Bought My First House Quotes

We've searched our database for all the quotes and captions related to Bought My First House. Here they are! All 48 of them:

And now my old dog is dead, and another I had after him, and my parents are dead, and that first world, that old house, is sold and lost, and the books I gathered there lost, or sold- but more books bought, and in another place, board by board and stone by stone, like a house, a true life built, and all because I was steadfast about one or two things: loving foxes, and poems, the blank piece of paper, and my own energy- and mostly the shimmering shoulders of the world that shrug carelessly over the fate of any individual that they may, the better, keep the Niles and Amazons flowing.
Mary Oliver (Blue Pastures)
Bryce sobbed, "I bought you, and now I set you free, Lehabah." Lehaba's smile didn't falter. "I know," she said. "I peeked in your drawer." And despite the monster trying to break loose behind them, Bryce choked on a laugh before she begged, "You are a free person- you do not have to do this. You are free, Lehabah." Yet Lehabah remained at the foot of the stairs. "Then let it be known that my first act of freedom was to help my friends.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
At forty-three, I bought my first house. I’d wanted one like crazy. A house meant family, a happy childhood for my litttle girl and for the little girl self inside me. . . . I was soon overwhelmed by the upkeep and overcome by the yardwork. . . . In the bright light of closing, it was obvious: it was never a house I wanted; it was what a house symbolized to me. (254)
Victoria Moran (Younger by the Day: 365 Ways to Rejuvenate Your Body and Revitalize Your Spirit)
But the first bedtime story he ever did read me was Kim.' River could tell she recognised the title, so didn't elaborate. 'After that, well, Conrad, Greene. Somerset Maugham.' 'Ashenden.' 'You get the picture. For my twelfth birthday, he bought me le Carré's collected works. I can still remember what he said about them.' They're made up. But that doesn't mean they're not true.
Mick Herron (Slow Horses (Slough House, #1))
Sometimes I fantasize about getting my hands on my library records. . . my recurring bookworm dream is to peruse my personal library history like it's a historical document. My bookshelves show me the books I've bought or been given. . . But my library books come into my house and go out again, leaving behind only memories and a jotted line in a journal (if I'm lucky). I long for a list that captures these ephemeral reads - all the books I've borrowed in a lifetime of reading, from last week's armful spanning back to when I was a seven-year-old kid with my first library card. I don't need many details - just the titles and dates would be fine - but oh, how I'd love to see them. Those records preserve what my memory has not. I remember the highlights of my grade-school checkouts, but much is lost to time. How I'd love to see the complete list of what I chose to read in second grade, or sixth, or tenth.
Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
At five that night, I went back to the market and bought three sixteen-ounce Rainier Ales. I bounced back to my house, Mary Lou Retton-like, sipped the first ale, took the Valium, smoked a joint, drank the second ale, took another Valium, listened to “Into the Mystic” ten times, drank the third Ale, too the Valium and the Halcion, and discovered two unhappy thoughts. One was it was only seven o’clock. The second was that I was wide awake.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
I traded with Jesiba for your freedom last week. I have the papers in my desk. I wanted to throw a party for it- to surprise you.' The bathroom door began warping, bending. Bryce sobbed. 'I bought you and now I set you free, Lehabah.' Lehabah's smile didn't falter. 'I know,' she said. 'I peeked in your drawer.' And despite the monster trying to break loose behind them, Bryce choked on a laugh before she begged. 'You are a free person- you do not have to do this. You are free, Lehabah.' Yet Lehabah remained at the foot of the stairs. 'Then let the world know that my first act of freedom was to help my friends.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
I was extremely curious about the alternatives to the kind of life I had been leading, and my friends and I exchanged rumors and scraps of information we dug from official publications. I was struck less by the West's technological developments and high living standards than by the absence of political witch-hunts, the lack of consuming suspicion, the dignity of the individual, and the incredible amount of liberty. To me, the ultimate proof of freedom in the West was that there seemed to be so many people there attacking the West and praising China. Almost every other day the front page of Reference, the newspaper which carded foreign press items, would feature some eulogy of Mao and the Cultural Revolution. At first I was angered by these, but they soon made me see how tolerant another society could be. I realized that this was the kind of society I wanted to live in: where people were allowed to hold different, even outrageous views. I began to see that it was the very tolerance of oppositions, of protesters, that kept the West progressing. Still, I could not help being irritated by some observations. Once I read an article by a Westerner who came to China to see some old friends, university professors, who told him cheerfully how they had enjoyed being denounced and sent to the back end of beyond, and how much they had relished being reformed. The author concluded that Mao had indeed made the Chinese into 'new people' who would regard what was misery to a Westerner as pleasure. I was aghast. Did he not know that repression was at its worst when there was no complaint? A hundred times more so when the victim actually presented a smiling face? Could he not see to what a pathetic condition these professors had been reduced, and what horror must have been involved to degrade them so? I did not realize that the acting that the Chinese were putting on was something to which Westerners were unaccustomed, and which they could not always decode. I did not appreciate either that information about China was not easily available, or was largely misunderstood, in the West, and that people with no experience of a regime like China's could take its propaganda and rhetoric at face value. As a result, I assumed that these eulogies were dishonest. My friends and I would joke that they had been bought by our government's 'hospitality." When foreigners were allowed into certain restricted places in China following Nixon's visit, wherever they went the authorities immediately cordoned off enclaves even within these enclaves. The best transport facilities, shops, restaurants, guest houses and scenic spots were reserved for them, with signs reading "For Foreign Guests Only." Mao-tai, the most sought-after liquor, was totally unavailable to ordinary Chinese, but freely available to foreigners. The best food was saved for foreigners. The newspapers proudly reported that Henry Kissinger had said his waistline had expanded as a result of the many twelve-course banquets he enjoyed during his visits to China. This was at a time when in Sichuan, "Heaven's Granary," our meat ration was half a pound per month, and the streets of Chengdu were full of homeless peasants who had fled there from famine in the north, and were living as beggars. There was great resentment among the population about how the foreigners were treated like lords. My friends and I began saying among ourselves: "Why do we attack the Kuomintang for allowing signs saying "No Chinese or Dogs" aren't we doing the same? Getting hold of information became an obsession. I benefited enormously from my ability to read English, as although the university library had been looted during the Cultural Revolution, most of the books it had lost had been in Chinese. Its extensive English-language collection had been turned upside down, but was still largely intact.
Jung Chang (Wild Swans: Three Daughters of China)
At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap
Carol Ann Duffy (The World's Wife)
Dream House as an Exercise in Point of View You were not always just a You. I was whole—a symbiotic relationship between my best and worst parts—and then, in one sense of the definition, I was cleaved: a neat lop that took first person—that assured, confident woman, the girl detective, the adventurer—away from second, who was always anxious and vibrating like a too-small breed of dog. I left, and then lived: moved to the East Coast, wrote a book, moved in with a beautiful woman, got married, bought a rambling Victorian in Philadelphia. Learned things: how to make Manhattans and use starchy pasta water to create sauces and keep succulents alive. But you. You took a job as a standardized-test grader. You drove seven hours to Indiana every other week for a year. You churned out mostly garbage for the second half of your MFA. You cried in front of many people. You missed readings, parties, the supermoon. You tried to tell your story to people who didn’t know how to listen. You made a fool of yourself, in more ways than one. I thought you died, but writing this, I’m not sure you did.
Carmen Maria Machado (In the Dream House)
float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I
Sarah Winman (Tin Man)
Like most people, when I look back, the family house is held in time, or rather it is now outside of time, because it exists so clearly and it does not change, and it can only be entered through a door in the mind. I like it that pre-industrial societies, and religious cultures still, now, distinguish between two kinds of time – linear time, that is also cyclical because history repeats itself, even as it seems to progress, and real time, which is not subject to the clock or the calendar, and is where the soul used to live. This real time is reversible and redeemable. It is why, in religious rites of all kinds, something that happened once is re-enacted – Passover, Christmas, Easter, or, in the pagan record, Midsummer and the dying of the god. As we participate in the ritual, we step outside of linear time and enter real time. Time is only truly locked when we live in a mechanised world. Then we turn into clock-watchers and time-servers. Like the rest of life, time becomes uniform and standardised. When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed – for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little. Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you. Why did I leave home when I was sixteen? It was one of those important choices that will change the rest of your life. When I look back it feels like I was at the borders of common sense, and the sensible thing to do would have been to keep quiet, keep going, learn to lie better and leave later. I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it. And here is the shock – when you risk it, when you do the right thing, when you arrive at the borders of common sense and cross into unknown territory, leaving behind you all the familiar smells and lights, then you do not experience great joy and huge energy. You are unhappy. Things get worse. It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded. And then all the cowards come out and say, ‘See, I told you so.’ In fact, they told you nothing.
Jeanette Winterson
It was my mother who bought me green ink for the first time, along with the fountain pen she gave me as a gift to mark my graduation from high school. When I asked ‘Why green?’ she laughed and shrugged. ‘I don’t know, maybe just because it’s different from black and blue.’ My father smirked. ’It’s different from black and blue!’ Madam insists that all of her things be different from those of other people.’ My mother looked at him for a few moments and then turned to me. Nowadays she had to look up at me to meet my eyes, and I had to lean down to kiss her. She said, ‘Write something, see if you like it.’ On the corner of the Alik newspaper that was delivered to our house in the afternoon for my father, I wrote, ‘Green ink is different from all other inks. I like people and things that are different.
Zoya Pirzad (Space Between Us)
..when Anne stopped and talked to me for the first time. I can't remember what we said, maybe our names and where we came from. at the end of the conversation I invited her to dinner at my house that night. It was Christmastime, or nearly, and I made a pizza and bought a bottle of wine. We talked until very late. That was when Anne told me she'd been to Mexico several times. Overall, her adventures were very similar to mine. Anne thought this was because the lives or the youths of any two individuals would be fundamentally alike, in spite of the obvious or even glaring differences. I preferred to think that somehow she and I had both explored the same map, fought the same doomed campaigns, received a common sentimental education. At five in the morning, or perhaps later, we went to med and made love.
Roberto Bolaño
Bryce couldn’t stop the sob that wrenched its way out of her. “You’re free, Lehabah.” The words rippled through the library as Bryce wept. “I traded with Jesiba for your freedom last week. I have the papers in my desk. I wanted to throw a party for it—to surprise you.” The bathroom door began warping, bending. Bryce sobbed, “I bought you, and now I set you free, Lehabah.” Lehabah’s smile didn’t falter. “I know,” she said. “I peeked in your drawer.” And despite the monster trying to break loose behind them, Bryce choked on a laugh before she begged, “You are a free person—you do not have to do this. You are free, Lehabah.” Yet Lehabah remained at the foot of the stairs. “Then let the world know that my first act of freedom was to help my friends.” Syrinx shifted in Bryce’s arms, a low, pained sound breaking from him. Bryce thought it might be the sound her own soul was making as she whispered, unable to bear this choice, this moment, “I love you, Lehabah.” The only words that ever mattered. “And I will love you always, BB.” The fire sprite breathed, “Go.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
There are croakers in every country, always boding its ruin. Such a one then lived in Philadelphia; a person of note, an elderly man, with a wise look and a very grave manner of speaking; his name was Samuel Mickle. This gentleman, a stranger to me, stopt one day at my door, and asked me if I was the young man who had lately opened a new printing-house. Being answered in the affirmative, he said he was sorry for me, because it was an expensive undertaking, and the expense would be lost; for Philadelphia was a sinking place, the people already half-bankrupts, or near being so; all appearances to the contrary, such as new buildings and the rise of rents, being to his certain knowledge fallacious; for they were, in fact, among the things that would soon ruin us. And he gave me such a detail of misfortunes now existing, or that were soon to exist, that he left me half melancholy. Had I known him before I engaged in this business, probably I never should have done it. This man continued to live in this decaying place, and to declaim in the same strain, refusing for many years to buy a house there, because all was going to destruction; and at last I had the pleasure of seeing him give five times as much for one as he might have bought it for when he first began his croaking.
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Carl picked me up right on time. He has always been prompt. He has also always been mysterious. He didn’t give me any kind of hint as to where we were going, so I didn’t know how to dress or anything. As we drove along, I was trying to see what part of town we were heading for to get some clue as to what was up. I was surprised when we pulled into the driveway of a private home. Carl walked me to the door and opened it. Inside, his mother was just putting supper on the table. Without any other word of introduction Carl said to his mother, “Fix this girl a plate. She’s the one I’m going to marry.” With a nervous laugh I tried to acknowledge that he had made a little joke. But something in his voice told me he hadn’t. In all my life, I have never felt such an odd combination of emotions. First, I was shocked that he wanted to marry me, since he had never given me any indication that he cared that much for me. Second, I was astounded. I remember thinking, “Who the hell does this guy think he is?” I felt flattered, outraged, touched, turned on, scared to death, and completely confused. The boy back home who had bought the house was not even this presumptuous. At least he had said he loved me at some point. There I was, feeling as mixed up as a road lizard in a spin dryer, and having to act sociable while trying to keep my dinner down. I somehow got through the meal and worked things out in my own mind enough to keep seeing Carl.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
You may not recognize the name Steven Schussler, CEO of Schussler Creative Inc., but you are probably familiar with his very popular theme restaurant Rainforest Café. Steve is one of the scrappiest people I know, with countless scrappy stories. He is open and honest about his wins and losses. This story about how he launched Rainforest Café is one of my favorites: Steve first envisioned a tropical-themed family restaurant back in the 1980s, but unfortunately, he couldn’t persuade anyone else to buy into the idea at the time. Not willing to give up easily, he decided to get scrappy and be “all in.” To sell his vision, he transformed his own split-level suburban home into a living, mist-enshrouded rain forest to convince potential investors that the concept was viable. Yes, you read that correctly—he converted his own house into a jungle dwelling complete with rock outcroppings, waterfalls, rivers, and layers of fog and mist that rose from the ground. The jungle included a life-size replica of an elephant near the front door, forty tropical birds in cages, and a live baby baboon named Charlie. Steve shared the following details: Every room, every closet, every hallway of my house was set up as a three-dimensional vignette: an attempt to present my idea of what a rain forest restaurant would look like in actual operation. . . . [I]t took me three years and almost $400,000 to get the house developed to the point where I felt comfortable showing it to potential investors. . . . [S]everal of my neighbors weren’t exactly thrilled to be living near a jungle habitat. . . . On one occasion, Steve received a visit from the Drug Enforcement Administration. They wanted to search the premises for drugs, presuming he may have had an illegal drug lab in his home because of his huge residential electric bill. I imagine they were astonished when they discovered the tropical rain forest filled with jungle creatures. Steve’s plan was beautiful, creative, fun, and scrappy, but the results weren’t coming as quickly as he would have liked. It took all of his resources, and he was running out of time and money to make something happen. (It’s important to note that your scrappy efforts may not generate results immediately.) I asked Steve if he ever thought about quitting, how tight was the money really, and if there was a time factor, and he said, “Yes to all three! Of course I thought about quitting. I was running out of money and time.” Ultimately, Steve’s plan succeeded. After many visits and more than two years later, gaming executive and venture capitalist Lyle Berman bought into the concept and raised the funds necessary to get the Rainforest Café up and running. The Rainforest Café chain became one of the most successful themed restaurants ever created, and continues that way under Landry’s Restaurants and Tilman Fertitta’s leadership. Today, Steve creates restaurant concepts in fantastic warehouses far from his residential neighborhood!
Terri L. Sjodin (Scrappy: A Little Book About Choosing to Play Big)
Rowing A story, a story! (Let it go. Let it come.) I was stamped out like a Plymouth fender into this world. First came the crib with its glacial bars. Then dolls and the devotion to their plastic mouths. Then there was school, the little straight rows of chairs, blotting my name over and over, but undersea all the time, a stranger whose elbows wouldn’t work. Then there was life with its cruel houses and people who seldom touched – though touch is all – but I grew, like a pig in a trenchcoat I grew, and then there were many strange apparitions, the nagging rain, the sun turning into poison and all of that, saws working through my heart, but I grew, I grew, and God was there like an island I had not rowed to, still ignorant of Him, my arms and my legs worked, and I grew, I grew, I wore rubies and bought tomatoes and now, in my middle age, about nineteen in the head I’d say, I am rowing, I am rowing though the oarlocks stick and are rusty and the sea blinks and rolls like a worried eyeball, but I am rowing, I am rowing, though the wind pushes me back and I know that that island will not be perfect, it will have the flaws of life, the absurdities of the dinner table, but there will be a door and I will open it and I will get rid of the rat inside of me, the gnawing pestilential rat. God will take it with his two hands and embrace it. As the African says: This is my tale which I have told, if it be sweet, if it be not sweet, take somewhere else and let some return to me. This story ends with me still rowing.
Anne Sexton
Rose, let me show you upstairs to your new room. Do you know that my brother has bought the contents of an entire toy shop for you? Dolls and books, and the biggest doll house you've ever seen.” As the little girl squealed with delight and followed her at once, Holly stared at Zachary Bronson with rapidly dawning disapproval. “An entire toy shop?” “It was nothing like that,” Bronson said immediately. “Elizabeth is prone to exaggeration.” He threw a warning glance at Paula, silently demanding that she agree with him. “Isn't that right, Mother?” “Well,” Paula said uncertainly, “actually, you did rather—” “I'm certain Lady Holland will want a tour of the house while her belongings are unpacked,” Bronson interrupted hastily. “Why don't you take her around?” Clearly overwhelmed by shyness, Mrs. Bronson gave a noncommittal murmur and sped away, leaving the two of them alone in the parlor. Faced with Holly's disapproving stare, Zachary shoved his hands in his pockets, while the toe of his expensive shoe beat a quick, impatient rhythm on the floor. “What harm is there in an extra toy or two?” he finally said in an excessively reasonable tone. “Her room was about as cheerful as a prison cell. I thought a doll and a handful of books would make the place more appealing for her—” “First of all,” Holly interrupted, “I doubt that any room in this house could be described as a prison cell. Second… I will not have my daughter spoiled and overwhelmed, and influenced by your taste for excess.” “Fine,” he said with a gathering scowl. “We'll get rid of the damned toys, then.” “Please do not swear in my presence,” Holly said, and sighed. “How am I to remove the toys after Rose has seen them? You don't know very much about children, do you?” “No,” he said shortly. “Only how to bribe them.
Lisa Kleypas (Where Dreams Begin)
People who love are different from everybody else. People who feel are more fortunate than all. Rich men who buy and grab up things are just moving them around. They have bought these things with money, which they can never own. A mother with life in her womb is the one who is truly wealthy. A newborn in the arms is beyond oil in one palm and pure gold in the other. Father says that there is no God, so that I might worship him. But something is moving in the atmosphere… Not for viewing, but for sensing and being changed by. That I can feel. I am certain. My first love was the sky. Who created that? My second love was my mother’s eyes that revealed a reflection of me. My father had a house of great beauty built for us all. But who created the mind, the memory, and the imagination? I’d sit in the soil surrounded with no walls just to talk to that ONE, even without words… Diamonds are lovely, but sound is lovelier. Roller coasters are thrilling. My clitoris clothed in my vagina is more, more, more. Why turn on the lights when we can lie under the glare of the moon? Why listen to the call for war when we can make love? He wants revolution, but I want passion revolving in my soul. A man invented the fan, but who created the wind and caressed it into a breeze Then converted it into a storm? A cloud holds the water, yet both clouds and water were created. Impress me not with castles, cars, or clothes. I’d rather meet the Maker of rain— But would be content with simply being showered while lying in the grass Facing a darkened sky pregnant with thunder and leaking lightning. My husband asks me, Do you love me? So gently, I answer him. “I love the Creator of life. This is why I can love you.” Yet everywhere that I see and feel a trace of the Creator, the Light of life, There is so much love in it for me.
Sister Souljah (Midnight and the Meaning of Love (The Midnight Series Book 2))
Which brings me back to Ecclesiastes, his search for happiness, and mine. I spoke in chapter 4 about my first meeting, as a student, with Rabbi Menachem Mendel Schneersohn, the Lubavitcher Rebbe. As I was waiting to go in, one of his disciples told me the following story. A man had recently written to the Rebbe on something of these lines: ‘I need the Rebbe’s help. I am deeply depressed. I pray and find no comfort. I perform the commands but feel nothing. I find it hard to carry on.’ The Rebbe, so I was told, sent a compelling reply without writing a single word. He simply ringed the first word in every sentence of the letter: the word ‘I’. It was, he was hinting, the man’s self-preoccupation that was at the root of his depression. It was as if the Rebbe were saying, as Viktor Frankl used to say in the name of Kierkegaard, ‘The door to happiness opens outward.’23 It was this insight that helped me solve the riddle of Ecclesiastes. The word ‘I’ does not appear very often in the Hebrew Bible, but it dominates Ecclesiastes’ opening chapters. I enlarged my works: I built houses for myself, I planted vineyards for myself; I made gardens and parks for myself and I planted in them all kinds of fruit trees; I made ponds of water for myself from which to irrigate a forest of growing trees. I bought male and female slaves and I had homeborn slaves. Also I possessed flocks and herds larger than all who preceded me in Jerusalem. Also, I collected for myself silver and gold and the treasure of kings and provinces. (Ecclesiastes 2:4–8) Nowhere else in the Bible is the first-person singular used so relentlessly and repetitively. In the original Hebrew the effect is doubled because of the chiming of the verbal suffix and the pronoun: Baniti li, asiti li, kaniti li, ‘I built for myself, I made for myself, I bought for myself.’ The source of Ecclesiastes’ unhappiness is obvious and was spelled out many centuries later by the great sage Hillel: ‘If I am not for myself, who will be? But if I am only for myself, what am I?’24 Happiness in the Bible is not something we find in self-gratification. Hence the significance of the word simchah. I translated it earlier as ‘joy’, but really it has no precise translation into English, since all our emotion words refer to states of mind we can experience alone. Simchah is something we cannot experience alone. Simchah is joy shared.
Jonathan Sacks (The Great Partnership: Science, Religion, and the Search for Meaning)
Obviously, I didn’t pursue that girl any longer, and I didn’t think about Missy much after our so-called date, mainly because I didn’t think she was interested in me. But then a few days later, one of our mutual friends from church called me. She told me Missy couldn’t stop thinking about me. I didn’t find out until several months later that the friend also called Missy that night and told her I really liked her! Neither one of us thought much about our fake date, but our friend decided to play matchmaker. The next time I saw Missy was at a youth meeting at the Kelletts’ house. Oddly enough, Missy’s family had lived in the same house for years until Mike and his family bought it. After the meeting I decided to check the credibility of our mutual friend who told me Missy was interested in me. We were outside and Missy was telling me stories of when she used to live there. I led her to the backyard and after she finished a story, I made my move. I turned and planted a juicy lip lock on her, to which she responded enthusiastically. I just wanted to see if she was interested in me and I got the answer. I have to admit I felt a spark or two during the encounter. It was nice! Missy remembers a few more details of our early dating. Missy: During our mock date, I also felt like we had a great time together. However, because we had mutually agreed to go out on this public-relations date, I would have never assumed anything more. I am not an aggressive person, and even though I felt something between us, I would have never made the first move! That’s why, when Jason dropped me off, I just got out of the truck and went inside. He obviously hadn’t asked me out because he thought I was pretty, funny, or interesting. In my mind, this was just business, whether I liked it or not. And I didn’t like it. I was definitely attracted to him, but where I came from and the way I was raised, it was the boy’s responsibility to make the first move. And he didn’t, at least not that night. When my friend called me a few days later and told me that he liked me, I was surprised and thrilled! Little did I know that she’d done the same thing to Jason. The night after our first kiss at our youth minister’s house, I remember trying not to get my hopes up. I knew about his reputation of dating as many girls as possible, and I thought there was a great chance that I would never hear from him again. However, I decided to go outside my comfort zone and give him a call. One of his mom’s friends answered the phone and when I asked to speak to Jason, she told me he was on his way to his girlfriend’s house. I hung up, feeling dejected. About fifteen minutes later, he showed up at my house. I was the girlfriend!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Two fifty-five. It’s go time.” Chris unlocks the doors and gets out and hides behind an oak tree in the yard. My adrenaline is pumping as I hop out of Chris’s car, grab Kitty’s bike out of her trunk, and push it a few houses. Then I set it on the ground and drape myself over it in a dramatic heap. Then I pull out the bottle of fake blood I bought for this very purpose and squirt some on my jeans--old jeans I’ve been planning on giving to Goodwill. As soon as I see Trevor’s car approaching, I start to pretend sob. From behind the tree Chris whispers, “Tone it down a little!” I immediately stop sobbing and start moaning. Trevor’s car pulls up beside me. He rolls down the window. “Lara Jean? Are you okay?” I whimper. “No…I think I might have sprained my ankle. It really hurts. Can you give me a ride home?” I’m willing myself to tear up, but it’s harder to cry on cue than I would have thought. I try to think about sad things--the Titanic, old people with Alzheimer’s, Jamie Fox-Pickle dying--but I can’t focus. Trevor regards me suspiciously. “Why are you riding your bike in this neighborhood?” Oh no, I’m losing him! I start talking fast but not too fast. “It’s not my bike; it’s my little sister’s. She’s friends with Sara Healey. You know, Dan Healey’s little sister? They live over there.” I point to their house. “I was bringing it to her--oh my God, Trevor. Do you not believe me? Are you seriously not going to give me a ride?” Trevor looks around. “Do you swear this isn’t a trick?” Gotcha! “Yes! I swear I don’t have your name, okay? Please just help me up. It really hurts.” “First show me your ankle.” “Trevor! You can’t see a sprained ankle!” I whimper and make a show of trying to stand up, and Trevor finally turns the car off and gets out. He stoops down and pulls me to my feet and I try to make my body heavy. “Be gentle,” I tell him. “See? I told you I didn’t have your name.” Trevor pulls me up by my armpits, and over his shoulder Chris creeps up behind him like a ninja. She dives forward, both hands out, and claps them on his back hard. “I got you!” she screams. Trevor shrieks and drops me, and I narrowly escape falling for real. “Damn it!” he yells. Gleefully Chris says, “You’re done, sucker!” She and I high-five and hug. “Can you guys not celebrate in front of me?” he mutters. Chris holds her hand out. “Now gimme gimme gimme.” Sighing, Trevor shakes his head and says, “I can’t believe I fell for that, Lara Jean.” I pat him on the back. “Sorry, Trevor.” “What if I had had your name?” he asks me. “What would you have done then?” Huh. I never thought of that. I shoot Chris an accusing glare. “Wait a minute! What if he had had my name?” “That was a chance we were willing to take,” she says smoothly.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Missy and I became best friends, and soon after our first year together I decided to propose to her. It was a bit of a silly proposal. It was shortly before Christmas Day 1988, and I bought her a potted plant for her present. I know, I know, but let me finish. The plan was to put her engagement ring in the dirt (which I did) and make her dig to find it (which I forced her to do). I was then going to give a speech saying, “Sometimes in life you have to get your hands dirty and work hard to achieve something that grows to be wonderful.” I got the idea from Matthew 13, where Jesus gave the Parable of the Sower. I don’t know if it was the digging through the dirt to find the ring or my speech, but she looked dazed and confused. So I sort of popped the question: “You’re going to marry me, aren’t you?” She eventually said yes (whew!), and I thought everything was great. A few days later, she asked me if I’d asked her dad for his blessing. I was not familiar with this custom or tradition, which led to a pretty heated argument about people who are raised in a barn or down on a riverbank. She finally convinced me that it was a formality that was a prerequisite for our marriage, so I decided to go along with it. I arrived one night at her dad’s house and asked if I could talk with him. I told him about the potted plant and the proposal to his daughter, and he pretty much had the same bewildered look on his face that she’d had. He answered quite politely by saying no. “I think you should wait a bit, like maybe a couple of years,” he said. I wasn’t prepared for that response. I didn’t handle it well. I don’t remember all the details of what was said next because I was uncomfortable and angry. I do remember saying, “Well, you are a preacher so I am going to give you some scripture.” I quoted 1 Corinthians 7:9, which says: “It is better to marry than to burn with passion.” That didn’t go over very well. I informed him that I’d treated his daughter with respect and he still wouldn’t budge. I then told him we were going to get married with him or without him, and I left in a huff. Over the next few days, I did a lot of soul-searching and Missy did a lot of crying. I finally decided that it was time for me to become a man. Genesis 2:24 says: “For this reason [creation of a woman] a man will leave his father and mother and be united to his wife, and they will become one flesh.” God is the architect of marriage, and I’d decided that my family would have God as its foundation. It was time for me to leave and cleave, as they say. My dad told me once that my mom would cuddle us when we were in his nest, but there would be a day when it would be his job to kick me out. He didn’t have to kick me out, nor did he have to ask me, “Who’s a man?” Through prayer and patience, Missy’s parents eventually came around, and we were more than ready to make our own nest.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Hellooo.” The ferry captain shot a thumb at her Jeep. “Gonna get it off ?” “Oh.” She laughed. “Sorry.” Releasing Nicole, she ran back onto the ferry and slid behind the wheel. By the time she revved the engine, Nicole was in the passenger’s seat, sliding a hand over the timeworn dashboard. “I am paying you for this.” Charlotte shot her a startled look and inched forward. “For this car? You are not.” “You wouldn’t have bought it if it weren’t for my book, and you won’t take money for that.” “Because it’s your book. I’m just along for the ride.” She laughed at her own words. “Can you believe, this is the first car I’ve ever owned?” She eased it onto the dock. “Is it real or what?” “Totally real,” Nicole said, though momentarily wary. “Safe on the highway?” “It got me here.” Charlotte waved at the captain. “Thank you!” Still crawling along, she drove carefully off the pier. When she was on firm ground, she stopped, angled sideways in the seat, and addressed the first of the ghosts. “I’m sorry about your dad, Nicki. I wanted to be there. I just couldn’t.” Seeming suddenly older, Nicole smiled sadly. “You were probably better off. There were people all over the place. I didn’t have time to think.” “A heart attack?” “Massive.” “No history of heart problems?” “None.” “That’s scary. How’s Angie?” Nicole’s mother. Charlotte had phoned her, too, and though Angie had said all the right words—Yes, a tragedy, he loved you, too, you’re a darling to call—she had sounded distracted. “Bad,” Nicole confirmed. “They were so in love. And he loved Quinnipeague. His parents bought the house when he was little. He actually proposed to Mom here. They always said that if I’d been a boy, they’d have named me Quinn. She can’t bear to come now. That’s why she’s selling. She can’t even come to pack up. This place was so him.” “Woo-hoo,” came a holler that instantly lifted the mood. “Look who’s here!” A stocky woman, whose apron covered a T-shirt and shorts, was trotting down the stairs from the lower deck of the Chowder House. Dorey Jewett had taken over from her father midway through Charlotte’s summers here and had brought the place up to par with the best of city restaurants. She had the gleaming skin of one who worked over steam, but the creases by her eyes, as much from smiling as from squinting over the harbor, suggested she was nearing sixty. “Missy here
Barbara Delinsky (The Right Wrong Number)
During dessert Vikki finally managed to edge in one complaint. “It was our first anniversary last month,” she said, “and do you know what my newlywed besotted husband bought me? A food processor! Me—a food processor!” “It was a hint, Viktoria.” Vikki theatrically rolled her eyes. Richter just rolled his. Trying not to smile, Alexander glanced at Tania, who was loving on her death-by-chocolate cake and hardly paying attention. She embraced electric gadgets with all her heart. There was not an electric can opener, a blender, a coffee maker that did not get his wife wildly enthusiastic. She window shopped for these items every Saturday, read their manuals in the store and then at night regaled Alexander with their technical attributes, as if the manuals she was reciting were Pushkin’s poetry. “Tania, darling, my closest friend,” said Vikki, “please tell me you agree. Don’t you think a food processor is extremely unromantic?” After thinking carefully, her mouth full, Tatiana said, “What kind of food processor?” For Christmas, Alexander bought Tatiana a Kitchen-Aid food processor, top of the line, the best on the market. Inside it she found a gold necklace. Despite a very full house, and Anthony right outside on the couch, she made love to Alexander that Christmas night in candlelight wearing nothing but the necklace, perched and posted on top of him, her soft silken hair floating in a mane and her warm breasts swinging into his chest.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
The sky had changed again; a reddish glow was spreading up beyond the housetops. As dusk set in, the street grew more crowded. People were returning from their walks, and I noticed the dapper little man with the fat wife amongst the passers-by. Children were whimpering and trailing wearily after their parents. After some minutes the local picture houses disgorged their audiences. I noticed that the young fellows coming from them were taking longer strides and gesturing more vigorously than at ordinary times; doubtless the picture they‟d been seeing was of the wild-West variety. Those who had been to the picture houses in the middle of the town came a little later, and looked more sedate, though a few were still laughing. On the whole, however, they seemed languid and exhausted. Some of them remained loitering in the street under my window. A group of girls came by, walking arm in arm. The young men under my window swerved so as to brush against them, and shouted humorous remarks, which made the girls turn their heads and giggle. I recognized them as girls from my part of the town, and two or three of them, whom I knew, looked up and waved to me. Just then the street lamps came on, all together, and they made the stars that were beginning to glimmer in the night sky paler still. I felt my eyes getting tired, what with the lights and all the movement I‟d been watching in the street. There were little pools of brightness under the lamps, and now and then a streetcar passed, lighting up a girl‟s hair, or a smile, or a silver bangle. Soon after this, as the streetcars became fewer and the sky showed velvety black above the trees and lamps, the street grew emptier, almost imperceptibly, until a time came when there was nobody to be seen and a cat, the first of the evening, crossed, unhurrying, the deserted street. It struck me that I‟d better see about some dinner. I had been leaning so long on the back of my chair, looking down, that my neck hurt when I straightened myself up. I went down, bought some bread and spaghetti, did my cooking, and ate my meal standing.I‟d intended to smoke another cigarette at my window, but the night had turned rather chilly and I decided against it. As I was coming back, after shutting the window, I glanced at the mirror and saw reflected in it a corner of my table with my spirit lamp and some bits of bread beside it. It occurred to me that somehow I‟d got through another Sunday, that Mother now was buried, and tomorrow I‟d be going back to work as usual.Really, nothing in my life had changed18
Anonymous
Megan was over at the Morgan brothers’ house, having a casual dinner with Drew and his brother, Alan. It was casual in the sense that there were only three courses and no ice sculpture. When Alan left the room to get dessert, Megan said, “If you don’t give me whatever’s in your pocket, I’m going to reach in there and grab it myself.” He got a devilish grin and threw his hands in the air. “Help yourself!” She reached in and found a ring. Not an engagement ring but a ring with a large stone in the middle. A cheap-looking stone. Megan frowned. “Is this plastic?” “It’s a mood ring,” he said. “I bought it at a carnival when I was a kid. I wore it to school once because I thought it was cool. I got my first black eye that day.” “You got bullied?” “Not exactly. The guy who punched me once got two right back.” She handed the ring back. “You can wear it now, if you want. You’re an adult. Nobody’s going to beat you up.” She made a fist and punched her palm. “Not if they don’t want me to tag in and finish the match.” He put the ring back in his pocket. “Never mind,” he said. She put her hand in his pocket and grabbed the ring back. “Don’t tell me to never mind. Why do you have this? Were you going to give it to me?” “I thought it would be funny,” he said. “You’re reading all those books Feather recommended, and you’re doing that thing where you name your emotions. I thought it would be funny if you had a mood ring to help you with that.” She tried on the ring. The only finger it fit was her ring finger, so she left it there. “I like it,” she said. “It’s not very funny, though. It’s actually kind of…” She was at a loss for words. It had been happening a lot lately. Coming up with words to describe feelings was much harder than being crass or sarcastic. “Romantic,” Drew said. “Yeah. I guess you’re right. It’s romantic.” She leaned over and gave him a kiss on the cheek. “Plus, now I know your ring size,” he said. They both looked down at her hand. She looked away. “For the future,” he said. “Relax. I don’t mean right now.” She looked at the ring again. It was changing colors. “It’s working,” she said. “It’s a heat-sensitive compound,” he said. “It doesn’t really tell you someone’s mood, just how warm their fingers are.” “But finger temperature means a lot,” she said. “I’ve been reading about the nervous system, and how everything works together in all these different feedback loops. When someone’s stressed, their hands get cold. Or when their hands get cold for some other reason, they might feel stressed and make up a story about why they feel that way. People make up a lot of stories to explain how they feel because it’s so confusing to not know, and sometimes we’d rather think it’s because of something bad than not know at all.” He looked down at the ring, which was still changing colors. “I had no idea.” “I’ll have to come into your clinic and give you some tips for putting your patients more at ease.” “You can’t do that,” he said. “It would really cut down on the screaming, which I have grown to love.” He gave her his mad scientist cackle. “You are so weird.” She kissed him again.
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
On the thirtieth day the CEO called me,” says Long, “and told me he wanted to open a different kind of business, a business where the guys who would open it would have to put money into it alongside Arrow and that Arrow would loan the company money to grow the business. What Arrow wanted in return was the right to buy the business if things worked out. That’s how Capstone Electronics got started,” he says. “I took a mortgage on my house, put all my money into the company, and, as things turned out, the business boomed, Arrow bought it from us, and it was the first time in my life that I made some serious money and was able to pay off my mortgage, one hundred percent of my debts, and still have money in the bank.
Jason Jennings (The Reinventors: How Extraordinary Companies Pursue Radical Continuous Change)
Instead of renting the beach house, my friend bought a two-dollar basket and placed it on a table in her foyer. She asked her husband and teenagers to leave their phones in the basket for an hour each weeknight. Her family began preparing, eating, and cleaning up after dinner together. There was a lot of grumbling about this new system at first, but then came the laughter, talking, and connection she’d yearned for. Her basket turned out to be a two-dollar beach house.
Glennon Doyle (Untamed)
A few weeks after Donald hired me, I still hadn’t gotten paid. When I brought it up to him, he pretended at first not to understand what I was talking about. I pointed out that I needed an advance so I could at least buy a computer and a printer—I was still writing on the same electric typewriter I’d bought with Gam’s help in grad school. He said he thought that was the publisher’s problem. “Can you talk to Random House?” I didn’t realize it at the time, but Donald’s editor had no idea he’d hired me.
Mary L. Trump (Too Much and Never Enough: How My Family Created the World’s Most Dangerous Man)
1981, Kelly Egan, my first graduate student when I arrived in Seattle, and I bought a house together on the 5200 block of Brooklyn Avenue. Kelly was getting divorced at the time and needed somewhere
Marsha M. Linehan (Building a Life Worth Living: A Memoir)
I fetched my bag, tucked the folded newspaper inside, and grabbed the house keys. Clay beat me to the door.  I scowled down at him.  He stared back at me.  After a moment, he shook his neck, jangling his tags.  Defeated, I clipped on his leash.  He negotiated well without using a single word. I used my cell to call the number for the first ad.  The man sounded a bit brusque as if my planned visit inconvenienced him.  Shrugging it off, I led Clay to the address.  A rusty car parked on the front lawn with a “for sale” sign affirmed I had the right place.  Clay and I walked toward the car. A man called hello from the open garage and made his way toward us.  As he neared, his demeanor changed, and I inwardly groaned.  He introduced himself as Howard and looked me over with interest.  Clay moved to stand between us, his stoic presence a good deterrent. Howard talked about the car for a bit, going through the laundry list of its deficiencies.  Then he popped the hood so I could look at the engine.  In the middle of Howard’s attempt to impress me with his vast mechanical knowledge, Clay sprang up between us.  Howard yelped at Clay’s sudden move and edged away as Clay placed his paws on the front of the car to get a good look at the engine, too.  I fought not to smile at the man’s stunned expression.  At Clay’s discreet nod, I bought the car, not bothering with the second ad. No matter what errand I wanted to run during the week before classes started, Clay insisted on tagging along.  On Friday, when I drove to the bookstore, Clay rode a very cramped shotgun and waited in the car while I made my purchases.  Later, he sat in the hot car again while I bought some basic school supplies. However, Monday, when I tried leaving for my first class, I put my foot down.  He bristled and growled and tried to follow me. “Your license only wins you so much freedom.  Dogs aren’t allowed on campus and definitely not in the classroom.” Thankfully, Rachel had left first and didn’t hear me scold him. I tried to leave again, but he stubbornly persisted.  Finally, exasperated, I reminded him that he slept on my bed because of my good grace.  He resentfully stepped away from the door. *
Melissa Haag (Hope(less) (Judgement of the Six #1))
Come on, Melinda. You can’t avoid it forever. We both know you’re pregnant.” “Ugh,” she said, accepting the cool, wet cloth. She pressed it to her face, her brow, her neck. She didn’t have any more to say. But Jack knew. There had been tears, exhaustion, nausea. She turned watering eyes up to him. He shrugged and said, “You eased up on the breast-feeding, popped an egg and I nailed it.” Her eyes narrowed as if to say she did not appreciate the explanation. He held out a hand to bring her to her feet. “You have to wean David,” he said. “Your body can’t completely nourish two children. You’ll get weak. You’re already exhausted.” “I don’t want to be pregnant right now,” she said. “I’m barely over being pregnant.” “I understand.” “No, you don’t. Because you haven’t ever been pregnant.” He thought this would probably be a bad time to tell her that he did so understand, since he had lived with a pregnant person and listened very attentively to every complaint. “We should go see John right away, so you can find out how pregnant.” “How long have you suspected?” she asked him. “I don’t know. A few weeks. It was a little tougher this time….” “Oh, yeah?” “Well, yeah. Since you haven’t had a period since the first time I laid a hand on you. God, for a supposedly sterile woman, you certainly are fertile.” Then he grinned, fully aware it would have got him smacked if he hadn’t been holding the baby. She whirled away from him and went to sit on their bed. She put her face in her hands and began to cry. Well, he’d been expecting exactly this. There’d been a lot of crying lately and he knew she was going to be mighty pissed off. He sat down beside her, put an arm around her and pulled her close. David patted her head. “It’s going to be okay,” he said. “I’m not delivering this one. I want that understood.” “Try not to be cute,” she said through her tears. “I think my back already hurts.” “Can I get you something? Soda? Crackers? Arsenic?” “Very funny.” She turned her head to look at him. “Are you upset?” He shook his head. “I’m sorry it happened so soon. Sorry for you. I know there are times you get damned uncomfortable and I wanted you to get a break.” “I should never have gone away with you.” “Nah. You were already pregnant. Wanna bet?” “You knew before that?” “I wondered why you were so emotional, and that was a possible reason. I never bought your whole sterile thing. But I don’t have a problem with it. I wanted more kids. I like the idea of a larger family than the three of us. I come from a big family.” “There will not be five, I can guarantee you that,” she said. Then she bored a hole through him with her eyes. “Snip, snip.” “You’re not going to blame this on me, Mel. I suggested birth control. A couple of times, as a matter of fact. You were the one said it could never happen twice. And then explained that whole business about not ovulating while you’re nursing. How’s that working for you so far? Hmm?” “Screw you,” she said, not sweetly. “Well, obviously…” “I’d like you to understand I wasn’t relying on that breast-feeding thing. I’m a midwife—I know that’s not foolproof. I really didn’t think it possible that… Shit,” she said. She sighed deeply. “I just barely got back into my jeans….” “Yeah, those jeans. Whoa, damn. Those jeans really do it to me. No one wears a pair of jeans like you do.” “Aren’t you getting a little sick of having a fat wife?” “You’re not fat. You’re perfect. I love your body, pregnant and unpregnant. I know you’re trying to get me all worked up, but I’m not going there. You can try to pick a fight with me all day and I just won’t play. It wouldn’t be a fair fight—you’re out to get me and we both know it. Do you have appointments this morning?” “Why?” “Because I want to go to Grace Valley for an ultrasound. I want to know when I have to have the house done.” *
Robyn Carr (Whispering Rock (Virgin River, #3))
me. “Well, I know one thing about my twins. They’re not going to be models. I already tried them out for catalogue work. Within the first ten minutes, Orianthe informed me that she doesn’t like to do boring things and that modelling’s boring. And she’s not going to let her brother do boring things either.” I laughed. The cries of the twins pealed down the hallway as they bounded inside and called Jessie’s name. They must have discovered she was home. “Hey, where’s the pup?” I asked Pria. “Can I see him? Jessie said he’s growing big.” Immediately, Pria rolled her eyes and made a low disparaging sound. “I sent Buster out with the dog walker as soon as I knew Kate was coming over with the kids. He’d knock them flying. Wish I’d never bought him, to tell you the truth. After the break-in, I wanted a watchdog, but I should have paid more attention to the breed. He’s damned strong—even though he’s only nine months old. And he snaps. To tell you the truth, I’m a bit scared of the mutt. I’m having a dog trainer try to rein him in, but if that doesn’t work, he’s gone.” “What a shame,” I said. “Jess told me she’d like to walk the dog sometimes, but that’s not sounding good.” “Nope. The only thing I got right about him is his name. Because Buster has busted everything from doors to shoes.” She shook her head, a sorry smile on her face. The sound of the three children playing became too much. Tommy had once run through this house, too. I stayed for a while longer then made an excuse to leave.     29.                 PHOEBE   Tuesday night   STORM CLOUDS PUSHED INTO THE SKY, making the day darken a good hour before the incoming night. The heavy atmosphere pressed down on me. I opened the window of my bedroom upstairs at Nan’s house, letting the chill air stream in. I could only just catch a glimpse of the water from here. An enormous cruise liner dominated the harbour, staining the water red and blue with its lights. Maybe my small step in seeing Pria and Kate earlier had helped my frame of mind, but I didn’t feel it yet. I was back at square one. I began pacing the room, feeling unhinged. Things were all so in between. Dr Moran hadn’t succeeded in jogging my memory about the letters. She’d said she didn’t think it was possible to do all that I’d done in sleepwalking sessions and so the memory should still be in my mind somewhere. True sleepwalkers rarely remembered their dreams. Not remembering any of it was the most disturbing thing of all. It wasn’t the first time I’d forgotten things. With the binge drinking and the trauma of losing Tommy, there were gaps in my memory. But not a fucking chasm. And forgetting the writing of three notes and delivering them was a fucking chasm. Nan called me for dinner, and we ate the pumpkin soup together. I’d tried watching one of her sitcoms with her after that, but I gave up halfway through. I headed back upstairs. Surprisingly, I was tired enough to sleep. I crawled into bed and let myself drift off. I woke just before four thirty in the morning. The temperature had plummeted—I guessed it was below ten degrees. I’d been dreaming. The dream had been of the last day that Sass, Luke, Pria, Kate,
Anni Taylor (The Game You Played)
My father came first," says a Missouri painter who consistently faces a work slump whenever she commits herself to submitting paintings for a show. "My mother was defined by him. If she behaved well he would love her, buy her presents, and take care of her - she was a queen. He did take care of her. She behaved, she ran the house. He bought her presents all the time." "Was she smart?" I asked. "I don't know," the woman replied. "I think she may have been, once. She stopped thinking." One reason Mother remains shadowy is that she was intimidated by the forceful, vivid personality of her husband. The peacemaker, a kind of half-person who chooses to tag along safely behind her husband, Mother is protected from the more abrasive aspects of life in the world. Huge fights, open power struggles - these were not characteristic of the girl's relationship with her elusive mother. (...) Mother was there (...). But she was also not there. (...) Father is active; Mother is passive. Father is able to rely on himself; Mother is helpless and dependent.
Colette Dowling (The Cinderella Complex: Women's Hidden Fear of Independence)
One of the optional subjects that we could study at Eton was motor mechanics, roughly translated as “find an old banger, pimp it up, remove the exhaust, and rag it around the fields until it dies.” Perfect. I found an exhausted-looking, old brown Ford Cortina station wagon that I bought for thirty pounds, and, with some friends, we geared it up big-time. As we were only sixteen we weren’t allowed to take it on the road, but I reckoned with my seventeenth birthday looming that it would be perfect as my first, road-legal car. The only problem was that I needed to have it pass inspection, and to do that I had to get it to a garage. This involved having an adult drive with me. I persuaded Mr. Quibell that there was no better way that he could possibly spend a Saturday afternoon than drive me to a repair garage (in his beloved Slough). I had managed to take a lucky diving catch for the house cricket team the day before, so was in Mr. Quibell’s good books--and he relented. As soon as we got to the outskirts of Slough, though, the engine started to smoke--big-time. Soon, Mr. Quibell had to have the windshield wipers on full power, acting as a fan just to clear the smoke that was pouring out of the hood. By the time we made it to the garage the engine was red-hot and it came as no surprise that my car failed its inspection--on more counts than any car the garage had seen for a long time, they told me. It was back to the drawing board, but it was a great example of what a good father figure Mr. Quibell was to all those in his charge--especially to those boys who really tried, in whatever field it was. And I have always been, above all, a trier. I haven’t always succeeded, and I haven’t always had the most talent, but I have always given of myself with great enthusiasm--and that counts for a lot. In fact my dad had always told me that if I could be the most enthusiastic person I knew then I would do well. I never forgot that. And he was right. I mean, who doesn’t like to work with enthusiastic folk?
Bear Grylls (Mud, Sweat and Tears)
I know you are in your best áo dài. You bought it when you were just eighteen. Gray is not a color for a young woman. Gray is the color you wanted because you were practical even then, knew that gray is a color you would grow into, still wear when your hair turned white. You snap yourself into this dress and cannot help but notice that it hangs from your body, nothing to cling to. Your breasts are smaller now than when he first saw them. Your belly bears the scars of your four sons and your one husband. You touch your face the way that no one else has since I have gone. You smile because you know that I am with you, understand your need to don this dress, a thing you can call your own. You know that I am holding your hand, leading you out the front door of his house. You step out into the street, and you are a sudden crush of gray. Silk flows from your body, softness that he had taken away. In the city of my birth, you keep the promise that we made to each other. We swore not to die on the kitchen floor. We swore not to die under the eaves of his house.
Monique Truong (The Book of Salt)
Now, in Scribner's window, I saw a book called The Spirit of Medieval Philosophy. I went inside, and took it off the shelf, and looked at the table of contents and at the title page which was deceptive, because it said the book was made up of a series of lectures that had been given at the University of Aberdeen. That was no recommendation, to me especially. But it threw me off the track as to the possible identity and character of Etienne Gilson, who wrote the book. I bought it, then, together with one other book that I have completely forgotten, and on my way home in the Long Island train, I unwrapped the package to gloat over my acquisitions. It was only then that I saw, on the first page of The Spirit of Medieval Philosophy, the small print which said: "Nihil Obstat ... Imprimatur." The feeling of disgust and deception struck me like a knife in the pit of the stomach. I felt as if I had been cheated! They should have warned me that it was a Catholic book! Then I would never have bought it. As it was, I was tempted to throw the thing out the window at the houses of Woodside -- to get rid of it as something dangerous and unclean. Such is the terror that is aroused in the enlightened modern mind by a little innocent Latin and the signature of a priest. It is impossible to communicate, to a Catholic, the number and complexity of fearful associations that a little thing like this can carry with it. It is in Latin -- a difficult, ancient and obscure tongue. That implies, to the mind that has roots in Protestantism, all kinds of sinister secrets, which the priests are supposed to cherish and to conceal from common men in this unknown language. Then, the mere fact that they should pass judgement on the character of a book, and permit people to read it: that in itself is fraught with terror. It immediately conjures up all the real and imaginary excesses of the Inquisition. That is something of what I felt when I opened Gilson's book: for you must understand that while I admired Catholic culture, I had always been afraid of the Catholic Church. That is a rather common position in the world today. After all, I had not bought a book on medieval philosophy without realizing that it would be Catholic philosophy: but the imprimatur told me that what I read would be in full conformity with that fearsome and mysterious thing, Catholic Dogma, and the fact struck me with an impact against which everything in me reacted with repugnance and fear. Now, in light of all this, I consider that it was surely a real grace that, instead of getting rid of the book, I actually read it. The result was that I at once acquired an immense respect for Catholic philosophy and for the Catholic faith. And that last thing was the most important of all.
Thomas Merton (The Seven Storey Mountain)
Pat, you remember I told you about it. I must have gotten too drunk and passed out. I don’t know what happened, but I must have killed him, because when I woke up the next morning, there was blood dripping from his mouth, and his ribs and chest were sunken and looked crushed. There was blood, and marks all over his chest, and my forearms were sore, swollen, and bruised. I already told you how I went back to the mall and bought the suitcase to get him back to Grandma’s. I stored him in the fruit cellar until my family left and Grandma was out of the house. I knew the cool air of the fruit cellar would slow the decomposition of the body and keep it from rotting until I could get to it,” Dahmer remembered. “After this killing, I felt that my conscience was severed. I had tried so hard to forget about the first one back in Bath, but I couldn’t do it. What was the point? I remember feeling that my path was set. I made a conscious decision to give in to this overwhelming, ambiguous, and extreme compulsion. I laid him on the basement floor over the drain. “I severed the flesh from his body with a knife and placed it in plastic garbage bags. I remember being so excited that I masturbated several times while smashing up the bones and disposing of the body. His was the first head I kept. I boiled it in a solution of water and Soilex, then I used straight bleach on it, wrapped it in a blanket, and kept it in the fruit cellar. I remember that I returned to masturbate with it about a week later and noted that the bleach had broken down the bone structure, causing it to become very brittle, so I smashed it up with the sledgehammer and threw it in the trash.” Dahmer sat there and stared into space as if he were reliving his experience.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
I went to see the house. (...) The place was a squat—thirty-five heroin addicts were living there. The chaos was palpable. It smelled like dog shit, cat shit, piss. (...) One floor was literally burned—it was nothing but charred floorboards with a toilet sitting in the middle. This place looked terrible. “How much?” I asked. Forty thousand guilder, they told me. They clearly just wanted to dump this house. But if you bought it, you were also getting the heroin addicts who were squatting in it, and under Dutch law, it was all but impossible to get them out. For any normal human being to buy this place would be like throwing money out the window. So I said, “Okay, I’m interested.” I talked about it with my friends. “You’re nuts,” they said. “It’s not money you have—what the hell are you going to do?” ...A drug dealer [had] bought the place. But he didn’t pay the mortgage. And he didn’t pay and he didn’t pay, and finally he was in such financial trouble that he decided to burn the place down for the insurance. Except that the fire was stopped in time and only the one floor was damaged. And then the insurance investigator found that the drug dealer had done it intentionally, and the bank took the house away from him. And this was how it turned into a squat for heroin addicts. “But where is this guy?” I asked. “He’s still living in the house,” the neighbor told me. This house had two entrances. One went to the first floor and the other to the second. The door with the board across it was the entrance to the first floor, where I’d already been; the drug dealer was living on the second floor. So I went around and knocked on the door, and he answered. “I want to talk to you,” I said. He let me in. There was a table in the middle of the floor, covered with ecstasy, cocaine, hashish, all ready to go into bags. There was a pistol on the table. This guy was bloated—he looked like hell. And suddenly I poured my heart out to him. I told him everything... I said that this house was what I wanted—all I wanted—the only home I could afford with the little money I had. I was weeping. This guy was standing there with his mouth open. He stood there looking at me. Then he said, “Okay. But I have a condition.” “This is my deal. I’ll get everybody out; you’ll get your mortgage. But the moment you sign the contract and get the house, you’re going to sign a contract that I can stay on this floor for the rest of my life. That’s the deal. If you cross me...” He showed me the pistol. It was in a good neighborhood, where a comparable place would sell for forty to fifty times the price. And [now] it was empty—not a heroin addict in sight. I got a mortgage in less than a week. But now, since my bank knew the house was empty, Dutch law gave them the right to buy the house for themselves. So I went back to the drug dealer and said, “Can we get some addicts back into the place? Because it’s too good now.” “How many you want?” he asked. “About twelve,” I said. “No problem,” he said. He got twelve addicts back. I took curtains I found in a dumpster and put them on the windows. Then I scattered some more debris around the place. Now all I had to do was wait. My contract signing was two weeks away—it was the longest two weeks in my life. Finally the day came... and I walked into the bank. The atmosphere was very serious. One of the bankers looked at me and said, “I heard that the unwanted tenants have left the house.” I just looked at him very coolly and said, “Yeah, some left.” He cleared his throat and said, “Sign here.” I signed. “Congratulations,” the banker said. “You’re the owner of the house.” I looked at him and said, “You know what? Actually everybody left the house.” He looked back at me and said, “My dear girl, if this is true, you have just made the best real-estate deal I’ve heard of in my twenty-five-year career.
Marina Abramović
Beside my chair, our dog’s paws drag at the sand; these are the first holes she has ever dug, and now digging is her vocation. My kids giggle at her industriousness, though it’s clear that they are ready to no longer be sandy, to return to the house for showers and games and ice cream. As they begin rolling up their towels, folding up their chairs, I pull my phone out of my pocket and search for a poem I saved long ago: “What the Living Do,” by Marie Howe. I first encountered it when I was twenty-two, an age when I’d barely known grief, and was so moved by Howe’s words that I kept the poem to reread and eventually bought all of her books. Addressed to her brother John, who died of complications from AIDS, “What the Living Do” has always seemed to me a perfect expression of love, and loss, and what it means to survive. It’s been a few years since I last thought of it, but now that I need it, it’s waiting for me, as the best poems do.
Nicole Chung (A Living Remedy: A Memoir)
answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and
Stan Barstow (The Likes of Us: Stories of Five Decades)
While I was a servant to Mr. Webster, he often sent me to her with a market-basket full of provisions, and told me whenever I saw anything in the house that I thought she was in need of, to take it to her. I often did this, and occasionally gave her small sums from my own pocket, though I had years before bought my freedom of her.
Paul Jennings (A Colored Man's Reminiscences of James Madison)
Purina’s exposure to the hog business was not limited at all. The volatile markets exposed that fact. In 1998, the US hog market experienced a shock comparable to the stock market crash of 1929—a market convulsion that obliterated all the rules everyone thought applied to the business. The root of the problem could be traced to the very industrialization that created Purina Mills’ feed business in the first place. Now that hogs were raised on factory farms, the supply of animals was enormous and inflexible. Farmers were raising herds of tens or even hundreds of thousands of pigs. When prices started to fall, these industrial farms couldn’t adapt quickly. They had mortgage payments to meet on the big pig houses, and they needed to keep production high. Factory farms were a machine that wasn’t easily turned off. The flow of pigs continued into the slaughterhouses, and prices fell even further. Then everything spun out of control. Hog prices plummeted, sucking the entire business into the ground almost instantly. The price of hogs fell from about 53 cents per pound to 10 cents per pound in a matter of months. When adjusted for inflation, this was the lowest price for pigs in US history. It cost far more to raise a pig than the animal was worth. Purina Mills should have been insulated against this crisis. It only sold feed, not the hogs themselves. But with its decision in 1997 to start buying baby hogs, Purina had exposed itself to the risk of falling pork prices. Dean Watson began to discover just how large that exposure was. As one farm economist put it at the time, the rational number of hogs to own in 1998 was zero. Purina discovered this fact quickly. It bought baby hogs, and turned around to sell them to the farmers. But there were no buyers. The farmers refused to take them. “The people who we were supposed to be selling the pigs to were basically saying: ‘Sue me.’ The people we had bought the pigs from were saying: ‘You’re not getting out of my contract or I am suing you,’ ” Watson said. “All of this ownership risk that I was assured didn’t exist started to just come out of the woodwork.
Christopher Leonard (Kochland: The Secret History of Koch Industries and Corporate Power in America)
I always thought, we’d have our story. It would go like, once upon a time, I saw a guy with the most adorable smile. After letters, and songs, and sketches, he became the highlight of my day. He wouldn’t even look at me at first, but after he had his shares of heart breaks, risks, and reckless love. He called me. We fell in love. We laughed. We travelled. We remodeled our house. We bought grocery together. He called me sweetheart and turned my whole world upside down.
Snehil Niharika (That’ll Be Our Song)