Bound Together Quotes

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Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified.
Hanya Yanagihara (A Little Life)
We are bound together, Emma, bound together—I breathe when you breathe, I bleed when you bleed, I’m yours and you’re mine, you’ve always been mine, and I have always, always belonged to you!
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
The Bible may, indeed does, contain a warrant for trafficking in humans, for ethnic cleansing, for slavery, for bride-price, and for indiscriminate massacre, but we are not bound by any of it because it was put together by crude, uncultured human mammals.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
If you have come here to help me you are wasting your time, but if you have come because your liberation is bound up with mine, then let us work together.
Lilla Watson
Not so much two ships passing in the night as two ships sailing together for a time but always bound for different ports.
P.D. James (The Lighthouse (Adam Dalgliesh, #13))
Our hearts are bound together,' he said, 'and I am free to decide who I love. And what I want. Nothing - not the pressure of my family, or what anyone else thinks - matters.
Lee Monroe (Dark Heart Forever (Dark Heart, #1))
Her face looked ugly in the attempt to avoid tears; it was an ugliness which bound him to her more than any beauty could have done. It isn't being happy together, he thought as though it were a fresh discovery, that makes one love--it's being unhappy together.
Graham Greene (The Ministry of Fear)
The universe is a complete unique entity. Everything and everyone is bound together with some invisible strings. Do not break anyone’s heart; do not look down on weaker than you. One’s sorrow at the other side of the world can make the entire world suffer; one’s happiness can make the entire world smile.
Shams Tabrizi
I love you, Gretchen Lang. You are my reflection and my shadow and I will not let you go. We are bound together forever and ever! Until Halley’s Comet comes around again. I love you dearly and I love you queerly and no demon is bigger than this!
Grady Hendrix (My Best Friend's Exorcism)
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
C.S. Lewis (The Problem of Pain)
People can't be just tied together. They have to connect. Otherwise, they'll find themselves bound hand and foot.
Ai Yazawa
All things are in flux; the flux is subject to a unifying measure or rational principle. This principle (logos, the hidden harmony behind all change) bound opposites together in a unified tension, which is like that of a lyre, where a stable harmonious sound emerges from the tension of the opposing forces that arise from the bow bound together by the string.
Heraclitus
Mercy is the golden chain by which society is bound together.
William Blake
Even as a small child, I understood that woman had secrets, and that some of these were only to be told to daughters. In this way we were bound together for eternity.
Alice Hoffman (The Dovekeepers)
That the last two letters in her name were the first two in his, a silly thing he never mentioned to her but caused him to believe that they were bound together.
Jhumpa Lahiri (Unaccustomed Earth)
The Word says God don't give us credit for lovin the folks we want to love anyway. No, He gives us credit for loving the unlovable.
Denver Moore (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Humankind has not woven the web of life. We are but one thread within it. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect.
Chief Seattle
I held this girl in my arms She wrapped her tiny fingers around mine. It was then that I realized. She was the fusion. The glue. The cement that bound all my pieces together. The piece that seals my puzzle. The piece that completes my life. The element that makes me who I am. Who I was. Who I'll one day be. You, baby girl. You're my final piece.
Colleen Hoover (This Girl (Slammed, #3))
When you is precious to God, you become important to Satan.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Our limitation is God's opportunity. When you get all the way to the end of your rope and there ain't nothin you can do, that's when God takes over.
Denver Moore (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he'd bandaged my bloodied and battered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year, but we'd lived a lifetime in it.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I told you before, Jem, that you would not leave me," Will said, his bloody hand on the hilt of the dagger. " And you are still with me. When I breath, I will think of you, for without you I would have been dead years ago. When I wake up and when I sleep, when I lift up my hands to defend myself or when I lie down to die, you will be with me. You say we are born again. I say there is a river that divides the dead and the living. What I do know is that if we are born again, I will meet you in another life, if there is a river, you will wait on the shores for me to come to you, so we can cross together." Will took a deep breath and let go of the knife. He drew his hand back. The cut on his palm was already healing- the result of the half dozen iratzes on his skin. " You hear that, James Carstairs? We are bound, you and I, over the divide of death, down through whatever generations may come. Forever." He rose to his feet and looked down at the knife. The knife was Jem's, the blood was his. This spot of ground, whether he could ever find it again, whether he lived to try, would be theirs. He turned around to walk to Balios, towards Wales and Tessa. He did not look back.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
True siblings are bound together by far more essential things than blood, while more times than many blood isn't thicker than water.
Constantina Maud (Hydranos (The Age of Stones, #1))
Nothing, in truth, can ever replace a lost companion. Old comrades cannot be manufactured. There is nothing that can equal the treasure of so many shared memories, so many bad times endured together, so many quarrels, reconciliations, heartfelt impulses. Friendships like that cannot be reconstructed. If you plant an oak, you will hope in vain to sit soon under its shade. For such is life. We grow rich as we plant through the early years, but then come the years when time undoes our work and cuts down our trees. One by one our comrades deprive us of their shade, and within our mourning we always feel now the secret grief of growing old. If I search among my memories for those whose taste is lasting, if I write the balance sheet of the moments that truly counted, I surely find those that no fortune could have bought me. You cannot buy the friendship of a companion bound to you forever by ordeals endured together.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
Bein friends is like being soldiers in the army. You live together, you fight together; you die together.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
..You always have to choose between the path of needles and the path of pins. When a dress is torn, you know, you can just pin it up, or you can take the time to sew it together. That's what it means. The quick and easy way or the painful way that works.
Rosamund Hodge (Crimson Bound)
Employees of a company need to be bound together with love and respect, and not by dissatisfaction and helplessness.
Pooja Agnihotri (17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure)
The family. We were a strange little band of characters trudging through life sharing diseases and toothpaste, coveting one another's desserts, hiding shampoo, borrowing money, locking each other out of our rooms, inflicting pain and kissing to heal it in the same instant, loving, laughing, defending, and trying to figure out the common thread that bound us all together.
Erma Bombeck
Yet we met; and fate bound us together at the alter,and I never spoke of passion nor thought of love. She, however shunned society, and, attaching herself to me alone rendered me happy. It is a happiness to wonder; it is a happiness to dream.
Edgar Allan Poe (Morella)
Like the muscles knew from the beginning that it would end with this, this inevitable falling apart... It's sad, but a relief as well to know that two things so closely bound together can separate with so little violence, leaving smooth surfaces instead of bloody shreds.
Julie Powell (Cleaving: A Story of Marriage, Meat, and Obsession)
...and while all people were bound together by the common space they shared, their journeys through time were all different, which meant that each person lived in a slightly different world from everyone else.
Paul Auster (4 3 2 1)
...Love is easy, falling in love is even easier, but letting that love go, is the most difficult thing you’ll ever have to do. Some of us never let it go and sometimes it takes a while to realize what you want. But your heart will always have the right answer in the end. You just have to figure out what it’s telling you.
Marie Coulson (Bound Together (Bound Together, #1))
But sometimes we has to be thankful for the things that hurt us,' I said, 'cause sometimes God does things that hurts us but they help somebody else.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
For two young women, bound together by blood and circumstance, but divided by religion, politics, and social class, the consequences were much more personal.
Stephen A. Reger (Storm Surge: Book Two of the Stormsong Trilogy)
Falling in love is like leaping from a cliff. Your brain screams that it’s not a good idea and that hurt and pain will inevitably come to you. But your heart believes you can soar, glide and fly.
Marie Coulson (Bound Together (Bound Together, #1))
I waited here while you talked to Sorcha, who, by the way, is crazy. Now you are off to the mortal world where the crazier one is? ... I was there, Devlin. Bananach could've killed you, and really? We've been bound together for like five minutes and you're suddenly darting off into danger without me. I don't think so.
Melissa Marr (Radiant Shadows (Wicked Lovely, #4))
I can't believe you've been here all day and didn't come visit. ", Tatiana said. "Aw, I figured you had more important things to do than see me, " Adrian told her. "Besides, I quit smoking, so now we won't be able to go sneak cigarettes out behind the throne room together. " "Adrian!" chastised Nathan, turning bright red. It occurred to me then that I could have based a drinking game around how many times he exclaimed his son's name disapprovingly.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Your mother was a hero. She developed a spell for gnomeatic fever. And she was the youngest headmaster in Watford history.” Baz is looking at Penny like they’ve never met. “And,” Penny goes on, “she defended your father in three duels before he accepted her proposal.” “That sounds barbaric,” I say. “It was traditional,” Baz says. “It was brilliant,” Penny says. “I’ve read the minutes.” “Where?” Baz asks her. “We have them in our library at home,” she says “My dad loves marriage rites. Any sort of family magic, actually. He and my mother are bound together in five dimensions.
Rainbow Rowell (Carry On (Simon Snow, #1))
He loved the extensive vaults where you could hear the night birds and the sea breeze; he loved the craggy ruins bound together by ivy, those dark halls, and any appearance of death and destruction. Having fallen so far from so high a position, he loved anything that had also fallen from a great height
Gustave Flaubert
We are bound together, Emma, bound together- I breathe when you breathe, I bleed when you bleed, I'm yours and you're mine, you've always been mine, and I have always, always belonged to you!
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Where loyalty bound creatures together, they became something larger, something new and whole and inexplicable.
Orson Scott Card
Sometimes to touch us, God touches someone that's close to us. This is what opens our eyes to the fact there is a higher power than ourselves, whether we call it God or not.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
I smiled,"Deoch, my heart is made of stronger stuff than glass. When she strikes she'll find it strong as iron-bound brass, or gold and adamant together mixed. Don't think I am unaware, some startled deer to stand transfixed by hunter's horns. It's she who should take care, for when she strikes, my heart will make a sound so beautiful and bright that it can't help but bring her back to me in winged light.
Patrick Rothfuss
Character isn't what we think it is or, rather, what we want it to be. It isn't a stable, easily identifiable set of closely related traits, and it only seems that way because of a glitch in the way our brains are organized. Character is more like a bundle of habits and tendencies and interests, loosely bound together and dependent, at certain times, on circumstance and context.
Malcolm Gladwell
Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified. Friendship was witnessing another’s slow drip of miseries, and long bouts of boredom, and occasional triumphs. It was feeling honored by the privilege of getting to be present for another person’s most dismal moments, and knowing that you could be dismal around him in return.
Hanya Yanagihara (A Little Life)
So what if you burned a few books? Those librarians deserve it. When we're older, maybe we'll burn it to the ground together." She knew he meant it. He'd burn the library, the city, or the whole world to ashes if she asked him. It was their bond, marked by blood and scent and something else she couldn't place. A tether as strong as the one that bound her to her parents, stronger in some ways.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
He leaned in. I felt his breath against my neck, then the press of his mouth against my skin just above the collar, almost a sigh. “Don’t,” I said. I drew back, but he held me tighter. His hand went to the nape of my neck, long fingers twining in my hair, easing my head back. I closed my eyes. “Let me,” he murmured against my throat. His heel hooked around my leg, bringing me closer. I felt the heat of his tongue, the flex of hard muscle beneath bare skin as he guided my hands around his waist. “It isn’t real,” he said. “Let me.” I felt that rush of hunger, the steady, longing beat of desire that neither of us wanted, but that gripped us anyway. We were alone in the world, unique. We were bound together and always would be. And it didn’t matter. I couldn’t forget what he’d done, and I wouldn’t forgive what he was: a murderer. A monster. A man who had tortured my friends and slaughtered the people I’d tried to protect. I shoved away from him. “It’s real enough.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
It was one long series of tragically beautiful knots that bound us together.
Adrienne Young (Namesake (Fable, #2))
If you need to talk about your childhood, you’re safe with me. If you need to break into a million pieces, I’m right here, Lev. I’ll find them all, I’m good at details, and I’ll put you back together. You’re safe here.
Christine Feehan (Water Bound (Sea Haven/Sisters of the Heart, #1))
Each memory, good and bad, was another invisible thread that bound them together...It was as simple and complicated as that. Love after children, after you've hurt each other and forgiven each other, bored each other and surprised each other, after you've seen the worst and the best...-well, that sort of love is ineffable. It deserves its own word.
Liane Moriarty (What Alice Forgot)
Good medicine always tastes bad.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
The world, the human world, is bound together not by protons and electrons, but by stories. Nothing has meaning in itself: all the objects in the world would be shards of bare mute blankness, spinning wildly out of orbit, if we didn't bind them together with stories.
Brian Morton
I love you, Olivia," he whispered, and my heart ached as if it would break in half. "You think we'll die if we stay together, but I've been dying slowly for the last six years. I'm taking my life back, Liv. Our life together. And this time, I'm not going to let you go.
Rachel Vincent (Blood Bound (Unbound, #1))
Just tell em I'm a nobody that's tryin to tell everybody 'bout Somebody that can save anybody.
Denver Moore (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Falling in love is easy, letting that love go, is hard. But your heart will always have the right answer. You just have to listen to it and figure out what it’s telling you
Marie Coulson (Bound Together (Bound Together, #1))
[...] it is a strange thing that most of the feeling we call religious, most of the mystical outcrying which is one of the most prized and used and desired reactions of our species, is really the understanding and the attempt to say that man is related to the whole thing, related inextricably to all reality, known and unknowable. This is a simple thing to say, but the profound feeling of it made a Jesus, a St. Augustine, a St. Francis, a Roger Bacon, a Charles Darwin, and an Einstein. Each of them in his own tempo and with his own voice discovered and reaffirmed with astonishment the knowledge that all things are one thing and that one thing is all things—plankton, a shimmering phosphorescence on the sea and the spinning planets and an expanding universe, all bound together by the elastic string of time. It is advisable to look from the tide pool to the stars and then back to the tide pool again.
John Steinbeck (The Log from the Sea of Cortez)
Bound souls. He had always thought the stories of men and women bound throughout all eternity by the strength of passion, either love or hate, were but pleasant tales for long winter’s nights. Bound souls, two sides of the same counter, together through all the lives of the souls, and forever before and afterward. But he recognized the woman just as surely as she recognized him, and he knew the tales were true.
Ann Marston (The Western King (Rune Blade, #2))
I found out everybody’s different – the same kind of different as me. We’re all just regular folks walkin down the road God done set in front of us. The truth about it is, whether we is rich or poor or something in between, this earth ain’t no final restin place. So in a way, we is all homeless – just workin our way toward home
Denver Moore (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
It was the same Dimitri from long ago, the fierce one who was willing to risk his life for what was right. I almost wished he'd go back to being annoying, distant Dimitri, the one who told me to stay away. Seeing him now brought back too many memories -not to mention the attraction I thought I'd smashed. Now, with that passion all over him, he seemed sexier than ever. He'd worn that same intensity when we'd fought together. Even when we'd had sex. This was the way Dimitri was supposed to be: powerful and in charge.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
It was when he tried to talk about 'the boat' that his words began to falter and tears welled up in his eyes...Finally, watching Joe struggle for composure over and over, I realized that 'the boat' was something more than just the shell or its crew. To Joe, it encompassed but transcended both - it was something mysterious and almost beyond definition. It was a shared experience - a singular thing that had unfolded in a golden sliver of time long gone, when nine good-hearted young men strove together, pulled together as one, gave everything they had for one another, bound together forever by pride and respect and love. Joe was crying, at least in part, for the loss of that vanished moment but much more, I think, for the sheer beauty of it.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
...You never forget your first love. It’s the most awful feeling in the world to love someone who can’t love you back..
Marie Coulson (Bound Together (Bound Together, #1))
I ran out of strong.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Money can't buy no blessins.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Those precious to God become important to Satan.
Denver Moore (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Her heart—it had been meant for her heart. And he had taken that arrow for her. The killing calm spread through her like hoarfrost. She’d kill them all. Slowly. They reached the second bridge just as Aedion’s barrage of arrows halted, his quiver no doubt emptied. She shoved Rowan onto the planks. “Run,” she said. “No—”. “Run.” It was a voice that she’d never heard herself use—a queen’s voice— that came out, along with the blind yank she made on the blood oath that bound them together. His eyes flashed with fury, but his body moved as though she’d compelled him. He staggered across the bridge, just as— Aelin whirled, drawing Goldryn and ducking just as the Wing Leader’s sword swiped for her head.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The Word says God don't give us credit for lovin the folks we want to love anyway. No, He gives us credit for loving the unlovable. The perfect love of God don't come with no conditions...
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Then the best thing I can do is—" He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him? Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different. It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it. And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away. Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian. Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Vengeance took no account of innocence or right. It was the chain that bound horrific events together, that decreed that one awful act must beget another worse one that would lead to yet a third. It came to me, slowly, that this chain would never end.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
If any of us had heard the word "feminist" we would have thought it meant a girl who wore too much makeup, but we were, without knowing it, feminists ourselves, bound together by the freemasonry that exists among intelligent women who know they are intelligent. It is the only kind of female bonding that works, which is why most men do not like intelligent women. They don't mind one female brain if they can enjoy it privately; it's the idea of two or more on the loose that upsets them. The girls in the college-bound group might not have been friends in every case--Sharon Cohen and I gave each other willies--but our instincts told us that we had the same enemies.
Florence King (Confessions of a Failed Southern Lady: A Memoir)
I used to spend a lotta time worryin that I was different from other people, even from other homeless folks. Then, after I met Miss Debbie and Mr. Ron, I worried that I was so different from them that we wadn't ever gon' have no kind a' future. But I found out everybody's different - the same kind of different as me. We're all just regular folks walkin down the road God done set in front of us. The truth about it is, whether we is rich or poor or somethin in between, this earth ain't no final restin place. So in a way, we is all homeless - just workin our way toward home.
Denver Moore (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
I thought it was the other girl who had drawn your fancy. Your princess.” Mark gave a choked laugh. “By the Angel,” he said, and saw Kieran blanch at the Shadowhunter words. “Your imagination is limited by your jealousy. Kieran . . . everyone who lives under this roof, whether they are bound by blood or not, we are tied together by an invisible net of love and duty and loyalty and honor. That is what it means to be a Shadowhunter. Family—” “What would I know of family? My father sold me to the Wild Hunt. I do not know my mother. I have three dozen brothers, all of whom would gladly see me dead. Mark, you are all I have.” “Kieran—” “And I love you,” Kieran said. “You are all that exists on the earth and under the sky that I do love.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel the mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Have mercy on me, my Soul. You have shown me Beauty, But then concealed her. You and Beauty live in the light; Ignorance and I are bound together in the dark. Will e'er the light invade darkness? Your delight comes with the Ending, And you revel now in anticipation; But this body suffers with the life While in life. This, my Soul, is perplexing. You are hastening toward Eternity, But this body goes slowly toward perishment. You do not wait for him, And he cannot go quickly. This, my Soul, is sadness. You ascend high, though heaven's attraction, But this body falls by earth's gravity. You do not console him, And he does not appreciate you. This, my Soul, is misery. You are rich in wisdom, But this body is poor in understanding. You do not compromise, And he does not obey. This, my Soul, is extreme suffering. In the silence of the night you visit The Beloved And enjoy the sweetness of His presence. This body ever remains, The bitter victim of hope and separation. This, my Soul, is agonizing torture. Have mercy on me, my Soul!
Kahlil Gibran (The Treasured Writings of Kahlil Gibran)
His jaw tensed as the Corporalnik finished her work. When the skin had knitted together, the Darkling dismissed her with a wave. She hovered briefly, then slipped away, fading into nothing. “There’s something I’ve been wondering,” he said. No greeting, no preamble. I waited. “The night that Baghra told you what I intended, the night you fled the Little Palace, did you hesitate?” “Yes.” “In the days after you left, did you ever think of coming back?” “I did,” I admitted. “But you chose not to.” I knew I should go. I should at least have stayed silent, but I was so weary, and it felt so easy to be here with him. “It wasn’t just what Baghra said that night. You lied to me. You deceived me. You … drew me in.” Seduced me, made me want you, made me question my own heart. “I needed your loyalty, Alina. I needed you bound to me by more than duty or fear.” His fingers tested the flesh where his wound had been
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
You was the onlyest person that looked past my skin and past my meanness and saw that there was somebody on the inside worth savin...We all has more in common than we think. You stood up with courage and faced me when I was dangerous, and it changed my life. You loved me for who I was on the inside, the person God meant for me to be, the one that had just gotten lost for a while on some ugly roads in life.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Sometimes I think maybe they were right all along, the people on the other side in Zombieland. Maybe it would be better if we didn't love. If we didn't lose either. If we didn't get our hearts stomped on, shattered: if we didn't have to patch and repatch until we're like Frankenstein monsters, all sewn together and bound up by who knows what. If we could just float along, like snow. But how could anyone who's ever seen a summer - big explosions of green and skies lit up electric with splashy sunsets, a riot of flowers and wind that smells like honey - pick the snow?
Lauren Oliver (Alex (Delirium, #1.1))
Instead of resisting to changes, surrender. Let life be with you, not against you. If you think ‘My life will be upside down’ don’t worry. How do you know down is not better than upside? A good man complains of no one; he does not look to faults. A life without love is of no account. Don't ask yourself what kind of love you should seek, spiritual or material, divine or mundane, eastern or western…divisions only lead to more divisions. Love has no labels, no definitions. It is what it is, pure and simple. Love is the water of life. And a lover is a soul of fire! The universe turns differently when fire loves water. The universe is a complete unique entity. Everything and everyone is bound together with some invisible strings. Do not break anyone’s heart; do not look down on weaker than you. One’s sorrow at the other side of the world can make the entire world suffer; one’s happiness can make the entire world smile. Most of conflicts and tensions are due to language. Don't pay so much attention to the words. In love’s country, language doesn't have its place. Love's mute
Shams Tabrizi
It's only their fight club, Liss," I said, having no need for her side of the conversation, "Nothing's going on. They're going to talk punches and kicking and other boring stuff." Well, actually that stuff was pretty sweet, but I wasn't about to glorify Christian and Mia hanging out. "Maybe now nothing's going on," she growled, staring stonily ahead. "But who knows what could happen? They spend time together, practice some physical moves, one thing leads to another—" "That's ridiculous," I said. "That kind of stuff isn't romantic at all." Another lie, seeing as that was exactly how my relationship with Dimitri had begun. Again, best not to mention that.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens. I, for my part, from the nature of my life, advanced infallibly in one direction and in one direction only. It was on the moral side, and in my own person, that I learned to recognise the thorough and primitive duality of man; I saw that, of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both; and from an early date, even before the course of my scientific discoveries had begun to suggest the most naked possibility of such a miracle, I had learned to dwell with pleasure, as a beloved daydream, on the thought of the separation of these elements. If each, I told myself, could be housed in separate identities, life would be relieved of all that was unbearable; the unjust might go his way, delivered from the aspirations and remorse of his more upright twin; and the just could walk steadfastly and securely on his upward path, doing the good things in which he found his pleasure, and no longer exposed to disgrace and penitence by the hands of this extraneous evil. It was the curse of mankind that these incongruous faggots were thus bound together—that in the agonised womb of consciousness, these polar twins should be continuously struggling. How, then were they dissociated?
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
I’d say that the quantity of boredom, if boredom is measurable, is much greater today than it once was. Because the old occupations, at least most of them, were unthinkable without a passionate involvement: the peasants in love with their land; my grandfather, the magician of beautiful tables; the shoemakers who knew every villager’s feet by heart; the woodsmen; the gardeners; probably even the soldiers killed with passion back then. The meaning of life wasn’t an issue, it was there with them, quite naturally in their workshops, in their fields. Each occupation had created its own mentality, its own way of being. A doctor would think differently from a peasant, a soldier would behave differently from a teacher. Today we’re all alike, all of us bound together by our shared apathy toward our work. That very apathy has become a passion. The one great collective passion of our time.
Milan Kundera (Identity)
Now, therefore, I will sleep. I speak no comfort to you, for there is no comfort for such pain within the circles of the world. The uttermost choice is before you: to repent and go to the Havens and bear away into the West the memory of our days together that shall there be evergreen but never more than memory; or else to abide the Doom of Men." Nay, dear lord," she said, "that choice is long over. There is now no ship that would bear me hence, and I must indeed abide the Doom of Men, whether I will or I nill: the loss and the silence. But I say to you, King of the Numenoreans, not till now have I understood the tale of your people and their fall. As wicked fools I scorned them, but I pity them at last. For if this is indeed, as the Eldar say, the gift of the One to Men, it is bitter to receive." So it seems," he said. "But let us not be overthrown at the final test, who of old renounced the Shadow and the Ring. In sorrow we must go, but not in despair. Behold! we are not bound for ever to the circles of the world, and beyond them is more than memory.
J.R.R. Tolkien
With this ring, I promise you a strong shoulder to cry on. I promise to hold and care for you whenever you need me. I promise to bring you comfort when you’re sad and to defend you to the last. I give you faith, trust and commitment unfailing. I promise to love you with every breath in my lungs and beat of my heart until the end of time. I promise that the only heart I own will always belong to you and it will never beat for another as long I live. I promise picnics in the summer and cozy nights by the fire in winter. I promise to always cherish and appreciate you and everything you do and to show you every day just how much you mean to me. I will always be yours and you will always be mine. This I promise you
Marie Coulson (Bound Together (Bound Together, #1))
my final piece We’re born into the world As just one small piece to the puzzle That makes up an entire life. It’s up to us throughout our years, to find all of our pieces that fit. The pieces that connect who we are To who we were To who we’ll one day be. Sometimes pieces will almost fit. They’ll feel right. We’ll carry them around for a while, Hoping they’ll change shape. Hoping they’ll conform to our puzzle. But they won’t. We’ll eventually have to let them go. To find the puzzle that is their home. Sometimes pieces won’t fit at all. No matter how much we want them to. We’ll shove them. We’ll bend them. We’ll break them. But what isn’t meant to be, won’t be. Those are the hardest pieces of all to accept. The pieces of our puzzle That just don’t belong. But occasionally . . . Not very often at all, If we’re lucky, If we pay enough attention, We’ll find a perfect match. The pieces of the puzzle that slide right in The pieces that hug the contours of our own pieces. The pieces that lock to us. The pieces that we lock to. The pieces that fit so well, we can’t tell where our piece begins And that piece ends. Those pieces we call Friends. True loves. Dreams. Passions. Beliefs. Talents. They’re all the pieces that complete our puzzles. They line the edges, Frame the corners, Fill the centers, Those pieces are the pieces that make us who we are. Who we were. Who we’ll one day be. Up until today, When I looked at my own puzzle, I would see a finished piece. I had the edges lined, The corners framed, The center filled. It felt like it was complete. All the pieces were there. I had everything I wanted. Everything I needed. Everything I dreamt of. But up until today, I realized I had collected all but one piece. The most vital piece. The piece that completes the picture. The piece that completes my whole life. I held this girl in my arms She wrapped her tiny fingers around mine. It was then that I realized She was the fusion. The glue. The cement that bound all my pieces together. The piece that seals my puzzle. The piece that completes my life. The element that makes me who I am. Who I was. Who I’ll one day be. You, baby girl. You’re my final piece.
Colleen Hoover (This Girl (Slammed, #3))
Lately, he had been wondering if codependence was such a bad thing. He took pleasure in his friendships, and it didn’t hurt anyone, so who cared if it was codependent or not? And anyway, how was a friendship any more codependent than a relationship? Why was it admirable when you were twenty-seven but creepy when you were thirty-seven? Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified. Friendship was witnessing another’s slow drip of miseries, and long bouts of boredom, and occasional triumphs. It was feeling honored by the privilege of getting to be present for another person’s most dismal moments, and knowing that you could be dismal around him in return.
Hanya Yanagihara (A Little Life)
I heard that when white folks go fishin they do somethin called 'catch and release.' Catch and release? I nodded solemnly, suddenly nervous and curious at the same time. 'That really bothers me', Denver went on. 'I just can't figure it out. 'Cause when colored folks go fishin, we really proud of what we catch, and we take it and show it off to everybody that'll look. Then we eat what we catch...in other words, we use it to SUSTAIN us. So it really bothers me that white folks would go to all the trouble to catch a fish, when when they done caught it, just throw it back in the water.' He paused again, and the silence between us stretched a full minute. Then: 'Did you hear what I said?' I nodded, afraid to speak, afraid to offend. Denver looked away, searching the blue autumn sky, then locked onto me again with that drill-bit start. 'So, Mr. Ron, it occurred to me: If you is fishin for a friend you just gon' catch and release, then I ain't got no desire to be your friend.' I returned Denver's gaze with what I hoped was a receptive expression and hung on. Suddenly his eyes gentled and he spoke more softly than before: 'But if you is lookin for a REAL friend, then I'll be one. Forever.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads. Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place. Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows? ...No one who has the process of reasoning could doubt that a boy who would do that is not right. How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads.... Why did they kill little Bobby Franks? Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood. . . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
It's nice when grown people whisper to each other under the covers. Their ecstasy is more a leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavour would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher's palm asking for witnesses in His name's sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don't have to look at themselves anymore; there is no stud's eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.
Toni Morrison (Jazz (Beloved Trilogy, #2))
71. Rare Things-- A son-in-law who's praised by his wife's father. Likewise, a wife who's loved by her mother-in-law. A pair of silver tweezers that can actually pull out hairs properly. A retainer who doesn't speak ill of his master. A person who is without a single quirk. Someone who's superior in both appearance and character, and who's remained utterly blameless throughout his long dealings with the world. You never find an instance of two people living together who continue to be overawed by each other's excellence and always treat each other with scrupulous care and respect, so such a relationship is obviously a great rarity. Copying out a tale or a volume of poems without smearing any ink on the book you're copying from. If you're copying it from some beautiful bound book, you try to take immense care, but somehow you always manage to get ink on it. Two women, let alone a man and a woman, who vow themselves to each other forever, and actually manage to remain on good terms to the end.
Sei Shōnagon (The Pillow Book)
What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had! "I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now." "Think again," it said: "that won't do." Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little." "I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here." So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb--on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost--climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!--for it seems at times, as though the ear also possessed a sight of its own,--behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries.
Victor Hugo (The Hunchback of Notre-Dame)
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Oh,” Jace said carelessly, as if he hadn’t been waiting out here for the express purpose of seeing Simon off. He looked up, golden gaze casual, then looked away. “You.” Being too cool for school was Jace’s thing. Simon supposed he must have understood and been fond of it, once. “Hey, I figured I wasn’t going to get the chance to ask this again. You and me,” Simon said. “We’re pretty tight, aren’t we?” Jace looked at him for a moment, face very still, and then bounded to his feet and said: “Absolutely. We’re like this.” He crossed two of his fingers together. “Actually, we’re more like this.” He tried to cross them again. “We had a little bit of initial tension, as you may later recall, but that was all cleared up when you came to me and confessed that you were struggling with your feelings of intense jealousy over my—these were your words—stunning good looks and irresistible charm.” “Did I,” said Simon. Jace clapped him on the shoulder. “Yeah, buddy. I remember it clearly.” “Okay, whatever. The thing is … Alec’s always really quiet around me,” Simon said. “Is he just shy, or did I tick him off and I don’t remember it? I wouldn’t like to go away without trying to make things right.” Jace’s expression took on that peculiar stillness again. “I’m glad you asked me that,” he said finally. “There is something more going on. The girls didn’t want me to tell you, but the truth is—
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
Eugene O'Neill (Long Day’s Journey into Night)
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
In the morning when thou risest unwillingly, let this thought be present,—I am rising to the work of a human being. Why then am I dissatisfied if I am going to do the things for which I exist and for which I was brought into the world? Or have I been made for this, to lie in the bed-clothes and keep myself warm?—But this is more pleasant.—Dost thou exist then to take thy pleasure, and not at all for action or exertion? Dost thou not see the little plants, the little birds, the ants, the spiders, the bees working together to put in order their several parts of the universe? And art thou unwilling to do the work of a human being, and dost thou not make haste to do that which, is according to thy nature? But it is necessary to take rest also.—It is necessary. However, Nature has fixed bounds to this too: she has fixed bounds to eating and drinking, and yet thou goest beyond these bounds, beyond what is sufficient; yet in thy acts it is not so, but thou stoppest short of what thou canst do. So thou lovest not thyself, for if thou didst, thou wouldst love thy nature and her will. But those who love their several arts exhaust themselves in working at them unwashed and without food; but thou valuest thy own nature less than the turner values the turning art, or the dancer the dancing art, or the lover of money values his money, or the vain-glorious man his little glory. And such men, when they have a violent affection to a thing, choose neither to eat nor to sleep rather than to perfect the things which they care for. But are the acts which concern society more vile in thy eyes and less worthy of thy labor?
Marcus Aurelius (Meditations)
Coddly slammed a fist on the table. “No one will take you seriously if you do not act decisively.” There was a beat of silence after his voice stopped echoing around the room, and the entire table sat motionless. “Fine,” I responded calmly. “You’re fired.” Coddly laughed, looking at the other gentlemen at the table. “You can’t fire me, Your Highness.” I tilted my head, staring at him. “I assure you, I can. There’s no one here who outranks me at the moment, and you are easily replaceable.” Though she tried to be discreet, I saw Lady Brice purse her lips together, clearly determined not to laugh. Yes, I definitely had an ally in her. “You need to fight!” he insisted. “No,” I answered firmly. “A war would add unnecessary strain to an already stressful moment and would cause an upheaval between us and the country we are now bound to by marriage. We will not fight.” Coddly lowered his chin and squinted. “Don’t you think you’re being too emotional about this?” I stood, my chair screeching behind me as I moved. “I’m going to assume that you aren’t implying by that statement that I’m actually being too female about this. Because, yes, I am emotional.” I strode around the opposite side of the table, my eyes trained on Coddly. “My mother is in a bed with tubes down her throat, my twin is now on a different continent, and my father is holding himself together by a thread.” Stopping across from him, I continued. “I have two younger brothers to keep calm in the wake of all this, a country to run, and six boys downstairs waiting for me to offer one of them my hand.” Coddly swallowed, and I felt only the tiniest bit of guilt for the satisfaction it brought me. “So, yes, I am emotional right now. Anyone in my position with a soul would be. And you, sir, are an idiot. How dare you try to force my hand on something so monumental on the grounds of something so small? For all intents and purposes, I am queen, and you will not coerce me into anything.” I walked back to the head of the table. “Officer Leger?” “Yes, Your Highness?” “Is there anything on this agenda that can’t wait until tomorrow?” “No, Your Highness.” “Good. You’re all dismissed. And I suggest you all remember who’s in charge here before we meet again.
Kiera Cass (The Crown (The Selection, #5))
The role of dominance and submission in human sexuality cannot be overstated. Our survey suggests that the majority (over 50%) of humans are very aroused by either acting out or witnessing dominance or submission. But it gets crazier than that: While 45% of women taking our survey said they found the naked male form to be very arousing and 48% said they found the sight of a penis to very arousing, a heftier 53% said they found their partner acting dominant in a sexual context to be very arousing. Dominance is literally more likely to be very arousing to the average female than naked men or penises. To say: “Dominance and submission are tied to human arousal patterns” is more of an understatement than saying: “Penises are tied to human arousal patterns.” We have a delectable theory about what is going on here: If you look at all the emotional states that frequently get tied to arousal pathways, the vast majority of them seem to be proxies for behaviors that would have been associated with our pre-human ancestors’ and early humans’ dominance and submission displays. For example, things like humiliation, being taken advantage of, chains, being used, being useful, being constrained, a lack of freedom, being prey, and a lack of free will may all have been concepts and emotions important in early human submission displays. We posit that most of the time when a human is turned on by a strange emotional concept—being bound for instance—their brain is just using that concept as a proxy for a pre-human submission display and lighting up the neural pathways associated with it, creating a situation in which it looks like a large number of random emotional states are turning humans on, when in reality they all boil down to just a fuzzy outline of dominance and submission. Heck, speaking of binding as a submission display, there were similar ritualized submission displays in the early middle ages, in which a vassal would present their hands clasped in front of their lord and allow the lord to hold their clasped hands in a way that rendered them unable to unclasp them (this submission display to one’s lord is where the symbolism of the Christian kneeling and hands together during prayer ritual comes from). We suspect the concept of binding and defenselessness have played important roles in human submission displays well into pre-history. Should all this be the case, why on earth have our brains been hardwired to bind (hehe) our recognition of dominance and submission displays to our sexual arousal systems?!?
Malcolm Collins (The Pragmatist’s Guide to Sexuality: What Turns People On, Why, and What That Tells Us About Our Species (The Pragmatist's Guide))
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
Devaluation of the Earth, hostility towards the Earth, fear of the Earth: these are all from the psychological point of view the expression of a weak patriarchal consciousness that knows no other way to help itself than to withdraw violently from the fascinating and overwhelming domain of the Earthly. For we know that the archetypal projection of the Masculine experiences, not without justice, the Earth as the unconscious-making, instinct-entangling, and therefore dangerous Feminine. At the same time the projection of the masculine anima is mingled with the living image of the Earth archetype in the unconscious of man; and the more one-sidedly masculine man's conscious mind is the more primitive, unreliable, and therefore dangerous his anima will be. However, the Earth archetype, in compensation to the divinity of the archetype of Heaven and the Father, that determined the consciousness of medieval man, is fused together with the archaic image of the Mother Goddess. Yet in its struggle against this Mother Goddess, the conscious mind, in its historical development, has had great difficulty in asserting itself so as to reach its – patriarchal - independence. The insecurity of this conscious mind-and we have profound experience of how insecure the position of the conscious mind still is in modern man-is always bound up with fear of the unconscious, and no well-meaning theory "against fear" will be able to rid the world of this deeply rooted anxiety, which at different times has been projected on different objects. Whether this anxiety expresses itself in a religious form as the medieval fear of demons or witches, or politically as the modern fear of war with the State beyond the Iron Curtain, in every case we are dealing with a projection, though at the same time the anxiety is justified. In reality, our small ego-consciousness is justifiably afraid of the superior power of the collective forces, both without and within. In the history of the development of the conscious mind, for reasons which we cannot pursue here, the archetype of the Masculine Heaven is connected positively with the conscious mind, and the collective powers that threaten and devour the conscious mind both from without and within, are regarded as Feminine. A negative evaluation of the Earth archetype is therefore necessary and inevitable for a masculine, patriarchal conscious mind that is still weak. But this validity only applies in relation to a specific type of conscious mind; it alters as the integration of the human personality advances, and the conscious mind is strengthened and extended. A one-sided conscious mind, such as prevailed in the medieval patriarchal order, is certainly radical, even fanatical, but in a psychological sense it is by no means strong. As a result of the one-sidedness of the conscious mind, the human personality becomes involved in an equally one-sided opposition to its own unconscious, so that actually a split occurs. Even if, for example, the Masculine principle identifies itself with the world of Heaven, and projects the evil world of Earth outwards on the alien Feminine principle, both worlds are still parts of the personality, and the repressing masculine spiritual world of Heaven and of the values of the conscious mind is continually undermined and threatened by the repressed but constantly attacking opposite side. That is why the religious fanaticism of the representatives of the patriarchal World of Heaven reached its climax in the Inquisition and the witch trials, at the very moment when the influence of the archetype of Heaven, which had ruled the Middle Ages and the previous period, began to wane, and the opposite image of the Feminine Earth archetype began to emerge.
Erich Neumann (The Fear of the Feminine and Other Essays on Feminine Psychology)