Boom Box Quotes

I think he’s handling it with grace. A lot of teenage boys would sulk, or lurk around under your window with a boom box.

He broke up with me." "Because you weren't in love with him. That's an iffy proposition, and I think he's handling with grace. A lot of teenage boys would sulk, or lurk around under your window with a boom box." "No one has a boom box anymore. That was the eighties.

Where was a boom box when you needed one?

And this note was a jittery time bomb, ticking beneath my normal life, in my pocket all day firecely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now. I can’t stop thinking about you.

Just you wait. As soon as you and I are done, he's gonna pull some cheesy-ass move and,like, profess his love for you with a boom box I'm telling you I know how guys think

The owner of the boom box marches over and turns the music down. He shrugs when he sees me staring. "Hey, noise pollution elicits fewer phone calls to the police than screaming and battle sounds. At least, that's the case in Berlin," he says.

He'll never compose whole odes to my beauty and grace. He'll never show up with a boom box to reenact Say Anything outside my window. He'll never drive over at three a.m. because I'm sick and can't sleep and just want to feel his arms around me.

We need a bigger gun.” “We need a shower,” Raphael said. “Gun first. Shower later.” Ten minutes later I walked into the Order’s office. A group of knights standing in the hallway turned at my approach: Mauro, the huge Samoan knight; Tobias, as usual dapper; and Gene, the seasoned former Georgia Bureau of Investigations detective. They looked at me. The conversation died. My clothes were torn and bloody. Soot stained my skin. My hair stuck out in clumps caked with dirt and blood. The reek of a dead cat emanated from me in a foul cloud. I walked past them into the armory, opened the glass case, took Boom Baby out, grabbed a box of Silver Hawk cartridges, and walked out. Nobody said a thing.

I don't have a list or anything. I just haven't met that person that I want to hold a boom box up for yet.

The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.

And so, on a night in late May, I found myself standing on the lawn of a Hyde Park mansion of vampires, staring up at the stone-framed visage of a boy in Armani, an enemy who’d become an ally. Ironic, I thought, that I’d given up one ally today but gained another.Ethan ran a hand through his hair. “What are you thinking about?” I whispered up, knowing he couldn’t hear me. Where was a boom box when you needed one?

The Stadium Have you ever entered an empty stadium? Try it. Stand in the middle of the field and listen. There is nothing less empty than an empty stadium. There is nothing less mute than stands bereft of spectators. At Wembley, shouts from the 1966 World Cup, which England won, still resound, and if you listen very closely you can hear groans from 1953 when England fell to the Hungarians. Montevideo’s Centenario Stadium sighs with nostalgia for the glory days of Uruguayan soccer. Maracanã is still crying over Brazil’s 1950 World Cup defeat. At Bombonera in Buenos Aires, drums boom from half a century ago. From the depths of Azteca Stadium, you can hear the ceremonial chants of the ancient Mexican ball game. The concrete terraces of Camp Nou in Barcelona speak Catalan, and the stands of San Mamés in Bilbao talk in Basque. In Milan, the ghosts of Giuseppe Meazza scores goals that shake the stadium bearing his name. The final match of the 1974 World Cup, won by Germany, is played day after day and night after night at Munich’s Olympic Stadium. King Fahd Stadium in Saudi Arabia has marble and gold boxes and carpeted stands, but it has no memory or much of anything to say.

Just you wait. As soon as you and I are done, he’s gonna pull some cheesy-ass move and, like, profess his love for you with a boom box. I’m telling you, I know how guys think.

I love you,” he repeated. “I love the way your mouth always slides into a smile, even when no one’s looking. I love the way you go out of your way for people you’ve barely met. I love how your hair always curls right here, at the nape of your neck”—and he ran his fingers along the side of my neck. “And I love how you make me want to see the world in color, and I love how I feel when I’m with you. And maybe we won’t work out, but maybe we will—and I’ll run across cities, and I’ll show up with boom boxes outside your window, and I’ll meet you at the tops of buildings, and I’ll kiss you in the rain just to remind you that you’re worth every moment.” He bent and kissed my cheeks, and I realized that he had kissed the tears off them. I was crying, and I couldn’t stop.

Oh, the boom box, oh God. Oh! This is an appropriation of the hood and the street — you’re giving us like baaad hip hop, thuggerish, but it’s not thuggish enough.

The window logs Kilburn’s skyline. Ungentrified, ungentrifiable. Boom and bust never come here. Here bust is permanent. Empty State Empire, empty Odeon, graffiti-streaked sidings rising and falling like a rickety roller coaster. Higgledy-piggledy rooftops and chimneys, some high, some low, packed tightly, shaken fags in a box. Behind the opposite window, retreating Willesden. Number 37. In the 1880s or thereabouts the whole thing went up at once – houses, churches, schools, cemeteries – an optimistic vision of Metroland. Little terraces, faux-Tudor piles. All the mod cons! Indoor toilet, hot water. Well-appointed country living for those tired of the city. Fast-forward. Disappointed city living for those tired of their countries.

I like that you’re jealous.” “Rogan, put the car back.” “Come to dinner with me tonight and I’ll consider it.” Yes! “No. I don’t negotiate with terrorists.” “If you don’t go to dinner with me, I’ll have to do something drastic like stand by your window with a boom box blasting some idiotically sappy song.

Whatever happened to chivalry? Does it only exist in 80's movies? I want John Cusack holding a boom box outside my window. I wanna ride off on a lawnmower with Patrick Dempsey. I want Jake from Sixteen Candles waiting outside the church for me. I want Judd Nelson thrusting his fist into the air because he knows he got me. Just once I want my life to be like an 80's movie, preferably one with a really awesome musical number for no apparent reason. But no, no, John Hughes did not direct my life.

fucking Judas Coyne on the boom box, a guy whose idea of musical complexity is a song with four power chords instead of three.

Okay, I know--my superpower--I'd be able to shoot lightening bolts out from my fingertips--great big knowledge network lightening bolts--and when a person was zapped by one of those bolts, they'd fall down on their knees and once on their knees, they'd be under water, in this place I saw once off the east coast of the Bahamas, a place where a billion electric blue fish swam up to me and made me a part of their school--and then they'd be up in the air, up in Manhattan, above the World Trade Center, with a flock of pigeons, flying amid the skyscrapers, and then--then what? And then they'd go blind, and then they'd be taken away--they'd feel homesick--more homesick than they'd felt in their entire life--so homesick they were throwing up--and they'd be abandoned, I don't know...in the middle of a harvested corn field in Missouri. And then they'd be able to see again, and from the edges of the field people would appear--everybody they'd known--and they'd be carrying Black Forest cakes and burning tiki lamps and boom boxes playing the same song, and they sky would turn into a sunset, the way it does in Walt Disney brochure, and the person I zapped would never be alone or isolated again.

Neither of us ever threw anything away. We made a lot of mix tapes while we were together. Tapes for making out, tapes for dancing, tapes for falling asleep. Tapes for doing the dishes, for walking the dog. I kept them all. I have them piled up on my bookshelves, spilling out of my kitchen cabinets, scattered all over the bedroom floor. I don’t even have pots or pans in my kitchen, just that old boom-box on the counter, next to the sink. So many tapes.

Brutality is boring. Over and over, hell night after hell night, the same old dumb, tedious, bestial routine: making men crawl; making men groan, hanging men from the bars; shoving men; slapping men; freezing men in the showers; running men into walls; displaying shackled fathers to their sons and sons to their fathers. And if it turned out that you'd been given the wrong man, when you were done making his life unforgettably small and nasty, you allowed him to be your janitor and pick up the other prisoners' trash. There was always another prisoner, and another. Faceless men under hoods: you stripped them of their clothes, you stripped them of their pride. There wasn't much more you could take away from them, but people are inventive: one night some soldiers took a razor to one of Saddam's former general in Tier 1A and shaved off his eyebrows. He was an old man. "He looked like a grandfather and seemed like a nice guy," Sabrina Harman said, and she had tried to console him, telling him he looked younger and slipping him a few cigarettes. Then she had to make him stand at attention facing a boom box blasting the rapper Eminem, singing about raping his mother, or committing arson, or sneering at suicides, something like that⁠—these were some of the best-selling songs in American history. "Eminem is pretty much torture all in himself, and if one person's getting tortured, everybody is, because that music's horrible," Harman said. The general maintained his bearing against the onslaught of noise. "He looked so sad," Harman said. "I felt so bad for the guy." In fact, she said, "Out of everything I saw, that's the worst." This seems implausible, or at least illogical, until you think about it. The MI block was a place where a dead guy was just a dead guy. And a guy hanging from a window frame or a guy forced to drag his nakedness over a wet concrete floor⁠—well, how could you relate to that, except maybe to take a picture? But a man who kept his chin up while you blasted him with rape anthems, and old man shorn of his eyebrows whose very presence made you think of his grandkids--you could let that get to you, especially if you had to share in his punishment: "Slut, you think I won't choke no whore / til the vocal cords don't work in her throat no more!..." or whatever the song was.

The hidden master of the Filipino-style Chinese donut is Benito Taganes, proprietor and king of the bubbling vats at Mabuhay. Mabuhay, dark, cramped, invisible from the street, stays open all night long. It drains the bars and cafes after hours, concentrates the wicked and the guilty along its chipped Formica counter, and thrums with the gossip of criminals, policemen, shtarkers and shlemiels, whores and night owls. With the fat applauding in the fryers, the exhaust fans roaring, and the boom box blasting the heartsick kundimans of Benito’s Manila childhood, the clientele makes free with their secrets. A golden mist of kosher oil hangs in the air and baffles the senses. Who could overhear with ears full of KosherFry and the wailing of Diomedes Maturan?

This note was a jittery bomb ticking beneath my normal life, in my pocket all day fiercely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and f--- you. Even now.

I learned that my boom box was awesome at recording, but I didn't know my soul was also good at it and that my heart would remember all the things that would ever break it. Most recordings have a way of fading over time and losing their quality, but the moments that become the record our souls keep manage to stay so vivid.

It isn’t just that I loved growing up in the city—it’s that every time I see kids sleepily shuffling along en masse at the Met, or setting their boom box down on the train to break-dance for tips, or standing in awe in front of a world-class violinist playing beneath Rockefeller Center, I think, How amazing it is to be a part of this, to get to share this place with all these people.

Toward the end of that session at the Hudson, our instructor split us into two long lines and took out a bouquet of multicolored feathers. 'I would normally give the feathers to the ladies,' she explained as she passed them out, 'but we will have to make do.' Out of fifty or so front-of-the-house employees present, there were maybe six or seven women. 'The point of this dance is to think about giving and receiving,' she said, pressing play on her tiny boom box. A slow and stately march started playing through tinny speakers, a march to which we learned a simple dance: stepping up to our partner to give him the feather, stepping back to a bow, taking his hand, turning around, receiving the feather again, and stepping back to the line. 'Are you starting to feel each other's sense of space?' she called out. Someone sneezed. As the dance went on, we grew more comfortable with one another, fighting and roughhousing over the props. 'I've been defeathered!' 'Giveth the feather backeth or I will have to unsheathe my sword!

Boom Boom, for instance, was an excellent outside-the-box thinker. Asa thought Boom Boom was a great strategist, and brilliant. The problem with Boom Boom is that he’s kind of a creep. He had attracted the Academy’s scouts when he built a bomb and blew up a bank. The feat had required certain mental abilities, but it also showed a deficit in others. Anyone who commits an act like that has issues with mentally putting themselves in other people’s shoes. Boom Boom had also killed his childhood dog. Knowing these things made Asa uncomfortable around his former teammate.

mesmerizing -- gold, red, orange, black -- the colors of the dragons that had promised so much: prosperity, love, good health, a second chance, a new start. The fire began to pop, the small sounds lost in the constant boom of firecrackers going off in the streets of San Francisco in celebration of the Chinese New Year. No one would notice another noise, another spark of light, until it was too late. In the confusion of the smoke and the crowds, the dragons and the box they guarded would disappear. No one would ever know what had really happened. The flame reached the end of the gasoline-soaked rope and suddenly burst forth in a flash of intense, deadly heat. More explosions followed as the fire caught the cardboard boxes holding precious inventory and jumped toward the basement ceiling. A questioning cry came from somewhere, followed by the sound of footsteps running down the halls of the building that had once been their sanctuary, their dream for the future, where the treasures of the past were turned into cold, hard cash. The cost of betrayal would be high. They would be brothers no more. But then, their ties had never been of blood, only of friendship --

It was during the summer of 1845, in the garden, under the arbour, Pécuchet, with his feet up on a small seat, was reading aloud in his booming voice, tirelessly, only stopping to dip his fingers into his snuff-box. Bouvard was listening to him, pipe in mouth, legs apart, the top of his trousers undone.

There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.

After Josh leaves and Kitty goes upstairs to watch TV, I’m tidying up the living room and Peter’s sprawled out on the couch watching me. I keep thinking he’s about to leave, but then he keeps lingering. Out of nowhere he says, “Remember back at Halloween how you were Cho Chang and Sanderson was Harry Potter? I bet you that wasn’t a coincidence. I bet you a million bucks he got Kitty to find out what your costume was and then he ran out and bought a Harry Potter costume. The kid is into you.” I freeze. “No, he isn’t. He loves my sister. He always has and he always will.” Peter waves this off. “Just you wait. As soon as you and I are done, he’s gonna pull some cheesy-ass move and, like, profess his love for you with a boom box. I’m telling you, I know how guys think.” I yank away the pillow he’s got cushioning his bac and put it on the recliner. “My sister will be home for winter break soon. I bet you a million dollars they get back together.” Peter holds his hand out for me to shake on it, and when I take it, he pulls me onto the couch next to him. Our legs touch. He has a mischievous glint in his eye, and I think maybe he’s going to kiss me, and I’m scared, but I’m excited, too. But then I hear Kitty’s footsteps coming down the stairs, and the moment’s over.

The testing and educational support industry is booming. In 2013 it had combined revenues in the United States alone of $16.5 billion.10 To put that in context, the entire U.S. domestic cinema box office gross in 2013 was a little less than $11 billion11 and the National Football League is currently a $9 billion business.

Jimi on the box, thirty stories up, everything immediate, yet distanced. Jimi's chords locked in aerial dogfights, gliding, riding, sliding, hiding, belligerent bursts, hallucinogenic, a head-warping face-wiping mind melt, chords live dive bombers screaming in for the kill, scintillating, serrated chords shot through with arc-light shrieks of staccato mayhem, as immediate and horrific as the firefight racketing away this very second below our red and puffy eyes; chords that hang in the air like the retinal reflection of an eerie afterburn, the stars displaced and the smell of a world that burned. Overhead, night birds flying, Huey, Apache, Chinook, whooshing with murderous potential. And over everything - every apocalyptic bang, boom, and rattle - Jimi, bleating like Braxton and bonding with the bombast.

When I got off the phone, my earbuds were still in from the call and my phone started playing a song, which it sometimes does, without my explicit instruction. The song it played was a U2 song from an album that was released when I was finishing high school, an album I played on a CD boom box, lying on my bed, staring up at the ceiling, thinking about how I was at the end of some beginning, which made what came next the beginning of the end. I walked over to the bodega on a corner at Sixth and bought a pack of cigarettes. The man who sold them to me didn’t look at me funny; he didn’t tell me I was too old to be playing games like this. I went back to the bench and lit a cigarette and inhaled, the smoke entering my body and filling it with poison, with something. — THE HOUSE IN East Hampton was no longer Toby’s, as if it ever was,

When Reed was old enough to go dove-hunting, I figured out that he was more into shooting shells than actually hunting. He wanted to fire his gun as much as possible. Whenever a dove flew by, I heard boom! Boom! Boom! I tried to tell him that shotguns weren’t heat-seeking missiles and that he had to aim at the bird. But when the next dove flew overhead, I heard boom! Boom! Boom! The first time we went dove-hunting, I think he went through two boxes of shells before he finally connected.

Speak to me about power. What is it?” I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?” Her shapely head tilts. “No time except the present.” “Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.” Immaculée Constantin is unreadable. “How?” “By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?” Security Goblin’s sneeze booms through the chapel. “You scratch the surface,” says Immaculée Constantin. I feel lust and annoyance. “Scratch deeper, then.” She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?

to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what

I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.

The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.

Thakur’s findings were not news to Ranbaxy’s top executives. Just ten months earlier, in October 2003, outside auditors started investigating Ranbaxy facilities worldwide. In this case, the audits had been ordered up by Ranbaxy itself. This was a common industry practice: drug companies often hired consultants to audit their facilities as a dry run to see how visible their problems were. If the consultants could find it, they reasoned, then most likely regulators could too. The fact-finding mission by Lachman Consultant Services left Ranbaxy officials under no illusion as to the extent of the company’s failings. At Ranbaxy’s Princeton, New Jersey, facility, auditors found that the company’s Patient Safety Department barely functioned and training was essentially “non-existent.” The staff had no written protocols for investigating patient complaints, which piled up in boxes, uncategorized and unreported. They had no clerical help for basic tasks like mailing out the patients’ samples for testing. “I don’t think there’s the same medicine in this medicine,” was a common refrain from patients. Even when there were investigations, they were so perfunctory and half-hearted that expiration dates were listed as “unknown,” even when they could easily have been found from a product’s lot number. An audit of Ranbaxy’s main U.S. manufacturing plant, Ohm Laboratories in New Jersey, found that the company, though required to report adverse events to the FDA, rarely did so. There was no system to capture patient complaints after hours, and no global medical officer to ensure that any potential negative consequences for patients were being monitored. The consultants from Lachman urged Ranbaxy to address these problems globally. Ranbaxy’s initial reaction to the findings was to question the number of hours, and the resulting invoice, that Lachman had sent for its work.

You smell good. Who’s this ‘guy’ you’re meeting? Are you back on the market?” He wiggled both blond eyebrows at me. “Does that mean Doc Nyce is no longer petting your cat?” I frowned. “Petting my cat?” What did Bogart, our vegetarian cat, have to do with Doc? Jeff leaned in for another sniff. “I’m really good at petting cats, too.” Oh, dear Lord! My brain had finally dipped low enough into the gutter to catch Jeff’s meaning. I shoved him back a step. “Doc is still petting my …” No! Just walk away, doofus. I started to do just that, but then stopped and turned back. In case Tiffany was going to be hearing the play-by-play of my run-in with Jeff, I wanted to clarify things so the red-headed siren wouldn’t get any ideas about trying to steal Doc away from me. We’d done that song and dance before, and there would be no encores on that score. “Doc Nyce is still my boyfriend,” I announced. Sheesh, “boyfriend” was such a silly word for a woman my age. “I mean, we’re a definite couple in all the ways.” Jeff grinned. “Which ways are those?” “You know, the ‘couple’ ways.” When he just stared at me with a dumb grin, I added, “Boom, boom, out goes the lights.” His laughter rang out loud and clear, catching the attention of people on the opposite side of the street. “I’m not sure if you know this, Violet Parker, but that old song actually refers to landing a knock-out punch.” Thinking back on all the times I’d pinched, elbowed, and tackled Doc, including the black eye I’d accidentally given him, I shrugged. “Sex with Doc is amazingly physical. He’s a real heavy hitter under the sheets, delivering a solid one-two sock-’em every time.” I wasn’t sure what I was alluding to by this point, but I kept throwing out boxing slang to fill the void. “I’d give you the real dirty blow-by-blow, but we don’t sell ringside tickets for our wild sex matches.” His jaw gaped. “No kidding?” Before my big mouth unleashed another round of idiotic sex-boxing ambiguities, I said, “See you around, Jeff.

She now expected what she’d grown up seeing—that was what she thought love would be like. She expected guys to lift boom boxes outside her house and talk in declarations about what they loved best about her

I made it to Ms. Bones’ Scare class when she said, “Kids, remember, this exam will count toward 50% of your grade. So make sure you give it your all when you go out and scare those villagers today.” “Not me,” I thought, “I’m going to get those villagers laughing so hard, they won’t be scared at all.” When we got to the village, all the other kids picked a villager to scare. And the other kids did really well. But then it was my turn. I picked a villager that I saw picking crops. Steve also gave me some music to go with the routine, so I turned on the boom box and jumped out of the bushes. “Everybody Dance Now!” I started doing my routine, and it was good! I was all up into my routine, when more and more villagers gathered around me. I was really getting into it. Soon, the entire village was gathered around me, and they were into it too. “Hey guys, check out what Zombie is doing!” one of the mob kids yelled. Then all of the mob kids jumped out of the bushes at once. All of a sudden, the entire village went crazy and the villagers started running and screaming. “It’s the Zombie Apocalypse!” a villager yelled. “AAAAHHHH!!!” was all I heard, as all of the villagers scattered to their homes. Ms. Bones was shocked. “You scared the entire village all at once!” she said. “That was the most amazing thing I have ever seen!” Then she said, “You get an A plus for your scare test, and for the class. Congratulations, Zombie!” Man, I really hate my life.

Then suddenly Merry felt it at last, beyond doubt: a change. Wind was in his face! Light was glimmering. Far, far away, in the South the clouds could be dimly seen as remote grey shapes, rolling up, drifting: morning lay beyond them. But at that moment there was a flash, as if lightning had sprung from the earth beneath the city. For a searing second it stood dazzling far off in black and white, its topmost tower like a glittering needle; and then as the darkness closed again there came rolling over the fields a great boom. At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before: "Arise, arise, Riders of Théoden! Fell deeds awake: fire and slaughter! spear shall be shaken, shield be splintered, a sword-day, a red day, ere the sun rises! Ride now, ride now! Ride to Gondor!" With that he siezed a great horn from Guthláf his banner-bearer and he blew such a blast upon it that it burst asunder. And straightaway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm on the plain and a thunder in the mountains. "Ride now, ride now! Ride to Gondor!" Suddenly the King cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Éomer rode there, the white horsetail on his helm floating in his speed, and the front of the first éored roared like a breaker foaming to the shore, but Théoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Oromë the Great in the battle of the Valar when the world was young. His golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removes, and the hosts of Mordor wailed, and terror overtook them, and they fled, and died, and the hoofs of wrath overtook them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the city.

The propaganda worked, not just on my mother, but across the region. It was, we know now, a global scheme engineered by Nestlé to get mothers hooked on formula and to give up breastfeeding. Mothers were taught the risks of breastfeeding and discharged from hospitals armed with sample boxes of formula and baby bottles, ready to rear their children like their wealthy, wondrous, Western counterparts who had already bought into the marketing. But when my grandfather examined the ingredient list on the back of the Nestlé tin can, he flung it across the room. “What is this nonsense?” Dada Abu raged. This was not milk from a living creature. Not from a goat or cow or buffalo or sheep. It was dead milk, made from dead, fake ingredients. And no way was his granddaughter going to be drinking this trash.

Bundled in her old clothes, she pushed open the door of the cottage and stepped out into a wet, chill day. The wind slapped her face. Her disgust and hatred for all she had been rose like a tide in her. The meadow vista before her ended in the river, cold, gray, and relentless. She had been caught in it once and nearly drowned. She let the thought form in her mind. It would be quick. Cold and unpleasant but quick. She spoke aloud the words that had rattled through her dreams all night. “Time to end this life.” She lifted her face. The wind was pushing heavy clouds across a distant blue sky. You would kill yourself? Over that? Because Rapskal told you what you already knew? Sintara’s touch on her mind was coldly amused. The dragon’s consideration was distant and impartial. I recall that my ancestors witnessed humans doing this, deliberately choosing to terminate a life span that is already so brief as to be insignificant. Like gnats flying into flames. They flung themselves into rivers, or hanged themselves from bridges. So. The river? Is that how you will do this? Sintara had not touched minds with her for weeks. For her to return now and to be so coldly curious fired anger in Alise. She scanned the sky. There. A tiny wink of sapphire against the distant clouds. She spoke aloud, giving vent to her outrage, as in a single heartbeat despair became defiance. “End this life, I said. Not end MY life.” She watched the dragon tip her wings and slide down the sky toward the hills. Change took root in her, grew. “Kill myself? In despair over all the days I’ve wasted, all the ways I’ve deceived myself? What would that do except prove that in the end I still could not escape my own foolishness? No. I’m not ending my life, dragon. I’m taking it. I’m making it mine.” For a long moment she felt nothing from Sintara. Probably the dragon had spotted some prey and lost all interest in the gnat-lifed woman who could not even kill a rabbit for her. Then, without warning, the dragon’s thoughts boomed through her mind again. The shape of your thoughts has changed. I think you are finally becoming yourself. As she stared, the dragon suddenly clapped her wings tight to her body and dived on her prey. The immediate absence of the dragon’s touch on her mind was like a gust of wind boxing her ears. She was left stunned and alone.

Bundled in her old clothes, she pushed open the door of the cottage and stepped out into a wet, chill day. The wind slapped her face. Her disgust and hatred for all she had been rose like a tide in her. The meadow vista before her ended in the river, cold, gray, and relentless. She had been caught in it once and nearly drowned. She let the thought form in her mind. It would be quick. Cold and unpleasant but quick. She spoke aloud the words that had rattled through her dreams all night. “Time to end this life.” She lifted her face. The wind was pushing heavy clouds across a distant blue sky. You would kill yourself? Over that? Because Rapskal told you what you already knew? Sintara’s touch on her mind was coldly amused. The dragon’s consideration was distant and impartial. I recall that my ancestors witnessed humans doing this, deliberately choosing to terminate a life span that is already so brief as to be insignificant. Like gnats flying into flames. They flung themselves into rivers, or hanged themselves from bridges. So. The river? Is that how you will do this? Sintara had not touched minds with her for weeks. For her to return now and to be so coldly curious fired anger in Alise. She scanned the sky. There. A tiny wink of sapphire against the distant clouds. She spoke aloud, giving vent to her outrage, as in a single heartbeat despair became defiance. “End this life, I said. Not end MY life.” She watched the dragon tip her wings and slide down the sky toward the hills. Change took root in her, grew. “Kill myself? In despair over all the days I’ve wasted, all the ways I’ve deceived myself? What would that do except prove that in the end I still could not escape my own foolishness? No. I’m not ending my life, dragon. I’m taking it. I’m making it mine.” For a long moment she felt nothing from Sintara. Probably the dragon had spotted some prey and lost all interest in the gnat-lifed woman who could not even kill a rabbit for her. Then, without warning, the dragon’s thoughts boomed through her mind again. The shake is your thoughts has changed. I tbh m you are finally becoming yourself. As she stared, the dragon suddenly clapped her wings tight to her body and dived on her prey. The immediate absence of the dragon’s touch on her mind was like a gust of wind boxing her ears. She was left stunned and alone.

Business was booming for Tiffany & Co. in the late 1990s, thanks to the introduction of a new affordable silver jewellery line. The $110 silver charm bracelet inscribed with the Tiffany name was coveted by teenage girls, causing sales of the new silver product line to skyrocket 67% between 1997 and 2002. By 2003, company earnings had doubled and the silver jewellery line accounted for a third of Tiffany’s U.S. sales. And yet the queues of excited girls didn’t fill the store managers with joy. Sure, sales were up and stores were busy, but the people close to the brand, who understood its heritage, began to worry that this lower price point would forever change how the brand was perceived by its high-end customers. “We didn’t want the brand to be defined by any single product.” —Michael Kowalski, CEO, Tiffany & Co. Despite some unease from investors, Tiffany raised prices on their most popular silver products by 30% over the next three years and managed to halt the growth of their highly profitable silver line. And so the company sacrificed short-term gain and profits for the long-term good of the brand by telling the story they wanted customers to believe—that Tiffany’s represents something special. A client recently told me about her friend’s excited engagement announcement on Facebook. All she did was post a photo of the Tiffany blue box—not a picture of the ring in sight. The box alone was enough to say everything she wanted to say. QUESTIONS FOR YOU How are you least like the competition?

I own this city. I walk with its rhythms, run with it's breath, speak its language. Los Angeles is my lover. It knows I'm a survivor. It knows what I've done and has found no reason to forgive me, because there has never been a sin. I am brave and strong. I have a good sense of humor. I am loyal and friendly. I have friends around every corner. Celebrities and homeless people, priests and con men. The Mexican dudes playing dice in the loading dock, the guys with the boom box outside the abandoned buildings. The businessmen and actors, the models and personal trainers. The hookers on Sunset know my name, and I know theirs. We all live here. This is our Los Angeles.

like they’re all John Cusack holding up a boom box in Say Anything was pretty adorable,

The 49-year-old Bryant, who resembles a cereal box character himself with his wide eyes, toothy smile, and elongated chin, blames Kellogg's financial woes on the changing tastes of fickle breakfast eaters. The company flourished in the Baby Boom era, when fathers went off to work and mothers stayed behind to tend to three or four children. For these women, cereal must have been heaven-sent. They could pour everybody a bowl of Corn Flakes, leave a milk carton out, and be done with breakfast, except for the dishes. Now Americans have fewer children. Both parents often work and no longer have time to linger over a serving of Apple Jacks and the local newspaper. Many people grab something on the way to work and devour it in their cars or at their desks while checking e-mail. “For a while, breakfast cereal was convenience food,” says Abigail Carroll, author of Three Squares: The Invention of the American Meal. “But convenience is relative. It's more convenient to grab a breakfast bar, yogurt, a piece of fruit, or a breakfast sandwich at some fast-food place than to eat a bowl of breakfast cereal.” People who still eat breakfast at home favor more laborintensive breakfasts, according to a recent Nielsen survey. They spend more time at the stove, preparing oatmeal (sales were up 3.5 percent in the first half of 2014) and eggs (up 7 percent last year). They're putting their toasters to work, heating up frozen waffles, French toast, and pancakes (sales of these foods were up 4.5 percent in the last five years). This last inclination should be helping Kellogg: It owns Eggo frozen waffles. But Eggo sales weren't enough to offset its slumping U.S. cereal numbers. “There has just been a massive fragmentation of the breakfast occasion,” says Julian Mellentin, director of food analysis at research firm New Nutrition Business. And Kellogg faces a more ominous trend at the table. As Americans become more healthconscious, they're shying away from the kind of processed food baked in Kellogg's four U.S. cereal factories. They tend to be averse to carbohydrates, which is a problem for a company selling cereal derived from corn, oats, and rice. “They basically have a carb-heavy portfolio,” says Robert Dickerson, senior packagedfood analyst at Consumer Edge. If such discerning shoppers still eat cereal, they prefer the gluten-free kind, sales of which are up 22 percent, according to Nielsen. There's also growing suspicion of packagedfood companies that fill their products with genetically modified organisms (GMOs). For these breakfast eaters, Tony the Tiger and Toucan Sam may seem less like friendly childhood avatars and more like malevolent sugar traffickers.

I own this city. I walk with its rhythms, run with its breath, speak its language. Los Angeles is my lover. It knows I'm a survivor. It knows what I've done and has found no reason to forgive me, because there has never been a sin. I am brave and strong. I have a good sense of humor. I am loyal and friendly. I have friends around every corner. Celebrities and homeless people, priests and con men. The Mexican dudes playing dice in the loading dock, the guys with the boom box outside the abandoned buildings. The businessmen and actors, the models and personal trainers. The hookers on Sunset know my name, and I know theirs. We all live here. This is our Los Angeles.

I picked a villager that I saw picking crops. Steve also gave me some music to go with the routine, so I turned on the boom box and jumped out of the bushes. “Everybody Dance Now!” I started doing my routine, and it was good! I was all up into my routine, when more and more villagers gathered around me. I was really getting into it. Soon, the entire village was gathered around me, and they were into it too. “Hey guys, check out what Zombie is doing!” one of the mob kids yelled. Then all of the mob kids jumped out of the bushes at once. All of a sudden, the entire village went crazy and the villagers started running and screaming. “It’s the Zombie Apocalypse!” a villager yelled. “AAAAHHHH!!!” was all I heard, as all of the villagers scattered to their homes. Ms. Bones was shocked. “You scared the entire village all at once!” she said. “That was the most amazing thing I have ever seen!

I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys...loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much.

Thanks in part to the rapid mechanization of cotton production in the early 1940s, which ultimately threw millions of farm laborers out of work, and in part to the opening up of industrial employment in the North during the wartime boom, roughly a million blacks (along with even more whites) moved from the South during the 1940s. Another 1.5 million Negroes left the South in the 1950s. This was a massive migration in so short a time—one of the most significant demographic shifts in American history—and it was often agonizingly stressful.22 The black novelist Ralph Ellison wrote in 1952 of the hordes of blacks who "shot up from the South into the busy city like wild jacks-in-the-box broken loose from our springs—so sudden that our gait becomes like that of deep-sea divers suffering from the bends."23

When Sony was introducing the boom box, the company gathered a group of potential customers and held a focus group on what colour the new product should be: black or yellow. After some discussion among the group of likely buyers, everyone agreed that consumers would better respond to yellow. After the session, the facilitator thanked the group, and then mentioned that, as a bonus, they were welcome to take a free boom box on the way out. There were two piles of boom boxes: yellow and black. Every person took a black boom box.’5 Clearly what people say isn’t always a true reflection of what they think, so we need a way of getting into these shadowy issues and seeing how they affect the customer’s goals.

If Bill Gates had a dime for every time a Windows box crashed...Oh, wait a minute… he already does.

It’s difficult to remember now, but when Apple made that move back then, most people figured the company was wrong; that Apple was a company lurching toward irrelevance; and that by opening fancy stores it was positioning itself for luxury with the equivalent of a walker. How dumb was that, they thought. Couldn’t Apple see that the tech market now revolved around commodity boxes powered by Microsoft and Intel? That the boom was in e-commerce? Gap Inc., Form 10-K for the Period Ending January 31, 1998 (filed March 13, 1998), from Gap, Inc. website.

9. Service to the Poor. Here at SoulBoom, we don’t like the word “charity.” It implies the worst kind of service to the needy—pity for “those poor, poor people” who don’t have stuff, so we patronizingly hand out sandwiches and juice boxes and knapsacks to the “have-nots” and do nothing to change the imbalanced, unjust systems that led to this poverty mess in the first place. Nothing against soup kitchens, but foundationally, the solutions to poverty must go beyond a meal and temporary housing. Therefore, our new faith will ask all its followers to work in substantive ways to prioritize and empower the disenfranchised—providing mental health services, access to addiction services, community centers, job skills, education, and opportunity. And yes, juice boxes and sandwiches when appropriate.

Okay, what if you showed up at her house while she’s packing and you do a grand gesture?” Miles asked, as he lay on the floor with his whiskey balanced on his stomach. “You mean like the boom box thing?” Jonah asked, his tone crisp as ever. “You are emotionally stunted,” Miles tossed back, as he did a crunch to take a sip of his drink. “She is so not a boom box kind of girl,” I added. “She would slam the door in my face.” “Have you texted her?” Jonah asked. “Nope. I mean I’ve thought about it, but I haven’t.” I had been too scared that she wouldn’t respond. “Do it,” Miles said decisively. “I don’t know if that’s a good idea. Maybe when I’m sober.” I would say something idiotic with this much whiskey in me. “What if you showed up in Texas?” Jonah blurted. “Showed up, like at her door?” Miles sounded skeptical. “You’re Mr. Romantic. Doesn’t that sound like a good idea? Something a weak-chinned idiot in a rom-com movie would do?” Jonah grumbled, and I huffed a laugh. Weak-chinned was such a Jonah thing to say. “I don’t even know where she’s going to be.” “So find out,” Jonah retorted.

And I love how you make me want to see the world in color, and I love how I feel when I’m with you. And maybe we won’t work out, but maybe we will—and I’ll run across cities, and I’ll show up with boom boxes outside your window, and I’ll meet you at the tops of buildings, and I’ll kiss you in the rain just to remind you that you’re worth every moment.

CAMERA BACKS AWAY to reveal the tidy, clinical abomination of the head and wires and pipes. The head is on a tripod. There is a black box with winking colored lights hanging under the head, where the chest would normally be. Mechanical arms come out of the box where arms would normally be. There is a table within easy reach of the arms. On it are a pen and paper, a partially solved jigsaw puzzle and a bulky knitting bag. Sticking out of the bag are needles and a sweater in progress. Hanging over SYLVIA’s head is a microphone on a boom.

It wasn’t surprising. The majority of the world had pursued the accumulation of stuff: bigger homes, fancier cars, more advanced TVs, smart phones, and more. They kept smart phones in their pockets and family and friends at arm’s length. And when the end came and there was initial chaos and rampant starvation, people learned all too well that you could not rely on stuff. You needed friends. A dead phone provided no companionship, an empty house no comfort. The latest fashions provided no food, but you could always eat a close friend.

Systems fool us by presenting themselves—or we fool ourselves by seeing the world—as a series of events. The daily news tells of elections, battles, political agreements, disasters, stock market booms or busts. Much of our ordinary conversation is about specific happenings at specific times and places. A team wins. A river floods. The Dow Jones Industrial Average hits 10,000. Oil is discovered. A forest is cut. Events are the outputs, moment by moment, from the black box of the system.

The gore and glory of the public library’s mystery section along with PBS, Acorn TV, BritBox, and Hallmark Mysteries have sustained my habit ever since. With the mystery genre booming in print and on screen at present, I have had no problem satisfying no my cravings for crime.

In the human realm, aposematism underlies a wide variety of behaviors, such as wearing bright clothes, sparkling jewelry, or shoes that clack loudly on the pavement. Wearing prominent collars, headdresses, and elaborate up-dos and swaggering down the street with a blaring boom box all imply the same thing: "I'm not afraid to calling to myself, because I'm powerful

Blue I emerge from our yellow linoleum bathroom blue at one end of our single-wide trailer and I have the length of narrow hallway to consider before reaching the living room blue Blue!? And I know my mother is furious You look ridiculous it’s all she says and I do I had torn the pages from a magazine lined my bedroom floor with them and studied those punk rock spiked hair white teeth high fashion popped collar leather studded glossy photos strewn across my small space like a spread of tarot cards telling me a future I would never get to not out here not in the white trailer rusting amber thick of trees stretch of reservation of highway that stood between me and whatever else was out there record stores the mall parking lots where kids were skateboarding and smoking pot probably kids with boom boxes and bottles of beer out there were beaches with bands playing on them and these faces these shining faces with pink green purple and blue hair blue I could get that at least I could mix seventeen packets of blue raspberry Kool-Aid with a little water and I could get that it was alchemy it was potion-making but no one told me about the bleach about my dark hair needing to lift to lighten in order to get that blue no one told me that the mess of Kool-Aid would only run down my scalp my face my neck would stain me blue Blue is what you taste like he says still holding me on the twin bed in the glow of dawn my teenage curiosity has pushed me to ask What does my body taste like to you his fingers travel from neck to navel breath on my thigh and here in our sacred space he answers simply Blue you taste blue and I wonder if what he means is sad you taste sad taqʷšəblu the name is given to me when I am three to understand it my child brain has to break it apart taqʷšəblu talk as in talking as in to tell as in story sha as in the second syllable of my English name as in half of me blue as in the taste of me blue as in sad my grandmother was taqʷšəblu before me and now I am taqʷšəblu too

So there we were before breakfast in the hotel garden beneath palm trees, all wearing our matching conference T-shirts. The sound of waves crashing into the hotel beach was drowned out by a boom box playing loud electro workout music to pump us up: exuberant, high-octane tunes with pulsating rhythms that keep building to new crescendos. After dividing into teams, we spent the next forty-five minutes racing from one exercise to the next—planks, squats, sit-ups, sprints, and burpees (a combined squat, push-up, and vertical jump)—constantly high-fiving each other and shouting encouragements. At the end, everyone was exhausted, and we all congratulated each other for our efforts, agreeing vociferously how much fun it was. I enjoyed myself, but was it fun? I did the exercises as best I could, but what I actually enjoyed was the camaraderie, the beautiful setting, the high-fiving, and even the music. Afterward, I also enjoyed the feeling of having exercised intensely. But frankly, the planks, squats, sit-ups, sprints, and burpees were hard. The routine brought to mind the running guru George Sheehan’s observation that “exercise is done against one’s wishes and maintained only because the alternative is worse.

He went back to the search box and typed “Eutropians.” A memory from the early days of the Internet, the 1990s tech boom.

Clay’s quick, light boxing style – ‘float like a butterfly, sting like a bee’ – was deemed inadequate to beat Liston. The night before the fight, Harvey Jones, the sparring partner of the young man already known as the ‘Louisville Lip’, presented a poem by Clay. Clay comes out to meet Liston and Liston starts to retreat, If Liston goes back an inch farther he'll end up in a ringside seat. Clay swings with a left, Clay swings with a right, Just look at young Cassius carry the fight. Liston keeps backing but there's not enough room, It's a matter of time until Clay lowers the boom. Then Clay lands with a right, what a beautiful swing, And the punch raised the bear clear out of the ring. Liston still rising and the ref wears a frown, But he can't start counting until Sonny comes down. Now Liston disappears from view, the crowd is getting frantic But our radar stations have picked him up somewhere over the Atlantic. Who on Earth thought, when they came to the fight, That they would witness the launching of a human satellite. Hence the crowd did not dream, when they laid down their money, That they would see a total eclipse of Sonny.

Came home to find the Sting CDs gone. Odd. He thought she must have taken the boom box into the kitchen to wash the dishes. But the boom box was also gone. He looked in the bedroom - the bed was stripped. He said aloud, “If the tampons are gone, you have left me.” The medicine cabinet was bare.

Momma and I were in the old kitchen when she blared the song, “Dancing,” from the Hello, Dolly! soundtrack. Carol Channing’s voice pounded out of the boom box next to our oven. Momma held my waist and swept me across the kitchen floor as she loudly chimed in on the chorus: “And one, two, three, one, two, three—look! I’m dancing!” In that moment, Momma was Dolly, and I felt like Cornelius—“My heart is about to burst, my head is about to pop, and now that I’m dancing, who cares if I ever stop!”—and I wanted to stay safe in that song forever with her, our bare feet sliding in and out of rhythm on our cold kitchen floor.

Cisco isn’t just managing a dependable if relatively flat hardware business while it hunts for growth in software and services. It’s embracing subscriptions in a broad, systemic way in order to shift from selling boxes to selling outcomes. Its new cloud-based management services help mitigate the boom-and-bust effects of new product cycles. It doesn’t have to act like a retailer chasing after make-or-break holiday sales in order to make its annual number. Today almost a third of its revenue is recurring, which is resulting (as CFO Kelly Kramer is quite happy to point out) in a short-term hit to its GAAP revenue numbers. Again, standard revenue loss is a good thing. That’s a sign that you are carrying your book of business out into the future.

I’M NOT SURE how much more my ovaries can endure today. As if Grip looking the way he does isn’t enough, seeing him inspire these kids from his old high school is like a stick of C4 planted in my ovaries. Boom.

We both laugh, but when she gets closer and his eyes drift over her long, tanned legs, the laugh clogs in my throat. “For real, Matty, I’m gonna fuck you up you keep looking at her like that.” Our eyes connect again and I can’t even hold on to my ire, not with him. Second to Amir, he’s been my ace boom since diaper days. I’d trust him with my life. Growing up in these streets, I’ve had to more than once. Bristol reaches us at the table and stands beside me. I capture her hand and bring it to my lips. “You wanna sit?” I ask her. She looks at the full card table, smiling at the other three guys playing Spades with me. “There’s nowhere to sit.” “As long as I got a lap,” I say, patting my leg, “you got a place to sit.

first aid kit, the firecrackers, and Justin’s boom box.

She asked me if I would visit the music class sometime and speak to the kids about the viability of a music career. A few months later I found myself there in that same music room, talking to the kids and jamming out for them. The kids were beautiful, the jamming and talking was cool, but I walked away from the experience shaken. The last time I had been in that room was twenty years before, and it had been packed full of kids playing French horns, clarinets, violins, basses, trombones, flutes, tympani, and saxophones, all under the capable instruction of orchestra teacher Mr. Brodsky. It was a room alive with sound and learning! Any instrument a kid wanted to play was there to be learned and loved. But on this day, there were no instruments, no rustling of sheet music, no trumpet spit muddying the floor, no ungodly cacophony of squeaks and wails driving Mr. Brodsky up a fucking wall. There was a volunteer teacher, a group of interested kids, and a boom box. A music appreciation class. All the arts funding had been cut the year after I left Fairfax, under the auspices of a ridiculous law called Proposition 13, a symptom of the Reaganomics trickle-down theory. I was shocked to realize that these kids didn’t get an opportunity to study an instrument and blow in an orchestra. I thought back to the dazed days when I would show up to school after one of Walter’s violent episodes, and the peace I found blowing my horn in the sanctuary of that room. I thought of the dreams Tree and I shared there of being professional musicians, before going over to his house to be inspired by the great jazzers. Because I loved playing in the orchestra I’d be there instead of out doing dumb petty crimes. I constantly ditched school, but the one thing that kept me showing up was music class. FUCK REAGANOMICS. Man, kids have different types of intelligences, some arts, some athletics, some academics, but all deserve to be nurtured, all deserve a chance to shine their light.

A director's dream? No, Bollywood reality in 1995.Business is booming, but cliché's are passée. A different sort of breeze-fresh, young-is unsettling fatigued conventions.

boom rolls over the terrain but stops sharply in a close-ended way, as if jerked back. A hit is blunt and solid like an airborne grunt. When the sound is heard and identified, it isn’t easily forgotten. When Wyoming Game Warden Joe Pickett heard the sound, he was building a seven-foot elk fence on the perimeter of a rancher’s haystack. He paused, his fencing pliers frozen in midtwirl. Then he stepped back, lowered his head, and listened. He slipped the pliers into the back pocket of his jeans and took off his straw cowboy hat to wipe his forehead with a bandanna. His red uniform shirt stuck to his chest, and he felt a single, warm trickle of sweat crawl down his spine into his Wranglers. He waited. He had learned over the years that it was easy to be fooled by sounds of any kind outside, away from town. A single, sharp crack heard at a distance could be a rifle shot, yes, but it could also be a tree falling, a branch snapping, a cow breaking through a sheet of ice in the winter, or the backfire of a motor. “Don’t confirm the first gunshot until you hear the second” was a basic tenet of the outdoors. Good poachers knew that, too. It tended to improve their aim. In a way, Joe hoped he wouldn’t hear a second shot. The fence wasn’t done, and if someone was shooting, it was his duty to investigate.

Boxing in Hartlepool started on the beach at Seaton Carew where the fighters fought bare knuckle. In the early 1900s there was a boxing booth on the corner of Burbank Street known as the ‘Blood Tub’. The Blood Tub always drew the crowds and you were guaranteed a good punch up. Hartlepool was a booming ship port and someone would go round the docks and pick five coloured seamen for what was called an ‘All In’. One in each corner and one in the middle and when the bell rang it was every man for himself and the winner was the one left standing after some furious toe-to-toe exchanges. That was always a big crowd puller.