Bounce Back Game Strong Quotes

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Beat me, hurt me, fight me and I’ll bounce back, but be nice to me? I folded quicker than a banker in a high-stakes poker game.
Pippa DaCosta (Devil May Care (The Veil, #2))
TAKE ONE STORY, viewed from two different angles. Take a rainy Sunday morning in July, in the late 1920s, when Eddie and his friends are tossing a baseball Eddie got for his birthday nearly a year ago. Take a moment when that ball flies over Eddie’s head and out into the street. Eddie, wearing tawny pants and a wool cap, chases after it, and runs in front of an automobile, a Ford Model A. The car screeches, veers, and just misses him. He shivers, exhales, gets the ball, and races back to his friends. The game soon ends and the children run to the arcade to play the Erie Digger machine, with its claw-like mechanism that picks up small toys. Now take that same story from a different angle. A man is behind the wheel of a Ford Model A, which he has borrowed from a friend to practice his driving. The road is wet from the morning rain. Suddenly, a baseball bounces across the street, and a boy comes racing after it. The driver slams on the brakes and yanks the wheel. The car skids, the tires screech. The man somehow regains control, and the Model A rolls on. The child has disappeared in the rearview mirror, but the man’s body is still affected, thinking of how close he came to tragedy. The jolt of adrenaline has forced his heart to pump furiously and this heart is not a strong one and the pumping leaves him drained. The man feels dizzy and his head drops momentarily. His automobile nearly collides with another. The second driver honks, the man veers again, spinning the wheel, pushing on the brake pedal. He skids along an avenue then turns down an alley. His vehicle rolls until it collides with the rear of a parked truck. There is a small crashing noise. The headlights shatter. The impact smacks the man into the steering wheel. His forehead bleeds. He steps from the Model A, sees the damage, then collapses onto the wet pavement. His arm throbs. His chest hurts. It is Sunday morning. The alley is empty. He remains there, unnoticed, slumped against the side of the car. The blood from his coronary arteries no longer flows to his heart. An hour passes. A policeman finds him. A medical examiner pronounces him dead. The cause of death is listed as “heart attack.” There are no known relatives. Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily, at an arcade, with the little boy in tawny pants dropping pennies into the Erie Digger machine, and the other ends badly, in a city morgue, where one worker calls another worker over to marvel at the blue skin of the newest arrival.
Mitch Albom (The Five People You Meet in Heaven (The Five People You Meet in Heaven, #1))
What provokes readers to experience their own profound sense of self? How do readers feel their oats, pick up their own baggage, smile at their own ironies, snap out of their worries, and feel that things today actually are okay? In life, things like that can happen when we bounce off of others or pick up the moods of others. We lock horns, back away from bias, scream at rock concerts, cheer at football games, nod in agreement, join the mob and pick up stones to throw, or raise our palms to heaven and murmur an amen. The effect is similar in fiction. In reading fiction we react to what others are feeling strongly, in this case the characters. Strong feelings are an invitation. Or a challenge. Strong feelings press us to judge what characters feel. We sympathize with them, or not. We engage on our own level.
Donald Maass (The Emotional Craft of Fiction: How to Write the Story Beneath the Surface)
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Your bounce-back game is so strong, even gravity had to take a seat.
Dr. Angela L. Hood