Bottom Tv Show Quotes

Every time I see this one particular movie star on a magazine, I can't help but feel terribly sorry for her because nobody respects her at all, and yet they keep interviewing her. And the interviews are all the same thing. They start with what food they are eating in some restaurant. "As _____ gingerly munched her Chinese Chicken Salad, she spoke of love." And all the covers say the same thing: "_____ gets to the bottom of stardom, love, and his/her hit new movie/television show/album." I think it's nice for stars to do interviews to make us think they are just like us, but to tell you the truth, I get the feeling that it's all a big lie. The problem is I don't know who's lying.

Hey,maybe I could have a talk show, since you aren't going to be my June Cleaver anymore. I could call it the O'Neal Hour. Sounds important, doesn't it?" [Butch to Vishous] "First of all, you were going to be June Cleaver-" "Screw that. No way I'd bottom for you." "Whatever. And second, I don't think there's much of a market for your particular brand of psychology." "So not true." "Butch, you and I just beat the crap out of each other." "You started it. And actually, it would be perfect for Spike TV. UFC meets Oprah. God, I'm brilliant." "Keep telling yourself that.

In 1955, a little more than four years after leaving a TV studio in Hollywood, signals bearing the first sound and images of the I Love Lucy show passed Proxima Centauri, the nearest star to our sun. A half-century later, a scene with Lucy disguised as a clown sneaking into Ricky’s Tropicana Night Club was 50-plus light-years, or about 300 trillion miles, away. Since the Milky Way is 100,000 light-years across and 1,000 light-years thick, and our solar system is near the middle of the galactic plane, this means in about AD 2450 the expanding sphere of radio waves bearing Lucy, Ricky, and their neighbors the Mertzes will emerge from the top and bottom of our galaxy and enter intergalactic space.

The dads in those tv shows spend a great deal of time talking to their kids in their living rooms. Steven Keaton - the dad of my dreams - seems to do nothing but sit on his couch or at his kitchen table talking to his children about their myriad teenage calamities. He listens and listens to his kids and he pours glasses of orange juice and hands them to his kids as he listens some more. He tells his kids he loves them by telling his kids he loves them. Dad tells me he loves me when he forms a pistol out of this forefinger and thumb and points it at me as he farts. He tells us he loves us by showing us the tattoo we never knew he had on the inside of his bottom lip: Fuck you.

of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!

My Fellow Non-American Blacks: In America, You Are Black, Baby Dear Non-American Black, when you make the choice to come to America, you become black. Stop arguing. Stop saying I’m Jamaican or I’m Ghanaian. America doesn’t care. So what if you weren’t “black” in your country? You’re in America now. We all have our moments of initiation into the Society of Former Negroes. Mine was in a class in undergrad when I was asked to give the black perspective, only I had no idea what that was. So I just made something up. And admit it—you say “I’m not black” only because you know black is at the bottom of America’s race ladder. And you want none of that. Don’t deny now. What if being black had all the privileges of being white? Would you still say “Don’t call me black, I’m from Trinidad”? I didn’t think so. So you’re black, baby. And here’s the deal with becoming black: You must show that you are offended when such words as “watermelon” or “tar baby” are used in jokes, even if you don’t know what the hell is being talked about—and since you are a Non-American Black, the chances are that you won’t know. (In undergrad a white classmate asks if I like watermelon, I say yes, and another classmate says, Oh my God that is so racist, and I’m confused. “Wait, how?”) You must nod back when a black person nods at you in a heavily white area. It is called the black nod. It is a way for black people to say “You are not alone, I am here too.” In describing black women you admire, always use the word “STRONG” because that is what black women are supposed to be in America. If you are a woman, please do not speak your mind as you are used to doing in your country. Because in America, strong-minded black women are SCARY. And if you are a man, be hyper-mellow, never get too excited, or somebody will worry that you’re about to pull a gun. When you watch television and hear that a “racist slur” was used, you must immediately become offended. Even though you are thinking “But why won’t they tell me exactly what was said?” Even though you would like to be able to decide for yourself how offended to be, or whether to be offended at all, you must nevertheless be very offended. When a crime is reported, pray that it was not committed by a black person, and if it turns out to have been committed by a black person, stay well away from the crime area for weeks, or you might be stopped for fitting the profile. If a black cashier gives poor service to the non-black person in front of you, compliment that person’s shoes or something, to make up for the bad service, because you’re just as guilty for the cashier’s crimes. If you are in an Ivy League college and a Young Republican tells you that you got in only because of Affirmative Action, do not whip out your perfect grades from high school. Instead, gently point out that the biggest beneficiaries of Affirmative Action are white women. If you go to eat in a restaurant, please tip generously. Otherwise the next black person who comes in will get awful service, because waiters groan when they get a black table. You see, black people have a gene that makes them not tip, so please overpower that gene. If you’re telling a non-black person about something racist that happened to you, make sure you are not bitter. Don’t complain. Be forgiving. If possible, make it funny. Most of all, do not be angry. Black people are not supposed to be angry about racism. Otherwise you get no sympathy. This applies only for white liberals, by the way. Don’t even bother telling a white conservative about anything racist that happened to you. Because the conservative will tell you that YOU are the real racist and your mouth will hang open in confusion.

But now 'tis the modern ole Coast Division S.P. and begins at those dead end blocks and at 4:30 the frantic Market Street and Sansome Street commuters as I say come hysterically running for ther 112 to get home on time for the 5:30 televisions Howdy Doody of their gun toting Neal Cassady'd Hopalong childrens. 1.9 miles to 23rd Street, another 1.2 Newcomb, another 1.0 to Paul Avenue and etcetera these being the little piss stops on that 5 miles short run thru 4 tunnels to mighty Bayshore, Bayshore at milepost 5.2 shows you as I say that gigantic valley wall sloping in with sometimes in extinct winter dusks the huge fogs milking furling meerolling in without a sound but as if you could hear the radar hum, the oldfashioned dullmasks mouth of Potato Patch Jack London old scrollwaves crawling in across the gray bleak North Pacific with a wild fleck, a fish, the wall of a cabin, the old arranged wallworks of a sunken ship, the fish swimming in the pelvic bones of old lovers lay tangled ath the bottom of the sea like slugs no longer discernible bone by bone but melted into one squid of time that fog, that terrible and bleak Seattlish fog that potatopatch wise comes bringing messages from Alaska and from the Aleutian mongol, and from the seal, and from the wave, and from the smiling porpoise, that fog at Bayshore you can see waving in and filling in rills and rolling down and making milk on hillsides and you think, "It's hypocricy of men makes these hills grim.

less rotted and she nibbles it smiling. “Look,” I show her, “there’s holes in my cake where the chocolates were till just now.” “Like craters,” she says. She puts her fingertop in one. “What’s craters?” “Holes where something happened. Like a volcano or an explosion or something.” I put the green chocolate back in its crater and do ten, nine, eight, seven, six, five, four, three, two, one, boom. It flies up into Outer Space and around into my mouth. My birthday cake is the best thing I ever ate. Ma isn’t hungry for any right now. Skylight’s sucking all the light away, she’s nearly black. “It’s the spring equinox,” says Ma, “I remember it said on TV, the morning you were born. There was still snow that year too.” “What’s equinox?” “It means equal, when there’s the same amount of dark and light.” It’s too late for any TV because of the cake, Watch says 08:33. My yellow hoody nearly rips my head off when Ma’s pulling it. I get into my sleep T-shirt and brush my teeth while Ma ties up the trash bag and puts it beside Door with our list that I wrote, tonight it says Please, Pasta, Lentils, Tuna, Cheese (if not too $), O.J., Thanks. “Can we ask for grapes? They’re good for us.” At the bottom Ma puts Grapes if poss (or any fresh fruit or canned). “Can I have a story?” “Just a quick one. What about… GingerJack?” She does it really fast and funny, Gingerjack jumps out of the stove and runs and rolls and rolls and runs so nobody can catch him, not the old lady or the old man or the threshers or

There was only one thing in the room that was different. For a moment or so he couldn't see what the one thing that was different was, because it too was covered in a film of disgusting dust. Then his eyes caught it and stopped. It was next to a battered old television on which it was only possible to watch Open University Study Courses, because if it tried to show anything more exciting it would break down. It was a box. Arthur pushed himself up on his elbows and peered at it. It was a grey box, with a kind of dull lustre to it. It was a cubic grey box, just over a foot on a side. It was tied with a single grey ribbon, knotted into a neat bow on the top. He got up, walked over and touched it in surprise. Whatever it was was clearly gift-wrapped, neatly and beautifully, and was waiting for him to open it. Cautiously, he picked it up and carried it back to the bed. He brushed the dust off the top and loosened the ribbon. The top of the box was a lid, with a flap tucked into the body of the box. He untucked it and looked into the box. In it was a glass globe, nestling in fine grey tissue paper. He drew it out, carefully. It wasn't a proper globe because it was open at the bottom, or, as Arthur realized turning it over, at the top, with a thick rim. It was a bowl. A fish bowl. It was made of the most wonderful glass perfectly transparent, yet with an extraordinary silver-grey quality as if crystal and slate had gone into its making. Arthur slowly turned it over and over in his hands. It was one of the most beautiful objects he had ever seen, but he was entirely perplexed by it. He looked into the box, but other than the tissue paper there was nothing. On the outside of the box there was nothing. He turned the bowl round again. It was wonderful. It was exquisite. But it was a fish bowl. He tapped it with his thumbnail and it rang with a deep and glorious chime which was sustained for longer than seemed possible, and when at last it faded seemed not to die away but to drift off into other worlds, as into a deep sea dream. Entranced, Arthur turned it round yet again, and this time the light from the dusty little bedside lamp caught it at a different angle and glittered on some fine abrasions on the fish bowl's surface. He held it up, adjusting the angle to the light, and suddenly saw clearly the finely engraved shapes of words shadowed on the glass. "So Long," they said, "and Thanks ..." And that was all. He blinked, and understood nothing. For fully five more minutes he turned the object round and around, held it to the light at different angles, tapped it for its mesmerizing chime and pondered on the meaning of the shadowy letters but could find none. Finally he stood up, filled the bowl with water from the tap and put it back on the table next to the television. He shook the little Babel fish from his ear and dropped it, wriggling, into the bowl. He wouldn't be needing it any more, except for watching foreign movies

Captain, we’ve got a problem.”  A second crew pilot was driving along the floor of the Mediterranean Sea and reached around to shake the shoulder of Toby Warson, who was in his usual sleeping position behind the two pilot chairs, simultaneously sound asleep and not really resting at all.  Warson blinked, looked at the screens, and shuddered.  Every TV camera on the boat showed the NR‑1 was in the middle of a field of mines that had sunk to the bottom during World War II.  The sonar, for reasons unknown, had not warned the pilot of the danger, and now the boat was completely surrounded by the ominous spines of the black mines. “Jesus!  Don’t move!  Don’t do anything!”  Warson was wide awake, knowing that high explosives become

The final word was her daughter’s, in a frank and touching memoir, Knock Wood. Yes, there were disagreements; there were plenty of generation-gap misunderstandings. At the bottom of it was a girl who desperately needed the approval of a father who felt stripped when he had to speak as himself, with no dummy on his lap to make light of things. The book is a love story on both sides: in the end Candice Bergen has placed Charlie McCarthy in an open, healthy spotlight, as a vital piece of her personal history. Bergen did little in television. He was a radio man, even though his art was primarily visual. With Charlie and Mortimer, he emceed the 1956 CBS audience show Do You Trust Your Wife?, and he made numerous guest appearances on TV variety shows of the ’50s. He grew old and gray. Charlie, of course, was eternally young. In September 1978 Bergen announced his retirement: he would do a few more shows, then give his dummy to the Smithsonian. Charlie had been his companion for 56 years. A week later he appeared with Andy Williams at Caesar’s Palace in Las Vegas. He died in his sleep after this performance, Oct. 1, 1978.

And yet I’d read only recently how their generation were riddled with self-doubt and the pressures of social media. How they worried about everything, the planet, global warming, their relationships, money, war, cosmetic surgery. Were their bottoms too big or not big enough? (Thanks Kardashians.) How very sad. So perhaps the perceived advantages between ‘us’ and ‘them’ were not quite so one-sided as I had thought. I couldn’t remember a single occasion when I had worried about photoshopping or being ‘beach ready’ in January. I’d only had my top lip waxed once – never again. And never any other bit of me either, for fear of the pain (if the lip experience was anything to go by). We hadn’t grown up with so many gadgets or television channels as the younger generations. Which in itself was a blessing. How many crime dramas did we actually need to watch, how many reality shows, how many un-funny comedies? We’d had to do our research in libraries, but now they had limitless information at the touch of a keyboard. In my day, if the school bullies had wanted a target, they did it out in the open. These women had to deal with faceless trolls. They had security worries, all sorts of privacy issues. So who really had the better experience of being a woman? Or had it always just been difficult for everyone? And what about men, come to think of it… If one believed the newspapers, it seemed half of the human race was being summarily dismissed as idiots or fiends.

What did it mean if I helped one, if I helped twelve, twelve hundred, or closer to twelve thousand Black girls feel their own beauty, their own worthiness, exactly as they are—when one hundred thousand Black girls stared and listened mesmerized when every billboard and television show screamed they were not beautiful, they were not worthy?

Fair enough. How’s it going with Mr. Reed?” “Fine.” He chuckles. “That’s all I get? Fine?” He laughs out loud. “Seriously?” “He made me dinner.” I can almost hear his smile through the phone. “Well, that was nice.” “We talked.” “And?” “Then his old girlfriend showed up, and we didn’t talk anymore.” He whistles. “Well, that wasn’t what I expected.” I hear him inhale and exhale. “Where is he now?” “Watching TV, I think.” “Let me talk to him.” “Me-li-o,” I whine. “Go get him. I have dad business to discuss with him. You wouldn’t understand.” I get up and go to the door. Sam is sitting on the couch watching the end of the cook-off show. He pauses it when I walk up. “Melio wants to talk you. Would you mind?” He holds out his hand and takes my phone, lifting it gently to his ear. He’s wary of my phone. That’s funny. “Yes, sir,” I hear him say. Sam’s eyes meet mine and I see him grin. I lift my hands in question and he waves me away. I go and sit down on the other end of the sofa. “Of course,” he says into the phone. He glances in my direction and then quickly away. “You don’t have to worry. I’ll take care of her.” He laughs. But then I hear a sharp retort through the phone and he sobers, his cheeks growing red. “Yes, sir,” he says. He hands the phone back to me. I lift it to my ear. “What did you do?” I ask Emilio. “Nada damn thing that didn’t need doing.” He chuckles. “Love you, kid.” “Love you too, Melio.” “Think about what I asked you.” I nod like he can see me. “I will. I’ll let you know.” He says goodbye and hangs up. I sink back against the couch cushion. Sam laughs. “What’s so funny?” I glare at him. “Nothing.” But he’s still biting back laughter. “What did he say to you?” “You really want to know?” He grabs my foot and jerks it into his lap. My bottom slides across the couch. I don’t think I’ve ever had a man bodily move me around before. I’m not sure I like it. And I’m not sure I don’t like it, either. “What did he say?” “He said the only thing that could be referenced as a woody around here had better be the Woodpecker. I think he meant you. And that I should worry about castration if I try to get in your pants.” “Oh.” What little breath I can get in and out stalls. Sam sort of stole it all with that declaration. “I’m sorry about that.” I wince. “He’s your dad.” He shrugs. “I respect that.” I

During the Vietnam War, a new generation of scholars such as William Appleman Williams and Gabriel Kolko challenged long-standing legends about the workings of US foreign policy. Social and cultural historians in the 1970s and 1980s wrote new histories of the nation from the bottom up, expanding our view to include long-overlooked perspectives on gender, race, and ethnic identities and, in the process, showing that narrow narratives focused solely on political leaders at the top obscured more than they revealed. Despite the fact that the term revisionist history is often thrown around by nonhistorians as an insult, in truth all good historical work is at heart “revisionist” in that it uses new findings from the archives or new perspectives from historians to improve, to perfect—and, yes, to revise—our understanding of the past. Today, yet another generation of historians is working once again to bring historical scholarship out of academic circles, this time to push back against misinformation in the public sphere. Writing op-eds and essays for general audiences; engaging the public through appearances on television, radio, and podcasts; and being active on social media sites such as Facebook, Twitter, and Substack, hundreds if not thousands of historians have been working to provide a counterbalance and corrections to the misinformation distorting our national dialogue. Such work has incredible value, yet historians still do their best work in the longer written forms of books, articles, and edited collections that allow us both to express our thoughts with precision in the text and provide ample evidence in the endnotes. This volume has brought together historians who have been actively engaging the general public through the short forms of modern media and has provided them a platform where they might expand those engagements into fuller essays that reflect the best scholarly traditions of the profession.

The bottom line for you the reader is this: when taken with all of the other signs that Yeshua/Jesus warns us about, are we in the last days? If so, then how should we act? How should we live? What should we put our focus on: the endless sports events and reality TV shows or warning our loved ones about the tenuous, tumultuous, unprecedented times we find ourselves in that just so happen to jibe with the warnings set forth in Matthew 24, Mark 13 and Luke 21?

In last month’s photo, a front tooth dangled over her bottom lip and Iris laughed out loud, wanting to reach into the picture and yank the loose tooth from her daughter’s mouth. She wondered about the conversations she missed with the child—the fights they must have had over Melody’s need to keep that tooth a day, a week, a month, longer. Why hadn’t Aubrey snuck into her room in the middle of the night and yanked it the way her own father had done—Iris waking in the morning with that new space in her mouth and a crisp dollar bill beneath her pillow. But now the tooth was gone. Had Melody gotten a dollar for it too? Iris studied the space—the pink half circle of gum beside a tiny front tooth that hung at a slight angle as though it too was loose now. Iris shivered. Ran her tongue along her own straight teeth. She had missed the child’s birthday but had called, only to have Melody say, It’s my birthday and it’s party day. Bye! Daddy got me a bicycle. Bye again. And when she reminded the child that the bicycle was from both of them, Melody said, But Daddy put it together. And Daddy’s gonna teach me to ride. Always the phone calls were Daddy, Daddy, Daddy, and TV shows she’d watched. When she tried to ask Melody what she was reading, the child laughed. Everything, she said. I read everything. Now, staring at the picture of her daughter, she remembered again how her own mother had said more than once that there was nothing at all maternal about Iris and wondered if the maternal gene kicked in later. Iris wondered if it would happen in her twenties or thirties. And if it did, would she want more children?