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The desire to love someone always exceeds the desire to be loved by someone & that's exactly why we end up loving the person who doesn't deserve that LOVE.
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Anirban Bose (Bombay Rains, Bombay Girls)
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Nook people are those of us who need solitude, but also the sound of someone puttering in the next room.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Change, I've come to understand, rises up like nausea: the promise of relief is what makes it bearable.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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This morning, I'm relishing the perks of working for the Underworld. I press my foot down on the accelerator, and the deep rumble of my candy apple-red Escalade growls. My new baby girl has black leather, Bose surround sound, and twenty-two inch rimes. Match.com couldn't have created a happier couple.
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Victoria Scott (The Collector (Dante Walker, #1))
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Even when I was nothing, I was arriving.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Even when I’m caught off guard by a lathery shade of peach on the bottom corner of a painting at the Met, as if being reminded that I haven’t seen all the colors, and how there’s more to see, and how one color’s newness can invalidate all of my sureness.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Aryami Bose's home had been closed up for years, inhabited only by books and paintings, but the spectre of thousands of memories imprisoned between its walls still permeated the house.
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Carlos Ruiz Zafón (The Midnight Palace (Niebla, #2))
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Memory fans out from imagination, and vice versa, and why not. Memory isn’t a well but an offshoot. It goes secretly. Comes apart. Deceives. It’s guilty of repurposing the meaning of deep meaning and poking fun at what you’ve emotionalized.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Writing is losing focus and winning it back, only to lose it once more.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Then again, maybe that’s why I’m drawn to wonder: it pays no attention to priorities.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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There’s strength in observing one’s miniaturization. That you are insignificant and prone to, and God knows, dumb about a lot. Because doesn’t smallness prime us to eventually take up space? For instance, the momentum gained from reading a great book. After after, sitting, sleeping, living in its consequence. A book that makes you feel, finally, latched on.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Women who are in no rush to respond to a world that’s only conceived them as its consequence.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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The ramdomness of events in the world is so lacking in logic that we give it names like destiny, fate, karma and kismat to deal with the irrationality of its sequence
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Anirban Bose (Bombay Rains, Bombay Girls)
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Because there is trust too, in feeling small.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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A nook person finds the dog at the party; drinks wine from a mug; sits on the floor and braids carpet tassels only to become self-conscious and unbraid them.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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To this day, watching a woman mindlessly tend to one thing while doing something else absorbs me. Like securing the backs of her earrings while wiggling her feet into her shoes. Like staring into some middle distance, where lines soften, and where she separates the relevant from the immaterial.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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No, this is my revenge. I am giving you just what you want, I'm releasing you. And yet I''m really not. I'll inflict torments on you, subtle torments, day after day, year after year- that's why you're necessary to me.
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Buddhadeva Bose (It Rained All Night)
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What tethers me to my parents is the unspoken dialogue we share about how much of my character is built on the connection I feel to the world they were raised in but that I've only experienced through photos, visits, food. It's not mine and yet, I get it. First-generation kids, I've always thought, are the personification of déjà vu.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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There is such dissociation between what the eyes see and what the mind envisions. The final thought is just a matter of interpretation, coloured by our experiences.
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Anirban Bose (Bombay Rains, Bombay Girls)
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A nation's strength ultimately consist in what it can do on its own and not in what it can borrow from other.
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Indira Gandhi (Indira Gandhi on herself and her times: Her last and only autobiographical interview with Nemai Sadhan Bose)
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The best ideas outrun me. That’s why I write.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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If you share too much of yourself, you risk growing into someone who has nothing unacknowledged.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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At any rate, isn’t it lovely to, once in a while, feel small in the presence of your friend? Awed. Fortunate to experience nearness that calls upon space.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Bosons, by the way, are named for the Indian scientist Satyendra Nath Bose.
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Neil deGrasse Tyson (Astrophysics for People in a Hurry)
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A woman carries her inner life - lugs it around or holds it in fumes that both poison and bless her - while nourishing another's inner life, many others actually, while never revealing too much madness, or, possibly, never revealing where she stores it: her island of lost mind.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Writing is a closed pistachio shell.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Hatred is never ended by hatred but by love.
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Buddhadeva Bose
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It’s an elbow propped on the edge of a table when you’re wrapping up an argument, or to signify you’re just getting started. An elbow propped on the edge of a table is an adverb.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Feral rearranging. Letting form ferment. Letting form pass through you.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Isn’t it fun to read a sentence that races ahead of itself?
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Until you write what is detectable but dislodges you. Like the smell of cinnamon.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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So dark are the con of man
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Partho Bose (NY Literary Magazine 2017 Best Story Award Nominee)
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In his speeches on Azad Hind Radio, Subhas Bose referred to Gandhi as the ‘Father of the Nation’. This seems to be the first time Gandhi was called this. The usage soon became ubiquitous.
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Ramachandra Guha (Gandhi: The Years that Changed the World)
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Nook people express appreciation in the moment by maintaining how much we will miss what is presently happening. Our priorities are spectacularly disordered. A nook person might spend the last few years of her twenties thinking she is dying. Convinced of it. Nook
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Cottontail knocked on the big front door and was admitted to the Palace. There she stood in her funny country clothes but none of the other four Easter Bunnies laughed, for they were wise and kind and knew better.
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DuBose Heyward (The Country Bunny and the Little Gold Shoes)
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Resurfacing is nonpareil. And splitting a sandwich with someone you’ve said maybe two words to all morning is idyllic.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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I don’t require much to feel far-removed; to impose my wanderings on what’s close. Because of this, my friend and I have started calling ourselves nook people. Those of us who seek corners and bays in order to redeploy our hearts and not break the mood. Those of us who retreat in order to cubicle our flame. Who collect sea glass. Who value a deep pants pocket. Who are our own understudies and may as well have shadowboxes for brains.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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She is all at once unused but oh, so used up. Or very used to. Why is it that when a woman is occupied by the voice in her head, or the wear of her day, or the landscape that passes through her eyes like windows on a train, the world assumes she is up for grabs? A vacant stare does not mean vacancy.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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maybe that’s why I’m drawn to wonder: it pays no attention to priorities.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Nepismenost nikad nije teško uvidjeti: um u čitanju teksta s gramatičkim greškama osjeća istu neprijatnost koju trpe bose noge po trnju.
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Enes Karić (Pjesme divljih ptica)
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A lot of our colleagues are almost afraid of taking care of pregnant women,” Bose says. “But when fear stops us from asking questions, it stops us from solving treatable problems.
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Elizabeth Comen (All in Her Head: The Truth and Lies Early Medicine Taught Us About Women's Bodies and Why It Matters Today)
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As Netaji, Bose’s two initial contributions to the idea of modern India were a national slogan and a national anthem. His political opponents at home were compelled to accept them years later.
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Anuj Dhar (India's Biggest Cover-up)
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I have always loved him. Every single minute of every single day my heart has belonged to him. I have just run away from the truth. I have covered it in shrouds of friendship and teenage crush.
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Aditi Ray B (My Dream Man)
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I counted them and double-checked because extra-small things bring out the extra-small person in me who sometimes even triple-checks things; who still chances certainty might exist in asking, “Promise me?
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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A distinguishing quality of the women I love, meaning, none of us are bothered by how infrequently we see one another. We have an arrangement that was never formally arranged. A consideration for turning down invitations. We are happy for the person who is indulging in her space, and how she might merely be spending the weekend unescorted by anything except her work, which could also mean: she is in no rush to complete much. She is tinkering. She is gathering all the materials necessary for repotting a plant but not doing it. She is turning off the lights and climbing into her head because that’s usually the move.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Those yet-to-access riches that I’d suspect are what tingle when a song’s lyrics eject me into outer space; assure me I can love; can go about and be loved; can retreat and still get, as in both catch and understand, love.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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A woman carries her inner life—lugs it around or holds it in like fumes that both poison and bless her—while nourishing another’s inner life, many others actually, while never revealing too much madness, or, possibly, never revealing where she stores it: her island of lost mind.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Togetherness is finite. There is nothing like forever. Time ends. At different times for different people. So we should always be thankful for the time that we spent together.
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Aditi Ray B (My Dream Man)
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Is there something to be learned from fast tenderness that wanes just as fast as it forms?
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Or how staring at ocean water so blue, it leaves me bereft. In postcards, I’ll scribble “So blue!” because, what else?
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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give me blood i will give you freedom
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Subhas Chandra Bose
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They who behold the One, in all the changing manifoldness of the universe, unto them belongs the eternal truth, unto none else, unto none else.
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Sri Jagadish Chandra Bose
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Bose was slightly less happy about the presence of Conrad Taylor, the celebrated anthropologist, who had made his reputation by uniquely combining scholarship and eroticism in his study of puberty rites in late-twentieth-century Beverly Hills.
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Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
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First love is all sensation and ambient zooms, and letting the world ebb. Like writing, occasionally, it feels combustive. Greedy. It’s unsophisticated and coaxes you into making promises about the far future and imbibing the moment. Into growing gullible fast, frantically so, and forgetting about yourself—about your exception. Writing does the same. It lays siege.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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There's a type of inborn initiative that comes from having never been obligated to answer questions about one's name, or one's country of so-called origin, or to explain the way you look is generationally and geographically worlds apart from where you were born. Since childhood, there's been this assumption that I owe strangers an answer when they inquire about matters I myself struggle to have words for, let alone understand.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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The history of the world is a whitewashed history, where great many facts are distorted to maintain white supremacy – such as Columbus discovering America or Gandhi liberating India – Gandhi didn’t liberate India, Subhas Chandra Bose did and Columbus never even set foot on America.
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Abhijit Naskar (When Veins Ignite: Either Integration or Degradation)
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I’ve felt infinity too, late in my twenties, when I discovered a word in English I’d only ever known in Bengali. Or when I spot, with hours still left in the day, the moon’s hazy thumbprint. How the moon enjoys debunking the day.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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I tend to forget or rather, rarely cash in on — like coupons piling up — the proximity of people. If I wanted, I could walk a few blocks and find a friend, a friend who is likely experiencing coincidental gloom, blahs, and Sunday doom, because if there’s one thing I know to be true about New York friendships: they are intervened time and again by emotional kismet. Stupid, unprecedented quantities of it. We’re all just here, bungling this imitation of life, finding new ways of becoming old friends.
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Durga Chew-Bose
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Even then, when I felt tremendously sad in my lovely dress, my heart did not stop.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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The main question raised by the thriller is not what kind of world we live in, or what reality is like, but what it has done to us
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Partho Bose (NY Literary Magazine 2017 Best Story Award Nominee) (Dreams Implant)
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The sheer, ensorcelled panic of feeling moved.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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That spiked measure of awe—of oof—feels like a general slowing, even though what’s really taking place is nothing short of a general quickening.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Memory is trust open to doubt.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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watching fireworks backward: tinsel swallowed into the night sky instead of spitting out from it.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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The genius of the word is that it’s more of an expression than a word.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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যাঁরা বলেন বাংলায় বিজ্ঞান চর্চা সম্ভব নয় তাঁরা হয় বাংলা জানেন না অথবা বিজ্ঞান বোঝেন না।
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Satyendra Nath Bose
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ভালোবাসার মত সুন্দর আর-কিছুই নয়, আর ভালোবাসা জানাতে যত ভালো লাগে, তত ভালো আর-কিছুই লাগে না।
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Buddhadeva Bose (কালের পুতুল)
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I immensely enjoyed James Cameron’s Titanic. I read how a large number of Indians shed copious tears over a fictitious story of a woman not being able to overcome the loss of her love despite decades rolling by. And I fail to understand how the same Indians could never empathise with Emilie Schenkl, who was not at peace even forty years after Bose had disappeared.
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Anuj Dhar (India's Biggest Cover-up)
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The perfect marriage, like the perfect body, is mythical. I never met a woman who's said she has the perfect marriage or the perfect body...There's always something lacking. -- Virgin Bride
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Jhoomur Bose (Confessionally Yours)
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Nook people can overstate their love for a movie, having only watched it once. They are alert to how some spectacles become basically unbearable the second time. And, well, there are benefits to claiming something you’ve only experienced once as your favorite. It’s useful to have many favorites.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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It’s imperative that writing consists of not living up to your own taste. Of leaving the world behind so you can hold fast to what’s strange inside; what’s unlit. A soreness. A neglected joy. The way forward is perhaps not maintaining a standard for accuracy but appraising what naturally heaps. Writing
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Tell a woman she is beautiful, and she might—it’s very possible—feel
like a fool. Roses die quick. They will do.
The girl you want does not exist.
The girl you want does exist.
But not like that. And not like that. Or like that. Or like that.
She is sitting across from you, looking just beyond you—at herself.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Nook people confuse emotional truth with other varieties of truth. They are a composite of the last person who complimented them and the next person who might ignore them, and also whomever or whatever they consider themselves a child of.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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It was becoming more and more evident that Salem was a town that celebrated individuality, a real live-and-let-live kind of place. Melody felt a gut punch of regret. Her old nose would have fit in here.
"Look!" She pointed at the multicolored car whizzing by. Its black door were from a Mercedes coupe, the white hood from a BMW; the silver trunk was Jaguar, the red convertible top was Lexus, the whitewall tires were Bentley, the sound system was Bose, and the music was classical. A hood ornament from each model dangled from the rear view mirror. Its license plate appropriately read MUTT.
"That car looks like a moving Benton ad."
"Or a pileup on Rodeo drive." Candace snapped a picture with her iPhone and e-mailed to her friends back home. They responded instantly with a shot of what they were doing. It must have involved the mall because Candace picked up her pace and began asking anyone under the age of fifty where the cool people hung out.
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Lisi Harrison (Monster High (Monster High, #1))
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Or when I meet someone new who loves a movie just as I’ve loved that movie; who speaks at such a clip about it—tenderly, contagiously—that I forget to speak at all and smile like a fool because, now and then, meeting new people isn’t so terrible. Even
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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And in those moments when the two of them are playing dead, I quietly climb back upstairs because, as time passes and as I spot my parents doing young, lighthearted things, I'm overrun by some cruel and preoccupying sense that I'm watching the memory of them.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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And besides, it feels more covert to have no evidence. To believe that something you’ve experienced will build on your extent—your extent as a person who sees things, and is moved by things—without ever having to prove those things happened exactly as they happened.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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It still comes as a shock to me how irreversible life is. How there's no going back to whatever version of me existed before I saw that movie – the kind that switches me on to new streaks of consciousness by showing me a woman I feel strangely, formerly, acquainted with.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Why is it that when a woman is occupied by the voice in her head, or the wear of her day, or the landscape that passes through her eyes like windows on a train, the world assumes she is up for grabs? A vacant stare does not mean vacancy. It's the inverse of invitation, and yet.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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It never was about the musician or the instrument - it was about the laser notes in a hall of mirrors, the music itself. It was going to change the world for the better and it has. Maybe not as fast or as much as we wanted, but it has and it still will. Whether your name is Mozart, or Django Reinhardt, or Robert Johnson, or Jimi Hendrix, or whoever is next; who you are doesn't matter so long as you can open that conduit and let the music come through. It is the burning edge, whatever it sounds like and whoever is playing it. It is the noisy, messy, silly, invincible voice of life that comes through the LP on the turn-table, the transistor radio, or the Bose in your new Lexus that makes you want to get up out of whatever you are stuck in and dance. It is Dionysus and the Maenads all over again. No one can control it and I pity whoever tries. I am old now and only a house cat sunning herself in the window - but I was a tigress once, and I remember. I still remember.
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G.J. Paterson (Bird of Paradise)
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Even when a thought springs fresh in my mind on the subway and solves an essay I’d just about abandoned. On the rare occasion my subconscious welds, language has a gift, I’ve learned, for humiliating those luminous random acts of creative flash into impossible-to-secure hobbling duds. The best ideas outrun me. That’s why I write.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Respect yourself first, "You Deserve better
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Anirban Bose
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The thriller is not a recent invention. It probably goes back to the dawn of storytelling
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Partho Bose (NY Literary Magazine 2017 Best Story Award Nominee) (Dreams Implant)
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80% of my waking hours go in promoting my book. In the remaining 20%, I am promoting my book.
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Bilol Bose (The Palace of a Thousand Rainbows: - a Novel)
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Sometimes your own tongue can make you deaf and dumb.
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Anirban Bose (The Death of Mitali Dotto)
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Before he was assassinated in 1948, Gandhi—a senior journalist told me—rebuked Nehru and Patel for not being able to reign in the partition madness and wished that his “other son [Subhas] was here!” Reminded by a Congressman, who had witnesses the dressing down, that Bose was dead and he had himself come to hold that belief, Gandhi shot back: “He’s in Russia”.
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Anuj Dhar (India's Biggest Cover-up)
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There’s might too in the incomplete. In feeling fractional. A failure to carry out is perhaps no failure at all, but rather a minced metric of splendor. The ongoing. The outlawed. The no-patrol. The act of making loose. Of not doing as you’ve been told. Of betting on miscalculations and cul-de-sacs. Why force conciliation when, from time to time, long-held deep breaths follow what we consider defeat? Why not want a little mania? The shrill of chance, of what’s weird. Of purple hats and hiccups. Endurance is a talent that seldom worries about looking good, and abiding has its virtues even when the tongue dries. The intention shouldn’t only be to polish what we start but to acknowledge that beginning again and again can possess the acquisitive thrill of a countdown that never reaches zero. Groping
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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This arrogant, conceited history strides with her head in the clouds and never looks down. She does not realize how she crushes millions of people beneath her feet. The common people. She doesn't understand that one may cut a mountain in two, but people? It's a hard task, Bhai, to cute one people in two. They bleed."
A deep sigh coursed through the gathering. Master Fazal said, "History will keep on marching like this. The names of a few people will stick to her fabric. She will register those. there was Hitler, there was Mussolini, Churchill and Joseph Stalin, among others. this time the names maybe Mahatma Gandhi, Jawaharlal Nehru, Jinnah, Subhash Bose! But the names of the lakhs and crores who have lost their lives will be nowhere. They will be mere numbers in which all of us will be included!".
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गुलज़ार (Two)
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Even when I’m caught off guard by a lathery shade of peach on the bottom corner of a painting at the Met, as if being reminded that I haven’t seen all the colors, and how there’s more to see, and how one color’s newness can invalidate all of my sureness. To experience infinity and sometimes too the teasing melancholy born from the smallest breakthroughs, like an unanticipated shade of peach, like Buster Keaton smiling, or my friend Doreen’s laugh—how living and opposite of halfhearted it is. Or my beautiful mother growing out her gray, or a lightning bolt’s fractal scarring on a human body, or Fantin-Latour’s hollyhocks, or the sound of someone practicing an instrument—the most sonically earnest sound. Or how staring at ocean water so blue, it leaves me bereft. In postcards, I’ll scribble “So blue!” because, what else?
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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Moments of pride commemorate people’s achievements. We feel our chest puff out and our chin lift. 2. There are three practical principles we can use to create more moments of pride: (1) Recognize others; (2) Multiply meaningful milestones; (3) Practice courage. The first principle creates defining moments for others; the latter two allow us to create defining moments for ourselves. 3. We dramatically underinvest in recognition. • Researcher Wiley: 80% of supervisors say they frequently express appreciation, while less than 20% of employees agree. 4. Effective recognition is personal, not programmatic. (“ Employee of the Month” doesn’t cut it.) • Risinger at Eli Lilly used “tailored rewards” (e.g., Bose headphones) to show his team: I saw what you did and I appreciate it. 5. Recognition is characterized by a disjunction: A small investment of effort yields a huge reward for the recipient. • Kira Sloop, the middle school student, had her life changed by a music teacher who told her that her voice was beautiful. 6. To create moments of pride for ourselves, we should multiply meaningful milestones—reframing a long journey so that it features many “finish lines.” • The author Kamb planned ways to “level up”—for instance “Learn how to play ‘Concerning Hobbits’ from The Fellowship of the Ring”—toward his long-term goal of mastering the fiddle.
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Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
“
Jagadis Bose, who developed some of the earliest work on plant neurobiology in the early 1900s, treated plants with a wide variety of chemicals to see what would happen. In one instance, he covered large, mature trees with a tent then chloroformed them. (The plants breathed in the chloroform through their stomata, just as they would normally breathe in air.) Once anesthetized, the trees could be uprooted and moved without going into shock. He found that morphine had the same effects on plants as that of humans, reducing the plant pulse proportionally to the dose given. Too much took the plant to the point of death, but the administration of atropine, as it would in humans, revived it. Alcohol, he found, did indeed get a plant drunk. It, as in us, induced a state of high excitation early on but as intake progressed the plant began to get depressed, and with too much it passed out. and it had a hangover the next day Irrespective of the chemical he used, Bose found that the plant responded identically to the human; the chemicals had the same effect on the plants nervous systems as it did the human. This really should not be surprising. The neurochemicals in our bodies were used in every life-form on the planet long before we showed up. They predate the emergence of the human species by hundreds of millions of years. They must have been doing something all that time, you know, besides waiting for us to appear.
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Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
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On 1 August 1939, Savarkar spoke at a public meeting organized at Tilak Smarak Mandir in Poona. In his speech, he talked about the three different schools of thought prevalent in the Congress, led by three different leaders—Gandhi, Subhas Bose and Manabendranath Roy—and how it is different from the school of thought of the Hindu Mahasabha. He said: In today’s Congress, there are three schools of thought . . . Gandhian school of thought has truth and non-violence as its key ideas. But Gandhian non-violence is inimical to Hindutva. Hindu philosophy says violence for violence sake is bad, but violence is permissible to destroy evil and protect the good, and such violence is good conduct. But Gandhian thought makes no such distinction. They believe in non-violence under all conditions. Second school of thought is led by Subhas Bose and the Forward Bloc. His policies and means used are similar to our thought process and we could work together on certain issues, but even they are obsessed with this mirage of Hindu-Muslim unity. The third school of thought is of Manvendranath (sic) Roy and that is not acceptable to us at all. They believe in the policy of active Muslim appeasement. The Hindu Mahasabha has the interests of Hindus in mind always.
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Vikram Sampath (Savarkar: A Contested Legacy, 1924-1966)
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That spiked measure of awe—of oof—feels like a general slowing, even though what’s really taking place is nothing short of a general quickening. The sheer, ensorcelled panic of feeling moved. Infirmed by what switches me on but also awake and unexpectedly cured. Similar to how sniffing a lemon when I’m carsick heals.
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Durga Chew-Bose (Too Much and Not the Mood: Essays)
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I don't understand these rules. Writing rules. Eating rules. Studying rules. Loving rules. Everything in life seems to be governed by rules. Is that the only way to keep a person grounded? Does it really instil self-restraint or is it just a fear tactic that's used so that no one can fly to the highest realms of glory?
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Aditi Ray B (My Dream Man)
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প্রতিভাবান শিল্পী আপনার চিন্তাগুণে ছবি আঁকার বহু নূতন উপাদান ও কৌশল উদ্ভাবন করে থাকেন; অপরকে শিখিয়েও থাকেন। কিন্তু যে-সব শিল্পীর মৌলিক সৃষ্টির শক্তি বা অধিকার নেই, রসের প্রেরণা নেই, প্রায় দেখা যায়, তারা গুরুর কাছে যা শিক্ষা করেছে, বা কদাচিৎ নিজে-নিজে যা উদ্ভাবন করেছে, তা সহজে অন্য কোনো জনকে শেখাতে চায় না; কৃপণের মতো গোপন করতেই সচেষ্ট হয়। শিল্পসৃষ্টিতে যথার্থ অধিকার না হওয়াতেই, সৃষ্টিতেই স্রষ্টার যে আনন্দ তার স্বাদ না পাওয়াতে, এ-জাতীয় অনুদারতা ঘটে থাকে।" - কানাই সামন্ত, সম্পাদক
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Nandalal Bose (শিল্প চর্চা)
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When he applied this approach to a gas of quantum particles, Einstein discovered an amazing property: unlike a gas of classical particles, which will remain a gas unless the particles attract one another, a gas of quantum particles can condense into some kind of liquid even without a force of attraction between them. This phenomenon, now called Bose-Einstein condensation,* was a brilliant and important discovery in quantum mechanics, and Einstein deserves most of the credit for it. Bose had not quite realized that the statistical mathematics he used represented a fundamentally new approach. As with the case of Planck’s constant, Einstein recognized the physical reality, and the significance, of a contrivance that someone else had devised.49 Einstein’s method had the effect of treating particles as if they had wavelike traits, as both he and de Broglie had suggested. Einstein even predicted that if you did Thomas Young’s old double-slit experiment (showing that light behaved like a wave by shining a beam through two slits and noting the interference pattern) by using a beam of gas molecules, they would interfere with one another as if they were waves. “A beam of gas molecules which passes through an aperture,” he wrote, “must undergo a diffraction analogous to that of a light ray.
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Walter Isaacson (Einstein: His Life and Universe)
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In Bohr’s model of the atom, electrons could change their orbits (or, more precisely, their stable standing wave patterns) only by certain quantum leaps. De Broglie’s thesis helped explain this by conceiving of electrons not just as particles but also as waves. Those waves are strung out over the circular path around the nucleus. This works only if the circle accommodates a whole number—such as 2 or 3 or 4—of the particle’s wavelengths; it won’t neatly fit in the prescribed circle if there’s a fraction of a wavelength left over. De Broglie made three typed copies of his thesis and sent one to his adviser, Paul Langevin, who was Einstein’s friend (and Madame Curie’s). Langevin, somewhat baffled, asked for another copy to send along to Einstein, who praised the work effusively. It had, Einstein said, “lifted a corner of the great veil.” As de Broglie proudly noted, “This made Langevin accept my work.”47 Einstein made his own contribution when he received in June of that year a paper in English from a young physicist from India named Satyendra Nath Bose. It derived Planck’s blackbody radiation law by treating radiation as if it were a cloud of gas and then applying a statistical method of analyzing it. But there was a twist: Bose said that any two photons that had the same energy state were absolutely indistinguishable, in theory as well as fact, and should not be treated separately in the statistical calculations.
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Walter Isaacson (Einstein: His Life and Universe)
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NATIONAL ANTHEM OF AZAD HIND May Good Fortune, Happiness and ease rain down upon India; On Punjab, Sindh, Gujarat, Maratha on Orissa and Bengal, On the Indian Ocean, on the Vindhya Mountains, On the Himalayas, the blue Jamuna and the Ganges. May thy ways be priased, from Thee our life from thy body our hope. May the rising sun shine down upon the world and exalt the name of India In every heart may thy love grow and thy sweetness take shape. So that every dweller in every province. Every faith united, every secret and mystery put aside. May come into thy embrace, in plaited garlands of love. May the rising sun shine down upon the world and exalt the name of India. May the early morning with the wings of a bird praise Her. And with all the power and fullness of the winds bringing freshness into life. Let us join together and shout: ‘Long Live India’, our beloved country. The rising sun shines upon the earth, exalting the name of India. Victory! May India’s name be praised. Translated by C.H. IVENS
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Hugh Toye (Subhash Chandra Bose)
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Bose’s creative use of statistical analysis was reminiscent of Einstein’s youthful enthusiasm for that approach. He not only got Bose’s paper published, he also extended it with three papers of his own. In them, he applied Bose’s counting method, later called “Bose-Einstein statistics,” to actual gas molecules, thus becoming the primary inventor of quantum-statistical mechanics. Bose’s paper dealt with photons, which have no mass. Einstein extended the idea by treating quantum particles with mass as being indistinguishable from one another for statistical purposes in certain cases. “The quanta or molecules are not treated as structures statistically independent of one another,” he wrote.48 The key insight, which Einstein extracted from Bose’s initial paper, has to do with how you calculate the probabilities for each possible state of multiple quantum particles. To use an analogy suggested by the Yale physicist Douglas Stone, imagine how this calculation is done for dice. In calculating the odds that the roll of two dice (A and B) will produce a lucky 7, we treat the possibility that A comes up 4 and B comes up 3 as one outcome, and we treat the possibility that A comes up 3 and B comes up 4 as a different outcome—thus counting each of these combinations as different ways to produce a 7. Einstein realized that the new way of calculating the odds of quantum states involved treating these not as two different possibilities, but only as one. A 4-3 combination was indistinguishable from a 3-4 combination; likewise, a 5-2 combination was indistinguishable from a 2-5. That cuts in half the number of ways two dice can roll a 7. But it does not affect the number of ways they could turn up a 2 or a 12 (using either counting method, there is only one way to roll each of these totals), and it only reduces from five to three the number of ways the two dice could total 6. A few minutes of jotting down possible outcomes shows how this system changes the overall odds of rolling any particular number. The changes wrought by this new calculating method are even greater if we are applying it to dozens of dice. And if we are dealing with billions of particles, the change in probabilities becomes huge.
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Walter Isaacson (Einstein: His Life and Universe)
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Unlike classically spinning bodies, such as tops, however, where the spin rate can assume any value fast or slow, electrons always have only one fixed spin. In the units in which this spin is measured quantum mechanically (called Planck's constant) the electrons have half a unit, or they are "spin-1/2" particles. In fact, all the matter particles in the standard model-electrons, quarks, neutrinos, and two other types called muons and taus-all have "spin 1/2." Particles with half-integer spin are known collectively as fermions (after the Italian physicist Enrico Fermi). On the other hand, the force carriers-the photon, W, Z, and gluons-all have one unit of spin, or they are "spin-1" particles in the physics lingo. The carrier of gravity-the graviton-has "spin 2," and this was precisely the identifying property that one of the vibrating strings was found to possess. All the particles with integer units of spin are called bosons (after the Indian physicist Satyendra Bose). Just as ordinary spacetime is associated with a supersymmetry that is based on spin. The predictions of supersymmetry, if it is truly obeyed, are far-reaching. In a universe based on supersymmetry, every known particle in the universe must have an as-yet undiscovered partner (or "superparrtner"). The matter particles with spin 1/2, such as electrons and quarks, should have spin 0 superpartners. the photon and gluons (that are spin 1) should have spin-1/2 superpartners called photinos and gluinos respectively. Most importantly, however, already in the 1970s physicists realized that the only way for string theory to include fermionic patterns of vibration at all (and therefore to be able to explain the constituents of matter) is for the theory to be supersymmetric. In the supersymmetric version of the theory, the bosonic and fermionic vibrational patters come inevitably in pairs. Moreover, supersymmetric string theory managed to avoid another major headache that had been associated with the original (nonsupersymmetric) formulation-particles with imaginary mass. Recall that the square roots of negative numbers are called imaginary numbers. Before supersymmetry, string theory produced a strange vibration pattern (called a tachyon) whose mass was imaginary. Physicists heaved a sigh of relief when supersymmetry eliminated these undesirable beasts.
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Mario Livio (The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry)