Bovine Sayings And Quotes

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So, now I've been to see a drug counselor who told me I need to lay off the drugs and talk about my feelings, and a shrink who heard what I had to say and immediately put me on drugs.
Libba Bray (Going Bovine)
I'm just saying it's not all sand castles and ninjas.
Libba Bray (Going Bovine)
Oh shit! Can you say 'fuck' in a graveyard or will it jinx you with the undead?
Libba Bray (Going Bovine)
You don't know me, dude," he says, not smiling this time. Gonzo examines his cards, prepping for his next move. "People always think that they know other people, but they don't. Not really. I mean, maybe they know things about them, like they won't eat doughnuts or they like action movies or whatever. But they don't know what their friends do in their rooms alone at night or what happened to them when they were kids or if they feel ****ed up for no reason at all.
Libba Bray (Going Bovine)
For studying courage in textbooks doesn’t make you any more courageous than eating cow meat makes you bovine. By some mysterious mental mechanism, people fail to realize that the principal thing you can learn from a professor is how to be a professor—and the chief thing you can learn from, say, a life coach or inspirational speaker is how to become a life coach or inspirational speaker. So remember that the heroes of history were not classicists and library rats, those people who live vicariously in their texts. They were people of deeds and had to be endowed with the spirit of risk taking
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life)
Oh, hello," Dr. M says, shaking Balder's hand. "Wonderful costume. I'm a bit of a role player myself on the weekends. Tell me, where did you get the helmet?" It was forged in the North, blessed by the hands of Odin, given to me by my mother, Frigg," Balder answers. Lovely. I got mine on the Internet.
Libba Bray
Mom's crying a bit, quietly, the way she always does. She never utters a sound even when she's crying, and that makes me a little sad. Doesn't seem right. When you cry, people should hear you. The world should stop. I squeeze Mom's hand and she squeezes back. I don't say anything, but at least she knows I've heard her. (Going Bovine)
Libba Bray
Maybe there’s a heaven, like they say, a place where everything we’ve ever done is noted and recorded, weighed on big karma scales. Maybe not. Maybe this whole thing is just a giant experiment run by aliens who find out human hijinks amusing. Or maybe we’re an abandoned project started by a deity who checked out a long time ago, but we’re still hard-wired to believe, to try to make meaning out of the seemingly random. Maybe we’re all part of the same unconscious stew, dreaming the same dreams, hoping the same hopes, needing the same connection, trying to find it, missing, trying again—each of us playing our parts in the other’s plotlines, just one big ball of human yarn tangled up together. Maybe this is it.
Libba Bray
And at midnight there came an apparition in hell. A handsome dark-eyed man with a dagger-like beard, in a tailcoat, stepped onto the veranda and cast a regal glance over his domain. They used to say, the mystics used to say, that there was a time when the handsome man wore not a tailcoat but a wide leather belt with pistol butts sticking out from it, and his raven hair was tied with scarlet silk, and under his command a brig sailed the Caribbean under a black death flag with a skull and crossbones. But no, no! The seductive mystics are lying, there are no Caribbean Seas in the world, no desperate freebooters to sail them, no corvette chases after them, no cannon smoke drifts across the waves. There is nothing, and there was nothing! There is that sickly linden over there, there is the cast-iron fence, and the boulevard beyond it…And the ice is melting in the bowl, and at the next table you see someone’s bloodshot, bovine eyes, and you’re afraid, afraid…Oh, gods, my gods, poison, bring me poison!...
Mikhail Bulgakov (The Master and Margarita)
She dances a little jig. "This would make one hell of a TV show, huh?" "Yeah. But no one would believe it." I should let it go. But it's like the hole, like the door, and I have to know. Or at least, I have to ask. "Hey, Dulcie, was any of that real?" She finishes her dance and the wings come to rest. "Who's to say what's real or not?" "Yeah, but--my barometer on reality, not so good since I started going crazy. "Yeah, well, who but the mad would choose to keep on living? In the end, aren't we all just a little crazy?
Libba Bray (Going Bovine)
He loved her very much. She inspired his work. He used to say, 'There is no meaning but what we assign to life, and she is my meaning.
Libba Bray (Going Bovine)
This? This is Putopia," says Dr. A, the tall guy with the curly hair who was trying to catch the grape in his mouth. He's wearing a T-shirt under his lab coat that reads MY BANG THEORY IS BIGGER THAN YOURS. "Putopia?" I repeat. "Yes. Putopia. It stands for Parallel Universe Travel Office... pia.
Libba Bray (Going Bovine)
Defining words properly is a fine and peculiar craft. There are rules—a word (to take a noun as an example) must first be defined according to the class of things to which it belongs (mammal, quadruped), and then differentiated from other members of that class (bovine, female). There must be no words in the definition that are more complicated or less likely to be known that the word being defined. The definition must say what something is, and not what it is not. If there is a range of meanings of any one word—cow having a broad range of meanings, cower having essentially only one—then they must be stated. And all the words in the definition must be found elsewhere in the dictionary—a reader must never happen upon a word in the dictionary that he or she cannot discover elsewhere in it. If the definer contrives to follow all these rules, stirs into the mix an ever-pressing need for concision and elegance—and if he or she is true to the task, a proper definition will probably result.
Simon Winchester (The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary)
So, what's your type?" Gonzo asks a few minutes later. ... "Staci Johnson. Dude, I feel like I need to shave my insides when you say that.
Libba Bray (Going Bovine)
Many and various are the New York tales that are told of professor Sidney Morgenbesser. During a conference of linguistic philosophers at Columbia University, he interrupted the pompous J. L. Austin, who was saying that while many double negatives express a positive—as in “not unattractive”—there is no example in English of a double positive expressing a negative. Morgenbesser’s interjection took the form of the two words “Yeah, yeah.” Or it could have been “Yeah, right.” On another occasion, he put his pipe in his mouth as he was ascending the subway steps. A policeman approached and told him that there was no smoking on the subway. Morgenbesser explained—pointed out might be a better term—that he was leaving the subway, not entering it, and had not yet lit up. The cop repeated his injunction. Morgenbesser reiterated his observation. After a few such exchanges, the cop saw he was beaten and fell back on the oldest standby of enfeebled authority: “If I let you do it, I’d have to let everyone do it.” To this the old philosopher replied, “Who do you think you are—Kant?” His last word was misconstrued, and the whole question of the categorical imperative had to be hashed out down at the precinct house. Morgenbesser walked. That, in my opinion, is the way that New York is supposed to be. Irony and a bit of sass, combined with a pugnacious independence, should always stand a chance against bovine officials who have barely learned to memorize such demanding mantras as “zero tolerance” and “no exceptions.” Today, the professor would be stopped, insulted, ticketed, and told that if he didn’t like it he could waste a day in court, or several days dealing with the bureaucracy, or both.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
So are you,” we say, and we push the tape into place over his mouth and go back to work, winding up into well-earned bliss as the climax of our sharp symphony blares up out of the cheerful growing moonlight, and the music takes us higher and higher until finally, slowly, carefully, joyfully, it comes to its final triumphant chord and releases everything into the warm wet night: everything. All the anger, unhappiness and tension, all the cramped confusion and frustration of the everyday pointless life we are forced to trudge through just to make this happen, all the petty meaningless blather of trying to blend with bovine humanity—it is all gone, all of it shooting up and out and away into the welcoming darkness—and with it, trailing along like a battered and beaten puppy, all that might have been left inside the wicked, tattered husk of Steve Valentine. Bye-bye, Puffalump.
Jeff Lindsay (Double Dexter (Dexter #6))
if there’s anything I’m starting to learn about people it’s (a) that they are fundamentally suspicious and afraid of anyone who is “different,” and (b) that fear makes them do and say asinine things.
Libba Bray (Going Bovine)
Allie’s mouth quivered, “Oh how I love my flyboy.” I sure am glad. That ring isn’t returnable.” She reached up and caressed his cheek. “Return it? An entire bovine army couldn’t get it away from me.” “Good because loving you is better than-well, I was about to say it’s better than flying but….” Allie’s eyebrows lifted, then relaxed. She knew he was teasing. Walt grinned and kissed her. “Yeah it’s even better than flying.
Sarah Sundin (A Distant Melody (Wings of Glory, #1))
Moo,” said my bovine buddy reminding me just to be grateful. “Yeah, I know,” I admitted. “At least I won’t have to worry about starving. In fact, I think there’s a saying where I come from: Don’t live to eat, just eat to live.” I looked up at the setting sun, thinking of tonight’s zombies in a whole new way. “Thank you,” I told Moo, milking her for another pail, “not just for this, but for, you know, everything, even after what I almost did to you.” And then my generous, nurturing, unbelievably awesome pal gave me the third and final gift of friendship that day. “Moo,” she said, which I knew meant, “I forgive you.
Max Brooks (Minecraft: The Island)