Bop It Quotes

How can one person be more real than any other? Well, some people do hide and others seek. Maybe those who are in hiding - escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the pan pipe hootchy-kootch of experience - maybe those people, people who won't talk to rednecks, or if they're rednecks won't talk to intellectuals, people who're afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jacklet humanist who says differently is due to have his tongue fried on the hot slabs of Liar's Hell. Some folks hide, and some folk's seek, and seeking, when it's mindless, neurotic, desperate, or pusillanimous can be a form of hiding. But there are folks who want to know and aren't afraid to look and won't turn tail should they find it - and if they never do, they'll have a good time anyway because nothing, neither the terrible truth nor the absence of it, is going to cheat them out of one honest breath of Earth's sweet gas.

I want to be untouchable and beautiful and completely dead inside.

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and cock and hand and asshole holy! Everything is holy! everybody's holy! everywhere is holy! everyday is in eternity! Everyman's an angel! The bum's as holy as the seraphim! the madman is holy as you my soul are holy! The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstasy is holy! Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cas- sady holy the unknown buggered and suffering beggars holy the hideous human angels! Holy my mother in the insane asylum! Holy the cocks of the grandfathers of Kansas! Holy the groaning saxophone! Holy the bop apocalypse! Holy the jazzbands marijuana hipsters peace & junk & drums! Holy the solitudes of skyscrapers and pavements! Holy the cafeterias filled with the millions! Holy the mysterious rivers of tears under the streets! Holy the lone juggernaut! Holy the vast lamb of the middle class! Holy the crazy shepherds of rebell- ion! Who digs Los Angeles IS Los Angeles! Holy New York Holy San Francisco Holy Peoria & Seattle Holy Paris Holy Tangiers Holy Moscow Holy Istanbul! Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch! Holy the sea holy the desert holy the railroad holy the locomotive holy the visions holy the hallucina- tions holy the miracles holy the eyeball holy the abyss! Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul!

A girl wearing a wicker chicken and playing the harp bopped me with a book about buns and then stuffed me under a piano.

Sometimes I think about what it would be like if there was actual peace. The whole planet would be super sustainable: windmills everywhere, solar paneled do-bops, clean streets. Before the world freezes and goes dark, it would be perfect. The generation flying its tiny cars would think itself special. Until one day, vaguely, quietly, the sun would flicker out and they'd realized that none of us are. Or that all of us are.

It's important to tell your story. It's important to listen.

Zip zop wop boopity bop.

A loud song with a thumping beat rang from Jay's pocket. He gave me a goofy grin and began to bop his head back and forth to the rhythm. Oh, no-not the crazy booty dance. “Please don't,” I begged. Jay broke into his funky ringtone dance, shoulders bouncing and hips moving from side to side. People around us stepped away, surprised, then began to laugh and cheer him on. I pressed my fingers against my lips to hide an embarrassed smile. Just as the ringtone was about to end, he gave a little bow, straightened up, and answered the call.

The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.

Your explanation depresses me," I said. "Your nonsense depresses me," said Simple.

You know, he doesn't have to be the only one bopped in the noggin when noggin-boppin' time rolls around.

And I like Strauss and Mozart and all that, but the priceless gift that African Americans gave the world when they were still in slavery was a gift so great that it is now almost the only reason many foreigners still like us at least a little bit. That specific remedy for the worldwide epidemic of depression is a gift called the blues. All pop music today-jazz, swing, be-bop, Elvis Presley, the Beatles, the Stones, rock and roll, hip hop and on and on- is derived from the blues.

It seemed right to do it this way, because the rite of passage is a magic corridor and so we always provide an aisle - it's what you walk down when you get married, what they carry you down when you get buried. Our corridor was those twin rails, and we walked between them, just bopping along toward whatever this was supposed to mean.

When they first kiss, there on the beach, they will kneel at the edge of the Pacific and say a prayer of thanks, sending all the stories of love inside them out in a fleet of bottles all across the oceans of the world.

Good morning, daddy! Ain't you heard The boogie-woogie rumble Of a dream deferred? Listen closely: You'll hear their feet Beating out and beating out a - You think It's a happy beat? Listen to it closely: Ain't you heard something underneath like a - What did I say? Sure, I'm happy! Take it away! Dream Boogie Hey, pop! Re-bop! Mop! Y-e-a-h!

I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.

Archer pressed a preset button on my car radio. An old Britney Spears song blared, and I sung along to every word, bopping in my seat. Archer just looked at me. "Oh, come on!" I said. "Who doesn't sing along to Britney?

accumulate vacation days in the BOP—but she

Each of us has a family tree full of stories inside of us, Dirk thought. Each of us has a story blossoming out of us.

When I talk to parents who tell me, as a way of justifying something unkind their child has done, 'What can I do? Kids will be kids," it's all I can do not to bop them on their heads with a friendship bracelet." -Mr. Browne

FLYING WAS OVERRATED. Heights were very overrated. Flying with wings was probably less overrated when said wings belonged to you, but when you were dangling in a swing that bopped up and down every time the angel of death carrying you beat his wings, you reached a new level of appreciation for walking. Walking was amazing and awesome, and I really wanted to do it again as soon as possible.

I am confident that someday in the future The Rock, who was once a professional wrestler, will run for president of the United States, and I think that he will win. I have seen with my own eyes the power of The Rock. The Rock is a uniter, not a divider. When the BOP showed Walking Tall, the turnout for every screening all weekend long was unprecedented. The Rock has an effect on women that transcends divisions of race, age, cultural background - even social class, the most impenetrable barrier in America. Black, white, Spanish, old, young, all women are hot for The Rock. Even the lesbians agreed that he was mighty easy on the eyes.

I'm not leaving." "I want you out of the city, and now. If the chalet doesn't suit you, go where you like. But you will go." "I have no intention of going anywhere." "Fuck it. You're fired." "Very well. I will remove my belongings and book a hotel until -- " "Oh, shut up. Both of you shut the hell up." She fisted her hands in her hair, yanked fiercely. "Just my luck, you finally say the words I've been waiting over a year to hear and I can't do my happy dance. You expect him to put his tail between his skinny legs and hide?" she demanded of Roarke. "You think when you're in the middle of this kind of mess he's just going to bop over to Switzerland and yodel, or whatever the hell they do there?

Think about the word destroy. Do you know what it is? De-story. Destroy. Destory. You see. And restore. That's re-story. Do you know that only two things have been proven to help survivors of the Holocaust? Massage is one. Telling their story is another. Being touched and touching. Telling your story is touching. It sets you free.

When the poor at the BOP are treated as consumers, they can reap the benefits of respect, choice, and self-esteem and have an opportunity to climb out of the poverty trap.

Defended myself.” I mimicked him, bopping my head back and forth.

Flibberty bop, to the top, allons-y, charge.

She extended the Starsword toward his face. He didn’t dare move as she bopped him on the nose with its tip.

it occurred to him that kids were better at almost dying, and they were also better at incorporating the inexplicable into their lives. They believed implicitly in the invisible world. Miracles both bright and dark were to be taken into consideration, oh yes, most certainly, but they by no means stopped the world. A sudden upheaval of beauty or terror at ten did not preclude an extra cheesedog or two for lunch at noon. “But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window ... but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string ... until eventually, of course, you either went crazy or got to a place where it was impossible for you to function.

That golden pin ball of a hare must be fresh dead! Thirty eight rabbits, seven squirrels, and one kitty cat D.O.A--MEEEEOOOWWW! Bippity bop-bop-bop bippity boo! I’m not no swineherd, my flocks a dead zoo! Won’t crunch on no crumpets, I slurp bacon stew! Ain’t dyin’ in one life, “my brothaaaa”, I’m livin’ two! Yo! Everything melts like grilled cheese in the grease of Old Blue! Old Blue! Old Blue! Everything melts like grilled cheese in the grease of Old Blue!” The Old Blue the character raps of…is money.

My next important discovery: Children of Hermes cannot rap. At all. Bless his conniving little heart, Cecil Markowitz tried his best, but he kept throwing off my rhythm with his spastic clapping and terrible air mic noises. After a few trial runs, I demoted him to dancer. His job would be to shimmy back and forth and wave his hands, which he did with the enthusiasm of a tent-revival preacher. The others managed to keep up. They still looked like half-plucked, highly combustible chickens, but they bopped with the proper amount of soul.

Yes, sarge, but you do bop people over the head.’ ‘Interesting point, lance-constable. Logical and well made, too, in a clear tone of voice bordering on the bloody cheeky. But there’s a big difference.’ ‘And what’s that, sarge?’ ‘You’ll find out,’ said Vimes. And privately thought: the answer is, It’s Me Doing It. I’ll grant that it is not a good answer, because people like Carcer use it too, but that’s what it boils down to. Of course, it’s also to stop me knifing them and, let’s be frank, them knifing me. That’s quite important, too.

Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.

to the Red Drum for sets, to hear Bird, whom I saw distinctly digging Mardou several times also myself directly into my eye looking to search if really I was that great writer I thought myself to be as if he knew my thoughts and ambitions or remembered me from other night clubs and other coasts, other Chicagos—not a challenging look but the king and founder of the bop generation at least the sound of it in digging his audience digging the eyes, the secret eyes him-watching, as he just pursed his lips and let great lungs and immortal fingers work,

I level him with a stare and angrily state, “I am a short, round Cornish seamstress with a West Country accent that only gets thicker when I’m flustered. I’m obsessed with cats, and my freckles look like the Milky Way galaxy on a clear night.” “I love your freckles!” he barks, splaying one hand out on the counter and using his other hand to bop my nose. “They make me want to play connect the dots on your wee face.

This was my evening out:bopping back and forth, away from whichever convo made me the most uncomfortable. I walked back to the booth and stood next to Nick.He was leaning forward, listening to what Davis and Gavin were saying. I waited for them to finish. I stood naked beside him-wearing BOY TOY jeans,a long-sleeved shirt,and a short-sleeved PowderRoom.net T-shirt over that, but feeling naked nevertheless-for several long seconds. When he finally noticed me,he looked up quickly like he'd been waiting on edge for my return. He set down his pizza, crumpled his napkin in his hands, and even slid his half-filled plate toward the center of the table like I was the main course now and he was making room for me. "So,Hoyden." I noticed the Christmas lights glinting in his dark hair again, reflecting in his dark eyes. It took me a moment to remember I had something to tell him. Nick had that effect on me. I bent down and cupped my hand around his ear-such an intimate gesture on its own.The coarse strands of his hair brushed my fingers as I whispered, "Chloe and Liz think we need to make out." I jumped away at his sudden movement. He leaped up from the table and grabbed my hand. "I'll get my coat.

But Alonso kept smiling that smile and nothing made any sense with that smile looking you in the face. 'Jim, don't tell me that, you know, brother-shit. I have been through it all. Take, you know, advice. There is only one thing and that is the kick, the Now. Nothing else counts. Get yours. Get it because, you know, no one cares and they will always put you down in the end, Jim, and the only word that counts is, you know, Now. Not that foolish brother and bopping jazz, Jim. Now. Because if it all don't go up in any, you know, twenty minutes; up, all gone; then they are going to put you down and keep you down. Now.

Art", "Bop" and "rock and roll" and whatever is all just a joke and a mistake, just a hunka foolishness so stop treating it with any seriousness or respect at all and just recognize the fact that it's nothing but a wham-o toy to bash around as you please in the nursery, it's nothing but a goddam Bonusburger so just gobble the stupid thing and burp and go for the next one tomorrow; and don't worry about the fact that it's a joke and a mistake and a bunch of foolishness as if that's gonna cause people to disregard it and do it in or let it dry up and die, because it is the strogest, most virulent, most invincible Superjoke in history, nothing could ever destroy it ever, and the reason for that is precisely that it is a joke, a mistake, foolishness. The first mistake of art is to assume that it's serious.

I call my it "the Book of Paula" or BoP for short. Those are my own opinions, based on experience.

I was so disgusted with the BOP’s farcical prerelease program that I just shut my eyes and waited for it to be over. One

Enough of this,” I say easily, bopping her nose. Apparently, I do cute shit around this female. The horror.

The grand wild sound of bop floated from beer parlors; it mixed medleys with every kind of cowboy and boogie-woogie in the American Night.

The only dancing I did now was the bee-bop dance step I do when I’m trying to get my pants down fast enough, so I don’t pee before I sit down.

What’s a Velvet Underground?” he said. “You wouldn’t like it,” said Crowley. “Oh,” said the angel dismissively. “Be-bop.

Grandma Fifi had two friends named Martin and Merlin who were afraid in a way Dirk didn't want to be. They were both very handsome and kind and always brought candies and toys when they came over for tea and Fifi's famous pastries. But as much as Dirk liked Martin and Merlin he knew he was different from them. They talked in voices as pale and soft as the shirts they wore and they moved as gracefully as Fifi did. Their eyes were startled and sad. They had been hurt because of who they were. Dirk didn't want to be hurt that way. He wanted to be strong and to love someone who was strong; he wanted to meet any gaze, to laugh under the brightest sunlight and never hide.

What we’ve got here in Boulder right now is mass confusion, everyone bopping along and doing his own thing … and we’ve got to do something about what my students would have called ‘getting our shit together.

Like a picara, I have spent my adulthood bopping from city to city, acquiring kindred spirits at every stop; a group of guardians who have taken good care of me (a tender of guardians, a dearheart of guardians).

On August 27, Cheap Trick opened for Fanny at Snoopy’s (later Stone Hearth) in Madison. Fanny had appeared with Todd Rundgren at Rockford Armory two nights earlier, with Dr. Bop & The Headliners opening. Meanwhile …

You know, the horizontal bop. Hide the salami. The hot thing. The big O.  Getting lucky. Going all the way. Hitting a home run. Scoring big-time. Laying pipe. Plowing a field. Stuffing the muff. Doing the big dirty,

She bops around really energetically but she’s also still. Like she’s moving her torso but her feet don’t move, and then sometimes she’ll take one step, and it feels like a thesis statement. Like it is a topic sentence about her butt.

Poor L. We are sorry that you left so soon. We are even sorrier to have inveigled our Esmeralda and mermaid into a naughty prank. That sort of game will never again be played with you, firebird. We apollo [apologize]. Remembrance, embers ans membranes of beauty make artists and morons loose all self-control. Pilots of tremendous air ships and coarse, smelly coachmen are known to have been driven insane by a pair of green eyes and a copper curl. We wished to admire and amuse you, BOP [Bird of Paradise]. We went too far. I, Van, went too far. We regret that shameful, though basically innocent scene. These are times of emotional stress and reconditioning. Destroy and forget. Tenderly yours, A & V (in alphabetic order).

As much as I hate to admit it, you did good work today," Yorl says in the doorway. "Aw, I appreciate you, too." I reach to bop his black nose, but he lifts his chin out of the way. "Don't." I stamp my foot. "Why does everyone in this city hate fun?" "Do you think a stranger sticking their fingers up your nose is fun?" "Up your nose? Gross. I was just going to tap it. Who's been trying to stick their fingers up your nose?" "The human children," he grumbles. "Every chance they get.

A myth is 'a narrative involving supernatural or fancied persons embodying popular ideas or social phenomena.' Women love telling stories . . . the girl-group is a gigantic narrative full of morality tales locked up like charms in a crystallized sound.

If there’s anything you’d like to hear, I’m taking requests. But for now, let’s start with a little Harry Styles.” Butterflies flitted in my stomach as the first chords of “Cherry” smoothed over the crowd, and I found myself singing along, feet bopping under the table.

he was the indisputable master of the night, bopping as he churned out an endless assortment of music designed to trigger the primal human instinct to rock and roll. He was a puppeteer, pulling the strings on a mob of puppets seeking mindless respite from teenage angst.

There she sat with her rust-flecked sides and her new hood and her tailfins that seemed a thousand miles long. A dinosaur from the dark ditty-bop days of the 50s when all the oil millionaires were from Texas and the Yankee dollar was kicking the shit out of the Japanese yen instead of the other way around.

When a Pope dies, zero chances are taken. According to the Vatican’s rules, clearly drawn up by someone who thought The Exorcist was on the same side, the doctor has to call out the Pope’s name three times, check the body’s breath doesn’t blow out a candle, then, just to be certain, bop him on the head with a hammer. 

Only in his mind, Tweety wasn’t bopping that dumb ole puddy-tat over the head with a mallet or sticking a mousetrap in front of his questing paw; what Lloyd saw was Sylvester strapped into Old Sparky while the parakeet perched on a stool by a big switch. He could even see the guard’s cap on Tweety’s little yellow head.

Popular music creates most impact in the telling of stories.

Young men list music as their focus and means of identity -- before sport, before TV, before cinema -- while women cite fashion as most important, with music an ambivalent second.

Who says there's just one safe way to walk, one road properly lit, and the rest - all slippery water, unmarked?

Whether Whether anger quickens a lagging stride, and periodic burn-offs in the forest revitalize exhausted soil and flora—. Whether we should take pleasure in the wildcat jubilation of a lightning bolt that whips its silver vein of genesis through the night sky, flash-photo of a white birch upended, the root-system buckled to swollen thunderheads—. And whether naming an offense amounts to sour grapes and common bitterness, or even the conceited nonsense of unwashed yahoo multitudes, a yawping insult to civilized behavior—. Whether a July rainstorm, even when it drenches the unprepared pedestrian and befuddles traffic, might be extravagant, a joy, like the whoops and escalating bop glissandos of Gillespie’s upraised horn, cascading pitches a countersong to meteoric chalk marks Perseids burn across the House of Leo—. And whether peaceful ecstasy might float up from a fifteen-second avalanche reflected in the skier’s goggles, his jacket a spark of scarlet on the topmost slope, waiting for the homeward track to clear.

They found it, they lost, they wrestled for it, they found it again, they laughed, they moaned—and Dean sweated at the table and told them to go, go, go. At nine o’clock in the morning everybody—musicians, girls in slacks, bartenders, and the one little skinny, unhappy trombonist—staggered out of the club into the great roar of Chicago day to sleep until the wild bop night again.

The first time she wore her gi she also mistakenly wore her lucky Valentine's Day panties that showed through where she sweated like a boiled lobster in gauze. And last week in the turtle tot class where she loves to volunteer she bopped one of the cutest tots on the noggin with a foam noodle to get his guards up and he responded by throwing up on her feet. So there were setbacks.

99 Problems is almost a deliberate provocation to simpleminded listeners. If that sounds crazy, you have to understand: Being misunderstood is almost a badge of honor in rap. Growing up as a black kid from the projects, you can spend your whole life being misunderstood, followed around department stores, looked at funny, accused of crimes you didn't commit, accused of motivations you don't have, dehumanized -- until you realize, one day, it's not about you. It's the perceptions people had long before you even walked onto the scene. The joke's on them because they're really just fighting phantoms of their own creation. Once you realize that, things get interesting. It's like when we were kids. You'd start bopping hard and throwing the ice grill when you step into Macy's and laugh to yourself when security guards got nervous and started shadowing you. You might have a knot of cash in your pocket, but you boost something anyway, just for the sport of it. Fuck 'em. Sometimes the mask is to hide and sometimes it's to play at being something you're not so you can watch the reactions of people who believe the mask is real. Because that's when they reveal themselves. So many people can't see that every great rapper is a not just a documentarian, but a trickster -- that every great rapper has a little bit of Chuck and a little bit of Flav in them -- but that's not our problem, it's their failure: the failure, or unwillingness, to treat rap like art, instead of acting like it's a bunch of niggas reading out of their diaries. Art elevates and refines and transforms experience. And sometimes it just fucks with you for the fun of it.

I’ll handle it,” I boasted, reaching for my sword. She might dismiss my philosophical revelations, but she couldn’t dispute my warrior skills. “If you wish,” said Summer, “even though it might be safer with a bow.” “You’re worried about safety?” I snorted. “With that bopping bag o’ jelly?” “Oh, by all means,” Summer giggled, “save the day.” I hesitated. “What’s the matter?” “No, nothing”—Summer stifled another giggle—“unless you’d like a little help?” “Puh-lease,” I sneered. “I got this.

Prahalad’s book The Fortune at the Bottom of the Pyramid. He opened with a strong statement of purpose: “If we stop thinking of the poor as victims or as a burden and start recognizing them as resilient and creative entrepreneurs and value-conscious consumers, a whole new world of opportunity will open up,” and an even stronger statement of possibility: “The BoP market potential is huge: 4 to 5 billion underserved people and an economy of more than $13 trillion PPP (purchasing power parity).

BOP / SOUL JAZZ: RECOMMENDED LISTENING Cannonball Adderley, “Mercy, Mercy, Mercy,” October 20, 1966 Art Blakey, “Moanin’,” October 30, 1958 Clifford Brown and Max Roach, “Sandu,” February 25, 1955 Art Farmer and Benny Golson, “Killer Joe,” February 6–10, 1960 Herbie Hancock, “Cantaloupe Island,” June 17, 1964 Lee Morgan, “The Sidewinder,” December 21, 1963 Wayne Shorter, “Witch Hunt,” December 24, 1964 Horace Silver, “Señor Blues,” November 10, 1956 Jimmy Smith, “Midnight Special,”April 25, 1960

Then here came a gang of young bop musicians carrying their instruments out of cars. They piled right into a saloon and we followed them. They set themselves up and started blowing. There we were! The leader was a slender, drooping, curly-haired, pursy-mouthed tenorman, thin of shoulder, draped loose in a sports shirt, cool in the warm night, self-indulgence written in his eyes, who picked up his horn and frowned in it and blew cool and complex and was dainty stamping his foot to catch ideas, and ducked to miss others—and said, “Blow,” very quietly when the other boys took solos.

But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window . . . but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string

This place is real swanky," Nigel said, staring up at the chandelier. "Yeah, I'm afraid to breathe too hard," Neil confessed. "Me, too," Meryn said, walking into the room her eyes half closed. Ryuu steered her to the table. She sat down and placed her cheek on the wood surface. "Ryuu, I can't do this anymore. I need coffee, real coffee. I'm tired of being fucking tired." Ryuu stared down at her. "We'll try one cup and see how you do." He left and headed to the kitchen. Nigel elbowed her side and bopped his head toward Meryn. "Nigel, Neil, meet Meryn McKenzie. Meryn, when you're conscious, you can meet Nigel and Neil Morninglory." "Word," Meryn croaked.

But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window ... but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string ... until eventually, of course, you either went crazy or got to a place where it was impossible for you to function.

Tom Arnold is already waiting at the bar when I arrive, and Vanessa purrs loudly when she spots him. I ignore the slut and stand next to him, waiting for him to notice me, bopping my head slightly to Andy Williams singing Can’t Take My Eyes Off You. At last, he turns and smiles at me. “Pip! You look lovely,” he tells me with an appreciative glance. I simper. “So do you,” I tell him, attempting to bat my eyelids like Vanessa would. “Have you got something in your eye?” he frowns. “Contact lens is playing up,” I mutter. “I didn’t know you wore contacts,” he says in surprise. “All the better to see you with, my dear,” I respond in a deep voice, and he gives me a strange look. I clear my throat. “It’s a free bar tonight, isn’t it?

The beatest characters in the country swarmed on the sidewalks—all of it under those soft Southern California stars that are lost in the brown halo of the huge desert encampment LA really is. You could smell tea, weed, I mean marijuana, floating in the air, together with the chili beans and beer. That grand wild sound of bop floated from beer parlors; it mixed medleys with every kind of cowboy and boogie woogie in the American night. Everybody looked like Hassel. Wild Negroes with bop caps and goatees came laughing by; then longhaired brokendown hipsters straight off Route 66 from New York; then old desert rats, carrying packs and heading for a park bench at the Plaza; then Methodist ministers with raveled sleeves, and an occasional Nature Boy saint in beard and sandals.

those manufacturing companies: America! With our pocket money we bought flat packets of chewing gum, beautifully wrapped, that included a picture of a movie star – we collected those – and it all smelled strange and rosy: America! On short-wave radio an army station crackled into the room, with an announcer who might start talking right over a swing band: America! Lionel Hampton came to the Netherlands in September 1953 and his saxophonist lay on his back onstage and carried on playing. Hampton abandoned his vibraphone to play drums for a while and to do an improvised dance to ‘Hey-Ba-Ba-Re-Bop’. De Gelderlander, our provincial newspaper, wrote: ‘How vast must be the emptiness of those hearts that have lost any longing for values more exalted than those of Negro moaning.’ But

Wes knocks a couple of times, but Adam doesn’t answer. “Jackpot,” he says, kneeling down to examine the lock. He takes the bundle of wire from his pocket and proceeds to make a key of sorts. “You’re not going to break in?” I ask. “Well, um, yeah. Kimmie rolls her eyes, as if the answer’s completely obvious. Wes sticks his key into the lock and starts to jiggle it back and forth. A moment later, the doorknob turns. Only, Wes isn’t the one turning it. Piper then whips the door open. “Oh, my god,” she says, smacking her chest like we’ve scared her, too. “We were looking for Adam.” I peek past her into the apartment. “He isn’t here,” she says, glaring up at Wes, no doubt annoyed that he’s attempting to pick the lock. “Would you believe that I dropped the contact?” he asks, before finally getting up. “Not likely, since you’re wearing glasses.” Kimmie bops him on the head with her Tupperware purse.

It was always right in front of me. The fear was there in the extravagant boys of my neighborhood, in their large rings and medallions, their big puffy coats and full-length fur-collared leathers, which was their armor against the world. They would stand on the corner of Gwynn Oak and Liberty, or Cold Spring and Park Heights, or outside Mondawmin Mall, with their hands dipped in Russell sweats, I think back on those boys now and all I see is fear, and all I see is them girding themselves against the ghosts of the bad old days when the Mississippi mob gathered 'round their grandfathers so that the branches of the black body might be torched, then cut away. The fear lived on in their practiced bop, their slouching denim, their big T-shirts, the calculated angle of their baseball caps, a catalog of behaviors and garments enlisted to inspire the belief that these boys were in firm possession of everything they desired.

Suddenly Dean stared into the darkness of a corner beyond the bandstand and said, "Sal, God has arrived." I looked. George Shearing. And as always he leaned his blind head on his pale hand, all ears opened like the ears of an elephant, listening to the American sounds and mastering them for his own English summer's-night use. Then they urged him to get up and play. He did. He played innumerable choruses with amazing chords that mounted higher and higher till the sweat splashed all over the piano and everybody listened in awe and fright. They led him off the stand after an hour. He went back to his dark corner, old God Shearing, and the boys said, "There ain't nothin left after that." But the slender leader frowned. "Let's blow anyway." Something would come of it yet. There's always more, a little further - it never ends. They sought to find new phrases after Shearing's explorations; they tried hard. They writhed and twisted and blew. Every now and then a clear harmonic cry gave new suggestions of a tune that would someday be the only tune in the world and would raise men's souls to joy. They found it, they lost, they wrestled for it, they found it again, they laughed, they moaned - and Dean sweated at the table and told them to go, go, go. At nine o'clock in the morning everybody - musicians, girls in slacks, bartenders, and the one little skinny, unhappy trombonist - staggered out of the club into the great roar of Chicago day to sleep until the wild bop night again.

She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.

Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.

BOP consumer problems cannot be solved with old technologies.

BOP2: Do a minimum of 20 mins moderate to intense exercise, every other day.

BOP1: Drink a small glass of water the moment you wake up in the morning and make sure you stay well hydrated throughout the day – for your brain's sake.

BOP4: Get your skin in daylight for at least 5–15 mins every day.

by anonymous accusations of infidelity?” I said. Susan smiled. “Fancy talk for a guy with an eighteen-inch neck,” she said. “I been bopping a shrink,” I said.

The acronym BOP has become a popular way to refer to this market of 4 billion people who live on less than $3,000 per year and the economic opportunities they represent.

Ancak emperyalizm hiç vazgeçmemiştir. Evet! Sıkıştıkça Türkiye'yi bölüp parçalamaktan vazgeçmiş gibi görünmüş, ama bilinçaltında ve sümen altında hep Türkiye'yi bölüp parçalamaya yönelik planları saklı tutmuştur. Emperyalizm, dün Sevr Projesi diye Turkiye'ye dayattıklarını bugün "demokrasi", "insan hakları", "AB Uyum Yasaları" ve BOP olarak Türkiye'ye dayatmaktadır. Örneğin, dün Sevr Antlaşması ile Türkiye'ye dayatılan Anadolu coğrafyasında bir Kürdistan ve Ermenistan kurma planı, bugün başka adlarla bugün Türkiye'ye dayatılmaktadır. Sayfa:13

station. I had a sinking feeling that our future lay somewhere inside one of these dark, gaping mouths. “Oh, I hope we don’t have to go mucking about in there,” said Olive. “Of course we do,” Enoch said. “It isn’t a proper holiday until we’ve plumbed every available sewer.” The pigeon bopped rightward. We started down the tracks. I hopscotched around an oily puddle and a legion of rats scurried away from my feet, sending Olive into Bronwyn’s arms with a shriek. The tunnel yawned before us, black and menacing. It occurred to me that this would be a very bad place to meet a hollowgast. Here there’d be no walls to climb, no houses to shelter in, no tomb lids to close behind us. It was long and straight and lit only by a few red bulbs, glinting feebly at scattered intervals. I walked faster. The darkness closed around us. When I was a kid, I used to play hide-and-seek with my dad. I was always the hider and he the seeker. I was really good at it, primarily because I, unlike most kids of four or five, had the then-peculiar ability to be extremely quiet for

On January 28th, 1982, I wrote in my diary, "Rock and roll is a king-sized version of jazzy, puck, swing, and be-bop. I don't want that. However, rhythmic beat's fine.

The key insight was that when serving the BoP, the firm does not start from the cost to determine the price; rather it has to start from what price the BoP consumers are willing to pay and work backwards to the cost at which the firm has to produce.

April was a red balloon, flaccid in an open, pink palm. June was a red balloon, inflated and knotted and bopped by a knuckle on a warm current of air. August was a red balloon forgotten and collapsing in a dusty corner.

When she was certain he must be fully immersed in the throng of people, she too stepped forward. On all sides, little bodies bopped into her, thin limbs attempting to carry luggage much too big for them. She loved the children’s sounds, the way the girl’s voices were high and sweet as a harp song, the ruckus of some of the boys like an occasional clash of symbols or roll of a drum. It was a symphony at its finest.

At last Stuart looked away from Helen and back to the piano as he picked up on Helen’s cue. In the Mood filled the small living room the way fragrance fills a garden after rain. Helen felt almost tipsy, perhaps from the music or the look Stuart had given her, or because people so rarely dance without being tipsy. Lyric bounced on Helen’s hip, the girl’s thin legs bopping against Helen’s body. Then as Helen swung and spun the child over the rug, the most remarkable thing happened. It started like a freshly sprung leak, then the moment before it came, Helen saw it in Lyric’s eyes. The leak busted, a water main of laughter bursting and arching into the room. Lyric’s laugh was the most beautiful sound Helen had ever heard. Her first thought was that Mum had been right—there is magic on this earth, and at last Helen had found it, hiding, inside this little girl. To Helen, it felt as though she'd spent so many days in the cold of winter, and was now hearing the birds return.

No stockings, no breakfast casserole in the kitchen, no watching White Christmas with her daddy. Sounded horrible. Cindy came bopping back with their drinks. Taking a

My experience of a relationship is two people more or less compulsively playing musical chairs with each other's selected inner archetypes. My tough street kid is romancing your honky-tonk angel. I am your homeless waif and you are my loving mother. I am your lost father and you are my doting daughter. I am your worshiper and you are my goddess. I am your god and you are my priestess. I am your client and you are my analyst. I am your intensity and you are my ground. These are some of the more garish of the patterns. Animus, anima, bopping on a seesaw.

God will never give us more than we can handle, right?' 'That’s not exactly true, dear.' Rebecca looked up, surprised. 'People are always saying that, I know,' Alice hastily explained, 'but God never promises such a thing. In fact, I suspect He always gives us more than we can handle, that we might turn to Him again and again and again. We’re sheep prone to wander, dear, and the Good Shepherd bops us with His staff to keep us in the fold.

Pleased to meet y’all,” said the short villager to Porkins and Carl. They were gathered outside, by the stable. “I’m Biff, the leader of our little group.” He pointed at the fat villager. “This here is Boff, my deputy, and those other two are Boof and Bop.” “So your names are Biff, Boff, Boof and Bop?” said Carl. “That’s correct,” said Biff. “Doesn’t that get confusing?” “No, sir.” “Riiiiight,” said Carl. The Ender Hunters only had two spare horses, so Porkins took one and Dave shared the other with Carl. “I don’t think you’d be able to ride too well with them tiny little legs, anyway,” Boff said to Carl. “Whatever you say, Boof,” said Carl. “I’m Boff,” said Boff. “Wait a minute,” said Boof, “I thought I was Boff.” “No,” said Bop, “you’re Bop.” Carl rolled his eyes. “Let’s just get moving, shall we,” he said.

About an hour or so after I opened the library, people began coming in. Our library was quite popular. While part of the reason was because we were one of only four libraries in Nevaria, I believed a bigger reason was because news had spread that Kari often frequented this place. It had officially become common knowledge. Several of those people who’d come to the library fled after the snake suddenly dropped down from the rafters and flicked its tongue at them. I bopped the thing on the head after this happened several times, then gave it a stern lecture, but that didn’t seem to deter it. At some point, I just couldn’t take anymore and tried to pull the thing from the rafters. “You’re being a pest! Get down now!” The snake hissed. “Don’t take that tone with me! I told you to behave yourself, and you didn’t! Your rafter privileges have been revoked!

I think diddly bop was pretty good.

Silver confetti falls from the ceiling. The music launches again, and the sleek young mob dances feverishly, arms in the air. My head throbs along with the bass. Why had I agreed to this? I plug my ears with my fingers. I feel ridiculous beside these twenty-somethings. Marie and her friend apparently do not. They’re drinking the champagne and bopping their heads to the music. I watch a group of girls pucker for a photographer. They’re practically falling out of their tops. I hear Emily’s voice. Prude. “I have to go to the bathroom,” I tell Marie, and slide out of the booth. And I’m thinking of those catacombs, seemingly endless. I can see Emily, the version of her in that coffin. Embalming, the displacement of blood and interstitial fluids by embalming chemicals. I had looked the process up, after Mom insisted on a viewing. She was so beautiful, she cried. I want to see her one more time. The body is washed in disinfectant, limbs are massaged and manipulated, eyes glued closed, mouth and jaw secured with wires. The embalming solution contains dye to simulate a lifelike skin tone. A warm peach tone, the funeral director told us. I could barely stand it. I make my way to the second floor, where the music isn’t techno, only sultry R&B.