Bop It Quotes

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How can one person be more real than any other? Well, some people do hide and others seek. Maybe those who are in hiding - escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the pan pipe hootchy-kootch of experience - maybe those people, people who won't talk to rednecks, or if they're rednecks won't talk to intellectuals, people who're afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jacklet humanist who says differently is due to have his tongue fried on the hot slabs of Liar's Hell. Some folks hide, and some folk's seek, and seeking, when it's mindless, neurotic, desperate, or pusillanimous can be a form of hiding. But there are folks who want to know and aren't afraid to look and won't turn tail should they find it - and if they never do, they'll have a good time anyway because nothing, neither the terrible truth nor the absence of it, is going to cheat them out of one honest breath of Earth's sweet gas.
Tom Robbins (Still Life with Woodpecker)
I want to be untouchable and beautiful and completely dead inside.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and cock and hand and asshole holy! Everything is holy! everybody's holy! everywhere is holy! everyday is in eternity! Everyman's an angel! The bum's as holy as the seraphim! the madman is holy as you my soul are holy! The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstasy is holy! Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cas- sady holy the unknown buggered and suffering beggars holy the hideous human angels! Holy my mother in the insane asylum! Holy the cocks of the grandfathers of Kansas! Holy the groaning saxophone! Holy the bop apocalypse! Holy the jazzbands marijuana hipsters peace & junk & drums! Holy the solitudes of skyscrapers and pavements! Holy the cafeterias filled with the millions! Holy the mysterious rivers of tears under the streets! Holy the lone juggernaut! Holy the vast lamb of the middle class! Holy the crazy shepherds of rebell- ion! Who digs Los Angeles IS Los Angeles! Holy New York Holy San Francisco Holy Peoria & Seattle Holy Paris Holy Tangiers Holy Moscow Holy Istanbul! Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch! Holy the sea holy the desert holy the railroad holy the locomotive holy the visions holy the hallucina- tions holy the miracles holy the eyeball holy the abyss! Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul!
Allen Ginsberg (Howl and Other Poems)
A girl wearing a wicker chicken and playing the harp bopped me with a book about buns and then stuffed me under a piano.
Gail Carriger (Manners & Mutiny (Finishing School, #4))
Sometimes I think about what it would be like if there was actual peace. The whole planet would be super sustainable: windmills everywhere, solar paneled do-bops, clean streets. Before the world freezes and goes dark, it would be perfect. The generation flying its tiny cars would think itself special. Until one day, vaguely, quietly, the sun would flicker out and they'd realized that none of us are. Or that all of us are.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
It's important to tell your story. It's important to listen.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
Zip zop wop boopity bop.
Bill Cosby
A loud song with a thumping beat rang from Jay's pocket. He gave me a goofy grin and began to bop his head back and forth to the rhythm. Oh, no-not the crazy booty dance. “Please don't,” I begged. Jay broke into his funky ringtone dance, shoulders bouncing and hips moving from side to side. People around us stepped away, surprised, then began to laugh and cheer him on. I pressed my fingers against my lips to hide an embarrassed smile. Just as the ringtone was about to end, he gave a little bow, straightened up, and answered the call.
Wendy Higgins (Sweet Evil (Sweet, #1))
The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.
Jack Kerouac
Your explanation depresses me," I said. "Your nonsense depresses me," said Simple.
Langston Hughes
You know, he doesn't have to be the only one bopped in the noggin when noggin-boppin' time rolls around.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
And I like Strauss and Mozart and all that, but the priceless gift that African Americans gave the world when they were still in slavery was a gift so great that it is now almost the only reason many foreigners still like us at least a little bit. That specific remedy for the worldwide epidemic of depression is a gift called the blues. All pop music today-jazz, swing, be-bop, Elvis Presley, the Beatles, the Stones, rock and roll, hip hop and on and on- is derived from the blues.
Kurt Vonnegut Jr. (A Man Without a Country)
It seemed right to do it this way, because the rite of passage is a magic corridor and so we always provide an aisle - it's what you walk down when you get married, what they carry you down when you get buried. Our corridor was those twin rails, and we walked between them, just bopping along toward whatever this was supposed to mean.
Stephen King (The Body)
When they first kiss, there on the beach, they will kneel at the edge of the Pacific and say a prayer of thanks, sending all the stories of love inside them out in a fleet of bottles all across the oceans of the world.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
Good morning, daddy! Ain't you heard The boogie-woogie rumble Of a dream deferred? Listen closely: You'll hear their feet Beating out and beating out a - You think It's a happy beat? Listen to it closely: Ain't you heard something underneath like a - What did I say? Sure, I'm happy! Take it away! Dream Boogie Hey, pop! Re-bop! Mop! Y-e-a-h!
Langston Hughes
I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
Archer pressed a preset button on my car radio. An old Britney Spears song blared, and I sung along to every word, bopping in my seat. Archer just looked at me. "Oh, come on!" I said. "Who doesn't sing along to Britney?
Elise Allen (Populazzi)
When I talk to parents who tell me, as a way of justifying something unkind their child has done, 'What can I do? Kids will be kids," it's all I can do not to bop them on their heads with a friendship bracelet." -Mr. Browne
R.J. Palacio (365 Days of Wonder: Mr. Browne's Book of Precepts)
accumulate vacation days in the BOP—but she
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
Each of us has a family tree full of stories inside of us, Dirk thought. Each of us has a story blossoming out of us.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
FLYING WAS OVERRATED. Heights were very overrated. Flying with wings was probably less overrated when said wings belonged to you, but when you were dangling in a swing that bopped up and down every time the angel of death carrying you beat his wings, you reached a new level of appreciation for walking. Walking was amazing and awesome, and I really wanted to do it again as soon as possible.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
I am confident that someday in the future The Rock, who was once a professional wrestler, will run for president of the United States, and I think that he will win. I have seen with my own eyes the power of The Rock. The Rock is a uniter, not a divider. When the BOP showed Walking Tall, the turnout for every screening all weekend long was unprecedented. The Rock has an effect on women that transcends divisions of race, age, cultural background - even social class, the most impenetrable barrier in America. Black, white, Spanish, old, young, all women are hot for The Rock. Even the lesbians agreed that he was mighty easy on the eyes.
Piper Kerman (Orange Is the New Black)
I'm not leaving." "I want you out of the city, and now. If the chalet doesn't suit you, go where you like. But you will go." "I have no intention of going anywhere." "Fuck it. You're fired." "Very well. I will remove my belongings and book a hotel until -- " "Oh, shut up. Both of you shut the hell up." She fisted her hands in her hair, yanked fiercely. "Just my luck, you finally say the words I've been waiting over a year to hear and I can't do my happy dance. You expect him to put his tail between his skinny legs and hide?" she demanded of Roarke. "You think when you're in the middle of this kind of mess he's just going to bop over to Switzerland and yodel, or whatever the hell they do there?
J.D. Robb (Betrayal in Death (In Death, #12))
Think about the word destroy. Do you know what it is? De-story. Destroy. Destory. You see. And restore. That's re-story. Do you know that only two things have been proven to help survivors of the Holocaust? Massage is one. Telling their story is another. Being touched and touching. Telling your story is touching. It sets you free.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
it occurred to him that kids were better at almost dying, and they were also better at incorporating the inexplicable into their lives. They believed implicitly in the invisible world. Miracles both bright and dark were to be taken into consideration, oh yes, most certainly, but they by no means stopped the world. A sudden upheaval of beauty or terror at ten did not preclude an extra cheesedog or two for lunch at noon. “But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window ... but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string ... until eventually, of course, you either went crazy or got to a place where it was impossible for you to function.
Stephen King (It)
Defended myself.” I mimicked him, bopping my head back and forth.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
When the poor at the BOP are treated as consumers, they can reap the benefits of respect, choice, and self-esteem and have an opportunity to climb out of the poverty trap.
C.K. Prahalad (Fortune at the Bottom of the Pyramid, The: Eradicating Poverty Through Profits)
Flibberty bop, to the top, allons-y, charge.
Jessica Cluess (A Shadow Bright and Burning (Kingdom on Fire, #1))
She extended the Starsword toward his face. He didn’t dare move as she bopped him on the nose with its tip.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
That golden pin ball of a hare must be fresh dead! Thirty eight rabbits, seven squirrels, and one kitty cat D.O.A--MEEEEOOOWWW! Bippity bop-bop-bop bippity boo! I’m not no swineherd, my flocks a dead zoo! Won’t crunch on no crumpets, I slurp bacon stew! Ain’t dyin’ in one life, “my brothaaaa”, I’m livin’ two! Yo! Everything melts like grilled cheese in the grease of Old Blue! Old Blue! Old Blue! Everything melts like grilled cheese in the grease of Old Blue!” The Old Blue the character raps of…is money.
Kevin Moccia (The Beagle and the Hare)
My next important discovery: Children of Hermes cannot rap. At all. Bless his conniving little heart, Cecil Markowitz tried his best, but he kept throwing off my rhythm with his spastic clapping and terrible air mic noises. After a few trial runs, I demoted him to dancer. His job would be to shimmy back and forth and wave his hands, which he did with the enthusiasm of a tent-revival preacher. The others managed to keep up. They still looked like half-plucked, highly combustible chickens, but they bopped with the proper amount of soul.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
Hubert Selby Jr.
But Alonso kept smiling that smile and nothing made any sense with that smile looking you in the face. 'Jim, don't tell me that, you know, brother-shit. I have been through it all. Take, you know, advice. There is only one thing and that is the kick, the Now. Nothing else counts. Get yours. Get it because, you know, no one cares and they will always put you down in the end, Jim, and the only word that counts is, you know, Now. Not that foolish brother and bopping jazz, Jim. Now. Because if it all don't go up in any, you know, twenty minutes; up, all gone; then they are going to put you down and keep you down. Now.
Sol Yurick (The Warriors)
Yes, sarge, but you do bop people over the head.’ ‘Interesting point, lance-constable. Logical and well made, too, in a clear tone of voice bordering on the bloody cheeky. But there’s a big difference.’ ‘And what’s that, sarge?’ ‘You’ll find out,’ said Vimes. And privately thought: the answer is, It’s Me Doing It. I’ll grant that it is not a good answer, because people like Carcer use it too, but that’s what it boils down to. Of course, it’s also to stop me knifing them and, let’s be frank, them knifing me. That’s quite important, too.
Terry Pratchett (Night Watch (Discworld, #29))
to the Red Drum for sets, to hear Bird, whom I saw distinctly digging Mardou several times also myself directly into my eye looking to search if really I was that great writer I thought myself to be as if he knew my thoughts and ambitions or remembered me from other night clubs and other coasts, other Chicagos—not a challenging look but the king and founder of the bop generation at least the sound of it in digging his audience digging the eyes, the secret eyes him-watching, as he just pursed his lips and let great lungs and immortal fingers work,
Jack Kerouac (The Subterraneans)
I level him with a stare and angrily state, “I am a short, round Cornish seamstress with a West Country accent that only gets thicker when I’m flustered. I’m obsessed with cats, and my freckles look like the Milky Way galaxy on a clear night.” “I love your freckles!” he barks, splaying one hand out on the counter and using his other hand to bop my nose. “They make me want to play connect the dots on your wee face.
Amy Daws (Blindsided (Harris Brothers World, #2))
This was my evening out:bopping back and forth, away from whichever convo made me the most uncomfortable. I walked back to the booth and stood next to Nick.He was leaning forward, listening to what Davis and Gavin were saying. I waited for them to finish. I stood naked beside him-wearing BOY TOY jeans,a long-sleeved shirt,and a short-sleeved PowderRoom.net T-shirt over that, but feeling naked nevertheless-for several long seconds. When he finally noticed me,he looked up quickly like he'd been waiting on edge for my return. He set down his pizza, crumpled his napkin in his hands, and even slid his half-filled plate toward the center of the table like I was the main course now and he was making room for me. "So,Hoyden." I noticed the Christmas lights glinting in his dark hair again, reflecting in his dark eyes. It took me a moment to remember I had something to tell him. Nick had that effect on me. I bent down and cupped my hand around his ear-such an intimate gesture on its own.The coarse strands of his hair brushed my fingers as I whispered, "Chloe and Liz think we need to make out." I jumped away at his sudden movement. He leaped up from the table and grabbed my hand. "I'll get my coat.
Jennifer Echols (The Ex Games)
Art", "Bop" and "rock and roll" and whatever is all just a joke and a mistake, just a hunka foolishness so stop treating it with any seriousness or respect at all and just recognize the fact that it's nothing but a wham-o toy to bash around as you please in the nursery, it's nothing but a goddam Bonusburger so just gobble the stupid thing and burp and go for the next one tomorrow; and don't worry about the fact that it's a joke and a mistake and a bunch of foolishness as if that's gonna cause people to disregard it and do it in or let it dry up and die, because it is the strogest, most virulent, most invincible Superjoke in history, nothing could ever destroy it ever, and the reason for that is precisely that it is a joke, a mistake, foolishness. The first mistake of art is to assume that it's serious.
Lester Bangs (Psychotic Reactions and Carburetor Dung)
The only dancing I did now was the bee-bop dance step I do when I’m trying to get my pants down fast enough, so I don’t pee before I sit down.
Christine Zolendz (#TripleX)
I was so disgusted with the BOP’s farcical prerelease program that I just shut my eyes and waited for it to be over. One
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
Richie came bopping down to the stream, glanced at Ben with some interest, and then pinched Eddie’s cheek.
Stephen King (It)
What’s a Velvet Underground?” he said. “You wouldn’t like it,” said Crowley. “Oh,” said the angel dismissively. “Be-bop.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
The grand wild sound of bop floated from beer parlors; it mixed medleys with every kind of cowboy and boogie-woogie in the American Night.
Jack Kerouac (On the Road)
Enough of this,” I say easily, bopping her nose. Apparently, I do cute shit around this female. The horror.
Katie May (Blindly Indicted (Blindly #1))
I call my it "the Book of Paula" or BoP for short. Those are my own opinions, based on experience.
Paula Heller Garland
Grandma Fifi had two friends named Martin and Merlin who were afraid in a way Dirk didn't want to be. They were both very handsome and kind and always brought candies and toys when they came over for tea and Fifi's famous pastries. But as much as Dirk liked Martin and Merlin he knew he was different from them. They talked in voices as pale and soft as the shirts they wore and they moved as gracefully as Fifi did. Their eyes were startled and sad. They had been hurt because of who they were. Dirk didn't want to be hurt that way. He wanted to be strong and to love someone who was strong; he wanted to meet any gaze, to laugh under the brightest sunlight and never hide.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
What we’ve got here in Boulder right now is mass confusion, everyone bopping along and doing his own thing … and we’ve got to do something about what my students would have called ‘getting our shit together.
Stephen King (The Stand)
Richie came bopping to the stream, glanced at Ben with some interest, and then pinched Eddie's cheek. "Don't do that! I hate it when you do that, Richie." "Ah, you love it Eds," Richie said and beamed at him
Stephen King (It)
Like a picara, I have spent my adulthood bopping from city to city, acquiring kindred spirits at every stop; a group of guardians who have taken good care of me (a tender of guardians, a dearheart of guardians).
Carmen Maria Machado (In the Dream House)
You know, the horizontal bop. Hide the salami. The hot thing. The big O.  Getting lucky. Going all the way. Hitting a home run. Scoring big-time. Laying pipe. Plowing a field. Stuffing the muff. Doing the big dirty,
Chuck Palahniuk (Survivor)
On August 27, Cheap Trick opened for Fanny at Snoopy’s (later Stone Hearth) in Madison. Fanny had appeared with Todd Rundgren at Rockford Armory two nights earlier, with Dr. Bop & The Headliners opening. Meanwhile …
Brian J. Kramp (This Band Has No Past: How Cheap Trick Became Cheap Trick)
She bops around really energetically but she’s also still. Like she’s moving her torso but her feet don’t move, and then sometimes she’ll take one step, and it feels like a thesis statement. Like it is a topic sentence about her butt.
Aimee Bender (The Color Master: Stories)
Poor L. We are sorry that you left so soon. We are even sorrier to have inveigled our Esmeralda and mermaid into a naughty prank. That sort of game will never again be played with you, firebird. We apollo [apologize]. Remembrance, embers ans membranes of beauty make artists and morons loose all self-control. Pilots of tremendous air ships and coarse, smelly coachmen are known to have been driven insane by a pair of green eyes and a copper curl. We wished to admire and amuse you, BOP [Bird of Paradise]. We went too far. I, Van, went too far. We regret that shameful, though basically innocent scene. These are times of emotional stress and reconditioning. Destroy and forget. Tenderly yours, A & V (in alphabetic order).
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
As much as I hate to admit it, you did good work today," Yorl says in the doorway. "Aw, I appreciate you, too." I reach to bop his black nose, but he lifts his chin out of the way. "Don't." I stamp my foot. "Why does everyone in this city hate fun?" "Do you think a stranger sticking their fingers up your nose is fun?" "Up your nose? Gross. I was just going to tap it. Who's been trying to stick their fingers up your nose?" "The human children," he grumbles. "Every chance they get.
Sara Wolf (Find Me Their Bones (Bring Me Their Hearts, #2))
A myth is 'a narrative involving supernatural or fancied persons embodying popular ideas or social phenomena.' Women love telling stories . . . the girl-group is a gigantic narrative full of morality tales locked up like charms in a crystallized sound.
Lucy O'Brien (She Bop: The Definitive History of Women in Rock, Pop & Soul)
If there’s anything you’d like to hear, I’m taking requests. But for now, let’s start with a little Harry Styles.” Butterflies flitted in my stomach as the first chords of “Cherry” smoothed over the crowd, and I found myself singing along, feet bopping under the table.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
he was the indisputable master of the night, bopping as he churned out an endless assortment of music designed to trigger the primal human instinct to rock and roll. He was a puppeteer, pulling the strings on a mob of puppets seeking mindless respite from teenage angst.
Zita Harrison (Ink: Beneath the Stain)
There she sat with her rust-flecked sides and her new hood and her tailfins that seemed a thousand miles long. A dinosaur from the dark ditty-bop days of the 50s when all the oil millionaires were from Texas and the Yankee dollar was kicking the shit out of the Japanese yen instead of the other way around.
Stephen King (Christine)
When a Pope dies, zero chances are taken. According to the Vatican’s rules, clearly drawn up by someone who thought The Exorcist was on the same side, the doctor has to call out the Pope’s name three times, check the body’s breath doesn’t blow out a candle, then, just to be certain, bop him on the head with a hammer. 
Adam Kay (This Is Going to Hurt)
Only in his mind, Tweety wasn’t bopping that dumb ole puddy-tat over the head with a mallet or sticking a mousetrap in front of his questing paw; what Lloyd saw was Sylvester strapped into Old Sparky while the parakeet perched on a stool by a big switch. He could even see the guard’s cap on Tweety’s little yellow head.
Stephen King (The Stand)
Popular music creates most impact in the telling of stories.
Lucy O'Brien (She Bop: The Definitive History of Women in Rock, Pop & Soul)
Young men list music as their focus and means of identity -- before sport, before TV, before cinema -- while women cite fashion as most important, with music an ambivalent second.
Lucy O'Brien (She Bop: The Definitive History of Women in Rock, Pop & Soul)
Who says there's just one safe way to walk, one road properly lit, and the rest - all slippery water, unmarked?
Betsy Sholl (Coastal Bop)
Whether Whether anger quickens a lagging stride, and periodic burn-offs in the forest revitalize exhausted soil and flora—. Whether we should take pleasure in the wildcat jubilation of a lightning bolt that whips its silver vein of genesis through the night sky, flash-photo of a white birch upended, the root-system buckled to swollen thunderheads—. And whether naming an offense amounts to sour grapes and common bitterness, or even the conceited nonsense of unwashed yahoo multitudes, a yawping insult to civilized behavior—. Whether a July rainstorm, even when it drenches the unprepared pedestrian and befuddles traffic, might be extravagant, a joy, like the whoops and escalating bop glissandos of Gillespie’s upraised horn, cascading pitches a countersong to meteoric chalk marks Perseids burn across the House of Leo—. And whether peaceful ecstasy might float up from a fifteen-second avalanche reflected in the skier’s goggles, his jacket a spark of scarlet on the topmost slope, waiting for the homeward track to clear.
Alfred Corn (Contradictions)
They found it, they lost, they wrestled for it, they found it again, they laughed, they moaned—and Dean sweated at the table and told them to go, go, go. At nine o’clock in the morning everybody—musicians, girls in slacks, bartenders, and the one little skinny, unhappy trombonist—staggered out of the club into the great roar of Chicago day to sleep until the wild bop night again.
Jack Kerouac (On the Road)
The first time she wore her gi she also mistakenly wore her lucky Valentine's Day panties that showed through where she sweated like a boiled lobster in gauze. And last week in the turtle tot class where she loves to volunteer she bopped one of the cutest tots on the noggin with a foam noodle to get his guards up and he responded by throwing up on her feet. So there were setbacks.
Amy Stolls (The Ninth Wife)
99 Problems is almost a deliberate provocation to simpleminded listeners. If that sounds crazy, you have to understand: Being misunderstood is almost a badge of honor in rap. Growing up as a black kid from the projects, you can spend your whole life being misunderstood, followed around department stores, looked at funny, accused of crimes you didn't commit, accused of motivations you don't have, dehumanized -- until you realize, one day, it's not about you. It's the perceptions people had long before you even walked onto the scene. The joke's on them because they're really just fighting phantoms of their own creation. Once you realize that, things get interesting. It's like when we were kids. You'd start bopping hard and throwing the ice grill when you step into Macy's and laugh to yourself when security guards got nervous and started shadowing you. You might have a knot of cash in your pocket, but you boost something anyway, just for the sport of it. Fuck 'em. Sometimes the mask is to hide and sometimes it's to play at being something you're not so you can watch the reactions of people who believe the mask is real. Because that's when they reveal themselves. So many people can't see that every great rapper is a not just a documentarian, but a trickster -- that every great rapper has a little bit of Chuck and a little bit of Flav in them -- but that's not our problem, it's their failure: the failure, or unwillingness, to treat rap like art, instead of acting like it's a bunch of niggas reading out of their diaries. Art elevates and refines and transforms experience. And sometimes it just fucks with you for the fun of it.
Jay-Z
Prahalad’s book The Fortune at the Bottom of the Pyramid. He opened with a strong statement of purpose: “If we stop thinking of the poor as victims or as a burden and start recognizing them as resilient and creative entrepreneurs and value-conscious consumers, a whole new world of opportunity will open up,” and an even stronger statement of possibility: “The BoP market potential is huge: 4 to 5 billion underserved people and an economy of more than $13 trillion PPP (purchasing power parity).
Peter H. Diamandis (Abundance: The Future is Better Than You Think)
BOP / SOUL JAZZ: RECOMMENDED LISTENING Cannonball Adderley, “Mercy, Mercy, Mercy,” October 20, 1966 Art Blakey, “Moanin’,” October 30, 1958 Clifford Brown and Max Roach, “Sandu,” February 25, 1955 Art Farmer and Benny Golson, “Killer Joe,” February 6–10, 1960 Herbie Hancock, “Cantaloupe Island,” June 17, 1964 Lee Morgan, “The Sidewinder,” December 21, 1963 Wayne Shorter, “Witch Hunt,” December 24, 1964 Horace Silver, “Señor Blues,” November 10, 1956 Jimmy Smith, “Midnight Special,”April 25, 1960
Ted Gioia (How to Listen to Jazz)
Then here came a gang of young bop musicians carrying their instruments out of cars. They piled right into a saloon and we followed them. They set themselves up and started blowing. There we were! The leader was a slender, drooping, curly-haired, pursy-mouthed tenorman, thin of shoulder, draped loose in a sports shirt, cool in the warm night, self-indulgence written in his eyes, who picked up his horn and frowned in it and blew cool and complex and was dainty stamping his foot to catch ideas, and ducked to miss others—and said, “Blow,” very quietly when the other boys took solos.
Jack Kerouac (On the Road)
But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window . . . but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string
Stephen King (It)
This place is real swanky," Nigel said, staring up at the chandelier. "Yeah, I'm afraid to breathe too hard," Neil confessed. "Me, too," Meryn said, walking into the room her eyes half closed. Ryuu steered her to the table. She sat down and placed her cheek on the wood surface. "Ryuu, I can't do this anymore. I need coffee, real coffee. I'm tired of being fucking tired." Ryuu stared down at her. "We'll try one cup and see how you do." He left and headed to the kitchen. Nigel elbowed her side and bopped his head toward Meryn. "Nigel, Neil, meet Meryn McKenzie. Meryn, when you're conscious, you can meet Nigel and Neil Morninglory." "Word," Meryn croaked.
Alanea Alder (My Guardian (Bewitched and Bewildered #6))
But when you grew up, all that changed. You no longer lay awake in your bed, sure something was crouching in the closet or scratching at the window ... but when something did happen, something beyond rational explanation, the circuits overloaded. The axons and dendrites got hot. You started to jitter and jive, you started to shake rattle and roll, your imagination started to hop and bop and do the funky chicken all over your nerves. You couldn’t just incorporate what had happened into your life experience. It didn’t digest. Your mind kept coming back to it, pawing it lightly like a kitten with a ball of string ... until eventually, of course, you either went crazy or got to a place where it was impossible for you to function.
Stephen King (IT)
Tom Arnold is already waiting at the bar when I arrive, and Vanessa purrs loudly when she spots him. I ignore the slut and stand next to him, waiting for him to notice me, bopping my head slightly to Andy Williams singing Can’t Take My Eyes Off You. At last, he turns and smiles at me. “Pip! You look lovely,” he tells me with an appreciative glance. I simper. “So do you,” I tell him, attempting to bat my eyelids like Vanessa would. “Have you got something in your eye?” he frowns. “Contact lens is playing up,” I mutter. “I didn’t know you wore contacts,” he says in surprise. “All the better to see you with, my dear,” I respond in a deep voice, and he gives me a strange look. I clear my throat. “It’s a free bar tonight, isn’t it?
Claire Gallagher (The Strange Imagination of Pippa Clayton)
Suddenly Dean stared into the darkness of a corner beyond the bandstand and said, "Sal, God has arrived." I looked. George Shearing. And as always he leaned his blind head on his pale hand, all ears opened like the ears of an elephant, listening to the American sounds and mastering them for his own English summer's-night use. Then they urged him to get up and play. He did. He played innumerable choruses with amazing chords that mounted higher and higher till the sweat splashed all over the piano and everybody listened in awe and fright. They led him off the stand after an hour. He went back to his dark corner, old God Shearing, and the boys said, "There ain't nothin left after that." But the slender leader frowned. "Let's blow anyway." Something would come of it yet. There's always more, a little further - it never ends. They sought to find new phrases after Shearing's explorations; they tried hard. They writhed and twisted and blew. Every now and then a clear harmonic cry gave new suggestions of a tune that would someday be the only tune in the world and would raise men's souls to joy. They found it, they lost, they wrestled for it, they found it again, they laughed, they moaned - and Dean sweated at the table and told them to go, go, go. At nine o'clock in the morning everybody - musicians, girls in slacks, bartenders, and the one little skinny, unhappy trombonist - staggered out of the club into the great roar of Chicago day to sleep until the wild bop night again.
Jack Kerouac (On the Road)
The beatest characters in the country swarmed on the sidewalks—all of it under those soft Southern California stars that are lost in the brown halo of the huge desert encampment LA really is. You could smell tea, weed, I mean marijuana, floating in the air, together with the chili beans and beer. That grand wild sound of bop floated from beer parlors; it mixed medleys with every kind of cowboy and boogie woogie in the American night. Everybody looked like Hassel. Wild Negroes with bop caps and goatees came laughing by; then longhaired brokendown hipsters straight off Route 66 from New York; then old desert rats, carrying packs and heading for a park bench at the Plaza; then Methodist ministers with raveled sleeves, and an occasional Nature Boy saint in beard and sandals.
Jack Kerouac (On the Road)
those manufacturing companies: America! With our pocket money we bought flat packets of chewing gum, beautifully wrapped, that included a picture of a movie star – we collected those – and it all smelled strange and rosy: America! On short-wave radio an army station crackled into the room, with an announcer who might start talking right over a swing band: America! Lionel Hampton came to the Netherlands in September 1953 and his saxophonist lay on his back onstage and carried on playing. Hampton abandoned his vibraphone to play drums for a while and to do an improvised dance to ‘Hey-Ba-Ba-Re-Bop’. De Gelderlander, our provincial newspaper, wrote: ‘How vast must be the emptiness of those hearts that have lost any longing for values more exalted than those of Negro moaning.’ But
Geert Mak (In America: Travels with John Steinbeck)
Wes knocks a couple of times, but Adam doesn’t answer. “Jackpot,” he says, kneeling down to examine the lock. He takes the bundle of wire from his pocket and proceeds to make a key of sorts. “You’re not going to break in?” I ask. “Well, um, yeah. Kimmie rolls her eyes, as if the answer’s completely obvious. Wes sticks his key into the lock and starts to jiggle it back and forth. A moment later, the doorknob turns. Only, Wes isn’t the one turning it. Piper then whips the door open. “Oh, my god,” she says, smacking her chest like we’ve scared her, too. “We were looking for Adam.” I peek past her into the apartment. “He isn’t here,” she says, glaring up at Wes, no doubt annoyed that he’s attempting to pick the lock. “Would you believe that I dropped the contact?” he asks, before finally getting up. “Not likely, since you’re wearing glasses.” Kimmie bops him on the head with her Tupperware purse.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
It was always right in front of me. The fear was there in the extravagant boys of my neighborhood, in their large rings and medallions, their big puffy coats and full-length fur-collared leathers, which was their armor against the world. They would stand on the corner of Gwynn Oak and Liberty, or Cold Spring and Park Heights, or outside Mondawmin Mall, with their hands dipped in Russell sweats, I think back on those boys now and all I see is fear, and all I see is them girding themselves against the ghosts of the bad old days when the Mississippi mob gathered 'round their grandfathers so that the branches of the black body might be torched, then cut away. The fear lived on in their practiced bop, their slouching denim, their big T-shirts, the calculated angle of their baseball caps, a catalog of behaviors and garments enlisted to inspire the belief that these boys were in firm possession of everything they desired.
Ta-Nehisi Coates (Between the World and Me)
She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.
Meghan Quinn (The Lineup)
That was when Bill floated slowly up out of the bathwater to hover a foot above the surface.The portion of the tub from which he'd risen was dark and cloudy with gargoyle grit. "Bill!" she cried. "Can't you tell I need a few minutes of privacy?" He held a hand up to shield his eyes. "You done thrashing around in here yet,Jaws?" With his other hand, he wiped some bubbles from his bald head. "You could have warned me that I was about to take a plunge underwater!" Luce said. "I did warn you!" He hopped up to the rim of the tub and tottered across it until he was in Luce's face. "Right as we were coming out of the Announcer. You just didn't hear me because you were underwater!" "Very helpful,thank you." "You needed a bath,anyway," he said. "This is a big night for you, toots." "Why? What's happening?" "What's happening,she asks!" Bill grabbed her shoulder. "Only the grandest ball since the Sun King popped off! And I say,so what if this boum is hosted by his greasy pubescent son? It's still going to be right downstairs in the largest, most spectacular ballroom in Versailles-and everybody's going to be there!" Luce shrugged. A ball sounded fine, but it had nothing to do with her. "I'll clarify," Bill said. "Everyone will be there including Lys Virgily. The Princess of Savoy? Ring a bell?" He bopped Luce on the nose. "That's you.
Lauren Kate (Passion (Fallen, #3))
There were temporary and local reprieves: plagues, climate fluctuations, or warfare intermittently culled the population and freed up land, enabling survivors to improve their nutritional intake—and to bring up more children, until the ranks were replenished and the Malthusian condition reinstituted. Also, thanks to social inequality, a thin elite stratum could enjoy consistently above-subsistence income (at the expense of somewhat lowering the total size of the population that could be sustained). A sad and dissonant thought: that in this Malthusian condition, the normal state of affairs during most of our tenure on this planet, it was droughts, pestilence, massacres, and inequality—in common estimation the worst foes of human welfare—that may have been the greatest humanitarians: they alone enabling the average level of well-being to occasionally bop up slightly above that of life at the very margin of subsistence.
Nick Bostrom (Superintelligence: Paths, Dangers, Strategies)
I'm listening to the radio, bopping along, even driving with just one hand on the wheel. I do this to feign confidence, because the more I fake it, the more it's supposed to feel true.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Toby looked so miserable the soldiers gathered around him for support. They sang a revised version of their company song: Buckle for your dust, boys, no flakey diddy-bopping. Stay tight, and fight the Grimhilda Red Alert. The second line was adaptable to any situation: the day before it had included references to grizzly bears.
Mike Crowl (Grimhilda! - a fantasy for children - and their parents)
Ancak emperyalizm hiç vazgeçmemiştir. Evet! Sıkıştıkça Türkiye'yi bölüp parçalamaktan vazgeçmiş gibi görünmüş, ama bilinçaltında ve sümen altında hep Türkiye'yi bölüp parçalamaya yönelik planları saklı tutmuştur. Emperyalizm, dün Sevr Projesi diye Turkiye'ye dayattıklarını bugün "demokrasi", "insan hakları", "AB Uyum Yasaları" ve BOP olarak Türkiye'ye dayatmaktadır. Örneğin, dün Sevr Antlaşması ile Türkiye'ye dayatılan Anadolu coğrafyasında bir Kürdistan ve Ermenistan kurma planı, bugün başka adlarla bugün Türkiye'ye dayatılmaktadır. Sayfa:13
Sinan Meydan (Cumhuriyet Tarihi Yalanları (Yoksa Siz de mi Kandırıldınız?))
Told you, Bop. He’s not a team player. He’s a wildcard. Selfish. Rubbish. Who else could
P.J. Davitt (One Shot at Glory (Dave Shaw: A soccer prodigy))
Et le public avait embarqué avec. Les doigts, les mains s'étaient mis à claquer: la piste avait été envahie par des couples de fringants sexagénaires qui se déhanchaient tels ces nouveaux esclaves, les affranchis, aux plus belles heures du bop dans les caves de Harlem, New-York, Etats-Unis. L'irrésistible, l'irrépressible besoin de se remuer la carcasse. On frôlait les infarctus, clavicules et fémurs étaient au bord de la fracture, mais tout ça dans la joie, nom de Dieu !
Marcus Malte (Le Lac Des Singes)
I score a fantastic goal but it’s not enough? Maybe Duncan thinks I’m lucky to conjure a sublime moment in a dreadful display. Maybe there was a better pass onto Wayne in the build up. Told you, Bop. He’s not a team player. He’s a wildcard. Selfish.
P.J. Davitt (One Shot at Glory (Dave Shaw: A soccer prodigy))
She looked at him with clear disgust and said You realize of course you are rife with multiple addictions. He replied- Well perhaps But I like to think of myself well rounded in that regard and BTW I’d appreciate if you would lay off my hobbies.
Vincent Quatroche Q-Bop City
The young man plugs his earphones back in and perches on the edge of a bench, bopping along to his music. his hairstyle and face remind Ki-yong of Bart Simpson, and his loose red T-shirt is emblazoned with Che Guevara's face. He is probably listening to Rage Against the Machine, or some similar band. The most capitalist country in the world produced these far-left lyrics, and on the CD—filled with the imagery of a Vietnamese monk sitting cross-legged while engulfed in fire, young Seoulites throwing Molotov cocktails—the singers swear, scream, and yell that we have to smash the system. It's fitting music for the kid in the Che Guevara shirt. If Stalin and Lenin were alive to hear this music, what would they think? Would they feel the urge to send the band to the Siberian archipelago?
Young-ha Kim (Your Republic Is Calling You)
Mmmbop, ba duba dop Ba du bop, ba duba dop Ba du bop, ba duba dop Ba du, oh yeah
H. Anson
stunk in bops. new at norse cobe, low on nubs, nubs supply running out
Indred Cold
Bu askerağa "kumarda kaybedilen" yüz binlerce "bop"lardan birisiydi. Asla şikayet etmediğinden cesaret alarak, kara gözlerinin nurunu, yüreğinin uçsuz bucaksız çocukluğunu, çolak Wilhelm'in Hindistan İmparatorluğu tacına mütevazi bir süs gibi hediye etmek istemişlerdi. Enverland'ın kuş uçmaz, kervan geçmez bir köşesinde, karda kalmış bir kütük gibi yuvarlanmıştı.
Kemal Tahir (Bir Mülkiyet Kalesi)
I slipped and fell backward into the water. I broke the surface just in time to see him scramble into the hole and vanish. I was all alone. Just me and fourteen feet of fresh sushi bopping on the waves. I was so tired. My arms felt like wet cotton. Maybe I’d hallucinated the whole hobbit episode. I’d hit the water hard, ended up with a concussion, and started seeing small magic men in riding boots.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
This is the only story of mine whose moral I know. I don't think it's a marvelous moral, I simply happen to know what it is: We are what we pretend to be, so we must be careful about what we pretend to be. My personal experience with Nazi monkey business was limited. There were some vile and lively native American Fascists in my home town of Indianapolis during the thirties, and somebody slipped me a copy of The Protocols of the Elders of Zion, I remember, which was supposed to be the Jews' secret plan for taking over the world. And I remember some laughs about my aunt, too, who married a German German, and who had to write to Indianapolis for proofs that she had no Jewish blood. The Indianapolis mayor knew her from high school and dancing school, so he had fun putting ribbons and official seals all over the documents the Germans required, which made them look like eighteenth-century peace treaties. After a while the war came, and I was in it, and I was captured, so I got to see a little of Germany from the inside while the war was still going on. I was a private, a battalion scout, and, under the terms of the Geneva Convention, I had to work for my keep, which was good, not bad. I didn't have to stay in prison all the time, somewhere out in the countryside. I got to go to a city, which was Dresden, and to see the people and the things they did. There were about a hundred of us in our particular work group, and we were put out as contract labor to a factory that was making a vitamin-enriched malt syrup for pregnant women. It tasted like thin honey laced with hickory smoke. It was good. I wish I had some right now. And the city was lovely, highly ornamented, like Paris, and untouched by war. It was supposedly an 'open' city, not to be attacked since there were no troop concentrations or war industries there. But high explosives were dropped on Dresden by American and British planes on the night of February 13, 1945, just about twenty-one years ago, as I now write. There were no particular targets for the bombs. The hope was that they would create a lot of kindling and drive firemen underground. And then hundreds of thousands of tiny incendiaries were scattered over the kindling, like seeds on freshly turned loam. More bombs were dropped to keep firemen in their holes, and all the little fires grew, joined one another, and became one apocalyptic flame. Hey presto: fire storm. It was the largest massacre in European history, by the way. And so what? We didn't get to see the fire storm. We were in a cool meat-locker under a slaughterhouse with our six guards and ranks and ranks of dressed cadavers of cattle, pigs, horses, and sheep. We heard the bombs walking around up there. Now and then there would be a gentle shower of calcimine. If we had gone above to take a look, we would have been turned into artefacts characteristic of fire storms: seeming pieces of charred firewood two or three feet long - ridiculously small human beings, or jumbo fried grasshoppers, if you will. The malt syrup factory was gone. Everything was gone but the cellars where 135,000 Hansels and Gretels had been baked like gingerbread men. So we were put to work as corpse miners, breaking into shelters, bringing bodies out. And I got to see many German types of all ages as death had found them, usually with valuables in their laps. Sometimes relatives would come to watch us dig. They were interesting, too. So much for Nazis and me. If I'd been born in Germany, I suppose I would have been a Nazi, bopping Jews and gypsies and Poles around, leaving boots sticking out of snowbanks, warming myself with my secretly virtuous insides. So it goes. There's another clear moral to this tale, now that I think about it: When you're dead you're dead. And yet another moral occurs to me now: Make love when you can. It's good for you.
Kurt Vonnegut Jr. (Mother Night)
was still trying to say something, and I squeezed his lips tighter. “I’ve met more than a few of you bitches that try to disguise your disrespect as a fucking joke, or in your case, content.” I opened my purse and pulled out my gun while staring at her. “This one is mine… don’t fucking use him in yo’ fucking content. Matter fact,” I shoved my gun back into my purse and leaned over the chair and bopped her right in the mouth.
Jahquel J. (Capri 2 (Season Three: Delgato Family: Capri))
Vhat is your nom?” Preston had a lazy eye, and the alcohol added to the lopsided effect of his gaze. “Shannon Tinker, and I watch you like you’re a TV show.” Shannon added a bop to her stance, unconsciously dancing to the beat of the song constantly playing in her head.
Debra Anastasia (Fire in the Hole (Gynazule, #2))
George Clinton's group(s) Parliament-Funkadelic outlined the all-out war they were waging via a metaphorical villain, 'Sir Nose D'Void of Funk,' who had been 'pimplifying (the people's) instincts' until they were 'fat, horny, and strung out.' Parliament, building on Sun Ra's sci-fi vision, explained that funkateers were pitted in a cosmic battle against unfunky forces who use 'the placebo effect' to put people in the 'nose-zone' of 'zero funkativity'. Clinton explained in 'Mothership Connection' that Dr. Funkenstein's champion 'Star Child' would use his bop-gun to spread 'funkentelechy.' an antidote to consumerism and alienation.
Ian F Svenonius
station. I had a sinking feeling that our future lay somewhere inside one of these dark, gaping mouths. “Oh, I hope we don’t have to go mucking about in there,” said Olive. “Of course we do,” Enoch said. “It isn’t a proper holiday until we’ve plumbed every available sewer.” The pigeon bopped rightward. We started down the tracks. I hopscotched around an oily puddle and a legion of rats scurried away from my feet, sending Olive into Bronwyn’s arms with a shriek. The tunnel yawned before us, black and menacing. It occurred to me that this would be a very bad place to meet a hollowgast. Here there’d be no walls to climb, no houses to shelter in, no tomb lids to close behind us. It was long and straight and lit only by a few red bulbs, glinting feebly at scattered intervals. I walked faster. The darkness closed around us. When I was a kid, I used to play hide-and-seek with my dad. I was always the hider and he the seeker. I was really good at it, primarily because I, unlike most kids of four or five, had the then-peculiar ability to be extremely quiet for
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))