Boutique Quotes

We've searched our database for all the quotes and captions related to Boutique. Here they are! All 100 of them:

Les boutiques de fleuristes n'ont jamais de rideau de fer. Personne ne cherche à voler des fleurs.
Boris Vian
With a quick twist to her heart, Cress's fear of him began to subside. She'd been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
My lesson from Soros is to start every meeting at my boutique by convincing everyone that we are a bunch of idiots who know nothing and are mistake-prone, but happen to be endowed with the rare privilege of knowing it.
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto, #1))
This is beautiful," I said, ignoring the shop window to trace the gleaming stone walls fronting another boutique. "You know what's funny?" Jacob asked. He didn't wait for my answer. "You can see beauty in everything, except for yourself." *** I swallowed hard. Erik thought my body was beautiful, Karin that it was enviable. At random times, people had noted that my hands were beautiful, or my hair. The Twisted Sisters had called my art beautiful. Mom had the best intentions and always told me before and after my laser surgeries that I would be beautiful. But no one had ever said that I was beautiful, all my parts taken together, not just the bits and pieces.
Justina Chen (North of Beautiful)
We passed through a supermarket, a clothing boutique with the latest in Viking fashions, and an IKEA outlet (naturally).
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
أحسست بأن الإحباط يستولى علىّ ، بل أكثر من الإحباط ، اليأس الذى يتملكك عندما تُدرك أنك رغم جهدك وميزاتك وكل إرادتك الطيبة ترتطم بعقبة منيعة لا قبل لك بالتغلب عليها.
Patrick Modiano (Rue des Boutiques Obscures)
She had the right idea, old man, don't you think - to disappear before it gets too late?
Patrick Modiano (Rue des Boutiques Obscures)
أيمكن أن لا يتذكر المرء مكاناً قضى فيه بعضاً من حياته.
Patrick Modiano (Rue des Boutiques Obscures)
I hate to make the comparison here, but think of me as one of those expensive boutiques. If you have to ask about the cost, you probably can’t afford me.
Cherie Priest (Bloodshot (Cheshire Red Reports, #1))
Nice is a city of ghosts and specters, but I hope not to become one of them right away.
Patrick Modiano (Rue des Boutiques Obscures)
EVE WASN’T SURE WHAT IT SAID ABOUT HER that she was more comfortable in the morgue than in a baby boutique.
J.D. Robb (Born in Death (In Death, #23))
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
Eric Roth (The Curious Case of Benjamin Button Screenplay)
I remember still how full of bad magic all those spearpoints to be put on the ends of rifles seemed to be. One was like a sharpened curtain rod. Another was triangular in cross-section, so that the wound it made wouldn't close up again and keep the blood and guts from falling out. Another one had sawteeth - so it could work its way through bone, I guess. I can remember thinking that war was so horrible that, at last, thank goodness, nobody could ever be fooled by romantic pictures and fiction and history into marching to war again. Nowadays, of course, you can buy a machine gun with a plastic bayonet for your little kid at the nearest toy boutique.
Kurt Vonnegut Jr. (Bluebeard)
Did you see her again in France?" I asked him.” “No. When I got to France, she was already dead. She committed suicide ...” “Why?” “She often told me she was frightened of getting old...
Patrick Modiano (Rue des Boutiques Obscures)
Je crois qu'on entend encore dans les entrées d'immeubles l'écho des pas de ceux qui avaient l'habitude de les traverser et qui, depuis, ont disparu. Quelque chose continue de vibrer après leur passage, des ondes de plus en plus faibles, mais que l'on capte si l'on est attentif.
Patrick Modiano
لا يجب أن يتزوج الرجل بامرأة تصغره بكثير .. أبداً.
Patrick Modiano (Rue des Boutiques Obscures)
Trump liked to portray his business as an empire, it was actually a discrete holding company and boutique enterprise, catering more to his peculiarities as proprietor and brand representative than to any bottom line or other performance measures.
Michael Wolff (Fire and Fury: Inside the Trump White House)
I missed the anonymity-the ability to run to the market without running into my third-grade teacher. I missed the nightlife-the knowledge that if I wanted to, there was always an occasion to get dressed up and head out for dinner and drinks. I missed the restaurants-the Asian, the Thai, the Italian the Indian. I was already tired of mashed potatoes and canned green beans. I missed the culture- the security that comes from being on the touring schedule of the major Broadway musicals. I missed the shopping-the funky boutiques, the eclectic shops, the browsing. I missed the city.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
falafel joint, jazz joint, gyro joint, corner. Schoolyard, creperie, realtor, corner. Tenement, tenement, tenement museum, corner. Pink Pony, Blind Tiger, muffin boutique, corner. Sex shop, tea shop, synagogue, corner. Bollywood, Buddha, botanica, corner. Leather outlet, leather outlet, leather outlet, corner. Bar, school, bar, school. People's Park, corner. Tyson mural, Celia Cruz mural, Ladi Di mural, corner. Bling shop, barbershop, car service corner.
Richard Price (Lush Life)
هناك أيام يتملكنى فيها الخوف بحيث أُلازم الفراش.
Patrick Modiano (Rue des Boutiques Obscures)
إن للناس قطعاً حيوات مستقلة ، وأصدقائهم لا يعرفون بعضهم البعض. وهذا يدعو للأسف.
Patrick Modiano (Rue des Boutiques Obscures)
All babies are born naked, but soon after some are dressed in expensive clothes bought at the best boutiques, while the majority wear rags.
Yanis Varoufakis (Talking to My Daughter About the Economy: or, How Capitalism Works—and How It Fails)
أظن أننا لا نزال نسمع فى مداخل البيوت أصداء خطوات الذين سبقونا فى عبوره ، والذين اختفوا بعد ذلك. إن شيئاً يستمر فى الاهتزاز بعد مرورهم .. موجات تزداد ضعفاً شيئاً فشيئاً ، ولكننا نحس بها إذا انتبهنا جيداً.
Patrick Modiano (Rue des Boutiques Obscures)
Delivered to oblivion...growing and flowering with incense and weeds to the sullen whine of nasty flies... I loved deserts, burnt out orchards, faded boutiques...I dragged myself down stinking alleyways... General, if there's an old cannon left, aim for the glass of splendid shops, into the living rooms...make the city eat its own dust.
Arthur Rimbaud (A Season in Hell)
إن المستقبل لا يهم ، المهم هو الماضى.
Patrick Modiano (Rue des Boutiques Obscures)
{elle etait} étourdie et ornée comme une boutique foraine
Guy de Maupassant
Fairmont wasn’t a place where we’d usually spend the afternoon. It was full of overpriced boutiques, overpriced coffee, and Mossley Academy, which was full of overpriced assholes.
Stephanie Perkins (My True Love Gave to Me: Twelve Holiday Stories)
En somme, chercher la vérité c'est passer de la vitrine d'une boutique à une autre.
J. Krishnamurti (Freedom from the Known)
Then to Misty's Spice Boutique for food so bland and inambitious I doubt it'll ever aspire to become shit. It'll probably just sit in my colon yawning
M. Suddain (Hunters & Collectors)
She smoothed her skirt around her knees. “This Scarlet … you’re in love with her, aren’t you?” He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. “She’s my alpha,” he murmured, with a haunting sadness in his voice. Alpha. Cress leaned forward, propping her elbows on her knees. “Like the star?” “What star?” She stiffened, instantly embarrassed, and scooted back from him again. “Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she’s … like … your brightest star.” Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was. But instead of sneering or laughing, Wolf sighed. “Yes,” he said, his gaze climbing up to the full moon that had emerged over the city. “Exactly like that.” With a quick twist to her heart, Cress’s fear of him began to subside. She’d been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Hutte, for instance, used to quote the case of a fellow he called "the beach man." This man had spent forty years of his life on beaches or by the sides of swimming pools, chatting pleasantly with summer visitors and rich idlers. He is to be seen, in his bathing costume, in the corners and backgrounds of thousands of holiday snaps, among groups of happy people, but no one knew his name and why he was there. And no one noticed when one day he vanished from the photographs. I did not dare tell Hutte, but I felt that "the beach man" was myself. Though it would not have surprised him if I had confessed it. Hutte was always saying that, in the end, we were all "beach men" and that "the sand" - I am quoting his own words - "keeps the traces of our footsteps only a few moments.
Patrick Modiano (Rue des Boutiques Obscures)
The end had left them stiff and fragile, unable to accept that the suburbs were gone, that there was no more escaping the mob, no more pretending floors and toilets scrubbed themselves and reading about black people in monthly book clubs the way you’d read about the construction of London’s sewers or the history of the fur trade, as a kind of boutique curiosity, instead of actually talking to them.
Gretchen Felker-Martin (Manhunt)
Ogni vero dolore viene scritto su lastre di una sostanza misteriosa al paragone della quale il granito è burro.
Dino Buzzati (La boutique del mistero)
offensively named Bridezilla Wedding Boutique
Charlotte Fallowfield (Never The Bride (Dilbury Village #1))
Lightning flickered above the city, a crescent moon sneered through a gap in the clouds. The boutique huddled against the storm, a tiny island of light on an unlit street.
Mohsin Hamid (Moth Smoke)
If it wasn't for werewolf cousins, there'd be far fewer fashion interns, It boys, graphic novelists, bespoke shoe boutiques, and sushi-haggis fusion restaurants in the world.
Alexis Hall (Iron & Velvet (Kate Kane, Paranormal Investigator, #1))
And here he is, letting the massive steel street door click shut behind him, standing at the top of the three iron steps that lead down to the shattered sidewalk. New York is probably, in this regard at least, the strangest city in the world, so many of its denizens living as they (we) do among the unreconstructed remnants of nineteenth-century sweatshops and tenements, the streets potholed and buckling while right over there, around the corner, is a Chanel boutique. We go shopping amid the rubble, like the world's richest, best-dressed refugees.
Michael Cunningham (By Nightfall)
Une petite fille rentre de la plage, au crépuscule, avec sa mère. Elle pleure pour rien, parce qu'elle aurait voulu continuer de jouer. Elle s'eloigne. Elle a déjà tourné le coin de rue, et nos vies ne sont-elles pas aussi rapides à se dissiper dans le soir que ce chagrin d'enfant?
Patrick Modiano (Rue des Boutiques Obscures)
The boutique clothing store goes out of business approximately once a year, whereupon someone buys it, changes out the name and the scented candles, and proceeds to gently lose money for another year.
T. Kingfisher (The Hollow Places)
And at a fruit boutique called Atelier du Soleil, one beautifully proportioned mango was selling for the equivalent of one hundred dollars. "That's not your average supermarket mango," one Tokyo fruit connoisseur told me. "That mango will change your mind forever about mangoes. That mango will blow your damn mind!
Adam Platt
Sir, we do not accept any disgraceful behavior in our boutique!" the woman scolded him. "Maybe if you had a bit more disgraceful behavior in your life lady you would loosen up a little" Drake's voice retorted without hesitation. I hear her gasp "I don't even know what you are crudely trying to imply!" "I'm implying that you need to get laid
Makeandoffer (Illegal My Ass)
One has to retire eventually, Guy.
Patrick Modiano (Rue des Boutiques Obscures)
My wife's a lot younger than me ... thirty years difference . . . You should never marry a woman a lot younger than you ... Never ...
Patrick Modiano (Rue des Boutiques Obscures)
If God ever commands the spirit of wisdom to depart from me, well, I reckon that I'll never be able to compose the written word again. Not in music, and not in literature. If there is a blank page before me, it wouldn't matter if my right hand held a thousand dollar ink pen from the House of Montblanc, or an ink pen branded Paper Mate, not one word would be jotted from the ink of either or, and the page would remain blank. ("Primary Blog: The Final Post at the Boutique Domain," 2015)
Cat Ellington
The hipster narrative about gentrification isn’t necessarily inaccurate—young people are indeed moving to cities and opening craft breweries and wearing tight clothing—but it is misleading in its myopia. Someone who learned about gentrification solely through newspaper articles might come away believing that gentrification is just the culmination of several hundred thousand people’s individual wills to open coffee shops and cute boutiques, grow mustaches and buy records. But those are the signs of gentrification, not its causes. As
P.E. Moskowitz (How to Kill a City: Gentrification, Inequality, and the Fight for the Neighborhood)
drive through the village square, taking in the market cross, the pretty church, the corner shop, a café and the one boutique selling trinkets, cards and slouchy expensive clothes. All walkable from the cottage and in a dip, surrounded by the woods and the thick oak trees that stretch up to the sky.
Claire Douglas (The Couple at No. 9)
We detach our faces from our phones and rise up when the train reaches a certain station. We spill out onto the sidewalk of a wealthy town overrun with the headquarters of every major tech company. The streets are lined with palm trees and boutiques, but even here, blanketed bodies dot the doorways.
Sarah Rose Etter (Ripe)
I turn and I walk my tray to the conveyor and I drop it on the belt and I start to walk out of the Dining Hall. As I head through the Glass Corridor separating the men and women, I see Lilly sitting alone at a table. She looks up at me and she smiles and our eyes meet and I smile back. She looks down and I stop walking and I stare at her. She looks up and she smiles again. She is as beautiful a girl as I have ever seen. Her eyes, her lips, her teeth, her hair, her skin. The black circles beneath her eyes, the scars I can see on her wrists, the ridiculous clothes she wears that are ten sizes too big, the sense of sadness and pain she wears that is even bigger. I stand and I stare at her, just stare stare stare. Men walk past me and other women look at me and LIlly doesn’t understand what I’m doing or why I’m doing it and she’s blushing and it’s beautiful. I stand there and I stare. I stare because I know where I am going I’m not going to see any beauty. They don’t sell crack in Mansions or fancy Department Stores and you don’t go to luxury Hotels or Country Clubs to smoke it. Strong, cheap liquor isn’t served in five-star Restaurants or Champagne Bars and it isn’t sold in gourmet Groceries or boutique Liquor stores. I’m going to go to a horrible place in a horrible neighborhood run by horrible people providing product for the worst Society has to offer. There will be no beauty there, nothing even resembling beauty. There will be Dealers and Addicts and Criminals and Whores and Pimps and Killers and Slaves. There will be drugs and liquor and pipes and bottles and smoke and vomit and blood and human rot and human decay and human disintegration. I have spent much of my life in these places. When I leave here I will fond one of the and I will stay there until I die. Before I do, however, I want one last look at something beautiful. I want one last look so that I have something to hold in my mind while I’m dying, so that when I take my last breath I will be able to think of something that will make me smile, so that in the midst of the horror I can hold on to some shred of humanity.
James Frey
Delivered to oblivion...growing and flowering with incense and weeds to the sullen whine of nasty flies...I loved deserts, burned out orchards, faded boutiques...I dragged myself down stinking alleyways...General, if there's an old canon left, aim for the glass of splendid shops, into the living rooms...make the city eat its own dust.
Arthur Rimbaud (A Season in Hell)
I see the old even as I am looking at the new--the storefronts now occupied by up-to-date boutiques and trendy retail shops. It's almost like being in two places at the same time.
Mary Lois Timbes
Leo Obrecht was a Swiss national who controlled Sparkasse Schaffhausen, a boutique bank based in Zurich.
Kyle Mills (The Survivor (Mitch Rapp, #14))
boutique hotels where customers will receive more attention and more personalized service will become more popular and in demand
Antony Chan
The Bibbidi Bobbidi Beautiful boutique, the name filled me with dread.
Jessica Fortunato (Steam)
She’d been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha. Cress
Marissa Meyer (Cress (The Lunar Chronicles, #3))
There is so much to see—little alleys and passageways leading to courtyards with intricate stone fountains, ancient and modern sculptures, and fascinating little boutiques and shops.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Why do we need so many people on Earth? I ask you. What are they good for? They live out ludicrous lives of pointless desperation. Ninety-nine percent of the human population is so much wasted resources. Stubborn vermin, we humans are. Granted, in the past, the unwashed masses were necessary. We needed them to till our fields and fight our wars. We needed them to labor in our factories making consumer crap that we flipped back at them at a handsome profit. Alas, those days are gone. We live in a boutique economy now. Energy is abundant and cheap. Mentars and robotic labor make and manage everything. So who needs people? People are so much dead white. They eat up our profits. They produce nothing but pollution and social unrest. They drive us crazy with their pissing and moaning. I think we can all agree that Corporation Earth is in need of a serious downsizing. ... The boutique economy has no need of the masses, so let's get rid of them. But how, you ask? Not with wars, surely, or disease, famine, or mass murder. Despots have tried all these methods through the millennia, and they're never a permanent solution. No, all we need to do is buy up the ground from under their feet -- and evict them. We're buying up the planet, Bishop, fair and square. We're turning it into the most exclusive gated community in history. Now, the question is, in two hundred years, will you be a member of the landowners club, or will you be living in some tin can in outer space drinking recycled piss?
David Marusek (Mind Over Ship)
That's just how it is. You get halfway through your life and realize you've done it all wrong. You've picked the wrong jobs and followed the wrong dreams. Every decision from your cradle to the counter of an upscale children's boutique in Portland, Oregon gratingly names little fig where you now stand tethered at the age of thirty-seven for thirteen-dollars-an-hour-plus-commission has been all wrong.
Jennifer Vandever (American Tango)
Facevo due tre passi nel corridoio e mi raggiungeva la temuta voce: "Dino". Tornavo indietro. "Ci sei a colazione?" "Sì." "E a pranzo?" "E a pranzo?" Dio mio, quanto innocente e grande e nello stesso tempo piccolo desiderio c'era nella domanda. Non chiedeva, non pretendeva, domandava soltanto un'informazione. Ma io avevo appuntamenti cretini, avevo ragazze che non mi volevano bene e in fondo se ne fregavano altamente di me, e l'idea di tornare alle otto e mezzo nella casa triste, avvelenata dalla vecchiaia e dalla malattia, già contaminata dalla morte, mi repelleva addirittura, perché non si deve avere il coraggio di confessare queste orribili cose quando sono vere? "Non so" allora rispondevo "telefonerò". E io sapevo che avrei telefonato di no. E lei subito capiva che io avrei telefonato di no e nel suo "Ciao" c'era uno sconforto grandissimo. Ma io ero il figlio, egoista come sanno esserlo soltanto i figli.
Dino Buzzati (La boutique del mistero)
Vashon is an island, accessible by ferry from Seattle, mainly populated by NIMBY-ish hippies, NIMBY-ish yuppies, boutique farmers, and wizards riding recumbent bicycles. A full quarter of the children in Vashon schools are unvaccinated.
Lindy West (Shrill: Notes from a Loud Woman)
I had taken out of my pocket the photographs of us all which I had wanted to show Freddie, and among them the photo of Gay Orlov as a little girl. I had not noticed until then that she was crying. One could tell by the wrinkling of her brows. For a moment, my thoughts transported me far from this lagoon, to the other end of the world, to a seaside resort in Southern Russia where the photo had been taken, long ago. A little girl is returning from the beach, at dusk, with her mother. She is crying for no reason at all, because she would have liked to continue playing. She moves off into the distance. She has already turned the corner of the street, and do not our lives dissolve into the evening as quickly as this grief of childhood?
Patrick Modiano (Rue des Boutiques Obscures)
In all respects, Rue la Barriere is a swollen varicose vein spat out of the capital city’s bottom end, i.e., its most interesting end. The bulk of the street stretches just outside of the mall district, just passed the boutiques, and just far enough away from the suburbs. It is an afterthought and an aside—in how thoroughfares go—with a fat overgrown median, an abundance of tree shade, and a quiet disposition. With all things considered, Rue la Barriere was the very place to be if you were a dog whose life culminated in being struck by a car.
Stuart Conover (State of Horror: Louisiana Volume II (State of Horror Series))
When everybody was, you know, pushing for multiculturalism in lead institutions, it really meant filtering a few people of color or women into university departments or newsrooms, while carrying out this savage economic assault against the working poor and, in particular, poor people of color in deindustrialized pockets of the United States. Very few of these multiculturalists even noticed. I am all for diversity, but not when it is devoid of economic justice. Cornel West has been one of the great champions, not only of the black prophetic tradition, the most important intellectual tradition in our history, but the clarion call for justice in all its forms. There is no racial justice without economic justice. And while these elite institutions sprinkled a few token faces into their hierarchy, they savaged the working class and the poor, especially poor people of color. Much of the left was fooled by the identity politics trick. It was a boutique activism. It kept the corporate system, the one we must destroy, intact. It gave it a friendly face.
Chris Hedges
where there is love, there is life.
Suzie Carr (The Pet Boutique)
If you don’t ask, the answer is always no.
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
Success isn’t a gleaming, shiny mountain. It’s a pile of mistakes that you’re standing on instead of under.
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
Qué absurda la vida cuando ya todo está hecho. Todos los lugares en los que nos pudieramos imaginar se convierten en cliché bajo nuestros pies
Camille de Toledo (Punks de boutique: Confesiones de un joven a contracorriente)
Es más fácil huir del capitalismo que de tu familia
Camille de Toledo (Punks de boutique: Confesiones de un joven a contracorriente)
No. She told me she was going to marry him, to get French nationality . . . She was obsessed with getting a nationality...
Patrick Modiano (Rue des Boutiques Obscures)
In fact, trying to grow too big, too fast is one of the top—and perhaps the saddest—reasons that small businesses fail.
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
The package contained a collection of envelopes much like the first. They were all blue. They were all made of heavy paper. Good quality. The kind from one of those boutique paper stores. The front of each envelope was either illustrated in pen and ink or watercolor, and they were bundled together with an overstretched rubber band that had been doubled around them.
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
The new home fashion will be spare. This will be the return of an old WASP style: the good, frayed carpet; dogs that look like dogs and not a hairdo in a teacup, as miniature dogs back from the canine boutique do now. A friend, noting what has and will continue to happen with car sales, said America will look like Havana—old cars and faded grandeur. It won't. It will look like 1970, only without the bell-bottoms and excessive hirsuteness. More families will have to live together. More people will drink more regularly. Secret smoking will make a comeback as part of a return to simple pleasures. People will slow down. Mainstream religion will come back. Walker Percy again: Bland affluence breeds fundamentalism. Bland affluence is over.
Peggy Noonan
The hipster contingent has taken over a lot of the commercial streets, and now you can't go two blocks without running into some up-its-own-ass artisanal shop with a name that's just two random nouns thrown together with an ampersand. Satchel & Dove. Twig & Petal. Those are the places where you find out there's such a thing as boutique tarragon mayonnaise and that a baby onesie can legitimately cost sixty dollars. (p.169)
Una LaMarche (Like No Other)
Los placeres y las alegrías del capitalismo sólo sacian la mitad del ser humano. Es natural que la otra mitad se despierte alguna vez para recordar que más allá de los deseos de tener, yace el potente deseo de ser
Camille de Toledo (Punks de boutique: Confesiones de un joven a contracorriente)
George liked it so, that this island was uncompromising and hard for tourists to negotiate. Not all welcome smiles and black men in Hawaiian shirts, playing pan by the poolside. No flat, crystal beaches, no boutique hotels. Trinidad was oil-rich, didn't need tourism. Trinidadians openly sniggered at the sunburnt American women who wandered down the pavement in shorts and bikini top. Trinidad was itself; take it or leave it.
Monique Roffey (The White Woman on the Green Bicycle)
I don’t want to be the servant who buried his treasure in the backyard because he was too scared to step out and try something new. I want to be a servant who doubles or triples or quadruples everything that I can!
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
Il n'y avait rien de très distingué dans tout ceci. Ce n'était pas une belle famille ; ils n'étaient pas bien habillés ; leurs souliers étaient loin d'être imperméables ; leur garde-robe était limitée ; et Peter savait peut-être, à coup sûr même, à quoi ressemblait une boutique de prêteur sur gages, à l'intérieur. Mais ils étaient heureux, reconnaissants, contents les uns des autres et trouvaient satisfaction dans le moment présent.
Charles Dickens (A Christmas Carol)
You are giving something your customer needs or wants. When you stop focusing on what you’re getting from them and instead focus on what you’re giving to them, you can start to sell with more confidence and less awkwardness.
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
Remember, the mind likes to window shop. It fancies the life in this boutique, then wants to try on the boots in another. But the soul invests all of itself. It's not as casual or as distracted by fashion, sales, promises or ease of acquisition. It's not interested in possibility. It pitches toward destiny. That's why you will never know a sense of ease, even when you come up with answers, unless you choose to listen to the answer that will take away all questions.
Tama Kieves (This Time I Dance!: Creating the Work You Love)
She replaced her wardrobe with marvels of the season bought from boutiques of the Palais-Royal and rue de la Chaussee-d'Antin. Outfits for a ball detailed in the fashion pages of the January 1839 edition of Paris Elegant describe dresses of pale pink crépe garnished with lace and velvet roses and accessorized with white gloves, silk stockings, and white cashmere or taffeta shawls. In the spring of that year, misty tulle bonnets came into fashion worn with capes of Alencon lace - “little masterpieces of lightness and freshness.“ Her bed was her stage, raised on a platform and curtained with sumptuous pink silk drapes. The adjoining cabinet de toilette was also a courtesan’s natural habitat, its dressing table a jumble of lace, bows, ribbons, embossed vases, crystal bottles of scents and lotions, brushes and combs of ivory and silver. She indulged her sweet tooth with cakes from Rollet the patissier, glaceed fruit from Boissier, and on one occasion sent for twelve biscuits, macaroons, and maraschino liqueur.
Julie Kavanagh (The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis)
Cinnabar- orange blossom, clove, lily, a touch of patchouli." She ticked the ingredients off. "That woman picked her perfume in college in 1978, and she's worn it ever since." She looked over at me and smiled. "She thinks it defines her. She's right. And that one." She nodded toward a woman standing by the leather boots in the shoe department. "Roses and gin, one of those boutique perfumes. She likes the joke of it, but she's more traditional than she'll ever admit. I bet she has plenty of fantasies she never acts on." It was like the game I used to play, back when I read the bedsheets in the cottages at the cove, tried to figure out who the guests were, what they wanted. As we started up the escalator, a woman in her midsixties passed us going down, trailing a wake of fresh oranges behind her. "Did you know," Victoria said over her shoulder, "that if you put men in a room with just the faintest smell of grapefruit, they tend to think the women around them are six or seven years younger than they actually are?
Erica Bauermeister (The Scent Keeper)
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Money drives the Mercedes called Manhattan. Individuality and eccentricity take the bus. Gentrification, boutique hotels, prefab Olive Gardens and Home Depots are the coils tightening around the Chelsea. No more getting on bended knee to beg Stanley Bard to give you a room. In fact, the new owner, busy with intensive renovations, isn’t admitting anyone into the hotel. No doubt, if he does, it’ll be the moneyed elite, standing surrounded by their Louis Vuitton bags, checking in while dialing their iPhones. But that’s another story.
James Lough (This Ain't No Holiday Inn: Down and Out at the Chelsea Hotel 1980–1995)
Big Yellow Taxi They paved paradise Put up a parking lot With a pink hotel, a boutique And a swinging hot spot Don't it always seem to go That you don't know what you've got till it's gone? They paved paradise Put up a parking lot They took all the trees Put 'em in a tree museum And they charged the people A dollar and a half just to see 'em Don't it always seem to go That you don't know what you've got till it's gone? They paved paradise Put up a parking lot Hey farmer, farmer Put away the DDT now Give me spots on my apples But leave me the birds and the bees, please Don't it always seem to go That you don't know what you've got till it's gone? They paved paradise Put up a parking lot Late last night I heard the screen door slam And a big yellow taxi Took away my old man Don't it always seem to go That you don't know what you've got till it's gone? They paved paradise Put up a parking lot I said, "Don't it always seem to go That you don't know what you've got till it's gone? They paved paradise Put up a parking lot" They paved paradise Put up a parking lot They paved paradise Put up a parking lot
Joni Mitchell
New York is the worst-dressed rich city in the world. There is an inexplicable lost connection between the countless clothes shops, sophisticated, expensive, modern, classic, amused, serious, postmodern, and vintage, and the stuff, the schmutter that people actually put on in the morning. It’s a city where the rich dress worse than the poor. Generally poor people affect an élan that money can’t buy. Style rises from the bottom. But not in New York. There’s a one-class-fits-all, oversized blahness. They all shop in department stores and boutiques and fashionable chain stores.
A.A. Gill (To America with Love)
When you aren’t able to spend time on things you care about, you are stressed, exhausted, and frustrated because you feel the inconsistency in your life between what you care about and what you’re actually doing. Stress and anxiety are caused when there’s a disconnect between your values and your behavior.
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
In addition to taking your side business full time, another way you might want to grow and expand is by moving locations. Here are some different ways you can move: Moving from Etsy to a full website Moving from online to a brick-and-mortar store Moving from having one location to opening multiple locations
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
Symbolic interactionists stress that to understand poverty we must focus on what poverty means to people. When people evaluate where they are in life, they compare themselves with others. In some rural areas, simple marginal living is the norm, and people living in these circumstances don’t feel poor. But in Leslie’s cosmopolitan circle, people can feel deprived if they cannot afford the latest upscale designer clothing from their favorite boutique. The meaning of poverty, then, is relative: What poverty is differs from group to group within the same society, as well as from culture to culture and from one era to the next.
James M. Henslin (Social Problems: A Down-to-Earth Approach)
A doorman peers up at the rain from under an awning. We reach Madison, where Holly waits in the drizzle while I stand in the doorway of a boutique, watching that dog walker, those Hasidic Jews, the Arab-looking businessman over there. A couple of cabs slow down, hoping to lure a fare, but Holly is gazing into the small green rectangle of Central Park at the far end of the block. Her mind must be in turmoil. To write a memoir in which psychic events irrupt occasionally is one thing, but for psychic events to dreamseed you, serve you Irish tea, and spin you a whole cosmology, that’s another. Maybe Ōshima’s right; maybe I should suasion her back to 119A.
David Mitchell (The Bone Clocks)
Certes, si les sacristies humides où les prières se pèsent et se payent comme des épices, si les magasins des revendeuses où flottent des guenilles qui flétrissent toutes les illusions de la vie en nous montrant où aboutissent nos fêtes, si ces deux cloaques de la poésie n’existaient pas, une étude d’avoué serait de toutes les boutiques sociales la plus horrible. Mais il en est ainsi de la maison de jeu, du tribunal, du bureau de loterie et du mauvais lieu. Pourquoi? Peut-être dans ces endroits le drame, en se jouant dans l’âme de l’homme, lui rend-il les accessoires indifférents, ce qui expliquerait aussi la simplicité du grand penseur et des grands ambitieux.
Honoré de Balzac (Le Colonel Chabert)
Ma mère s'occupait plutôt de l'épicerie, mon père du café. D'un coté la bousculade de midi, le temps minuté, les clientes n'aiment pas attendre, c'est un monde debout, aux volontés multiples, une bouteille de bière, un paquet d'épingles neige, méfiant, à rassurer constamment, vous verrez cette marque-là c'est bien meilleur. Du théâtre, du bagout. Ma mère sortait lessivée, rayonnante, de sa boutique. De l'autre côté, les petits verres pépères, la tranquillité assise, le temps sans horloge, des hommes installés là pour des heures. Inutile de se précipiter, pas besoin de faire l'article ni même la conversation, les clients causent pour deux. Ça tombe bien, mon père est lunatique, c'est ma mère qui le dit.
Annie Ernaux (A Frozen Woman)
On a trip to London with Jobs, Ive had the thankless task of choosing the hotel. He picked the Hempel, a tranquil five- star boutique hotel with a sophisticated minimalism that he thought Jobs would love. But as soon as they checked in, he braced himself, and sure enough his phone rang a minute later. “I hate my room,”Jobs declared. “It’s a piece of shit, let’s go.”So Ive gathered his luggage and went to the front desk, where Jobs bluntly told the shocked clerk what he thought. Ive realized that most people, himself among them, tend not to be direct when they feel something is shoddy because they want to be liked, “which is actually a vain trait.”That was an overly kind explanation. In any case, it was not a trait Jobs had.
Walter Isaacson (Steve Jobs)
Pretentiousness shares with sophistication a lingering sense of “unnaturalness”; something faked, pretending, tampered with. Litvak presses the idea that sophistication is linked to perversion in the sexual sense, and therefore carries with it a latent homophobic charge. The association of sophistication with a form of urbane and knowing behavior gets reinforced “every time advertising and journalism, loathing as they do the pretentious and the trendy, derisively dangle before their audience the perennially unpopular figure of the snooty (i.e., gay) salesman in the upscale boutique.” Pretension implies affectation. People are not acting themselves; rather, their lying urbanity is trampling all over your plain-speaking—and presumably heterosexual—truth.
Dan Fox (Pretentiousness: Why It Matters)
Perché meravigliosa è la forza dei deserti d'Oriente fatti di pietre, di sabbia e di sole, dove anche l'uomo più gretto capisce la propria pochezza di fronte alla vastità del creato e agli abissi dell'eternità, ma ancora più potente è il deserto delle città fatto di moltitudine, di strepiti, di ruote, di asfalto, di luci elettriche, e di orologi che vanno tutti insieme e pronunciano tutti nello stesso istante la medesima condanna. (L'umiltà)
Dino Buzzati (La boutique del mistero)
Martin looked at Alejandra with a pained expression. How he detested that face of hers, her boutique-face, the one that she seemed to put on deliberately in order to play her role in that frivolous world; a face that seemed to linger on once she found herself alone with him, its abominable features fading away only very slowly, as there gradually emerged one or another of the faces that belonged to him alone, a face he waited for as one awaits a beloved traveler amid a repulsive crowd. But as Bruno said, the word person means "mask", and each of us has many masks; that of father, professor, lover....But which is the real one? And is there in fact one that is the real one? At certain moments Martin thought that the Alejandra that he was now seeing there before him, laughing at Bobby's jokes, was not, could not be the same Alejandra that he knew, and above all could not be the more profound, the marvelous and fearsome Alejandra that he loved. But at other times (and as the weeks went by the more he began to be convinced of it), he was inclined to think, as Bruno did, that all these Alejandras were real and that that boutique-face was genuine too and in some way or other expressed a sort of reality inherent in Alejandra's soul: a reality--and heaven only knew how many others there were!---that was foreign to him, that did not belong to him and never would. And then, when she came to him still bearing the faint traces of those other personalities, as though she had not had the time (or the desire?) to transform herself, Martin discovered--in a certain sarcastic grin on her lips, in a certain way of moving her hands, in a certain glint in her eyes--the lingering signs of a strange existence: like someone who has been around a garbage dump and still retains something of its foul stench in our presence.
Ernesto Sabato
Comme elle écouta, les premières fois, la lamentation sonore des mélancolies romantiques se répétant à tous les échos de la terre et de l'éternité ! Si son enfance se fut écoulée dans l'arrière-boutique d'un quartier marchand, elle se serait peut-être ouverte alors aux envahissements lyriques de la nature, qui, d'ordinaire, ne nous arrivent que par la traduction des écrivains. Mais elle connaissait trop la campagne; elle savait le bêlement des troupeaux, les laitages, les charrues. Habituée aux aspects calmes, elle se tournait, au contraire, vers les accidentés. Elle n'aimait la mer qu'à cause de ses tempêtes, et la verdure seulement lorsqu'elle était clairsemée parmi les ruines. Il fallait qu'elle pût retirer des choses une sorte de profit personnel; et elle rejetait comme inutile tout ce qui ne contribuait pas à la consomma- tion immédiate de son cœur, étant de tempérament plus sentimentale qu'artiste, cherchant des émotions et non des paysages.
Gustave Flaubert (Madame Bovary)
For example, your social media schedule might look something like this for one day: (Jab) Post #1: Inspiring quote (Jab) Post #2: Live behind-the-scenes video of your business (Jab) Post #3: Helpful article with a list of tips (Right Hook) Post #4: Invitation to sign up for a contest My friend Steve, a social media professional, says, “A good brand is a generous brand.” Be generous in your marketing and social media strategy, and you will build a relationship with your followers. They will become loyal, appreciative, and ready to take the next step with you.
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
Giving is often more comfortable than receiving. When you’re giving, you’re in control, and you have the power. When you’re receiving, the roles are reversed. I would rather stand on a stage and give a presentation to three thousand people than stand in a room and have thirty people sing “Happy Birthday” to me. I’d rather host a baby shower for someone than have one thrown for me. Sometimes it’s hard to receive, and that’s often the same reason many of us struggle to sell. Whether you realize it or not, sales is about being willing to be vulnerable and receive.
Christy Wright (Business Boutique: A Woman's Guide for Making Money Doing What She Loves)
businesses that could benefit from the way networks behave, and this approach yielded some notable successes. Richard came from a different slant. For twenty years, he was a ‘strategy consultant’, using economic analysis to help firms become more profitable than their rivals. He ended up co-founding LEK, the fastest-growing ‘strategy boutique’ of the 1980s, with offices in the US, Europe and Asia. He also wrote books on business strategy, and in particular championed the ‘star business’ idea, which stated that the most valuable venture was nearly always a ‘star’, defined as the biggest firm in a high-growth market. In the 1990s and 2000s, Richard successfully invested the money he had made as a management consultant in a series of star ventures. He also read everything available about networks, feeling intuitively that they were another reason for business success, and might also help explain why some people’s careers took off while equally intelligent and qualified people often languished. So, there were good reasons why Greg and Richard might want to write a book together about networks. But the problem with all such ‘formal’ explanations is that they ignore the human events and coincidences that took place before that book could ever see the light of day. The most
Richard Koch (Superconnect: How the Best Connections in Business and Life Are the Ones You Least Expect)
I work in theoretical computer science: a field that doesn’t itself win Fields Medals (at least not yet), but that has occasions to use parts of math that have won Fields Medals. Of course, the stuff we use cutting-edge math for might itself be dismissed as “ivory tower self-indulgence.” Except then the cryptographers building the successors to Bitcoin, or the big-data or machine-learning people, turn out to want the stuff we were talking about at conferences 15 years ago—and we discover to our surprise that, just as the mathematicians gave us a higher platform to stand on, so we seem to have built a higher platform for the practitioners. The long road from Hilbert to Gödel to Turing and von Neumann to Eckert and Mauchly to Gates and Jobs is still open for traffic today. Yes, there’s plenty of math that strikes even me as boutique scholasticism: a way to signal the brilliance of the people doing it, by solving problems that require years just to understand their statements, and whose “motivations” are about 5,000 steps removed from anything Caplan or Bostrom would recognize as motivation. But where I part ways is that there’s also math that looked to me like boutique scholasticism, until Greg Kuperberg or Ketan Mulmuley or someone else finally managed to explain it to me, and I said: “ah, so that’s why Mumford or Connes or Witten cared so much about this. It seems … almost like an ordinary applied engineering question, albeit one from the year 2130 or something, being impatiently studied by people a few moves ahead of everyone else in humanity’s chess game against reality. It will be pretty sweet once the rest of the world catches up to this.
Scott Aaronson
HEART OF TEA DEVOTION rc t c//'VI/~ L tLP /'V to/ a My dear, ifyou couldgive me a cup of tea to clear my muddle of a head I should better understand your affairs. CHARLES DICKENS If teacups could talk, my house would be full of conversation ... because my house is full of teacups. My collection of china cups-begun many years ago, when I set up housekeeping as a child bride-has long since outgrown its home in the glass-front armoire and spread out to occupy side tables and shelves and hooks in the kitchen or find safe harbor in the dining-room hutch. Some of these cups I inherited from women I love-my mother and my aunties. Some are gifts from my husband, Bob, or from my children or from special friends. A few are delightful finds from elegant boutiques or dusty antique shops. One cup bears telltale cracks and scars; it was the only one I could salvage when a shelf slipped and 14 cups fell and shattered. Three other cups stand out for their intense color-my aunt was always attracted to that kind of dramatic decoration. Yet another cup, a gift, is of a style I've never much cared for, but now it makes me smile as I remember the houseguest who "rescued" it from a dark corner of the armoire because it looked "lonely." Each one of my teacups has a history, and each one is precious to me. I have gladly shared them with guests and told their stories to many people. Recently, however, I have been more inclined to listen. I've been wondering what all those cups, with their history and long experience, are trying to say to me. What I hear from them, over and over, is an invitation-one I want to extend to you: When did you last have a tea party? When was the last time you enjoyed a cup of tea with someone you care about? Isn't it time you did it again?
Emilie Barnes (The Tea Lover's Devotional)