Bond Girl Quotes

We've searched our database for all the quotes and captions related to Bond Girl. Here they are! All 100 of them:

Most little girls in England grow up wanting to marry a prince. Bex grew up wanting to kick James Bond's butt and assume his double-0 ranking.
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
I don't feel the need to explain my actions to her. I don't clarify, I don't doubt, I don't worry. I don't tell her everything, not anymore, but I tell her more than anyone else, by far. I tell her as much as I can.
Gillian Flynn (Gone Girl)
The giant, once well buried, now stirs. When soon he rises, as surely he will, the friendly bonds between us will prove as knots young girls make with the stems of small flowers.
Kazuo Ishiguro (The Buried Giant)
I realize that they giggle and I actually laugh, that they show their cleavage and I have none to show, but just so you know, I am also a girl. I'm one of the three wise MEN. And it's gay to think that James Bond is hot.
John Green
I think some girls get so caught up in the wedding part that they forget about the marriage part, and they end up bonded for life to the wrong person. It's not the wedding part that matters.
Wendy Wunder (The Probability of Miracles)
Before a man's forty, girls cost nothing. After that you have to pay money, or tell a story. Of the two, it's the story that hurts most. Anyway I'm not forty yet.
Ian Fleming (Diamonds Are Forever (James Bond, #4))
There are no bonds so strong as those which are formed by suffering together.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Maybe that was the root of my dislike for her: she had what I wanted, which earned her my jealousy, and since I was ashamed of myself for wanting it, my scorn, as well.
Nenia Campbell (Bleeds My Desire (Blood Bonds, #1))
It was her last breakfast with Bapi, her last morning in Greece. In her frenetic bliss that kept her up till dawn, she’d scripted a whole conversation in Greek for her and Bapi to have as their grand finale of the summer. Now she looked at him contentedly munching on his Rice Krispies, waiting for the right juncture for launchtime. He looked up at her briefly and smiled, and she realized something important. This was how they both liked it. Though most people felt bonded by conversation, Lena and Bapi were two of a kind who didn’t. They bonded by the routine of just eating cereal together. She promptly forgot her script and went back to her cereal. At one point, when she was down to just milk, Bapi reached over and put his hand on hers. ‘You’re my girl,’ he said. And Lena knew she was.
Ann Brashares (The Sisterhood of the Traveling Pants (Sisterhood, #1))
I don’t drink tea. I hate it. It’s mud. Moreover it’s one of the main reasons for the downfall of the British Empire. Be a good girl and make me some coffee.
Ian Fleming (Goldfinger (James Bond, #7))
I hate it when people add “woman” to make an achievement seem smaller than it is. She was one of the best wire walkers ever. Period.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
Dude. Every mom is the most annoying human in the universe, but most of them, besides the super-abusive genuinely bad ones, are in your corner.
Mary H.K. Choi (Emergency Contact)
Oh, my girl likes that? You want me to kill everyone who dares to look at you? I will. I'm not a good man, not like the rest of your Bonds. I'm good for you, and fuck the rest of them. If you want blood, Sweetness, I'll give it to you. I'll give you whatever you want.
J. Bree (Savage Bonds (The Bonds That Tie, #2))
Fathers and daughters have a special bond. She is always daddy's little girl.
Richard L. Ratliff
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Art, literature, and philosophy are attempts to found the world anew on a human freedom: that of the creator; to foster such an aim, one must first unequivocally posit oneself as a freedom. The restrictions that education and custom impose on a woman limit her grasp of the universe...Indeed, for one to become a creator, it is not enough to be cultivated, that is, to make going to shows and meeting people part of one's life; culture must be apprehended through the free movement of a transcendence; the spirit with all its riches must project itself in an empty sky that is its to fill; but if a thousand fine bonds tie it to the earth, its surge is broken. The girl today can certainly go out alone, stroll in the Tuileries; but I have already said how hostile the street is: eyes everywhere, hands waiting: if she wanders absentmindedly, her thoughts elsewhere, if she lights a cigarette in a cafe, if she goes to the cinema alone, an unpleasant incident can quickly occur; she must inspire respect by the way she dresses and behaves: this concern rivets her to the ground and self. "Her wings are clipped." At eighteen, T.E. Lawrence went on a grand tour through France by bicycle; a young girl would never be permitted to take on such an adventure...Yet such experiences have an inestimable impact: this is how an individual in the headiness of freedom and discovery learns to look at the entire world as his fief...[The girl] may feel alone within the world: she never stands up in front of it, unique and sovereign.
Simone de Beauvoir (The Second Sex)
I thought about the difference between a mama's girl and a daddy's girl. I decided that a daughter who belongs to her daddy expects gifts, while a daughter who belongs to her mama expects a lot more. Not from her mama. From herself.
Victoria Bond (Zora and Me (Zora and Me, #1))
There is only one princess in the Disney tales, one girl who gets to be exalted. Princesses may confide in a sympathetic mouse or teacup, but they do not have girlfriends. God forbid Snow White should give Sleeping Beauty a little support. Let's review: princesses avoid female bonding. Their goals are to be saved by a prince, get married, and be taken care of the rest of their lives.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
The protagonist, Amanda, discusses her sex relationship with her husband, John Paul -- As long as it's done with honesty and grace, John Paul doesn't mind if I go to bed with other men. Or with other girls, as is sometimes my fancy. What has marriage got to do with it? Marriage is not a synonym for monogamy any more than monogamy is a synonym for ideal love. To live lightly on the earth, lovers and families must be more flexible and relaxed. The ritual of sex releases its magic inside or outside the marital bond. I approach that ritual with as much humility as possible and perform it whenever it seems appropriate. As for John Paul and me, a strange spurt of semen is not going to wash our love away.
Tom Robbins (Another Roadside Attraction)
Alec licked his spoon, then set it on the table and popped his drink open. "Okay, I may be breaking some kind of girl bonding rule or something, but can I offer you a guy's perspective on this?" I frowned, my spoon halfway to my mouth. "Is this gonna make me want to hit you?" He shrugged. "Maybe. But it's the truth. Here goes: kissing back is an instinct. Unless the girl smells like a sewer or has tentacles feeling you up independently, a guy's first instinct is to kiss back. That's how it works. What's important is how long that kissing back lasted. So...how long?
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
What are you, a James Bond villain?” I said. “The least-hot Bond girl ever? Pussy NoMore?
A.J. Aalto (Touched (The Marnie Baranuik Files #1))
If any of us had heard the word "feminist" we would have thought it meant a girl who wore too much makeup, but we were, without knowing it, feminists ourselves, bound together by the freemasonry that exists among intelligent women who know they are intelligent. It is the only kind of female bonding that works, which is why most men do not like intelligent women. They don't mind one female brain if they can enjoy it privately; it's the idea of two or more on the loose that upsets them. The girls in the college-bound group might not have been friends in every case--Sharon Cohen and I gave each other willies--but our instincts told us that we had the same enemies.
Florence King (Confessions of a Failed Southern Lady: A Memoir)
But as they grew closer and closer, Sophie had opened Agatha's wings to a love so strong she thought it would last forever. It was she and Sophie against the world. But on that first day of school, watching Sophie with a prince, Agatha realized how blind she'd been. The bond between two girls, no matter how fierce or loyal, changed once a boy came between them.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
When we got to the marina we saw this beautiful boat named Tara waiting for us. Fredo, Carin, Ryan, Dan, Kenny, Allison, my mom, and me were all together to enjoy that extraordinary day. As the boat pulled away from the city, its skyline vanished into the horizon. The captain took us to this area where we sailed through caves and lush hilly landscapes. All of a sudden, the captain pushed the throttle all the way down and we started bombing across the water like we were in a James Bond movie. Everyone's hair was blowing all over the place, especially the girls'. Of course, mine was perfect (ha,ha), but theirs ended up looking like the worst case of bed head I've seen! It was so funny.
Justin Bieber (Justin Bieber: Just Getting Started)
Sisters share a bond that no one can explain. They understand each other in a way not even girl friends can approach. Secrets, heartbreaks, codes, history, delights, and sheer happiness can be shared in a simple glance between sisters. Many have attempted to decipher the language between sisters, and many have failed. sisters everywhere understand the importance of the bond and respect the relationship in other sisters. There is nothing more prized to a women than the secrets she shares with her sisters.
Juli Caldwell (Beyond Perfection)
When I said I absolve you, that wasn't meant as a suicide suggestion. For the moment, we're still bonded." "Only partially." "Great, then I can partially kick your ass.
Cecily White (Prophecy Girl (Angel Academy, #1))
O, you happy free women, contrast your New Year's day with that of the poor bond-woman! With you it is a pleasant season, and the light of the day is blessed.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl, Written by Herself)
There is something quiet and warm about this tiny, temporary bond between the girl and the dog. What must it feel like to harness joy and love, instead of fear and hate? What kind of light does that cast?
Marie Lu (The Rose Society (The Young Elites, #2))
The boy and the girl had both known loss, and their grief did not leave them. Sometimes he would find her standing by a window, fingers playing in the beams of sunlight that streamed through the glass, or sitting on the front steps of the orphanage, staring at the stump of the oak next to the drive. Then he would go to her, draw her close, and lead her to the shores of Trivka's pond, where the insects buzzed and the grass grew high and sweet, where old wounds might be forgotten. She saw sadness in the boy too. Though the woods still welcomed him, he was separate from them now, the bond born into his bones burned away in the same moment that he'd given up his life for her.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I’m just a woman in the shadows, holding on to secrets so tightly I don’t know if there’ll be anything left, now that I’ve let them go.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
Losing Jaxon was terrible, but our relationship was struggling before our bond was broken, if I’m being honest. Struggling between the girl he fell in love with and the girl I wanted to become. We hadn’t known each other before we were mated, and there’s a part of me that knows deep down, part of the reason I loved Jaxon with all my heart was because he loved me back just as much. We needed each other. We were both in pain, and we filled an emptiness we didn’t know how to fill on our own.
Tracy Wolff (Covet (Crave, #3))
You throw caution to the wind, it may blow you away.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
Something tells me you were never a Girl Scout.
Gwenda Bond (Double Down (Lois Lane, #2))
Joe Spork opens the door. The man departs. Joe turns to Polly to say something about how they’re obviously not going to Portsmouth, and finds an oyster knife balanced on his cheek, just under his eye. “Can we be very clear,” Polly Cradle murmurs, “that I am not your booby sidekick or your Bond girl? That I am an independent supervillain in my own right?” Joe swallows. “Yes, we can,” he says carefully. “There will therefore be no more ‘Say hello, Polly’?” “There will not.
Nick Harkaway (Angelmaker)
I dunno." She sat on the bench and hugged the robe like a pillow. "I still think that Brett guy is cute." "Good luck getting him away from Bekka." Cleo gathered her silky black hair into a high pony and pink-dabbed Smith's Rosebud Salve on her lips. "She's got more grip than Crazy Glue." "More cling than Saran Wrap," Lala added. "More hold than Final Net." Cleo giggled. "More possession than The Exorcist," Lala managed. "More clench than butt cheeks," Blue chimed in. "More competition than American Idol," Frankie stuck out her chest and showed them her diva booty roll. The girls burst out laughing. "Nice!" Blue lifted her purple gloved hand. Frankie slapped it without a single spark. "I hate to be a downer..." Claudine shuffled back into the conversation wearing her slippers and robe. "But that girl will destroy you if she catches you with Brett." "I'm not worried," Frankie tossed her hair back. "I've seen all the teen movies, and the nice girl gets the boy in the end.
Lisi Harrison (Monster High (Monster High, #1))
Performers are never more unpredictable than when they’re full of adrenaline and failure.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
The little girl's dependency on her father made [his] abuse more insidious.
Joan Frances Casey (The Flock: The Autobiography of a Multiple Personality)
Being bold and being stupid aren’t the same. They’re as different as falling and flying.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
Besides, every girl, witch or not, dreamed of becoming a princess. Not with crowns and gowns, but princess of the heart of someone she loved, and who loved her in return.
Casey L. Bond (When Wishes Bleed (When Wishes Bleed, #1))
I have said this before, but it bears repeating: Women are not defined by who we are in relationship to. We are valuable and powerful and entertaining because we are.
Beverly Bond (Black Girls Rock!: Owning Our Magic. Rocking Our Truth.)
On my left, power without fathom in the fragile body of a boy. On my right, a nightmare of a girl who should be ruling these streets. And in the middle, there’s me.
Emily Skrutskie (Bonds of Brass (The Bloodright Trilogy, #1))
Bond is now the Bond Girl of the opening credits. It’s his silhouette we see – and nary a dancing naked babe in sight. Perhaps to compensate for this, in the actual film he gets his tits out a lot. He emerges from the sea glistening, showing off his pumped boobs, like Ursula Andress in ‘Dr No’ — save his nipples are more prominent. Bond has finally become his own Bond Girl.
Mark Simpson (Metrosexy)
Family is not just about who you appear to belong to, or what it says on your birth certificate, or who you look like, or even what they’d find if they studied your DNA. Family is found anywhere you are loved and cared for. That might mean friends or foster parents, a group or even a charity. What matters far more — so much more than chemistry or ancestry — is that precious bond, that reassurance that they won’t let you down.
Marina Chapman (The Girl With No Name: The Incredible True Story of a Child Raised by Monkeys)
Aidan pulled against his bonds. “They keep talking to him in a whole bunch of languages. A lot of French. Something about the Thorn of Istra. I think he’s in trouble.” “Are you?” Tana asked. “Not exactly,” said Gavriel.
Holly Black (The Coldest Girl in Coldtown)
...she speaks words so powerful the wind etches them inside the atmosphere for women to remember through history. 'I exist. Outside of being a mother, a wife, a sister, a daughter, I exist. I exist as a human first, as a being that experiences joy and suffering, beauty and learning, life and tragedy. I exist because the universe chose to put me here for a purpose higher than my relation to men. I exist because a wise old woman gave me a gift and now magic runs through my veins. So the problem is not my existence as half dragon, half girl/ The problem is how you perceive it as so small, you do not believe I can exist at all apart from through my bonds with men.
Nikita Gill
Bond came to the conclusion that Tilly Masterton was one of those girls whose hormones had got mixed up. He knew the type well and thought they and their male counterparts were a direct consequence of giving votes to women and 'sex equality.' As a result of fifty years of emancipation, feminine qualities were dying out or being transferred to the males. Pansies of both sexes were everywhere, not yet completely homosexual, but confused, not knowing what they were. The result was a herd of unhappy sexual misfits--barren and full of frustrations, the women wanting to dominate and the men to be nannied. He was sorry for them, but he had no time for them.
Ian Fleming (Goldfinger (James Bond, #7))
Sometimes the truth doesn’t set you free, Jules. Sometimes it cages you.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
There are some things none of us can control, some consequences that must be faced.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
I would never trust anyone who didn’t get at least a little nervous on the cusp of doing something important to them in front of other people.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
Fears are what cause falls.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
Girls can fight with swords, too. Sometimes, even better than men can. They just have to want it badly enough that they're willing to work harder at it.
Nenia Campbell (Bleeds My Desire (Blood Bonds, #1))
The impulse pumping through my body was to take ahold of her again and ease her head onto my chest. Well no, my actual impulse was to tear off her purple bra with my teeth and prove she was plenty Bond girl for me. But I sensed that might be a slight overkill…
Ophelia London (Crossing Abby Road (Abby Road #2))
Please, I'm your friend -- inside that tough-girl shell is a really tough girl. But you're motivated by how much you care. Being part of Team Lois, it's an honor. There's nothing you wouldn't do for any of us.
Gwenda Bond (Triple Threat (Lois Lane, #3))
We were sisters. Two girls who shared pieces of each other, tied together by an unspoken bond, a warm feeling of attachment, that no amount of bickering could easily sever. We were sisters. Comrades born from the same womb.
June Hur (A Crane Among Wolves)
Some couples--most couples--waited years and years before they developed the ability to read or to feel each other so well. Then there were those very few who touched each other so deeply, so perfectly that first time that the bond was almost immediate.
Lora Leigh (Nauti Temptress (Nauti, #6; Nauti Girls, #1))
I hate it when people add “woman” to make an achievement seem smaller than it is.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
I was an upside-down rose, a suspended drop of blood, a floating ballerina. I was alone on the wire. I was whatever I felt like being.
Gwenda Bond (Girl on a Wire (Cirque American, #1))
Bonding over hatred Becoming a mean girl Won’t help you to win It’s just another stupid sin
Aida Mandic (A Maniac Did)
All I ever wanted from Sterling was commitment. House, kids, ring. I was that chick. Instead, I fell for a walking dead guy who was engaged to a walking dead girl.
Leia Stone (The Dark Bond (Vampire Hunter Society, #2))
But here we are, bonded by our mistakes. Bonded by something dark.
Chelsea Ichaso (Dead Girls Can't Tell Secrets)
Sadness at that age had the pleasing texture of imprisonment: you reared and sulked against the bonds of parents and school and age, things that kept you from the certain happiness that awaited. When I was a sophomore in college, I had a boyfriend who spoke breathlessly of running away to Mexico - it didn't occur to me that we could no longer run away from home.
Emma Cline (The Girls)
Joanna. Remember Joanna. Francie could never forget her. From that time on, remembering the stoning women, she hated women. She feared them for their devious ways, she mistrusted their instincts. She began to hate them for this disloyalty and their cruelty toward each other. Of all the stone-throwers, not one had dared to speak a word for the girl for fear that she would be tarred with Joanna's brush...Most women had one thing in common: they had great pain when they gave birth to their children. This should make a bond that held them together; it should make them love and protect each other against the man-world. But it was not so.
Betty Smith
They had a table near the rail round the huge floor. Bond was spellbound. He found many of the girls very beautiful. The music hammered its way into his pulse until he almost forgot what he was there for.
Ian Fleming
WHICH FAKE ROM-COM LADY CAREER SHOULD YOU PURSUE? ...Think Bond girl—you’re incredibly smart in the one specific area that just so happens to help the protagonist in this one very specific instant of the plot. “Give me that,” you’ll say, snatching the hieroglyph from the hero’s hand. “I have two PhDs in cryptozoological translation.” You’ll shove the hero aside from the beeping machine. “I’m NASA’s top-ranking expert in nuclear disarmament techniques.” Does it make sense? No, but who cares? You are very, very pretty. And smart, definitely smart because even though you look like a supermodel and wear very sexy clothing and a full face of makeup, you are also wearing glasses. Sure, twenty-four looks a little young to have three PhDs but they’re pretty sure making you smart in whatever will move the plot forward means this movie is feminist. You will either end up running away with the hero, or you will die. Apologies.
Dana Schwartz (Choose Your Own Disaster)
Sor-ry,” said Cassie, rolling her eyes and grinning at Damien. He grinned back, bonding away. I was taking a vague, unjustifiable dislike to Damien. I could see exactly why Hunt had assigned him to give the site tours—he was a PR dream, all blue eyes and diffidence—but I have never liked adorable, helpless men. I suppose it’s the same reaction Cassie has to those baby-voiced, easily impressed girls whom men always want to protect: a mixture of distaste, cynicism and envy.
Tana French (In the Woods (Dublin Murder Squad, #1))
In the book The Fantasy Bond, Robert Firestone explains that children need to believe their parents are good, that everything is well and loving, because if they see the truth, they will crumble in the face of reality. It’s odd my mother would say something that profound because of a CoverGirl blush. Even now, it embarrasses me to think about—that she nailed me so hard.
Chloé Caldwell (I'll Tell You in Person)
I think the time that I knew that I was capable of all the things that I disliked the most in other people was, oddly enough, one of the most joyful moments: when our first child was born. And I just felt this love for this beautiful little girl who was so fragile and so vulnerable. Some point around that week, I started to understand why wars were fought. I started to understand why people were capable of cruelty in order to protect themselves and their own. And I was very humbled to realise that.
Michka Assayas (Bono: In Conversation with Michka Assayas)
I really want to believe that when our Quiet Waters kids wake up in the middle of the night, scared, they’ll remember being in their bunks with John and Kate and Whit and me right there protecting them,” he said. “I hope we gave them that sense of belonging because I know there’ll be times in their lives when grasping at those bonds could mean the difference between making it and not.
Laura Anderson Kurk (Perfect Glass)
Girls and women, in their new, particular unfolding, will only in passing imitate men's behavior and misbehavior and follow in male professions. Once the uncertainty of such transitions is over it will emerge that women have only passed through the spectrum and the variety of those (often laughable) disguises in order to purify their truest natures from the distorting influences of the other sex. Women, in whom life abides and dwells more immediately, more fruitfully and more trustingly, are bound to have ripened more thoroughly, become more human human beings, than a man, who is all too light and has not been pulled down beneath the surface of life by the weight of a bodily fruit and who, in his arrogance and impatience, undervalues what he thinks he loves. This humanity which inhabits woman, brought to term in pain and humiliation, will, once she has shrugged off the conventions of mere femininity through the transformations of her outward status, come clearly to light, and men, who today do not yet feel it approaching, will be taken by surprise and struck down by it. One day (there are already reliable signs which speak for it and which begin to spread their light, especially in the northern countries), one day there will be girls and women whose name will no longer just signify the opposite of the male but something in their own right, something which does not make one think of any supplement or limit but only of life and existence: the female human being. This step forward (at first right against the will of the men who are left behind) will transform the experience of love, which is now full of error, alter its root and branch, reshape it into a relation between two human beings and no longer between man and woman. And this more human form of love (which will be performed in infinitely gentle and considerate fashion, true and clear in its creating of bonds and dissolving of them) will resemble the one we are struggling and toiling to prepare the way for, the love that consists in two solitudes protecting, defining and welcoming one another.
Rainer Maria Rilke (Letters to a Young Poet)
Damn you, Anaxantis. You and your brother were supposed to sit on your princely asses, organize the occasional banquet, use your high sounding titles to ravish the local girls, or boys, or sheep, whatever takes your fancy for all I care, and leave serious matters to your elders.
Andrew Ashling (The Invisible Chains - Part 2: Bonds of Fear (Dark Tales of Randamor the Recluse, #2))
I see a time when the farmer will not need to live in a lonely cabin on a lonely farm. I see the farmers coming together in groups. I see them with time to read, and time to visit with their fellows. I see them enjoying lectures in beautiful halls, erected in every village. I see them gather like the Saxons of old upon the green at evening to sing and dance. I see cities rising near them with schools, and churches, and concert halls, and theaters. I see a day when the farmer will no longer be a drudge and his wife a bond slave, but happy men and women who will go singing to their pleasant tasks upon their fruitful farms. When the boys and girls will not go west nor to the city; when life will be worth living. In that day the moon will be brighter and the stars more glad, and pleasure and poetry and love of life come back to the man who tills the soil.
Hamlin Garland (A Spoil Of Office: A Story Of The Modern West (1897))
Inside the church, the bondsmaids were walking slowly down the aisle, with the little petal girls. Trinity turned to give Mimi her last words of motherly advice: 'Walk straight. Don't slouch. And for heavens's sake, smile! It's your bonding!?' Then she too walked through the door and down the aisle. The door shut behind her, leaving Mimi alone. Finally, Mimi heard the orchestra play the first strains of the 'Wedding March.' Wagner. Then the ushers opened the doors and Mimi moved to the threshold. There was an appreciative gasp from the crowd as they took in the sight of Mimi in her fantastic dress. But instead of acknowledging her triumph as New York?s most beautiful bride, Mimi looked straight ahead, at Jack, who was standing so tall and straight at the altar. He met her eyes and did not smile. 'Let's just get this over with.' His words were like an ice pick to the heart. He doesn't love me. He has never loved me. Not the way he loves Schuyler. Not the way he loved Allegra. He has come to every bonding with this darkness. With this regret and hesitation, doubt and despair. She couldn't deny it. She knew her twin, and she knew what he was feeling, and it wasn't joy or even relief. What am I doing? "Ready" Forsyth Llewellyn suddenly appeared by her side. Oh, right, she remembered, she had said yes when Forsyth had offered to walk her down the aisle. Here goes nothing. As if in a daze, Mimi took his arm, Jack's words still echoing in her head. She walked, zombie-like, down the aisle, not even noticing the flashing cameras or the murmurs of approval from the hard-to-impress crowd.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
Sometimes, sitting in the park with my boys, I imagine myself back at Ebbets Field, a young girl once more in the presence of my father, watching the players of my youth on the grassy fields below—Jackie Robinson, Duke Snider, Roy Campanella, Gil Hodges. There is magic in these moments, for when I open my eyes and see my sons in the place where my father once sat, I feel an invisible bond among our three generations, an anchor of loyalty and love linking my sons to the grandfather whose face they have never seen but whose person they have come to know through this most timeless of sports.
Doris Kearns Goodwin (Wait Till Next Year)
I say Bertie old man I am in love at last. She is the most wonderful girl Bertie old man. This is the real thing at last Bertie. Come here at once and bring Jeeves. Oh I say you know that tobacco shop in Bond Street on the left side as you go up. Will you get me a hundred of their special cigarettes and send them to me here. I have run out. I know when you see her you will think she is the most wonderful girl. Mind you bring Jeeves. Don't forget the cigarettes. - Bingo.
P.G. Wodehouse
I am going to untie your feet first,” Dimitri told the girl, “but if you try to run, I will kill you.” “Do you have a gun?” she asked, trying to sit up as far as her bonds would let her. “I don’t need a gun to kill you, my pet,” Dimitri said and laughed, a low, rich sound. “I can do it with my hands if need be. But there won’t be any need if you behave yourself, do you understand?” She nodded her head and emitted a small whimper. “Say yes or no so we’re on the same page,” he said again. “Yes, I understand,” she whispered. He grabbed her throat and squeezed until she coughed and whined at the pain. “I told you to say yes or no. There is no reason to get fancy, do you understand?” He released her and let her take a few deep breaths before she replied, “Yes.” in a broken voice.
Jaden Wilkes (The Beast (The Beast, #1))
Weddings are friendship deal breakers if the friendship is weak. There are too many favors, too many tasks, too much required devotion and Aqua Net for imposters like me. I tried to make eye contact with Francine, to give her a knowing good-bye smile like a ghost of a loved one in a movie. It was no usue, I decided to cut my final pink wire. There would be no more yearly "happy birthdays" and certainly no more bonding with the girl in the duct tape dress. That ship had sailed.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
If you wish to examine me to determine the sex of the child, you may do so.” Her chin lifted. “But as you wish me to accept yourself, for your predatory nature, you must accept me as I am. My heart and soul may be Carpathian, but my mind is human. I will not be put on a shelf somewhere because you or my husband deems it necessary. Human women moved out of the dark ages a long time ago. My place is with Mikhail, and I must make my own decisions. If you feel the need to add your protection to Mikhail’s I will be most grateful.” There was a long silence, and the red glow faded slowly from the slashing silver eyes. Gregori shook his head slowly, with infinite weariness. This woman was so different from his kind. Reckless. Compassionate. Unaware of every taboo she broke. His hand went to her stomach, fingers splayed. He focused, aimed, sent himself out of his body. His breath caught in his throat, and his heart seemed to melt. Deliberately he moved to surround the tiny being, merging his light and will for a heartbeat of time. He was taking no chances. This was his lifemate; he would ensure it with every means at his disposal, from the blood bonding to mental sharing. No one was as powerful as he. This female child was his and his alone. He could hang on until she came of age. “We did it, didn’t we?” Raven said softly, bringing Gregori back to his body. “She’s a girl.” Gregori stepped away from Raven, holding on to his composure with his great strength of will.
Christine Feehan (Dark Desire (Dark, #2))
Ireland is still what novelist Edna O'Brien calls a "pagan place." But that paganism does not conflict with a devout Catholicism that embraces and absorbs it, in a way that can seem mysterious, even heretical, elsewhere. In Ireland, Christianity arrived without lions and gladiators, survived without autos-da-fe and Inquisitions. The old ways were seamlessly bonded to the new, so that ancient rituals continued, ancient divinities became saints, ancient holy sites were maintained just as they had been for generations and generations.
Patricia Monaghan (The Red-Haired Girl from the Bog: The Landscape of Celtic Myth and Spirit)
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
James Joyce (Ulysses)
Dear Mr. Duke, As requested, here is an inventory of the animals in my care: *Bixby, a two-legged terrier. *Marigold, a nanny goat of unimpeachable character, who is definitely not breeding. *Angus, a three-year-old Highland steer. *Regan, Goneril, and Cordelia- laying hens. *Delilah, a parrot. *Hubert, an otter. *Freya, a hedgehog. *Thirteen kittens of varying colors and dispositions. Gabe leafed through the report in disbelief. It went on for pages. She'd given not only the names, breeds, and ages of every misbegotten creature, but she'd appended a chart of temperaments, sleeping schedules, preferred bedding, and a list of dietary requirements that would beggar a moderately successful tradesman. Along with the expected hay, alfalfa, corn, and seed, the animals required several pounds of mince weekly, daily pints of fresh cream, and an ungodly number of sardines. The steer and thee goat, she insisted, must go to the same loving home. Apparently they were tightly bonded, whatever that meant, and refused to eat of parted. The laying hens did not actually lay with any regularity. Their previous owners had grown frustrated with this paltry production, and thus they had come into Her Ladyship's care. And the lucky bastard who accepted a ten-year-old hedgehog? Well, he must not only provide a steady supply of mealworms, but remain ever mindful of certain "traumatic experiences in her youth.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
If she had already yielded, if she had already swallowed that insult, her bond with Stefano must truly be strong. She loved him, she loved him like the girls in the photonovels. For her whole life she would sacrifice to him every quality of her own, and he wouldn't even be aware of the sacrifice, he would be surrounded by the wealth of feeling, intelligence, imagination that were hers, without knowing what to do with them, he would ruin them.
Elena Ferrante (The Story of a New Name)
The “Curriculum of Family” is at the heart of any good life. We’ve gotten away from that curriculum — it’s time to return to it. The way to sanity in education is for our schools to take the lead in releasing the stranglehold of institutions on family life, to promote during schooltime confluences of parent and child that will strengthen family bonds. That was my real purpose in sending the girl and her mother down the Jersey coast to meet the police chief.
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
You see what I am driving at. The mentally handicapped do not have a consciousness of power. Because of this perhaps their capacity for love is more immediate, lively and developed than that of other men. They cannot be men of ambition and action in society and so develop a capacity for friendship rather than for efficiency. They are indeed weak and easily influenced, because they confidently give themselves to others; they are simple certainly, but often with a very attractive simplicity. Their first reaction is often one of welcome and not of rejection or criticism. Full of trust, they commit themselves deeply. Who amongst us has not been moved when met by the warm welcome of our boys and girls, by their smiles, their confidence and their outstretched arms. Free from the bonds of conventional society, and of ambition, they are free, not with the ambitious freedom of reason, but with an interior freedom, that of friendship. Who has not been struck by the rightness of their judgments upon the goodness or evil of men, by their profound intuition on certain human truths, by the truth and simplicity of their nature which seeks not so much to appear to be, as to be. Living in a society where simplicity has been submerged by criticism and sometimes by hypocrisy, is it not comforting to find people who can be aware, who can marvel? Their open natures are made for communion and love.
Jean Vanier (Eruption to Hope)
I think if you wanted a peaceful marriage and orderly household, you should have proposed to any one of the well-bred simpletons who've been dangled in front of you for years. Ivo's right: Pandora is a different kind of girl. Strange and marvelous. I wouldn't dare predict-" She broke off as she saw him staring at Pandora's distant form. "Lunkhead, you're not even listening. You've already decided to marry her, and damn the consequences." "It wasn't even a decision," Gabriel said, baffled and surly. "I can't think of one good reason to justify why I want her so bloody badly." Phoebe smiled, gazing toward the water. "Have I ever told you what Henry said when he proposed, even knowing how little time we would have together? 'Marriage is far too important a matter to be decided with reason.' He was right, of course." Gabriel took up a handful of warm, dry sand and let it sift through his fingers. "The Ravenels will sooner weather a scandal than force her to marry. And as you probably overheard, she objects not only to me, but the institution of marriage itself." "How could anyone resist you?" Phoebe asked, half-mocking, half-sincere. He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position... to her, they're all detractions. Somehow I have to convince her to marry me despite those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them." "Oh, my dear..." Phoebe said tenderly. "You're the brother who taught Raphael to sail a skiff, and showed Justin how to tie his shoes. You're the man who carried Henry down to the trout stream, when he wanted to go fishing one last time." She swallowed audibly, and sighed. Digging her heels into the sand, she pushed them forward, creating a pair of trenches. "Shall I tell you what your problem is?" "Is that a question?" "Your problem," his sister continued, "is that you're too good at maintaining that façade of godlike perfection. You've always hated for anyone to see that you're a mere mortal. But you won't win this girl that way." She began to dust the sand from her hands. "Show her a few of your redeeming vices. She'll like you all the better for it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
IT IS an intoxicating moment in a love-affair when, for the first time, in a public place, in a restaurant or a theatre, the man puts his hand down and lays it on the thigh of the girl and when she slips her hand over his and presses the man’s hand against her. The two gestures say everything that can be said. All is agreed. All the pacts are signed. And there is a long minute of silence during which the blood sings. It was eleven o’clock and there was only a scattering of people left in the corners of the Veranda Grill.
Ian Fleming (Diamonds are Forever (James Bond #4))
My work is just beginning. The easy part is over—the initial capture. It will be far more challenging from this point on. I need to set the stage for her to bond with her captor -- me. I know it will take time for her to accept her fate. In the coming weeks she’ll move through predictable stages, much like the stages of grief: shock, anger, fear, even bargaining. Eventually, she’ll realize that she depends on me – requires me -- for her day-to-day, most basic needs. Then will come the final stage, a coup de grace that is to be savored and celebrated: acceptance. Her will to survive will break down her resistance and bring her walls crashing down. That’s my favorite part—the giving over of her will. I straighten the cuffs on my tailored shirt as I peer through the door’s window pane. It’s interesting to watch her as she shuffles across the floor on her knees, blindfolded—the chains on her feet and wrists impede her attempts to move about freely. Her wrists are bruised and bloodied from her attempts to free herself, her vision hampered by a blindfold. And yet she fights. My brave girl.
Suzanne Steele (Cellar Door)
This is why the concept of chosen family is woven so deeply into the fabric of queer community culture: where the bonds of blood have failed us time and again, we hope that our friends, lovers, and mentors will fill the void. We dream of relationships that stand against the test of time and gay drama, for better or worse, in sickness and in health. Shut out of the heteronormative institutions of marriage and the nuclear family for most of history, queers have traditionally turned to more daring and creative notions of kinship and sharing the future.
Kai Cheng Thom (I Hope We Choose Love: A Trans Girl's Notes from the End of the World)
I loved Cinderella, Snow White, and James Bond movies. But when I was seven or eight years old, the film that changed my life was Titanic. It amazed me that it was a story that took place a hundred years ago. Those people living in 1912 had better technology than most North Koreans! But mostly I couldn’t believe how someone could make a movie out of such a shameful love story. In North Korea, the filmmakers would have been executed. No real human stories were allowed, nothing but propaganda about the Leader. But in Titanic, the characters talked about love and humanity. I was amazed that Leonardo DiCaprio and Kate Winslet were willing to die for love, not just for the regime, as we were. The idea that people could choose their own destinies fascinated me. This pirated Hollywood movie gave me my first small taste of freedom.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant. “Mr. Kadam, wait. I don’t understand.” Dining companion? What is he talking about? Maybe he’s confused. Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.” I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell. I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.” A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry. “Ren.” He smiled. “Who else?” He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly. He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one. I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes. He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him. Nervous and impatient, I asked, “Are you finished?” “Almost.” He was now staring at my strappy shoes. “Well, hurry up!” His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.” I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.” He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.” “I was being sarcastic, Ren.” He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit. I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it. He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.” I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.” “Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.” He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
Morozko halted and faced the horse, narrow-eyed. I am not blind, continued the mare. Even to things that go on two feet. You made that jewel so that you would not fade. But now it is doing too much. It is making you alive. It is making you want what you cannot have, and feel what you ought not to understand, and you are beguiled and afraid. Better to leave her to her fate, but you cannot. Morozko pressed his lips together. The trees sighed overhead. All at once his anger seemed to leave him. “I do not want to fade,” he said unwillingly. “But I do not want to be alive. How can a death-god be alive?” He paused, and something changed in his voice. “I could have let her die, and taken the sapphire from her and tried again, found another to remember. There are others of that bloodline.” The mare’s ears went forward and back. “I did not,” he said abruptly. “I cannot. Yet every time I go near her, the bond tightens. What immortal ever knew what it was like to number his days? Yet I can feel the hours passing when she is near.” The mare nosed again at the deep snow. Morozko resumed his pacing. Let her go, then, said the mare, quietly, from behind him. Let her find her own fate. You cannot love and be immortal. Do not let it come to that. You are not a man.
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.
Matthew Gregory Lewis (The Monk)
The way I feel about you, Jacinda...I know you feel it, too." He stares at me so starkly, so hungrily that I can only nod. Agree. Of course, I feel it. "I do," I admit. But I don't understand him. Don't get why he should feel this way about me. Why should he want me so much? What do I offer him? Why did he save me that day in the mountains? And why does he pursue me now? When no girl spiked his interest before? "Good," he says. "Then how about a date?" "A date?" I repeat, like I've never heard the word. "Yeah. A real date. Something official. You. Me. Tonight. We're long overdue." His smile deepens, revealing the deep grooves on the sides of his cheeks. "Dinner. Movie. Popcorn." "Yes." The word slips past. For a moment I forget. Forget that I'm not an ordinary girl. That he's not an ordinary boy. For the first time, I understand Tamra. And the appeal of normal. "Yes." It feels good to say it. To pretend. To drink in the sight of him and forget there's an ulterior reason I need to go out with him. A reason that's going to tear us apart forever. Stupid. Did you think you might have a future with him? Mom's right. Time to grow up. He smiles. Then he's gone. Out the door. For a second, I'm confused. Then he's at my door, opening it, helping me out. Together we walk through the parking lot. Side by side. We move only a few feet before he slips his hand around mine. As we near the front of the building, I see several kids hanging out around the flagpole. Tamra with her usual crowd. Brooklyn at the head. I try to tug my hand free. His fingers tighten on mine. I glance at him, see the resolve in his eyes. His hazel eyes glint brightly in the already too hot morning. "Coward." "Oh." The single sound escapes me. Outrage. Indignation. I stop. Turn and face him. Feel something slip, give way, and crumble loose inside me. Set free, it propels me. Standing on my tiptoes, I circle my hand around his neck and pull his face down to mine. Kiss him. Right there in front of the school. Reckless. Stupid. I stake a claim on him like I've got something to prove, like a drake standing before the pride in a bonding ceremony. But then I forget our audience. Forget everything but the dry heat of our lips. My lungs tighten, contract. I feel my skin shimmer, warm as my lungs catch. Crackling heat works its way up my chest. Not the smartest move I've ever made.
Sophie Jordan (Firelight (Firelight, #1))
That brings us to the third bond,” Elizabeth said, pointing at another set of molecules, “the hydrogen bond—the most fragile, delicate bond of all. I call this the ‘love at first sight’ bond because both parties are drawn to each other based solely on visual information: you like his smile, he likes your hair. But then you talk and discover he’s a closet Nazi and thinks women complain too much. Poof. Just like that the delicate bond is broken. That’s the hydrogen bond for you, ladies—a chemical reminder that if things seem too good to be true, they probably are.” She walked back behind the counter and, exchanging the marker for a knife, took a Paul Bunyan swing at a large yellow onion, cleaving it in two. “It’s chicken pot pie night,” she announced. “Let’s get started.” “See?” a woman in Santa Monica demanded as she turned to her sullen seventeen-year-old daughter, the girl’s eyeliner so thick, it looked as if planes could land there. “What did I tell you? Your bond with that boy is hydrogen only. When are you going to wake up and smell the ions?” “Not this again.” “You could go to college. You could be something!” “He loves me!” “He’s holding you back!” “More after this,” Elizabeth said as the cameraman indicated a commercial break.
Bonnie Garmus (Lessons in Chemistry)
The noise of the town some floors below was greatly muted. In a state of complete mental detachment, he went over the events, the circumstances and the stages of destruction in their lives. Seen in the frozen light of a restrictive past, everything seemed clear, conclusive and indisputable. Now it seemed unthinkable that a girl of seventeen shoudl be so naive; it was particularly unbelieveable that a girl of seventeen should set so much store by love. If the surveys in the magazines were to be believed, things had changed a great deal in the twenty-five years since Annabelle was a teenager. Young girls today were more sensible, more sophisticated. Nowadays they worried more about their exam results and did their best to ensure they would have a decent career. For them, going out with boys was simply a game, a distraction motivated as much by narcissism as by sexual pleasure. They later would try to make a good marriage, basing their decision on a range of social and professional criteria, as well as on shared interests and tastes. Of course, in doing this they cut themselves off from any possibility of happiness--a condition indissociable from the outdated, intensely close bonds so incompatible with the exercise of reason--but this was their attempt to escape the moral and emotional suffering which had so tortured their forebears. This hope was, unfortunately, rapidly disappointed; the passing of love's torments simply left the field clear for boredom, emptiness and an anguished wait for old age and death. The second part of Annabelle's life therefore had been much more dismal and sad than the first, of which, in the end, she had no memory at all.
Michel Houellebecq
The young girl giggled again and Jake shook his head in amazement. Not only was the U.S. dark operative cooking pancakes, but it seemed he'd won over the timid teenager in no time flat. "I've been entertaining this pretty girl with my vast repertoire of daring and heroic adventures from around the globe." Jake snorted as he opened the refrigerator and pulled out the container of orange juice. "You sound like Blackbeard the pirate. Don't believe a word he says, Alyssa. He's actually Insurance salesman and lies like a rug." "An Insurance salesman?" She narrowed her eyes at Carter as he flipped three pancackes off the electric griddle sitting on the island and onto a plate for her. "I knew you were conning me," she chastised, then rolled her eyes toward Jake. "He said he was a government spy, like James Bond." After filling a glass, Jake smirked at his friend who shrugged his shoulders and gave the girl a sad puppy-dog expression. "Who are you going to believe, me or Jake from State Farm?
Samantha A. Cole (Topping the Alpha (Trident Security, #4))
Readers acquainted with the recent literature on human sexuality will be familiar with what we call the standard narrative of human sexual evolution, hereafter shortened to the standard narrative. It goes something like this: 1. Boy Meets girl, 2. Boy and girl assess one and others mate value, from perspectives based upon their differing reproductive agendas/capacities. He looks for signs of youth, fertility, health, absence of previous sexual experience and likelihood of future sexual fidelity. In other words, his assessment is skewed toward finding a fertile, healthy young mate with many childbearing years ahead and no current children to drain his resources. She looks for signs of wealth (or at least prospects of future wealth), social status, physical health and likelihood that he will stick around to protect and provide for their children. Her guy must be willing and able to provide materially for her (especially during pregnancy and breastfeeding) and their children, known as "male parental investment". 3. Boy gets girl. Assuming they meet one and others criteria, they mate, forming a long term pair bond, "the fundamental condition of the human species" as famed author Desmond Morris put it. Once the pair bond is formed, she will be sensitive to indications that he is considering leaving, vigilant towards signs of infidelity involving intimacy with other women that would threaten her access to his resources and protection while keeping an eye out (around ovulation especially) for a quick fling with a man genetically superior to her husband. He will be sensitive to signs of her sexual infidelities which would reduce his all important paternity certainty while taking advantage of short term sexual opportunities with other women as his sperm are easily produced and plentiful. Researchers claim to have confirmed these basic patterns in studies conducted around the world over several decades. Their results seem to support the standard narrative of human sexual evolution, which appears to make a lot of sense, but they don't, and it doesn't.
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Tate won’t like it that we kept the truth from him.” “I’m resigned to that,” Cecily said half-truthfully. “He would never have turned to me, anyway, even if he knew he had mixed blood. I’ve been living on dreams too long already.” “If you go away from him, he’ll follow you,” Leta said unexpectedly. “There’s a tie, a bond, between you that can’t be broken.” “There’s Audrey,” Cecily pointed out. “Honey, there have been other Audreys,” she replied. “He never brought them home or talked about them. They were loose relationships, and not very many at all-never any who were innocent.” “Audrey’s lasted a long time.” Leta searched her eyes. “If he’s sleeping with Audrey, Cecily, why can’t he keep his hands off you?” Cecily’s heart turned over twice. “Wh…what?” “Simple question,” came the droll reply. She grinned at the younger woman’s embarrassment. “When you came in the kitchen that last time you were here, before Tate left, your mouth was swollen and you wouldn’t look straight at him. He was badly shaken. It doesn’t take a mind-reader to know what was going on in my living room. It isn’t like Tate to play games with innocent girls.” “He doesn’t think I am, anymore,” she returned curtly. “I let him think that Colby and I are…very close.” “Uh-oh.” She scowled. “Uh-oh, what?” “The only thing that’s kept him away from you this long is that he didn’t want to take advantage of you,” Leta replied. “If he thinks you’re even slightly experienced, he’ll find a reason not to hold back anymore. You’re playing a dangerous game. Your own love will be your downfall if he puts on the heat. I know. How I know!” Cecily refused to think about it. She’d put Tate out of her mind, and she was going to keep him there for the time being. “I’ll worry about that when I have to,” she said finally. “Now you dry up those tears and drink some more coffee. Then we have to plan strategy. We’re going to take down the enemy by any means possible!
Diana Palmer (Paper Rose (Hutton & Co. #2))
In some instances, even when crisis intervention has been intensive and appropriate, the mother and daughter are already so deeply estranged at the time of disclosure that the bond between them seems irreparable. In this situation, no useful purpose is served by trying to separate the mother and father and keep the daughter at home. The daughter has already been emotionally expelled from her family; removing her to protective custody is simply the concrete expression of the family reality. These are the cases which many agencies call their “tragedies.” This report of a child protective worker illustrates a case where removing the child from the home was the only reasonable course of action: Division of Family and Children’s Services received an anonymous telephone call on Sept. 14 from a man who stated that he overheard Tracy W., age 8, of [address] tell his daughter of a forced oral-genital assault, allegedly perpetrated against this child by her mother’s boyfriend, one Raymond S. Two workers visited the W. home on Sept. 17. According to their report, Mrs. W. was heavily under the influence of alcohol at the time of the visit. Mrs. W. stated immediately that she was aware why the two workers wanted to see her, because Mr. S. had “hurt her little girl.” In the course of the interview, Mrs. W. acknowledged and described how Mr. S. had forced Tracy to have relations with him. Workers then interviewed Tracy and she verified what mother had stated. According to Mrs. W., Mr. S. admitted the sexual assault, claiming that he was drunk and not accountable for his actions. Mother then stated to workers that she banished Mr. S. from her home. I had my first contact with mother and child at their home on Sept. 20 and I subsequently saw this family once a week. Mother was usually intoxicated and drinking beer when I saw her. I met Mr. S. on my second visit. Mr. S. denied having had any sexual relations with Tracy. Mother explained that she had obtained a license and planned to marry Mr. S. On my third visit, Mrs. W. was again intoxicated and drinking despite my previous request that she not drink during my visit. Mother explained that Mr. S. had taken off to another state and she never wanted to see him again. On this visit mother demanded that Tracy tell me the details of her sexual involvement with Mr. S. On my fourth visit, Mr. S. and Mrs. S. were present. Mother explained that they had been married the previous Saturday. On my fifth visit, Mr. S. was not present. During our discussion, mother commented that “Bay was not the first one who had Tracy.” After exploring this statement with mother and Tracy, it became clear that Tracy had been sexually exploited in the same manner at age six by another of Mrs. S.'s previous boyfriends. On my sixth visit, Mrs. S. stated that she could accept Tracy’s being placed with another family as long as it did not appear to Tracy that it was her mother’s decision to give her up. Mother also commented, “I wish the fuck I never had her.” It appears that Mrs. S. has had a number of other children all of whom have lived with other relatives or were in foster care for part of their lives. Tracy herself lived with a paternal aunt from birth to age five.
Judith Lewis Herman (Father-Daughter Incest (with a new Afterword))
Look, Ella..." He stared down at his hands, opening and closing his fists. I waited. I think we might have a little bit of a misunderstanding here... You're a nice girl and all,but... I really like you,but I don't really like you... The unmistakable notes of "Don't Stop Believin'," electronic version, suddenly filled my room, followed by the audible and visual treat of my phone vibrating its way across my desk toward Alex's hip. I flung myself on it. In a clear-headed moment, I would have just turned it off. As it was, I did manage a "Sorry!" to Alex before flipping it open/ "Are you dead?" Frankie demanded from the other end. "No." I edged away from Alex, who was very politely pretending to be interested in the biscotti. "Are you even sick?" "No," I admitted. "Of course not. Okay, I'm coming over." "No!" I cringed as Alex jumped a little. I took a breath. "God, no. Don't. It's wedding central here. Sienna will have you trying up birdseed in little purple pouches." There was a long pause. "You okay, Marino?" "Yeah," I managed. "Truth time.Where were you today?" Could I do it? Could I actually use the word cramps with Alex Bainbridge standing three feet away? I could only imagine how the actual truth would sound. Here, in bed, hiding because I thought I'd made the queen of all fools out of myself e-mailing Alex Bainbridge over the break, and I can't even tell you about it because I promised...But it's okay-or maybe not-because he's here now, in my bedroom. ust about to tell me I made the queen of all fools out of myself. Sure. Come on over.The two of you can bond over my idiocy.
Melissa Jensen (The Fine Art of Truth or Dare)