Born To Be Mild Quotes

That beautiful mild woman for whose sake There's many a one shall find out all heartache On finding that her voice is sweet and low Replied, 'To be born a woman is to know- Although they do not talk of it at school - That we must labor to be beautiful.

So we’re talking into death? (Alix) Gods, I hope not. I don’t have on the right boots for it. These are only good for a mild ass-whipping. (Devyn)

The rain has stopped, the air is mild, the sky slowly rolls up fine black images : it is more than enough to frame the perfect moment ; to reflect these images, she would cause dark little tides to be born in our hearts. I don't know how to take advantage of the occasion : I walk at random, calm and empty, under this wasted sky.

You should be flattered, he said mildly. Not many breathers affect me this way.

skin rashes, conjunctivitis, fever, headache, malaise and pain in the joints. The symptoms will remain mild for the entire time which is usually between 3 to 7 days.

The local newspaper got wind of it and published an article titled “Born to Be Mild” in the Sunday Lifestyle section, with a big photo of us.

She hardly knew what to do, it had been so long since such strong feelings had borne down on her. It was like carrying another creature inside her, and nothing so benign and natural as a baby. Undamped, untamed, the pain and exultation of her attachment to them blew through Liga like a storm-wind carrying sharp leaves and struggling birds. How long she had known her daughters, and how well, and in what extraordinary vividness and detail! How blithely she had done the work of rearing them - it seemed to her now that she had had cause for towering, disabling anxieties about them; that what had seemed little plaints and sorrows in their childhoods were in fact off-drawings from much greater tragedies, from which she had tried to keep them but could not. And the joys she had had of them, too, their embraces and laughter - it was all too intense to be endured, this connection with them, which was a miniature of the connection with the forces that drove planet and season - the relentlessness of them, the randomness, the susceptibility to glory, to accident, to disaster. How soft had been her life in that other place, how safe and mild! And here she was, back where terrors could immobilize her, and wonders too; where life might become gulps of strong ale rather than sips of bloom-tea. She did not know whether she was capable of lifting the cup, let alone drinking the contents.

I think that there are definitely a handful of women in the world that were born of grace, so miraculously mild and terribly true... and nobody understands them. They end up trying to make men love them, when that’s the last thing they should be trying to do! A diamond belongs to those who can recognise what it is, not to those who need convincing. Yes, only a few know what a diamond looks and feels like, but, what's the rush anyway?

Nor earth, nor heaven is forfeit, even for him, Because no heart that holds one right desire Treadeth the road of loss! He who should fail, Desiring righteousness, cometh at death Unto the Region of the Just; dwells there Measureless years, and being born anew, Beginneth life again in some fair home Amid the mild and happy.

if Jesus Christ is really Mighty God and Everlasting Father, you can’t just like him. In the Bible the people who actually saw and heard Jesus never reacted indifferently or even mildly. Once they realized what he was claiming about himself, either they were scared of him or furious with him or they knelt down before him and worshipped him. But nobody simply liked him. Nobody said, “He is so inspiring. He makes me want to live a better life.” If the baby born at Christmas is the Mighty God, then you must serve him completely

Watching Ann bolt at the start of a race was like watching a mild-mannered reporter yank off his glasses and sling on a crimson cape.

Having proven that solitary pleasures are as delicious as any others and much more likely to delight, it becomes perfectly clear that this enjoyment, taken in independence of the objectwe employ, is not merely of a nature very remote from what could be pleasurable to thatobject, but is even found to be inimical to that object’s pleasure: what is more, it may becomean imposed suffering, a vexation, or a torture, and the only thing that results from this abuse isa very certain increase of pleasure for the despot who does the tormenting or vexing; let usattempt to demonstrate this.”Voluptuous emotion is nothing but a kind of vibration produced in our soul by shockswhich the imagination, inflamed by the remembrance of a lubricious object, registers uponour senses, either through this object’s presence, or better still by this object’s being exposedto that particular kind of irritation which most profoundly stirs us; thus, our voluptuoustransport Ä this indescribable convulsive needling which drives us wild, which lifts us to thehighest pitch of happiness at which man is able to arrive Ä is never ignited save by twocauses: either by the perception in the object we use of a real or imaginary beauty, the beautyin which we delight the most, or by the sight of that object undergoing the strongest possiblesensation; now, there is no more lively sensation than that of pain; its impressions are certainand dependable, they never deceive as may those of the pleasure women perpetually feign andalmost never experience; and, furthermore, how much self-confidence, youth, vigor, healthare not needed in order to be sure of producing this dubious and hardly very satisfyingimpression of pleasure in a woman. To produce the painful impression, on the contrary,requires no virtues at all: the more defects a man may have, the older he is, the less lovable,the more resounding his success. With what regards the objective, it will be far more certainlyattained since we are establishing the fact that one never better touches, I wish to say, that onenever better irritates one’s senses than when the greatest possible impression has been produced in the employed object, by no matter what devices; therefore, he who will cause themost tumultuous impression to be born in a woman, he who will most thoroughly convulsethis woman’s entire frame, very decidedly will have managed to procure himself the heaviest possible dose of voluptuousness, because the shock resultant upon us by the impressionsothers experience, which shock in turn is necessitated by the impression we have of thoseothers, will necessarily be more vigorous if the impression these others receive be painful,than if the impression they receive be sweet and mild; and it follows that the voluptuousegoist, who is persuaded his pleasures will be keen only insofar as they are entire, willtherefore impose, when he has it in his power to do so, the strongest possible dose of painupon the employed object, fully certain that what by way of voluptuous pleasure he extractswill be his only by dint of the very lively impression he has produced.

Mama used to say it was a faerie’s kiss.” Gideon stepped toward her where she sat on the old wooden chair. He gave a mild shrug. “Something made you and those others born with that mark different from other women. Who’s to say it wasn’t faeries?

Homer's Hymn to Castor and Pollux Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. Ye wild-eyed Muses, sing the Twins of Jove, Whom the fair-ankled Leda, mixed in love With mighty Saturn's Heaven-obscuring Child, On Taygetus, that lofty mountain wild, Brought forth in joy: mild Pollux, void of blame, And steed-subduing Castor, heirs of fame. These are the Powers who earth-born mortals save And ships, whose flight is swift along the wave. When wintry tempests o'er the savage sea Are raging, and the sailors tremblingly Call on the Twins of Jove with prayer and vow, Gathered in fear upon the lofty prow, And sacrifice with snow-white lambs,—the wind And the huge billow bursting close behind, Even then beneath the weltering waters bear The staggering ship—they suddenly appear, On yellow wings rushing athwart the sky, And lull the blasts in mute tranquillity, And strew the waves on the white Ocean's bed, Fair omen of the voyage; from toil and dread The sailors rest, rejoicing in the sight, And plough the quiet sea in safe delight.

Orpheus chose to be the leader of mankind. Ah, not even Orpheus had attained such a goal, not even his immortal greatness had justified such vain and presumptuous dreams of grandeur, such flagrant overestimation of poetry! Certainly many instances of earthly beauty--a song, the twilit sea, the tone of the lyre, the voice of a boy, a verse, a statue, a column, a garden, a single flower--all possess the divine faculty of making man hearken unto the innermost and outermost boundaries of his existence, and therefore it is not to be wondered at that the lofty art of Orpheus was esteemed to have the power of diverting the streams from their beds and changing their courses, of luring the wild beasts of the forest with tender dominance, of arresting the cattle a-browse upon the meadows and moving them to listen, caught in the dream and enchanted, the dreamwish of all art: the world compelled to listen, ready to receive the song and its salvation. However, even had Orpheus achieved his aim, the help lasts no longer than the song, nor does the listening, and on no account might the song resound too long, otherwise the streams would return to their old courses, the wild beasts of the forest would again fall upon and slay the innocent beasts of the field, and man would revert again to his old, habitual cruelty; for not only did no intoxication last long, and this was likewise true of beauty's spell, but furthermore, the mildness to which men and beasts had yielded was only half of the intoxication of beauty, while the other half, not less strong and for the most part far stronger, was of such surpassing and terrible cruelty--the most cruel of men delights himself with a flower--that beauty, and before all the beauty born of art, failed quickly of its effect if in disregard of the reciprocal balance of its two components it approached man with but one of them.

In fact, it was the religion of Calvin of which Sandy felt deprived, or rather a specified recognition of it. She desired this birthright; something definite to reject. It pervaded the place in proportion as it was unacknowledged. In some ways the most real and rooted people whom Sandy knew were Miss Gaunt and the Kerr sisters who made no evasions about their believe that Gold had planned for practically everybody before they were born an nasty surprise when they died. Later, when Sandy read John Calvin, she found that although popular conceptions of Calvinism were sometimes mistaken, in this particular there was no mistake, indeed it was but a mild understanding of the case, he having made it God's pleasure to implant in certain people an erroneous since of joy and salvation, so that their surprise at the end might be the nastier.

Tyrion stared up at his father's hard green eyes with their flecks of cold bright gold. "Guilty," he said, "so guilty. Is that what you want to hear?" Lord Tywin said nothing. Mace Tyrell nodded. Prince Oberyn looked mildly disappointed. "You admit you poisoned the king?" "Nothing of the sort," said Tyrion. "Of Joffrey's death I am innocent. I am guilty of a more monstrous crime." He took a step toward his father. "I was born. I lived. I am guilty of being a dwarf, I confess it. And no matter how many times my good father forgave me, I have persisted in my infamy.

When your mama was the geek, my dreamlets,' Papa would say, 'she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing. "Spread your lips, sweet Lil," they'd cluck, "and show us your choppers!"' This same Crystal Lil, our star-haired mama, sitting snug on the built-in sofa that was Arty's bed at night, would chuckle at the sewing in her lap and shake her head. 'Don't piffle to the children, Al. Those hens ran like whiteheads.' Nights on the road this would be, between shows and towns in some campground or pull-off, with the other vans and trucks and trailers of Binewski's Carnival Fabulon ranged up around us, safe in our portable village. After supper, sitting with full bellies in the lamp glow, we Binewskis were supposed to read and study. But if it rained the story mood would sneak up on Papa. The hiss and tick on the metal of our big living van distracted him from his papers. Rain on a show night was catastrophe. Rain on the road meant talk, which, for Papa, was pure pleasure. 'It's a shame and a pity, Lil,' he'd say, 'that these offspring of yours should only know the slumming summer geeks from Yale.' 'Princeton, dear,' Mama would correct him mildly. 'Randall will be a sophomore this fall. I believe he's our first Princeton boy.' We children would sense our story slipping away to trivia. Arty would nudge me and I'd pipe up with, 'Tell about the time when Mama was the geek!' and Arty and Elly and Iphy and Chick would all slide into line with me on the floor between Papa's chair and Mama. Mama would pretend to be fascinated by her sewing and Papa would tweak his swooping mustache and vibrate his tangled eyebrows, pretending reluctance. 'WellIll . . .' he'd begin, 'it was a long time ago . . .' 'Before we were born!' 'Before . . .' he'd proclaim, waving an arm in his grandest ringmaster style, 'before I even dreamed you, my dreamlets!' 'I was still Lillian Hinchcliff in those days,' mused Mama. 'And when your father spoke to me, which was seldom and reluctantly, he called me "Miss." ' 'Miss!' we would giggle. Papa would whisper to us loudly, as though Mama couldn't hear, 'Terrified! I was so smitten I'd stutter when I tried to talk to her. "M-M-M-Miss . . ." I'd say.' We'd giggle helplessly at the idea of Papa, the GREAT TALKER, so flummoxed. 'I, of course, addressed your father as Mister Binewski.

Paul said to his Ephesian readers, discouraged because of his imprisonment, “My suffering is for your glory.” Why? Because that is how it works. Suffering and glory are closely linked. Suffering glorifies God to the universe and eventually even achieves a glory for us. And do you know why suffering and glory are so tied to each other? It is because of Jesus. Philippians 2 tells us Jesus laid aside his glory. Why? Charles Wesley’s famous Christmas carol tells you. Mild he lays his glory by; born that men no more may die; Born to raise the sons of earth. Born to give them second birth. Jesus lost all his glory so that we could be clothed in it. He was shut out so we could get access. He was bound, nailed, so that we could be free. He was cast out so we could approach. And Jesus took away the only kind of suffering that can really destroy you: that is being cast away from God. He took that so that now all suffering that comes into your life will only make you great. A lump of coal under pressure becomes a diamond. And the suffering of a person in Christ only turns you into somebody gorgeous. Jesus Christ suffered, not so that we would never suffer but so that when we suffer we would be like him. His suffering led to glory. And you can see it in Paul. Paul is happy to be in prison because “my sufferings are for your glory,” he says. He is like Jesus now. Because that is how Jesus did it. And if you know that that glory is coming, you can handle suffering, too.

Now all persons who have spent much of their time in Germany, and certainly all born Germans, have a great fear of the law. Their one idea is not to attract its attention, to be inconspicuous, to crawl in time, as it were, under tables. Accordingly, when I saw myself within reach of its clutches, even though it was English law and presumably more mild, I began to tremble, while the children, being born Germans, trembled harder, and Elsa the maid, not only born German but of the class which can least easily defend itself, trembled hardest of anybody. Here

Homer's Hymn to the Earth: Mother of All O universal Mother, who dost keep From everlasting thy foundations deep, Eldest of things, Great Earth, I sing of thee! All shapes that have their dwelling in the sea, All things that fly, or on the ground divine Live, move, and there are nourished—these are thine; These from thy wealth thou dost sustain; from thee Fair babes are born, and fruits on every tree Hang ripe and large, revered Divinity! The life of mortal men beneath thy sway Is held; thy power both gives and takes away! Happy are they whom thy mild favours nourish; All things unstinted round them grow and flourish. For them, endures the life-sustaining field Its load of harvest, and their cattle yield Large increase, and their house with wealth is filled. Such honoured dwell in cities fair and free, The homes of lovely women, prosperously; Their sons exult in youth’s new budding gladness, And their fresh daughters free from care or sadness, With bloom-inwoven dance and happy song, On the soft flowers the meadow-grass among, Leap round them sporting--such delights by thee Are given, rich Power, revered Divinity. Mother of gods, thou Wife of starry Heaven, Farewell! be thou propitious, and be given A happy life for this brief melody, Nor thou nor other songs shall unremembered be

It's our age-old hereditary sorrow that no-one can give himself absolution and God can't, either. God - this little figment of overworked imagination, God - this pallid lie born of desperation - we say God - and we mean humanity, ourselves and others. The longing for a human being is genuine - a human being is more than God - a human being is a beast and God. Longing for God - damned laziness which costs nothing. Mild, bloodless hysteria. Longing for a human being - you pay for that with your blood and with your self and with your flesh - your longing for God can be settled with promissory notes - rags -paper - a drop of red blood is worth more than three prayers.

Homer's Hymn to the Earth: Mother of All Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. O universal Mother, who dost keep From everlasting thy foundations deep, Eldest of things, Great Earth, I sing of thee! All shapes that have their dwelling in the sea, All things that fly, or on the ground divine Live, move, and there are nourished—these are thine; These from thy wealth thou dost sustain; from thee Fair babes are born, and fruits on every tree Hang ripe and large, revered Divinity! The life of mortal men beneath thy sway Is held; thy power both gives and takes away! Happy are they whom thy mild favours nourish; All things unstinted round them grow and flourish. For them, endures the life-sustaining field Its load of harvest, and their cattle yield Large increase, and their house with wealth is filled. Such honoured dwell in cities fair and free, The homes of lovely women, prosperously; Their sons exult in youth's new budding gladness, And their fresh daughters free from care or sadness, With bloom-inwoven dance and happy song, On the soft flowers the meadow-grass among, Leap round them sporting—such delights by thee Are given, rich Power, revered Divinity. Mother of gods, thou Wife of starry Heaven, Farewell! be thou propitious, and be given A happy life for this brief melody, Nor thou nor other songs shall unremembered be.

THERE WAS A BOY" THERE was a Boy; ye knew him well, ye cliffs And islands of Winander!--many a time, At evening, when the earliest stars began To move along the edges of the hills, Rising or setting, would he stand alone, Beneath the trees, or by the glimmering lake; And there, with fingers interwoven, both hands Pressed closely palm to palm and to his mouth Uplifted, he, as through an instrument, Blew mimic hootings to the silent owls, 10 That they might answer him.--And they would shout Across the watery vale, and shout again, Responsive to his call,--with quivering peals, And long halloos, and screams, and echoes loud Redoubled and redoubled; concourse wild Of jocund din! And, when there came a pause Of silence such as baffled his best skill: Then, sometimes, in that silence, while he hung Listening, a gentle shock of mild surprise Has carried far into his heart the voice 20 Of mountain-torrents; or the visible scene Would enter unawares into his mind With all its solemn imagery, its rocks, Its woods, and that uncertain heaven received Into the bosom of the steady lake. This boy was taken from his mates, and died In childhood, ere he was full twelve years old. Pre-eminent in beauty is the vale Where he was born and bred: the churchyard hangs Upon a slope above the village-school; 30 And, through that church-yard when my way has led On summer-evenings, I believe, that there A long half-hour together I have stood Mute--looking at the grave in which he lies!

My kin would sooner have a badger in their house than a Campbell." Alan saw his mother open hermouth and shook his head to silence her. He not only knew Shelby could hold her own but wanted to see her do it. "Most MacGregors were comfortable enough with badgers in the parlor." "Barbarians!" Daniel sucked in his breath. "The Campbells were barbarians, each and every one of them." Shelby tilted her head as if to study him from a new angle. "The MacGregors have a reputation for being sore losers." Instantly Daniel's face went nearly as red as his hair. "Losers? Hah! There's never been a Campbell born who could stand up to a MacGregor in a fair fight. Backstabbers." "We'll have Rob Roy's biography again in a minute," Shelby heard Caine mutter. "You don't have a drink, Dad," he said, hoping to distract him. "Shelby?" "Yes." She shifted her gaze to him, noting he was doing his best to maintain sobriety. "Scotch," she told him, with a quick irrepressible wink. "Straight up.If the MacGregors had been wiser," she continued without missing a beat, "perhaps they wouldn't have lost their land and their kilts and the name.Kings," she went on mildly as Daniel began to huff and puff, "have a habit of getting testy when someone's trying to overthrow them." "Kings!" Daniel exploded. "An English king, by God! No true Scotsman needed an English king to tell him how to live on his land." Shelby's lips curved as Caine handed her a glass. "That's a truth I can drink to." "Hah!" Daniel lifted his glass and drained it in one swallow before he thumped it onto the table at his side. Cocking a brow,Shelby eyed the Scotch in her glass,then proceeded to follow Daniel's example. For a moment,he frowned at the empty glass beside his. Slowly,with the room deadly silent,he shifted his gaze back to Shelby.His eyes were fierce, hers insolent. Heaving himself out of his chair, he towered over here, a great bear of a man with fiery hair.She put both hands on her hips, a willow-slim woman with curls equally dramtic. Alan wished fleetingly he could paint. Daniel's laugh, when he threw back his head and let it loose,was rich and loud and long. "Aye,by God,here's a lass!" Shelby found herself swept off her feet in a crushing hug that held welcome.

I got to wondering why [babies] cry all the time.... Animals might whimper if they are hungry or cold. But they don't start screaming. It's a bad idea. The more noise you make the more likely you are to be eaten. If you've no way to escape you keep silent. If birds couldnt fly they wouldnt sing. When you're defenseless you keep your mouth shut.... There were alway babies at the bus station and they were always crying. And these were not mild complaints. I couldn't understand how the least discomfort could take the form of agony. No other creature was so sensitive. The more I thought about it the clearer it became to me that what I was hearing was rage. And the most extraordinary thing was that no one seemed to find this extraordinary. ... The rage of children seemed inexplicable other than as a breach of some deep and innate covenant having to do with how the world should be and wasnt. How would a child know how the world should be? A child would have to be born so. ... At what age in a child's life does rage become sorrow?... I think I know why. The injustice over which they are so distraught is irremediable. And rage is only for what you believe can be fixed. At some point they get this.

What franticke fit (quoth he) hath thus distraught Thee, foolish man, so rash a doome to give? What justice ever other judgement taught, But he should die, who merites not to live? None else to death this man despayring drive, But his owne guiltie mind deserving death. Is then unjust to each his due to give? Or let him die, that loatheth living breath? Or let him die at ease, that liveth here uneath? Who travels by the wearie wandring way, To come unto his wished home in haste, And meetes a flood, that doth his passage stay, Is not great grace to helpe him over past, Or free his feet, that in the myre sticke fast? Most envious man, that grieves at neighbours good, And fond, that joyest in the woe thou hast, Why wilt not let him passe, that long hath stood Upon the banke, yet wilt thy selfe not passe the flood? He there does now enjoy eternall rest And happie ease, which thou doest want and crave, And further from it daily wanderest: What if some litle paine the passage have, That makes fraile flesh to feare the bitter wave? Is not short paine well borne, that brings long ease, And layes the soule to sleepe in quiet grave? Sleepe after toyle, port after stormie seas, Ease after warre, death after life does greatly please. [...] Is not his deed, what ever thing is donne, In heaven and earth? did not he all create To die againe? all ends that was begonne. Their times in his eternall booke of fate Are written sure, and have their certaine date. Who then can strive with strong necessitie, That holds the world in his still chaunging state, Or shunne the death ordaynd by destinie? When houre of death is come, let none aske whence, nor why. The lenger life, I wote the greater sin, The greater sin, the greater punishment: All those great battels, which thou boasts to win, Through strife, and bloud-shed, and avengement, Now praysd, hereafter deare thou shalt repent: For life must life, and bloud must bloud repay. Is not enough thy evill life forespent? For he, that once hath missed the right way, The further he doth goe, the further he doth stray. Then do no further goe, no further stray, But here lie downe, and to thy rest betake, Th'ill to prevent, that life ensewen may. For what hath life, that may it loved make, And gives not rather cause it to forsake? Feare, sicknesse, age, losse, labour, sorrow, strife, Paine, hunger, cold, that makes the hart to quake; And ever fickle fortune rageth rife, All which, and thousands mo do make a loathsome life. Thou wretched man, of death hast greatest need, If in true ballance thou wilt weigh thy state: For never knight, that dared warlike deede, More lucklesse disaventures did amate: Witnesse the dongeon deepe, wherein of late Thy life shut up, for death so oft did call; And though good lucke prolonged hath thy date, Yet death then, would the like mishaps forestall, Into the which hereafter thou maiest happen fall. Why then doest thou, O man of sin, desire To draw thy dayes forth to their last degree? Is not the measure of thy sinfull hire High heaped up with huge iniquitie, Against the day of wrath, to burden thee? Is not enough, that to this Ladie milde Thou falsed hast thy faith with perjurie, And sold thy selfe to serve Duessa vilde, With whom in all abuse thou hast thy selfe defilde? Is not he just, that all this doth behold From highest heaven, and beares an equall eye? Shall he thy sins up in his knowledge fold, And guiltie be of thine impietie? Is not his law, Let every sinner die: Die shall all flesh? what then must needs be donne, Is it not better to doe willinglie, Then linger, till the glasse be all out ronne? Death is the end of woes: die soone, O faeries sonne.

In 1906, the year after Einstein’s annus mirabilis, Kurt Gödel was born in the city of Brno (now in the Czech Republic). Kurt was both an inquisitive child—his parents and brother gave him the nickname der Herr Warum, “Mr. Why?”—and a nervous one. At the age of five, he seems to have suffered a mild anxiety neurosis. At eight, he had a terrifying bout of rheumatic fever, which left him with the lifelong conviction that his heart had been fatally damaged. Gödel entered the University of Vienna in 1924. He had intended to study physics, but he was soon seduced by the beauties of mathematics, and especially by the notion that abstractions like numbers and circles had a perfect, timeless existence independent of the human mind. This doctrine, which is called Platonism, because it descends from Plato’s theory of ideas, has always been popular among mathematicians. In the philosophical world of 1920s Vienna, however, it was considered distinctly old-fashioned. Among the many intellectual movements that flourished in the city’s rich café culture, one of the most prominent was the Vienna Circle, a group of thinkers united in their belief that philosophy must be cleansed of metaphysics and made over in the image of science. Under the influence of Ludwig Wittgenstein, their reluctant guru, the members of the Vienna Circle regarded mathematics as a game played with symbols, a more intricate version of chess. What made a proposition like “2 + 2 = 4” true, they held, was not that it correctly described some abstract world of numbers but that it could be derived in a logical system according to certain rules.

Fig-tree, for such a long time I have found meaning in the way you almost completely omit your blossoms and urge your pure mystery, unproclaimed, into the early ripening fruit. Like a curved pipe of a fountain, your arching boughs drive the sap downward and up again: and almost without awakening it bursts out of sleep, into its sweetest achievement. Like the god stepping into the swan. ......But we still linger, alas, we, whose pride is in blossoming; we enter the overdue interior of our final fruit and are already betrayed. In only a few does the urge to action rise up so powerfully the they stop, glowing in their heart's abundance, while, like the soft night air , the temptation to blossom touches their tender mouths, touches their eyelids, softly: heroes perhaps, and those chosen to disappear early, whose veins Death the gardener twists into a different pattern. These plunge on ahead: in advance of their own smile like the team of galloping horses before the triumphant pharaoh in the mildly hollowed reliefs at Karnak. The hero is strangely close to those who died young. Permanence does not concern him. He lives in continual ascent, moving on into the ever-changed constellation of perpetual danger. Few could find him there. But Fate, which is silent about us, suddenly grows inspired and sings him into the storm of his onrushing world. I hear no one like him. All at once I am pierced by his darkened voice, carried on the streaming air. Then how gladly I would hide from the longing to be once again oh a boy once again, with my life before me, to sit leaning on future arms and reading of Samson, how from his mother first nothing, then everything, was born. Wasn't he a hero inside you mother? didn't his imperious choosing already begin there, in you? Thousands seethed in your womb, wanting to be him, but look: he grasped and excluded—, chose and prevailed. And if he demolished pillars, it was when he burst from the world of your body into the narrower world, where again he chose and prevailed. O mothers of heroes, O sources of ravaging floods! You ravines into which virgins have plunged, lamenting, from the highest rim of the heart, sacrifices to the son. For whenever the hero stormed through the stations of love, each heartbeat intended for him lifted him up, beyond it; and, turning away, he stood there, at the end of all smiles,—transfigured.

I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion." ...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would. Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do. Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say: "You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come." And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.

Are we through here? I wish to go" "Go where?" "Anywhere. Away. Back to America, if need be. It's obvious that Charles's faith and trust in his family's desire to care for his baby daughter were unfounded. Neither she nor I are wanted here." "Don't be absurd." She reached for Charlotte's blanket. "I am being practical." "Practicality is not a quality I associate with most females of my acquaintance." "With all due respect to the females of your acquaintance, Your Grace, I was born and raised in the wilderness of Maine. Those who were not practical, resourceful, and hardy did not survive." "Maine? How is it, then, that you ended up in Boston?" "My father died when I was sixteen, mauled by a black bear defending her cub. He had a cousin in Boston, who'd always fancied my mother from afar. After Papa died, he came for Mama and me, married her, and took us both back to Boston. Mama died in '74. You know about my stepfather."  She picked up her cloak, preparing to leave this house and never look back. "Now, if you'll excuse me, Your Grace, I think I've answered enough of your questions and had best be gone. Good night to you." He never moved as she breezed past his desk, Charlotte in her arms. "Don't you wish to know how Lord Gareth fares?" he asked mildly, in an abrupt change of subject. "Begging your pardon, Your Grace, but you gave me no chance to ask." "I should think he'd like to thank you for saving his life." She paused halfway across the room, silently cursing him between her teeth. What tarnal game was he playing now? Without turning, she ground out, "He saved my life, not the other way around." "Not according to Lord Brookhampton.

Here are the simplest recommendations on choosing the proper baby care products for your babies.  Take Advice from Pediatrician – it's always hard to ignore a doctor’s advice. the kid specialist doctors will suggest you the simplest baby care products which will fit your baby’s skin. The pediatricians realize the various baby care products and their ingredients too. So, taking advice while purchasing baby products are going to be good for you.  Try to get Chemical-Free Products – The soaps, shampoos, or lotions made for babies are mild than the traditional daily use soaps and shampoos. you ought to choose the skin care products that are freed from chemicals for your sons and daughters .  Read the Labels – Having proper knowledge about the ingredients of baby products can assist you decide which products to get . you ought to remember of the toxins that are utilized in these products which are mentioned on the labels of the products.  Choose Organic Baby Care Products – Organic baby care products are natural products that don't contain heavy toxins, metals, or petroleum. These are safer products that are safe on the baby’s skin. it's better to settle on organic baby care products.  Opt for Cloth Diapers – The skin of the newborn babies is extremely sensitive also as delicate. you ought to not put the ready-made diapers on to your babies. the material diapers are perfect for the new-born babies till the time they're 4 to five months older.

I keep trying to run away from anxiety but it follows me everywhere I go. Almost like it’s in my brain.

No single example illustrates the typical codependent or his or her experience. Codependency is complex. People are complex. Each person is unique, and each person’s situation is different. Some people have extremely painful and debilitating experiences with codependency. Others don’t and may be only mildly affected. Sometimes codependency is a person’s response to another person’s alcoholism; sometimes it isn’t. Each codependent has a unique experience born from his or her circumstances, history, and personality.

Psychiatrically speaking, living people are more difficult to examine than the dead: those who are alive naturally want to protect their privacy; the dead cannot do so. Now we come to the controversial tale of John’s sister Rosemary. Did she too have a mental illness? The standard story is that she was born with mental retardation that worsened over time, leading to being institutionalized from her mid-twenties until her death in 2005 at age eighty-six. Her sister Eunice, in a widely read 1962 article, revealed Rose’s mental retardation. Decades later, historians discovered that when she was twenty-three years old Rosemary received a frontal lobotomy from the founders of psychosurgery, neurologist Walter Freeman and neurosurgeon James Watts. This revelation raised the question of whether Rosemary had, like most lobotomy cases, preexisting mental illness. In retrospect, Rosemary probably had mild mental retardation from birth, with delayed developmental stages (walking, talking) uncommon in mental illnesses.

An inexplicable gratitude swells. The floor pulls away from your crossed legs, but it's just a light-headedness. Of late you've been through so much. More than can be borne. You'd seen a man die. You'd learned your daughter was a prostitute. And as the weak sunlight went darker yet in advance of another rainstorm, you find yourself in the midst of a strange peace that seems to emanate from the middle of your chest, a warm spot that reminds you, to your mild amusement, of peeing in the pool or wetting the bed or wetting the diaper and finally, of course, of being in your mother's womb. Even the thought of your mother and father buried in the ground doesn't trouble the serenity that now strobes in the atmosphere around you.

No one wants to suffer. But much as we would all like to live a totally happy life, suffering is an inescapable fact of our human existence. The observation that ‘Man is born unto trouble, as sparks fly upward’ may not have been much consolation to Job but, nevertheless, remains an uncomfortable truth. Generally speaking, suffering arises through our encounters with problems and difficulties; this is why much of our time is spent trying to avoid them, even though they are inherent in life. In trying to avoid problems, however, we are often simply putting off the inevitable to a future date, by which time the trouble has usually grown much more difficult to resolve. Personal relationships are a good example of this. The failure to tackle a problem between two people — a clash of desires, for instance – usually for fear of not knowing what the consequences will be, or perhaps simply because of a dislike of conflict, can very easily lead to a build-up of resentments which, when finally expressed, can be immensely destructive. The story of the ‘mild-mannered’ civil servant who, in 1987, was jailed for strangling his wife after twenty-six years of marriage, ostensibly because she simply moved his favourite mustard from its usual place at the dinner table, is an extreme, but true, example of this.

And all the time boys were being born or growing up in the parish, expecting to follow the plough all their lives or, at most, to do a little mild soldiering or go to work in a town. Gallipoli? Kut? Vimy Ridge? Ypres? What did they know of such places? But they were to know them, and when the time came they did not flinch. Eleven out of that tiny community never came back again. A brass plate on the wall of the church immediately over the old end house seat is engraved with their names. A double column, five names long, then, last and alone, the name of Edmund.

At all these studies Ged was apt, and within a month was bettering lads who had been a year at Roke before him. Especially the tricks of illusion came to him so easily that it seemed he had been born knowing them and needed only to be reminded. The Master Hand was a gentle and lighthearted old man, who had endless delight in the wit and beauty of the crafts he taught; Ged soon felt no awe of him, but asked him for this spell and that spell, and always the Master smiled and showed him what he wanted. But one day, having it in mind to put Jasper to shame at last, Ged said to the Master Hand in the Court of Seeming, 'Sir, all these charms are much the same; knowing one, you know them all. And as soon as the spell-weaving ceases, the illusion vanishes. Now if I make a pebble into a diamond-' and he did so with a word and a flick of his wrist 'what must I do to make that diamond remain diamond? How is the changing-spell locked, and made to last?' The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, 'Tolk,' and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. 'This is a rock; tolk in the True Speech,' he said, looking mildly up at Ged now. 'A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond -or a flower or a fly or an eye or a flame-' The rock flickered from shape to shape as he named them, and returned to rock. 'But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow...' He looked down at the pebble again. 'A rock is a good thing, too, you know,' he said, speaking less gravely. 'If the Isles of Earthsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.' He smiled, but Ged left dissatisfied.

My husband knew Iago was lying, manipulating, sabotaging. So why did he act on obvious deceit? Brotherhood. The quiet approval beamed from one male eye to another. Bright, tight, camaraderie. Like-mindedness born of the exchange of musk; the buck’s regard of the doe; the mild contempt following her capture. The wide, wild celebrity men find with each other cannot compete with the narrow comfort of a wife. Romance is always overshadowed by brawn. The language of love is trivial compared to the hidden language of men that lies underneath the secret language they speak in public. But real love, the love of an Amazon, is not based on pretty language or the secret sharing between males.

Somewhere out there,” said Jean, “must be an illness that makes its sufferers meek, mild, and agreeable. I’ll find it someday, and see that you get the worst possible case.” “I’m sure I was born immune.

Stansted is busy with travellers in dark coats and red scarves – apart from one lady in a dressing gown – spending their Christmas money, trudging wearily around like Lowry people.

If every day is a school day, then today’s lesson is that toothpaste will react to trying to be stuffed into something small and tight by ejaculating all over your arm.

The salad is in some kind of black plant pot, with KFC-style fried popcorn chicken, iceberg lettuce that seems to have been fed through a paper shredder and the dressing in an artful Z shape across the top, as if, with a flourish, Zorro has jizzed on my meal. Olé!

I perch on the thin, freezing bench (on my arse, not like a canary) and tense everything, retracting into myself like a spooked whelk, while teenagers in school blazers chirp in sarcastic bursts and giggles around me.

Contemplation is purer still, yet more sophisticated. This comes from a strongly developed base of concentration—basically, constancy—through any temptation, including altered states of consciousness, that leads one to meditation (effortless engagement), from which is born an intuitive connection to that which is being focused upon (often, the nature of being in the moment, which is the default “focus”). Some people can attain this state accidentally through some combination of surprising events, which is sometimes called revelation. Fewer still can cause this to happen intentionally, mainly because you have to surprise yourself to have it occur. In any case, it requires a real sense of the value of paradox. One leaves a single position behind (such as “I like this” or “I don’t like this”) and expands in comprehension to simultaneously experience its opposite as well. From there, one rises above the two through a creative burst of intuition, and looks down on them both. What you might call transcendence, although I prefer mildly amused.

Good twin calling evil twin. The weasel crows at midnight. How copy?" "Oh, for mercy's sake... I'm busy! Stop sending me silly messages in code! If you have something to say, just say it; otherwise, radio silence, remember?" "You're no fun anymore. You used to be fun, but lately, I've noticed a change in you. Is it menopause, May?" Cyrene 's question took me aback so strongly, I stopped creeping down the darkened hallway and blinked in dumbfounded surprise at the mirror that hung on the wall opposite. No reflected figure blinked back at me. "Are you still having your period? Do you experience hot flashes at night? Are you now growing, or have you at any time in the recent past grown, a mustache?" "Goddess help me," I murmured to no one in particular, and tried my best to ignore the perky little voice that chirped so happily in my ear as I continued to make my way down to the dark and deserted room. I thought for a moment of just turning off the miniature radio that allowed Cyrene to contact me, but knowledge born of long experience with my twin reminded me of the folly of such an idea. "Boy, you really are in a grumpy mood if you won't rise to the bait of menopause," she said in a mildly disgruntled voice

When I was a child and I would listen to my sister's LPs She was a huge fan and she was so in love with him that she wrote him a letter. I enjoyed seeing my sis so happy about Manilow Mania. I wrote some lyrics based on one of his songs, also thinking of those ships that pass in the night in the city where I was born. Can you guess which one? Anyway, my sister was already unconscious at the hospital when I inserted an earplug so that she could hear some of his songs. It was very low, very mild Manilow, when all of a sudden, in the second cord when he sang "I made it through the rain" in a beat a bit higher her heartbeat which was being monitored played faster. I could see that as a sign that she was listening. I stopped the song and I started Singing one of her songs that she had especially made for my birthday when I turned nine yrs old and I never forgot about that. I could see a little smile coming from the left side of her lips. It was the affirmation I needed. That she was and will always be there for me as I so admired her soul to the bones!

She was several inches shorter than me, her chin-length black hair glossy and straight, her skin tan and smooth, and her face—pretty, bordering on plain—was bored, if not mildly irritated. But Amren’s eyes … Her silver eyes were unlike anything I’d ever seen; a glimpse into the creature that I knew in my bones wasn’t High Fae. Or hadn’t been born that way. The silver in Amren’s eyes seemed to swirl like smoke under glass. She wore pants and a top like those I’d worn at the other mountain-palace, both in shades of pewter and storm cloud, and pearls—white and gray and black—adorned her ears, fingers, and wrists. Even the High Lord at my side felt like a wisp of shadow compared to the power thrumming from her.