Bourne Movie Quotes

Lana says J.P. makes Matt Damon from the Bourne movies look like Oliver from Hannah Montana

Love isn't just a feeling. Love is a choice too. And you may not be able to help your feelings, but you are responsible for the choices you make about what to do with them.

The only love affair I needed to invest in right now was one with myself. Spend some time with me. Figuring out myself and why I picked the relationships I did. I was holding out my heart to me. Because I'd realised I was the only person who could give me a happily-ever-after.

All I'm saying is, love changes over time. No person is ever perfect for another person

No one ever tells you how much a heartbreak physically hurts. How it literally feels like you've been kicked down the stairs. How you can't swallow. How every muscle aches. How your heart lurches inside you like it's been poisoned. Nobody tells you that.

What was the point? What is the point in love, and promises of it, when it can just jump from one person to another like that?

I smiled back at Ma because smiling is sometimes the only way to stop yourself crying.

(...) is the more you're trying to prove to people you're happy, the less happy you actually feel.

But I was choosing to walk away from that. Because my heart... my heart was too fragile for someone who had chosen to break it.

It was immediately obvious that Harry had hints of fuckboy about him.

(...) love isn't just a feeling. Love is a choice too. And you may no be able to help your feelings, but you are responsible for the choices you make about what to do with them.

Why love is never like the movies

Because the week the cinema closed? Well. That was the week we broke up. Ahh, come on. You knew this was coming.

Common dates in romance movies: Seats in a box at the opera or ballet Walking around a beautiful foreign city Night-time picnics in empty parks Finding some gorgeous abandoned house that the boy fills with candles Common dates in real life: Nando's...

I'd seen too much pain from love. I couldn't be with someone who had stung me sharply so early on. I wasn't strong enough. I wasn't.... romantic enough to work through it. Because what I'd learned was love isn't just a feeling. Love is a choice too.

Smiling is sometimes the only way to stop yourself from crying.

You know that bit in the first Lord of the Rings film? Where Gandalf stands up to that fire demon on the bridge and yells, ‘YOU SHALL NOT PASS’? Well…” I paused, feeling so ashamed. “Essentially my vagina had a Gandalf standing at the entrance, and he thought Milo’s dick was a fire demon.

He smiled without his teeth. Small, shyly. I found myself smiling back. Like an impulse Then he ruined it by saying… "You're not like other girls, are you?" And I activated. Every single emotion I'd been squashing into my guts exploded like a burst appendix. I jumped off the bed and turned to him with a scowl I was sure he'd need permanent therapy to recover from. "Are you kidding me Harry?" "Woah Audrey. Hey, hey, hey. It's a compliment." I felt like screaming. "It's NOT a compliment. I threw my arms up, any motion to get rid of the rage pulsing through me. It's an insult to every single woman on this PLANET. Don't you DARE try and pull that shit on me. "What shit?!" Harry was stupid enough to ask. "I was saying something nice…" I shook my head so hard. "No, you were saying something clichéd and UNTRUE. I AM like other girls, Harry. Don't misinterpret my hatred of romance as some kooky, laid-back, manic pixie NONSENSE. I am DAMAGED. I am not CUTE. I am emotionally-fucking-traumatised right now, okay? I am screaming on the inside. I am too angry and messed up to contain all the stuff girls spend every day containing. That's why I seem different. That is NOT sexy.

I mean, if I want to kiss someone, it's like fighting an addiction not getting to kiss them.

I've tried to hate you. I've tried to feel numb about you. I've tried to not even think about you at all. But I'm exhausted, Katie. I can't not love you, even after everything. I can't not feel anything for you. Every feeling I have, every inch of my heart - it's yours. It always has been...

I felt my thoughts drift to that scene in The Notebook -- the one where Noah and Allie lie in the middle of the empty road. You could not be that romantic in England. I'd get frostbite of the bumhole if Harry and I lay on the ice tonight.

His heart had changed channels, even though our show was still playing.

Yes. I thought maybe our relationship was different. Maybe it was, for a little while. But I'm not giving you the opportunity to break my heart again, Harry. Maybe this time you've broken your own too, and maybe you won't do anything like this again. I'm not willing to take that chance though.

I bit my lip. "I just think they're dangerous, that's all." "Dangerous? Like antibiotic resistance? And...umm... SHARKS?" I kicked him softly. "You know what I mean, I think they're dangerous for, like, society.

Shit, I'm sorry. I'm so sorry," I yelped. Harry was rubbing his jaw. "What was that?" My keys were in my fingers, my back was to him. I fumbled with the lock. I had to get out of here. Oh my God, I'd tried to kiss him and ended up headbutting him. Like a freaking.. WWE wrestler. "I don't know what happend. I'm sorry. I have to go. Thanks for... everything...sorry." The door opend. I couldn't get through it quickly enough. What was wrong with me? Seriously, what was I doing? I HEADBUTTED HIM.

Hell is other people and what they do in the anonymous dark of the cinema.

Because if you can’t use emotional manipulation against the father who left you and doesn’t realize you quit the one thing that made you happy, then when can you?

I caught up with him and he slung an arm around me, casually, like he’d been allowed to put his arm around me for years.

Romance films are money-spinning cathedrals of love, wobbling in the foundations of unbelievable and damaging stereotypes.

But it was the figure you cut as an employee, on an employee's footing with the girls, in work clothes, and being of that tin-tough, creaking, jazzy bazaar of hardware, glassware, chocolate, chickenfeed, jewelry, drygoods, oilcloth, and song hits--that was the big thing; and even being the Atlases of it, under the floor, hearing how the floor bore up under the ambling weight of hundreds, with the fanning, breathing movie organ next door and the rumble descending from the trolleys on Chicago Avenue--the bloody-rinded Saturday gloom of wind-bourne ash, and blackened forms of five-story buildings rising up to a blind Northern dimness from the Christmas blaze of shops.

Now, whenever one is mad at the other, all we have to say is Bourne, and we have to stop what we are doing and go watch the movie. I sighed. “Really?” He shrugged. “It’s a rule.” I shook my head. “No, it’s not.” “Are you challenging our friendship code?

I sprinkle some flour on the dough and roll it out with the heavy, wooden rolling pin. Once it’s the perfect size and thickness, I flip the rolling pin around and sing into the handle—American Idol style. “Calling Gloriaaaaaaaaaaaaaaaaaaa . . .” And then I turn around. “AHHHHHHHHHHHHHH!” Without thinking, I bend my arm and throw the rolling pin like a tomahawk . . . straight at the head of the guy who’s standing just inside the kitchen door. The guy I didn’t hear come in. The guy who catches the hurling rolling pin without flinching—one-handed and cool as a gorgeous cucumber—just an inch from his perfect face. He tilts his head to the left, looking around the rolling pin to meet my eyes with his soulful brown ones. “Nice toss.” Logan St. James. Bodyguard. Totally badass. Sexiest guy I have ever seen—and that includes books, movies and TV, foreign and domestic. He’s the perfect combo of boyishly could-go-to-my-school kind of handsome, mixed with dangerously hot and tantalizingly mysterious. If comic-book Superman, James Dean, Jason Bourne and some guy with the smoothest, most perfectly pitched, British-Scottish-esque, Wessconian-accented voice all melded together into one person, they would make Logan fucking St. James. And I just tried to clock him with a baking tool—while wearing my Rick and Morty pajama short-shorts, a Winnie-the-Pooh T-shirt I’ve had since I was eight and my SpongeBob SquarePants slippers. And no bra. Not that I have a whole lot going on upstairs, but still . . . “Christ on a saltine!” I grasp at my chest like an old woman with a pacemaker. Logan’s brow wrinkles. “Haven’t heard that one before.” Oh fuck—did he see me dancing? Did he see me leap? God, let me die now. I yank on my earbuds’ cord, popping them from my ears. “What the hell, dude?! Make some noise when you walk in—let a girl know she’s not alone. You could’ve given me a heart attack. And I could’ve killed you with my awesome ninja skills.” The corner of his mouth quirks. “No, you couldn’t.” He sets the rolling pin down on the counter. “I knocked on the kitchen door so I wouldn’t frighten you, but you were busy with your . . . performance.” Blood and heat rush to my face. And I want to melt into the floor and then all the way down to the Earth’s core.

But what actually happened was, first, Horkman and I had to climb down our side of the ravine, which was hard because those guns are a lot heavier than they look, plus it was really steep. We both kept dropping the guns and falling down, so we ended up mostly sliding on our butts, which took a while. The Cubans tried to keep cheering, but after a while they realized they’d better pace themselves. Like every twenty seconds or so, one of them would go, “YI-YI-YI!” But you could tell they were losing the mood. Plus—I’m just going to come right out and say this—I had to take a shit. I mean, bad. Which is something that never happens in the movies. You never see Rambo take a shit. You never see whatshisname, the guy in those Bourne movies, Matt Damon, when he and his co-star hot babe are fleeing through some foreign city and he’s killing enemy agents with kung fu, speaking nine languages, hot-wiring a car and driving like a stuntman, etc., you never hear him say to the babe, “Geez, I’m sorry, but even though those enemy agents are, like, twenty yards behind us shooting at us, I need to make a pit stop, because if I don’t get to a toilet right now I’m going to turn this car into a septic tank.” That’s the way I felt, when Horkman and I got to the bottom of the ravine. I had a cramp in my gut like I was about to give birth to a walrus. I had no choice but to drop my pants right then and there. “What are you doing?” Horkman said. “What does it look like I’m doing?” I said. “You can’t at least go behind something?” he said. “Go behind what, asshole?” I said, because (a) there was nothing to go behind, and (b) Horkman is an asshole. “I don’t believe this,” said Horkman. He walked about ten yards and sat down on a rock, facing away. Thanks a lot, douchenozzle. So there I was, squatting, and I don’t want to get too specific here, but it was a severe firehose situation. I was splattering the gravel big-time, plus there was a certain amount of gas noise, plus you had the natural echo in the ravine. I don’t think this was what the Cubans were expecting in the way of military leadership. I could hear them up there talking about me, and then one of them went “YI-YI-YI!” definitely sarcastically, and then they were all laughing. Assholes. Like they never had diarrhea in a ravine. I firehosed for I would say a good three

It was like someone had held me upside down and shaken me until all the wisdom had fallen out.

Yep. They get up every single morning and mae a conscious decision to stay with teh person they're with. On the good days, that choice is easier. On the bad days, they really have to fight the feeling in them to make the opposite choice. To leave. To find someone else. To walk away.

That was the moment a piece of my heart broke off and got thrown into his, where it would lodge for ever. Because you always leave a little piece of your heart in whoever you fall in love with.

At the entrance to Alex there’s the huge minibus rank and the bus station. It’s the same bustling, chaotic third-world marketplace you see in James Bond and Jason Bourne movies. It’s Grand Central Station but outdoors. Everything’s dynamic. Everything’s in motion. Nothing feels like it was there yesterday, and nothing feels like it will be there tomorrow, but every day it looks exactly the same.

We worked in silence, a weird atmosphere floating between us. I kept wanting to look at him but I fought the urge. Trying to tell myself that I didn’t like him, I just didn’t like the fact his attention had been withdrawn. Because that’s how power and lust worked.

Audrey, I love you. Please forgive me. Being with you makes me feel like I’m in the movies. I honestly, truly, want you to be my happily ever after. Please…

Or maybe there’s a type of laughter that only feels good with old friends.

Because they're full of unhelpful lies. Romance films ruin people’s real-life relationships. They offer this idea of love that isn’t sustainable in normal life. It’s dan…” I was about to say “dangerous” before I looked up to see literally the whole class listening in. My fists clenched. I reached for a lesser word. “It’s…pathetic?

That was the moment a piece of my heart broke off and got thrown into his, where it would lodge for ever. Because you always leave a little piece of your heart in whoever you fall in love with

OH, AUDREY, AUDREY - WHEREFORE ART THOU, AUDREY? DENY MY SOMETHING AND REFUSE MY WHATEVER IT IS, BUT PLEASE LET ME IN BECAUSE I'M DYING FOR A PISS.

Because you always leave a little piece of your heart in whoever you fall in love with.

...ihminen jättää aina pienen palan sydäntään sille, kehen sitten rakastuukaan.

When clients want to add a bunch of confusion to their marketing message, I ask them to consider the ramifications of doing so if they were writing a screenplay. I mean, what if The Bourne Identity were a movie about a spy named Jason Bourne searching for his true identity but it also included scenes of Bourne trying to lose weight, marry a girl, pass the bar exam, win on Jeopardy, and adopt a cat? The audience would lose interest. When storytellers bombard people with too much information, the audience is forced to burn too many calories organizing the data. As a result, they daydream, walk out of the theater, or in the case of digital marketing, click to another site without placing an order. Why do so many brands create noise rather than music? It’s because they don’t realize they are creating noise. They actually think people are interested in the random information they’re doling out. This is why we need a filter. The essence of branding is to create simple, relevant messages we can repeat over and over so that we “brand” ourselves into the public consciousness.

Aedus reached into the center console and pulled out a pair of sunglasses. There was hardly a cloud in the sky. He drove for ten minutes before the helicopter came in sight, gradually descending towards the airport in his opposite direction. He looked around for a place to make a U-turn, but there was no legal turn available. Aedus sighed. The things a good guy has to do. He made a turn onto a side road and looped back around, tires squealing. In an action movie he’d just make a U-turn wherever, speed down the road, and weave in and out of traffic. Alas, this wasn’t an action movie and he wasn’t a certain Jason Bour—no time to think about that. The airport was coming up quick and as bustling as ever.

The 4-Hour Workweek Films: The Bourne Identity, Shaun of the Dead “Flow” album: Gran Hotel Buenos Aires by Federico Aubele “Wake-up” album: One-X by Three Days Grace The 4-Hour Body Films: Casino Royale, Snatch “Flow” album: Luciano Essential Mix (2009, Ibiza) featuring DeadMau5 “Wake-up” album: Cold Day Memory by Sevendust The 4-Hour Chef Films: Babe (Yes, the pig movie. It was the first thing that popped up for free under Amazon Prime. I watched it once as a joke and it stuck. “That’ll do, pig. That’ll do.” Gets me every time.) “Flow” album: “Just Jammin’” extended single track by Gramatik “Wake-up” album: Dear Agony by Breaking Benjamin Tools of Titans Films: None! I was traveling and used people-watching at late-night cafés in Paris and elsewhere as my “movie.” “Flow” album: I Choose Noise by Hybrid “Wake-up” album: Over the Under by Down