Bone Sparrow Quotes

We've searched our database for all the quotes and captions related to Bone Sparrow. Here they are! All 37 of them:

To those who refuse to be blinded by the glare, or deafened by the hush, who are brave enough to question, and curious enough to explore. To those who will not forget. You will make a difference. And to the rest of us, so that we may learn how.
Zana Fraillon (The Bone Sparrow)
The Mularkeys all saw love as a durable, reliable thing, easy to recognize... Love could be more fragile than a sparrow's bone.
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
All the muscles of the palms had been carefully cut from the bones, doubling the length of the fingers, and Sandoz’s hands reminded John of childhood Halloween skeletons.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
She had challenged him on this point one night at Anne and George's, inhibitions weakened by Ronrico: "Explain this Mass to me!" There was a silence as he sat still, apparently looking at the dinner plates and chicken bones. "Consider the Star of David," he said quietly. "Two triangles, one pointing down, one pointing up. I find this a powerful image—the Divine reaching down, humanity reaching upward. And in the center, an intersection, where the Divine and human meet. The Mass takes place in that space." His eyes lifted and met hers: a look of lucid candor. "I understand it as a place where the Divine and the human are one. And as a promise, perhaps. That God will reach toward us if we reach toward Him, that we and our most ordinary human acts—like eating bread and drinking wine—can be transformed and made sacred.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
Can’t handle being away from you,” he croaked. “Especially not when you’re hurting.” He swallowed hard. “I didn’t want to care about anyone. But you shot that all to hell.” My heart hammered against my ribs, butterfly wings dying to break free. A muscle fluttered in Anson’s cheek. “You didn’t sneak past my defenses, you bulldozed them. Reckless to the bone. And maybe you made me brave enough to be reckless, too.
Catherine Cowles (Fragile Sanctuary (Sparrow Falls #1))
Everyone else in here has memories to hold on to. Everyone else has things to think on to stop them getting squashed down to nothing. But I don’t have memories of anywhere else, and all these days just squish into the same. I need their stories. I need them to make my memories.
Zana Fraillon (The Bone Sparrow)
Her soul made her honest. Her soul made her kind. It made her swerve for pedestrian ants when she rode her bicycle through the suburbs. It made her cry when she found a sparrow dead on the sidewalk. She moved it into the grass with a stick and covered it in petals. You see, our skin should do more than just protect our bones.
Sophia Elaine Hanson (hummingbird)
Love could be more fragile than a sparrow’s bone.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
Almondine To her, the scent and the memory of him were one. Where it lay strongest, the distant past came to her as if that morning: Taking a dead sparrow from her jaws, before she knew to hide such things. Guiding her to the floor, bending her knee until the arthritis made it stick, his palm hotsided on her ribs to measure her breaths and know where the pain began. And to comfort her. That had been the week before he went away. He was gone, she knew this, but something of him clung to the baseboards. At times the floor quivered under his footstep. She stood then and nosed into the kitchen and the bathroom and the bedroom-especially the closet-her intention to press her ruff against his hand, run it along his thigh, feel the heat of his body through the fabric. Places, times, weather-all these drew him up inside her. Rain, especially, falling past the double doors of the kennel, where he’d waited through so many storms, each drop throwing a dozen replicas into the air as it struck the waterlogged earth. And where the rising and falling water met, something like an expectation formed, a place where he might appear and pass in long strides, silent and gestureless. For she was not without her own selfish desires: to hold things motionless, to measure herself against them and find herself present, to know that she was alive precisely because he needn’t acknowledge her in casual passing; that utter constancy might prevail if she attended the world so carefully. And if not constancy, then only those changes she desired, not those that sapped her, undefined her. And so she searched. She’d watched his casket lowered into the ground, a box, man-made, no more like him than the trees that swayed under the winter wind. To assign him an identity outside the world was not in her thinking. The fence line where he walked and the bed where he slept-that was where he lived, and they remembered him. Yet he was gone. She knew it most keenly in the diminishment of her own self. In her life, she’d been nourished and sustained by certain things, him being one of them, Trudy another, and Edgar, the third and most important, but it was really the three of them together, intersecting in her, for each of them powered her heart a different way. Each of them bore different responsibilities to her and with her and required different things from her, and her day was the fulfillment of those responsibilities. She could not imagine that portion of her would never return. With her it was not hope, or wistful thoughts-it was her sense of being alive that thinned by the proportion of her spirit devoted to him. "ory of Edgar Sawtelle" As spring came on, his scent about the place began to fade. She stopped looking for him. Whole days she slept beside his chair, as the sunlight drifted from eastern-slant to western-slant, moving only to ease the weight of her bones against the floor. And Trudy and Edgar, encapsulated in mourning, somehow forgot to care for one another, let alone her. Or if they knew, their grief and heartache overwhelmed them. Anyway, there was so little they might have done, save to bring out a shirt of his to lie on, perhaps walk with her along the fence line, where fragments of time had snagged and hung. But if they noticed her grief, they hardly knew to do those things. And she without the language to ask.
David Wroblewski (The Story of Edgar Sawtelle)
Someone once said that there's nothing more poetic than the death of a beautiful woman, but I think that's only true until the women get revenge. And I'm done with spending my days hidden away behind heavy curtains and wrought-iron gates. I want to burst forth into the sun and unfold and blossom there, like a waterfall cutting through rock. No more beautiful dead girls. No more sculptures made of women's bones. Never again.
Kayla Bashe (Graveyard Sparrow)
I move like I'm gravity, like it's not a decision. Standing on my toes, on the edge of the high dive, the water looks as clear and blue as the sky. In my head there's the possibility that this moment isn't here yet, that maybe I'm not born. I could be an idea. Or I could be realized, and life is standing still. For this moment, the world has stopped. I have a perfect balance. The wind moves around me. My heart is as light and bright as the sun. I am as light as a sparrow bone, and for one moment I am everything that can't be caught and held. Then I'm passing through the air, turning, arms drawn in, toes pointed. My chin rests on my chest. I believe I have a chance at anything: one full revolution. I spread my wings. I arch my back. I remember why swans are graceful, why someone would name this for something beautiful. I think I'm touching the clouds. For a long time they keep me from breaking the blue. I don't hear the shattering surface. I belong behind this sky, all-silent and calm, and part of the world where butterflies live after they give up their feet and dream of flight. I can stay, if I pretend the fire in my chest doesn't burn, if I pretend the world is upside down, if I pretend water is the air I breathe.
Suzanne Marie Phillips (Chloe Doe)
Birds were what became of dinosaurs. Those mountains of flesh whose petrified bones were on display at the Museum of Natural History had done some brilliant retooling over the ages and could now be found living in the form of orioles in the sycamores across the street. As solutions to the problem of earthly existence, the dinosaurs had been pretty great, but blue-headed vireos and yellow warblers and white-throated sparrows - feather-light, hollow-boned, full of song were even greater. Birds were like dinosaurs' better selves. They had short lives and long summers. We all should be so lucky as to leave behind such heirs.
Jonathan Franzen (The Discomfort Zone: A Personal History)
Secrets are delicate things. They can fill you up with sweetness and leave you like a cat who has found a particularly fat sparrow to eat and did not get clawed or bitten even once while she was about it. But they can also get stuck inside you, and very slowly boil up your bones for their bitter soup. Then the secret has you, not the other way around.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Five years ago, when your absence stitched her mouth shut for weeks, I hid your collection of feathers, hid the preserved shells of robin’s eggs, hid the specimens of bone. Each egg was its own shade of blue; I slipped them into a shoebox under my bed. When you were alive, the warmth of each shell held the thrill of possibility. I first learned to mix paint by matching the smooth turquoise of a heron’s egg: first aqua, then celadon, then cooling the warmth of cadmium yellow with phthalo blue. When you died, Teta quoted Attar: The self has passed away in the beloved. Tonight, the sparrows’ feathers are brushstrokes on the dark. This evening is its own witness, the birds’ throats stars on the canvas of the night. They clap into cars and crash through skylights, thunk into steel trash cans with the lids off, slice through the branches of boxed-in gingkoes. Gravity snaps shut their wings. The evening’s fog smears the city to blinding. Migrating birds, you used to say, the city’s light can kill.
Zeyn Joukhadar (The Thirty Names of Night)
One person looks around and see a universe created by a God who watches over its long unfurling, marking the fall of sparrows and listening to the prayers of his finest creation. Another person believes that life, in all its baroque complexity, is a chemical aberration that will briefly decorate the surface of a ball of rock spinning somewhere among a billion galaxies. And the two of them could talk for hours and find no greater difference between each other, for neither set of beliefs makes us kinder or wiser. William the Bastard forcing Harold to swear over the bones of Saint Jerome, the Church of Rome rent asunder by the King's Great Matter, the twin towers folding into smoke. Religion fueling the turns and reverses of human history, or so it seems, but twist them all to catch a different light and those same passionate beliefs seem no more than banners thrown up to hide the usual engines of greed and fear. And in our single lives? Those smaller turns and reverses? Is it religion which trammels and frees, which gives or withholds hope? Or are these, too, those old base motives dressed up for a Sunday morning? Are they reasons or excuses?
Mark Haddon (The Red House)
The cyst turned out to be a benign tumor. Kat liked that use of benign, as if the thing had a soul and wished her well. It was big as a grapefruit, the doctor said. “Big as a coconut,” said Kat. Other people had grapefruits. “Coconut” was better. It conveyed the hardness of it, and the hairiness, too. The hair in it was red—long strands of it wound round and round inside, like a ball of wet wool gone berserk or like the guck you pulled out of a clogged bathroom-sink drain. There were little bones in it too, or fragments of bone; bird bones, the bones of a sparrow crushed by a car. There was a scattering of nails, toe or finger. There were five perfectly formed teeth. “Is this abnormal?” Kat asked the doctor, who smiled. Now that he had gone in and come out again, unscathed, he was less clenched. “Abnormal? No,” he said carefully, as if breaking the news to a mother about a freakish accident to her newborn. “Let’s just say it’s fairly common.” Kat was a little disappointed. She would have preferred uniqueness.
Margaret Atwood (Wilderness Tips)
As the driver pulled over to attend the injured animal, I sat and watched the sky - an oceanic mass of gray, with islands of steel blue - thinking, yes, certainly, birds must sleep at times while they fly. How ridiculous it was to think otherwise. Yet my brothers' tutor, a man from Oxford with red eyebrows, had informed me the previous morning that no such thing could occur. Such a thing, he'd opined, would be an affront to God, who had blessed birds with the ability to sleep and the ability to fly, but not the ability to sleep while flying or fly while sleeping. Absurd! Moreover, he went on, were it to be case, each morning we would find at our feet heaps of dead birds that had smashed into rooftops or trees in the night. Night after night we would be awakened by this ornithological cacophony, this smashing of beaks against masonry, this violence of feathers and bones. It will not do, he said, to too greatly admire the mysteries of nature. But I remembered that sparrow on the riverbank and secretly held that the world was not so easily explained by a tutor's reason. Indeed, it was then that I first formed the opinion - if childishly, idly - that a person should trust to her own good sense and nature's impenetrable wisdom.
Danielle Dutton (Margaret the First)
Dominika checked her phone again, then leaned over the table, grabbed Nate’s sweater, and pulled him close to kiss him. “Our agent isn’t arriving for two hours, and it takes seven minutes to get there on the Number Eight tram,” she said, sitting back down. “I would therefore like to go upstairs to your room and bump bones.” Her previous choler from the safe-house spat thankfully eclipsed, Nate relaxed and sat back. “We normally say ‘jump your bones’ to describe what you’re thinking”. “Why?” said Dominika. “I would think ’bumping’ describes what I’m thinking more accurately.
Jason Matthews (The Kremlin's Candidate (Red Sparrow Trilogy, #3))
And you’re going to tell me about it?” “Fuck no,” said Gable. “You’ve been wailing on me since I’ve known you,” said Nate. “How about throwing a bone? Tell me.
Jason Matthews (Palace of Treason (Red Sparrow Trilogy #2))
I don’t eat sugary crap,” he answered unapologetically, his voice bone-dry. “And I definitely don’t drink hot fucking chocolate. But next time I’m hosting a tea party, I’ll borrow a tutu and you can help me fix some cupcakes.
L.J. Shen (Sparrow)
I won't give in to despair while stars are beautiful in the night sky and know we cannot leave here while it is always midnight, and there is only that hope that we grasped and pulled down from these skies. Here where it is midnight we cling to the play of children lining up little tiny drops of joy, small shimmers we hap to wish upon for two blooms in spring, three sparrows to sing to me, and four kisses in the sudden flash of summer.
Ruth Ann Oskolkoff (The Bones of the Poor)
In a privately printed work entitled Paneros, author Norman Douglas cautions his readers against putting their trust . . . in Arabian skink, in Roman goose-fat or Roman goose tongues, in the Arplan of China . . . in spicy culinary dishes, erongoe root, or the brains of lovemaking sparrows . . . in pine nuts, the blood of bats mingled with asses’ milk, root of valerian, dried salamander, cyclamen, menstrual fluid of man or beast, tulip bulbs, fat of camel’s hump, parsnips, hyssop, gall of children, salted crocodile, the aquamarine stone, pollen of date palm, the pounded tooth of a corpse, wings of bees, jasmine, turtles’ eggs, applications of henna, brayed crickets, or spiders or ants, garlic, the genitals of hedgehogs, Siberian iris, rhinoceros horn, the blood of slaughtered animals, artichokes, honey compounded with camel’s milk, oil of champak, liquid gold, swallows’ hearts, vineyard snails, fennel-juice, certain bones of the toad, sulphurous waters and other aquae amatrices, skirret-tubers or stag’s horn crushed to powder: aphrodisiacs all, and all impostures.
Lawrence Block (Eros & Capricorn: A Cross-Cultural Survey of Sexual Attitudes and Techniques)
I believed to belong in the water as a sparrow belonged in the sky.
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
So Satan answered the LORD and said, Skin for skin! Yes, all that a man has he will give for his life. But stretch out Your hand now, and touch his bone and his flesh, and he will surely curse You to Your face! And the LORD said to Satan, Behold, he is in your hand, but spare his life." (Job 2:4-6)
Val Waldeck (His Eye Is On The Sparrow. 365-Day Devotional)
My brothers were still catching sparrows when my cousin told me to give him the baby bird. I didn’t want to, but I took the squirming bird out of my pocket anyway. I wanted another look at it. It was so small. I don’t think it could fly yet. My cousin plucked the bird from my palm and went off with it. I should never have taken it out of my pocket. When he returned, the birds were all burnt to a crisp. Their bones were popping out of their skin. I couldn’t even tell which of the birds was mine. I looked at their burnt feathers and blackened skin and burst into tears. I cried for him to give me back my bird, but it was too late. My yelling must have irritate him, because he grabbed the smallest one and shoved it in my face, and said, ‘Here it is.’ When I took that charred baby bird from him, I felt the world crash down on me. It was the first time I had ever held something that had died. I love you as much as the sorrow I felt.
Kyung-Sook Shin
A sparrow limps past on its little bone crutch saying I am Frederico Garcia Lorca risen from the dead–
Franz Wright
Can’t handle being away from you,” he croaked. “Especially not when you’re hurting.” He swallowed hard. “I didn’t want to care about anyone. But you shot that all to hell.” My heart hammered against my ribs, butterfly wings dying to break free. A muscle fluttered in Anson’s cheek. “You didn’t sneak past my defenses, you bulldozed them. Reckless to the bone. And maybe you made me brave enough to be reckless, too.” I
Catherine Cowles (Fragile Sanctuary (Sparrow Falls #1))
Faith climbed over the broken-down fence and cleared away the ivy. There she discovered what she was looking for, the apothecary garden. It had gone wild, and there were jumbled weeds abounding, but there were still stalks of belladonna, along with the root that took the shape of a man and was said to scream when plucked from the ground. Faith filled the basket with the ingredients she needed, then noticed that a small sparrow had tumbled from its nest. One more ingredient, fallen into her lap. She took it in her hands for it was what she needed for her dark spell, the bones and heart and liver. She closed her eyes as she wrung its neck, and as she did so she could feel the wrongness of her deed pulsing as if a hive of stinging bees were under her skin. Whoever was charmed by this spell would feel the pain he had caused others; his deeds would be pulled out of him and bite him, as if all his wrongdoings were sharp teeth, and he would feel the stab
Alice Hoffman (Magic Lessons (Practical Magic #0.1))
I want to know everything he does, the horrible and the intensely pleasurable. He pushes himself right up against life, absorbs it into his skin. He must feel right to the marrow of his bones.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
I ate sugared plums with a fork of sparrow bones; the marrow left salt in the fruit and the strange, thick taste of a thing once alive in all that sugar. When I asked my father why I should taste these bones along with the sweetness of the candied plums, he told me very seriously that I must always remember that sugar was once alive.
Catherynne M. Valente
Sofia knocked. Anne Edwards, white hair pulled into a messy bun, flour up to her elbows, answered the door. “Oh, no!” she cried. “Not just brilliant but good bones as well. I do hope you have a terrible personality, dear,” Anne Edwards declared. “Otherwise, I shall lose faith in a just God.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
She was a scrawny creature, nothing but skin and bone, with the head of a sparrow and the hands of a squirrel.
Maryla Szymiczkowa (Mrs. Mohr Goes Missing (Zofia Turbotynska Mystery #1))
Hear my prayer O Lord and let my cry come unto thee. Hide not thy face from me in the day when I am in trouble; incline thine ear unto me; in the day when I call answer me speedily. For my days are consumed like smoke and my bones are burned as an hearth. My heart is smitten and withered like grass, so that I forget to eat my bread... I am like a pelican of the wilderness; I am like an owl of the desert. I watch, and am as a sparrow alone upon the house top.
Psalm 102
Papa my pine whistler sparrow-eyed sun misser Papa my pine whistler sparrow-eyed moon blisser Mama my jaw clincher spirit mouthed ghost dancer Mama my vein braider thousand year bone burner Mama my tongue twister thousand pronged antlers Mama my tongue twister thousand pronged antlers Mama my vein braider thousand pronged antlers, antlers And oh her wild eyes, oh her wild eyes
Mariee Sioux
She’s still a sparrow of a woman. Hollow-boned and fragile. Easily broken. He wonders how long it will take for her to realize that the thing that makes her weak is the same that will allow her to fly.
R. Raeta (Peaches and Honey: These Immortal Truths (The Peaches and Honey Duology Book 1))
I liked when Crowley was living with Allan Bennett and keeping a human skeleton in the front room, to which they would try to restore human life by using toothbrushes to “feed” its bones a viscous mess of blood and sparrow meat.
Kevin Killian (Selected Amazon Reviews (Semiotext(e) / Native Agents))
Murderers are not monsters, they’re men. And that’s the most frightening thing about them.—Alice Sebold, The Lovely Bones
Rachel Rear (Catch the Sparrow: A Search for a Sister and the Truth of her Murder)