Booth Jonathan Quotes

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Shafiul's English, it must be said, is limited (although as one wag pointed out, not as limited as his interrogators' Bengali). So when he was asked whether he had deliberately tried to disrupt Trott's elongated guard-taking procedure by aborting his own run-up, he insisted there had been no plan. Pushed moments later on whether [Jamie] Siddons had spoken to the team about the need to disrupt Trott's elongated guard-taking process, Shafiul nodded jubilantly. We were left none the wiser.
Lawrence Booth
Highly complex numbers like the Comma of Pythagoras, Pi and Phi (sometimes called the Golden Proportion), are known as irrational numbers. They lie deep in the structure of the physical universe, and were seen by the Egyptians as the principles controlling creation, the principles by which matter is precipitated from the cosmic mind. Today scientists recognize the Comma of Pythagoras, Pi and the Golden Proportion as well as the closely related Fibonacci sequence are universal constants that describe complex patterns in astronomy, music and physics. ... To the Egyptians these numbers were also the secret harmonies of the cosmos and they incorporated them as rhythms and proportions in the construction of their pyramids and temples.
Jonathan Black
Rounding the corner at Haste, the crowd rushed toward People’s Park, smashing through the fence and sweeping across the lawn, attacking construction vehicles, slashing tires and seat cushions, knocking out glass. Down came the work lights. They kicked in the door to Nestor Arriola’s trailer and ransacked it. They scaled the remaining trees to take up residence. I didn’t witness any of it. I was sitting onstage in the silent auditorium, squinting in the direction of the light booth. The glare made it impossible to tell if UC Berkeley executive vice chancellor George Greenspan was in there. Just in case, I waved and gave him a thumbs-up. Judy Bronson shifted to face me. The creak of her chair leather carried clear to the back of the room. Zellerbach Hall has world-class acoustics. She said, “What just happened.” I said, “Berkeley.
Jonathan Kellerman (Half Moon Bay (Clay Edison, #3))
Our local antiques dealers, a merry band of siblings, have this covered alleyway with stalls and booths. Our town planners stuck their oar in, so the architectural style is neo-gothic catastrophic with a smattering of postcard mosque.
Jonathan Gash (The Grail Tree (Lovejoy, #3))
her purse. Evan Nussbaum, Det. 114th Precinct, City of New York. It would be one quick phone call, one quick urgently whispered sentence—the truck driver and Desirio are sitting together in a diner—as if each of them carries an electric charge and their union produces instant ignition, and Nussbaum would be here immediately. But she has stolen 1.3 million dollars. Not spent a dime of it, no, but moved it, transferred it, and therefore stolen it . . . and therefore can hardly risk more contact with a detective of the New York Police Department. A moment later, the big truck driver and Desirio are up out of the booth and heading toward the door. And at the same time, clearly choreographed—obviously summoned by cell phone—a big silver sedan pulls up to the door of the diner and Desirio and the truck driver look both ways before ducking purposefully, wordlessly, into the back of it. Shit. As the sedan pulls away and stops in a moment at a red light, Elaine steps out of the shadows, raises her hand high above her head, waves it around irrationally, frantically. As if to halt the silver sedan purely on the strength of her authority, through the power of her righteousness, for the obviousness of the vehicle’s illicitness. But the frantically waving hand is, in fact, searching for a telltale flank
Jonathan Stone (The Teller)
Old age is best spent in the editor’s booth, whittling a life down to its greatest hits, which are played over and over again until the tape finally snaps.
Jonathan Hull (Losing Julia)