Borrow My Heart Quotes

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I would never let anyone else borrow my heart if I know there’s a chance in hell you might want it back.
Colleen Hoover (November 9)
The words you can’t find, you borrow. We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone. My life is in these books, he wants to tell her. Read these and know my heart. We are not quite novels. The analogy he is looking for is almost there. We are not quite short stories. At this point, his life is seeming closest to that. In the end, we are collected works.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor," I muttered, "tapping at my chamber door — Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore — For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore; — 'Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door — Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning— little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
Edgar Allan Poe (The Raven)
I need you to know that it was always you who had my heart. And I would have never let anyone else borrow it if I knew there was a chance in hell you’d ever want it back.
Colleen Hoover (November 9)
But I gotta say, I am so proud right now.” Axel flattened his hand over his heart. “You borrowed my patented move, proving I’m made of more than awesome. I’m awesalicious. Is that a word? It’s probably a girl word, but who cares! Seriously. Do you see a tear in my eye? Because I’m pretty sure I feel one.
Gena Showalter (Beauty Awakened (Angels of the Dark, #2))
because I need you to know that it was always you who had my heart. And I would have never let anyone else borrow it if I knew there was a chance in hell you’d ever want it back.
Colleen Hoover (November 9)
October Fullness” Little by little, and also in great leaps, life happened to me, and how insignificant this business is. These veins carried my blood, which I scarcely ever saw, I breathed the air of so many places without keeping a sample of any. In the end, everyone is aware of this: nobody keeps any of what he has, and life is only a borrowing of bones. The best thing was learning not to have too much either of sorrow or of joy, to hope for the chance of a last drop, to ask more from honey and from twilight. Perhaps it was my punishment. Perhaps I was condemned to be happy. Let it be known that nobody crossed my path without sharing my being. I plunged up to the neck into adversities that were not mine, into all the sufferings of others. It wasn’t a question of applause or profit. Much less. It was not being able to live or breathe in this shadow, the shadow of others like towers, like bitter trees that bury you, like cobblestones on the knees. Our own wounds heal with weeping, our own wounds heal with singing, but in our own doorway lie bleeding widows, Indians, poor men, fishermen. The miner’s child doesn’t know his father amidst all that suffering. So be it, but my business was the fullness of the spirit: a cry of pleasure choking you, a sigh from an uprooted plant, the sum of all action. It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt, sea-light and wave, and in that unwinding of the foam my heart began to move, growing in that essential spasm, and dying away as it seeped into the sand.
Pablo Neruda (The Essential Neruda: Selected Poems)
No,” I said slowly, trying to put the brakes on my escalating heart beat, “I did not give you my number last night.” Why was he calling? “I may have borrowed your phone by accident while you were dozing… and called my cell with it…
Raine Miller (Naked (The Blackstone Affair, #1))
The heart is a repository of emotions--real, imagined, and invented, owned and borrowed, past, present, future--and there in your chest, operating at an average of 80 beats per minute at rest, is a heart that has stories to tell.
A.A. Patawaran (Write Here Write Now: Standing at Attention Before My Imaginary Style Dictator)
I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen. I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man... Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing. Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object. ...we, perhaps, remember him best for his declaration: 'The world is my country; to do good my religion.' Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'. Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him. 'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.' Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France. So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument. But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part. Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking. {The Philosophy of Paine, June 7, 1925}
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
The words you can’t find, you borrow. We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone. My life is in these books, he wants to tell her. Read these and know my heart. We are not quite novels. The analogy he is looking for is almost there. We are not quite short stories. At this point, his life is seeming closest to that. In the end, we are collected works. He has read enough to know there are no collections where each story is perfect. Some hits. Some misses. If you’re lucky, a standout. And in the end, people only really remember the standouts anyway, and they don’t remember those for very long. No, not very long.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
You are at my side, dear friends, and God is everywhere. Yet ultimately we are alone, making our way home by the candle of the heart. The light is steady and sure but extends only far enough to see the next step. Many times the light seems to go out. But another light, one held by a stranger or friend, a book or a song, a blackbird or a wild flower, comes close enough so that we can see our path by its light. And in time we realize that the light we have borrowed was always our own.
Joan Borysenko (A Woman's Journey to God)
In the loudest voice I could muster, I shouted, "As of this moment, you are no longer the armies of China, Macedonia, Myanmar, Tibet or India. You are now warriors of Durga! We have already fought and overcome many fierce creatures. Now we give you the symbol of their power." I borrowed the Scarf and touched it to my Pearl Necklace. The silken material sped down each and every soldier to cloak them in the most brilliant red, blue, green, gold and white. Even the flag bearers were not left out and now held banners depicting Durga riding her tiger into battle. "Red for the heart of a Phoenix that sees through falsehood!" I cheered and raided the trident. "Blue for the Monsters of the Deep that rip apart those who dare to cross their domain! Gold for Metal Birds that cut their enemies with razor beaks! Green for the Horde of Hanuman that comes alive to protect that which is most precious! And white for the Dragons of the Five Oceans, whose cunning and power has no equal!
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
In winter darkness, the Baghdad Arabian keen blue deepness of the piercing lovely January winter's dusk--it used to tear my heart out, one stabbing soft star was in the middle of the magicalest blue, throbbing like love--I saw Maggie's black hair in this night-- In the shelves of Orion her eye shades, borrowed, gleamed a dark and proud vellum somber power brooding rich bracelets of the moon rose from our snow, and surrounded the mystery.
Jack Kerouac (Maggie Cassidy)
Should I, too, prefer the title of 'non-Jewish Jew'? For some time, I would have identified myself strongly with the attitude expressed by Rosa Luxemburg, writing from prison in 1917 to her anguished friend Mathilde Wurm: What do you want with these special Jewish pains? I feel as close to the wretched victims of the rubber plantations in Putamayo and the blacks of Africa with whose bodies the Europeans play ball… I have no special corner in my heart for the ghetto: I am at home in the entire world, where there are clouds and birds and human tears. An inordinate proportion of the Marxists I have known would probably have formulated their own views in much the same way. It was almost a point of honor not to engage in 'thinking with the blood,' to borrow a notable phrase from D.H. Lawrence, and to immerse Jewishness in other and wider struggles. Indeed, the old canard about 'rootless cosmopolitanism' finds a perverse sort of endorsement in Jewish internationalism: the more emphatically somebody stresses that sort of rhetoric about the suffering of others, the more likely I would be to assume that the speaker was a Jew. Does this mean that I think there are Jewish 'characteristics'? Yes, I think it must mean that.
Christopher Hitchens (Hitch 22: A Memoir)
God is my life. God is my love. God is the temple that calls my heart to unceasing worship. God is my Goal. No duty can be performed without the power borrowed from God, so my highest duty is to find Him." Without that attitude of devotion and determination one cannot know God
Paramahansa Yogananda
When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope
John Keats (The Complete Poems)
Once I was asked by a seatmate on a trans-Pacific flight, a man who took the liberty of glancing repeatedly at the correspondence in my lap, what instruction he should give his fifteen-year-old daughter, who wanted to be a writer. I didn't know how to answer him, but before I could think I heard myself saying, 'Tell your daughter three things.' "Tell her to read, I said. Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the world beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. Tell her to read classics like The Odyssey. They've been around a long time because the patterns in them have proved endlessly useful, and, to borrow Evan Connell's observation, with a good book you never touch bottom. But warn your daughter that ideas of heroism, of love, of human duty and devotion that women have been writing about for centuries will not be available to her in this form. To find these voices she will have to search. When, on her own, she begins to ask, make her a present of George Eliot, or the travel writing of Alexandra David-Neel, or To the Lighthouse. "Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing on information, of which we are in no great need. So help her discover what she means. "Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things. "Read. Find out what you truly are. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these three I trust.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
You have something else of mine, Miss Wakefield,” he amended. “I believe you meant to borrow it and return it directly, but you never did return . . . my heart. It’s been in your possession since our first meeting.” She drew in a staggered breath, daring to hope. “Though without a heart, one might wonder how I came to be here, standing before you right now,” he went on, making her heard spin again. “Do you wonder, Miss Wakefield?” When she nodded, he grinned and placed her hand over his chest. “There is a heart in here, but it is not mine. You see, I believe you made a dire mistake our first meeting. When you meant to return mine, instead you gave me yours. Doesn’t it beat strangely beneath my breast?
Vivienne Lorret (Winning Miss Wakefield (Wallflower Weddings, #2))
He closes the door with a determined click, and I hear him call to a flight attendant, and I sink down onto the toilet seat, resting my elbows on my knees and my head in my hands as I listen to him through the door. "I'm sorry to bother you but my wife," he says, and then pauses. With the last word he says, my heart begins to hammer. "The one who now got sick? She's started her... cycle? And I'm wondering if you keep any, or rather if you have... something? You see this all happened a bit fast and she packed in a hurry, and before that we were in Vegas. I have no idea why she came with me but I really really don't want to screw this up. And now she needs something. Can she, uh," he stutters, finally saying simply, "borrow quelque chose?" I cover my mouth as he continues to ramble, and I would given anything in this moment to see the expression of the flight attendant on the other side of this door. "I meant use," he continues. "Not to borrow because I don't think they work that way." I hear a woman's voice ask, "Do you know if she needs tampons or pads?" Oh God. Oh God. This can't be happening. "Um..." I hear him sigh and then say, "I have no idea but I'll give you a hundred dollars to end this conversation and give me both.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
Rule: Never date a guy you just met. He could just as likely be a sociopath as a nice guy.
Kasie West
We all came up out of the ground and took our forms. So much harder for us to have a form because we have one on the outside and too many inside. Depth, surface, power, fragility, direction, indirection, arrogance, servility, rocks, roots, grass, blossoms, dirt. We are a tangle of roots, a young branch, a flower, a moldy spore. You want to say, This is me; this is who I am. But you don’t even know what it is, or what it’s for. Time parts its shabby curtain: There is my father, listening to his music hard enough to break his own heart. Trying to borrow shapes for his emotions so that he may hold them out to the world and the world might say, Yes, we see. We feel. We understand. I touch the hazelnut bush gently as I pass.
Mary Gaitskill (Veronica (Vintage Contemporaries))
The words you can’t find, you borrow. We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone. My life is in these books, he wants to tell her. Read these and know my heart. We are not quite novels. The analogy he is looking for is almost there. We are not quite short stories. At this point, his life is seeming closest to that. In the end, we are collected works.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
In May I keep count. Two and a half more days of school; five between exams. Twenty thousand words of a novel and four poems and six borrowed books. More numbers to add to counting my pills and trying to work out how to stay awake.
Miriam Joy (Broken Body Fragile Heart)
The words you can’t find, you borrow. We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone. My life is in these books, he wants to tell her. Read these and know my heart. We are not quite novels.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
Those rose-tinted glasses look good on you, Sunshine.” Sunshine? I was sure he meant that mockingly, but the butterflies in my stomach stirred to life anyway, fanning away my anger. Traitors. “Thanks. You can borrow them. You need them more than I do,” I said pointedly. A low chuckle slipped from his throat, and I almost fell to the floor in shock. Tonight was turning out to be a night of firsts. Alex’s hand trailed up my spine until it rested on the back of my neck, leaving a cascade of tingles in their wake. “I feel it dripping all over me.” He did not—what? An inferno consumed my body. “You’re—you—no, I’m not!” I sputtered, pushing him away and scrambling off him. My core pulsed. Oh my God, what if I was? I couldn’t look, afraid I’d see a telltale wet spot on his jeans. I’d have to move to Antarctica. Build myself an ice cave and learn to speak penguin because I could never show my face in Hazelburg, D.C., or any city where I could run into Alex Volkov again. His chuckle blossomed into a full-blown laugh. The effect of his real smile was so devastating, even amid my mortification, that all I could do was stare at the way his face lit up and the sparkle that transformed his eyes from beautiful to downright breathtaking. Holy crap. Perhaps I should be grateful he never smiled, because if that was what he looked like while doing it…womankind didn’t stand a chance. “I’m talking about your bleeding heart,” he drawled. “What did you think I was talking about?” “I—you—” Forget Antarctica. I had to move to Mars. Alex’s laughter subsided, but the twinkle in his eyes remained.
Ana Huang (Twisted Love (Twisted, #1))
If I’ve learned one thing in my life it’s that most people act out of fear. When I look back on every bad decision in my life, that’s where it came from. Fear of missing out, fear of losing someone or something, fear of getting my ass kicked, or even fear of getting my heart hurt. Fear is the worst reason to do anything.
Franklin Horton (Blood and Banjos (The Borrowed World #8))
A poem to Raymond, whom everybody loves, originally composed on a waterproof smartphone in a sea of love, which was hidden under the pile of garbage that my bum-pals that have no pen names, or pen-pals, or names, for that matter, brought to me as an offering on the 1st of April 1877, exactly 111 years and 7 months before I was brought forth to this world, because some anonymous prophet told them this would bring luck, joy, happiness, food, and, of course – shelter from evil (he was lying): If it's fantasy you seek, to E. Feist then, you must speak. All he writes is all there is, for his words, they move the seas. . I would write, but I know naught. In my heart there is a draught. Hidden desert - golden sands. Few my love can ever stand. And so far I've talked to many, a reply - will there be any? I know - not, yet I know naught, all to question, I was taught... So I learn, I borrow wisdom, from the great, the ones with vision. They can teach, the few that grasp, concepts from a long forgotten past.
Will Advise (Nothing is here...)
I loved you from the moment I saw you. You stole my breath away, and I’ve been living on borrowed time ever since. Be my life support. Keep my heart beating. Marry the fuck outta me.” I grin, my own hands cupping his cheeks. “I love you so much, Jake. You walked into that bar, and I never stood a chance. I am so irrevocably yours. Be mine forever.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
Come, sermon me no further. No villainous bounty yet hath pass'd my heart; Unwisely, not ignobly, have I given. Why dost thou weep? Canst thou the conscience lack To think I shall lack friends? Secure thy heart; If I would broach the vessels of my love, And try the argument of hearts, by borrowing, Men and men's fortunes could I frankly use As I can bid thee speak.
William Shakespeare (Timon of Athens)
Come. You can borrow a horse and go to him. I will send word to Winterfrost that if Merrick returns, you have gone to find him.” “Why?” Cassius stopped and looked at her. “Why would you do all this? I have ruined his reputation. I…” “Love my brother, that is what you do and that is all that matters to me. You still love him, do you not?” she asked. “With every ounce of my heart and soul,” Cassius replied. “Nothing matters more than that.” No…no it didn’t. They hurried the rest of the way to the stables. Princess Marjorie watched while Cassius prepared Tabby to ride. When he finished, he hiked his bag more securely on his shoulder before using the stirrup to climb into the saddle. “Thank you, Your High—Marjorie,” he told her, and then he was gone, flying through the woods and to their magical place beneath the canopy of dreams where all their stories could come true.
Riley Hart (Ever After)
I'm forgetting so many things about you, I swear, I can't even remember how those butterflies felt with just the sight, or sound of you. The memory of feeling complete calmness because you always rescued me, from my chaotic thoughts, is almost a distant remembrance. I can't recall, which time you didn't speak up when I begged for words, caused these cuts in my heart, that now bares very fragile stitching borrowed from my self worth. ANONYMOUS
Starr
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))
The words you can’t find, you borrow. We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone. My life is in these books, he wants to tell her. Read these and know my heart. We are not quite novels. The analogy he is looking for is almost there. We are not quite short stories. At this point, his life is seeming closest to that. In the end, we are collected works.” ― Gabrielle Zevin, The Storied Life of A.J. Fikry
Gabrielle Zevin (The Storied Life of A.J. Fikry)
It is so simple, he thinks. Maya, he wants to say, I have figured it all out. But his brain won’t let him. The words you can’t find, you borrow. We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone. My life is in these books, he wants to tell her. Read these and know my heart. We are not quite novels. The analogy he is looking for is almost there. We are not quite short stories. At this point, his life is seeming closest to that. In the end, we are collected works.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
forever. I would add to my reply as well, the borrowing of a simple invitation from the 13th-century English philosopher Roger Bacon: “Contemplate the world!” Because if we do not store in our heart a profound reverence for the miracles of nature as well as for the accomplishments of men and for their sometimes kind and illustrious way of thinking — even if our life is at its beginning and we have seen nothing yet; or if we’ve seen it all and find man evil — we will not be capable of recognizing those marvels, we will not be
Philippe Petit (Cheating the Impossible: Ideas and Recipes from a Rebellious High-Wire Artist)
Well-wisher With the cold, wet walls around me and the courage finally pulled from guts like an impossibly-lodged burr, I drag my remaining fingers against the stone. I wish the sky would open up and swallow me whole and you partly. Fingernails flutter about, little angels! Bereft of heart. Now that you’ve gone and I’m left lacking both your body and love I myself held marble like statue or marble like meat? Fat and bone. The only thing tying me to anyone is borrowed books and the black clouds circle above like vultures, the rain whistles. A terrible tune.
Sonya Vatomsky (Salt Is For Curing)
The words you can’t find, you borrow. We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone. My life is in these books, he wants to tell her. Read these and know my heart. We are not quite novels. The analogy he is looking for is almost there. We are not quite short stories. At this point, his life is seeming closest to that. In the end, we are collected works. He has read enough to know there are no collections where each story is perfect. Some hits. Some misses. If you’re lucky, a standout. And in the end, people only really remember the standouts
Gabrielle Zevin (The Storied Life of A.J. Fikry)
In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Frank O'Hara (In Memory Of My Feelings)
I hesitate to describe the work that earned me Bs and Cs that year as plagiarism: every word I wrote was my own. It's just the ideas that were borrowed, and the passion for them. My instructors were all relieved to find my papers suddenly passable - no one likes to fail the war orphan. And for my part, I came to enjoy whipping up a textual froth from the enthusiasms of Tolstoy, Thoreau, or de Tocqueville. If my ideas contradicted themselves from one assignment to the next - well. That was seen as the purview of youth. No one minded theft or inconsistency, even vitriol, so long as it meant you were making a statement. This was my first great lesson in being American, and I took it to heart.
Adrienne Celt (Invitation to a Bonfire)
I feel shock splinter through him, his body going rigid. Then he relaxes, melting into me, stepping forward until I am caught between him and the wall, the torch crackling beside me. His hands slide down my back, over my hips and thighs, leaving a trail of fire. His heart beats fast enough for the both of us, its thunderous pulse echoing through me. I bury my hands in his dark hair, fingers knotting around those thick locks. Desire pulls at my stomach, and I lean into him, lifting one leg and wrapping it around his waist. He lifts me, and my other leg coils around him, my skirts sliding up my thighs, my back pressed against the column. His lips are soft and warm and gentle, underlined with barely restrained urgency. I cannot get enough of him. I pull his kurta over his head and let it fall on the floor. I press my hands against his bared chest, feel his heart against my palm, his lungs rising and falling. His shoulder is knotted with the scar from the arrow he took for me. He kisses me again, this time more strongly, and I run my hands down his jaw and neck, over his shoulders, the taut muscles of his back. He turns, without letting me go or breaking our kiss, and we tumble onto the soft divan. Aladdin holds himself over me, his abdomen clenched and his hair hanging across his forehead. His lips wander downward, to my chin, to the curve of my jaw, to my neck. My hands are ravenous, exploring the planes and angles of his body. His fingers find mine, and our hands knit together. He raises them over my head, pressing them into the pillow beneath my hair, as his kisses trace my collarbone, and then he sinks lower, parting the buttons of my dress and pressing his lips to my bare stomach. I gasp and open my eyes wide, my borrowed body coursing with sensations I have never felt, never dared to feel, never thought I could feel. “Aladdin,” I murmur. “We shouldn’t . . .” “Sh.” He silences me with a kiss, and I lift my chin to meet him. A warm wind rushes through my body, stirring embers and setting them aflame. I don’t want to stop. I don’t want to think about consequences. I only want Aladdin, everywhere.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.” Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs. “What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts. “Don’t be ridiculous.” “I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—” He took the boxers from her. “Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over. Right. After he got the boxers on, he took off the bathrobe and . . . Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts. Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?” She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—” “Gina.” Max stopped her before she reached the door. He motioned for her to come back. She held out the green shorts, but instead of taking them, he took her arm, pulled her close. “I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little. Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle. And then, before her heart even had a chance to start beating again, he kissed her. And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated. And, God. That was a miracle, too. Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now? Yes, she’d been waiting for years for him to say that he loved her, but . . . Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’” She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted. It was obvious that he wanted her to say something, but she was completely speechless.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
I decide to make a poem when I am compelled by some strong feeling to do so - but I wait until the feeling hardens into a resolve; then I conceive an end, as simple as I can make it, toward which that feeling might progress, though often I cannot see how it will do so. And then I compose my poem, using whatever means are at my command. I borrow from others if I have to - no matter. I invent if I have to - no matter. I use the language that I know, and work within its limits. But the point is this: the end that I discover at last is not the end that I conceived at first. For every solution entails new choices, and every choice made poses new problems to which solutions must be found, and so on and on. Deep in his heart the poet is always surprised at where his poem has gone.
John Williams (Augustus)
Listening to my heartbeat was the only comfort I had. However, my heavy heart sinks from carrying what seems like everlasting pain. My heart is now ripped from my soul because I cannot feel the warm blood in my veins. I feel a cold front coming, and now my heart is frozen. I am cold—a cold-hearted soul. My heart no longer beats for borrowed peace because it is paralyzed from continually having to start over again. I have officially lost hope. What is hope? In my eyes, hope is a teaser. I had hoped that things will get better, but when? Hope is not for now—it is for the future. Therefore, I guess hope is saying that things will not be better today, but maybe years or decades from now. With that being said, hope is not faith. Hope is wishful thinking. Hope is always shattered by one disappointment after another.
Charlena E. Jackson (Pinwheels and Dandelions)
For a while he just stood there and a million thoughts were running through my mind. I felt like my heart was beating out of its chest and my lungs couldn't get enough oxygen. It felt like all of the air had escaped my bedroom and that I was living on borrowed time. Tick-tock. Tick-tock. I thought I was going to pass out or fall over dead. Then I looked up into Maddox's eyes and I felt like everything was going to be okay. That this huge weight had been lifted off of my shoulders. That for the first time in my life I could finally breathe and with his help I could get through anything. I just had one question for him to answer. One question that I had literally been running away from. But at this moment, here in this room, I felt brave enough to finally ask the question I had been dying to know the answer to for months now.
Emily McKee (A Beautiful Idea (Beautiful, #1))
Two Points of View If I forget, — May joy pledge this weak heart to sorrow! If I forget, — May my soul's coloured summer borrow The hueless tones of storm and rain, Of ruth and terror, shame and pain, — If I forget! Though you forget, — There is no binding code for beauty; Though you forget, — Love was your charm, but not your duty; And life's worst breeze must never bring A ruffle to your silken wing, — Though you forget. If I forget, — The salt creek may forget the ocean; If I forget, — The heart whence flows my heart's bright motion, May I sink meanlier than the worst, Abandoned, outcast, crushed, accurst, — If I forget! Though you forget, — No word of mine shall mar your pleasure; Though you forget, — You filled my barren life with treasure, You may withdraw the gift you gave, You still are lord, I still am slave, — Though you forget.
Edmund Gosse (The Works of Edmund Gosse)
When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
Kimberly Derting (The Body Finder (The Body Finder, #1))
The memory was the only recording instrument of the great part of the population. Deeds and transfers were made permanent by beating young retainers so they would remember. The training of the Welsh poets was not practice but memorizing. On knowing 10,000 poems, one took a position. This has always been true. Written words have destroyed what must have been a remarkable instrument. The Pastons speak of having the messenger read the letter so that he could repeat it verbatim if it was stolen or lost. And some of these letters were complicated. If Malory were in prison, it is probably true that he didn't need books. He knew them. If I had only twelve books in my library I would know them by heart. And how many men had no memory in the fifteenth century? No - the book owned must have been supplemented by the book borrowed and thus by the book heard. The tremendous history of the Persian Wars of Herodotus was known by all Athenians and it was not read by them, it was read to them.
John Steinbeck
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t! Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock! Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist. Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese. In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.” “I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.” “You’re wet.” “I know.” “Come over by the fire.” When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height. “Your jacket.” “No-I think I’d like to keep it on.” “Off,” he insisted quietly. “It’s wet.” “Now see here!” she burst out backing toward the open door, clutching the edges of her jacket. “Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.” Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice. “Under the circumstances, I don’t think I’m the one you ought to ask.
Judith McNaught (Almost Heaven (Sequels, #3))
Once I closed my eyes, it was like magic. I got to live world’s best life. Smiled at his smile. Wrote to him twenty times, and then knocked on wood when he replied. I didn’t wanna jinx it, I kept my fingers crossed. But secretly, I dreamt about our date at the coffee shop. I wished for him to find me in traffic on his way, Or maybe, on a stormy night of Valentine’s Day. This was the city of sweet sorrow, But when he walked in that jacket he borrowed, I dreamt of getting a new apartment near subway. Two blocks away from his favorite café. Wrapped in his arms, warm and safe, We’d sit across the fireplace, “I love you,” he’d say. I believe in miracles. I crossed my heart. I prayed, I was the one. It’s just so sweet when you’re blind in love. I imagined dancing with him in rain. Not rainbow, unicorns, fairytales, I dreamt about his blue jacket. I was pretending he didn’t see me cry, He already knew I was crazy for his smile. Then he broke my heart one more time, But I knocked on wood, because he replied. I believe in miracles. I crossed my heart. I knew I wasn’t not the one. But it’s still so sweet when you’re blind in love.
Snehil Niharika (That’ll Be Our Song)
Livia read from the paper as if it were a letter. “Dear Blake Hartt, thank you. Thank you so much for thinking my smile was worth waiting for. Thank you for letting me see who you are inside. I found the sweetest spot in the world—it’s wherever you are, surrounded by your arms. Please be my husband. I couldn’t have it any other way. I promise to make you lose count. Love, Livia McHugh.” When she’d finished, Blake took the paper from her hands. He folded it and put it in his pocket, where it nestled side by side with his music. He kissed her ringed hand, and then her bare one. He had no paper, but he spoke clearly and unhesitatingly. There was a slight echo as his words bounced around the cement platform. He borrowed her letter format to respond. “Dear Livia McHugh, I’ll be your husband. I’ll be nothing but yours for the rest of forever. A single, simple day with you is something I’ll refuse to take for granted. You have been the reason my heart beats since the moment I saw you, long before your hands actually had to do the job for me. Sleep in my arms. Wake up by my side. My beautiful love, be my wife and make me the happiest man. And I will never, ever lose count. Love always, Blake Hartt.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
All my life, men have had me, but I have never had a man.’ The barest of breaths sucks in through his teeth. A stillness passing between us like a fragile pane of glass. ‘I am no man.’ ‘No. You’re more,’ I agree. ‘Because no matter what I do, you cling to my skin and borrow into my conscience, and as angry as I am at you for that, I don’t want to lie to myself anymore. I am sick to death of repression. Of denial. Of holding back. After twenty damn years, I don’t wanna tell myself no.’ ‘So don’t,’ he says, practically cursing the word. ‘What do you want, Auren? Admit to me what you really want.’ There’s an internal compass inside of me that laid still for so long, stuck behind its arc of glass, listless and without hope. But it’s been spinning since the moment I left Highbell, begging me to follow my instincts. To move toward something better. It’s time I start following that compass. I just didn’t expect for it a point to him. My pulse pounds and my hands tremble, because when denial drains out of you, it leaves you shaken and scared. What are we without our white lies and protective walls? I’m laid bare, heart raw and vulnerabilities wrenched open, thoroughly ruined while somehow feeling inexplicably right. Which is why I let that last wall tumble down when I look Slade in the eye and say, ‘You, Slade. I want you.
Raven Kennedy (Gleam (The Plated Prisoner, #3))
When I came here, Porcupine was the first to treat me to ice water. To be treated by such a fellow, even if it is so trifling a thing as ice water, affects my honor. I had only one glass then and had him pay only one sen and a half. But one sen or half sen, I shall not die in peace if I accept a favor from a swindler. I will pay it back tomorrow when I go to the school. I borrowed three yen from Kiyo. That three yen is not paid yet to-day, though it is five years since. Not that I could not pay, but that I did not want to. Kiyo never looks to my pocket thinking I shall pay it back by-the-bye. Not by any means. I myself do not expect to fulfill cold obligation like a stranger by meditating on returning it. The more I worry about paying it back, the more I may be doubting the honest heart of Kiyo. It would be the same as traducing her pure mind. I have not paid her back that three yen not because I regard her lightly, but because I regard her as part of myself. Kiyo and Porcupine cannot be compared, of course, but whether it be ice water or tea, the fact that I accept another’s favor without saying anything is an act of good-will, taking the other on his par value, as a decent fellow. Instead of chipping in my share, and settling each account, to receive munificence with grateful mind is an acknowledgment which no amount of money can purchase
Natsume Sōseki (Botchan)
Dear Hopeless Soul, Listening to my heartbeat was the only comfort I had. However, my heavy heart sinks from carrying what seems like everlasting pain. My heart is now ripped from my soul because I cannot feel the warm blood in my veins. I feel a cold front coming, and now my heart is frozen. I am cold—a cold-hearted soul. My heart no longer beats for borrowed peace because it is paralyzed from continually having to start over again. I have officially lost hope. What is hope? In my eyes, hope is a teaser. I had hoped that things will get better, but when? Hope is not for now—it is for the future. Therefore, I guess hope is saying that things will not be better today, but maybe years or decades from now. With that being said, hope is not faith. Hope is wishful thinking. Hope is always shattered by one disappointment after another. Right now, I am in my own shadow. It is dark and lonely. I am a nightwalker trying to find the light within me somewhere. I can’t find myself in my own shadow. Well, what do I expect? My heart is cold. Hope has played with my emotions one too many times, and the only thing I can count on as of right now is my shadow. I do not have anything in life. I am a soul that is trying to find my way. Where am I going? I do not know. Everything has been taken from me, but they cannot take my shadow, and they cannot own my name. Faded from within.
Charlena E. Jackson (Pinwheels and Dandelions)
Fresh Prints We're inundated with the news That all is at unrest. We've not a clue What this world's coming to, Just thank the Lord we're blessed. Beloved, this very day You thought you'd never live to see Is just the one God preordained And chose for you and me. We're not called to shake our heads And utter “what a pity.” We're called as candles on a hill And towers in the city. We can draw far more to Christ than tracts Or fancy steeples We are proof in breathing flesh— God moves among His people! Please understand, this race you run Is not just for your prize. Grab young hands, courageous band, Run for their very lives! For us, we must live for today, For them, live for tomorrow. Redeem the time for many blind For there is none to borrow! The prints of history's heroes Will soon fade into the dust, If there will be fresh prints, my friend, It is up to us. Footprints that walk the talk that says, “I'll go where You will lead!” Kneeprints that bridge the gap And make the hedge to intercede. God, kick us off our cushioned seats Don't let us turn our heads! Let's cease to hide behind the cross And carry it instead! You beckon us, “My warriors, The time has come, ARISE! Draw your swords, fight the fight, Sound the battle cry.” “Where are My few who dare to say, ‘Come follow Him with me?’ Would you lay down your own dear life So that My Son they'll see?” “Consider, Child, carefully— Am I quite worth the cost? To surrender hearts to holiness And count all gains but loss?” “I call you from your comfort zone, Dare you be one of few? If you'll not leave fresh prints, My child, Then I must ask you, who?” If you'll not lead the way, My child, Then look around you, Who?
Beth Moore (Things Pondered: From the Heart of a Lesser Woman)
My identity as Jewish cannot be reduced to a religious affiliation. Professor Said quoted Gramsci, an author that I’m familiar with, that, and I quote, ‘to know thyself is to understand that we are a product of the historical process to date which has deposited an infinity of traces, without leaving an inventory’. Let’s apply this pithy observation to Jewish identity. While it is tempting to equate Judaism with Jewishness, I submit to you that my identity as someone who is Jewish is far more complex than my religious affiliation. The collective inventory of the Jewish people rests on my shoulders. This inventory shapes and defines my understanding of what it means to be Jewish. The narrative of my people is a story of extraordinary achievement as well as unimaginable horror. For millennia, the Jewish people have left their fate in the hands of others. Our history is filled with extraordinary achievements as well as unimaginable violence. Our centuries-long Diaspora defined our existential identity in ways that cannot be reduced to simple labels. It was the portability of our religion that bound us together as a people, but it was our struggle to fit in; to be accepted that identified us as unique. Despite the fact that we excelled academically, professionally, industrially, we were never looked upon as anything other than Jewish. Professor Said in his book, Orientalism, examined how Europe looked upon the Orient as a dehumanized sea of amorphous otherness. If we accept this point of view, then my question is: How do you explain Western attitudes towards the Jews? We have always been a convenient object of hatred and violent retribution whenever it became convenient. If Europe reduced the Orient to an essentialist other, to borrow Professor Said’s eloquent language, then how do we explain the dehumanizing treatment of Jews who lived in the heart of Europe? We did not live in a distant, exotic land where the West had discursive power over us. We thought of ourselves as assimilated. We studied Western philosophy, literature, music, and internalized the same culture as our dominant Christian brethren. Despite our contribution to every conceivable field of human endeavor, we were never fully accepted as equals. On the contrary, we were always the first to be blamed for the ills of Western Europe. Two hundred thousand Jews were forcibly removed from Spain in 1492 and thousands more were forcibly converted to Christianity in Portugal four years later. By the time we get to the Holocaust, our worst fears were realized. Jewish history and consciousness will be dominated by the traumatic memories of this unspeakable event. No people in history have undergone an experience of such violence and depth. Israel’s obsession with physical security; the sharp Jewish reaction to movements of discrimination and prejudice; an intoxicated awareness of life, not as something to be taken for granted but as a treasure to be fostered and nourished with eager vitality, a residual distrust of what lies beyond the Jewish wall, a mystical belief in the undying forces of Jewish history, which ensure survival when all appears lost; all these, together with the intimacy of more personal pains and agonies, are the legacy which the Holocaust transmits to the generation of Jews who have grown up under its shadow. -Fictional debate between Edward Said and Abba Eban.
R.F. Georgy (Absolution: A Palestinian Israeli Love Story)
For the lady’s husband to become actively jealous was considered both doltish and dishonorable, a breach of the spirit of courtesy. Yet the record suggests that this was a fairly common occurrence and one of the occupational hazards of being a troubadour. The most famous crime passionnel of the epoch was the murder of Guilhem de Cabestanh, a troubadour knight whose love for the Lady Seremonda aroused the jealousy of her husband, Raimon de Castel-Roussillon. The story goes that Raimon killed Guilhem while he was out hunting, removed the heart from the body, and had it served to his wife for dinner, cooked and seasoned with pepper. Then comes the great confrontation: “And when the lady had eaten of it, RAimon de Castel-Roussillon said unto her: “Know you of what you have eaten?’ And she said, ‘I know not, save that the taste thereof is good and savoury.’ Then he said to her that that she had eaten of was in very truth the head of SIr Guilhem of Cabestanh, and caused the head to be brought before her, that she might the more readily believe it. And when the lady had seen and heard this, she straightway fell into a swoon, and when she was recovered of it, she spake and said: “Of a truth, my Lord, such good meat have you given me that never more will I eat of other.” THen he, hearing this, ran upon her with his sword and would have struck at her head, but the lady ran to a balcony, and cast herself down, and so died.” ...the story is probably apocryphal… grisly details...borrowed from an ancient legend...the Middle Ages believed it and drew the intended moral conclusion-that husbands should leave well enough alone. Raimon was held up to scorn while Guilhem became one of the great heroes of the troubadour epoch.
Horizon Magazine, Summer 1970
Lloyd moved to the blackboard and wrote ‘Maneater, Hall and Oates’ at the bottom of a long list of songs and artists. The blackboard in the kitchen had once been installed as a way of communication for the house. It had turned into a list of Songs That You Would Never See In The Same Light Again. This was basically a list of songs that our serial killing landlord had blared at one time or another at top volume to cover the sound of his heavy electric power tools. It was a litany of 70’s and 80’s music. Blondie, Heart of Glass was on the list. So was Duran Duran’s ‘Hungry like the Wolf’. Sam had jokingly given him an Einstürzende Neubauten CD on the premise that his tools would blend right in to the music, and he’d returned it the next day, saying it was too suspicious-sounding and made him very nervous for some reason. The next weekend, we had gone right back to the 80’s with the Missing Persons and Dead or Alive. I tried not to think about why he was playing the music, but it was a little hard not to think about. The strange thumps sometimes suggested that he’d gotten a live one downstairs and was merrily bashing in their skull in the name of his psoriasis to the tune of ‘It’s My Life’ by Talk Talk. Other times I listened in horror as my favorite Thomas Dolby songs were accompanied by an annoying high-pitched buzzsaw whine that altered as if it had entered some sort of solid tissue. He never borrowed music from us again – he claimed our music was too disturbing and dark, and shunned our offerings of Ministry and Nine Inch Nails in favor of some­thing nice and happy by Abba. You’ve never had a restless night from imagining someone deboning a human body while blaring ‘Waterloo’ or ‘Fernando’. It’s not fun.
Darren McKeeman (City of Apocrypha)
The Camera Eye (38) sealed signed and delivered all over Tours you can smell lindens in bloom it’s hot my uniform sticks the OD chafes me under the chin only four days ago AWOL crawling under the freight cars at the station of St. Pierre-des-Corps waiting in the buvette for the MP on guard to look away from the door so’s I could slink out with a cigarette (and my heart) in my mouth then in a tiny box of a hotel room changing the date on that old movement order but today my discharge sealed signed and delivered sends off sparks in my pocket like a romancandle I walk past the headquarters of the SOS Hay sojer your tunic’s unbuttoned (f—k you buddy) and down the lindenshaded street to the bathhouse that has a court with flowers in the middle of it the hot water gushes green out of brass swanheads into the whitemetal tub I strip myself naked soap myself all over with the sour pink soap slide into the warm deepgreen tub through the white curtain in the window a finger of afternoon sunlight lengthens on the ceiling towel’s dry and warm smells of steam in the suitcase I’ve got a suit of civvies I borrowed from a fellow I know the buck private in the rear rank of Uncle Sam’s Medical Corps (serial number . . . never could remember the number anyway I dropped it in the Loire) goes down the drain with a gurgle and hiss and having amply tipped and gotten the eye from the fat woman who swept up the towels I step out into the lindensmell of a July afternoon and stroll up to the café where at the little tables outside only officers may set their whipcord behinds and order a drink of cognac unservable to those in uniform while waiting for the train to Paris and sit down firmly in long pants in the iron chair an anonymous civilian
John Dos Passos (1919 (The U.S.A. Trilogy, #2))
When you are fully owned by your disbelief, then there is no further discussion that needs to be had between you and the God you once trusted. In fact, your very senses are numb to His presence, your eyes shut, your ears closed, and your body turned away. In this instance you have come to grips with the fact that, if need be, you would stand up in front of the world and say, “I deny Jesus is Lord,” and you would be content with that denial. But before you jump to your feet, first consider that this verbal rejection of Jesus comes with an effect, and that is that as you deny Him, so He denies you. As He said in the book of Matthew, “Whoever denies me before men, I also will deny before my Father who is in heaven” (Matt. 10:33 esv). So is it any wonder that in your denial of the One who was sent to save you, you have found more and more animosity toward God and His people? That your heart has hardened more with each passing day? This is the result of Jesus denying you more than it is of you denying Him. The truth is that you own your faith when and only when Christ owns you. William Barley, in The Letters of James and Peter, spoke this better than we ever could when he said, It frequently happens that the value of a thing lies in the fact that someone has possessed it. A very ordinary thing acquires a new value if it has been possessed by some famous person. In any museum we will find quite ordinary things—clothes, a walking-stick, a pen, pieces of furniture—which are only of value because they were possessed and used by some great person. It is the ownership which gives them worth. It is so with the Christian. The Christian may be a very ordinary person, but he acquires a new value and dignity and greatness because he belongs to God. The greatness of the Christian lies in the fact that he is God’s.
Hayley DiMarco (Own It: Leaving Behind a Borrowed Faith)
✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man ✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room ✓There are many spokes on the wheel of life. First, we're here to explore new possibilities. ✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man. ✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music. ✓Just because you can't see anything , doesn't mean you should shut your eyes. ✓Don't go backwards - you've already been there. ✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. ✓Sometimes my dreams are so deep that I dream that I'm dreaming. ✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose. ✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it. ✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you. ✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am. ✓Music is about the only thing left that people don't fight over. ✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching. ✓Absence makes the heart grow fonder and tears are only rain to make love grow. ✓If you can play the blues, you can do anything. ✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing. ✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good. ✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it. ✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. ✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix. ✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn
Ray Charles
Let me suggest some possible parallels between ourselves and the disciples maundering over their one loaf—with the Bread of Life at their side in the boat. We too dull our understandings with trifles, fill the heavenly spaces with phantoms, waste the heavenly time with hurry. To those who possess their souls in patience come the heavenly visions. When I trouble myself over a trifle, even a trifle confessed—the loss of some little article, say—spurring my memory, and hunting the house, not from immediate need, but from dislike of loss; when a book has been borrowed of me and not returned, and I have forgotten the borrower, and fret over the missing volume, while there are thousands on my shelves from which the moments thus lost might gather treasure holding relation with neither moth, nor rust, nor thief; am I not like the disciples? Am I not a fool whenever loss troubles me more than recovery would gladden? God would have me wise, and smile at the trifle. Is it not time I lost a few things when I care for them so unreasonably? This losing of things is of the mercy of God; it comes to teach us to let them go. Or have I forgotten a thought that came to me, which seemed of the truth, and a revealment to my heart? I wanted to keep it, to have it, to use it by and by, and it is gone! I keep trying and trying to call it back, feeling a poor man till that thought be recovered—to be far more lost, perhaps, in a note-book, into which I shall never look again to find it! I forget that it is live things God cares about—live truths, not things set down in a book, or in a memory, or embalmed in the joy of knowledge, but things lifting up the heart, things active in an active will. True, my lost thought might have so worked; but had I faith in God, the maker of thought and memory, I should know that, if the thought was a truth, and so alone worth anything, it must come again; for it is in God—so, like the dead, not beyond my reach: kept for me, I shall have it again.
George MacDonald (Unspoken Sermons Series I., II., and II.)
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?” My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur. Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia. I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately. One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended. It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all. The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones. Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck. On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before. “The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles! When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
Terri Irwin (Steve & Me)
you will have your heart broken many times before you find The One, that God has sent and made especially for you. But you must learn from every experience. Honey, let me just say this, the right person is the one that will see you and understand you and think you are the greatest thing on this earth. Even when he can see your faults, he will be your friend, confidant, and love.
Olga Soaje (Borrowing My Mother's Saints)
managed to snag the last available table and all three ordered the special with sweet tea to drink. “It’s like Thanksgiving,” Shiloh said. “Not for me. Thanksgiving was working an extra shift so the folks with kids could be home for the day. Christmas was the same,” Bonnie said. Abby shrugged. “The army served turkey and dressing on the holidays. It wasn’t what Mama made, but it tasted pretty damn good.” Since it was a special and only had to be dipped up and served, they weren’t long getting their meal. Abby shut her eyes on the first bite and made appreciative noises. “This is so good. I may eat here every Sunday.” “And break Cooper’s heart?” Bonnie asked. “Hey, now! One night of drinking together does not make us all bosom buddies or BFFs or whatever the hell it’s called these days.” Abby waved at the waitress, who came right over. “I want this plate all over again,” she said. “Did you remember that we do have pie for dessert?” the waitress asked. “Yes, I’ll have two pieces, whipped cream on both. What about you, Shiloh?” She blushed. “I shouldn’t, but . . . yes, and go away before I change my mind.” “Bonnie?” Abby asked. Bonnie shook her head. “Just an extra piece of pie will do me.” “So that’s two more specials and five pieces of pie, right?” the waitress asked. “You got it,” Abby said. “I’m having ice cream when we finish with hair and nails. You two are going to be moaning and groaning about still being too full,” Bonnie said. “Not me. By the middle of the afternoon I’ll be ready for ice cream,” Abby said. “My God, how do you stay so small?” Shiloh asked. “Damn fine genes. Mama wasn’t a big person.” “Well, my granny was as wide as she was tall and every bite of food I eat goes straight to my thighs and butt,” Shiloh said. “But after that wicked, evil stuff last night, I’m starving.” “It burned all the calories right out of your body,” Abby said. “Anything you eat today doesn’t even count.” “You are full of crap,” Shiloh leaned forward and whispered. The waitress returned with more plates of food and slices of pumpkin pie with whipped cream, taking the dirty dishes back away with her. Bonnie picked up the clean fork on the pie plate and cut a bite-size piece off. “Oh. My. God! This is delicious. Y’all can eat Cooper’s cookin’. I’m not the one kissin’ on him, so I don’t give a shit if I hurt his little feelin’s or not. I’m comin’ here for pumpkin pie next Sunday if I have to walk.” “If Cooper doesn’t want to cook, maybe we can all come back here with him and Rusty next Sunday,” Abby said. “And if he does?” Shiloh asked. “Then I’m eating a steak and you can borrow my truck, Bonnie. I’d hate to see you walk that far. You’d be too tired to take care of the milkin’ the next day,” Abby said. “And you don’t know how to milk a cow, do you?” Bonnie’s blue eyes danced when she joked. Abby took a deep breath and told the truth. “No, I don’t, and I don’t like chickens.” “Well, I hate hogs,” Shiloh admitted. “And I can’t milk a cow, either.” “Looks like it might take all three of us to run that ranch after all.” Bonnie grinned. The waitress refilled their tea glasses. “Y’all must be the Malloy sisters. I heard you’d come to the canyon. Ezra used to come in here pretty often for our Sunday special and he always took an extra order home with him. Y’all sound like him when you talk. You all from Texas?” “Galveston,” Abby said. “Arkansas, but I lived in Texas until I graduated high school,” Shiloh said. The waitress looked at Bonnie. “Kentucky after leavin’ Texas.” “I knew I heard the good old Texas drawl in your voices,” the waitress said as she walked away. “Wonder how much she won on that pot?” Abby whispered. Shiloh had been studying her ragged nails but she looked up.
Carolyn Brown (Daisies in the Canyon (The Canyon #2))
I don’t see Faith or my sister. You here by yourself?” “Faith went to West & Riley’s. You watch. She’ll be back with enough food for everyone.” Curt surveyed the size of the crowd. “I’d better go help. She can’t carry all that alone.” “She’s not alone. That Baxter fellow borrowed a wagon and took her over there.” “Did the cooperage close for the day?” As soon as Curt voiced the question, he realized how churlish he sounded. Judge Lindberg gave him a knowing grin. “There’s nothing stopping you from lending a hand. Don’t want Baxter to think he’s got a claim on her.” “Good idea.
Ann Shorey (Where Wildflowers Bloom (Sisters at Heart, #1))
There’s a stream of trouble across my path; It is dark and deep and wide. Bitter the hour the future hath When I cross its swelling tide. But I smile and sing and say: “I will hope and trust alway; I’ll bear the sorrow that comes tomorrow, But I’ll borrow none today.” Tomorrow’s bridge is a dangerous thing; I dare not cross it now. I can see its timbers sway and swing, And its arches reel and bow. O heart, you must hope alway; You must sing and trust and say: “I’ll bear the sorrow that comes tomorrow, But I’ll borrow none today.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Finding Genuine Peace But now in Christ Jesus you who once were far off have been brought near by the blood of Christ. For He Himself is our peace. Ephesians 2:13-14 NKJV On many occasions, our outer struggles are simply manifestations of the inner conflicts that we feel when we stray from God’s path. What’s needed is a refresher course in God’s promise of peace. The beautiful words of John 14:27 remind us that Jesus offers peace, not as the world gives, but as He alone gives: “Peace I leave with you. My peace I give to you. I do not give to you as the world gives. Your heart must not be troubled or fearful” (HCSB). As believers, our challenge is straightforward: we should welcome Christ’s peace into our hearts and then, as best we can, share His peace with others. Today, as a gift to yourself, to your family, and to your friends, invite Christ to preside over every aspect of your life. It’s the best way to live and the surest path to peace … today and forever. To know God as He really is—in His essential nature and character—is to arrive at a citadel of peace that circumstances may storm, but can never capture. Catherine Marshall In the center of a hurricane there is absolute quiet and peace. There is no safer place than in the center of the will of God. Corrie ten Boom I believe that in every time and place it is within our power to acquiesce in the will of God—and what peace it brings to do so! Elisabeth Elliot I want first of all…to be at peace with myself. I want a singleness of eye, a purity of intention, a central core to my life…. I want, in fact—to borrow from the language of the saints—to live “in grace” as much of the time as possible. Anne Morrow Lindbergh When we do what is right, we have contentment, peace, and happiness. Beverly LaHaye Prayer guards hearts and minds and causes God to bring peace out of chaos. Beth Moore Every one of us is supposed to be a powerhouse for God, living in balance and harmony within and without.
Freeman Smith (Fifty Shades of Grace: Devotions Celebrating God's Unlimited Gift)
Back at my teaching and editing jobs I imagined the new world we were trying to create would be enduring and absolutely better than any world we had inherited. For me, if an idea was purported to be new, it looked a lot better than any idea that seemed to be old. Most theologians I knew were trying to discover some new way of looking at the old ideas of God, humanity, sin and salvation. I was there to teach theology, but theology itself was in search of legitimation. What I was really doing might more accurately be described as promoting Rogerian psychology, wealth-distribution, demytholgy and existentialist ethics than studying God. Theology was desperately in search of a method, whether it was borrowed form cutting-edge philosophy, social theory or political life, as long as it didn't begin with revelation.
Thomas C. Oden (A Change of Heart: A Personal and Theological Memoir)
And then it actually becomes the most interesting thing in the world. A single word is embossed in fancy calligraphy letters. A single word that makes it feel like the whole room is spinning. Harksbury. What in God’s name? “What is this?” I point at it and shout in Mindy’s ear. She scrunches her eyebrows. “A coaster?” I groan. “No, I mean, the name. Harksbury.” “Oh. It’s the name of the club. I don’t know what it means, though.” I do. It’s the name of a dukedom. I wonder if that means some relative of Alex’s invested in this place or something. Or if someone borrowed their name. Or what. But it has to mean Harksbury is real, that it existed. I stare down at the word again. If the shoes weren’t enough…It has to be real. And seeing it like this reminds me of how I felt there. How it felt to be Rebecca. I tuck the coaster into my back pocket and try to ignore the stare Angela is giving me. She probably thinks I’m totally nuts, stealing a paper coaster. But it’s the closest I’ll get to a souvenir of my time-bending trip. And having it on me makes me feel stronger, somehow, like I can always be that girl at the ball. I look up when the boys file in and sit down on a bright orange couch shaped like a slug. “Ladies. This is Grant, Tim, and Alex,” door-boy says. He doesn’t even introduce himself. I guess I’m supposed to know who he is. I smile at Grant and nod at Tim, but when I get to Alex, I only stare. Alex. The Alex. No, no it can’t be. His hair is shorter, his skin smooth and shaven. He’s got on a green button-up, left open at the collar, which brings out the intense emerald shade of his eyes. There’s something different. The contour of his lips, the line of his nose. It’s almost him, but not quite. And he’s staring back at me. Does he know who I am? No, that’s silly. It’s not really him. Not Alex Thorton-Hawke, the Duke of Harksbury. Just Alex, the twenty-first-century guy standing in front of me. In a nightclub. In real life. Mindy jabs me with her elbow. “This is--” “Callie,” I say, standing and reaching my hand out. “My name is Callie.” It feels so good to say that. To be me. I grin involuntarily at the realization. He smiles and shakes it. “Hey.” For a second neither of us says anything else. We just keep shaking hands and staring at each other. My heart hammers out of control. I feel sweaty already. But it’s adrenaline. Excitement. I’m not terrified anymore. Not of Angela, not of Alex. I can do this. “Do you want to dance?” I ask. Did I really just say that out loud? That couldn’t have been me. That was someone else. “Huh?” He can’t hear me over the music. “Do you want to dance?” I say, louder this time, with a little more conviction. For emphasis, I nod my head toward the floor. I’m really doing this. “Yeah.” I’m not sure I’ve heard him correctly, but then he grabs my hand and leads me away, and I risk a glance back at the group. They’re just staring. For once in my life, I’ve upstaged them. I grin back and then turn my attention to Alex. I’ve thought about getting close to him for a month. I’m about to get my chance.
Mandy Hubbard (Prada & Prejudice)
There you are.” Arthur rushed down the steps to where I stood frozen. He looked serious, solemn even. His arms reached out as if to embrace me, then dropped to his side. “What are you doing here, Arthur?” My voice held a flatness I hardly recognized. And my heart didn’t skip a beat. “I, uh . . .” He glanced back toward his friend in the car before leaning closer to my ear. “We need to talk.” “Then, talk.” I shifted Janie’s weight to my other hip. He cleared his throat and shuffled his feet. “Listen, Rebekah, I’ve been thinking.” His gaze moved to Janie, to the ground. “I was too hasty—about the children, about everything. We can work things out. I understand that they need you to take care of them for a while longer.” He cocked his head and narrowed his eyes just a bit. “But their daddy will be home soon, right?” Suspicion raised my eyebrows. “What’s happened, Arthur?” He swiped a hand through his pale hair, grown longer since our last meeting. “I’m being officially discharged. I thought maybe you and I, we could . . . all those things we talked about . . .” Words I had longed to hear teetered on the edge of his tongue, but I didn’t harbor tender feelings for Arthur any longer. I read more in the depths of his eyes than he knew, like I believed Clara had in Frank’s. Except she apparently saw good; she saw a future. I, on the other hand, sensed a danger in Arthur I’d overlooked before. “We could what?” I asked. He looked perturbed. “Get married, Rebekah. Isn’t that what you wanted?” My head screamed that everything I wanted had changed, but I shut away my unease as I considered the possibilities. At the very least, I had to see if he meant what he said. I swallowed down my fear. “What happened with your fiancée? You never quite explained that, you know.” He slapped his hat on his head, glanced back at his friend waiting in the car. “Listen, I have to go. Borrowed auto and all. But I’ll be back.” He planted his lips on my cheek and jogged away. His friend started the engine and they tore off down the road without a backward glance.
Anne Mateer (Wings of a Dream)
There’s a stream of trouble across my path; It is dark and deep and wide. Bitter the hour the future hath When I cross its swelling tide. But I smile and sing and say: “I will hope and trust alway; I’ll bear the sorrow that comes tomorrow, But I’ll borrow none today.” Tomorrow’s bridge is a dangerous thing; I dare not cross it now. I can see its timbers sway and swing, And its arches reel and bow. O heart, you must hope alway; You must sing and trust and say: “I’ll bear the sorrow that comes tomorrow, But I’ll borrow none today.” The eagle that soars at great altitudes does not worry about how it will cross a river. selected
Jim Reimann (Streams in the Desert: 366 Daily Devotional Readings)
Lord bless this land, and all who inhabit it. Bless the earth. 'Tis borrowed from you after all. Let the work be fit worship to You. Grant us safety as we work. Grant us favor against any untoward spirits. Jealousy. Greed. Bigotry." Chance paused. "Even such as shadows my own heart. Forgive my tresspasses as I forgive.
Michele McKnight Baker (Soldier's Heart)
Then a hand gripping his hair, yanking back his head as a dagger settled along his throat. As Rowan's face, calm with lethal wrath, appeared in his vision. "Where is Aelin." There was pure panic, too-pure panic as Whitethorn saw the blood, the scattered blades, and the shirt. "Where is Aelin." What had he done, what had he done- Pain sliced Lorcan's neck, warm blood dribbled down his throat, his chest. Rowan hissed, "Where is my wife?" Lorcan swayed where he knelt. Wife. Wife. "Oh, gods," Elide sobbed as she overheard, the words carrying the sound of Lorcan's own fractured heart. "Oh, gods..." And for the first time in centuries, Lorcan wept. Rowan dug the dagger into Lorcan's neck, even as tears slid down Lorcan's face. What that woman had done... Aelin had known. That Lorcan had betrayed her and summoned Maeve here. That she had been living on borrowed time. And she had married Whitethorn ... so Terrasen could have a king. Perhaps had been spurred into action because she knew Lorcan had already betrayed her, that Maeve was coming... And Lorcan had not helped her. Whitethorn's wife. His mate. Aelin had let them whip her and chain her, had gone willingly with Maeve, so Elide didn't enter Cairn's clutches. And it had been just as much a sacrifice for Elide as it had been a gift to him.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood. Alvin Pang, When the Barbarians Arrive. (Arc Publications 2012)
Alvin Pang
In May 1929 a concerned Dora Benjamin wrote to Gershom (Gerhard) Scholem: Walter is in a very bad way, dear Gerhard, I can’t tell you more than that because it is crushing my heart. He is entirely under Asja’s influence and doing things that the pen resists writing, and which prevent me from exchanging even a word with him. He now exists only as a head and genitals, and as you know, or can imagine, in such cases the head is quickly overcome. It was always a great danger, and who can say what will happen. . . . Walter has sued me for my debt, as the first divorce proceedings failed to resolve this question—he wants neither to return the money borrowed from his inheritance (120,000 marks; my mother is seriously ill) nor to pay anything for Stefan. . . . I gave him all the books, and the next day he also demanded the collection of children’s books. In the winter he lived with me for months without paying. . . . After we gave each other every freedom for eight years . . . he is suing me; now the German laws he despised are suddenly good enough for him.
Wolfram Eilenberger (Time of the Magicians: Wittgenstein, Benjamin, Cassirer, Heidegger, and the Decade That Reinvented Philosophy)
Narcissi and Daffodils live for generations. I know some double yellow Daffodils growing in my great-grandfather’s garden, that were planted over seventy years ago. The place was[153] sold and the house burned about thirty years since, and all this time has been entirely neglected. Some one told me that Daffodils and Narcissi still bloomed there bravely in the grass. With a cousin, one lovely day last spring, I took the train out to this old place and there found quantities of the dainty yellow flowers. We had come unprovided with any gardening implements, having nothing of the kind in town, and brought only a basket for the spoils, and a steel table-knife. We quickly found the knife of no avail, so borrowed a sadly broken coal-shovel from a tumble-down sort of a man who stood gazing at us from the door of a tumble-down house. The roots of the Daffodils were very deep, and neither of us could use a spade, so the driver of the ramshackle wagon taken at the station was pressed into service. Handling of shovel or spade was evidently an unknown art to him. The Daffodil roots were nearly a foot deep, but we finally got them, several hundreds of them, all we could[154] carry. The driver seemed to think us somewhat mad and said “Them’s only some kind of weed,” but when I told him the original bulbs from which all these had come were planted by my great-grandmother and her daughter, and that I wanted to carry some away, to plant in my own garden, he became interested and dug with all his heart. The bulbs were in solid clumps a foot across and had to be pulled apart and separated. They were the old Double Yellow Daffodil and a very large double white variety, the edges of the petals faintly tinged with yellow and delightfully fragrant. My share of the spoils is now thriving in my garden. By the process of division every three years, these Daffodils can be made to yield indefinitely, and perhaps some great-grandchild of my own may gather their blossoms.
Helena Rutherfurd Ely
Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood.
Alvin Pang (When the Barbarians Arrive)
I leave my hotel around two. Without thinking, I go in the direction of the Place du Vieux Marché. It is a truly vast square, bordered entirely by cafés, restaurants and luxury shops. It's here that Joan of Arc was burnt more than five hundred years ago. To commemorate the event they've piled up a load of weirdly curved concrete slabs, half stuck in the ground, which turn out on closer inspection to be a church. There are also embryonic lawns, flowerbeds, and some ramps which seem destined for lovers of skateboarding - unless it be for the cars of the disabled, it's hard to tell. But the complexity of the place does not end here: there are also shops in the middle of the square, under a sort of concrete rotunda, as well as an edifice which looks like a bus station. I settle myself on one of the concrete slabs, determined to get to the bottom of things. It seems highly likely that this square is the heart, the central nucleus of the town. Just what game is being played here exactly? I observe right away that people generally go around in bands, or in little groups of between two and six individuals. No one group is exactly the same as another, it appears to me. Obviously they resemble each other, they resemble each other enormously, but this resemblance could not be called being the same. It's as if they'd elected to embody the antagonism which necessarily goes with any kind of individuation by adopting slightly different behavior patterns, ways of moving around, formulas for regrouping. Next I notice that all these people seem satisfied with themselves and the world; it's astonishing, even a little frightening. They quietly saunter around, this one displaying a quizzical smile, that one a moronic look. Some of the youngsters are dressed in leather jackets with slogans borrowed from the more primitive kind of hard rock; you can read phrases on their backs like Kill them all! or Fuck and destroy! ; but all commune in the certainty of passing an agreeable afternoon devoted primarily to consumerism, and thus to contributing to the consolidation of their being. I note, lastly, that I feel different from them, without however being able to define the nature of this difference.
Michel Houellebecq (Whatever)
With one minute to spare, Madison arrived at the Space Needle. Her rose was hastily clipped into her short dark hair. Her cheeks were red from all of the mad rushing around. But she had made it on time. So had Jeremy. Once again he was waiting by the elevator that rode up to the top of the Space Needle. A somewhat faded blue carnation was pinned to the lapel of his jacket. Madison, who usually overplanned everything, hadn’t taken one second to plan what she would say when she finally met “Blue” face-to-face. A man with a bouquet of balloons passed by, and she ducked out of sight behind them. As she ran alongside the vendor, she hastily tried to collect her thoughts. So much was riding on this meeting, and she didn’t want to blow it. When the balloon man got close to the elevator tower, Madison jumped out from behind the balloons and hid by a corner of the tower. Her mind was still a complete blank. But she couldn’t leave Jeremy standing there for another minute. So she inched her way along the wall until she was safely hidden behind the post he was leaning against. Madison checked the TechnoMarine watch she’d borrowed from Piper. It was nearly five minutes after four. Time was running out! She had to say something. But what? Barely a foot away, she heard Jeremy exhale in frustration, and her heart sank. When he made a move to leave, her hand shot out from behind the pillar and caught hold of his. “Blue?” she whispered. “Please don’t turn around.” Jeremy didn’t move. “Okay,” he said warily. “I’m trying to find the words to tell you what our letters have meant to me,” she whispered. “And how much your friendship means to me.” Jeremy nodded. “It’s been important to me, too.” He started to turn around, but Madison tugged his arm, hard. “Don’t look, yet. Please!” Jeremy quickly turned his head away. “All right, but--” Madison didn’t let him finish. She squeezed her eyes shut and started babbling. “I didn’t know who you were until last Friday--which, incidentally, turned out to be about the most important day of my life. And when I knew it was you, I just didn’t know how to tell you that I was me. You once told me I was cold and heartless, and I just couldn’t bear it if you said it again. Everything has been so perfect, I just don’t want to blow it, and now that we’re standing here holding hands, I don’t want to let go--” “So don’t,” a voice whispered, very close to her cheek.
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
Wriggling out of his grasp she braced herself on his shoulders and tried to stand. Next thing she knew, he had her around the legs and took her down to the mattress in some sort of super-fast ninja move. She screamed and laughed, and he was laughing every bit as hard as he came down on top of her. And, oh God, his laughter was a sweet and sexy rumble that lit her up inside. “You fight dirty, Easy,” she said around her chuckles. “I haven’t had this much fun in so long.” She caressed his face with her fingers. “Me neither. Between overloading on classes and my epilepsy, I often feel like a little old lady trapped in the body of a twenty-year-old. All I need is some cats.” “Cats are awesome,” he said. “When I was a kid, I used to sneak stray cats into the house, just for a night or two. I’d keep them in my room and bring up bowls of milk and cans of tuna for them.” “Aw, you were a sweet little boy, weren’t you?” she asked, loving how he was opening up to her. The closeness, the sharing, the way his big body was lying on her legs and hips, leading him to prop his head up on her lower stomach—both her heart and her body reacted. “Maybe for about five minutes.” He winked. “Mostly, I was a hell-raiser. Growing up, we didn’t live in the best neighborhood. Drug dealers on the corner, gang activity trying to pull in even the younger kids, crack house one block over. All that. Trouble wasn’t hard to find.” He shrugged. “Army straightened me out, though.” “Well, we lived in a nice neighborhood growing up and here my father was the freaking drug dealer on the corner. Or close enough, anyway.” Jenna stared at the ceiling and shook her head. “Sorry, I didn’t mean to get serious.” His thumb stroked along her side, sliding the cotton of her borrowed shirt against her skin in a way that almost tickled. “Don’t apologize. Our histories are what they are, you know?” She nodded and gave him a little smile. “Yeah.” Shifting off her, Easy stretched out alongside her and propped his head up on his arm. “I’m thirty, Jenna,” he said out of nowhere. And he was telling her this because? He thought their age difference was too great? He thought she was too young? He was worried she would think he was too old? Probably D) all of the above. Thing was, all she saw when she looked at Easy was a guy she really freaking liked. One who’d saved her life, helped make her sister safe, and gave her a sense of security she hadn’t felt in years. He was hot as hell, easy to talk to, and one of the kindest guys she’d ever known. Maybe some of that was because he was older. Who knew? “And I need to know this because?” she asked, resting her head on her arm. The muscles of his shoulders lifted into a shrug, but his face was contemplative. “Because there’s clearly something going on between us.” Heat rushed across her body. She held up a hand, and he laced his fingers between hers. “When I look at you, I don’t see a bunch of differences, Easy.” “What do you see then?” Warmth flooded into Jenna’s cheeks, and she chuckled. He’d said that she was beautiful, after all, so why couldn’t she give him a compliment in return? “A really hot guy I’d like to get to know more.” A smug smile slipped onto his face, and she might’ve rolled her eyes if it weren’t so damn sexy. “Really hot, huh?” “Well, kinda hot, anyway.” “Nuh-uh,” he said, tugging her hand to his chest. “Can’t take it back now.” Cheeks burning and big smile threatening, she rolled onto her side to face him. They lay there, side by side, her chest almost touching his, looking at each other. Tension and desire and anticipation crackled in the space between them, making it hard to breathe. “What do you see when you look at me?” she whispered, half-afraid to ask but even more curious to hear what he’d say. Did he mostly see someone who was too young for him? Or a needy girl he had to save and babysit?
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
Hunter crouched beside the fire, a cup of coffee cradled in his palms, his gaze fixed on the shifting flames. He could see his yellow-hair from the corner of his eye and knew every time she moved, every time she looked at him. Somehow she had managed to stay covered with the fur while she pulled on his shirt and her ruffled breeches. His brother, Warrior, squatted next to him and began tossing chips of bark onto the coals, watching them ignite. “The tosi tivo must be very poor lovers.” Hunter glanced up, more than a little bewildered by his brother’s observation. Warrior was like that, though, the thoughts in his heart darting here and there like autumn leaves caught up in the wind. “You don’t agree?” Warrior pressed. Warrior’s voice and the musical cadence of the Comanche language fell sweetly on Hunter’s ears. Talking tosi tivo talk to the yellow-hair had left a dirty taste on his tongue. “The tosi tivo are very poor at everything.” Warrior glanced toward the yellow-hair, squinting as a trail of smoke got in his face. “She still hides beneath the buffalo robe. Your shirt and her ruffles are not enough.” Hunter searched his brother’s dark eyes. “I think the tosi tivo teach their women such foolishness because they are afraid.” “Hm. And what would they be afraid of?” Warrior grinned. “A woman who isn’t well loved will seek solace elsewhere.” Hunter huffed at that idea. “With as many children as their women bear, how can you think they need solace? The trouble with the tosi tivo is that they have no honor. They will call a man friend, then borrow his woman when his back is turned. The many clothes make the wife borrowing a little more tricky, eh?” A thoughtful frown settled on Warrior’s forehead. He dumped the remainder of the wood chips he had collected onto the fire. The flames hissed hungrily and flared brighter. “This is the truth? And what of the females? Don’t they spurn the men who try to shame them?” “The females have no honor, either.” Brushing his hands clean on his leggings, Warrior shot a worried look at the white woman. “You must teach her, eh? If you go down in battle and I have to take her into my lodge circle, I want to know her children are yours.” “She will learn. I will teach her honor if I kill her doing it.
Catherine Anderson (Comanche Moon (Comanche, #1))
Love paints the heart so delicate; so why would my words ever borrow the ink of their own demise?
Laura Chouette
I need you to know that it was always you who had my heart. And I would never let anyone else borrow it if I knew there was a chance in hell you'd ever want it back.
Colleen Hoover (November 9)
He suddenly paused in his reflection and stood still. “It shall not be? But what are you going to do to prevent it? You’ll forbid it? And what right have you? What can you promise them on your side to give you such a right? Your whole life, your whole future, you will devote to them when you have finished your studies and obtained a post? Yes, we have heard all that before, and that’s all words, but now? Now something must be done, now, do you understand that? And what are you doing now? You are living upon them. They borrow on their hundred roubles pension. They borrow from the Svidrigaïlovs. How are you going to save them from Svidrigaïlovs, from Afanasy Ivanovitch Vahrushin, oh, future millionaire Zeus who would arrange their lives for them? In another ten years? In another ten years, mother will be blind with knitting shawls, maybe with weeping too. She will be worn to a shadow with fasting; and my sister? Imagine for a moment what may have become of your sister in ten years? What may happen to her during those ten years? Can you fancy?” So he tortured himself, fretting himself with such questions, and finding a kind of enjoyment in it. And yet all these questions were not new ones suddenly confronting him, they were old familiar aches. It was long since they had first begun to grip and rend his heart. Long, long ago his present anguish had its first beginnings; it had waxed and gathered strength, it had matured and concentrated, until it had taken the form of a fearful, frenzied and fantastic question, which tortured his heart and mind, clamoring insistently for an answer.
Fyodor Dostoevsky (Crime and Punishment)
Our Mothers Your eyes see hope for tomorrow Your hearts are made of gold that many wish to borrow Your minds sharp enough for others follow Your hands ensure that children grow Your feet go places where some cannot know Your courage makes you stand where strong winds blow Your presence becomes warmth, regardless of the snow Your influence can be felt within a stone’s throw You hold nothing back for whom you protect You speak words with good intent You treat others with so much respect You fight and never retract You pursue a path that keeps your faith intact You fulfil dreams and make a significant impact You pass through tough times while remaining steadfast You conquer battles as you pray and fast You instil discipline that becomes a great shield You serve others until they succeed You give inspiration among those who bleed You understand that you are rearing a rare breed You plant and nurture the right seed You help attract breakthroughs with speed You care for those in need You touch lives, indeed You lead your own to be great every step of the way You play your role very well, even without a pay You smile as if every day is your pay day You exude wisdom and put it on full display You save generations from going astray You run your race just like in a relay You pass the baton with no delay You carry so much worth as you get to be gray Hence, we salute you, our Mothers
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
When my hours are spent, I will feel no fear, no sorrow. I have lived on borrowed time, time that you have risked your life and heart for. I am at peace, Tea. Thank you.
Rin Chupeco (The Heart Forger (The Bone Witch, #2))
Dark is the sky! and veiled the unknown morrow! Dark is life’s way, for night is not yet o’er; The longed-for glimpse I may not meanwhile borrow; But, this I know and trust, he goes before. Dangers are near! and fears my mind are shaking; Heart seems to dread what life may hold in store; But I am His—He knows the way I’m taking, More blessed even still—he goes before. Doubts cast their weird, unwelcome shadows o’er me, Doubts that life’s best—life’s choicest things are o’er; What but His Word can strengthen, can restore me, And this blest fact; that still he goes before. He goes before! Be this my consolation! He goes before! On this my heart would dwell! He goes before! This guarantees salvation! He goes before! And therefore all is well. J. DANSON SMITH
Mrs. Charles E. Cowman (Streams in the Desert Morning and Evening: 365 Devotions)
I turn around and Ryle is pushing through the crowd on the other side of the room. “Lily, wait!” he yells, still trying to make his way over to me. My heart is erratic. He’s walking quickly, stepping around people, growing more frustrated with every person in his way. He finally reaches a break in the crowd and makes eye contact with me again. He holds my gaze as he marches toward me. He doesn’t slow down. Allysa has to step out of his way as he walks straight up to me. At first, I think he might kiss me, or at least give a rebuttal to everything I said to him upstairs. But instead, he does something I’m not at all prepared for. He scoops me up into his arms. “Ryle!” I yell, gripping him around the neck, afraid he might drop me. “Put me down!” He has an arm wrapped under my legs and one under my back. “I need to borrow Lily for the night,” he says to Devin. “That okay?
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
The last time I ever saw Jeff alive, he gave me a gift - an hourglass. And it took over two decades later for the symbolism to finally dawn on me: an hourglass, gifted from a young man with one foot planted in the next world. His time was running out. Even the hourglass he gifted me appeared to have been stolen - I imagine from the desktop of one of the school classrooms he was hired to clean. Not borrowed time but stolen.
Tiffany Midge (Bury My Heart at Chuck E. Cheese's)
In this tide of life, no doubt, Everything flows in and out. The rhythm of change is always there, A steady stream beyond compare. The pendulum swings to the left and right, In a constant dance, both day and night. We face bitterness and sweetness, Grief and joy, all parts of our uniqueness. We choose the next chapter of our story, Through good and bad, in infinite quarry. We’ll face each page, with courage to borrow, Emerging with strength, hearts mending sorrow.
Lali A. Love (Realms of My Soul III: A Golden Gift (#3))
You left me,” he said tersely, his gaze unwavering on her. She exhaled. “I am sorry. I am sorry for borrowing your ship, and I—” “You left me after the night we shared.” She tried not to think about being in his arms, when he had seemed to love her as much as she loved him. “I told you that morning what I intended. The time we shared didn’t change anything.” She saw him flinch. “It was wonderful, but I meant it when I said I had to go home. I know you are angry. I know I took the coward’s way, and I shouldn’t have conned Mac—” “I don’t care about the ship!” he cried, stunning her. “I am glad you took my frigate—at least you would be safe from rovers. Damn it! I made love to you and you left me!” She hugged herself harder, trying to ignore that painful figure of speech. “I knew you would want to marry me, Cliff, for all the wrong reasons. How could I accept that? The night we spent together only fueled my desire to leave.” “For all the wrong reasons? Our passion fueled your desire to leave me?” “You misunderstand me,” she cried. “I do not want to hurt you. But you ruined me, you would decide to marry me. Honor is not the right reason, not for me.” He stepped closer, his gaze piercing. “Do you even know my reasons, Amanda?” “Yes, I do.” Somehow she tilted up her chin, yet she felt tears falling. “You are the most honorable man I have ever met. I know my letter hardly stated the depth of my feelings, but after all you have done, and all your family has done, you must surely know that leaving you was very difficult.” “The depth of your feelings,” he said. His nostrils flared, his gaze brilliant. “Do you refer to the friendship you wish to maintain—your affection for me?” He was cold and sarcastic, taking a final step toward her. He towered over her now. She wanted to step backward, away from him, but she held her ground. “I didn’t think you would wish to continue our friendship. But it is so important to me. I will beg you to forgive me so we can remain dear friends.” “I don’t want to be a dear friend,” he said harshly. “And goddamn it, do not tell me you felt as a friend does when you were in my bed!” She stiffened. “That’s not fair.” “You left me. That’s not fair,” he shot back, giving no quarter. “After all you have done, it wasn’t fair, I agree completely. But I was desperate.” He shook his head. “I will never believe you are desperate to be a shopkeeper. And what woman is truly independent? Only a spinster or a widow. You are neither.” Slowly, hating her words, she said, “I had planned on the former.” “Like hell,” he spat. She accepted the dread filling her then. “You despise me now.” “Are you truly so ignorant, so oblivious? How on earth could I ever despise you?” he exclaimed, leaning closer. “Would I be standing here demanding marriage if I despised you?” She started. Her heart skipped wildly; she tried to ignore it. She whispered, “Why did you really pursue me?” “I am a de Warenne,” he said, straightening. “As my father said so recently, there is no stopping us, not if it is a question of love.
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
Aubade" “My love, I fear the silence of your hands.” —Mahmoud Darwish Overnight, my heart, the forest has grown cold and every leaf shivers with the sure knowledge of its fall, shivers yellow and maple-red and mauve, Summer remembered in vermillion dying. When I walk the river now it bears merely the lightest press of feet, my body swaying to keep balance in the whetted breeze. I had to leave you on the absent shore, a warm bloom nesting in the reeds, an unfixed, iridescent eye. How we part only the morning knows, and what we said already dew. Tomorrow after tomorrow we will find the tongue to remember our silences, or borrow words from the night’s vocabulary of sighs. Grief will teach you new names and I will answer, hollow, in drumbeats and echoes, in footsteps and softly closed doors, never looking at you, never back. I place these words now in the vault of sleep before it comes. Before the burial and the blood.
Alvin Pang (When the Barbarians Arrive)
During the time of the white man's Civil War, troubles arose between the Modocs and the settlers. If a Modoc could not find a deer to kill for his family, he would sometimes kill a rancher's cow; or if he needed a horse he would borrow one out of a settler's pasture.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
If I forget, — May joy pledge this weak heart to sorrow! If I forget, — May my soul's coloured summer borrow The hueless tones of storm and rain, Of ruth and terror, shame and pain, — If I forget! Though you forget, — There is no binding code for beauty; Though you forget, — Love was your charm, but not your duty; And life's worst breeze must never bring A ruffle to your silken wing, — Though you forget. If I forget, — The salt creek may forget the ocean; If I forget, — The heart whence flows my heart's bright motion, May I sink meanlier than the worst, Abandoned, outcast, crushed, accurst, — If I forget! Though you forget, — No word of mine shall mar your pleasure; Though you forget, — You filled my barren life with treasure, You may withdraw the gift you gave, You still are lord, I still am slave, — Though you forget.
Edmund Gosse (The Works of Edmund Gosse)
No, chides Michel. Not my words. Yours. There is no such thing as an impersonal insight. Borrowed truths fit about as well as borrowed underwear, and are just as icky. You either know something in your heart or you don’t know it at all. Live your life not as a standardized exam but, like Gandhi, as one grand experiment. In this sort of personal, lived philosophy, the goal is not abstract knowledge but personal truths: not to know that but simply to know. There’s an enormous difference. I know that love is an important human emotion and has many health benefits. I know I love my daughter.
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
Vacant yet hopeful The windows are closed, The room is lit with sunshine and many wishes proposed and unproposed, There in the vacant room where no one lives, You can feel something that mind denies and only the heart believes, Something unseen that sweeps across the walls, Walls from where the sunlight night’s shadows uninstalls, Shadows that do not leave the room and occupy dark corners of this vacant room, Almost like the dark irony of the shadow cast by the most beautiful flower in bloom, And as the sun is forced to retire by the advancing darkness, The shadows rise and hang on the walls with a defiant steadiness, Then they begin to crawl to and fro, here and there, until they are everywhere, And the vacant room is now occupied by its resident darkness that springs from somewhere, Maybe it is just an imagination, because nights are dark and days are either bright or sunny, There could be reasons many, and explanations as many, So, I decide to occupy the vacant room and challenge its shadows, There in the shadows, I found trapped moments of time, that the room from somewhere borrows, From past, from moments that long ago ceased to exist, So, I opened the windows and the shadows fell, and they no longer did about anything insist, Because the touch of sunlight had allowed the hope to enter, And now, the once dark room, the room of sorrows, is the hope’s main center, Where I often enter to think of her, and my past, And now instead of dark shadows, her beautiful reflection on all walls I have cast, So, if you happen to visit the room, and you see her staring at you from every wall, It is a fused reflection of our love, all our feelings; and an open display of our romantic ball.
Javid Ahmad Tak (They Loved in 2075!)
Love and time It was as if time had gone on a vacation, At least it was not there where I was now, Because there I could not feel her sensation, So it was a world without her beauty, thus a world without love, Time appeared to transition from one moment to another, But I could not feel its presence, For a while I thought I was in a world, that was some other, As my heart did not experience life’s romance, In her absence time appeared to be on a vacation, The world seemed to have come to a sudden halt, Without her, world’s charms had lost all their traction, And I wondered whether it was my or time’s fault, Everything and everyone moved, and life happened just like any day, But to me somehow time appeared to be somewhere else, Because it felt it was not here today, And maybe only her presence can convince me it is false, Maybe time has drowned in the past, Forgotten somewhere in her infinite memories, And my mind still recreates only moments from the past, And convinces the heart to keep beating for the sake of her old stories, Or is it that the present is an illusion of shadows, Shadows from the past, her and my past, And the present only from this past borrows, So I am in this illusion of timelessness cast, But whatever it might be, Whether time is here or somewhere else, She, her memories; are intact within me, And my every heartbeat still says, there cannot be anyone else, So, there is no need to seek time that has vanished suddenly, Because I have installed her memories everywhere, And now time has left me in my peaceful corner knowingly, So I believe, time is somewhere else, but not here, not here, And my love Irma, let me escape with you into this corner, Where time has no business, And just be your lover, And let that be my only business, For time will then lose its pride, someday, in that somewhere, where it has fled, And it will offer us it's rarest gift of eternity, Because my love, a rose by its own thorn is never hurt or bled, So instead of time, we shall live in the love’s sanity, Where time serves no purpose, Because everything exists for everything, There life offers no fake pose, It is then that love becomes a true virtue and not just a thing!
Javid Ahmad Tak