Boone Lost Quotes

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We've lost a lot of years, but you can't lose love. Not real love. It stays locked inside you, ready for whenever you are strong enough to find it again.
Martina Boone (Compulsion (The Heirs of Watson Island, #1))
I've never been lost, but I was mighty turned around for three days once.
Daniel Boone
I have never been lost, but I will admit to being confused for several weeks.
Daniel Boone
When Daniel Boone goes by at night The phantom deer arise And all lost, wild America Is burning in their eyes.
Stephen Vincent Benét
I sat at a table in my shadowy kitchen, staring down a bottle of Boone's Farm Hard Lemonade, when a magic fluctuation hit. My wards shivered and died, leaving my home stripped of its defenses. The TV flared into life, unnaturally loud in the empty house. I raised my eyebrow at the bottle and bet it that another urgent bulletin was on. The bottle lost. "Urgent bulletin!" Margaret Chang announced. "The Attorney General advises all citizens that any attempt at summoning or other activities resulting in the appearance of a supernaturally powerful being can be hazardous to yourself and to other citizens." "No shit," I told the bottle.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
So many of the things she had found lately hadn't been precisely lost. But she wasn't found without them.
Martina Boone (Persuasion (The Heirs of Watson Island, #2))
In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He's found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it's smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., "hiply") surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear.
David Foster Wallace
I have never been lost but I was bewildered once for three days.
Daniel Boone
Barrie wanted to fall into him, her lost to his found, her need to his want. Kissing was like the physical form of magic, all potential and the sense that anything might happen. When she was kissing Eight, she felt like she could fly.
Martina Boone (Persuasion (The Heirs of Watson Island, #2))
It’s hard not to smile when you hear that American frontiersman Daniel Boone once insisted, “I have never been lost, but I will admit to being confused for several weeks.
Valerie Young (The Secret Thoughts of Successful Women: And Men: Why Capable People Suffer from Impostor Syndrome and How to Thrive In Spite of It)
Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth.
L.M. Montgomery (The Golden Road (The Story Girl, #2))
Everyone has a supremely low moment somewhere along the AT, usually when the urge to quit the trail becomes almost overpowering. The irony of my moment was that I wanted to get back on the trail and didn't know how. I hadn't lost just Katz, my boon companion, but my whole sense of connectedness to the trail. I had lost my momentum, my feeling of purpose. In the most literal way I needed to find my feet again.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Daniel Boone, when asked if he ever got lost out in the wilderness, replied, "I can't say I was ever lost, but I was once bewildered for about 3 days.
Daniel Boone
Every time they lost their tempers, storms would gather." "That could be a boon in dry weather.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
it would be a kind boon in an overruling Providence to sweep from the earth the soil, along with the people. Better to be a wilderness of waste, than a lasting monument of lost liberty.
Shelby Foote (The Civil War, Vol. 2: Fredericksburg to Meridian)
May 27, 1941 Sunday we encountered specimens of the rarely appearing yellow lady's slipper. This orchis is fragilely beautiful. One tends to think of it almost as a phenomenon, without any roots or place in the natural world. And yet it, too, has had its tough old ancestors which have eluded fires and drought and freezes to pass on in this lovely form the boon of existence. If a plant so delicately lovely can at the same time be so toughly persistent and resistant to all natural enemies, can we doubt that hopes for a better an more rational world may not also withstand all assaults, be bequeathed from generation to generation, and come ultimately to flower? President Roosevelt says he has not lost faith in democracy; nor have I lost faith in the transcendent potentialities of LIFE itself. One has but to look about him to become almost wildly imbued with something of the massive, surging vitality of the earth.
Harvey Broome (Out Under The Sky Of The Great Smokies: A Personal Journal)
The hero is the man of self-achieved submission. But submission to what? That precisely is the riddle that today we have to ask ourselves and that it is everywhere the primary virtue and historic deed of the hero to have solved. Only birth can conquer death—the birth, not of the old thing again, but of something new. Within the soul, within the body social, there must be a continuous “recurrence of birth” a rebirth, to nullify the unremitting recurrences of death. For it is by means of our own victories, if we are not regenerated, that the work of Nemesis is wrought: doom breaks from the shell of our very virtue. Peace then is a snare; war is a snare; change is a snare; permanence a snare. When our day is come for the victory of death, death closes in; there is nothing we can do, except be crucified—and resurrected; dismembered totally, and then reborn. The first step, detachment or withdrawal, consists in a radical transfer of emphasis from the external to the internal world, macro- to microcosm, a retreat from the desperation's of the waste land to the peace of the everlasting realm that is within. But this realm, as we know from psychoanalysis, is precisely the infantile unconscious. It is the realm that we enter in sleep. We carry it within ourselves forever. All the ogres and secret helpers of our nursery are there, all the magic of childhood. And more important, all the life-potentialities that we never managed to bring to adult realization, those other portions of our self, are there; for such golden seeds do not die. If only a portion of that lost totality could be dredged up into the light of day, we should experience a marvelous expansion of our powers, a vivid renewal of life. We should tower in stature. Moreover, if we could dredge up something forgotten not only by ourselves but by our whole generation or our entire civilization, we should indeed become the boon-bringer, the culture hero of the day—a personage of not only local but world historical moment. In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i.e., give battle to the nursery demons of his local culture) and break through to the undistorted, direct experience and assimilation of what C. G. Jung has called “the archetypal images.” This is the process known to Hindu and Buddhist philosophy as viveka, “discrimination.
Joseph Campbell (The Hero With a Thousand Faces)
I don’t know if it helps, but I know when we lost Dad, we were all just numb, I guess. Just taking a step at a time dealing with all the horrible, practical things you have to deal with. Eventually you find yourself in another place. Some of it’s familiar, some of it’s not. You make something else out of it, and you know you couldn’t have without the person you lost.
Nora Roberts (The Next Always (Inn BoonsBoro Trilogy, #1))
Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth.
L.M. Montgomery (The Golden Road)
Each one, then, should love his life, even though it be not very attractive, for it is the only life. It is a boon that will never return and that each person should tend and enjoy with care; it is one's capital, large or small, and can not be treated as an investment like those whose dividends are payable through eternity. Life is an annuity; nothing is more certain than that. So that all efforts are to be respected that tend to ameliorate the tenure of this perishable possession which, at the end of every day, has already lost a little of its value. Eternity, the bait by which simple folk are still lured, is not situated beyond life, but in life itself, and is divided among all men, all creatures. Each of us holds but a small portion of it, but that share is so precious that it suffices to enrich the poorest. Let us then take the bitter and the sweet in confidence, and when the fall of the days seems to whirl about us, let us remember that dusk is also dawn.
Remy de Gourmont (Philosophic Nights in Paris (English and French Edition))
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow men. That is the pattern of the myth, and that is the pattern of these fantasies of the psyche. Now it was Dr Perry's thesis in his paper that in certain cases the best thing is to let the schizophrenic process run its course, not to abort the psychosis by administering shock treatments and the like, but, on the contrary, to help the process of disintegration and reintegration along. However, if a doctor is to be helpful in this way, he has to understand the image language of mythology. He has himself to understand what the fragmentary signs and signals signify that his patient, totally out of touch with rationally oriented manners of thought and communication, is trying to bring forth in order to establish some kind of contact. Interpreted from this point of view, a schizophrenic breakdown is an inward and backward journey to recover something missed or lost, and to restore, thereby, a vital balance. So let the voyager go. He has tipped over and is sinking, perhaps drowning; yet, as in the old legend of Gilgamesh and his long, deep dive to the bottom of the cosmic sea to pluck the watercress of immortality, there is the one green value of his life down there. Don't cut him off from it: help him through.
Joseph Campbell (Myths to Live By)
I can’t say I was ever lost, but I was bewildered once for three days. — Daniel Boone
Daniel Boone
Little I had seen on the first stop challenged my scepticism about just how much New Labour had actually done for its northern heartlands, although the successful remodelling of the Port of Blyth is a clear boon. The schools may have been improved and the housing stock better, but it did little to revive a town that gradually lost its purpose.
Sebastian Payne (Broken Heartlands: A Journey Through Labour's Lost England)
I use the word in reference to dance bands, cinemas, electric signs, and so on. Your plumbing is quite rightly as modern as you can get it, the only certain boon, to my mind, that the East can take from the West. I often think that the Romans were fortunate; their civilization reached as far as hot baths without touching the fatal knowledge of machinery.
James Hilton (Lost Horizon)
It was hard for some people to understand—how she could love him but not be in love with him. How she could still want him to be part of the fabric of her life but also not be, say, the mother of her children. They didn't understand that, at the end of the day, he was still her best friend. Of everything she'd lost this past year, why couldn't she keep that?
Georgia K. Boone (I'll Be Gone for Christmas)
Maynard, what have you been doing with yourself?" Odegar Taumber asked as the slow moving librarian shuffled from the stairwell to the main floor. Casselle caught sight of Temos and Raabel and motioned for Jaksen to deposit the books on a nearby and conveniently clean table. He did so and the squadmates reunited, just out of earshot of the Captain. "I see you two found him," Raabel said. "We've been back for some time. I guess he's as slow as he looks?" "Casselle found him," Jaksen replied. "And he's both slow and rude. I'm sure he's important enough, but seems like he was in no real danger to begin with." "I took a look out of the windows while we were searching for him," Temos said. "It doesn't look like it's calmed down much out there. I'd hate to think of trying to move him through an angry crowd. He doesn't look nimble enough to sneak by, either." "If we weren't in this damned armor, I'd just carry him," Raabel said. Coming from someone else, it might have been considered a boast, but Raabel usually didn't say things he wasn't sure he was capable of doing. Casselle pictured the old man wailing in protest, thrown over Raabel's shoulder and being forced to bounce along like a sack of potatoes. Raabel was right about the armor, though: it was clumsy and ill-fitting. It was obvious that it had not been altered for them, and none more obvious than on Casselle. Her broad shoulders were a boon, but even bound, her breasts had proved problematic to find a properly sized chestplate from a stockpile that had been made exclusively for men. They had settled on a piece that was just slightly too large, having previously been worn by a heavyset Templar from a time before. In thinking of it, she pondered Maynard's earlier words. "He called me a boy," she said. "A fat young boy." Her squadmates took a step back, shocked. "And you did not correct him?" Raabel asked. "Or worse?" Jaksen asked. "To be fair," Temos said after a moment, "he is very old. It is entirely possible he has lost his will to live.
R. Wade Hodges (Beyond the Burning Sea (Fate's Crucible, #1))
I have never been lost, but I will admit to being confused for several weeks." -
Daniel Boone
Qyree had lost count of the many times his father went back on his word if the situation wouldn’t be beneficial to him. He was sick to his stomach the day that he found out his father had been sleeping with Natalia.
Denora Boone (Heaven Between Her Thighs: Stealing His Heart)
grown grey. There was a general atmosphere of numbness and decrepitude. Men wanted consolation and hope. Christianity alone could supply it, and though Christianity itself had lost its early joyousness, freshness, and simplicity, it retained unimpaired its marvelous powers to console. To a world tired of questioning and search it returned an answer for which it claimed the sanction of absolute Truth. The old spirit was not wholly dead. One may see it revive from time to time in the various heresies which split the Church. But it was ruthlessly suppressed, and humanity had to purchase back its liberty of thought at a great price, ten or more centuries later, when the world realized that her ancient deliverer had herself become a tyrant. Nevertheless, few can seriously doubt that the triumph of the Christian Church was an unspeakable boon to mankind. The Roman Empire was doomed. Its downfall was certain and, on the whole, was even to be desired, so long as its civilization was not wholly wiped out and the genius of past generations was not wholly destroyed.
John Firth (Constantine the Great: The Reorganisation of the Empire and Triumph of the Church)
The philosophies were worn out. The gods themselves had grown grey. There was a general atmosphere of numbness and decrepitude. Men wanted consolation and hope. Christianity alone could supply it, and though Christianity itself had lost its early joyousness, freshness, and simplicity, it retained unimpaired its marvelous powers to console. To a world tired of questioning and search it returned an answer for which it claimed the sanction of absolute Truth. The old spirit was not wholly dead. One may see it revive from time to time in the various heresies which split the Church. But it was ruthlessly suppressed, and humanity had to purchase back its liberty of thought at a great price, ten or more centuries later, when the world realized that her ancient deliverer had herself become a tyrant. Nevertheless, few can seriously doubt that the triumph of the Christian Church was an unspeakable boon to mankind. The Roman Empire was doomed. Its downfall was certain and, on the whole, was even to be desired, so long as its civilization was not wholly wiped out and the genius of past generations was not wholly destroyed.
John Firth (Constantine the Great: The Reorganisation of the Empire and Triumph of the Church)
I have never been lost,But i sure have spent a lot of time wandering around confused.
Danial Boone
After spending one and a half years in America and years of practicing English before that, Abed, for the first time in his life, began to dream in English. Indeed the meaning of every dream might be the fulfillment of a wish. But had Freud lived the life of an expatriate, immigrant, or a humble non-Western Ph.D. student cut off from his native tongue, he might have added to this that at times it’s not mainly the subject per se but the very form of the dream that fulfills that wish. Not the message but the medium. The latter can follow a path of its own and may even blatantly contradict the former. That’s why, that’s how, every so often foreigners in a country wake up from pleasant dreams with a glum feeling as if having lost something (not knowing that particular loss was a wedge of their mother tongue), or from gloomy nightmares with an inexplicable delight as if they had acquired something novel (not knowing that was a boon from the nonnative language). Dreaming in English for the first time is a threshold, a sign of a bigger change on the way, a change that won’t let you be the same person anymore. You wake up in the middle of the night and try to remember, not the theme of the dream but the words with which the story was told to you. You might be surprised to find out that some of those words you do not happen to have learned yet. For dreams, unlike us, are capable of living simultaneously in more time zones than one, and in the terra firma of Morpheus, the past and the future are one and the same.
Elif Shafak (The Saint of Incipient Insanities)
When he was about fourteen, Daniel learned to read and write. The wife of one of his older brothers taught him how. He never mastered spelling, but he became a devoted reader. He took books with him on hunting trips. At night, he read by the light of the campfire. He also learned some arithmetic. Daniel’s lack of schooling didn’t make him different from his friends. In fact, on the frontier, he was considered well educated. But his best subject was the woods. There, no sound escaped him, and every animal track was familiar. He rarely got lost. It was as though the trees themselves helped him find his way.
Sydelle Kramer (Who Was Daniel Boone?)
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