Bookshop Related Quotes

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One looks forward to the day when the General Theory of Relativity and the Principia will outsell the Kama Sutra in back-street bookshops.
J.G. Ballard
People call me eccentric, but then I call them boring, so it’s all relative.
Evie Woods (The Lost Bookshop)
He had altered his method of matching books to readers. He often asked, "How would you like to feel when you go to sleep?" Most of his customers wanted to feel light and safe. He asked others to tell him about their favorite things. Cooks loved their knives. Estate agents loved the jangle made by a bunch of keys. Dentists loved the flicker of fear in their patients' eyes; Perdu had guessed as much. Most often he asked, "How should the book taste? Of ice cream? Spicy, meaty? Or like a chilled rose?" Food and books were closely related. He discovered this in Sanary, and it earned him the nickname "the book epicure.
Nina George (The Little Paris Bookshop)
23 Emotions people feel, but can’t explain 1.    Sonder: The realization that each passerby has a life as vivid and complex as your own. 2.    Opia: The ambiguous intensity of Looking someone in the eye, which can feel simultaneously invasive and vulnerable. 3.    Monachopsis: The subtle but persistent feeling of being out of place. 4.    Énouement: The bittersweetness of having arrived in the future, seeing how things turn out, but not being able to tell your past self. 5.    Vellichor: The strange wistfulness of used bookshops. 6.    Rubatosis: The unsettling awareness of your own heartbeat. 7.    Kenopsia: The eerie, forlorn atmosphere of a place that is usually bustling with people but is now abandoned and quiet. 8.    Mauerbauertraurigkeit: The inexplicable urge to push people away, even close friends who you really like. 9.    Jouska: A hypothetical conversation that you compulsively play out in your head. 10.    Chrysalism: The amniotic tranquility of being indoors during a thunderstorm. 11.    Vemödalen: The frustration of photographic something amazing when thousands of identical photos already exist. 12.    Anecdoche: A conversation in which everyone is talking, but nobody is listening 13.    Ellipsism: A sadness that you’ll never be able to know how history will turn out. 14.    Kuebiko: A state of exhaustion inspired by acts of senseless violence. 15.    Lachesism: The desire to be struck by disaster – to survive a plane crash, or to lose everything in a fire. 16.    Exulansis: The tendency to give up trying to talk about an experience because people are unable to relate to it. 17.    Adronitis: Frustration with how long it takes to get to know someone. 18.    Rückkehrunruhe: The feeling of returning home after an immersive trip only to find it fading rapidly from your awareness. 19.    Nodus Tollens: The realization that the plot of your life doesn’t make sense to you anymore. 20.    Onism: The frustration of being stuck in just one body, that inhabits only one place at a time. 21.    Liberosis: The desire to care less about things. 22.    Altschmerz: Weariness with the same old issues that you’ve always had – the same boring flaws and anxieties that you’ve been gnawing on for years. 23.    Occhiolism: The awareness of the smallness of your perspective. John Koenig, The Dictionary of Obscure Sorrows (Simon & Schuster, November 16, 2021)
John Koenig (The Dictionary of Obscure Sorrows)
A Kiss Before Dying is a gritty suspense story told with great élan—rarity enough, but what is even more rare is that the book (written while Levin was in his early twenties) contains surprises which really surprise . . . and it is relatively impervious to that awful, dreadful goblin of a reader, he or she WHO TURNS TO THE LAST THREE PAGES TO SEE HOW IT CAME OUT. Do you do this nasty, unworthy trick? Yes, you! I’m talking to you! Don’t slink away and grin into your hand! Own up to it! Have you ever stood in a bookshop, glanced furtively around, and turned to the end of an Agatha Christie to see who did it, and how? Have you ever turned to the end of a horror novel to see if the hero made it out of the darkness and into the light? If you have ever done this, I have three simple words which I feel it is my duty to convey: SHAME ON YOU! It is low to mark your place in a book by folding down the corner of the page where you left off; TURNING TO THE END TO SEE HOW IT CAME OUT is even lower. If you have this habit, I urge you to break it . . . break it at once!
Stephen King (Danse Macabre)
She picked up the book beside her. Jane Eyre. Used, bought recently in a bookshop in Camden Passage, shabby nineteenth-century binding, pages bearing vague stains, fingered, smoothed. She opened the book to the place she left it when the taxicab pulled up. “My daughter, flee temptation.” “Mother, I will,” Jane responded, as the moon turned to woman. The fiction had tricked her. Drawn her in so that she became Jane. Yes. The parallels were there. Was she not heroic Jane? Betrayed. Left to wander. Solitary. Motherless. Yes, and with no relations to speak of except an uncle across the water. She occupied her mind. Comforted for a time, she came to. Then, with a sharpness, reprimanded herself. No, she told herself. No, she could not be Jane. Small and pale. English. No, she paused. No, my girl, try Bertha. Wild-maned Bertha. Clare thought of her father. Forever after her to train her hair. His visions of orderly pageboy. Coming home from work with something called Tame. She refused it; he called her Medusa. Do you intend to turn men to stone, daughter? She held to her curls, which turned kinks in the damp of London. Beloved racial characteristic. Her only sign, except for dark spaces here and there where melanin touched her. Yes, Bertha was closer to the mark. Captive. Ragôut. Mixture. Confused. Jamaican. Caliban. Carib. Cannibal. Cimarron. All Bertha. All Clare.
Michelle Cliff (No Telephone to Heaven)
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them. With a zigzag and a dash you shake them off and leap straight into the citadel of the New Books Whose Author or Subject Appeals To You. Even inside this stronghold you can make some breaches in the ranks of the defenders, dividing them into New (for you in general) and New Books By Authors Or On Subjects Completely Unknown (at least to you), and defining the attraction they have for you on the basis of your desires and needs for the new and the not new (for the new you seek in the not new and for the not new you seek in the new). All this means that, having rapidly glanced over the titles of the volumes displayed in the bookshop, you turn toward a stack of If on a winter’s night a traveler fresh off the press, you have grasped a copy, and you have carried it to the cashier so that your right to own it can be established. You cast another bewildered look at the books around you (or, rather: it was the books that looked at you, with the bewildered gaze of dogs who, from their cages in the city pound, see a former companion go off on the leash of his master, come to rescue him), and out you went. You derive a special pleasure from a just-published book, and it isn’t only a book you are taking with you but the novelty as well, which could also merely be that of an object fresh from the factory, the youthful bloom of new books, which lasts until the dust jacket begins to yellow, until a veil of smog settles on the top edge, until the bindings become dog-eared, in the rapid autumn of libraries. No, you hope always to encounter true newness, which having been new once, will continue to be so. Having read the freshly published book, you will take possession of this newness at the first moment, without having to pursue, to chase it. Will it happen this time? You can never tell. Let’s see how it begins.
Italo Calvino (If on a Winter’s Night a Traveler)
How should the book taste? Of ice cream? Spicy, meaty? Or like a chilled Rosé?' Food and books were closely related. He discovered this in Sanary, and it earned him the nickname 'the book epicure'.
Nina George (The Little Paris Bookshop)
HAILED AS the twentieth century’s ‘prince of expositors’, G. Campbell Morgan was a messenger widely used by God. However, he wrestled with the integrity of Scripture early in his life. He concluded that if there were errors in the biblical message, it could not be honestly proclaimed in public as God’s holy, inerrant Word. Here is the account of how young Campbell Morgan finally concluded that the Bible was surely God’s Word. At last the crisis came when he admitted to himself his total lack of assurance that the Bible was the authoritative Word of God to man. He immediately cancelled all preaching engagements. Then, taking all his books, both those attacking and defending the Bible, he put them all in a corner cupboard. Relating this afterwards, as he did many times in preaching, he told of turning the key in the lock of the door. ‘I can hear the click of that lock now,’ he used to say. He went out of the house, and down the street to a bookshop. He bought a new Bible and, returning to his room with it, he said to himself: ‘I am no longer sure that this is what my father claims it to be – the Word of God. But of this I am sure. If it be the Word of God, and if I come to it with an unprejudiced and open mind, it will bring assurance to my soul of itself.’ ‘That Bible found me,’ he said, ‘I began to read and study it then, in 1883. I have been a student ever since, and I still am (in 1938).’1
Richard L. Mayhue (How to Study the Bible)
It’s related to something that I’ve been agonising over,’ said Mincheol. Should he pursue something he liked, or something he was good at? He wanted to find the answer.
Hwang Bo-Reum (Welcome to the Hyunam-dong Bookshop)
Whenever the bell to the bookshop rang, she couldn't help but hope. She knew some people would think this made her foolish, but it was TREMENDOUSLY HARD TO FALL OUT OF LOVE WITH SOMEONE when you have no one else to love (61)
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Working in a bookshop is physically demanding. Besides standing up all day, the staff must handle stock, which can be heavy, and deal with all manner of tasks and inquiries from customers. I had heard through Yoriko that one of Chie’s colleagues had been hospitalized due to a work-related back injury.
Michiko Aoyama (What You Are Looking for Is in the Library)
A bookshop is a space where an exchange of books, and everything related to them, with money takes place. It’s the job of the bookshop owner to ensure that such exchanges flourish. I reminded myself every day, as if writing a diary. I started promoting the bookshop actively. I worked hard to ensure that the bookshop’s unique characteristics were not lost. And in the future, I’ll continue to work hard.
Hwang Bo-Reum (Welcome to the Hyunam-dong Bookshop)
People call me eccentric, but then I call them boring, so it’s all relative. What’s your name again?
Evie Woods (The Lost Bookshop)
The ladies ... were wary of their relatives who thought that reading was an eccentric hobby for people who were too snobbish to watch television and that eroticism was unnatural in women over sixty.
Nina George (The Little Paris Bookshop)
Type Three Species: qui in parvam domum moverunt (downsizers) This is not a species you’ll find in shops that sell new books, but they appear on a daily basis in second-hand bookshops, trying to convince you that their tatty old Reader’s Digest Book of the Car is worth a fortune, or that their Miller’s Antiques Prices Guide for 1978 is a really significant milestone in English literature. Because property is relatively cheap
Shaun Bythell (Seven Kinds of People You Find in Bookshops)