Bones Of Crows Quotes

He'd broken his leg dropping down from the rooftop. The bone didn't set right, and he'd limped ever after. So he'd found himself a Fabrikator and had his cane made. It became a declaration. There was no part of him that was no broken, that had not healed wrong, and there was no part of him that was not stronger for having been broken.

Jesper shrugged again. He adjusted the buttons on his shirt, touched his thumbs to his revolvers. When he felt like this, mad and scattered, it was as if his hands had a life of their own. His whole body itched. He needed to get out of this room. Wylan laid his hand on Jesper’s shoulder. “Stop.” Jesper didn’t know if he wanted to jerk away or pull him closer. “Just stop,” Wylan said. “Breathe.” Wylan’s gaze was steady. Jesper couldn’t look away from that clear-water blue. He forced himself to still, inhaled, exhaled. “Again,” Wylan said, and when Jesper opened his mouth to take another breath, Wylan leaned forward and kissed him. Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh. Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.

Scarecrows weren't meant to scare the crows, they were meant to scare the corn. It was enough to give a person nightmares. Otherwise, why would so many horror movies have cornfields in them?

To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.

The trees were full of crows and the woods were full of madmen. The pit was full of bones and her hands were full of wires.

Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh. Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.

Don't say another goddamn word. Up until now, I've been polite. If you say anything else--word one--I will kill myself. And when my tainted spirit finds its destination, I will topple the master of that dark place. From my black throne, I will lash together a machine of bone and blood, and fueled by my hatred for you this fear engine will bore a hole between this world and that one. When it begins you will hear the sound of children screaming--as though from a great distance. A smoking orb of nothing will grow above your bed, and from it will emerge a thousand starving crows. As I slip through the widening maw in my new form, you will catch only a glimpse of my radiance before you are incinerated. Then, as tears of bubbling pitch stream down my face, my dark work will begin. I will open one of my six mouths, and I will sing the song that ends the Earth.

No mortal man could frighten him, no more than the darkness could, nor the bones of his soul, the grey and grisly bones of his soul.

I rubbed at my temple, where the zit was gone. It still hurt a little , though, deep under the skin. I hate those zits that burrow underground. You think they've vanished, but no, they just barricade themselves right next to the bone and hurt.

In the beginning was Scream Who begat Blood Who begat Eye Who begat Fear Who begat Wing Who begat Bone Who begat Granite Who begat Violet Who begat Guitar Who begat Sweat Who begat Adam Who begat Mary Who begat God Who begat Nothing Who begat Never Never Never Never Who begat Crow Screaming for Blood Grubs, crusts Anything Trembling featherless elbows in the nest's filth

You can't spend his money if you're dead.' 'I'll acquire expensive habits in the afterlife.

But music, de León…” The vampire leaned forward, animated for perhaps the first time since their conversation began. “Music is a truth beyond telling. A bridge between strangest souls. Two men who speak not a word of each other’s tongues may yet feel their hearts soar likewise at the same refrain. Gift a man the most important of lessons, he may forget it amorrow. Gift him a beautiful song, and he shall hum it ’til the day the crows make a castle of his bones.

If you aren't born with every advantage, you learn to take your chances.

Pain? I know pain at the molecular level... It pulls at my atoms... Sings to me in an alphabet of fear... I am the boiling man... come to break the bones of your sins, meat puppet...

That's okay," said Jesper with a wince as the wagon hit another bone-rattling divot in the ground. "I don't really need my spleen in one piece." The farmer laughed. "It's good for you! Jogs the liver!

Finn fell asleep draped in Kittens and dreamed that the corn walked the earth on skinny white roots, liked to joke with the crows, and wasn't afraid of anything.

But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollow of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flash of tattered flags kindling in the gloom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumns trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore.

When all was said and done, daughter, what had he got to be psychological about?' She meant depressions, for da had had them: big, massive, scudding, whopping, black-cloud, infectious, crow, raven, jackdaw, coffin-upon-coffin, catacomb-upon-catacomb, skeletons-upon-skulls-upon-bones crawling along the ground to the grave type of depressions. Ma herself didn't get depressions, didn't either, tolerate depressions and, as with lots of people here who didn't get them and didn't tolerate them, she wanted to shake those who did until they caught themselves on. Of course at that time they weren't called depressions. They were 'moods'. People got 'moods'. They were 'moody'.

She meant depressions, for da had had them: big, massive, scudding, whopping, black-cloud, infectious, crow, raven, jackdaw, coffin-upon-coffin, catacomb-upon-catacomb, skeletons-upon-skulls-upon-bones crawling along the ground to the grave type of depressions.

In time, she came to the banks of a stream, its surface so bright with starlight it was as if someone had peeled the rind from the moon like a piece of fruit and laid it in a gleaming ribbon upon the forest floor.

Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof. “You shouldn’t make friends with crows,” he’d told her. “Why not?” she asked. He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue. The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world. “Why not?” she’d repeated, eyes still closed. He said the first thing that popped into his head. “They don’t have any manners.” “Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.

That last stretch of the journey from Toronto to Crow Lake always takes me by the throat. Partly it's the familiarity; I know every tree, every rock, every boggy bit of marshland so well, that even though I almost always arrive after dark I can feel them around me, lying there in the darkness as if they were my own bones.

No pain, no death, is more terrible to a wild creature than its fear of man. A red-throated diver, sodden and obscene with oil, able to move only its head, will push itself out from the sea-wall with its bill if you reach down to it as it floats like a log in the tide. A poisoned crow, gaping and helplessly floundering in the grass, bright yellow foam bubbling from its throat, will dash itself up again and again on to the descending wall of air, if you try to catch it. A rabbit, inflated and foul with myxomatosis, just a twitching pulse beating in a bladder of bones and fur, will feel the vibration of your footstep and will look for you with bulging, sightless eyes. Then it will drag itself away into a bush, trembling with fear. We are the killers. We stink of death. We carry it with us. It sticks to us like frost. We cannot tear it away.

He hated that Inej had seen him this way, that anyone had, but on the heels of that thought came another: Better it should be her. In his bones, he knew that she would never speak of it to anyone, that she would never use this knowledge against him. She relied on his reputation. She wouldn’t want him to look weak. But there was more to it than that, wasn’t there? Inej would never betray him. He knew it. Kaz felt ill. Though he’d trusted her with his life countless times, it felt much more frightening to trust her with this shame.

Bones were bones; these days, nothing was easier to come by.

The truth is in our bones, for flesh decays and bone endures.

Raw anguish slithers through my brittle bones as the deathly call rots the air. Who murdered you old friend? The forest has no words to identify the hand, only erratic echo.

Gained a little wisdom, did you?” “Age and experience do that for a person.” “True.  There should be some reward for creaking bones and gray hair.” He

Let's start with something shiny - Kaz Brekker, Six of Crows

I would come for you," he said, and when he saw the wary look she shot him, he said it again: "I would come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together--knives drawn, pistols blazing. Because that's what we do. We never stop fighting.

I had nature in my heart, she said. Like she did, and her mother before her. There was something about us---the Weyward women---that bonded us more tightly with the natural world. We can feel it, she said, the same way we feel rage, sorrow, or joy. The animals, the birds, the plants---they let us in, recognizing us as one of their own. That is why roots and leaves yield so easily under our fingers, to form tonics that bring comfort and healing. That is why animals welcome our embrace. Why the crows---the ones who carry the sign---watch over us and do our bidding, why their touch brings our abilities into sharpest relief. Our ancestors---the women who walked these paths before us, before there were words for who they were---did not lie in the barren soil of the churchyard, encased in rotting wood. Instead, the Weyward bones rested in the woods, in the fells, where our flesh fed plants and flowers, where trees wrapped their roots around our skeletons. We did not need stonemasons to carve our names into rock as proof we had existed. All we needed was to be returned to the wild. This wildness inside gives us our name. It was men who marked us so, in the time when language was but a shoot curling from the earth. Weyward, they called us, when we would not submit, would not bend to their will. But we learned to wear the name with pride.

A feeling settled over Cora. She had not been under its spell in years, since she brought the hatchet down on Blake's doghouse and sent the splinters into the air. She had seen men hung from trees and left for buzzards and crows. Women carved open to the bones with the cat-o'-nine-tails. Bodies alive and dead roasted on pyres. Feet cut off to prevent escape and hands cut off to stop theft. She had seen boys and girls younger than this beaten and had done nothing. This night the feeling settled on her heart again. It grabbed hold of her and before the slave part of her caught up with the human part of her, she was bent over the boy's body as a shield.

Witches cackle. Goblins growl. Spectres boo, And werewolves howl. Black cats hiss. Bats flap their wings. Mummies moan. The cold wind sings. Ogre’s roar. And crows, they caw. Vampires bahahahaha. Warlocks swish their moonlit capes. Loch Ness monsters churn the lake. Skeletons, they rattle bones While graveyards crack the old headstones. All the while the ghouls, they cry To trick-or-treaters passing by. Oh, the noise on Halloween; It makes me want to scream!

Between the sleeping and the waking, it is there. Between the rising and the resting, it is there. It is always there. It gnaws on my heart. It chews on my soul. I turn aside and see it. I stop my ears and hear it. I cover myself and feel it. There are no human words for what I mean. It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down. It is what the unseeing eye sees. It is what the deaf ear heres. It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple. Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye. Our bones are bleached within our skin; our empty sockets regard the crow. Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air. Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us.

Upon the scent of dying jasmine she loomed out that solemn brook, spinning herself a crown of silver, witches bones and citadels. For her longing was the sky dripping with dark fever ... And she will lick the face of oblivion, till the stars scream her name.

Jesper's mind emptied. He wasn't thinking of what had happened before or what might happen next. There was only the reality of Wylan's mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he'd been waiting for. It was a gunshot. It was a prairie fire. It was the spin of Makker's Wheel. Jesper felt the pounding of his heart--or was it Wylan's?--like a stampede in his chest, and the only thought in his head was a happy, startled, Oh.

Well; I would rather die yonder than in a street, or on a frequented road, ' I reflected. 'And far better that crows and ravens -if any ravens there be in these regions- should pick my flesh from my bones, than that they should be prisoned in a work-house coffin, and moulder in a pauper's grave.

In order to strengthen steel it must first brave the fire. Moriethe is my forge and the Bone Hag my hammer. In order for my daughter to thrive in the life she must first become unbreakable. And in order to do that she needs to come to me willingly." Lord Thulath to Lord Requiem, speaking of his daughter Morgan.

And I, you, and he; and we, ye, and they, are all bats; and I'm a crow, especially when I stand a'top of this pine tree here. Caw! caw! caw! caw! caw! caw! Ain't I a crow? And where's the scare-crow? There he stands; two bones stuck into a pair of old trowsers, and two more poked into the sleeves of an old jacket.

Maybe you’ll kill me next? Dig out my insides and search for your answers. Maybe it’s printed here on my bones.” I lift my middle finger to him and glare.

He says the scarecrows—” —weren’t made to scare the crows, they were made to scare the corn.

Scarecrows weren't made to scare the crows, they were made to scare the corn

Now that you mention it, I was chatting with the crows earlier. They were wondering why you guys walk like you’re wearing diapers.

He was a wraith of the factories, skinny and tall, with a wobbling gait that broadcast his deformed legs.

She wondered if the outside crows hated the crows of the blistered land the way that the villagers outside hated the people inside.

The trees were full of crows and the woods were full of madmen.

My eyes were sunken treasures lost in a sea of shadows and peaking waves of bones rolling under dulled and tired skin.

He felt the front of his skull shatter with a strange sort of glee. It reformed as if melted and molded, stretched the skin to accommodate the new jaw, new bone configuration, new killing teeth.

She walked back to the boardinghouse, with the woman who had a puppet at her throat and the girl sitting on the steps who missed more meals than she ate and who was crowing about babies that weren’t quite right.

No book had ever lost patience with him or told him to sit still. When his tutors had thrown up their hands in frustration, it was the library that had taught Nikolai military history, strategy, chemistry, astronomy. Each spine had been an open doorway whispering, "Come in, come in. Here is a land you've never seen before. Here is a place to hide when you're frightened, to play when you're bored, to rest when the world seems unkind.

I shall be lucky to be buried at all, Sassenach. Much more likely I shall be drowned, burnt, or left to rot on some battlefield. Dinna fash yourself. If ye’ve got to dispose of my carcass, just leave it out for the crows.

Thee is a rooster, William,” Rachel said mournfully. “I saw this in thee before, but now I know it for certain.” “A rooster,” he repeated coldly, brushing dirt from his sleeve. “Indeed. A vain, crowing, gaudy sort of fellow—that’s what you think me?

Jesper always felt better when people were shooting at him. It wasn't that he liked the idea of dying (in fact, that potential outcome was a definite drawback), but if he was worrying about staying alive, he couldn't be thinking about anything else.

The term “welfare queen” became a not-so-subtle code for “lazy, greedy, black ghetto mother.” The food stamp program, in turn, was a vehicle to let “some fellow ahead of you buy a T-bone steak,” while “you were standing in a checkout line with your package of hamburger.

Johann learned what sort of creature he was by accident. One day he slipped on a patch of ice. His ankle turned in the wrong direction and plunged him off a roof like a crow with a clipped wing. The ground swallowed him up, and the crunch of his neck against rock reverberated through every joint in his spine. It shuddered through his limbs and popped out the tips of his fingers and toes, a tiny earthquake that made ruin of his bones. He lay absolutely still for ten minutes, and then he stood up and wrenched his skull back into place. “Well,” he said aloud. “That was fucked up.

But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollows of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flesh of tattered flags kindling in the doom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumn trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore. It seemed now as if, touched by human penitence and all its toil, divine goodness had parted the curtain and displayed behind it, single, distinct, the hare erect; the wave falling; the boat rocking; which, did we deserve them, should be ours always. But alas, divine goodness, twitching the cord, draws the curtain; it does not please him; he covers his treasures in a drench of hail, and so breaks them, so confuses them that it seems impossible that their calm should ever return or that we should ever compose from their fragments a perfect whole or read in the littered pieces the clear words of truth. For our penitence deserves a glimpse only; our toil respite only. The nights now are full of wind and destruction; the trees plunge and bend and their leaves fly helter skelter until the lawn is plastered with them and they lie packed in gutters and choke rain pipes and scatter damp paths. Also the sea tosses itself and breaks itself, and should any sleeper fancying that he might find on the beach an answer to his doubts, a sharer of his solitude, throw off his bedclothes and go down by himself to walk on the sand, no image with semblance of serving and divine promptitude comes readily to hand bringing the night to order and making the world reflect the compass of the soul. The hand dwindles in his hand; the voice bellows in his ear. Almost it would appear that it is useless in such confusion to ask the night those questions as to what, and why, and wherefore, which tempt the sleeper from his bed to seek an answer.

Merciless song, you leave me with my lone, nonconvertible, unmetamorphic body: I’m one-time-only to the marrow of my bones. Four A.M. The hour between night and day. The hour between toss and turn. The hour of thirty-year-olds. The hour swept clean for roosters’ crowing. The hour when the earth takes back its warm embrace. The hour of cool drafts from extinguished stars. The hour of do-we-vanish-too-without-a-trace. Empty hour. Hollow. Vain. Rock bottom of all the other hours. No one feels fine at four a.m. If ants feel fine at four a.m., we’re happy for the ants. And let five a.m. come if we’ve got to go on living.

Watching him climb, William’s perception shifted again with a bone-rattling jolt. Christian was not soft, he realized. There was nothing of the coddled child in him. He was hard and tough as sinew. Refined? Refined as a purebred stallion, perhaps, or an elemental sprite. But not weak, no. He was a powerful and strong man. For

When he was fourteen,, Kaz had put together a crew to rob the bank that had helped Hertzoon prey on him and Jordie. His crew got away with fifty thousand krudge, but he'd broken his leg dropping down from the roof. The bone didn't set right, and he'd limped ever after. So he found himself a Fabrikator and had his cane made. It became a decleration. There was no part of him that was not broken, that had not healed wrong, and there was no part of him that was not stronger for having been broken. The cane became a part of the myth he built. No one knew who he was. No one knew where he came from. He'd become Kaz Brekker, cripple and confidence man, the Bastard of the Barrel.

Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, “As well soon as syne.

Perched upon the stones of a bridge The soldiers had the eyes of ravens Their weapons hung black as talons Their eyes gloried in the smoke of murder To the shock of iron-heeled sticks I drew closer in the cripple’s bitter patience And before them I finally tottered Grasping to capture my elusive breath With the cockerel and swift of their knowing They watched and waited for me ‘I have come,’ said I, ‘from this road’s birth, I have come,’ said I, ‘seeking the best in us.’ The sergeant among them had red in his beard Glistening wet as he showed his teeth ‘There are few roads on this earth,’ said he, ‘that will lead you to the best in us, old one.’ ‘But you have seen all the tracks of men,’ said I ‘And where the mothers and children have fled Before your advance. Is there naught among them That you might set an old man upon?’ The surgeon among this rook had bones Under her vellum skin like a maker of limbs ‘Old one,’ said she, ‘I have dwelt In the heat of chests, among heart and lungs, And slid like a serpent between muscles, Swum the currents of slowing blood, And all these roads lead into the darkness Where the broken will at last rest. ‘Dare say I,’ she went on,‘there is no Place waiting inside where you might find In slithering exploration of mysteries All that you so boldly call the best in us.’ And then the man with shovel and pick, Who could raise fort and berm in a day Timbered of thought and measured in all things Set the gauge of his eyes upon the sun And said, ‘Look not in temples proud, Or in the palaces of the rich highborn, We have razed each in turn in our time To melt gold from icon and shrine And of all the treasures weeping in fire There was naught but the smile of greed And the thick power of possession. Know then this: all roads before you From the beginning of the ages past And those now upon us, yield no clue To the secret equations you seek, For each was built of bone and blood And the backs of the slave did bow To the laboured sentence of a life In chains of dire need and little worth. All that we build one day echoes hollow.’ ‘Where then, good soldiers, will I Ever find all that is best in us? If not in flesh or in temple bound Or wretched road of cobbled stone?’ ‘Could we answer you,’ said the sergeant, ‘This blood would cease its fatal flow, And my surgeon could seal wounds with a touch, All labours will ease before temple and road, Could we answer you,’ said the sergeant, ‘Crows might starve in our company And our talons we would cast in bogs For the gods to fight over as they will. But we have not found in all our years The best in us, until this very day.’ ‘How so?’ asked I, so lost now on the road, And said he, ‘Upon this bridge we sat Since the dawn’s bleak arrival, Our perch of despond so weary and worn, And you we watched, at first a speck Upon the strife-painted horizon So tortured in your tread as to soak our faces In the wonder of your will, yet on you came Upon two sticks so bowed in weight Seeking, say you, the best in us And now we have seen in your gift The best in us, and were treasures at hand We would set them humbly before you, A man without feet who walked a road.’ Now, soldiers with kind words are rare Enough, and I welcomed their regard As I moved among them, ’cross the bridge And onward to the long road beyond I travel seeking the best in us And one day it shall rise before me To bless this journey of mine, and this road I began upon long ago shall now end Where waits for all the best in us. ―Avas Didion Flicker Where Ravens Perch

The gelding held still when he took the reins, swung nimbly onto the horse’s wide back and patted its withers. “You’ve grown fat on plains grass, Gnat. This journey will do you good.” Martise’s eyes widened. “Gnat? His name is Gnat?” She stared at the mountain of horseflesh, heavily muscled and big-boned, with a girth that would make riding astride a challenge, and he stood at least seventeen hands high. Gnat swung his large head in her direction, as if questioning her incredulity. Silhara stared down his nose, the expression made even more imperious by his high seat on the horse’s back. “I didn’t think ‘Butterfly’ suitable.” A betraying flutter rose in her throat. “No,” she said, eyes tearing with the effort to hold in her laughter. “I suppose not.

Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more. Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends. The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life's wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season. Let him say, "It is quite right: it ought to be so, since so it is." And, perhaps, one day his snow-sepulchre will open, spring's softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds and singing of liberated streams will call him to kindly resurrection. Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, As well soon as syne.

Chanu went on."This artist, Abedin- he painted the famine which came to our country in 1942 and '43. These famous paintings hang now in a museum in Dhaka. I will take you to see them. In the famine, there was life and there was death. The people of Bangladesh died and the crows and the vultures lived. Abedin shows it all: the child who is too weak to walk or even to crawl, and the fat, black crows- how patiently they wait by the child for their next feast. " This is how it was. Three million people died because of starvation. Can you imagine that? You cannot. Can you imagine something else? While the crows and vultures stripped our bones, the British, our rulers, exported grain from the country. This is something you cannot imagine, but now that you know it, you will never forget." Chanu breathed deeply but his face remained still. "That's it," he said. "It will be time to go very soon.

When you get back, I finally wrote, let's lay ourselves down in the fields outside, and sleep there for the night, whatever the weather. We'll let the crows roost on our shoulders and skulls, let them nudge our necks with their wings, and pick at our earlobes, nibbling all the rotten bits out of us until we're nothing more than sinew, bone, and teeth. Until we're so pure, you can see right through us down to the roots and dirt. Until even our memories are eaten alive.

I don't understand how this can all fit in the crow's nest." "Elasticity is a fundamental principle of perception," my companion says. "But as rubber bands break when left too long in the sun, I suspect that the crow's nest will, in time, realize we've abused its fine elastic nature and it will break, too, shrinking back down to its appropriate size. At that time, anyone caught inside will be crushed; their blood, bones, and various insides squeezed through the knotholes of the wood like so much Play-Doh.

There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.

Of all the birds, they are the ones who mind their being armless most: witness how, when they walk, their heads jerk back and forth like rifle bolts. How they heave their shoulders into each stride as if they hoped that by some chance new bones there would come popping out with a boxing glove on the end of each. Little Elvises, the hairdo slicked with too much grease, they convene on my lawn to strategize for their class-action suit. Flight they would trade in a New York minute for a black muscle car and a fist on the shift at any stale green light. But here in my yard by the Jack-in-the-Box Dumpster they can only fossick in the grass for remnants of the world’s stale buns. And this despite all the crow poems that have been written because men like to see themselves as crows (the head-jerk performed in the rearview mirror, the dark brow commanding the rainy weather). So I think I know how they must feel: ripped off, shook down, taken to the cleaners. What they’d like to do now is smash a phone against a wall. But they can’t, so each one flies to a bare branch and screams.

Wilbury, my dear,” Caroline said, “would you mind taking the children and keeping them occupied for a bit?” "Twould be the high point of my golden years, my lady,” he replied with frigid politeness. “The culmination of a lifelong dream I had nearly abandoned in favour of waiting peacefully for the Grim Reaper to come and relieve me of my earthly duties.” Immune to his sarcasm, Caroline beamed fondly at him. “Thank you, Wilbury. I thought that’s what you would say.” Shuffling toward the hearth, the butler muttered under his breath, “I just love children, you know. I simply dote upon the overindulged little darlings with their grasping little hands and their sticky little fingers that foul up every freshly polished surface in the house”. As he leaned toward the hearth, the twins paused in play to gape at him. Baring his pointed yellowing teeth in a grimace of a smile, he rasped, “Come now, lads. I’ll take you to the kitchen for some nice hot chocolate.” Eyes widening in terror, the two boys leapt to their feet and ran shrieking from the room. Wilbury straightened as much as his hunched back would allow, rolling his eyes. “Wilbuwy!” Eloisa crowed, scrambling from her mother’s lap and toddling across the room. Wrapping her arms around one of the butler’s scrawny legs, she looked up and batted her long eyelashes at him. “Me want cocoa!” With a long-suffering sigh, he scooped the plump child into his arms, every one of his ancient bones creaking in protest. She joyfully tugged at his misshapen ears as he carried her toward the door. His curdled expression never varied, but as he passed Portia he gave her a nearly imperceptible wink.

Praise the light of late November, the thin sunlight that goes deep in the bones. Praise the crows chattering in the oak trees; though they are clothed in night, they do not despair. Praise what little there’s left: the small boats of milkweed pods, husks, hulls, shells, the architecture of trees. Praise the meadow of dried weeds: yarrow, goldenrod, chicory, the remains of summer. Praise the blue sky that hasn’t cracked yet. Praise the sun slipping down behind the beechnuts, praise the quilt of leaves that covers the grass: Scarlet Oak, Sweet Gum, Sugar Maple. Though darkness gathers, praise our crazy fallen world; it’s all we have, and it’s never enough.

They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize. When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes. That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable. Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?

He found himself outside the city, walking through a world without color. Ravens soared through a grey sky on wide black wings, while carrion crows rose from their feasts in furious clouds wherever he set his steps. White maggots burrowed through black corruption. The wolves were grey, and so were the silent sisters; together they stripped the flesh from the fallen. There were corpses strewn all over the tourney fields. The sun was a hot white penny, shining down upon the grey river as it rushed around the charred bones of sunken ships. From the pyres of the dead rose black columns of smoke and white-hot ashes. My work, thought Tyrion Lannister. They died at my command.

Now the wind, which sings and weeps, Down the dark road swoops and leaps. Crow’s wings ripping through the clouds Tear the heavens into shrouds. Naked tree with shaking boughs Black and dreadful mops and mows. Morgan the Fairy sings and sighs, Morgan sings and Morgan cries, Morgan moans and Morgan weeps, Down the dark road swoops and leaps And within his dwelling creeps Morgan the Fairy’s icy breath Bring him to dole and death. Make him drink from your black cup, Wine of mulberry make him sup. So his pain may longer be, Long his spirit’s agony. Fill his clothes with biting lice, Curse his horse with stinging flies, Crack his bones until he dies. Strike his nerves with mortal cold Rot his flesh with creeping mould So his pain may longer be, Long his spirit’s agony And his body maggot’s fee.

Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.

At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.

The headlights of parked cars shone through the rain, and the sidewalks extended, empty, into the darkness. Underground, the sewers surged like rivers, and a few blocks away, sirens blared. He was no longer aware of his heart or thoughts, only the image of a sunken face staring up from a well, the paleness rising through the water like polished bone. A ringed hand reached toward it, but as the fingers approached, the face would sink away, its eyes opening, closing, and the droplets of red falling like leaves. He was a child running through an autumn cemetery, leaping over cast iron fences, the rain bleeding into the tombstones and the roofs of the mausoleums, his legs following the wings of a crow, flapping to the north. A hedge of withered roses stood between him and his childhood house. He tripped and grazed his cheek on a manhole, his red blooming in the water. The sun set behind the hill; the house turned black—abandoned and derelict—and Chris knew he had to keep running, ahead, into the unknown.

The air grew colder and thinner as they rode through the mountain passes.  The sun was high and bright, but Martise wrapped her shawl tightly around her and pressed against Silhara’s back.  Gnat kept a steady pace, breathing harder in the thin air.  Unlike him, the mountain ponies suffered no effects from the rising elevation and clipped ahead at a swift pace.  Patches of snow spilled from embankments onto the rutted paths.  A brisk wind moaned a soft dirge as it whipped through the towering evergreens cloaking the mountainside. Silhara called a sudden halt.  Martise peered around his arm, expecting to see some obstacle in their path.  The way was clear, with only the Kurmans watching them curiously. “What’s wrong?” “You’re quaking hard enough to make my teeth rattle.”  He moved his leg back and untied one of the packs strapped to the saddle.  “Get down.” She slid off Gnat’s back.  Silhara followed and pulled one of their blankets from the packet.  “Here.  Wrap this around you.” She had only pulled the blanket over her shoulders when he picked her up and tossed her onto Gnat’s back once more, this time in the front of the flat saddle.  She clutched the horse’s mane with one hand and held on to her blanket with the other.  Silhara vaulted up behind her, scooted her back against him and took up the reins. “Better,” he said and whistled to the waiting Kurmans he was ready. Martise couldn’t agree more.  The blanket’s warmth and Silhara’s body heat soaked through her clothing and into her bones.  She leaned into his chest.  “This is nice.” An amused rumble vibrated near her ear.  “So glad you approve.”  His hand slipped under the blanket, wandered over her belly and cupped her breast.  Martise sucked in a breath as his fingers teased her nipple through her shawl and tunic.  The heat surrounding her turned scorching.  “I agree,” he murmured in her ear.  “This is nice.” He stopped his teasing when she squirmed hard enough in the saddle to nearly unseat them both, but left his hand on her breast, content to just hold her.  Martise was ready to toss off the blanket and her shawl.  Silhara’s touch had left her with a throbbing ache between her thighs.  She smiled a little at the feel of him hard against her back.  She wasn’t the only one affected by his teasing.

He’d reached out to grab her by the collar of her shirt, but she’d dodged him easily. He fumbled for her again. Out of the corner of her eye, Inej saw Jesper rise from his seat, but she waved him off and slipped her fingers into the brass knuckles she kept in her right hip pocket. She gave Rojakke a swift crack across the left cheek. His hand flew up to his face. “Hey,” he said. “I didn’t hurt you none. It was just words.” People were watching now, so she hit him again. Regardless of the Crow Club rules, this took precedence. When Kaz had brought her to the Slat, he’d warned her that he wouldn’t be able to watch out for her, that she’d have to fend for herself, and she had. It would have been easy enough to turn away when they called her names or sidled up to ask for a cuddle, but do that and soon it was a hand up your blouse or a try at you against a wall. So she’d let no insult or innuendo slide. She’d always struck first and struck hard. Sometimes she even cut them up a bit. It was fatiguing, but nothing was sacred to the Kerch except trade, so she’d gone out of her way to make the risk much higher than the reward when it came to disrespecting her.

He was standing on a country road, at the precise place where the black hot top gave up to bone-white dirt. A blazing summer sun shone down. On both sides of the road there was green corn, and it stretched away endlessly. There was a sign, but it was dusty and he couldn’t read it. There was the sound of crows, harsh and far away. Closer by, someone was playing an acoustic guitar, fingerpicking it. Vic Palfrey had been a picker, and it was a fine sound. This is where I ought to get to, Stu thought dimly. Yeah, this is the place, all right. What was that tune? “Beautiful Zion”? “The Fields of My Father’s Home”? “Sweet Bye and Bye”? Some hymn he remembered from his childhood, something he associated with full immersion and picnic lunches. But he couldn’t remember which one. Then the music stopped. A cloud came over the sun. He began to be afraid. He began to feel that there was something terrible, something worse than plague, fire, or earthquake. Something was in the corn and it was watching him. Something dark was in the corn. He looked, and saw two burning red eyes far back in the shadows, far back in the corn. Those eyes filled him with the paralyzed, hopeless horror that the hen feels for the weasel. Him, he thought. The man with no face. Oh dear God. Oh dear God no. Then the dream was fading and he awoke with feelings of disquiet, dislocation, and relief. He went to the bathroom and then to his window. He looked out at the moon. He went back to bed but it was an hour before he got back to sleep. All that corn, he thought sleepily. Must have been Iowa or Nebraska, maybe northern Kansas. But he had never been in any of those places in his life.

One of the French sailors had learned enough Massachusett to inform his captors before dying that God would destroy them for their misdeeds. The Nauset scoffed at the threat. But the Europeans carried a disease, and they bequeathed it to their jailers. Based on accounts of the symptoms, the epidemic was probably of viral hepatitis, according to a study by Arthur E. Spiess, of the Maine Historic Preservation Commission, and Bruce D. Spiess, of the Medical College of Virginia. (In their view, the strain was, like hepatitis A, probably spread by contaminated food, rather than by sexual contact, like hepatitis B or C.) Whatever the cause, the results were ruinous. The Indians “died in heapes as they lay in their houses,” the merchant Thomas Morton observed. In their panic, the healthy fled from the sick, carrying the disease with them to neighboring communities. Behind them remained the dying, “left for crows, kites, and vermin to prey upon.” Beginning in 1616, the pestilence took at least three years to exhaust itself and killed as much as 90 percent of the people in coastal New England. “And the bones and skulls upon the severall places of their habitations made such a spectacle,” Morton wrote, that the Massachusetts woodlands seemed to be “a new-found Golgotha,” the Place of the Skull, where executions took place in Roman Jerusalem.

Raskin stepped away to the narrow end of the trench. Opened the revolver’s cylinder and saw a single cartridge. Closed the cylinder again and turned it until it was lined up right. Then he pulled the hammer back and put the barrel in his mouth. He turned around, so that he was facing the Zec and his back was to the trench. He shuffled backward until his heels were on the edge of the hole. He stood still and straight and balanced and composed, like an Olympic diver preparing for a difficult backward pike off the high board. He closed his eyes. He pulled the trigger. For a mile around black crows rose noisily into the air. Blood and brain and bone arced through the sunlight in a perfect parabola. Raskin’s body fell backward and landed stretched out and flat in the bottom of the trench. The crows settled back to earth and the faint noise of the distant stone-crushing machines rolled back in and sounded like silence. Then the Zec clambered up into the Caterpillar’s cab and started the engine. The levers all had knobs as big as pool balls, which made them easy to manipulate with his palms.

By the time Columbus discovered America, the Indians were already using beads for decoration. Beads were made from shells, bones, claws, stones, and minerals. The Algonquin and Iroquois tribes of the eastern coast made beads from clam, conch, periwinkle, and other seashells. These beads were used as a medium of exchange by the early Dutch and English colonists. They were called “wampum,” a contraction of the Algonquin “wampumpeak” or “wamponeage,” meaning string of shell beads. The purple beads had twice the value of the white ones. The explorer, followed by the trader, missionary and settler, soon discovered that he had a very good trade item in glass beads brought from Europe. The early beads that were used were about 1/8 inch in diameter, nearly twice as large as beads in the mid-1800’s. They were called pony beads and were quite irregular in shape and size. The colors most commonly used were sky-blue, white, and black. Other less widely used colors were deep bluff, light red, dark red, and dark blue. The small, round seed beads, as they are called, are the most generally used for sewed beadwork. They come in a variety of colors. Those most commonly used by the Indians are red, orange, yellow, light blue, dark blue, green, lavender, and black. The missionaries’ floral embroidered vestments influenced the Woodland tribes of the Great Lakes to apply beads in flower designs. Many other tribes, however, are now using flower designs. There are four main design styles used in the modern period. Three of the styles are largely restricted to particular tribes. The fourth style is common to all groups. It is very simple in pattern. The motifs generally used are solid triangles, hourglasses, crosses, and oblongs. This style is usually used in narrow strips on leggings, robes, or blankets. Sioux beadwork usually is quite open with a solid background in a light color. White is used almost exclusively, although medium or light blue is sometimes seen. The design colors are dominated by red and blue with yellow and green used sparingly. The lazy stitch is used as an application. The Crow and Shoshoni usually beaded on red trade or blanket cloth, using the cloth itself for a background. White was rarely used, except as a thin line outlining other design elements. The most common colors used for designs are pale lavender, pale blue, green, and yellow. On rare occasions, dark blue was used. Red beads were not used very often because they blended with the background color of the cloth and could not be seen. The applique stitch was used. Blackfoot beadwork can be identified by the myriad of little squares or oblongs massed together to make up a larger unit of design such as triangles, squares, diamonds, terraces, and crosses. The large figure is usually of one color and the little units edging it of many colors. The background color is usually white, although other light colors such as light blue and green have been used. The smallness of the pattern in Blackfoot designs would indicate this style is quite modern, as pony trading beads would be too large to work into these designs. Beadwork made in this style seems to imitate the designs of the woven quill work of some of the northwestern tribes with whom the Blackfoot came in contact.

Shall I tell you what happened?’ I asked. ‘I died, and died without a sword in my hand, so I was sent to Hel and heard her dark cockerels crowing! They announced my coming, Leiknir, and the Corpse-Ripper came for me.’ I took a pace towards him and he stepped back. ‘The Corpse-Ripper, Leiknir, all rotted flesh peeling from his yellow bones and his eyes like fire and his teeth like horns and his claws like gelding knives. And there was a bone on the floor, a thigh bone, and I picked it up and I ripped it to a point with my own teeth and then I slew him.’ I hefted Serpent-Breath. ‘I am the dead, Leiknir, come to collect the living. Now kick your swords, spears, shields and helmets towards the door.

Cock’s crow and a demon’s heart,” said the dust-wife. “Don’t test me, boy.

Typical,” she said into her hands. “Typical. Of course I’d manage the impossible thing, then not think that sometimes dogs run off.” For all she knew, the bone dog had caught the wisp of a scent and now it would end up a hundred miles away, chasing bone rabbits or bone foxes or bone deer. She laughed into her swollen hands, misery twisting around, as it so often did, into weary humor. Well. Isn’t that just the way? This is what I get for expecting bones to be loyal, just because I brought them back and wired them up. What does a dog know about resurrection? “I should have brought it a bone,” she said, dropping her hands, and the crows in the trees took up the sound of her laughter.

They never found ore no matter how deep they dug or how many branches they made off the main tunnels. And I, a seaman for whom ports were mere pretexts for transient loves and brothel fights, who can still feel in my bones the sway of the crow’s nest when I climbed to the top to watch the horizon and give storm warnigs, to call out sightings of coastlines and pods of whales and dizzying schools of fish that approached the ship like a drunken mob, here I am, visiting the cool darkness of these labyrinths where a wind that is often warm and damp carries voices, laments, the unending, relentless toil of insects, the fluttering wings of dark butterflies, the screech of a bird lost in the depths of the mine shafts.

Blood of my blood. Bone of my bone, Rhea Daemónys.

I don’t remember most of what I see, but I remember one thing, Cyrus Montgomery. The Crows are going to eat your eyes.

A dam was broken. She was not just a being of flesh and bone and feather. She was not a homunculus. She was no creation of Phileander or the baroness or the crow master. No one else had named her. She was Torment, a crow's dream of being a woman, a spirit's dream of being alive and a dream of being the All-Mother up in the sky. She was a hope of once finding love without regret; she was queen of the discontented dead and mistress of this tiny, wondrous fraction of the universe that was her. And she was very fond of shiny things, so she appreciated this beautiful crown and put it on her head.

Noble born,” Roc fills in, as if he can read the questions on my face.  He spins us and I melt into his movements.  “Our family founded a society known as the Bone Society. Keepers of Time. Creators of Time. It was necessary, considering what we are. But beyond the beasts, we were the elite.” He laughs and the sound rumbles deeply through his chest. “Vane and I grew up in manor houses and castles, every whim catered to.”  I can’t imagine Vane being one of those wealthy spoiled assholes I came to know so well in my world. The kind of men who believed everything belonged to them, and if it didn’t, they would take it.

He went after her. Wendy Darling. If he finds her first, I will strip the flesh from his bones. I sling the glass back and drink down the liquor. The burn of the alcohol helps hold the spark of anger at bay. The Captain is gone and now I need a plan. No sense losing my goddamn mind like a stupid little shit. “How long ago?” I ask Smee. She cocks out a hip, arms still crossed. “Tell me what you’d do to him if you found him first?” “Does it really matter if I tell you the truth or a lie? I don’t know if you’d believe either.” 

No mortal man could frighten him, no more than the darkness could … nor memories, the bones of the soul.

He was a shaman of agony, his totem a beast of bone, and he’d summoned a terrible thing that howled to be fed before it would leave him be.

When they were done, the stones lay heaped upon the still form. The crowd dispersed like crows flying from empty bones. The elders picked up their robes and walked away. The mob was now silent. No one met the gaze of his neighbor. They drifted away, until only Ezra stood at one side, Saul on the other.

When a new kind of 'race trouble' broke out in 1912, Forsyth was a place that had already witnessed the rapid expulsion of an entire people, and many residents, like Charlie Harris, had heard firsthand accounts from relatives who'd taken part in the Cherokee removals. So whenever someone first suggested that blacks in the county should not only be punished for the murder of Mae Crow but driven out of the county forever, the white people of Forsyth knew in their bones that such a thing was possible. After all, many families owed their land and their livelihoods to exactly such a racial cleansing in the 1830s.

Even in the wolfswood, you never found more than two or three of the white trees growing together; a grove of nine was unheard of. The forest floor was carpeted with fallen leaves, bloodred on top, black rot beneath. The wide smooth trunks were bone pale, and nine faces stared inward. The dried sap that crusted in the eyes was red and hard as ruby.

This piece of land was our original sin, except we had found no baptismal rite to expunge it from our lives. That green-purple field of new cane was rooted in rib cage and eye socket. But what of the others whose lives had begun here and ended in other places? The ones who became prostitutes in cribs on Hopkins Street in New Iberia and Jane’s Alley in New Orleans, sliced their hands open with oyster knives, laid bare their shin bones with the cane sickle, learned the twelve-string blues on the Red Hat gang and in the camps at Angola with Leadbelly and Hogman Matthew Maxey, were virtually cooked alive in the castiron sweatboxes of Camp A, and rode Jim Crow trains North, as in a biblical exodus, to southside Chicago and the magic of 1925 Harlem, where they filled the air with the music of the South and the smell of cornbread and greens and pork chops fixed in sweet potatoes, as though they were still willing to forgive if we would only acknowledge their capacity for forgiveness. Tolstoy asked how much land did a man need. Just enough to let him feel the pull of the earth on his ankles and the claim it lays on the quick as well as the dead.

Those two pairs of sneakers: one hurt my heel. It was the nicer-looking one but it hurt my heel. The confrontation between beauty and utility can sometimes be uncomfortable, and the utility of an uncomfortable pair of sneakers somewhat obscure and uncertain. Besides, there would always be someone in the world with feet a little different to mine – more delicate, without such a prominent bone in the corner. That person would be Cinderella to my nicer-looking pair of sneakers, and it was up to me to bid them farewell and hope that they lived happily ever after.

people. Police usually release the innocent on the street—often without a ticket, citation, or even an apology—so their stories are rarely heard in court. Hardly anyone files a complaint, because the last thing most people want to do after experiencing a frightening and intrusive encounter with the police is show up at the police station where the officer works and attract more attention to themselves. For good reason, many people—especially poor people of color—fear police harassment, retaliation, and abuse. After having your car torn apart by the police in a futile search for drugs, or being forced to lie spread-eagled on the pavement while the police search you and interrogate you for no reason at all, how much confidence do you have in law enforcement? Do you expect to get a fair hearing? Those who try to find an attorney to represent them in a lawsuit often learn that unless they have broken bones (and no criminal record), private attorneys are unlikely to be interested in their case.

Why didn’t you say something?” Flushing beet red, I replied, “Your inheritance was unexpected. I wanted to live there again, thought that it may have been . . . mine.” “And so it is!” he crowed. “Every brick, every weapon, every bloody blade of grass is as much yours as I am, darling, supposing you’ll give me a pallet in the stables and a crust from time to time. Are you quite mad?” “I don’t want you to live on a pallet.” My tears spilled, and he painted his fingertips over my jaw. “I want you to live in my bones.