clean earth was appalling, but more even than that was the horror of old Europe, the curse of nobility, which the South was transplanting to new soil. They were forming a new aristocracy, a new breed of glittering men, and Chamberlain had come to crush it.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
You're wearing a bow tie," I said necessarily. He glanced over at me. "Mom said I had to dress up for this." I heard a low snort of laughter coming through the open window above the sink. And I knew. I stalked over to the window and looked outside. There, sitting spread out on the grass, were the rest of the Bennetts. Goddamn fucking werewolves. "Hello, Ox," Elizabeth said without a jint of shame. "Lovely day, isn't it?" "I will deal with you late," I said. Ooh," Carter said. "I actually got chills from that." "We're just here for support," Kelly said. "And to laugh at how embarrassing Joe is." "I heard that!" Joe shouted from behind me. I banged my head on the windowsill. "Maggie," Joe said. Then, "May I call you Maggie?" "Sure." My mother sound like she was enjoying this. The traitor. "You can call me Maggie." "Good," Joe glanced down at his card berfore looking back up at my mother. " There comes a time in every werewolf's life when he is of age to make certain decisions about his future." I wondered if I threw something at him if it'd distract him enough for me to drag him out of the kitchen. I glanced over my shoulder out the window. Cater waved at me. Like an asshole. "My future," Joe said, "is Ox." Ah god, that made me ache. “Is that so?” Mom asked. “How do you figure?” “He’s really nice,” Joe said seriously. “And smells good. And he makes me happy. And I want to do nothing more than put my mouth on him.” “Ah well,” Thomas said. "We tried." "He's our little snowflake," Elizabeth told him. "You want to do what?!" I asked Joe incredulously. He winced. "I didn't mean to say it like that.
T.J. Klune (Wolfsong (Green Creek, #1))
Each candidate was to deliver two stool specimens to the Lovelace laboratory in Dixie cups, and days were going by and Conrad had been unable to egest even one, and the staff kept getting after him about it. Finally he managed to produce a single bolus, a mean hard little ball no more than an inch in diameter and shot through with some kind of seeds, whole seeds, undigested. Then he remembered. The first night in Albuquerque he had gone to a Mexican restaurant and eaten a lot of jalapeño peppers. They were jalapeño seeds. Even in the turd world this was a pretty miserable-looking objet. So Conrad tied a red ribbon around the goddamned thing, with a bow and all, and put it in the Dixie cup and delivered it to the lab.
Tom Wolfe (The Right Stuff)
We are all tied to Fortune, some by a loose and golden chain, and others by a tight one of baser metal: but what does it matter? We are all held in the same captivity, and those who have bound others are themselves in bonds - unless you think perhaps that the left-hand chain is lighter. One man is bound by high office, another by wealth; good birth weighs down some, and a humble origin others; some bow under the rule of other men and some under their own; some are restricted to one place by exile, others by priesthoods: all life is a servitude.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
Silly little plastic belt, made for a skinny pinny; it could barely tie around her. She managed, though - a tiny white bow. Waiting, she folded her hands and realized how every single time she went by this hospital, the same two thoughts occurred to her: that she'd been born here and that her father's body had been brought here after his suicide. She'd been through some things, but never mind. She straightened her back. Other people had been through things, too.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Amir, you look hideous.” My fiancée, Samirah al-Abbas, stared at my outfit in horrified disbelief. “Really?” I looked down at myself. “But it’s a tux!” “A baby-blue tux!” “With a matching ruffled shirt and floppy bow tie,” I said defensively. “My uncle loaned it to me. I think it’ll impress your grandparents, don’t you?” “It’s Jid and Bibi’s fiftieth wedding anniversary!” Sam sputtered. “You can’t wear—” “Samirah.” My father emerged from the kitchen. “He is pulling your leg.” Sam’s reddish-brown eyes blazed dangerously, and I suddenly realized that playing a practical joke on a Valkyrie might not be the best idea I ever had.
Rick Riordan (9 From the Nine Worlds)
Are we still tying bows?" Sadie-Grace sounded hopeful as she sat down beside me at the senator's dining room table. "I only have three things in life that I am truly gifted at, and one of them is tying bows." I shoved the basket I was currently working on in her direction. "Have at it." Sadie-Grace studied my work and got very quiet for a moment. "Sawyer," she said morosely, "what did this cellophane wrap ever do to you?
Jennifer Lynn Barnes (Little White Lies (Debutantes, #1))
He had grown up believing in America and the individual and it was a stronger faith than his faith in God. This was the land where no man had to bow. In this place at last a man could stand up free of the past, free of tradition and blood ties and the curse of royalty and become what he wished to become. This was the first place on earth where the man mattered more than the state. True freedom had begun here and it would spread eventually over all the earth. But it had begun here. The fact of slavery upon this incredibly beautiful new clean earth was appalling, but more even than that was the horror of old Europe, the curse of nobility, which the South was transplanting to new soil.
Michael Shaara (The Killer Angels: A Novel of the Civil War)
My mother’s been living alone for over ten years. She gets up at six every morning. She makes herself a coffee. She waters her plants. She listens to the news on the radio. She drinks her coffee. She has a quick wash. An hour later, at seven, her day is over. Two months ago a neighbour told her about your blog, and she asked me to buy her one of those thingummyjigs – by a thingummyjig she meant a computer. And since then, thanks to your trimmings, your ribbon bows, your tie-backs for curtains, she’s rediscovered the joys of life. So don’t tell me you don’t know any answers.
Grégoire Delacourt (La liste de mes envies)
Well, what’s all this now?’ exclaimed Woland. ‘Why have you gilded your whiskers? And what the devil do you need the bow-tie for, when you’re not even wearing trousers?’ ‘A cat is not supposed to wear trousers, Messire,’ the cat replied with great dignity. ‘You’re not going to tell me to wear boots, too, are you? Puss-in-Boots exists only in fairy tales, Messire. But have you ever seen anyone at a ball without a bow-tie? I do not intend to put myself in a ridiculous situation and risk being chucked out! Everyone adorns himself with what he can. You may consider what I’ve said as referring to the
Mikhail Bulgakov (The Master and Margarita)
Would you like to dance?" I knew I had frosting on my nose. Alex leaned over and wuped it off with his thumb. "Well?" I could only nod. I had a full mouth, too. I stood up, swallowed, and accepted the napkin he was holding. "You're here." "I'm here," he agreed, like it hadn't been a ridiculous thing to say. "I am crashing your sister's wedding. Hope she won't mind." "She won't mind." He was wearing a tux. A real tux, complete with bow tie and silk lapels. I stroked one. "I'm guessing this isn't a rental." He squirmed a little. "No, it's mine. Nice dress." I looked down at the snug purple monstrosity my sister had chosen. At least it had a mandarin collar and some sleeves. "It's a cheongsam," she'd announced proudly. "It's Eggplant Ho Lee Mess" was Frankie's take. My pear-shaped cousin Vanessa got strapless. Now she looked like an eggplant. "You look beautiful," Alex said, but the corner of his mouth was twitching. "Well,you look like...like..." I sighed. "Okay, you look really really good." Then, again, "You're here." "I'm here." "Why?" "I missed you," he said simply. "It's only been four days." "A very,very long four days. But your e-mail helped." He reached for my hand. "Now,are we dancing or not?" We did, and it wasn't as complicated as I'd thought it might be. I stood on my toes, he bent down a little, and we fit together pretty well. The song ended way too soon. "So," Alex said. "So." "We can stay here if you want to...or if you have to. But I have another suggestion. Let's go watch the sun rise." It sounded like a good idea to me. Except... "It's ten o'clock. And it's freezing out there." "Trust me," he said. "okay.
Melissa Jensen (The Fine Art of Truth or Dare)
The most common hit I get is the cringeworthy “You’re autistic? Well, you must be very high-functioning.” Sigh. I understand what they’re trying to say. Really, I do. They mean to be kind. The implication is “I don’t see many—if any—of the clearly debilitating characteristics I associate with autism when I talk to you. So, good on you. You’re not bad off!” Only that’s not a compliment at all. It’s a comparison based on the premise that “autistic” is an insult. A stigma. Or at least a bad thing. Because the only reason someone thinks of me as “high-functioning” is by holding me up to someone who is no more or less autistic—just more obviously challenged—and deciding that they are “lower-functioning.” Really, it’s no different than saying, “Oh! Well, good for you. You’re not too ugly. That gal over there? She’s royally ugly.” Lack of understanding tied up with a bow of condescension.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
In a funny way, Dad was always a bow-tie wearer, always a little more traditional than you might imagine. Because even though he had blue hair and tattoos and wore leather jackets and worked in a record store, he wanted to marry Mom back at a time when the rest of their friends were still having drunken one-night stands. "Girlfriend is such a stupid word," he said. "I couldn't stand calling her that. So, we had to get married, so I could call her "wife"'.
Gayle Forman (If I Stay (If I Stay, #1))
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
Gabriel García Márquez (One Hundred Years of Solitude)
He had grown up believing in America and the individual and it was a stronger faith than his faith in God. This was the land where no man had to bow. In this place at last a man could stand up free of the past, free of tradition and blood ties and the curse of royalty and become what he wished to become. This was the first place on earth where the man mattered more than the state. True freedom had begun here and it would spread eventually over all the earth. But it had begun here. The fact of slavery upon this incredibly beautiful new clean earth was appalling, but more even than that was the horror of old Europe,
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES
Valentina Hepburn (A Dish of Stones)
Having never had dealings with Bow Street, Lady Fieldhurst was not quite certain what to expect: perhaps a stout fellow past his prime, befuddled with sleep or spirits, with a bulbous red nose—the same sort as might be found in any number of watchmen’s boxes across the metropolis. The individual who entered the room in [the footman's] wake, however, was very nearly her own age. To be sure, his nose was somewhat crooked, as if it had been broken at some point, but it was far from bulbous, and it was certainly not red. He was quite tall, almost gangly, with curling brown hair tied at the nape of his neck in an outmoded queue. He wore an unfashionably shallow-crowned hat and a black swallow-tailed coat of good cloth but indifferent cut; indeed, his only claim to fashion lay in the quizzing glass which hung round his neck from a black ribbon, and which he now raised, the resulting magnification revealing his eyes to be a warm brown. Julia might have been much reassured as to his competence, had it not been for the fact that his mouth hung open as from a rusty hinge.
Sheri Cobb South (In Milady's Chamber (John Pickett Mysteries, #1))
Mostly, they were ashamed of us. Our floppy straw hats and threadbare clothes. Our heavy accents. Every sing oh righ? Our cracked, callused palms. Our deeply lined faces black from years of picking peaches and staking grape plants in the sun. They longed for real fathers with briefcases who went to work in a suit and tie and only mowed the grass on Sundays. They wanted different and better mothers who did not look so worn out. Can't you put on a little lipstick? They dreaded rainy days in the country when we came to pick them up after school in our battered old farm trucks. They never invited over friends to our crowded homes in J-town. We live like beggars. They would not be seen with us at the temple on the Emperor's birthday. They would not celebrate the annual Freeing of the Insects with us at the end of summer in the park. They refused to join hands and dance with us in the streets on the Festival of the Autumnal Equinox. They laughed at us whenever we insisted that they bow to us first thing in the morning and with each passing day they seemed to slip further and further from our grasp.
Julie Otsuka (The Buddha in the Attic)
Beauty doesn’t take away the pain of suffering or vulnerability. It’s not like cicada song or good coffee make it hurt any less to lose a spouse or a friendship, or even just to have a hard day. But in the times when we think anguish and dimness are all there is in the world, that nothing is lovely or solid, beauty is a reminder that there is more to our stories than sin, pain, and death. There is eternal brilliance. It’s not quite enough to resolve our questions or tie anything up in a nice metaphysical bow, but sometimes it is enough to get us through the next hour. And in enduring a mystery, we need just enough light to take one more step.
Tish Harrison Warren (Prayer in the Night: For Those Who Work or Watch or Weep)
On a broad level, speculative fiction is about encounters with the unknown, whether that takes the form of aliens or werewolf or eldritch creatures beyond mortal ken. Similarly, much of the diaspora experience is tied to uncertainty. You journey to a strange land you’ve only heard about in stories, one where the language is unfamiliar and the customs perplexing. You have a few things with you—a sword, a bow, a bag full of spells and paperwork for a Green Card application—but it’s still a terrifying experience. While part of that terror is necessarily tied to survival, another element is the fear of change—the literal change in environment and the ways you change in response. For both SFF protagonists and new immigrants, there’s the major question of how much you choose to fight against or welcome those change while maintaining vestiges of your previous self.
Cynthia Zhang
There was Bonnie, the rabbit. His fur was a bright blue, his squared-off muzzle held a permanent smile, and his wide and chipped pink eyes were thick-lidded, giving him a perpetually worn-out expression. His ears stuck up straight, crinkling over at the top, and his large feet splayed out for balance. He held a red bass guitar, blue paws poised to play, and around his neck was a bow tie that matched the instrument’s fiery color. Chica the Chicken was more bulky and had an apprehensive look, thick black eyebrows arching over her purple eyes and her beak slightly open, revealing teeth, as she held out a cupcake on a platter. The cupcake itself was somewhat disturbing, with eyes set into its pink frosting and teeth hanging out over the cake, a single candle sticking out the top. “I always expected the cupcake to jump off the plate.” Carlton gave a half laugh and cautiously stepped up to Charlie’s side. “They seem taller than I remember,” he added in a whisper. “That’s because you never got this close as a kid.” Charlie smiled, at ease, and stepped closer. “You were busy hiding under tables,” Jessica said from behind them, still some distance away. Chica wore a bib around her neck with the words LET’S EAT! set out in purple and yellow against a confetti-covered background. A tuft of feathers stuck up in the middle of her head. Standing between Bonnie and Chica was Freddy Fazbear himself, namesake of the restaurant. He was the most genial looking of the three, seeming at ease where he was. A robust, if lean, brown bear, he smiled down at the audience, holding a microphone in one paw, sporting a black bow tie and top hat. The only incongruity in his features was the color of his eyes, a bright blue that surely no bear had ever had before him. His mouth hung open, and his eyes were partially closed, as though he had been frozen in song.
Scott Cawthon (The Silver Eyes (Five Nights at Freddy's, #1))
But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.
Emma Chase (Royally Matched (Royally, #2))
Just let me grab my thinking cap,” she told him, heading for her locker. The long floppy hat was required during midterms, designed to restrict Telepaths and preserve the integrity of the tests—not that anything could block Sophie’s enhanced abilities. But after the exams, the hats became present sacks, and everyone filled them with treats and trinkets and treasures. “I’ll need to inspect your presents before you open them,” Sandor warned as he helped Sophie lift her overstuffed hat. “That’s perfect,” Fitz said. “While he does that, you can open mine.” He pulled a small box from the pocket of his waist-length cape and handed it to Sophie. The opalescent wrapping paper had flecks of teal glitter dusted across it, and he’d tied it with a silky teal bow, making her wonder if he’d guessed her favorite color. She really hoped he couldn’t guess why. . . . “Hopefully I did better this year,” Fitz said. “Biana claimed the riddler was a total fail.” The riddle-writing pen he’d given her last time had been a disappointment, but . . . “I’m sure I’ll love it,” Sophie promised. “Besides. My gift is boring.” Sandor had declared an Atlantis shopping trip to be far too risky, so Sophie had spent the previous day baking her friends’ presents. She handed Fitz a round silver tin and he popped the lid off immediately. “Ripplefluffs?” he asked, smiling his first real smile in days. The silver-wrapped treats were what might happen if a brownie and a cupcake had a fudgey, buttery baby, with a candy surprise sunken into the center. Sophie’s adoptive mother, Edaline, had taught her the recipe
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
Poem: Roses And Rue (To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love's song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird's throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair - did I tie it? For it always ran riot - Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face - Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, 'You have only wasted your life.' (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets' hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God's heaven and hell.
Oscar Wilde (Selected Poems)
Homer's Hymn to Venus Published by Garnett, "Relics of Shelley", 1862; dated 1818. Verses 1-55, with some omissions. Muse, sing the deeds of golden Aphrodite, Who wakens with her smile the lulled delight Of sweet desire, taming the eternal kings Of Heaven, and men, and all the living things That fleet along the air, or whom the sea, Or earth, with her maternal ministry, Nourish innumerable, thy delight All seek ... O crowned Aphrodite! Three spirits canst thou not deceive or quell:— Minerva, child of Jove, who loves too well Fierce war and mingling combat, and the fame Of glorious deeds, to heed thy gentle flame. Diana ... golden-shafted queen, Is tamed not by thy smiles; the shadows green Of the wild woods, the bow, the... And piercing cries amid the swift pursuit Of beasts among waste mountains,—such delight Is hers, and men who know and do the right. Nor Saturn's first-born daughter, Vesta chaste, Whom Neptune and Apollo wooed the last, Such was the will of aegis-bearing Jove; But sternly she refused the ills of Love, And by her mighty Father's head she swore An oath not unperformed, that evermore A virgin she would live mid deities Divine: her father, for such gentle ties Renounced, gave glorious gifts—thus in his hall She sits and feeds luxuriously. O'er all In every fane, her honours first arise From men—the eldest of Divinities. These spirits she persuades not, nor deceives, But none beside escape, so well she weaves Her unseen toils; nor mortal men, nor gods Who live secure in their unseen abodes. She won the soul of him whose fierce delight Is thunder—first in glory and in might. And, as she willed, his mighty mind deceiving, With mortal limbs his deathless limbs inweaving, Concealed him from his spouse and sister fair, Whom to wise Saturn ancient Rhea bare. but in return, In Venus Jove did soft desire awaken, That by her own enchantments overtaken, She might, no more from human union free, Burn for a nursling of mortality. For once amid the assembled Deities, The laughter-loving Venus from her eyes Shot forth the light of a soft starlight smile, And boasting said, that she, secure the while, Could bring at Will to the assembled Gods The mortal tenants of earth's dark abodes, And mortal offspring from a deathless stem She could produce in scorn and spite of them. Therefore he poured desire into her breast Of young Anchises, Feeding his herds among the mossy fountains Of the wide Ida's many-folded mountains,— Whom Venus saw, and loved, and the love clung Like wasting fire her senses wild among.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her. 'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling. Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet. Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart. She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. 'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees. After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, "Let the children come!" and they ran from the trees toward her. "Let your mothers hear you laugh,"she told them, and the woods rang. The adults looked on and could not help smiling. Then "Let the grown men come," she shouted. They stepped out one by one from among the ringing trees. "Let your wives and your children see you dance," she told them, and groundlife shuddered under their feet. Finally she called the women to her. “Cry,” she told them. “For the living and the dead. Just cry.” And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart…“Here,” she said, “in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it… No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them! Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ‘cause they don’t love that either. You got to love it - you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed…What you put into it to nourish your body they will snatch away and give leavins instead. No they don’t love your mouth. You got to love it." "This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And oh my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it, and hold it up. And all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver - love it, love it, and the beat and beating heart, love that too. More than eyes or feet…More than your life-holding womb and your live-giving private parts, hear me now, love your heart. For this is the prize."" -Baby Suggs
Toni Morrison (Beloved (Beloved Trilogy, #1))