Bookcase Quotes

I was always going to the bookcase for another sip of the divine specific.

I am a product [...of] endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents' interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.

My bookcase is all yours." I walked to the door. "I've just decided that those are my favorite five words in the world.

Myrna could spend happy hours browsing bookcases. She felt if she could just get a good look at a person’s bookcase and their grocery cart, she’d pretty much know who they were.

A bookshelf is as particular to its owner as are his or her clothes; a personality is stamped on a library just as a shoe is shaped by the foot." [Baffled at a Bookcase (London Review of Books, Vol. 33 No. 15, 28 July 2011)]

A man's bookcase will tell you everything you'll ever need to know about him.

Cryptic Dad is cryptic,' I muttered ... We'd hung out all day today. Was there no time in there he could have said, 'Oh, hey, meet me at the magical bookcase at the butt-crack of dawn tomorrow, cool?

Her salary as King’s Champion was considerable, and Celaena spent every last copper of it. Shoes, hats, tunics, dresses, jewelry, weapons, baubles for her hair, and books. Books and books and books. So many books that Philippa had to bring up another bookcase for her room.

Dear and most respected bookcase! I welcome your existence, which has for over one hundred years been devoted to the radiant ideals of goodness and justice.

I've squeezed as many bookcases in this tiny space as possible. Being surrounded by books and magazines makes me feel calm. It makes the room seem wrapped in a layer of protection. As if nothing or no one can get to me.

The prefect evening...lying down on the couch beside the bookcase and reading himself sleepy...Jim lying opposite him at the other end of the couch, also reading; the two of them absorbed in their books yet so completely aware of each other's presence.

What I saw next stopped me dead in my tracks. Books. Not just one or two dozen, but hundreds of them. In crates. In piles on the floor. In bookcases that stretched from floor to ceiling and lined the entire room. I turned around and around in a slow circle, feeling as if I'd just stumbled into Ali Baba's cave. I was breathless, close to tears, and positively dizzy with greed.

The young need discipline and a full bookcase.

The contents of someone's bookcase are part of his history, like an ancestral portrait." (About Books; Recoiling, Rereading, Retelling, New York Times, February 22, 1987)

What my wife desires--and what you should have guessed, had you paid attention--is bookcases. And books, of course, to fill them. Not more decorations or useless items. She wants books.

You rented the apartment with a dead guy in the corner?” I shrugged. “I wanted the apartment, and I figured I could cover him up with a bookcase or something.

Cities controlled by big companies are old hat in science fiction. My grandmother left a whole bookcase of old science fiction novels. The company-city subgenre always seemed to star a hero who outsmarted, overthrew, or escaped "the company." I've never seen one where the hero fought like hell to get taken in and underpaid by the company. In real life, that's the way it will be. That's the way it always is.

A man's bookcase will tell you everything you'll ever need to know about him," my father had told me more than once. "A businessman has business books and a dream has novels and books of poetry. Most women like reading about love, and a true revolutionary will have books about the minutiae of overthrowing the oppressor. A person with no books is inconsequential in a modern setting, but a peasant that reads is a prince in waiting.

I wanted to know the name of the girl who almost murdered me with a bookcase. It seemed wise, in case I ever crossed paths with you again.

My brother and I were able to fantasize far more extravagantly about our parents' tastes and desires, their aspirations and their vices, by scanning their bookcases than by snooping in their closest. Their selves were on their shelves.

Irene made a private mental resolution that if she ever became a queen, her throne would incorporate a cushion. Also a convenient bookcase.

Above my cradle loomed the bookcase where/ Latin ashes and the dust of Greece/ mingled with novels, history, and verse/ in one dark Babel. I was folio-high/ when I first heard the voices.

Good-bye, Scrivener," he said promptly, without looking at her. "It truly was a pleasure, aside from the time you bit me. Try not to knock over any of the Chancellor's bookcases.

Think not of the books you’ve bought as a ‘to be read’ pile. Instead, think of your bookcase as a wine cellar. You collect books to be read at the right time, the right place, and the right mood.

Before I had a chance to feel too sorry for myself, I turned toward the front of the cabin and found the bookcases carved right into the wall. Hundreds of leather-bound volumes rested in dim alcoves. I had no idea what stories or information they held. It didn’t matter. I wanted to absorb anything they had to say.

He crossed the room to me and grabbed me by the shoulders. In three steps, he had me backed up against the bookcase. Before I could do more than catch my breath, he took my face in his hands and kissed me.

The senior wizards of Unseen University stood and looked at the door. There was no doubt that whoever had shut it wanted it to stay shut. Dozens of nails secured it to the door frame. Planks had been nailed right across. And finally it had, up until this morning, been hidden by a bookcase that had been put in front of it. 'And there's the sign, Ridcully,' said the Dean. 'You have read it, I assume. You know? The sign which says "Do not, under any circumstances, open this door"?' 'Of course I've read it,' said Ridcully. 'Why d'yer think I want it opened?' 'Er ... why?' said the Lecturer in Recent Runes. 'To see why they wanted it shut, of course.' This exchange contains almost all you need to know about human civilization. At least, those bits of it that are now under the sea, fenced off or still smoking.

Lord James did not know whether to feel proud of his daughter or throttle her. He had managed to collar her quietly among the guests at the Shinar manor, and they were alone together in the Lord Steward’s library. He ordered her to a sofa in front of a ceiling-high bookcase. Helen heard the same hard quality in his voice that she had perceived the first time they spoke together. She swallowed hard. He was not in a mood to be trifled with or flouted. “You dress and behave modestly enough, Lieutenant,” he said. “But your language earlier today was utterly appalling. You sounded like a Lesser Shore whore, not a proper young woman, or a professional healer. I simply won’t have it.” “Two out of three is a start, Lord —” He brought the back of his hand down across her face. She leapt to her feet, not wounded so much as angry. “Is force your answer for everything, Lord Protector?” “Are sarcasm and insubordination yours, Lieutenant?

The heat made people crazy. They woke from their damp bedsheets and went in search of a glass of water, surprised to find that when their vision cleared, they were holding instead the gun they kept hidden in the bookcase.

I don’t stay anywhere. I visit. I observe. I leave. I don’t ever stay.” I’m not sure what I’m supposed to do with this information. Tell him to leave? Tell him to stay? But I don’t have time to consider any other alternatives, because he scoots in closer and brings his hands to my face, and I fall back into the bookcase as he kisses me with this intensity—like he wants to be here, and if he kisses me just long enough, deeply enough, none of what he just said will actually be true.

There’s a bookcase lining an entire wall. By the window there’s an armchair and another lamp, with a stack of books illuminated beneath it. Even more books on the coffee table. I’m intensely relieved by this. What would I have done if he turned out to be a beautiful illiterate?

ON THE RETURN OF A BOOK LENT TO A FRIEND I GIVE humble and hearty thanks for the safe return of this book which having endured the perils of my friend's bookcase, and the bookcases of my friend's friends, now returns to me in reasonably good condition. I GIVE humble and hearty thanks that my friend did not see fit to give this book to his infant as a plaything, nor use it as an ash-tray for his burning cigar, nor as a teething-ring for his mastiff. WHEN I lent this book I deemed it as lost: I was resigned to the bitterness of the long parting: I never thought to look upon its pages again. BUT NOW that my book is come back to me, I rejoice and am exceeding glad! Bring hither the fatted morocco and let us rebind the volume and set it on the shelf of honour: for this my book was lent, and is returned again. PRESENTLY, therefore, I may return some of the books that I myself have borrowed.

The worst part about her new chambers was that all these wardrobes and vanities and drapes meant there was no space--none at all--for a bookcase. Who on earth could feel comfortable enough to sleep in a room with no books?

Walking into the library, I took in my breath sharply and stopped: glass fronted bookcases and Gothic panels, stretching fifteen feet to a frescoed and plaster-medallioned ceiling. In the back of the room was a marble fireplace, big as a sepulchre, and a globed gasolier--dripping with prisms and strings of crystal beading--sparkled in the dim. There was a piano, too, and Charles was playing, a glass of whiskey on the seat beside him. He was a little drunk; the Chopin was slurred and fluid, the notes melting sleepily into one another. A breeze stirred the heavy, moth-eaten velvet curtains, ruffling his hair.

I have every kind of control, and I have learned them over decades and decades, and I am using them all not to push you up against the bookcase and kiss you until neither of us can breathe.” She lifted her chin. “And what would be wrong with that?

When you love someone, it's like building a library and filling the shelves. It doesn't matter how many years it's been since Austen wrote Emma or Fitzgerald wrote This Side of Paradise. We can still pull them from the bookcases and dive back into the words, the same as they day they were written. All the years and memories are still right there, cataloged inside us.

A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs. I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work. Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait. - in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987

I sighed and closed my eyes, thumping my head against the bookcase. You take biology? Oh yeah, Franny. What a great fucking pick-up line.

After my bedroom, this was my favourite place in the world. It was carpeted, and had heavy bookcases and ticking clocks and velvet chairs, just like someone’s living room. It smelled of unturned pages and unseen adventures, and on every shelf were people I had yet to meet, and places I had yet to visit. Each time, I lost myself in the corridors of books and the polished, wooden rooms, deciding which journey to go on next. Mrs

There is a little Juliet inside me, hoping I will lock eyes with my Romeo on the other side of a fish tank or through a gap in a library bookcase. Hell, even if it's behind the condiments section in a supermarket. I don't really mind.

All the knowledge that has led our species from wearing animal skins to people flying, complete with proofs, would fill a handful of reference books, but a bookcase the size of the earth would not suffice to hold all the rest, quite apart from the vast discussions that are conducted not with the pen but with the sword and chains.

Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed. He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.” And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected. First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned. His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.” Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation. And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.” It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else. “I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?” “Er…yes?” Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?” “Ehhhh…” Gareth wasn’t quite sure what to make of this. “The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses. “Servants?” Gareth asked. “Brothers.” He handed Gareth a glass. “Welcome to the family.

Forget sleeping in it. I'd also shoved a bookcase in front of the door and forbidden anyone else to go in. Thomas didn't say a word. But he did start perusing local real estate listings.

But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.

I walked to the bookcase and examined the storybooks inside. As a girl, I had dreamed of having stacks of books at my disposal--stories to get lost in, other worlds to live in when mine was so bleak.

When I look at my bookcase and see the books upon the shelves, I think to myself, There is a God.

She felt if she could just get a good look at a person’s bookcase and their grocery cart, she’d pretty much know who they were.

The bookcase tipped and the book covers opened like wings over an underbelly of white feathers, dirty with ink.

[T]he cardboard bookcase of her character had already collapsed under the strain.

You ask me what it means to be irrelevant? The feeling is akin to visiting your old house as a wandering ghost with unfinished business. Imagine going back: the structure is familiar ,but the door is now metal instead of wood,the walls have been painted a garish pink ,the easy chair you loved so much is gone .Your office is now the family room and your beloved bookcases have been replaced by a brand-new television set . This is your house,and it is not. And you are no longer relevant to this house , to its walls and doors and floors ; you are not seen .

We're going to open this bookcase and remove the grimoire." Now I wasn't surprised so much as shocked. "No way," I shot back. "This thing is enchanted to hell and back-maybe literally." Dad closed his eyes and took a deep breath, like he was having to physically restrain himself from yelling.

The contents of someone's bookcase are part of his history, like an ancestral portrait.

Last time I saw her, she was peeking out from one of the bookcases next to the fireplace. She's the first cat I've ever seen trying to pretend she's a condensed version of War and Peace.

A thought suddenly occurred to me. I stood on my tiptoes to look over the bookcase. “Cross.” His head popped up a few shelves over. “What?” “Check out the magic crap.” He shot me a look. “Oh, is that what we’re supposed to be doing? Because I’ve just been drawing hearts and our initials in the dirt.

On top of the bookcase were several Mexican papier-mâché figures of people with knives stuck through their heads and blood running down their faces...I found these comforting...They looked happy enough that way, and they were a nice metaphor for mental disturbance.

With a grunt he levered himself to his feet, causing the chair to bang against the bookcase behind him and set the various objet d’bollocks rattling.

He tries again, swallowing hard to ease away the painful lump in his throat. "It's just important. I love you. I'm yours. I need people to know." "Alright," Lindsay says suddenly. He leans down to grab at Pip's bag, throwing stuff out onto the carpet, his iPod and phone and wallet and gloves and Attitude magazine until he finds what he's looking for, a green marker pen, and holds it between his teeth while he starts tugging at the hem of Pip's t-shirt. Pip's too surprised to do anything but submit, he lets Lindsay peel off his t-shirt and throw that on top of all the things from his bag then just watches as Lindsay pulls the pen out of the cap in his mouth and signs his name in big green letters on the side of Pip's stomach. He holds his breath, trying not to suck in the belly fat everybody else keeps telling him is imaginary. "There, you're mine, are you fucking happy now?" Lindsay snaps, and throws the recapped pen across the room to get lost in the bookcase somewhere.

The dim, dusty room, with the busts staring down from the tall bookcases, the cozy chairs, the globes, and best of all, the wilderness of books in which she could wander where she liked, made the library a region of bliss to her. The moment Aunt March took her nap, or was busy with company, Jo hurried to this quiet place, and curling herself up in the easy chair, devoured poetry, romance, history, travels, and pictures like a regular bookworm.

I found a Bill Evans record in the bookcase and was listening to it while drying my hair when I realized that it was the record I had played in Naoko's room on the night of her birthday, the night she cried and I took her in my arms. That had happened only six months earlier, but it felt like something from a much remoter past. Maybe it felt that way because I had thought about it so often-too often, to the point where it had distorted my sense of time.

all around the walls there are bookcases. They're filled with books. Books and books and books, right out in plain view, no locks, no boxes. No wonder we can't come in here. It's an oasis of the forbidden.

As he worked on the room, and as it began slowly to take a shape, he realized that for many years, unknown to himself, he had had an image locked somewhere within him like a shamed secret, an image that was ostensibly of a place but which was actually of himself. So it was himself that he was attempting to define as he worked on his study. As he sanded the old boards for his bookcases, and saw the surface roughnesses disappear, the gray weathering flake away to the essential wood and finally to a rich purity of grain and texture—as he repaired his furniture and arranged it in the room, it was himself that he was slowly shaping, it was himself that he was putting into a kind of order, it was himself that he was making possible.

Books were everywhere in their large apartment. Histories, biographies, novels, studies on Quebec antiques, poetry. Placed in orderly bookcases. Just about every table had at least one book on it, and oftern several magazines. And the weekend newspapers were scattered on the coffee table in the living room, in front of the fireplace. If a visitor was the observant type, and made it further into the apartment to Gamache's study, he might see the story the books in there told.

In my living room there are two large bookcases, each one eight feet tall, and they have about five hundred books between them. If I step up to a shelf and look at the books one by one, I can remember something about each. As a historian once said, some stare at me reproachfully, grumbling that I have never read them. One may remind me vaguely of a time when I was interested in romantic novels. An old college text will elicit a pang of unhappiness about studying. Each book has its character, and even books I know very well also have this kind of wordless flavor. Now if I step back from the shelf and look quickly across both bookcases I speed up that same process a hundredfold. Impressions wash across my awareness. But each book still looks back in its own way, answering the rude brevity of my gaze, calling faintly to me out of the corner of my eye. At that speed many books remain wrapped in the shadows of my awareness--I know I have looked past them and I know they are there, but I refuse to call them to mind.

In the old days – or so I’ve heard – you could go round someone’s place and rifle through their record collection, take a look at their bookcases. Now you have to scroll through their iTunes or click on their Kindle.

The dim, dusty room, with the busts staring down from the tall bookcases, the cosy chairs, the globes and, best of all, the wilderness of books, in which she could wader where she liked, made the library a region of bliss to her.

Waiting for a book to be published is like having a baby. It would be nine months before we heard the patter of tiny pages trotting through the letter box, and the bookcase shuffled it's shelves in boredom and I was a martyr to morning sickness.

Let me begin with a heartfelt confession. I admit it. I am a biblioholic, one who loves books and whose life would seem incomplete without them. I am an addict, with a compulsive need to stop by nearly any bookstore I pass in order to get my fix. Books are an essential part of my life, the place where I have spent many unforgettable moments. For me, reading is one of the most enjoyable ways to pass a rainy afternoon or a leisurely summer day. I crave the knowledge and insights that truly great books bring into my life and can spend transported hours scouring used book stores for volumes which "I simply must have". I love the smell and feel of well-loved books and the look of a bookcase full of books waiting to be taken down and read.

Being ill when you are a child or growing up is such an enchanted interlude! The outside world, the world of free time in the yard or the garden or on the street, is only a distant murmmur in the sickroom. Inside, a whole world of characters and stories proliferate out of the books you read. The fever that weakens your perception as it sharpens your imagination turns the sickroom into something new, both familiar and strange; monsters come grinning out of the patterns on the curtains and the carpet, and chairs, tables, bookcases and wardrobes burst out of their normal shapes and become mountains and buildings and ships you can almost touch although they're far away. Through the long hours of the night you have the Church clock for company and the rumble of the occasional passing car that throws it's headlights across the walls and ceilings. These are hours without sleep, which is not to say they're sleepless, because on the contrary, they're not about lack of anything, they are rich and full. Desires, memories, fears, passions form labryinths in which we lose and find then lose ourselves again. They are hours where anything is possible, good or bad.

O Canada I have not forgotten you, as I kneel in my canoe, beholding this vision of a bookcase. You are the paddle, the snowshoe, the cabin in the pines. You are the moose in the clearing and the moosehead on the wall. You are the rapids, the propeller, the kerosene lamp. You are the dust that coats the roadside berries. But not only that, you are the two boys with pails walking along that road.

A stout, middle-aged man, with enormous owl-eyed spectacles, was sitting somewhat drunk on the edge of a great table, staring with unsteady concentration at the shelves of books. As we entered he wheeled excitedly around and examined Jordan from head to foot. “What do you think?” he demanded impetuously. “About what?” He waved his hand toward the book-shelves. “About that. As a matter of fact you needn’t bother to ascertain. I ascertained. They’re real.” “The books?” He nodded. “Absolutely real — have pages and everything. I thought they’d be a nice durable cardboard. Matter of fact, they’re absolutely real. Pages and — Here! Lemme show you.” Taking our scepticism for granted, he rushed to the bookcases and returned with Volume One of the “Stoddard Lectures.” “See!” he cried triumphantly. “It’s a bona-fide piece of printed matter. It fooled me. This fella’s a regular Belasco. It’s a triumph. What thoroughness! What realism! Knew when to stop, too — didn’t cut the pages. But what do you want? What do you expect?

Curiouser and curiouser." Startled,I glanced at him. "I say that sometimes." Even with his face tight with worry, Dad managed to look a little amused. "It's from Alice in Wonderland. Appropriate, don't you think?" Yeah,except that our rabbit hole was a heck of a lot darker,I thought. I pretended to study the bookcase in the far corner. I'd expected boring books about Prodigium history or shifter economy, and there were a few of those, but I also noticed some recent fiction, as well as several Roald Dahl books. Dad went up in my estimation another notch.

Even things in a book-case change if they are alive; we find ourselves wanting to meet them again; we find them altered

The greatest of poems is an inventory. Every kitchen tool becomes ideal because Crusoe might have dropped it in the sea. It is a good exercise, in empty or ugly hours of the day, to look at anything, the coal-scuttle or the book-case, and think how happy one could be to have brought it out of the sinking ship on to the solitary island.

He pictures the evening he might have spent, snugly at home, fixing the food he has bought, then lying down on the couch beside the bookcase and reading himself slowly sleepy. At first glance this is an absolutely convincing and charming scene of domestic contentment. Only after a few instants does George notice the omission that makes it meaningless. What is left out of the picture is Jim, lying opposite him at the other end of the couch, also reading; the two of them absorbed in their books yet so completely aware of each other's presence.

He was sick of the noise and sight of so many people and determined to go quietly away, but it so happened that just at that moment the crowds about the door were particularly impenetrable; he was caught up in the current of people and carried away to quite another part of the room. Round and round he went like a dry leaf caught up in a drain; in one of these turns around the room he discovered a quiet corner near a window. A tall screen of carved ebony inlaid with mother-of-pearl half-hid - ah! what bliss was this! - a bookcase. Mr Norrell slipped behind the screen, took down John Npier's A Plaine Discouverie of the Whole Revelation of St John and began to read.

I have no passion for groves and valleys. The rooms where I was born, the furniture which has been before my eyes all my life, a bookcase which has followed me about like a faithful dog wherever I have moved – old chairs, old streets, squares where I have sunned myself, my old school – have I not enough, without your Mountains? I do not envy you. I should pity you, did I not know, that the Mind will make friends of any thing.’ A mind that can ‘make friends of any thing’ – I thought of that often during the war.

At age ten, I set out to find a Qur’an teacher who could open a gateway into this unknown world. Every other day after school I would ride the bus for an hour to study with a young African scholar for two-hour sessions. He sat opposite me cross-legged on the floor, our knees touching. I was captivated by the huge bookcases behind him laden with decorated Arabic tomes. My teacher placed a large blue book between us and began guiding me to read the opening chapter of the Qur’an. In our first session, it took two hours just to limp through the first line as I struggled to precisely pronounce the letters.

Lillian is humming to herself, stretched out on top of my bookcase like she doesn’t mind the heat, and of course she doesn’t. Even when she was alive, she could never seem to get warm. The tune she’s humming is thin and tight with anxiety. It’s the opposite of carefree.

Wendell half sat, half crouched in a hollow in the mountainside, one hand over his eyes, showing no interest whatsoever in our impossible surroundings, and I realized what was happening: somehow the poison had curdled the magic inside him, and any use of enchantment pained him. I knelt at his side and wrapped my arms around his shoulders. “Is there anything I can do?” “Yes,” he murmured. “Say that you’ll marry me.” “God.” So he was well enough to tease me, at least—that was some relief. “Perhaps I will refuse you here and now. Disappointment in love may provide a welcome distraction from the poison.” “Only you, Em, would refer to heartbreak as a distraction. I think I would have a more sympathetic response if I asked to marry a bookcase.

I had no study in those days, not even a desk or file or bookcase to call mine alone....It might have happened sooner [the writing of work worthy of publication] had I had a room of my own and fewer children, but somehow I doubt it. For as I look back on what I have written, I can see that the very persons who took away my time and space are those who have given me something to say.

The outside world, the world of free time in the yard or the garden or on the street, is only a distant murmur in the sickroom. Inside, a whole world of characters and stories proliferate out of the books you read. The fever that weakens your perception as it sharpens your imagination turns the sickroom into something new, both familiar and strange; monsters come grinning out of the patterns on the curtains and the carpet, and chairs, tables, bookcases and wardrobes burst out of their normal shapes and become mountains and buildings and ships you can almost touch although they're far away

Modernist literature with all its vast apparatus was an instrument, a form of perception, and once absorbed, the insights it brought could be rejected without its essence being lost, even the form endured, and it could be applied to your own life, your own fascinations, which could then suddenly appear in a new and significant light. Espen took that path, and I followed him like a brainless puppy, it was true, but I did follow him. I leafed through Adorno, read some passages of Benjamin, sat bowed over Blanchot for a few days, had a look at Derrida and Foucault, had a go at Kristeva, Lacan, Deleuze, while poems by Ekelöf, Björling, Pound, Mallarmé, Rilke, Trakl, Ashbery, Mandelstam, Lunden, Thomsen, and Hauge floated around, on which I spent more than a few minutes, I read them as prose, like a book by MacLean or Bagley, and learned nothing, understood nothing, but just having contact with them, having their books in the bookcase, led to a shifting of consciousness, just knowing they existed was an enrichment, and if they didn't furnish me with insights I became all the richer for intuitions and feelings.

I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death. He smashed that one first. My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven. He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands. 'Daddy?' Buckley said. My brother held the doorknob with his hand. My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him. My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived. 'You are so special to me, little man,' my father said, clinging to him. Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult. 'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.

Her eyes widened as she took in what must be thousands of titles. She stepped farther into the room finding the bookcases rose up at least two stories. Like a bee to honey, she was drawn to the remarkable library. There was a ladder that glided along a set of rails to reach the top shelves. And a spiral staircase for the second floor of shelves with yet another ladder. t was truly remarkable. She didn't know whether she had walked onto the set of My Fair Lady or the library of Beauty and the Beast. She'd never seen anything so magnificent.

…the art of writing has for backbone some fierce attachment to an idea…. It is on the back of an idea, something believed in with conviction or seen with precision and thus compelling words to a shape…. You have not finished with it because you have read it, any more than friendship is ended because it is time to part. Life wells up and alters and adds. Even things in a book-case change if they are alive; we find ourselves wanting to meet them again; we find them altered. So we look back upon essay after essay by Mr. Beerbohm, knowing that, come September or May, we shall sit down with them and talk.

His books stood neatly along the glassed-in shelves of four vaultlike oak bookcases: the collected Shakespeare, Jefferson’s essays, Thoreau, Paine, Rousseau, Crevecoeur, Locke, Emerson, Hawthorne, Melville, Twain, Dickens, Tolstoy. Henri Bergson, William James, Darwin, Buffon, Lyell, Charles Lamb, Sir Francis Bacon, Lord Chesterton. Swift, Pope, Defoe, Stevenson, Saint Augustine, Aristotle, Virgil, Plutarch. Plato, Sophocles, Homer, Dryden, Coleridge, Shelley, Shaw. A History of Washington State, A History of the Olympic Peninsula, A History of Island County, Gardens and Gardening, Scientific Agriculture, The Care and Cultivation of Fruit Trees and Ornamental

Another important way in which the erotic connection functions is the open and fearless underlining of my capacity for joy, in the way my body stretches to music and opens into response, harkening to its deepest rhythms so every level upon which I sense also opens to the erotically satisfying experience whether it is dancing, building a bookcase, writing a poem, or examining an idea. That self-connection shared is a measure of the joy which I know myself to be capable of feeling, a reminder of my capacity for feeling. And that deep and irreplaceable knowledge of my capacity for joy comes to demand from all of my life that it be lived within the knowledge that such satisfaction is possible, and does not have to be called marriage, nor god, nor an afterlife. This is one reason why the erotic is so feared, and so often relegated to the bedroom alone, when it is recognized at all. For once we begin to feel deeply all the aspects of our lives, we begin to demand from ourselves and from our life-pursuits that they feel in accordance with that joy which we know ourselves to be capable of. Our erotic knowledge empowers us, becomes a lens through which we scrutinize all aspects of our existence, forcing us to evaluate those aspects honestly in terms of their relative meaning within our lives. And this is a grave responsibility, projected from within each of us, not to settle for the convenient, the shoddy, the conventionally expected, nor the merely safe.

[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.

It had been easy to decide in favor of love on Bethune Street, in favor of walking proud and naked on the grass rug of an apartment that caught the morning sun among its makeshift chairs, its French travel posters and its bookcase made of packing-crate slats—an apartment where half the fun of having an affair was that it was just like being married, and where later, after a trip to City Hall and back, after a ceremonial collecting of the other two keys from the other two men, half the fun of being married was that it was just like having an affair. She’d decided in favor of that, all right.

All Indo-European languages have the capacity to form compounds. Indeed, German and Dutch do it, one might say, to excess. But English does it more neatly than most other languages, eschewing the choking word chains that bedevil other Germanic languages and employing the nifty refinement of making the elements reversible, so that we can distinguish between a houseboat and a boathouse, between basketwork and a workbasket, between a casebook and a bookcase. Other languages lack this facility.

Why am I impatient I am unsure for what is patience? And why should I ultimately feel that I am lacking in it. Is it timing? Waiting? Abstaining? Obligation? Longing? Torture? Perseverance? Discipline? Wanting? Someone recently referred to it as a staring contest between yourself, fate, god and chance. He also referred to it as a tease, a flirt. It's staring at her image when you want to hear her voice, feel her breath, taste her skin. Patience is the recovery from a really hot dream interrupted by the damn alarm clock. Patience is a hard cock with bound hands.

This time she is the one who leans forward. She is on her knees in front of him, grasping his shirt collar, pulling him close to her. He is clearly as startled by this as she herself is, but he allows himself to be drawn in. Their mouths meet, she moves even closer still until she is sitting on his lap takes his hands from her waist and puts them on her breasts, does everything but devour him, desperate to see if she can have something beyond her bondage with the razor. Pictures of the accident start writhing beneath her closed lids, competing for attention with the image she holds of his face. A tidal wave of emotion threatens to engulf her. She is suddenly back in the basement with the bookcases. "I can't." Willow pushes him away. "I can't" Willow claps her hands over her ears in a vain attempt to drown out the dreadful sounds of the accident. She jumps up, wheels away from him, fumbles in her pocket for the razor that she always keeps there. But just as she's preparing to slice, to save herself, to end the nightmare visions, Guy's hand clamps down on hers He pulls her down on the floor again roughly. "No." He's shaking his head. "Not here. Not now. Not with me around." "I have to." Willow is gasping. "Just let me do it!" "All right then, you can cut yourself, but not like this, not like some concerned animal. You have to do it in front of me." Willow doesn't flinch as she presses the blade into her flesh. She stares at Guy, aware that although she is fully clothed, she is completely bare before him. It hurts. It hurts badly, and within seconds the pain is swirling through her like an opiate, completely crowding out everything else. "Oh my god. Oh my god!" Now Guy is the one who is clapping a hand over his mouth. "Stop it! I can't watch!" He grabs the razor and flings it around the room, grabs her arm and stares at the blood, grabs her and crushes her close. Willow is so close that once again she's sitting in his lap. She's so close that they might as well be sharing the same breath. "You won't let yourself feel anything but pain?" He holds her more tightly than she would have thought possible. She watches with half closed lids as he wipes the blood on her arm with his shirttail. Now that she's numbed herself, she'd like nothing more than to stay there with him, like this, forever. She just stays there like that, for as long as she possibly can.

Mr Honeyfoot and Mr Segundus, being magicians themselves, had not needed to be told that the library of Hurtfew Abbey was dearer to its possessor than all his other riches; and they were not surprized to discover that Mr Norrell had constructed a beautiful jewel box to house his heart's treasure. The bookcases which lined the walls of the room were built of English woods and resembled Gothic arches laden with carvings. There were carvings of leaves (dried and twisted leaves, as if the season the artist had intended to represent were autumn), carvings of intertwining roots and branches, carvings of berries and ivy – all wonderfully done. But the wonder of the bookcases was nothing to the wonder of the books.

It was a common complaint amongst the Arts students that their library was in dire need of refurbishment. To call the old building shabby chic was being kind. It didn’t have automated stacks or self-service machines like the Management and Sciences library the other side of campus and the carpets and bookcases looked like they were probably the Victorian originals. But on days like this one, where the springtime sunshine streamed in through the high windows and set the dust motes dancing, Harriet sincerely felt that those BSc lot could stuff their vending machines and state of the art study pods. The Old Library was clearly suited for those who had poetry in their souls, rather than numbers in their heads.

In cases like this, I recommend that my clients make a personal altar in a corner of their house. Although I use the word “altar,” there is no need to worry about the direction it faces or the design. Just make a corner that is shrine-like. I recommend the top shelf in a bookcase because locating it above eye level makes it more shrine-like. One theme underlying my method of tidying is transforming the home into a sacred space, a power spot filled with pure energy. A comfortable environment, a space that feels good to be in, a place where you can relax—these are the traits that make a home a power spot. Would you rather live in a home like this or in one that resembles a storage shed? The answer, I hope, is obvious.

You are not going to pass off your many ineptitudes on the students of Hogwarts. I shall not permit it.” “Excuse me?” Amycus moved forward until he was offensively close to Professor McGonagall, his face within inches of hers. She refused to back away, but looked down at him as if he were something disgusting she had found stuck to a lavatory seat. “It’s not a case of what you’ll permit, Minerva McGonagall. Your time’s over. It’s us what’s in charge here now, and you’ll back me up or you’ll pay the price.” And he spat in her face. Harry pulled the Cloak off himself, raised his wand, and said, “You shouldn’t have done that.” As Amycus spun around, Harry shouted, “Crucio!” The Death Eater was lifted off his feet. He writhed through the air like a drowning man, thrashing and howling in pain, and then, with a crunch and a shattering of glass, he smashed into the front of a bookcase and crumpled, insensible, to the floor. “I see what Bellatrix meant,” said Harry, the blood thundering through his brain, “you need to really mean it.” “Potter!” whispered Professor McGonagall, clutching her heart. “Potter--you’re here! What--? How--?” She struggled to pull herself together. “Potter, that was foolish!” “He spat at you,” said Harry. “Potter, I--that was very--very gallant of you--but don’t you realize--?” “Yeah, I do,” Harry assured her. Somehow her panic steadied him. “Professor McGonagall, Voldemort’s on the way.” “Oh, are we allowed to say the name now?” asked Luna with an air of interest, pulling off the Invisibility Cloak. This appearance of a second outlaw seemed to overwhelm Professor McGonagall, who staggered backward and fell into a nearby chair, clutching at the neck of her old tartan dressing gown. “I don’t think it makes any difference what we call him,” Harry told Luna. “He already knows where I am.

During the hiding time I lived for the day that the war would end, when I would be able to go into the hiding place, throw open the doors, and say to my friends, “Now go home!” This was not to be. Perhaps when the time comes for me to join Jan and our friends in the hereafter, I’ll push aside the bookcase, walk behind it, climb the steep wooden stairway, careful not to hit my head on the low ceiling where Peter nailed the old towel to it. Upstairs Jan will be leaning against the edge of the dresser, his long legs stretched out, the cat Mouschi in his arms. All the others will be sitting around the table and will greet me when I enter. And Anne, with her usual curiosity, will get up and rush toward me saying, “Hello, Miep. What is the news?” I doubt I have very long to wait. People ask me what it is like to have outlived almost everyone whose history I have shared. It is a strange feeling. Why me? Why was I spared the concentration camp after being caught helping to hide Jews? This I will never know.

Then, idly scratching his nose, he walks to the bookcase in the living room and stoops before a set of drab brown Victorian volumes gathering dust on the second shelf from the bottom. How amusing, he thinks, as he withdraws one of them-amusing that a key to dark and ancient rites should survive in such innocuous-looking form. A young fool like Freirs would probably refuse to believe it. Like the rest of his doomed kind, he'd probably expect such lore to be found only in ancient leather-bound tomes with gothic lettering and portentously sinister titles. He'd search for it in mysterious old trunks and private vaults, in the "restricted" sections of libraries, in intricately carved wood chests with secret compartments. But there are no real secrets, the Old One knows. Secrets are ultimately too hard to conceal. The keys to the rites that will transform the world are neither hidden nor rare nor expensive. They are available to anyone. You can find them on the paperback racks or in any second-hand bookshop.

Nearly all our associations are determined by chance or necessity; and restricted within a narrow circle. We cannot know whom we would; and those whom we know, we cannot have at our side when we most need them. All the higher circles of human intelligence are, to those beneath, only momentarily and partially open... there is a society continually open to us, of people who will talk to us as long as we like, whatever our rank or occupation; — talk to us in the best words they can choose, and of the things nearest their hearts. And this society, because it is so numerous and so gentle, and can be kept waiting around us all day long, — kings and statesmen lingering patiently, not to grant audience, but to gain it! — in those plainly furnished and narrow ante-rooms, our bookcase shelves, — we make no account of that company, — perhaps never listen to a word they would say, all day long!

Why do you think Lara is Lara Casnoff, and Mrs. Casnoff is Mrs. Casnoff?” Elodie whispered as she worked her magic on the enchanted door. “It’s her family name, right? So shouldn’t she be Miss Casnoff? Or Ms.?” Of all the things to wonder about, that’s what you’re focused on? Her marital status? “It’s weird, that’s all I’m saying,” she hissed in reply. You know you can talk to me in my head, right? You don’t have to talk out loud and make everyone think I’m a crazy person. Just FYI. “The only time I can talk is when I’m in your body, so sue me, I’m taking advantage of that.” Before we could snipe at each other anymore, the door suddenly gave way. Pushing it open, Elodie dashed inside, closing the door behind her. Lara Casnoff’s office was the total opposite of Mrs. Casnoff’s, complete with soaring bookcases and a heavy wooden desk so brightly polished that I could see myself in it. “Any idea on where we should start?” Elodie whispered. The desk, I finally said. It’ll be locked, and if it’s anything like Mrs. Casnoff’s desk, magic won’t work on it. There’s a nail in my pocket. Get it out, and I’ll talk you through jimmying the lock. Elodie’s disdain flooded over me, but she got the nail and went to work on the lock. “Were you a burglar in the real world?” she muttered as she worked.