“
Pray that God is the most important thing in your life, so much so that hurting him wold hurt you. When that happens, and your choices line up with his, it produces an amazing ripple effect of blessings--in your life, that of your family, and for the man you eventually marry.
”
”
Julie Lessman (A Passion Denied (The Daughters of Boston, #3))
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
All you have to do is revise your point of view. Instead of trying to achieve perfection, simply relax and enjoy human imperfectability. With that perspective you achieve the ultimate godhead. You see man as infinite possibility always in the process of becoming. You see finally that man, in emulating the creative process, is nothing less than God.
”
”
Robert H. Rimmer (That Girl from Boston)
“
Everything already in place: the retired hit man currently sleeping with Maura; his supernatural-obsessed ex-boss currently sleeping in Boston; the creepy entity buried in rocks beneath the ley line; the unfamiliar creatures crawling out of a cave mouth behind an abandoned farmhouse; the ley line's growing power; the magical sentient forest on the ley line; one boy's bargain with the magical forest; one boy's ability to dream things to life; one dead boy who refused to be laid to rest; one girl who supernaturally amplified 90 percent of the aforementioned list.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
When you start to fall, don't try to talk yourself out of it. The right man will be there at the bottom, to catch you.
”
”
Julie Johnson (Not You It's Me (Boston Love, #1))
“
A man must partly give up being a man With women-folk.
”
”
Robert Frost (North of Boston)
“
My dark prince. The reaper. The man who spilled blood for me without pause. For that reason alone he’ll always be on a pedestal that no other can reach. He’ll always be the memory I revisit in my darkest of times.
”
”
A. Zavarelli (Reaper (Boston Underworld, #2))
“
Any man can fuck me. But Alexei fucks my mind. My heart. My soul. He lights me up and burns me down. Every single time.
”
”
A. Zavarelli (Ghost (Boston Underworld, #3))
“
Let’s be honest: in ten years, the man-bun of the 2010s will be equivalent to the rat-tail of the 1980s.
”
”
Julie Johnson (Cross the Line (Boston Love, #2))
“
I caught a glimpse of my face in the mirror as we glided p. I looked as eroded as the groaning lift. What had happened to the fresh-faced belle from Boston, Mass.? The woman who stared back at me was at the dreaded age between forty-five and fifty, that no-man's land of sag, oncoming wrinkle, and stealthy approach of menopause.
"I hate this elevator, too," I said grimly.
Zoe grinned and pinched my cheek.
"Mom, even Gwyneth Paltrow would look like hell in that mirror."
I had to smile. That was such a Zoe-like remark.
”
”
Tatiana de Rosnay (Sarah's Key)
“
I'm going to Boston to see my doctor. He's a very sick man.
”
”
Fred Allen
“
A smart man never bets against something beautiful.” “That would be any sunny day.
”
”
Marni Mann (When Ashes Fall (Moments in Boston, #1))
“
Nobody wanted to hear about all the Preterite, the many God passes over when he chooses a few for salvation. William argued holiness for these "second Sheep," without whom there'd be no elect. You can bet the Elect in Boston were pissed off about that. And it got worse. William felt that what Jesus was for the elect, Judas Iscariot was for the Preterite. Everything in the Creation has its equal and opposite counterpart. How can Jesus be an exception? could we feel for him anything but horror in the face of the unnatural, the extracreational? Well, if he is the son of man, and if what we feel is not horror but love, then we have to love Judas too. Right? How William avoided being burned for heresy, nobody knows.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
I’ve seen him kill. I’ve tasted his rage too. Tasted it so fiercely that some of it spilled over onto me, tainting me with the mark of the animal that lives inside of him. I crave that animal. I crave everything about this man with his perfect suits and his complete lack of human emotions. Maybe, just maybe, I envy him too.
What it must be like not to feel anything. Anything at all.
I want that for myself.
”
”
A. Zavarelli (Reaper (Boston Underworld, #2))
“
She told us that social work was a young profession still finding itself. She called it a "creative science" and said that, in her opinion, the best social workers were intelligent and compassionate, and while she could give us ideas and tools to help our fellow man, she couldn't teach us how to put ourselves into another person's shoes. She said, "If you don't already know how to do that, you should drop this class and consider another line of work.
”
”
Anita Diamant (The Boston Girl)
“
I returned from Boston and rallied my fellow librarians to defend the town,” Quinn replied, as if the answer should have been obvious. He offered me a small bow from his seat. “The librarians are at your disposal, Widdershins. We will fight to the last man.
”
”
Jordan L. Hawk (Maelstrom (Whyborne & Griffin, #7))
“
there was one path across Boston Commons that a young man must not ask a young woman to take unless he meant business. Which path was that? she asked Holmes. “Ah,” she remembered the elderly doctor saying, “if I were only fifty years younger I would show you.
”
”
Katherine Paterson (Stories of My Life)
“
On going to hell….
“When I think of judgment day, I get emotional. It’s a heavy thing. I did what I did and there’s no erasing it. I can write an honest book, be an honest man, help little old ladies across the street but what’s done is done. There’s no escaping that. Whatever it is, I’ll do my time, even for eternity.
”
”
John Shea (Rat Bastards: The Life and Times of South Boston's Most Honorable Irish Mobster, A Memoir)
“
I totally ignore the sheer number of bookshelves lining the far wall, even though I’m itching to explore them, because, well, as everyone knows, if the way to a man’s heart is through his stomach, the way to a girl’s is through a good book.
”
”
Julie Johnson (Not You It's Me (Boston Love, #1))
“
I ripped the pages out of the book.
I reversed the order, so the last one was first, and the first was last.
When I flipped through them, it looked like the man was floating up through the sky.
And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of.
Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston.
He would've taken the elevator to the street and pressed the button for the top floor.
He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop.
Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left.
He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor.
He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward.
Then he would've gotten up again at the end of the night before the worst day.
He would've walked backward to my room, whistling 'I Am the Walrus' backward.
He would've gotten into bed with me.
We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes.
I'd have said 'Nothing' backward.
He'd have said 'Yeah, buddy?' backward.
I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward.
He would have told me the story of the Sixth Borough, from the voice in the can at the end
to the beginning, from 'I love you' to 'Once upon a time.'
We would have been safe.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."
He's supposed to know that.
When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.
When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.
When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"
When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.
Ripe apples fall about them.
What else can they do but eat?
When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.
They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.
One year they broke up seven times and threatened to do it
another nine times.
When a woman loves a man, she wants him to meet her at the
airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
she's two hours late
and there's nothing in the refrigerator.
When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.
When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
”
”
David Lehman (When a Woman Loves a Man: Poems)
“
The man who has terrorized Boston for so long, and now DC, is just a toy on her strings. Who the fucking hell is Lana Myers.
”
”
S.T. Abby (Scarlet Angel (Mindf*ck, #3))
“
To understand Russia, to understand Cuba, the Dominican Republic, Boston, identity politics, Sri Lanka, and Life Savers, you have to be on top of this hill,” he announced in a light tone as we studied the view together. But there was a serious point to his words. The sight of the drowned farmland, the result of a dam that had made his patients some of the poorest on this earth, was Farmer’s lens on the world. Look through it and you could see the billions of impoverished people in the world, and the many linked causes of their misery. I looked at him. He seemed to think I knew exactly what he meant, and I realized, with some irritation, that I didn’t dare say anything just then, for fear of disappointing him.
”
”
Tracy Kidder (Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Would Cure the World)
“
I will never understand what it is about this quiet,
enigmatic man that renders me completely senseless.
Ronan feels it too.
This explosive link between us.
All I have to do is enter his orbit,
and I'm a slave to his power.
”
”
A. Zavarelli (Reaper (Boston Underworld, #2))
“
I actually got so drunk I wrapped myself around the toilet bowl of the Scollay Square Cafe and got pissed and puked on all night long by a thousand sailors and seamen and when I woke up in the morning and found myself all covered and caked and unspeakably dirty I just like a good old Boston man walked down to the Atlantic Avenue docks and jumped into the sea.
”
”
Jack Kerouac (Vanity of Duluoz: An Adventurous Education, 1935-46)
“
Carl Degler says (Out of Our Past): “No new social class came to power through the door of the American revolution. The men who engineered the revolt were largely members of the colonial ruling class.” George Washington was the richest man in America. John Hancock was a prosperous Boston merchant. Benjamin Franklin was a wealthy printer. And so on. On the other hand, town mechanics, laborers, and seamen, as well as small farmers, were swept into “the people” by the rhetoric of the Revolution, by the camaraderie of military service, by the distribution of some land. Thus was created a substantial body of support, a national consensus, something that, even with the exclusion of ignored and oppressed people, could be called “America.
”
”
Howard Zinn (A People's History of the United States: 1492 to Present)
“
Now then, Mr. Crab," said the zebra, "here are the people I told you about; and they know more than you do, who live in a pool, and more than I do, who live in a forest. For they have been travelers all over the world, and know every part of it."
"There's more of the world than Oz," declared the crab, in a stubborn voice.
"That is true," said Dorothy; "but I used to live in Kansas, in the United States, and I've been to California and to Australia--and so has Uncle Henry."
"For my part," added the Shaggy Man, "I've been to Mexico and Boston and many other foreign countries."
"And I," said the Wizard, "have been to Europe and Ireland."
"So you see," continued the zebra, addressing the crab, "here are people of real consequence, who know what they are talking about.
”
”
L. Frank Baum (The Emerald City of Oz (Oz, #6))
“
My heart beats for him.
The man who shares my secret. The man who holds my life in the palm of his hands. Sometimes, I think I could love him. But most of the time, I just hate him. For making me weak. For tempting me to stay. For wondering when he’ll finally make good and kill me too.
I don’t know how it’s possible to have feelings that are such polar opposites. I want to slap him. I want to scream in his face and force him to acknowledge me. His cavalier attitude towards me is worse than any of the pain Blaine ever inflicted on me. I’m not even worth his attention. A moment of his time. And yet, when he walks into the room, everything else ceases to exist.
”
”
A. Zavarelli (Reaper (Boston Underworld, #2))
“
Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze Negroes breathe.
Their monument sticks like a fishbone
in the city's throat.
Its Colonel is as lean
as a compass-needle.
He has an angry wrenlike vigilance,
a greyhound's gently tautness;
he seems to wince at pleasure,
and suffocate for privacy.
He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die--
when he leads his black soldiers to death,
he cannot bend his back.
”
”
Robert Lowell (Collected Poems)
“
After being maligned for his lack of offense for much of his career, [César] Gerónimo batted .280 with two home runs, a triple, three runs, and three RBIs vs. Boston during the 1975 World Series, and then he batted .308 with two doubles, two steals, and three runs vs. New York during the 1976 World Series. The man who’s defense Sparky Anderson called 'ungodly' became an offensive star on baseball’s biggest stage.
”
”
Tucker Elliot
“
The next man I was involved with lived in Boston. He taught me to cook mushrooms. He taught me that if you heat the butter very hot and put just a very few mushrooms into the frying pan, they come out nice and brown and crispy, whereas if the butter is only moderately hot and you crowd the mushrooms, they get all mushy and wet. Every time I make mushrooms I think of him. There was another man in my life when I was younger who taught me to put sour cream into scrambled eggs, and since I never ever put sour cream into scrambled eggs I never really think of him at all.
”
”
Nora Ephron (Heartburn)
“
Because, my dear, God is love. Not just maternal or fraternal love but romantic love as well. Song of Solomon was written to show what the love between a husband and a wife should be, but it was also written to emulate the depth of feeling and love God has for each of us. As intense and wonderful as this young man’s kiss made you feel, more so is the passion and love God has for you. No, your feelings aren’t wrong, but perhaps the timing is.
”
”
Julie Lessman (A Passion Most Pure (Daughters of Boston, #1))
“
You know who we been living with for the past week? We been living with the only man in history who ever took a piece in the ladies’ can of a Boston & Maine train. When the conductor caught him in there with his Winter Carnival date she screamed, ‘He trapped me!’ and that’s how he got his name. This is the famous Trapper John. God, Trapper, I speak for the Duke as well as myself when I say it’s an honor to have you with us. Have a martini, Trapper.
”
”
Richard Hooker (MASH: A Novel About Three Army Doctors)
“
She told us that social work was a young profession still finding itself. She called it a “creative science” and said that, in her opinion, the best social workers were intelligent and compassionate, and while she could give us ideas and tools to help our fellow man, she couldn’t teach us how to put ourselves into another person’s shoes. She said, “If you don’t already know how to do that, you should drop this class and consider another line of work.” She
”
”
Anita Diamant (The Boston Girl)
“
CAPT. J. W. SIMMONS, master of the steamship Pensacola, had just as little regard for weather as the Louisiana’s Captain Halsey. He was a veteran of eight hundred trips across the Gulf and commanded a staunch and sturdy ship, a 1,069-ton steel-hulled screw-driven steam freighter built twelve years earlier in West Hartlepool, England, and now owned by the Louisville and Nashville Railroad Company. Friday morning the ship was docked at the north end of 34th Street, in the company of scores of other ships, including the big Mallory liner Alamo, at 2,237 tons, and the usual large complement of British ships, which on Friday included the Comino, Hilarius, Kendal Castle, Mexican, Norna, Red Cross, Taunton, and the stately Roma in from Boston with its Captain Storms. As the Pensacola’s twenty-one-man crew readied the ship for its voyage to the city of Pensacola on Florida’s Gulf Coast, two men came aboard as Captain Simmons’s personal guests: a harbor pilot named R. T. Carroll and Galveston’s Pilot Commissioner J. M. O. Menard, from one of the city’s oldest families. At
”
”
Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
“
Inside the music like this, she understood many things. She understood that Simon was a disappointed man if he needed, at this age, to tell her he had pitied her for years. She understood that as he drove his car back down the coast toward Boston, toward his wife with whom he had raised three children, that something in him would be satisfied to have witnessed her the way he had tonight, and she understood that this form of comfort was true for many people, as it made Malcolm feel better to call Walter Dalton a pathetic fairy, but it was thin milk, this form of nourishment; it could not change that you had wanted to be a concert pianist and ended up a real estate lawyer, that you had married a woman and stayed married to her for thirty years, when she did not ever find you lovely in bed.
”
”
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
“
Carl Degler says (Out of Our Past): “No new social class came to power through the door of the American revolution. The men who engineered the revolt were largely members of the colonial ruling class.” George Washington was the richest man in America. John Hancock was a prosperous Boston merchant. Benjamin Franklin was a wealthy printer. And so on.
”
”
Howard Zinn (A People's History of the United States)
“
Jason Leopold’s News Junkie, an autobiographical look at Leopold’s accidental entrance into journalism, is a powerful piece that delves into one man’s misery and success.
”
”
Boston Herald
“
He was navigating the streets like a fire-spitting monster was on our heels, violating every driving law known to man, and inspiring some new laws in the process.
”
”
L.J. Shen (Sparrow (Boston Belles, #0.5))
“
Come back to Boston, Fionn. Stop wallowing like some Hallmark Movie Sad Man Cinderwhatever and come home to practice some real medicine.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
You could take a little trip to Boston to visit your Butcher man and see about ending that dry spell. Fill that well, sister.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
He's a handsome man. A beautiful monster. The Father and Holy Grail of all bad boys.
”
”
J.L. Mac (The Beast of Boston)
“
[...] quando sono a Boston, New York non esiste. Quando sono a New York, Boston non esiste. [...] L'unica realtà, in questo momento, siamo tu, io e la nave spaziale. E l'unica certezza che ho sono io.
”
”
Ray Bradbury (The Illustrated Man)
“
CHAPTER I Late one brilliant April afternoon Professor Lucius Wilson stood at the head of Chestnut Street, looking about him with the pleased air of a man of taste who does not very often get to Boston.
”
”
Willa Cather (Alexander's Bridge)
“
When I was a teenager in Boston, a man on the subway handed me a card printed with tiny pictures of hands spelling out the alphabet in sign language. I AM DEAF, said the card. You were supposed to give the man some money in exchange.
I have thought of that card ever since, during difficult times, mine or someone else's; surely when tragedy has struck you dumb, you should be given a stack of cards that explain it for you. When Pudding died, I wanted my stack. I still want it. My first child was stillborn, it would say on the front. It remains the hardest thing for me to explain, even now, or maybe I mean especially now - now that his death feels like a non sequitur. My first child was stillborn. I want people to know but I don't want to say it aloud. People don't like to hear it but I think they might not mind reading it on a card.
”
”
Elizabeth McCracken (An Exact Replica of a Figment of My Imagination)
“
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
Later, when the next man was brutish, when he was violent and rough, he had wished he had gone with the other man: suddenly, Boston seemed less important than tenderness, than someone who would protect him and be good to him.
”
”
Hanya Yanagihara (A Little Life)
“
The Midnight Dance of the Universal Desk Sergeant, a performance that is somehow the same whether the precinct house is in Boston or Biloxi. Was there ever a desk sergeant who didn’t peer out over reading glasses? Was there ever a desk man who wanted to be bothered with police work at three in the morning? Was any station house desk ever manned by anything but aging civil servants, six months from their pensions, whose every movement seemed slower than death itself?
”
”
David Simon (Homicide: A Year on the Killing Streets)
“
He had heard especially promising things about Philadelphia--the lively capital of that young nation. It was said to be a city with a good-enough shipping port, central to the eastern coast of the country, filled with pragmatic Quakers, pharmacists, and hardworking farmers. It was rumored to be a place without haughty aristocrats (unlike Boston), and without pleasure-fearing puritans (unlike Connecticut), and without troublesome self-minted feudal princes (unlike Virginia). The city had been founded on the sound principles of religious tolerance, a free press, and good landscaping, by William Penn--a man who grew tree saplings in bathtubs, and who had imagined his metropolis as a great nursery of both plants and ideas. Everyone was welcome in Philadelphia, absolutely everyone--except, of course, the Jews. Hearing all this, Henry suspected Philadelphia to be a vast landscape of unrealized profits, and he aimed to turn the place to his advantage.
”
”
Elizabeth Gilbert (The Signature of All Things)
“
I can see it. I have a good memory.” “It’s not the same, you fool,” said Hitchcock suddenly. There was a touch of anger in his voice. “I mean see it. I’ve always been that way. When I’m in Boston, New York is dead. When I’m in New York, Boston is dead. When I don’t see a man for a day, he’s dead. When he comes walking down the street, my God, it’s a resurrection. I do a dance, almost, I’m so glad to see him. I used to, anyway. I don’t dance anymore. I just look. And when the man walks off, he’s dead again.
”
”
Ray Bradbury (The Illustrated Man)
“
Very few people know where they will die,
But I do; in a brick-faced hospital,
Divided, not unlike Caesarean Gaul,
Into three parts; the Dean Memorial
Wing, in the classic cast of 1910,
Green-grated in unglazed, Aeolian
Embrasures; the Maud Wiggin Building, which
Commemorates a dog-jawed Boston bitch
Who fought the brass down to their whipcord knees
In World War I, and won enlisted men
Some decent hospitals, and, being rich,
Donated her own granite monument;
The Mandeville Pavilion, pink-brick tent
With marble piping, flying snapping flags
Above the entry where our bloody rags
Are rolled in to be sponged and sewn again.
Today is fair; tomorrow, scourging rain
(If only my own tears) will see me in
Those jaundiced and distempered corridors
Off which the five-foot-wide doors slowly close.
White as my skimpy chiton, I will cringe
Before the pinpoint of the least syringe;
Before the buttered catheter goes in;
Before the I.V.’s lisp and drip begins
Inside my skin; before the rubber hand
Upon the lancet takes aim and descends
To lay me open, and upon its thumb
Retracts the trouble, a malignant plum;
And finally, I’ll quail before the hour
When the authorities shut off the power
In that vast hospital, and in my bed
I’ll feel my blood go thin, go white, the red,
The rose all leached away, and I’ll go dead.
Then will the business of life resume:
The muffled trolley wheeled into my room,
The off-white blanket blanking off my face,
The stealing secret, private, largo race
Down halls and elevators to the place
I’ll be consigned to for transshipment, cased
In artificial air and light: the ward
That’s underground; the terminal; the morgue.
Then one fine day when all the smart flags flap,
A booted man in black with a peaked cap
Will call for me and troll me down the hall
And slot me into his black car. That’s all.
”
”
L.E. Sissman
“
There are other, savager, and more primeval aspects of Nature than our poets have sung. It is only white man's poetry. Homer and Ossian even can never revive in London or Boston. And yet behold how these cities are refreshed by the mere tradition, or the imperfectly transmitted fragance and flavor of these wild fruits. If we could listen but for an instant to the chaunt of the Indian muse, we should understand why he will not exchange his savageness for civilization. Nations are not whimsical. Steel and blankets are strong temptations; but the Indian does well to continue Indian.
”
”
Henry David Thoreau (A Week on the Concord and Merrimack Rivers / Walden / The Maine Woods / Cape Cod)
“
You're just a boy. You don't have the faintest idea what you're talking about. You've never been out of Boston. So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term "visiting hours" didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy.
”
”
Matt Damon (Good Will Hunting)
“
When she opened her eyes they were confronted by a musical box against the opposite wall - one of those early Bavarian toys where mechanical figures perform to the tune.
'How odd,' she thought. The little stage showed a group of fiddlers, two couples in costumes like those of the ball she had just quitted, and in a doorway at the side, a gypsy or beggar man.
Very faintly the distant waltz came to her ears, but no footsteps ringing in the abandoned halls.
With her hand pressed to her unsteady heart, acting under a sudden compulsion, she pushed down the lever. Delicate plucked music started up; the fiddlers sawed with their clumsy arms in time to an ethereal waltz. The couples moved jerkily out and each raised an arm to clasp its partner. To various clicks and rumbles from under the floor they began to revolve with each other and to orbit round the room. Their movements were sinister because of being both reluctant and predestined. Here they were and this is was what they must do. ("Many Coloured Glass")
”
”
Lucy M. Boston (Ghost Stories (Haunting Ghost Stories))
“
Just like our forefathers in Boston Harbor, who boarded a British ship to let the king know they would have none of his tyrannical rule, this man boarded the pirate ship called the IRS, and let the repressive government, the unfeeling government that is embodied by the man who inhabits the building over there," Hamilton said, pausing and pointing to the White House, a few blocks away. "This courageous man let that evil government know he would no longer suffer under its indifference. Would no longer tolerate taxation without representation. Would no longer accept the injustice and indignity met out by that government organization."
From TAX BREAK, written in 1991, but sounding like today's politics.
”
”
Jay Williams (Tax Break)
“
The other students uttered the most horrible things about the colored population of Boston, about their smell, their intellectual deficiencies, their primitive drives. Yet when his classmates put their blades to a colored cadaver, they did more for the cause of colored advancement than the most high-minded abolitionist. In death the negro became a human being. Only then was he the white man’s equal.
”
”
Colson Whitehead (The Underground Railroad)
“
Hello."
Her mood deflated as if she'd been pricked with a pin. "Alan."
"Shelby."
She struggled not to be moved by the quiet,serious tone that should never have moved her.She liked men with a laugh in their voice. "Alan, this has to stop."
"Does it? It hasn't even started."
"Alan-" She tried to remember her decision to be firm. "I mean it. You have to stop sending me things. You're only wasting your time."
"I have a bit to spare," he said mildly. "How was your week?"
"Busy.Listen,I-"
"I missed you."
The simple statement threw the rest of her lecture into oblivion. "Alan, don't -"
"Everyday," he continued. "Every night. Have you been to Boston, Shelby?"
"Uh...yes," she managed, busy fighting off the weakness creeping into her. Helplessly she stared up at the balloons. How could she fight something so insubstantial it floated?
"I'd like to take you there in the fall, when it smells of damp leaves and smoke."
Shelby told herself her heart was not fluttering. "Alan, I didn't call to talk about Boston.Now,to put it in very simple terms,I want you to stop calling me, I want you to stop dropping by, and -" Her voice began to rise in frustration as she pictured him listening with that patient, serious smile and calm eyes. "I want you to stop sending me balloons and pigs and everything! Is that clear?"
"Perfectly.Spend the day with me."
Did the man ever stop being patient? She couldn't abide patient men. "For God's sake, Alan!"
"We'll call it an experimental outing," he suggested in the same even tone. "Not a date."
"No!" she said, barely choking back a laugh. Couldn't abide it, she tried to remember.She preferred the flashy, the freewheeling. "No,no,no!"
"Not bureaucratic enough." His voice was so calm,so...so senatorial, she decided, she wanted to scream. But the scream bubbled perilously close to another laugh. "All right, let me think-a standard daytime expedition for furthering amiable relations between opposing clans."
"You're trying to be charming again," Shelby muttered.
"Am I succeeding?
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as “a Bostonian.” He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby’s, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe’s first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they’d like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.
”
”
Allison Hoover Bartlett (The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession)
“
Meanwhile, Quakers used outrageous behavior to draw more attention to their beliefs and provoke a response. A Quaker man walked into a Boston church holding a bottle in each hand, then smashed them to the floor; he shouted, “Thus will the Lord break all to pieces!” A Quaker woman stripped herself naked and paraded through the Newbury church during worship. Another Quaker woman paraded nude through the streets of Boston.
”
”
John M. Barry (Roger Williams and the Creation of the American Soul: Church, State, and the Birth of Liberty)
“
We Let the Boat Drift
I set out for the pond, crossing the ravine
where seedling pines start up like sparks
between the disused rails of the Boston and Maine.
The grass in the field would make a second crop
if early autumn rains hadn't washed
the goodness out. After the night's hard frost
it makes a brittle rustling as I walk.
The water is utterly still. Here and there
a black twig sticks up. It's five years today,
and even now I can't accept what cancer did
to him -- not death so much as the annihilation
of the whole man, sense by sense, thought
by thought, hope by hope.
Once we talked about the life to come.
I took the Bible from the nightstand
and offered John 14: "I go to prepare
a place for you.""Fine. Good," he said.
"But what about Matthew? 'You, therefore,
must be perfect, as your heavenly Father
is perfect.'" And he wept.
My neighbor honks and waves driving by.
She counsels troubled students; keeps bees;
her goats follow her to the mailbox.
Last Sunday afternoon we went canoeing on the pond. Something terrible at school had shaken her. We talked quietly far from shore. The paddles
rested across our laps; glittering drops
fell randomly from their tips. The light
around us seemed alive. A loon-itinerant-
let us get quite close before it dove, coming up
after a long time, and well away from humankind
”
”
Jane Kenyon (Otherwise: New and Selected Poems)
“
The antinomian principle, that it is needless for a man perfectly justified by faith to endeavor to keep the law and do good works, is a glaring evidence that legality is so ingrained in man's corrupt nature that until a man truly come to Christ by faith, the legal disposition will still be reigning in him. Let him turn himself into what shape or be of what principles he will in religion though he run into antinomianism; he will carry along with him his legal spirit which will always be a slavish and unholy spirit.
”
”
Thomas Boston (The Marrow of Modern Divinity)
“
Are you some kind of tree police?” Joshua asked without opening his eyes. “Do you feel as if you have some kind of civic duty to come out here and—and—annoy the hell out of me?”
“Well—yes—I do have a civic duty to stop you—that is—if you needed stopping. If you’d kept to simple tree assault, I would have just kept watching. It was fairly entertaining, in a train wreck kind of way. You’ve moved up to tree homicide.”
“Homicide?” Joshua opened his eyes to give the man an annoyed glare. “That implies intent. At most, this is tree slaughter. Maybe even just reckless endangerment—it might not be dead.”
They eyed the tree in silence. His kick had sheered the tree trunk off five inches from the roots, leaving behind a jagged white stump, flowing with sap.
“No, that’s dead,” the man said.
“Yeah.” Joshua had to agree. It occurred to Joshua that this person might be undercover cop or some off-duty park ranger or a very lost Canadian Mountie or something. He’d seen Joshua destroy a piece of public property worth hundreds of dollars. The man might try to arrest him. That wouldn’t end well for either one of them.
”
”
Wen Spencer (The Black Wolves of Boston (Black Wolves of Boston))
“
forward to it, and Cooper, coatless and chilly in the desert evening, was thinking that the radio man was an asshole. He’d chased Vasquez for nine days now. Someone had warned the programmer just before Cooper got to the Boston walk-up, a brick rectangle where the only light had been a window onto an airshaft and the glowing red eyes of power indicators on computers and routers and surge protectors. The desk chair had been against the far wall as if someone had leaped out of it, and steam still rose from an abandoned bowl of ramen. Vasquez had run, and
”
”
Marcus Sakey (Brilliance (Brilliance Saga, #1))
“
A reflection on Robert Lowell
Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that.
To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called.
A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage.
Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials.
Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers.
“They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.”
His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air.
“You look like somebody famous,” she said to him, “but I can’t remember who.”
“Do I?”
“Yes . . . now I remember!— Benjamin Franklin.”
“He was a terrible man, just awful.”
“Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.”
That left Robert Lowell with nothing to do but repeat himself:
“Well, he was a terrible man.”
That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
”
”
Robert Pinsky
“
The God you imagine looks like Father Brennan, the man who baptized you: tall and Irish, with white hair and kind blue eyes, shooting a basketball in black vestments on the parish playground. The Virgin is one of the nuns who ran the adjoining schoolhouse: a spinster with a downy chin, her veil a habit. Old and sacred words, they taught you. You would not invent your own any more than you would try to build your own cathedral. Bead by bead, you whisper the same words Saint Peter spoke in Rome, the same words spoken today by all believers in São Paulo and Boston and Limerick and Cebu.
”
”
Mia Alvar (In the Country)
“
In prosecuting the anti-slavery enterprise, we have been asked to spare the church, to spare the ministry; but how, we ask, could such a thing be done? We are met on the threshold of our efforts for the redemption of the slave, by the church and ministry of the country, in battle arrayed against us; and we are compelled to fight or flee. From what quarter, I beg to know, has proceeded a fire so deadly upon our ranks, during the last two years, as from the Northern pulpit? As the champions of oppressors, the chosen men of American theology have appeared-men, honored for their so-called piety, and their real learning. The LORDS of Buffalo, the SPRINGS of New York, the LATHROPS of Auburn, the COXES and SPENCERS of Brooklyn, the GANNETS and SHARPS of Boston, the DEWEYS of Washington, and other great religious lights of the land, have, in utter denial of the authority of Him, by whom they professed to be called to the ministry, deliberately taught us, against the example or the Hebrews and against the remonstrance of the Apostles they teach, "that we ought to obey man’s law before the law of God."
My spirit wearies of such blasphemy; and how such men can be supported, as the "standing types and representatives of Jesus Christ," is a mystery which I leave others to penetrate.
”
”
Frederick Douglass (What to the Slave is the Fourth of July?)
“
Under "Activities and Interests," it was written "Boston Red Sox." The Boston Red Sox, an activity and an interest. Not a devotion to be suffered. Not a solemn vow in the off-season. Not a memorial to a dead man. Not a calling beyond reason. Just an interest. I take an interest in when they play, whether home or away, whether they win or lose--things like that. Maybe read about it in the paper the next morning. Millions of others just like me, taking an interest. Not "Coronaries and Rehabilitations." Not "Dedications and Forfeitures." Not "Life and Death." "Activities and Interests." This was how it was presented, in terrifying simplicity. What it was all reduced to, the thirty years, and the stupid tears, and every extra inning. An activity and an interest.
”
”
Joshua Ferris (To Rise Again at a Decent Hour)
“
In his final months, Grant showed exceptional kindness to Terrell, furnishing him with a glowing recommendation letter for use after his death so he could find employment as a War Department messenger. Terrell’s son Robert had just graduated cum laude from Harvard. While he was there, Grant had provided him with a beautiful letter to obtain summer work in the Boston Custom House: “My special interest in him is from the fact that his father—a most estimable man—is my butler, beside I should feel an interest in any young man, white or colored, who had the courage and ability to graduate himself at Harvard without other pecuniary aid than what he could earn.”91 Robert Terrell was to befriend Booker T. Washington and become the first black municipal judge in Washington. Harrison Terrell had unusual opportunities to observe Grant’s drinking habits.
”
”
Ron Chernow (Grant)
“
guess I’ll maybe see you after my talk, then?” “Of course.” “And after yours. Good luck. And congrats. It’s such a huge honor.” Adam didn’t seem to be thinking about that, though. He lingered by the door, his hand on the knob as he looked back at Olive. Their eyes held for a few moments before he told her, “Don’t be nervous, okay?” She pressed her lips together and nodded. “I’ll just do what Dr. Aslan always says.” “And what’s that?” “Carry myself with the confidence of a mediocre white man.” He grinned, and—there they were. The heart-stopping dimples. “It will be fine, Olive.” His smile softened. “And if not, at least it will be over.” It wasn’t until a few minutes later, when she was sitting on her bed staring at the Boston skyline and chewing on her lunch, that Olive realized that the protein bar Adam had given her was covered in chocolate.
”
”
Ali Hazelwood (The Love Hypothesis)
“
He knew nothing about werewolves but what was in the movies. He hadn’t even believed they existed until he was attacked. The tall dude, though, knew.
Joshua managed to force his body to make a left-hand turn at the corner, and again once he was across the street, and then a third time. He came looping past the Kitchen Kitsch where the tall dude was standing in the hole in the wall.
“You’re really conflicted about this running away part, aren’t you?” the dude said as Joshua dashed past him.
“Yes!” He tried to put on the brakes but his body kept running. He could smell his own blood on the man and his body wanted nothing to do with that.
The dude wasn’t standing in the hole as Joshua came looping back toward the Kitchen Kitsch a second time. Joshua was afraid he’d lost the man. He was so focused on the opposite side of the street that he nearly ran into the glass door that opened out in front of him. A hand caught him, jerking him into the building.
”
”
Wen Spencer (The Black Wolves of Boston (Black Wolves of Boston))
“
Look at the telephone; it would remind you of a unique scientist, Alexander Graham Bell. He, besides being a great inventor, was also a man of great compassion and service. In fact, much of the research which led to the development of the telephone was directed at finding solutions to the challenges of hearing impaired people and helping them to be able to listen and communicate. Bell’s mother and wife were both hearing impaired and it profoundly changed Bell’s outlook to science. He aimed to make devices which would help the hearing impaired. He started a special school in Boston to teach hearing impaired people in novel ways. It was these lessons which inspired him to work with sound and led to the invention of the telephone. Can you guess the name of the most famous student of Alexander Graham Bell? It was Helen Keller, the great author, activist and poet who was hearing and visually impaired. About her teacher, she once said that Bell dedicated his life to the penetration of that ‘inhuman silence which separates and estranges’.
”
”
A.P.J. Abdul Kalam (Learning How to Fly: Life Lessons for the Youth)
“
I hope you love my little brother with all the strength of your heart," he said, gazing deeply into her eyes. "Gareth has suffered much pain in his life, and he deserves no less than what I know you can give him. He deserves someone like you, Juliet." "I do love him, Charles." A tear slipped from the corner of her eye, and began a slow path down her cheek. "I do love him, and I pray that you find someone to make you as happy as he has made me." She swiped away the tear. "But I think you already have." He smiled, gently. "Yes . . . I think I have." And then she reached deeply into her pocket and drew something out which she held tightly in her closed hand for a long moment. "I've been keeping these for you. Waiting for the right moment to give them back to you. They once belonged to you, but they really should be hers now." And then she held her hand over his and dropped two objects into his palm. One was the miniature he'd had painted two years ago in Boston. And the other was the signet ring with which they had sealed their betrothal that fateful night in April. Her smile was a little watery. "You're a free man now, Charles. Take these and be happy.
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
Burns, a former Secret Service agent, had succeeded Pinkerton as the world’s most celebrated private eye. A short, stout man, with a luxuriant mustache and a shock of red hair, Burns had once aspired to be an actor, and he cultivated a mystique, in part by writing pulp detective stories about his cases. In one such book, he declared, “My name is William J. Burns, and my address is New York, London, Paris, Montreal, Chicago, San Francisco, Los Angeles, Seattle, New Orleans, Boston, Philadelphia, Cleveland, and wherever else a law-abiding citizen may find need of men who know how to go quietly about throwing out of ambush a hidden assassin or drawing from cover criminals who prey upon those who walk straight.” Though dubbed a “front-page detective” for his incessant self-promotion, he had an impressive track record, including catching those responsible for the 1910 bombing of the headquarters of the Los Angeles Times, which killed twenty people. The New York Times called Burns “perhaps the only really great detective, the only detective of genius, whom this country has produced,” and Sir Arthur Conan Doyle gave him the moniker he longed for: “America’s Sherlock Holmes.
”
”
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
“
The debate seems to come right out of the pages of Christopher Cerf and Victor Navasky’s The Experts Speak: Well-informed people know it is impossible to transmit the voice over wires and that were it possible to do so, the thing would be of no practical value. —Editorial, The Boston Post, 1865 Fifty years hence . . . [w]e shall escape the absurdity of growing a whole chicken in order to eat the breast or wing, by growing these parts separately under a suitable medium. —Winston Churchill, 1932 Heavier-than-air flying machines are impossible. —Lord Kelvin, pioneer in thermodynamics and electricity, 1895 [By 1965] the deluxe open-road car will probably be 20 feet long, powered by a gas turbine engine, little brother of the jet engine. —Leo Cherne, editor-publisher of The Research Institute of America, 1955 Man will never reach the moon, regardless of all future scientific advances. —Lee Deforest, inventor of the vacuum tube, 1957 Nuclear powered vacuum cleaners will probably be a reality within 10 years. —Alex Lewyt, manufacturer of vacuum cleaners, 1955 The one prediction coming out of futurology that is undoubtedly correct is that in the future today’s futurologists will look silly.
”
”
Steven Pinker (How the Mind Works)
“
The gate downstairs has a dead bolt,” said Frost. “There’s no way you could pick the lock.” “Then how could anyone …” She went dead silent. Turned toward the doorway. Footsteps were thumping up the stairs. In an instant her weapon was drawn and clutched in both hands. Pushing aside Mr. Kwan, she quickly slipped out of the bedroom. As she eased her way across the living room, she felt her heart banging, heard Frost’s footsteps creaking on her right. Smelled incense and mold and sweat, a dozen details assaulting her at once. But it was the stairwell door she focused on, a black portal to something that was now climbing toward them. Something that suddenly took on the shape of a man. “Freeze!” Frost commanded. “Boston PD!” “Whoa, Frost.” Johnny Tam gave a startled laugh. “It’s just me.” Behind her, Jane heard Mr. Kwan give a squawk of fear. “Who is he? Who is he?” “What the hell, Tam,” said Frost, huffing out a breath as he holstered his weapon. “I could have blown your head off.” “You did tell me to meet you here, didn’t you? I would’ve gotten here sooner, but I got stuck in traffic coming back from Springfield.” “You talk to the owner of that Honda?” “Yeah. Said it was stolen right out of his driveway. And that wasn’t his GPS in the car.” He swept his flashlight around the room. “So what’s going on in here?” “Mr. Kwan’s giving us a tour of the building.” “It’s been boarded up for years.
”
”
Tess Gerritsen (The Silent Girl (Rizzoli & Isles, #9))
“
The boy shows talent. The overheard words still rankled. Boy! At twenty-four! He’d like to see that banker do a man’s work around a ranch. He’d have blisters on those smooth hands inside of two hours. Not to mention how he’d feel after a long day in the saddle. Elizabeth wouldn’t be happy with Livingston. He knew it. True, the man had money, a large house, and a purebred pedigree—all the things she probably wanted in a man. But it wouldn’t be enough. He had instincts about her in the same way he knew horses—what they needed, how to touch them. In the last week, there’d been times when she’d thawed and shown her feelings. He’d bet anything a special woman lurked beneath her proper Boston exterior. With Livingston, that woman would never emerge. He straightened and ground a fist into his palm. He couldn’t step back and let Livingston waltz away with her. It wouldn’t be right. He’d have to change. Force himself past his shyness. Force himself to open up. Nick wasn’t sure how he’d do it. Aside from what he’d learned from Miz Carter, he’d not had any training in proper society manners. Now, he’d seen for himself how different things were in the East. But something in Elizabeth had touched him, something that went beyond social barriers, and he knew she’d sensed it too. He might not have much wealth to offer, but there were other things he could do to make her happy, and he’d love her with all his heart.
”
”
Debra Holland (Wild Montana Sky (Montana Sky, #1))
“
If our young men miscarry in their first enterprises, they lose all heart. If the young merchant fails, men say he is ruined. If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who teams it, farms it, peddles, keeps a school, preaches, edits a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not ‘studying a profession,’ for he does not postpone his life, but lives already. He has not one chance, but a hundred chances. Let a Stoic open the resources of man, and tell men they are not leaning willows, but can and must detach themselves; that with the exercise of self-trust, new powers shall appear; that a man is the word made flesh, born to shed healing to the nations, that he should be ashamed of our compassion, and that the moment he acts from himself, tossing the laws, the books, idolatries, and customs out of the window, we pity him no more, but thank and revere him, — and that teacher shall restore the life of man to splendor, and make his name dear to all history.
”
”
Ralph Waldo Emerson (Self-Reliance)
“
On Sunday, November 10, Kaiser Wilhelm II was dethroned, and he fled to Holland for his life. Britain’s King George V, who was his cousin, told his diary that Wilhelm was “the greatest criminal known for having plunged the world into this ghastly war,” having “utterly ruined his country and himself.” Keeping vigil at the White House, the President and First Lady learned by telephone, at three o’clock that morning, that the Germans had signed an armistice. As Edith later recalled, “We stood mute—unable to grasp the significance of the words.” From Paris, Colonel House, who had bargained for the armistice as Wilson’s envoy, wired the President, “Autocracy is dead. Long live democracy and its immortal leader. In this great hour my heart goes out to you in pride, admiration and love.” At 1:00 p.m., wearing a cutaway and gray trousers, Wilson faced a Joint Session of Congress, where he read out Germany’s surrender terms. He told the members that “this tragical war, whose consuming flames swept from one nation to another until all the world was on fire, is at an end,” and “it was the privilege of our own people to enter it at its most critical juncture.” He added that the war’s object, “upon which all free men had set their hearts,” had been achieved “with a sweeping completeness which even now we do not realize,” and Germany’s “illicit ambitions engulfed in black disaster.” This time, Senator La Follette clapped. Theodore Roosevelt and Senator Lodge complained that Wilson should have held out for unconditional German surrender. Driven down Capitol Hill, Wilson was cheered by joyous crowds on the streets. Eleanor Roosevelt recorded that Washington “went completely mad” as “bells rang, whistles blew, and people went up and down the streets throwing confetti.” Including those who had perished in theaters of conflict from influenza and other diseases, the nation’s nineteen-month intervention in the world war had levied a military death toll of more than 116,000 Americans, out of a total perhaps exceeding 8 million. There were rumors that Wilson planned to sail for France and horse-trade at the peace conference himself. No previous President had left the Americas during his term of office. The Boston Herald called this tradition “unwritten law.” Senator Key Pittman, Democrat from Nevada, told reporters that Wilson should go to Paris “because there is no man who is qualified to represent him.” The Knickerbocker Press of Albany, New York, was disturbed by the “evident desire of the President’s adulators to make this war his personal property.” The Free Press of Burlington, Vermont, said that Wilson’s presence in Paris would “not be seemly,” especially if the talks degenerated into “bitter controversies.” The Chattanooga Times called on Wilson to stay home, “where he could keep his own hand on the pulse of his own people” and “translate their wishes” into action by wireless and cable to his bargainers in Paris.
”
”
Michael R. Beschloss (Presidents of War: The Epic Story, from 1807 to Modern Times)
“
When it begins it is like a light in a tunnel, a rush of steel and
steam across a torn up life. It is a low rumble, an earthquake in the
back of the mind. My spine is a track with cold black steel racing on
it, a trail of steam and dust following behind, ghost like. It feels
like my whole life is holding its breath.
By the time she leaves the room I am surprised that she can’t see the
train. It has jumped the track of my spine and landed in my mothers’
living room. A cold dark thing, black steel and redwood paneling. It
is the old type, from the western movies I loved as a kid.
He throws open the doors to the outside world, to the dark ocean. I
feel a breeze tugging at me, a slender finger of wind that catches at
my shirt. Pulling. Grabbing. I can feel the panic build in me, the
need to scream or cry rising in my throat.
And then I am out the door, running, tumbling down the steps falling
out into the darkened world, falling out into the lifeless ocean. Out
into the blackness. Out among the stars and shadows.
And underneath my skin, in the back of my head and down the back of my
spine I can feel the desperation and I can feel the noise. I can feel
the deep and ancient ache of loudness that litters across my bones.
It’s like an old lover, comfortable and well known, but unwelcome and
inappropriate with her stories of our frolicking.
And then she’s gone and the Conductor is closing the door. The
darkness swells around us, enveloping us in a cocoon, pressing flat
against the train like a storm. I wonder, what is this place?
Those had been heady days, full and intense. It’s funny. I remember
the problems, the confusions and the fears of life we all dealt with.
But, that all seems to fade. It all seems to be replaced by images of
the days when it was all just okay. We all had plans back then,
patterns in which we expected the world to fit, how it was to be
deciphered.
Eventually you just can’t carry yourself any longer, can’t keep your
eyelids open, and can’t focus on anything but the flickering light of
the stars. Hours pass, at first slowly like a river and then all in a
rush, a climax and I am home in the dorm, waking up to the ringing of
the telephone.
When she is gone the apartment is silent, empty, almost like a person
sleeping, waiting to wake up. When she is gone, and I am alone, I curl
up on the bed, wait for the house to eject me from its dying corpse.
Crazy thoughts cross through my head, like slants of light in an
attic.
The Boston 395 rocks a bit, a creaking noise spilling in from the
undercarriage. I have decided that whatever this place is, all these
noises, sensations - all the train-ness of this place - is a
fabrication. It lulls you into a sense of security, allows you to feel
as if it’s a familiar place. But whatever it is, it’s not a train, or
at least not just a train.
The air, heightened, tense against the glass. I can hear the squeak of
shoes on linoleum, I can hear the soft rattle of a dying man’s
breathing. Men in white uniforms, sharp pressed lines, run past,
rolling gurneys down florescent hallways.
”
”
Jason Derr (The Boston 395)
“
I was sleeping with my head on the wooden arm of a seat as six attendants of the theater converged with their night’s total of swept-up rubbish and created a huge dusty pile that reached to my nose as I snored head down – till they almost swept me away too. This was reported to me by Dean, who was watching from ten seats behind. All the cigarette butts, the bottles, the matchbooks, the come and the gone were swept up in this pile. Had they taken me with it, Dean would never have seen me again. He would have had to roam the entire United States and look in every garbage pail from coast to coast before he found me embryonically convoluted among the rubbishes of my life, his life, and the life of everybody concerned and not concerned. What would I have said to him from my rubbish womb? ‘Don’t bother me, man, I’m happy where I am. You lost me one night in Detroit in August nineteen forty-nine. What right have you to come and disturb my reverie in this pukish can?’ In 1942 I was the star in one of the filthiest dramas of all time. I was a seaman, and went to the Imperial Café on Scollay Square in Boston to drink; I drank sixty glasses of beer and retired to the toilet, where I wrapped myself around the toilet bowl and went to sleep. During the night at least a hundred seamen and assorted civilians came in and cast their sentient debouchments on me till I was unrecognizably caked. What difference does it make after all? – anonymity in the world of men is better than fame in heaven, for what’s heaven? what’s earth? All in the mind.
”
”
Jack Kerouac (On the Road)
“
Roger snapped on the large, battery-powered radio. He rolled the dial around, but all he got was static. Finally, he heard a signal, and he tuned it in. A badly modulated voice droned through the interference. It sounded as if it were a war correspondent sending a signal from very far away. Steve clicked off the TV set so that they would better be able to hear the announcer: “. . . Reports that communications with Detroit have been knocked out along with Atlanta, Boston and certain sections of Philadelphia and New York City . . .” “Philly . . .” Roger said almost to himself. “I know WGON is out by now,” Steve said with animation. “It was a madhouse back there . . . people are crazy . . . if they’d just organize. It’s total confusion. I don’t believe it’s gotten this bad. I don’t believe they can’t handle it.” He looked around the room proudly. “Look at us. Look at what we were able to do today.” A few feet away, still in a slumped position by the pyramid of cartons, Peter’s eyes blinked open. He had been listening to what he wanted to hear, and now this statement by the kid really made him take notice. His eyes moved slightly to the side so that he could watch Stephen. The young man was gesturing wildly with his hands, going on and on about their exploits as a team. The other two didn’t realize Peter was awake. Roger nodded his head, but it didn’t seem as if he were really listening to Steve’s ramblings. “We knocked the shit out of ’em, and they never touched us,” Steve exclaimed. “Not really,” he said in a quieter tone. The rumbling voice erupted from the other side of the room. “They touched us good, Flyboy. We’re lucky to get out with our asses. You don’t forget that!
”
”
George A. Romero (Dawn of the Dead)
“
You were taught that even when the charism of celibacy and chastity is present and embraced, the attractions, the impulses, the desires will still be present. So the first thing you need to do is be aware that you are a human being, and no matter how saintly or holy you are, you will never remove yourself from those passions. But the idea was making prudent choices. You just walk away. Celibacy is a radical call, and you’ve made a decision not to act on your desire.” Today, seminaries say they screen applicants rigorously. In Boston, for example, a young man must begin conversations with the vocations director a year before applying for admissions, and then the application process takes at least four months. Most seminaries require that applicants be celibate for as long as five years before starting the program, just to test out the practice, and students are expected to remain celibate throughout seminary as they continue to discern whether they are cut out to lead the sexless life of an ordained priest. Some seminaries screen out applicants who say they are sexually attracted to other men, but most do not, arguing that there is no evidence linking sexual orientation to one’s ability to lead a celibate life. The seminaries attempt to weed out potential child abusers, running federal and local criminal background checks, but there is currently no psychological test that can accurately predict whether a man who has never sexually abused a child is likely to do so in the future. So seminary officials say that in the screening process, and throughout seminary training, they are alert to any sign that a man is not forming normal relationships with adults, or seems abnormally interested in children. Many potential applicants are turned away from seminaries, and every year some students are forced out. “Just because there’s a shortage doesn’t mean we should lessen our standards,” said Rev. Edward J. Burns,
”
”
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
“
He was the son of a very wealthy industrialist who was to play a rather important part in the organizing of the next International Exhibition. I was struck by how knowledgeable this young man and the other few male friends of the girls were in things like clothes, ways of wearing them, cigars, English drinks, horses—a form of erudition that in him was highly developed, which he wore with a proud infallibility, reminiscent of the scholar’s modest reticence—an expertise that was quite selfsufficient, without the slightest need for any accompanying intellectual cultivation. He could not be faulted on the appropriate occasions for wearing dinner jacket or pajamas, but he had no idea of how to use certain words, or even of the most elementary rules of good grammar. That disparity between two cultures must have been shared by his father, who, in his capacity as president of the Association of Property Owners of Balbec, had written an open letter to his constituents, now to be seen as a placard on all the walls, in which he said, “I was desirous of talking to the Mayor about this matter, however, he was of a mind to not hear me out on my just demands.” At the Casino, Octave won prizes in all the dancing competitions—the Boston dip, the tango, and so on—a qualification, if he should ever need one, for a good marriage, among seaside society, a milieu in which a young girl quite literally ends up married to her “partner.” He lit a cigar and said to Albertine, “If you don’t mind,” as one excuses oneself for going on with an urgent piece of work in the presence of someone. For he always “had to be doing something,” though in fact he never did anything. Just as a total lack of activity can eventually have the same effects as overwork, whether in the emotional domain or in the domain of the body and its muscles, the constant intellectual vacuum that resided behind the pensive forehead of Octave had had the result, despite his undisturbed air, of giving him ineffectual urges to think, which kept him awake at night, as though he were a metaphysician with too much on his mind.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
He found that when the Montreal Canadiens ice hockey team—once described as the national team of French Canada—got knocked out of the playoffs early between 1951 and 1992, Quebecois males aged fifteen to thirty-four became more likely to kill themselves. Robert Fernquist, a sociologist at the University of Central Missouri, went further. He studied thirty American metropolitan areas with professional sports teams from 1971 to 1990 and showed that fewer suicides occurred in cities whose teams made the playoffs more often. Routinely reaching the playoffs could reduce suicides by about twenty each year in a metropolitan area the size of Boston or Atlanta, said Fernquist. These saved lives were the converse of the mythical Brazilians throwing themselves off apartment blocks. Later, Fernquist investigated another link between sports and suicide: he looked at the suicide rate in American cities after a local sports team moved to another town. It turned out that some of the fans abandoned by their team killed themselves. This happened in New York in 1957 when the Brooklyn Dodgers and New York Giants baseball teams left, in Cleveland in 1995–1996 when the Browns football team moved to Baltimore, and in Houston in 1997–1998 when the Oilers football team departed. In each case the suicide rate was 10 percent to 14 percent higher in the two months around the team’s departure than in the same months of the previous year. Each move probably helped prompt a handful of suicides. Fernquist wrote, “The sudden change brought about due to the geographic relocations of pro sports teams does appear to, at least for a short time, make highly identified fans drastically change the way they view the normative order in society.” Clearly none of these people killed themselves just because they lost their team. Rather, they were very troubled individuals for whom this sporting disappointment was too much to bear. Perhaps the most famous recent case of a man who found he could not live without sports was the Gonzo author Hunter S. Thompson. He shot himself in February 2005, four days after writing a note in black marker with the title, “Football Season Is Over”:
”
”
Simon Kuper (Soccernomics: Why England Loses, Why Germany and Brazil Win, and Why the U.S., Japan, Australia, Turkey--and Even Iraq--Are Destined to Become the Kings of the World's Most Popular Sport)
“
So, am I allowed to take you for dinner before I take you back to my place to fuck you?” he murmurs against my lips. “Show that pretty hair off that I got into trouble for paying for.”
My eyes flutter. “I could eat,” I say, still feeling breathless from his kiss. “But I’m paying for dinner.”
He tips his head back. “You are not paying for my dinner.” He looks appalled at the idea.
I let out a sigh. “Okay, Caveman, how about we go dutch?”
“How about I pay for it all, and you can just like it?”
“How about I don’t? You wanna pull my hair while you fuck me from behind? Then, I’m buying dinner.”
He laughs low and deep. “Fine. I won’t pull your hair. I’ll just fuck you the old-fashioned way and still buy you dinner.”
“Ugh,” I grumble. “You’re impossible.”
“I’m not impossible.” He chuckles. “I just know what I want. Okay, how about this? I’ll buy you dinner, and you can pay me back in sexual favors when we get back to my place.”
“Um, you want me to hooker myself out for dinner?” I glare at him.
A salacious look crosses his face, his lips tipping up into a grin. “I have always wanted to fuck a hooker.”
“You ass!” I slap his chest with my hand.
Chuckling, he wraps his arms around me and presses his nose to mine, staring into my eyes. “I’m not an ass. I’m hot. And you want me bad.”
“That’s debatable since you just called me a hooker.”
“I didn’t call you a hooker.” He frowns.
“You asked me to pay for my dinner by giving you sexual favors.”
“Ah, now, you’re just twisting my words all up. I said I’d always wanted to fuck a hooker—”
“Not making me feel better.”
“And I didn’t call you a hooker. Babe…” He brushes his nose down the side of mine, kissing my cheek and then the corner of my mouth. “How about you let me buy you dinner, and I’ll go down on you in thanks? How does that sound?”
“You want to thank me with oral sex for you buying dinner? How does that make sense?”
“It makes sense because I get to pay for dinner and not have you mad at me.” A sexy smile slowly creeps onto his lips.
“You have a really weird idea about what constitutes winning, Hunter.”
“And that’s why I’m so successful in business, Boston.”
“Because you have no clue what winning means?”
“No. Because people would rather be fucked by me than fucked over by me.”
Laughing, I shake my head. “You are a strange man, Liam Hunter.”
“And aren’t you just glad you met me?”
I stare up into his face. “Oddly, yeah, I am.
”
”
Samantha Towle (The Ending I Want)
“
Any prize off this bottom row,” the guy tells us, walking away to a waiting customer.
“You did it!” I jump down off the counter and wrap my arms around his neck. “You won me a prize!”
“Thank fuck.” His arms wrap around me. “I was starting to worry for a moment there. Felt like I was losing my man card.”
I reach up on my tiptoes and kiss his lips. “Never. And thank you.” I tip my head back to look into his face.
His hands slide down my back to my ass, and he gives it a squeeze. “Go pick your prize, Boston.”
Leaving Liam, I head back to the counter and lean over, looking at the bottom row of prizes. I see all kinds of crap here, including really cheap-looking stuffed animals and dolls.
I definitely do not want a doll. They freak me out.
Then, I spy this sad-looking odd toy. Reaching over, I grab it.
Liam comes up behind me as I right myself. His chest is pressed to my back. “Is that a…fucking knitted jellyfish?”
I turn my head to look up at him. He’s squinting at the toy I’ve picked up.
I look back down at it in my hands, and I think he’s right. It is a knitted jellyfish toy. “I think so.”
It’s white and pink and looks like a little princess jellyfish. And the more I look at it, the cuter it becomes…in a weird knitted jellyfish way.
“She looks like a jellyfish princess,” I say.
“It looks like a piece of shit.”
“Hey! You’ll hurt her feelings.” I jab him in the arm. Then, I hug her. “I shall call her Squishy, and she shall be mine.” I laugh, meeting Liam’s blank expression. “Finding Nemo? No?” I say.
Liam slowly shakes his head, looking at me like I’ve lost my mind.
“Okay, makes sense. You were probably too old to watch it when it first came out—you know, when I was still in diapers and you were out serenading teenage girls with the Backstreet Boys—hey!” I squeal when he digs me in the ribs with his fingers. “We’ll watch Nemo later, and then you’ll get the reference.”
I turn to the guy. “I’ll take Squishy,” I tell him, holding the stuffed animal up.
“Okay, what’s next?” I hook my arm through Liam’s, holding Squishy to my chest.
“Hook a Duck.”
“Hook a what?” I give him a confused look.
“Duck.”
“And what’s Hook a Duck?”
“You don’t know what Hook a Duck is?” Liam looks appalled.
“No…but I feel like I should.”
“You should.”
“What’s so special about it?”
“Well, nothing special per se, but it’s like a rite of passage. Every kid plays Hook a Duck when they come to the fair.”
“Hate to break it to you, Hunter, but we’re not kids.”
“Maybe not. But it’s your first time at a fair in England, and you have to play.” Liam grabs my hand and sets off, I assume, in search of this Hook a Duck game.
We find one a few minutes later, and it’s closed. All shut up with the tarpaulin covering the booth.
“It’s closed. Never mind,” I say to him.
I start to walk away, but Liam tugs me back by the hand he’s holding.
“Like a little thing like it being closed is going to stop us from playing.”
He gives me a grin and drops my hand. I watch as he unhooks the tarpaulin at the bottom and lifts it just enough so that he can sneak in underneath it.
“Hunter, what are you doing?” I hiss.
He ducks his head back out. “Come on,” he whispers, holding the material up for me to go under.
“I’m not going in there.”
“Yes you are. Now hurry the fuck up, or you’ll get me arrested for breaking into a Hook a Duck tent,” he whispers.
“Ugh,” I complain.
”
”
Samantha Towle (The Ending I Want)
“
Today, such studies are illegal. Medical scientists cannot offer inducements like pardons to persuade prisoners to take part in their studies. Although they can award small cash payments to research subjects, they are forbidden from giving anyone so much money or such tempting favors that their compensations might constitute what ethicists term an inappropriate inducement, an irresistible temptation to join the study.
Now, more than eighty years after the 1918 flu, people enter studies for several reasons—to get free medical care, to get an experimental drug that, they hope, might cure them of a disease like cancer or AIDS, or to help further scientific knowledge. In theory at least, study participants are supposed to be true volunteers, taking part in research of their own free will.
But in 1918, such ethical arguments were rarely considered. Instead, the justification for a risky study with human beings was that it was better to subject a few to a great danger in order to save the many. Prisoners were thought to be the ideal study subjects. They could offer up their bodies for science and, if they survived, their pardons could be justified because they gave something back to society.
The Navy inmates were perfect for another reason. Thirty-nine of them had never had influenza, as far as anyone knew. So they might be uniquely susceptible to the disease. If the doctors wanted to deliberately transmit the 1918 flu, what better subjects? Was influenza really so easily transmitted? the doctors asked. Why did some people get it and others not? Why did it kill the young and healthy? Could the wartime disruptions and movements of troops explain the spread of the flu? If it was as contagious as it seemed, how was it being spread? What kind of microorganism was causing the illness?
The normal way to try to answer such questions would be to study the spread of the disease in animals. Give the disease to a few cages of laboratory rats, or perhaps to some white rabbits. Isolate whatever was causing the illness. Show how it spread and test ways to protect animals—and people—against the disease.
But influenza, it seemed, was a uniquely human disease. No animal was known to be susceptible to it. Medical researchers felt they had no choice but to study influenza in people. Either the Navy doctors were uncommonly persuasive or the enticement of a pardon was overwhelmingly compelling. For whatever reason, the sixty-two men agreed to be subjects in the medical experiment.
And so the study began. First the sailors were transferred to a quarantine station on Gallops Island in Boston Harbor. Then the Navy doctors did their best to give the men the flu. Influenza is a respiratory disease—it is spread from person to person, presumably carried on droplets of mucus sprayed in the air when sick people cough or sneeze, or carried on their hands and spread when the sick touch the healthy. Whatever was causing the flu should be present in mucus taken from the ill.
The experiments, then, were straightforward. The Navy doctors collected mucus from men who were desperately ill with the flu, gathering thick viscous secretions from their noses and throats. They sprayed mucus from flu patients into the noses and throats of some men, and dropped it into other men’s eyes. In one attempt, they swabbed mucus from the back of the nose of a man with the flu and then directly swabbed that mucus into the back of a volunteer’s nose.
”
”
Gina Kolata (Flu: The Story Of the Great Influenza Pandemic of 1918 and the Search for the Virus That Caused It)
“
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
”
”
Adam Begley (Updike)
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For abolitionists, who advocated the immediate emancipation of all slaves, and free-soilers, who simply opposed the spread of slavery into the western territories, the existence of such a group proved the destructive effect of slavery on social morals and human industry and the inordinate economic power of the planter elite. It also served as an implicit warning of the disastrous consequences of the spread of slavery into nonslaveholding regions and its debilitating effect on the work ethic of otherwise stalwart white farmers. For slave-holders, particularly those at the apex of southern society, the idleness of rural working-class whites justified the “peculiar institution” and made clear the need for a planter-led economic and social hierarchy. Planter D. R. Hundley wrote, for example, that “poor whites” were “the laziest two-legged animals that walk erect on the face of the earth . . . [and exhibited] a natural stupidity or dullness of intellect that almost surpasses belief.” To abolitionists and proslavery ideologues alike, therefore, southern poor whites utterly lacked industry, intelligence, social propriety, and honor, the essential ingredients for political and social equality and thus should not be trusted with political decision-making.7 Northern and southern middle- to upper-class commentators perceived this class of people as so utterly degraded that they challenged their assertion of “whiteness,” the one claim southern working-class whites had to political equality, “normative” status, and social superiority to free and enslaved blacks. Like Byrd and the author of “The Carolina Sand-Hillers,” journalists and travel writers repeatedly compared “poor whites” unfavorably to other supposedly inferior people of color, be they enslaved blacks, Indians, or even Mexican peasants. Through a variety of arguments, including genetic inferiority, excessive interbreeding with “nonwhites,” and environmental factors, such as the destructive influences of the southern climate, rampant disease, and a woefully inadequate diet, these writers asserted that “poor whites” were neither truly “white” nor clearly “nonwhite” but instead, a separate “‘Cracker’ race” in all ways so debased that they had no capacity for social advancement. This attitude is clear in an 1866 article from the Boston Daily Advertiser that proclaimed that this social class had reached depths of “[s]uch filthy poverty, such foul ignorance, such idiotic imbecility” that they could never be truly civilized. “[T]ime and effort will lead the negro up to intelligent manhood,” the author concluded, “but I almost doubt if it will be possible to ever lift this ‘white trash’ into respectability.”8 Contempt for working-class whites was almost as strong among African Americans as among middle-class and elite whites. Enslaved African Americans invented derogatory terms containing explicit versions of “whiteness” such as “(poor) white trash” and “poor buckra” (a derivative form of the West African word for “white man”). Although relations between slaves and non-elite southern whites were complex, many slaves deeply resented the role of poor whites as overseers and patrol riders and adopted their owners’ view that elite southern planters were socially and morally superior. Many also believed that blacks, enslaved and free, formed a middle layer of social respectability between the planter aristocracy at the top of the social system and the “poor whites” at the bottom. The construction of a “poor white” and “white trash” social and cultural category thus allowed black slaves to carve out a space of social superiority, as well as permitted the white planter elite to justify enormous economic and social inequality among whites in a supposedly democratic society.9
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Anthony Harkins (Hillbilly: A Cultural History of an American Icon)
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… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
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Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
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Successful con men are treated with considerable respect in the South. A good slice of the settler population of that region were men who’d been given a choice between being shipped off to the New World in leg-irons and spending the rest of their lives in English prisons. The Crown saw no point in feeding them year after year, and they were far too dangerous to be turned loose on the streets of London—so, rather than overload the public hanging schedule, the King’s Minister of Gaol decided to put this scum to work on the other side of the Atlantic, in The Colonies, where cheap labor was much in demand.
Most of these poor bastards wound up in what is now the Deep South because of the wretched climate. No settler with good sense and a few dollars in his pocket would venture south of Richmond. There was plenty of opportunity around Boston, New York, and Philadelphia—and by British standards the climate in places like South Carolina and Georgia was close to Hell on Earth: swamps, alligators, mosquitoes, tropical disease... all this plus a boiling sun all day long and no way to make money unless you had a land grant from the King...
So the South was sparsely settled at first, and the shortage of skilled labor was a serious problem to the scattered aristocracy of would-be cotton barons who’d been granted huge tracts of good land that would make them all rich if they could only get people to work it.
The slave-trade was one answer, but Africa in 1699 was not a fertile breeding ground for middle-management types... and the planters said it was damn near impossible for one white man to establish any kind of control over a boatload of black primitives. The bastards couldn’t even speak English. How could a man get the crop in, with brutes like that for help?
There would have to be managers, keepers, overseers: white men who spoke the language, and had a sense of purpose in life. But where would they come from? There was no middle class in the South: only masters and slaves... and all that rich land lying fallow.
The King was quick to grasp the financial implications of the problem: The crops must be planted and harvested, in order to sell them for gold—and if all those lazy bastards needed was a few thousand half-bright English-speaking lackeys in order to bring the crops in... hell, that was easy: Clean out the jails, cut back on the Crown’s grocery bill, jolt the liberals off balance by announcing a new “Progressive Amnesty” program for hardened criminals....
Wonderful. Dispatch royal messengers to spread the good word in every corner of the kingdom; and after that send out professional pollsters to record an amazing 66 percent jump in the King’s popularity... then wait a few weeks before announcing the new 10 percent sales tax on ale.
That’s how the South got settled. Not the whole story, perhaps, but it goes a long way toward explaining why George Wallace is the Governor of Alabama. He has the same smile as his great-grandfather—a thrice-convicted pig thief from somewhere near Nottingham, who made a small reputation, they say, as a jailhouse lawyer, before he got shipped out.
With a bit of imagination you can almost hear the cranky little bastard haranguing his fellow prisoners in London jail, urging them on to revolt:
“Lissen here, you poor fools! There’s not much time! Even now—up there in the tower—they’re cookin up some kind of cruel new punishment for us! How much longer will we stand for it? And now they want to ship us across the ocean to work like slaves in a swamp with a bunch of goddamn Hottentots!
“We won’t go! It’s asinine! We’ll tear this place apart before we’ll let that thieving old faggot of a king send us off to work next to Africans!
“How much more of this misery can we stand, boys? I know you’re fed right up to here with it. I can see it in your eyes— pure misery! And I’m tellin’ you, we don’t have to stand for it!...
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Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
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thin man with short gray hair, he’d worn a bow tie and a long-sleeved shirt every day of his adult life. He wore bow ties because he liked them and thought them fashionable.
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Timothy M. Burke (The Paradiso Files: Boston's Unknown Serial Killer)
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Sociobiologist Edward O. Wilson later said that there should be a “consilience” between art and science. 79 Former NASA astronaut Mae Jemison took selected images with her on her first trip to space, including a poster of dancer and former artistic director of the Alvin Ailey American Dance Theater Judith Jamison performing the dance Cry, and a Bundu statue from Sierra Leone, because, as she said, “the creativity that allowed us . . . to conceive and build and launch the space shuttle, springs from the same source as the imagination and analysis it took to carve a Bundu statue, or the ingenuity it took to design, choreograph, and stage ‘Cry.’ . . . That’s what we have to reconcile in our minds, how these things fit together.” 80 As a jazz musician once told me, musicians are mathematicians as well as artists. Morse’s story suggests that the argument started not because of the need to bring art and science together, but because they were once not so far apart. 81 When Frank Jewett Mather Jr. of The Nation stated that Morse “was an inventor superimposed upon an artist,” it was factually true. 82 Equally true is that Morse could become an inventor because he was an artist all the while. In one of the final paintings that laid him flat, the painting that failed to secure his last attempt at a commission, one he had worked fifteen years to achieve, Morse may have left a clue about his shift from art to invention, and the fact that the skills required for both are the same. He painted The House of Representatives (1822–23) as evidence of his suitability for a commission from Congress to complete a suite of paintings that still adorn the U.S. Capitol building. The painting has an odd compositional focus. In the center is a man screwing in an oil chandelier, preoccupied with currents. Morse was “rejected beyond hope of appeal” by the congressional commission led by John Quincy Adams. When he toured the picture for seven weeks—displayed in a coffee house in Salem, Massachusetts, and at exhibitions in New York, Boston, Middleton, and Hartford, Connecticut—it lost twenty dollars in the first two weeks. Compounded by a litany of embarrassing, near-soul-stealing artistic failures, he took to his bed for weeks, “more seriously depressed than ever.” This final rejection forced him to shift his energies to his telegraph invention. 83 By 1844 Morse went to the Capitol focused on a current that would occupy the work of Congress—obtaining a patent for the telegraph.
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Sarah Lewis (The Rise: Creativity, the Gift of Failure, and the Search for Mastery)
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With the decline of the United States as the world’s leader, I find it important to look around our globe for intelligent people who have the depth of understanding that could perhaps chart a way to the future. One such person is Bernard-Henri Lévy a French philosopher who was born in Béni Saf, French Algeria on November 5, 1948. . The Boston Globe has said that he is "perhaps the most prominent intellectual in France today." Although his published work and political activism has fueled controversies, he invokes thought provoking insight into today’s controversial world and national views.
As a young man and Zionist he was a war correspondent for “Combat” newspaper for the French Underground. Following the war Bernard attended Lycée Louis-le-Grand in Paris and in 1968; he graduated with a degree in philosophy from the famous École Normale Supérieure. This was followed by him traveling to India where he joined the International Brigade to aid Bangladeshi freedom fighters.
Returning to Paris, Bernard founded the ‘New Philosophers School.’ At that time he wrote books bringing to light the dark side of French history. Although some of his books were criticized for their journalistic character and unbalanced approach to French history, but most respected French academics took a serious look at his position that Marxism was inherently corrupt. Some of his musings include the predicament of the Kurds and the Shame of Aleppo, referring to the plight of the children in Aleppo during the bloody Syrian civil war. Not everyone agrees with Bernard, as pointed out by an article “Why Does Everyone Hate Bernard-Henri Lévy?” However he is credited with nearly single handedly toppling Muammar Gaddafi. His reward was that in 2008 he was targeted for assassination by a Belgium-based Islamist militant group.
Looking like a rock star and ladies man, with his signature dark suits and unbuttoned white shirt, he said that “democracies are not run by the truth,” and notes that the American president is not the author of the anti-intellectual movement it, but rather its product. He added that the anti-intellectualism movement that has swept the United States and Europe in the last 12 months has been a long time coming. The responsibility to support verified information and not publicize fake news as equal has been ignored. He said that the president may be the heart of the anti-intellectual movement, but social media is the mechanism! Not everyone agrees with Bernard; however his views require our attention. If we are to preserve our democracy we have to look at the big picture and let go of some of our partisan thinking. We can still save our democracy, but only if we become patriots instead of partisans!
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Hank Bracker
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The pace is slower than the Great Boston Molasses Spill of 1919.
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Kevin Murphy (A Year at the Movies: One Man's Filmgoing Odyssey)
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Forgive my skepticism. All the journalists I’ve dealt with have been so poorly informed. They don’t make the slightest effort to understand the science. Journalists are lazy and stupid. I won’t mention any names. But take that young man from Esquire magazine. Did you know his journalism background was in celebrity profiles? He wrote about movie stars, so that gave him the authority to write about Jennie. Why, you see, Jennie was a celebrity. Make me laugh. And you’d think the Boston Globe would be concerned about scientific accuracy. That hapless reporter didn’t even know the difference between an ape and a monkey.
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Douglas Preston (Jennie: A Novel)
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R. G. Collingwood said that studying the past teaches us three things" what it is to be a man - or a woman; what it is to be the kind of woman you are; and what it is to be the kind of woman you are and nobody else.... One thing I learned is that heroes don't always wear capes... And I learned that big things can start small. Look what throwing some tea into Boston Harbor led to.
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Kelly Jamieson (Game On (Aces Hockey, #8))
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Yesterday on Boston Common I saw a young man on a skateboard collide with a child. The skateboarder was racing down the promenade and smashed into the child with full force. I saw this happen from a considerable distance. It happened without a sound. It happened in dead silence. The cry of the terrified child as she darted to avoid the skateboard and the scream of the child’s mother at the moment of impact were absorbed by the gray wool of the November day. The child’s body simply lifted up into the air and, in slow motion, as if in a dream, floated above the promenade, bounced twice like a rubber ball, and lay still. All of this happened in perfect silence. It was as if I were watching the tragedy through a telescope. It was as if the tragedy were happening on another planet. I have seen stars exploding in space, colossal, planet-shattering, distanced by light-years, framed in the cold glass of a telescope, utterly silent. It was like that. During the time the child was in the air, the spinning Earth carried her half a mile to the east. The motion of the Earth about the sun carried her back again forty miles westward. The drift of the solar system among the stars of the Milky Way bore her silently twenty miles toward the star Vega. The turning pinwheel of the Milky Way Galaxy carried her 300 miles in a great circle about the galactic center. After that huge flight through space she hit the ground and bounced like a rubber ball. She lifted up into the air and flew across the Galaxy and bounced on the pavement. It is a thin membrane that separates us from chaos. The child sent flying by the skateboarder bounced in slow motion and lay still. There was a long pause. Pigeons froze against the gray sky. Promenaders turned to stone. Traffic stopped on Beacon Street. The child’s body lay inert on the asphalt like a piece of crumpled newspaper. The mother’s cry was lost in the space between the stars. How are we to understand the silence of the universe? They say that certain meteorites, upon entering the Earth’s atmosphere, disintegrate with noticeable sound, but beyond the Earth’s skin of air the sky is silent. There are no voices in the burning bush of the Galaxy. The Milky Way flows across the dark shoals of the summer sky without an audible ripple. Stars blow themselves to smithereens; we hear nothing. Millions of solar systems are sucked into black holes at the centers of the galaxies; they fall like feathers. The universe fattens and swells in a Big Bang, a fireball of Creation exploding from a pinprick of infinite energy, the ultimate firecracker; there is no soundtrack. The membrane is ruptured, a child flies through the air, and the universe is silent.
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Chet Raymo (The Soul of the Night: An Astronomical Pilgrimage)
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Actually, Boston has some of the nicest cells in America. They have to: lots of famous people have spent time in those cells. Mayors, public officials, people like that. You can’t expect a man to run a decent campaign for reelection if he’s in a lousy cell, can you?
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Jeffery Hudson (A Case of Need)
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Cantor began a practice, long associated with Vallee, of introducing new talent via radio. Gracie Allen made her first radio appearance with Cantor: Burns and Allen would occasionally be mentioned, only half-jokingly, as a Cantor “discovery,” but George Burns had his own grim version of that affair (see BURNS AND ALLEN). A more legitimate discovery was Harry Einstein. Cantor was in Boston in 1934 when he happened to hear, on a local radio station, a man doing a funny Greek dialect. Einstein was then the advertising director of Boston’s Kane Furniture Company. He had been dabbling radio for years and had created a character named Nick Parkyakakas, a comedy candidate for mayor who could be heard on WNAC Mondays and Fridays at 10:30. Cantor thought it the funniest Greek impersonation he had ever heard: by wire, he offered Einstein a slot on NBC, and the following Sunday Parkyakakas played to the nation for the first time.
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John Dunning (On the Air: The Encyclopedia of Old-Time Radio)