Booth Tarkington Quotes

We've searched our database for all the quotes and captions related to Booth Tarkington. Here they are! All 79 of them:

Gossip is never fatal until it is denied.
Booth Tarkington
Whatever does not pretend at all has style enough.
Booth Tarkington (The Magnificent Ambersons)
Gossip is never fatal until it is denied. Gossip goes on about every human being alive and about all the dead that are alive enough to be remembered, and yet almost never does any harm until some defender makes a controversy. Gossip's a nasty thing, but it's sickly, and if people of good intentions will let it entirely alone, it will die, ninety-nine times out of a hundred.
Booth Tarkington (The Magnificent Ambersons)
There aren't any old times. When times are gone they're not old, they're dead! There aren't any times but new times!
Booth Tarkington (The Magnificent Ambersons)
Mothers see the angel in us because the angel is there. If it's shown to the mother, the son has got an angel to show, hasn't he? When a son cuts somebody's throat the mother only sees it's possible for a misguided angel to act like a devil - and she's entirely right about that!
Booth Tarkington (The Magnificent Ambersons)
I'm not sure he's wrong about automobiles," he said. "With all their speed forward they may be a step backward in civilization -- that is, in spiritual civilization. It may be that they will not add to the beauty of the world, nor to the life of men's souls.
Booth Tarkington (The Magnificent Ambersons)
Nobody has a good name in a bad mouth. Nobody has a good name in a silly mouth either.
Booth Tarkington (The Magnificent Ambersons)
No doubt it is true that there is more rejoicing in heaven over one sinner repented than over all the saints who consistently remain holy, and the rare, sudden gentlenesses of arrogant people have infinitely more effect than the continual gentleness of gentle people. Arrogance turned gentle melts the heart.
Booth Tarkington (The Magnificent Ambersons)
Some day the laws of glamour must be discovered, because they are so important that the world would be wiser now if Sir Isaac Newton had been hit on the head, not by an apple, but by a young lady.
Booth Tarkington (The Magnificent Ambersons)
It is love in old age, no longer blind, that is true love. For the love's highest intensity doesn't necessarily mean it's highest quality.
Booth Tarkington
...at twenty-one or twenty-two so many things appear solid and permanent and terrible which forty sees are nothing but disappearing miasma. Forty can't tell twenty about this; that's the pity of it! Twenty can find out only by getting to be forty.
Booth Tarkington (The Magnificent Ambersons)
Youth cannot imagine romance apart from youth. That is why the roles of the heroes and heroines of plays are given by the managers to the most youthful actors they can find among the competent.
Booth Tarkington (The Magnificent Ambersons)
My theory on literature is an author who does not indulge in trashiness-writes about people you could introduce into your own home...he did not care to read a book or go to a play about people he would not care to meet at his own dinner table. I believe we should live by certain standards and ideals...
Booth Tarkington (The Magnificent Ambersons)
Like so many women for whom money has always been provided without their understanding how, she was prepared to be a thorough and irresponsible plunger.
Booth Tarkington (The Magnificent Ambersons)
Men were just like sheep, and nothing was easier than for women to set up as shepherds and pen them up in a field.
Booth Tarkington (Alice Adams)
...I suppose about the only good in pretending is the fun we get out of fooling ourselves that we fool somebody.
Booth Tarkington (Alice Adams)
There is a fertile stretch of flat lands in Indiana where unagarian Eastern travelers, glancing from car windows, shudder and return their eyes to interior upholstery, preferring even the swaying comparisons of a Pullman to the monotony without.
Booth Tarkington (The Gentleman from Indiana)
In the days before deathly contrivances hustled them through their lives, and when they had no telephones—another ancient vacancy profoundly responsible for leisure—they had time for everything: time to think, to talk, time to read, time to wait for a lady!
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
I always thought that explained it: the romance is a reaction from the algebra. I never knew a person connected with mathematics or astronomy or statistics, or any of those exact things, who didn't have a crazy streak in 'em SOMEwhere.
Booth Tarkington (Beasley's Christmas Party)
Thus began the Great Tar Fight...
Booth Tarkington
An ideal wife is any woman who has an ideal husband.
Booth Tarkington
Not quite so long ago as a generation, there was no panting giant here, no heaving, grimy city . . . there was time to live.
Booth Tarkington
One of the hardest conditions of boyhood is the almost continuous strain put upon the powers of invention by the constant and harassing necessity for explanations of every natural act.
Booth Tarkington (Penrod)
It was annoying how her voice, though never loud, pursued him. No matter how vociferous were other voices, all about, he seemed unable to prevent himself from constantly recognizing hers.
Booth Tarkington
I mean the things that we have and that we think are so solid—they're like smoke, and time is like the sky that the smoke disappears into. You know how wreath of smoke goes up from a chimney, and seems all thick and black and busy against the sky, as if it were going to do such important things and last forever, and you see it getting thinner and thinner—and then, in such a little while, it isn't there at all; nothing is left but the sky, and the sky keeps on being just the same forever.
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
In the days before deathly contrivances hustled them through their lives, and when they had no telephones- they had time for everything: time to think, time to talk, time to read,time to wait for a lady!
Booth Tarkington (The Magnificent Ambersons)
So far as Alice was concerned Russell might have worn a placard,'Engaged'. She looked upon him as diners entering a restaurant look upon tables marked 'Reserved": the glance, slightly discontented, passes on at once.
Booth Tarkington (Alice Adams)
In all my life, the most arrogant people that I've known have been the most sensitive. The people who have done the most in contempt of other people's opinion, and who consider themselves the highest above it, have been the most furious if it went against them. Arrogant and domineering people can't stand the least, lightest, faintest breath of criticism. It just kills them.
Booth Tarkington (The Magnificent Ambersons)
Both middle-aged people and young people enjoy a play about young lovers; but only middle-aged people will tolerate a play about middle-aged lovers; young people will not come to see such a play, because, for them, middle-aged lovers are a joke—not a very funny one.
Booth Tarkington (The Magnificent Ambersons [with Biographical Introduction])
Is this life?'Alice wondered, not doubting that the question was original and all her own. 'Is it life to spend your time imagining things that aren't so, and never will be? Beautiful things happen to other people; why should I be the only one they never can happen to?
Booth Tarkington (Alice Adams)
Nothing stays or holds or keeps where there is growth, he somehow perceived vaguely but truly. Great Caesar dead and turned to clay stopped no hole to keep the wind away. Dead Caesar was nothing but a tiresome bit of print in a book that schoolboys study for awhile and then forget. The Ambersons had passed, and the new people would pass, and the new people that came after them, and then the next new ones, and the next—and the next—
Booth Tarkington (The Magnificent Ambersons)
As with husbands and wives, so with many fathers and daughters, and so with some sons and mothers: the man will himself be cross in public and think nothing of it, nor will he greatly mind a little crossness on the part of the woman; but let her show agitation before any spectator, he is instantly reduced to a coward's slavery. Women understand that ancient weakness, of course; for it is one of their most important means of defense, but can be used ignobly.
Booth Tarkington (Alice Adams)
The Major's wife and the daughter's been to Europe, and my wife tells me since they got back they make tea there every afternoon about five o'clock, and drink it. Seems to me it would go against a person's stomach, just before supper like that, and anyway tea isn't fit for much—not unless you're sick or something.
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
It is the liveliest time in life, the happiest of the irresponsible times in life. Mothers echo its happiness—nothing is like a mother who has a son home from college, except another mother with a son home from college. Bloom does actually come upon these mothers; it is a visible thing; and they run like girls, walk like athletes, laugh like sycophants. Yet they give up their sons to the daughters of other mothers, and find it proud rapture enough to be allowed to sit and watch.
Booth Tarkington (The Magnificent Ambersons [with Biographical Introduction])
We debate sometimes what is to be the future of this nation when we think that in a few years public affairs may be in the hands of the fin-de-siecle gilded youths we see about us during the Christmas holidays. Such foppery, such luxury, such insolence,was surely never practiced by the scented, overbearing patricians of the Palatine, even in Rome's most decadent epoch. In all the wild orgy of wastefulness and luxury with which the nineteenth century reaches its close, the gilded youth has been surely the worst symptom.
Booth Tarkington (The Magnificent Ambersons)
how much a thing means to one man and how little it means to another ain’t the right way to look at a business matter.
Booth Tarkington (Alice Adams [Annotated])
Got 'ny sense! See here, bub, does your mother know you're out?
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
It’s when you want to get something for nothing that the ‘confidence men’ steal the money you sweat for and make the farmer a laughing stock.
Booth Tarkington (The Gentleman from Indiana)
For, although Georgie's pomposities and impudence in the little school were often almost unbearable, the teachers were fascinated by him. They did not like him—he was too arrogant for that—but he kept them in such a state of emotion that they thought more about him than they did about all of the other ten pupils. The emotion he kept them in was usually one resulting from injured self-respect,
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
Magnificence, like the size of a fortune, is always comparative, as even Magnificent Lorenzo may now perceive, if he has happened to haunt New York in 1916; and the Ambersons were magnificent in their day and place. Their
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
You see?" she said. "I've been leading you without you knowing it. Of course that's because you're new to the town, and you give yourself up to the guidance of an old citizen." "I'm not so sure, Miss Adams. It might mean that I don't care where I follow so long as I follow you.
Booth Tarkington
You see?" she said. "I've been leading you without you knowing it. Of course that's because you're new to the town, and you give yourself up to the guidance of an old citizen." "I'm not so sure, Miss Adams. It might mean that I don't care where I follow so long as I follow you.
Booth Tarkington (Alice Adams)
The idealists planned and strove and shouted that their city should become a better, better, and better city—and what they meant, when they used the word "better," was "more prosperous," and the core of their idealism was this: "The more prosperous my beloved city, the more prosperous beloved I!" They had one supreme theory: that the perfect beauty and happiness of cities and of human life was to be brought about by more factories; they had a mania for factories; there was nothing they would not do to cajole a factory away from another city; and they were never more piteously embittered than when another city cajoled one away from them.
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
My wife says Ambersons don’t make lettuce salad the way other people do; they don’t chop it up with sugar and vinegar at all. They pour olive oil on it with their vinegar, and they have it separate—not along with the rest of the meal. And they eat these olives, too: green things they are, something like a hard plum, but a friend of mine told me they tasted a good deal like a bad hickory-nut. My wife says she’s going to buy some; you got to eat nine and then you get to like ‘em, she says.
Booth Tarkington (The Magnificent Ambersons)
All at once the anger ran out of John Harkless; he was a hard man for anger to tarry with. And in place of it a strong sense of home-coming began to take possession of him. He was going home. “Back to Plattville, where I belong,” he had said; and he said it again without bitterness, for it was the truth. “Every man cometh to his own place in the end.” Yes, as one leaves a gay acquaintance of the playhouse lobby for some hard-handed, tried old friend, so he would wave the outer world God-speed and come back to the old ways of Carlow. What though the years were dusty, he had his friends and his memories and his old black brier pipe. He had a girl’s picture that he should carry in his heart till his last day; and if his life was sadder, it was infinitely richer for it. His winter fireside should be not so lonely for her sake; and losing her, he lost not everything, for he had the rare blessing of having known her. And what man could wish to be healed of such a hurt? Far better to have had it than to trot a smug pace unscathed. He had been a dullard; he had lain prostrate in the wretchedness of his loss. “A girl you could put in your hat — and there you have a strong man prone.” He had been a sluggard, weary of himself, unfit to fight, a failure in life and a failure in love. That was ended; he was tired of failing, and it was time to succeed for a while. To accept the worst that Fate can deal, and to wring courage from it instead of despair, that is success; and it was the success that he would have. He would take Fate by the neck. But had it done him unkindness? He looked out over the beautiful, “monotonous” landscape, and he answered heartily, “No!” There was ignorance in man, but no unkindness; were man utterly wise he were utterly kind.
Booth Tarkington (The Gentleman from Indiana)
Addition
Booth Tarkington (The Magnificent Ambersons)
Not so long ago as a generation, there was no panting giant here, no heaving, grimy city; there was but a pleasant big town of neighborly people who had understanding of one another, being, on the whole, much of the same type. It was a leisurely and kindly place— “homelike,” it was called — and when the visitor had been taken through the State Asylum for the Insane and made to appreciate the view of the cemetery from a little hill, his host’s duty as Baedeker was done. The good burghers were given to jogging comfortably about in phaetons or in surreys for a family drive on Sunday. No one was very rich; few were very poor; the air was clean, and there was time to live. But there was a spirit abroad in the land, and it was strong here as elsewhere — a spirit that had moved in the depths of the American soil and labored there, sweating, till it stirred the surface, rove the mountains, and emerged, tangible and monstrous, the god of all good American hearts — Bigness. And that god wrought the panting giant.
Booth Tarkington (The Turmoil (The Growth Trilogy, #1))
In the eyes of the restless and the longing, Providence often appears to be worse than inscrutable: an unreliable Omnipotence given to haphazard whimsies in dealing with its own creatures, choosing at random some among them to be rent with tragic deprivations and others to be petted with blessing upon blessing.
Booth Tarkington (Alice Adams)
A boy will nearly always run after anything that is running, and his first impulse is to throw a stone at it. This is a survival of primeval man, who must take every chance to get his dinner. So, when Penrod and Sam drove the hapless Whitey up the alley, they were really responding to an impulse thousands and thousands of years old—an impulse founded upon the primordial observation that whatever runs is likely to prove edible. Penrod and Sam were not "bad"; they were never that. They were something that was not their fault; they were historic.
Booth Tarkington (Penrod and Sam)
Age, confused by its own long accumulation of follies, is everlastingly inquiring, “What does she see in him?” as if young love came about through thinking—or through conduct.
Booth Tarkington (The Magnificent Ambersons)
gewgaws
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
My theory of literature is an author who does not indulge in trashiness—writes about people you could introduce into your own home. I agree with my Uncle Sydney, as I once heard him say he did not care to read a book or go to a play about people he would not care to meet at his own dinner table. I believe we should live by certain standards and ideals, as you know from my telling you my theory of life.
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
brobdingnagian
Booth Tarkington (The Turmoil)
There is a fertile stretch of flat lands in Indiana where unagrarian Eastern travellers, glancing from car-windows, shudder and return their eyes to interior upholstery, preferring even the swaying caparisons of a Pullman to the monotony without.
Booth Tarkington (The Gentleman from Indiana)
It was long ago in the days when men sighed when they fell in love; when people danced by candle and lamp, and did dance, too, instead of solemnly gliding about; in that mellow time so long ago, when the young were romantic and summer was roses and wine, old Carewe brought his lovely daughter home from the convent to wreck the hearts of the youth of Rouen.
Booth Tarkington (The Two Vanrevels)
The maple-bordered street was as still as a country Sunday; so quiet that there seemed an echo to my footsteps. It was four o'clock in the morning; clear October moonlight misted through the thinning foliage to the shadowy sidewalk and lay like a transparent silver fog upon the house of my admiration, as I strode along, returning from my first night's work on the "Wainwright Morning Despatch.
Booth Tarkington (Beasley's Christmas Party)
she knew she would go on with her false, fancy colourings of this nothing as soon as she saw him again; she had just been practicing them. “What’s the idea?” she wondered. “What makes me tell such lies? Why shouldn’t I be just myself?” And then she thought, “But which one is myself?
Booth Tarkington (Alice Adams [Annotated])
For the first time she was vaguely perceiving that life is everlasting movement. Youth really believes what is running water to be a permanent crystallization and sees time fixed to a point: some people have dark hair, some people have blond hair, some people have gray hair. Until this moment, Alice had no conviction that there was a universe before she came into it. She had always thought of it as the background of herself: the moon was something to make her prettier on a summer night.
Booth Tarkington (Alice Adams [Annotated])
Then don’t ask her,” Alice said, quickly. “Why?” “Because she’s such a perfect creature and I’m such an imperfect one. Perfect creatures have the most perfect way of ruining the imperfect ones.” “But then they wouldn’t be perfect. Not if they—” “Oh, yes, they remain perfectly perfect,” she assured him. “That’s because they never go into details. They’re not so vulgar as to come right out and tell that you’ve been in jail for stealing chickens. They just look absentminded and say in a low voice, ‘Oh, very; but I scarcely think you’d like her particularly’; and then begin to talk of something else right away.
Booth Tarkington (Alice Adams [Annotated])
But, papa,” she said, to console him, “don’t you think maybe there isn’t such a thing as a ‘finish,’ after all! You say perhaps we don’t learn to live till we die but maybe that’s how it is after we die, too—just learning some more, the way we do here, and maybe through trouble again, even after that.” “Oh, it might be,” he sighed. “I expect so.
Booth Tarkington (Alice Adams [Annotated])
We do keep looking ahead to things as if they’d finish something, but when we get to them, they don’t finish anything. They’re just part of going on.
Booth Tarkington (Alice Adams [Annotated])
I’ve quit dressing at them, and if they saw me they wouldn’t think what you want ’em to. It’s funny; but we don’t often make people think what we want ’em to, mama. You do thus and so; and you tell yourself, ‘Now, seeing me do thus and so, people will naturally think this and that’; but they don’t. They think something else—usually just what you don’t want ’em to.
Booth Tarkington (Alice Adams [Annotated])
a girl who’s talked about has a weakness that’s often a fatal one.” “What is it?” “It’s this: when she’s talked about she isn’t there.
Booth Tarkington (Alice Adams [Annotated])
When the song was ended, he struck the rail he leaned upon a sharp blow with his open hand. There swept over him a feeling that he had stood precisely where he stood now, on such a night, a thousand years ago, had heard that voice and that song, had listened and been moved by the song, and the night, just as he was moved now. He had long known himself for a sentimentalist; he had almost given up trying to cure himself. And he knew himself for a born lover; he had always been in love with some one. In his earlier youth his affections had been so constantly inconstant that he finally came to settle with his self-respect by recognizing in himself a fine constancy that worshipped one woman always — it was only the shifting image of her that changed! Somewhere (he dreamed, whimsically indulgent of the fancy; yet mocking himself for it) there was a girl whom he had never seen, who waited till he should come. She was Everything. Until he found her, he could not help adoring others who possessed little pieces and suggestions of her — her brilliancy, her courage, her short upper lip, “like a curled roseleaf,” or her dear voice, or her pure profile. He had no recollection of any lady who had quite her eyes.
Booth Tarkington (The Gentleman From Indiana)
But from their first word of him, from the message that he was found and was alive, none of the people of Carlow had really doubted it. They are simple country people, and they know that God is good.
Booth Tarkington (The Gentleman from Indiana)
For, though seven years be a mere breath in the memories of the old, it is a long transfiguration to him whose first youth is passing, and who finds unsolicited additions accruing to some parts of his being and strange deprivations in others, and upon whom the unhappy realization begins to be borne in, that his is no particular case, and that he of all the world is not to be spared, but, like his forbears, must inevitably wriggle in the disguising crucible of time. And, though men accept it with apparently patient humor, the first realization that people do grow old, and that they do it before they have had time to be young, is apt to come like a shock.
Booth Tarkington (The Gentleman from Indiana)
The only criticism any one has any business making against Congress is that it’s too good for some of the men we send there. Congress is our great virtue, understand; the congressmen are our fault.
Booth Tarkington (The Gentleman from Indiana)
Oh bugs!
Booth Tarkington (Penrod)
But though she was the mistress of her own ways and no slave to any lamp save that of her own conscience, she had a weakness: she had fallen in love with George Amberson Minafer at first sight, and no matter how she disciplined herself, she had never been able to climb out. The thing had happened to her; that was all. George had looked just the way she had always wanted someone to look—the riskiest of all the moonshine ambushes wherein tricky romance snares credulous young love. But what was fatal to Lucy was that this thing having happened to her, she could not change it. No matter what she discovered in George’s nature she was unable to take away what she had given him; and though she could think differently about him, she could not feel differently about him, for she was one of those too faithful victims of glamour. When she managed to keep the picture of George away from her mind’s eye, she did well enough; but when she let him become visible, she could not choose but love what she disdained. She was a little angel who had fallen in love with high-handed Lucifer; quite an experience, and not apt to be soon succeeded by any falling in love with a tamer party—and the unhappy truth was that George did make better men seem tame.
Booth Tarkington (The Magnificent Ambersons)
While the Growing went on, this god of their market-place was their true god, their familiar and spirit-control. They did not know that they were his helplessly obedient slaves, nor could they ever hope to realize their serfdom (as the first step to becoming free men) until they should make the strange and hard discovery that matter should serve man’s spirit. (p.211)
Booth Tarkington (The Magnificent Ambersons)
I’ve had kind of a poor morning,” Adams said, as she patted his hand comfortingly. “I been thinking—” “Didn’t I tell you not to?” she cried, gaily. “Of course you’ll have poor times when you go and do just exactly what I say you mustn’t. You stop thinking this very minute!
Booth Tarkington (Alice Adams [Annotated])
when Alice came home from wherever other girls or women had been gathered, she always hurried to her mother with earnest descriptions of the clothing she had seen. At such times, if Adams was present, he might recognize “organdie,” or “taffeta,” or “chiffon,” as words defining certain textiles, but the rest was too technical for him, and he was like a dismal boy at a sermon, just waiting for it to get itself finished.
Booth Tarkington (Alice Adams [Annotated])
People who have repeated a slander either get ashamed or forget it if they're let alone. Challenge them, and in self-defense they believe everything they've said; they'd rather believe you a sinner than believe themselves liars, naturally. Submit to gossip and you kill it, fight it, and you make it strong. People will forget almost any slander except the one that's been fought.
Booth Tarkington (The Magnificent Ambersons and Other Works)
I agree with my Uncle Sydney, as I once heard him say he did not care to read a book or go to a play about people he would not care to meet at his own dinner table.
Booth Tarkington (The Magnificent Ambersons)
For the first time she was vaguely perceiving that life is everlasting movement. Youth really believes what is running water to be a permanent crystallization and sees time fixed to a point...
Booth Tarkington (Alice Adams)
Every new age has at its disposal everything that was fine in all past ages, and its greatness depends on how well it recognizes and preserves and brings to the aid of its own enlightenment whatever worthy and true things the dead have left on earth behind them.
Booth Tarkington (America Moved: Booth Tarkington's Memoirs of Time and Place, 1869-1928)
But while the Growing went on, this god of their market-place was their true god, their familiar and spirit-control. They did not know that they were his helplessly obedient slaves, nor could they ever hope to realize their serfdom (as the first step toward becoming free men) until they should make the strange and hard discovery that matter should serve man's spirit.
Booth Tarkington (The Magnificent Ambersons)
One forgets what made the scar upon his hand but not what made the scar upon his wall.
Booth Tarkington (The Magnificent Ambersons)
Surely no more is needed to prove that so short a time ago we were living in another age!
Booth Tarkington (The Magnificent Ambersons)