Bond Between Brother And Sister Quotes

Sometimes words aren't needed for you to know a change has come upon you. You can share a look with a friend that cements a deeper understanding between you, and thus a stronger bond. A touch with a sister or brother or parent that says 'I'm here, no matter what' and suddenly someone who was just a relative, a person you love, turns out to be one of your best friends.

A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?

This business I'm in is different. It's special. The people around me feel like brothers and sisters. We hardly know each other, but we're that close; somehow there's been an immediate bonding between total strangers. We share each other's triumphs, and when one of us gets hurt, we all bleed - it's corny, I know, but it's true. I've never experienced anything like this before. It's great. It turns up the heat in life.

Siblings are the only people who know each other their whole lives, and the bond between an only brother and an only sister seems especially strong.

What finally turned me back toward the older traditions of my own [Chickasaw] and other Native peoples was the inhumanity of the Western world, the places--both inside and out--where the culture's knowledge and language don't go, and the despair, even desperation, it has spawned. We live, I see now, by different stories, the Western mind and the indigenous. In the older, more mature cultures where people still live within the kinship circles of animals and human beings there is a connection with animals, not only as food, but as 'powers,' a word which can be taken to mean states of being, gifts, or capabilities. I've found, too, that the ancient intellectual traditions are not merely about belief, as some would say. Belief is not a strong enough word. They are more than that: They are part of lived experience, the on-going experience of people rooted in centuries-old knowledge that is held deep and strong, knowledge about the natural laws of Earth, from the beginning of creation, and the magnificent terrestrial intelligence still at work, an intelligence now newly called ecology by the Western science that tells us what our oldest tribal stories maintain--the human animal is a relatively new creation here; animal and plant presences were here before us; and we are truly the younger sisters and brothers of the other animal species, not quite as well developed as we thought we were. It is through our relationships with animals and plants that we maintain a way of living, a cultural ethics shaped from an ancient understanding of the world, and this is remembered in stories that are the deepest reflections of our shared lives on Earth. That we held, and still hold, treaties with the animals and plant species is a known part of tribal culture. The relationship between human people and animals is still alive and resonant in the world, the ancient tellings carried on by a constellation of stories, songs, and ceremonies, all shaped by lived knowledge of the world and its many interwoven, unending relationships. These stories and ceremonies keep open the bridge between one kind of intelligence and another, one species and another. (from her essay "First People")

Sometimes words aren’t needed for you to know a change has come upon you. You can share a look with a friend that cements a deeper understanding between you, and thus a stronger bond. A touch with a sister or brother or parent that says ‘I’m here, no matter what’ and suddenly someone who was just a relative, a person you love, turns out also to be one of your best friends.

I was eight years old when I came to Sweden, and my brother was twenty-two months. We are half siblings. We have the same mother but different fathers. In the adoption papers, I can read who Patrick’s father is, but in mine, the line for father is empty. I wonder if that means I’ll never find out who my biological father is. It feels weird to say that Patrick and I are half siblings. Maybe that’s because I didn’t know my father or Patrick’s. Because our fathers were absent, I’ve always viewed Patrick as my full brother. Maybe being adopted and getting a new mother and father also strengthened the bond between us as brother and sister. We became a family, a family defined not by blood, but by circumstances, by chance and, who knows, maybe by something inexplicable.

Where is she?' Amren snapped one more time. I couldn't bring myself to say the words. So Mor said them for me as she knelt over Azriel, both of my brothers mercifully unconscious. 'Tamlin offered passage through his lands and our heads on platters to the kings in exchange for trapping Feyre, breaking her bond, and getting to bring her back to the Spring Court. But Ianthe betrayed Tamlin- told the king where to find Feyre's sisters. So the king had Feyre's sisters brought with the queens- to prove he could make immortal. He put them in to the Cauldron. We could do nothing as they were turned. He had us by the balls.' Those quicksilver eyes shot to me. 'Rhysand.' I managed to say, 'We Were out of options, and Feyre knew it. So she pretended to free herself from the control Tamlin thought I'd kept on her mind. Pretended that she... hated us. And told him she'd go home- but only if the killing stopped. If we went free.' 'And the bond,' Amren breathed, Cassian's blood shining on her hands as she slowed its dribbling. Mor said, 'She asked the king to breath the bond. He obliged.' I thought I might be dying- thought my chest might actually be cleaved in two. 'That's impossible,' Amren said. 'That sort of bond cannot be broken.' 'The king said he could do it.' 'The king is a fool,' Amren barked. 'That sort of bond cannot be broken.' 'No, it can't,' I said. They both looked at me. I cleared my head, my shattering heart- breaking for what my mate had done, sacrificed for me and my family. For her sisters. Because she hadn't thought... hadn't thought she was essential. Even after all she had done. 'The king broke the bargain between us. Hard to do, but he couldn't tell that it wasn't the mating bond.' More started. 'Does- does Feyre know-' 'Yes,' I breathed. 'And now my mate is in my enemy's hands.

As the most perfect subject for painting I have already specified inwardly satisfied [reconciled and peaceful] love, the object of which is not a purely spiritual ‘beyond’ but is present, so that we can see love itself before us in what is loved. The supreme and unique form of this love is Mary’s love for the Christ-child, the love of the one mother who has borne the Saviour of the world and carries him in her arms. This is the most beautiful subject to which Christian art in general, and especially painting in its religious sphere, has risen. The love of God, and in particular the love of Christ who sits at’ the right hand of God, is of a purely spiritual kind. The object of this love is visible only to the eye of the soul, so that here there is strictly no question of that duality which love implies, nor is any natural bond established between the lovers or any linking them together from the start. On the other hand, any other love is accidental in the inclination of one lover for another, or,’ alternatively, the lovers, e.g. brothers and sisters or a father in his love for his children, have outside this relation other conceI1l8 with an essential claim on them. Fathers or brothers have to apply themselves to the world, to the state, business, war, or, in short, to general purposes, while sisters become wives, mothers, and so forth. But in the case of maternal love it is generally true that a mother’s love for her child is neither something accidental just a single feature in her life, but, on the contrary, it is her supreme vocation on earth, and her natural character and most sacred calling directly coincide. But while other loving mothers see and feel in their child their husband and their inmost union with him, in Mary’s relation to her child this aspect is always absent. For her feeling has nothing in common with a wife’s love for her husband; on the contrary, her relation to Joseph is more like a sister’s to a brother, while on Joseph’s side there is a secret awe of the child who is God’s and Mary’s. Thus religious love in its fullest and most intimate human form we contemplate not in the suffering and risen Christ or in his lingering amongst his friends but in the person of Mary with her womanly feeling. Her whole heart and being is human love for the child that she calls her own, and at the same time adoration, worship, and love of God with whom she feels herself at one. She is humble in God’s sight and yet has an infinite sense of being the one woman who is blessed above all other virgins. She is not self-subsistent on her own account, but is perfect only in her child, in God, but in him she is satisfied and blessed, whether. at the manger or as the Queen of Heaven, without passion or longing, without any further need, without any aim other than to have and to hold what she has. In its religious subject-matter the portrayal of this love has a wide series of events, including, for example, the Annunciation, the Visitation, the Birth, the Flight into Egypt, etc. And then there are, added to this, other subjects from the later life of Christ, i.e. the Disciples and the women who follow him and in whom the love of God becomes more or less a personal relation of love for a living and present Saviour who walks amongst them as an actual man; there is also the love of the angels who hover over the birth of Christ and many other scenes in his life, in serious worship or innocent joy. In all these subjects it is painting especially which presents the peace and full satisfaction of love. But nevertheless this peace is followed by the deepest suffering. Mary sees Christ carry his cross, she sees him suffer and die on the cross, taken down from the cross and buried, and no grief of others is so profound as hers. Mary’s grief is of a totally different kind. She is emotional, she feels the thrust of the dagger into the centre of her soul, her heart breaks, but she does not turn into stone.

These days her family, particularly her sisters, Jane and Sarah and brother Charles, are aware of the appalling problems she has endured. Jane has always given sensible advice and Sarah, from being dubious of her kid sister’s success, is now very protective. “You never criticize Diana in front of her,” notes a friend. Her relations with her mother and her father, when he was alive, are patchier. While Diana enjoys a sporadic but affectionate relationship with her mother, she was robust in her reaction to news that her second husband, Peter Shand Kydd had left her for another woman. Last summer her bond with her father went through a difficult period following publicity surrounding the secret sale of treasures from Althorp House. The children, including the Princess, had written to their father objecting to the trade in family heirlooms. There were bitter exchanges, subsequently regretted, which deeply hurt the Princess of Wales. Even the Prince of Wales intervened, voicing his concern to Raine Spencer who was typically robust in her response. Last autumn a reconciliation between father and daughter was effected. During a leisurely tour around the world the late Earl Spencer was deeply touched by the affection shown towards his youngest daughter by so many strangers. He telephoned from America to tell her just how proud of her that made him feel.

But first, please tell me your name. I really would like to know it.” “Sophia.” She looked up at him at last. “But my friends call me Sophie.” Sylvan smiled, being careful not to show his fangs this time. “I hope to someday call you that but I think I’d better stick to Sophia for now.” She sighed. “Look, I’m sorry I was nasty to you earlier. I know you’re not exactly to blame for what’s happened and you’re just doing what you do, making a genetic trade or whatever. It’s just that…my sister is my best friend and I can’t stand the thought of never seeing her again.” “You’ll still see her,” Sylvan objected. “Kindred brides are allowed to return to their home planet on most of the major holidays.” “Great, so I get to see her for Christmas and Thanksgiving? Two or three days out of the year? Thanks a lot!” Sophia leaned forward and looked at him. “Let me tell you something—Liv and I have never gone a whole day without speaking to each other in our lives. Even when we were babies my mom said we would cry and cry if you took one of us out of the room, away from the other one. And after our parents died, we got even closer. So please try to understand. I love her—she’s all I have left and I just can’t lose her like this.” Sylvan nodded gravely. “I can see your point. There is a similar bond between Baird and myself. We have the same father and we’ve saved each other’s lives many times in battle. I would be sad to only see him a few days of the year.” “So you get it.” She touched his knee lightly for emphasis and Sylvan felt his shaft harden in response. “How would you feel if I was threatening to take your brother and best friend away from you for basically the rest of his life?” she asked earnestly. “I wouldn’t like it.” Sylvan shifted uncomfortably, hoping she couldn’t see the evidence of her effect on him in his tight black uniform pants. “I guess the only way around your dilemma is for you to be claimed by a warrior yourself. Then you could see your sister every day on our ship.” “Oh…oh, no!

Sassuma’s threat to behead Sunjata also targets his mother Sogolon Kedju, his sister Sogolon Kolokon, and his half-brother Manden Bukari (or Manding Bori), son of Maghan Kon Fatta’s third wife Namanje (of legendary beauty and daughter of the “king of the Kamaras”), a marriage strengthening the alliance between the Kamaras and the Keitas. Destined to be the right hand “of some mighty king,” oralists assert Manden Bukari becomes Sunjata’s best friend, and that they form a close bond with Fran Kamara of Tabon and Kamanjan (or Nan Koman Jan) of Sibi, with whom they grow up.

Raksha Bandhan 2023: Auspicious Date and Time of Raksha Bandhan Rakhi, also known as Raksha Bandhan, is a traditional Hindu holiday that honors the protective and loving ties that exist between siblings, particularly between brothers and sisters. The event is normally celebrated on the day of the full moon in the Hindu month of Shravana, which usually falls in August. Raksha Bandhan 2023 Overview :- Festivals Name Raksha Bandhan Also Known as Rakhi, Saluno, Silono, Rakri Observed by Hindus Traditionally Type Religious Cultural Date Purnima (Full Moon) of Shrawan Holiday Type Restricted Holiday Raksha Bandhan 2023 - Auspicious Date and Time of Raksha Bandhan: Raksha Bandhan is observed on the day of the full moon in the month of Shravan, as it is every year. Raksha Bandhan is celebrated over two days this year, just like it was last year. This time, the full moon will be seen beginning at 10:59 on August 30 and continuing through 7:06 on August 31. Raksha Bandhan can be observed during the Uddhiya period, the only time frame we use for festivals, but this time, on August 30, the timing means that Bhadra cannot be avoided. On August 31, Raksha Bandhan can be honored. On August 30, at 10:59, the full moon will start, but Bhadra will not. Rakhi can only be tied with the thread after 9:03 p.m. to commemorate Raksha Bandhan. Between 5:32 and 6:32, when Bhadra is on the tail, Raksha Bandhan can be seen. If Bhadra is on Mukha, which occurs between 6:32 to 8:13, Rakhi cannot be observed. The August 31 full moon will be visible till 7:06 in the morning. Raksha Bandhan 2023 can be celebrated on August 31 if you follow Udaya Tithi. A Basis of Raksha Bandhan's Traditions and Significance may be Found Here: Tie a Rakhi: Sisters tie their brothers' wrists with a sacred thread known as a "Rakhi" on the occasion of Raksha Bandhan. This thread stands for their love, respect, and promise of security. Brothers promise to look out for and help their sisters throughout their lives in exchange for gifts or other tokens of appreciation from their sisters. Prayers and Rituals: The day starts with rituals and prayers. Before tying the Rakhi, sisters regularly do an aarti (a ritual involving a lamp) and place a tilak (a sacred mark) on their brothers' foreheads. Exchange of Gifts: Along with the Rakhi, presents are given and received as tokens of affection and respect. Sisters may receive gifts from brothers in the form of cash, garments, jewelry, or other items. Family Gathering: Families regularly get together for Raksha Bandhan. Even if they are separated by distance, siblings usually make an effort to be together and celebrate special occasions. Symbolism: The holiday represents the special and close relationship between siblings. Not only do family members participate, but also cousins and close relatives. The Rakhi thread is regarded as a representation of safety and an ongoing expression of the bond between brothers and sisters. Historical and Mythological Significance: Many historical and mythical stories are connected to the celebration. One well-known story has the queen Draupadi securing a piece of her sari to the bleeding wrist of Lord Krishna. Krishna promised to look out for her in return. The relationship between Lord Yama, the God of Death, and his sister Yamuna is the subject of another story. Yama's sister received the blessing that anyone who ties a Rakhi to him will live forever. Overall, Raksha Bandhan is a happy holiday that enhances family relationships and honors the emotional bond between siblings. It is a season of affection, respect, and support of bonds between siblings. To Learn More, Go Here

The bond between a brother and a sister is like a rainbow, it has many colors and shades. It is filled with laughter and tears, joys and sorrows, fights and hugs. Happy Raksha Bandhan to all the brothers and sisters who make each other’s life colorful.

The Protest Polka is danced not just by lovers, but by parents and children and brothers and sisters, indeed by anyone with close emotional ties to another. Sometimes it is easier for us to see ourselves performing it with our siblings or our kids than with our spouse. Is it that the vulnerability is less obvious? I ask myself why my adolescent son, sighing and dismissing my comments about his being late, sends me over the edge into critical blaming, even when we have a loving bond between us. The answer is easy. Suddenly I hear a message that vibrates with attachment meanings. He rolls his eyes at me. His tone is contemptuous. I hear that my concerns or comments do not matter to him. I am irrelevant. So I turn up the music and I criticize him. He retreats and dismisses me again. We are off. The polka music plays on. But suddenly I recognize the music. So I step to the side and invite him to look at the dance. “Wait a minute. What is happening here? We are getting caught up in a silly fight and we are both getting hurt.” This is the first step in stopping the polka: recognize the music.

who else had reason to create mistrust between a brother and sister but the one who profited, to whom we turned in solitude? Who else would so envy the bond we had then as to tell us it was not earth but heaven we were losing?