Boom Beach Quotes

But the sound frightened Isaac. The thudding, he knew, was caused by great deep-ocean swells falling upon the beach. Most days the Gulf was as placid as a big lake, with surf that did not crash but rather wore itself away on the sand. The first swells had arrived Friday. Now the booming was louder and heavier, each concussion more profound.

From the beginning there were drums, beating out world rhythm—the booming, never-failing tide on the beach; the four seasons, gliding smoothly, one from the other; when the birds come, when they go, the bear hibernating for his winter sleep. Unfathomable the way, yet all in perfect time. Watch the heartbeat in your wrist—a precise pulsing beat of life’s Drum—with loss of timing you are ill. —JIMALEE BURTON (HO-CHEE-NEE), CHEROKEE, 1974

On its surface, the booming market in side bets on subprime mortgage bonds seemed to be the financial equivalent of fantasy football: a benign, if silly, facsimile of investing. Alas, there was a difference between fantasy football and fantasy finance: When a fantasy football player drafts Peyton Manning to be on his team, he doesn’t create a second Peyton Manning. When Mike Burry bought a credit default swap based on a Long Beach Savings subprime–backed bond, he enabled Goldman Sachs to create another bond identical to the original in every respect but one: There were no actual home loans or home buyers. Only the gains and losses from the side bet on the bonds were real.

In this fleeting moment what extravagant respite as Promethean sunsets blossom, blaze and secede from splendor to mystery. In this fleeting moment what extravagant respite as booming surf speaks its mystical passage across the undreamed depths.

And Tenar listened to the sea, a few yards below the cave mouth, crashing and sucking and booming on the rocks, and the thunder of it down the beach eastward for miles. Over and over and over it made the same sounds, yet never quite the same. It never rested. On all the shores of all the lands in all the world, it heaved itself in these unresting waves, and never ceased, and never was still. The desert, the mountains: they stood still. They did not cry out forever in a great, dull voice. The sea spoke forever, but its language was foreign to her. She did not understand.

Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread. So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.

Across the road, at the edge of the yellow beach, an especially large wave rises to the sky, gathering strength and power, until it can't bear the strain any longer and dives for shore in a long, elegant undulation, from north to south. An instant later, the boom reaches us, like the firing of a seventy-five-millimeter artillery shell -- a sound I know all too well. My nerves flinch obediently.

There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.

Big elbows of Rock rising everywhere, sea caves within them, seas plollocking all around inside them crashing out foams, the boom and pound on the sand, the sand dipping quick (no Malibu Beach here) -- Yet you turn and see the pleasant woods winding upcreek like a picture in Vermont -- But you look up into the sky, bend way back, my God you're standing directly under the aerial bridge with its thin white line running from rock to rock and witless cars racing across it like dreams! From rock to rock! All the way down the raging coast! So that when later I heard people say "Oh Big Sur must be beautiful! " I gulp to wonder why it has the reputation of being beautiful above and beyond its fearfulness, its Blakean groaning roughrock Creation throes, those vistas when you drive the coast highway on a sunny day opening up the eye for miles of horrible washing sawing.

Skylar: There was this Irish guy, walking down the beach one day. And he comes across a bottle, and this Genie pops out. The genie turns to the Irishman and says "You've released me from my prison, so I'll grant you three wishes." The Irish guy thinks for a minute and says "What I really want is a pint of Guiness that never empties." And POOF! A bottle appears. He slams it down, and lo and behold it fills back up again. Well, the Irish guy can't believe it. He drinks it again, and again BOOM! It fills back up. So, while the Irish guy is marveling at his good fortune, the Genie is getting impatient, because it's hot and he wants to get on with his freedom. He says "Let's go, you have two more wishes." The Irish guy slams his drink again, it fills back up, he's still amazed. The Genie can't take it anymore. He says "Buddy, I'm boiling out here. What are your other two wishes?" The Irish guy looks at his drink, looks at the Genie and says... "I guess I'll have two more of these.

It was evening of the following day when they entered San Diego. The expriest turned off to find them a doctor but the kid wandered on through the raw mud streets and out past the houses of hide in their rows and across the gravel strand to the beach. Loose strands of ambercolored kelp lay in a rubbery wrack at the tideline. A dead seal. Beyond the inner bay part of a reef in a thin line like something foundered there on which the sea was teething. He squatted in the sand and watched the sun on the hammered face of the water. Out there island clouds emplaned upon a salmoncolored othersea. Seafowl in silhouette. Down-shore the dull surf boomed. There was a horse standing there staring out upon the darkening waters and a young colt that cavorted and trotted off and came back. He sat watching while the sun dipped hissing in the swells. The horse stood darkly against the sky. The surf boomed in the dark and the sea’s black hide heaved in the cobbled starlight and the long pale combers loped out of the night and broke along the beach. He rose and turned toward the lights of the town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship’s light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men’s knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.

So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.

Said, This Misery Must End I SAID, This misery must end: Shall I, that am a man and know that sky and wind are yet my friend, sit huddled under any blow? so speaking left the dismal room and stept into the mother-night all fill’d with sacred quickening gloom where the few stars burn’d low and bright, and darkling on my darkling hill heard thro’ the beaches’ sullen boom heroic note of living will rung trumpet-clear against the fight; so stood and heard, and rais’d my eyes erect, that they might drink of space, and took the night upon my face, till time and trouble fell away and all my soul sprang up to feel as one among the stars that reel in rhyme on their rejoicing way, breaking the elder dark, nor stay but speed beyond each trammelling gyre, till time and sorrow fall away and night be wither’d up, and fire consume the sickness of desire.

A knock on the door startled her. “Heard my sister took a spill,” a familiar, deep voice boomed. She flung the door open. “Martin! I didn’t hear you come in.” “Unlike some people”—he tapped her nose—“I can manage to cross a room without tripping.” She shot him a glare. “I was skating.” “So I heard.” He leaned against the door frame. “I realize you’re injured, but why don’t you let me walk you down to the beach? It’s as hot as—” “Martin.” “What? I was going to say as hot as an oven.” “Of course you were.” She slapped her brother’s arm and followed him out.

One by one, her crew of thirty-seven crawled to the end of the jib boom and jumped to a rocky beach.

Blue I emerge from our yellow linoleum bathroom blue at one end of our single-wide trailer and I have the length of narrow hallway to consider before reaching the living room blue Blue!? And I know my mother is furious You look ridiculous it’s all she says and I do I had torn the pages from a magazine lined my bedroom floor with them and studied those punk rock spiked hair white teeth high fashion popped collar leather studded glossy photos strewn across my small space like a spread of tarot cards telling me a future I would never get to not out here not in the white trailer rusting amber thick of trees stretch of reservation of highway that stood between me and whatever else was out there record stores the mall parking lots where kids were skateboarding and smoking pot probably kids with boom boxes and bottles of beer out there were beaches with bands playing on them and these faces these shining faces with pink green purple and blue hair blue I could get that at least I could mix seventeen packets of blue raspberry Kool-Aid with a little water and I could get that it was alchemy it was potion-making but no one told me about the bleach about my dark hair needing to lift to lighten in order to get that blue no one told me that the mess of Kool-Aid would only run down my scalp my face my neck would stain me blue Blue is what you taste like he says still holding me on the twin bed in the glow of dawn my teenage curiosity has pushed me to ask What does my body taste like to you his fingers travel from neck to navel breath on my thigh and here in our sacred space he answers simply Blue you taste blue and I wonder if what he means is sad you taste sad taqʷšəblu the name is given to me when I am three to understand it my child brain has to break it apart taqʷšəblu talk as in talking as in to tell as in story sha as in the second syllable of my English name as in half of me blue as in the taste of me blue as in sad my grandmother was taqʷšəblu before me and now I am taqʷšəblu too

So there we were before breakfast in the hotel garden beneath palm trees, all wearing our matching conference T-shirts. The sound of waves crashing into the hotel beach was drowned out by a boom box playing loud electro workout music to pump us up: exuberant, high-octane tunes with pulsating rhythms that keep building to new crescendos. After dividing into teams, we spent the next forty-five minutes racing from one exercise to the next—planks, squats, sit-ups, sprints, and burpees (a combined squat, push-up, and vertical jump)—constantly high-fiving each other and shouting encouragements. At the end, everyone was exhausted, and we all congratulated each other for our efforts, agreeing vociferously how much fun it was. I enjoyed myself, but was it fun? I did the exercises as best I could, but what I actually enjoyed was the camaraderie, the beautiful setting, the high-fiving, and even the music. Afterward, I also enjoyed the feeling of having exercised intensely. But frankly, the planks, squats, sit-ups, sprints, and burpees were hard. The routine brought to mind the running guru George Sheehan’s observation that “exercise is done against one’s wishes and maintained only because the alternative is worse.

He would name it the Palm Beach Inn, and only later changed it to the Breakers. Today the Breakers, which has burned down twice, is a Florida landmark and the only one of the properties Henry Flagler built that survives as a resort hotel.

Suppose that boom shaking in our body can be a physical reminder that we are all connected-- that if the cassowary population decreases, so does the proliferation of fruit trees, and with that hundreds of animals and insects then become endangered. Boom, I want to tell the people at Siesta Key, whom I see dumping empty poptato chip bags into the shrubs of sea grapes from my blanket on the beach. Boom to the man in the truck in front of me of Highway 5, who tossed a whole empty fast food sack out his window and then, later, a couple of still-lit cigarettes. Boom, I want to say the family who left their empty plastic water bottles on a bench at Niagara Falls State Park, only to have two of them blow over and plummet into the falls. Don't you see? We are all connected. Boom.

Pvt. David Webster of the 101st spoke directly to it. On February 15, a buddy had died a particularly gruesome death. Webster wrote, “He wasn’t twenty years old. He hadn’t begun to live. Shrieking and moaning, he gave up his life on a stretcher. Back in America the standard of living continued to rise. Back in America the race tracks were booming, the night clubs were making record profits , Miami Beach was so crowded you couldn’t get a room anywhere. Few people seemed to care. Hell, this was a boom, this was prosperity , this was the way to fight a war. We wondered if the people would ever know what it cost the soldiers in terror, bloodshed, and hideous, agonizing deaths to win the war.” 48

For years Harper had run his own successful public-relations firm, staging predictable dumb stunts like putting a snow machine on the beach in January or mailing a ripe Florida orange to every human being in Prudhoe Bay, Alaska. This was in the boom days of Miami and, in a way, Sparky Harper had been a proud pioneer of the shameless, witless boosterism that made Florida grow.

A terrific microcosm of the great excitement and tragic years of Florida’s Golden Age land boom. Men, women, entire families flooded into Florida believing bold enterprise practically guaranteed sudden riches. This inspirational account is a must read to truly understand the hopes, dreams and struggles of the 1920s in the paradise called Florida. Debi Murray, Chief Curator The Historical Society of Palm Beach County

What’s Your Foreign Policy? Investing in foreign stocks may not be mandatory for the intelligent investor, but it is definitely advisable. Why? Let’s try a little thought experiment. It’s the end of 1989, and you’re Japanese. Here are the facts: Over the past 10 years, your stock market has gained an annual average of 21.2%, well ahead of the 17.5% annual gains in the United States. Japanese companies are buying up everything in the United States from the Pebble Beach golf course to Rockefeller Center; meanwhile, American firms like Drexel Burnham Lambert, Financial Corp. of America, and Texaco are going bankrupt. The U.S. high-tech industry is dying. Japan’s is booming. In 1989, in the land of the rising sun, you can only conclude that investing outside of Japan is the dumbest idea since sushi vending machines. Naturally, you put all your money in Japanese stocks. The result? Over the next decade, you lose roughly two-thirds of your money. The lesson? It’s not that you should never invest in foreign markets like Japan; it’s that the Japanese should never have kept all their money at home. And neither should you. If you live in the United States, work in the United States, and get paid in U.S. dollars, you are already making a multilayered bet on the U.S. economy. To be prudent, you should put some of your investment portfolio elsewhere—simply because no one, anywhere, can ever know what the future will bring at home or abroad. Putting up to a third of your stock money in mutual funds that hold foreign stocks (including those in emerging markets) helps insure against the risk that our own backyard may not always be the best place in the world to invest.

Boxing in Hartlepool started on the beach at Seaton Carew where the fighters fought bare knuckle. In the early 1900s there was a boxing booth on the corner of Burbank Street known as the ‘Blood Tub’. The Blood Tub always drew the crowds and you were guaranteed a good punch up. Hartlepool was a booming ship port and someone would go round the docks and pick five coloured seamen for what was called an ‘All In’. One in each corner and one in the middle and when the bell rang it was every man for himself and the winner was the one left standing after some furious toe-to-toe exchanges. That was always a big crowd puller.

The Ranatonga on a level keel, and spilling the wind from her sails, came round in a great curve on the dazzling water, her great shadow following her across the coral gardens of the lagoon floor. Then the rumble of the anchor chain echoed and passed away in the woods, and ship and shadow swung slowly to the tide and came to rest. To port lay the reef booming to the blue and to starboard the island beach of white coral sand, answering the reef with a thudding song, whilst north and south the two arms of the lagoon, curving, lost themselves beyond capes where the banyans and palms trooped to the very water.