Bomb Pop Quotes

What’s the point of truth or beauty or knowledge when anthrax bombs are popping all around you?

For the first time, I was the center of attention. Everyone watched me as if I were a bomb. Would I explode and cause a disaster or would I pop and cause a miracle?

When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.

When we finally head outside to walk toward the big silver Astro van that will take us to the launch pad, it’s that moment everyone knows: flashbulbs pop in the pre-dawn darkness, the crowd cheers, we wave and smile. In the van, we can see the rocket in the distance, lit up and shining, an obelisk. In reality, of course, it’s a 4.5-megaton bomb loaded with explosive fuel, which is why everyone else is driving away from it.

The dark sky. A hundred million stars. More stars than I’ve ever seen before. My eyes let me see farther, but they don’t show me the one thing I want to see. I would trade all the stars in the universe if I could just have him back again. Wind whistles through the trees nearby. Birdsong weaves in and out of the sound. The hybrids emerge from the communication building, heads tilted to the sky. And then we see the end. Godspeed’s engine was nuclear; who knows what fueled the biological weapons. But they explode together. In space, they don’t make the familiar mushroom cloud. They don’t make the boom! of an exploding bomb. There is, against the dark sky, a brief flash of light. It is filled with colors, like a nebula or the aurora borealis, bursting like a popped bubble. Nothing else—no sound of an explosion, no tremors in the earth, no smell of smoke. Not here, on the surface of the planet. Nothing else to signify Elder’s death. Just light. And then it’s gone. And then he’s gone.

I popped the last Tylenol about three days before the bombs hit. A poem I was writing fell to pieces.

What I Will by Suheir Hammad I will not dance to your war drum. I will not lend my soul nor my bones to your war drum. I will not dance to your beating. I know that beat. It is lifeless. I know intimately that skin you are hitting. It was alive once hunted stolen stretched. I will not dance to your drummed up war. I will not pop spin break for you. I will not hate for you or even hate you. I will not kill for you. Especially I will not die for you. I will not mourn the dead with murder nor suicide. I will not side with you nor dance to bombs because everyone else is dancing. Everyone can be wrong. Life is a right not collateral or casual. I will not forget where I come from. I will craft my own drum. Gather my beloved near and our chanting will be dancing. Our humming will be drumming. I will not be played. I will not lend my name nor my rhythm to your beat. I will dance and resist and dance and persist and dance. This heartbeat is louder than death. Your war drum ain’t louder than this breath.

What's the point of truth or beauty or knowledge when anthrax bombs are popping all around you?

I once compiled a list of events that frightened her, and it was quite comprehensive: very loud snoring; low-flying aircraft; church bells; fire engines; trains; buses and lorries; thunder; shouting; large cars; most medium-sized cars; noisy small cars; burglar alarms; fireworks, especially crackers; loud radios; barking dogs; whinnying horses; nearby silent horses; cows in general; megaphones; sheep; corks coming out of sparkling wine bottles; motorcycles, even very small ones; balloons being popped; vacuum cleaners (not being used by her); things being dropped; dinner gongs; parrot houses; whoopee cushions; chiming doorbells; hammering; bombs; hooters; old-fashioned alarm clocks; pneumatic drills; and hairdryers (even those used by her).

I'm sure you're thinking, "Is she honestly trying to claim she was indoctrinated into the patriarchy due to JC (son of God) and JC (Chasez) being in cahoots to love-bomb us via Scripture and/or song, causing us to believe these unrealistic highly respectful wholesome men need to save us, thus grooming us to be deferential and 'save' ourselves for them?" Yes, yes, I am. I'm not sure it's working, but these are the things I think about in my spare time. Is this conspiracy more or less believable than blue balls? I digress.

With the same confidence and agility I recognize from dancing with him these last couple weeks, Henry perfectly executes the dance for NCT 127’s “Cherry Bomb,” popping and locking to the beat. NCT 127 is a pretty big group, and Henry somehow channels the energy of all ten members into his performance

bombs poured down from the sky exploding across trachimbrod in bursts of light and heat those watching the festivities hollered ran frantically they jumped into the bubbling splashing frantically dynamic water not after the sack of gold buy to save themselves they stayed under as long as they could they surfaced to seize air and look for loved ones my safran picked up his wife and carried her like a newlywed into the water which seemed amid the falling trees and hackling crackling explosions the safest place hundreds of bodies poured into the brod that river with my name I embraced them with open arms come to me come I wanted to save them all to save everybody from everybody the bombs rained from the sky and it was not the explosions or scattering shrapnel that would be our death not the heckling cinders not the laughing debris but all of the bodies bodies flailing and grabbing hold of one another bodies looking something to hold on to my safran lost sight of his wife who was carried deeper into me by the pull of the bodies the silent shrieks were carried in bubbles to the surface where they popped PLEASE PLEASE PLEASE PLEASE the kicking in zosha’s belly became more and more PLEASE PLEASE the baby refused to die like this PLEASE the bombs came down cackling smoldering and my safran was able to break free from the human mass and float downstream over the small falls to clearer waters zosha was pulled down PLEASE and the baby refusing to die like this was pulled up and out of her body turning the waters around her red she surfaced like a bubble to the light to oxygen to life to life WAWAWAWAWAWA she cried she was perfectly healthy and she would have lived except for the umbilical cord that pulled her back under toward her mother who was barely conscious but conscious of the cord and tried to break it with her hands and then bite it with her teeth but could not it would not be broken and she died with her perfectly healthy nameless baby in her arms she held it to her chest the crowd pulled itself into itself long after the bombing ceased the confused the frightened the desperate mass of babies children teenagers adults elderly all pulled at each other to survive but pulled each other into me drowning each other killing each other the bodies began to rise one at a time until I couldn’t be seen through all of the bodies blue skin open white eyes I was invisible under them I was the carcass they were the butterflies white eyes blue skin this is what we’ve done we’ve killed our own babies to save them

American cold war culture represented an age of anxiety. The anxiety was so severe that it sought relief in an insistent, assertive optimism. Much of American popular culture aided this quest for apathetic security. The expanding white middle class sought to escape their worries in the burgeoning consumer culture. Driving on the new highway system in gigantic showboat cars to malls and shopping centers that accepted a new form of payment known as credit cards, Americans could forget about Jim Crow, communism, and the possibility of Armageddon. At night in their suburban homes, television allowed middle class families to enjoy light domestic comedies like The Adventures of Ozzie and Harriet, Father Knows Best, and Leave It to Beaver. Somnolently they watched representations of settled family life, stories where lost baseball gloves and dinnertime hijinks represented the only conflicts. In the glow of a new Zenith television, it became easy to believe that the American dream had been fully realized by the sacrifice and hard work of the war generation. American monsters in pop culture came to the aid of this great American sleep. Although a handful of science fiction films made explicit political messages that unsettled an apathetic America, the vast majority of 'creature features' proffered parables of American righteousness and power. These narratives ended, not with world apocalypse, but with a full restoration of a secure, consumer-oriented status quo. Invaders in flying saucers, radioactive mutations, and giant creatures born of the atomic age wreaked havoc but were soon destroyed by brainy teams of civilian scientists in cooperation with the American military. These films encouraged a certain degree of paranoia but also offered quick and easy relief to this anxiety... Such films did not so much teach Americans to 'stop worrying and love the bomb' as to 'keep worrying and love the state.

They pop in the mouth, just like salmon roe! But inside... ... is the savory saltiness of seaweed!" "Those pearls are seaweed?!" But how?!" "Delicious! Not only is the pop of the pearl a fun texture, the salty, savory flavor of the seaweed melts seamlessly with the rice! I can barely stop myself! It's an addicting combination!" "Wait... how do you know that technique? Those pearls are seaweed extract gelled into a spherical shape. The only way to do that is by using a calcium-chloride bath and an alginic-acid gelling agent!" "What the heck?!" "That's food science!" "Yukihira pulled a page from Alice Nakiri's own book!" "I've experimented with this stuff before, y'know. When I was a little kid, anyway." "Wha-?! But that's-" "Convenience store Dagashi Candy?!" "Dagashi?! What's that?" Both chemicals are on the ingredients list! "It's what's called an educational candy. Kids play with that to learn how to make their own jelly pearls. I had a blast with it when I was little. I made lots of different stuff." "Dad, look! I made miso pearls!" "Aha ha ha! That's great! Now don't let any of the customers see that." "You can get both alginic acid and calcium chloride at any pharmacy. I used those, along with some seasoned seaweed extract and a little bit of ingenuity... ... to make these savory seaweed bombs- my own spin on the traditional seaweed bento!" "That's right! There were some educational candies in that pile of sweets he got from the kids yesterday!" "The transfer student used a food-science trick?" "And it was one he got off of a package of children's dagashi candy?!" "Hmm? What's this? I see something that looks like okaka minced tuna hiding inside the rice..." Mmmm! It's dried tunatsukudani! This, too, earns full marks for flavor! And its smooth, juicy texture is a wonderful contrast to the pop of the seaweed pearls!

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People still went on talking about truth and beauty as though they were the sovereign goods. Right up to the time of the Nine Years’ War. That made them change their tune all right. What’s the point of truth or beauty or knowledge when the anthrax bombs are popping all around you? That was when science first began to be controlled—after the Nine Years’ War. People were ready to have even their appetites controlled then. Anything for a quiet life. We’ve gone on controlling ever since. It hasn’t been very good for truth, of course. But it’s been very good for happiness. One can’t have something for nothing. Happiness has got to be paid for.

In the course of the meeting the two leaders discussed what terms of surrender they would eventually insist upon; the word “unconditional” was discussed but not included in the official joint statement to be read at the final press conference. Then, on January 24, to Churchill’s surprise, Roosevelt inserted the word ad lib: “Peace can come to the world,” the President read out to the assembled journalists and newsreel cameras, “only by the total elimination of German and Japanese war power. . . . The elimination of German, Japanese and Italian war power means the unconditional surrender of Germany, Italy, and Japan.”1976 Roosevelt later told Harry Hopkins that the surprising and fateful insertion was a consequence of the confusion attending his effort to convince French General Henri Girard to sit down with Free French leader Charles de Gaulle: We had so much trouble getting those two French generals together that I thought to myself that this was as difficult as arranging the meeting of Grant and Lee—and then suddenly the Press Conference was on, and Winston and I had had no time to prepare for it, and the thought popped into my mind that they had called Grant “Old Unconditional Surrender,” and the next thing I knew I had said it.1977

Bombing and killing others is not the way that most Muslims live, however, and to say that all of them must act in this way or they are not true Muslims would be an insult to all peace-loving Muslims.

To my delight, the man undies are a jumbled mess. They aren’t folded or rolled or placed in the drawer in any sort of organized way. Which means the entire drawer is basically just like a cozy, squishy, surprisingly nice-smelling bed. I just want to curl up and take a nap in here. My rat dive-bombs into it like she’s swimming in a pool, tunnels through one, and pops back up with a pair wrapped around our body. Pleased, my rat starts climbing out. Oh, okay. I guess we’re stealing a pair of boxers. Lovely.

One would think he was going to have his throat cut," said the Controller, as the door closed. "Whereas, if he had the smallest sense, he'd understand that his punishment is really a reward. He's being sent to an island. That's to say, he's being sent to a place where he'll meet the most interesting set of men and women to be found anywhere in the world. All the people who, for one reason or another, have got too self-consciously individual to fit into community-life. All the people who aren't satisfied with orthodoxy, who've got independent ideas of their own. Every one, in a word, who's any one. I almost envy you, Mr. Watson." Helmholtz laughed. "Then why aren't you on an island yourself?" "Because, finally, I preferred this," the Controller answered. "I was given the choice: to be sent to an island, where I could have got on with my pure science, or to be taken on to the Controllers' Council with the prospect of succeeding in due course to an actual Controllership. I chose this and let the science go." After a little silence, "Sometimes," he added, "I rather regret the science. Happiness is a hard master–particularly other people's happiness. A much harder master, if one isn't conditioned to accept it unquestioningly, than truth." He sighed, fell silent again, then continued in a brisker tone, "Well, duty's duty. One can't consult one's own preference. I'm interested in truth, I like science. But truth's a menace, science is a public danger. As dangerous as it's been beneficent. It has given us the stablest equilibrium in history. China's was hopelessly insecure by comparison; even the primitive matriarchies weren't steadier than we are. Thanks, l repeat, to science. But we can't allow science to undo its own good work. That's why we so carefully limit the scope of its researches–that's why I almost got sent to an island. We don't allow it to deal with any but the most immediate problems of the moment. All other enquiries are most sedulously discouraged. It's curious," he went on after a little pause, "to read what people in the time of Our Ford used to write about scientific progress. They seemed to have imagined that it could be allowed to go on indefinitely, regardless of everything else. Knowledge was the highest good, truth the supreme value; all the rest was secondary and subordinate. True, ideas were beginning to change even then. Our Ford himself did a great deal to shift the emphasis from truth and beauty to comfort and happiness. Mass production demanded the shift. Universal happiness keeps the wheels steadily turning; truth and beauty can't. And, of course, whenever the masses seized political power, then it was happiness rather than truth and beauty that mattered. Still, in spite of everything, unrestricted scientific research was still permitted. People still went on talking about truth and beauty as though they were the sovereign goods. Right up to the time of the Nine Years' War. That made them change their tune all right. What's the point of truth or beauty or knowledge when the anthrax bombs are popping all around you? That was when science first began to be controlled–after the Nine Years' War. People were ready to have even their appetites controlled then. Anything for a quiet life. We've gone on controlling ever since. It hasn't been very good for truth, of course. But it's been very good for happiness. One can't have something for nothing. Happiness has got to be paid for. You're paying for it, Mr. Watson–paying because you happen to be too much interested in beauty. I was too much interested in truth; I paid too.

glanced over at a pair of red chests located in the far corner right as a little kid popped out from behind. He wasn't older than a toddler, really. His thin blond hair stuck up on top. He waved his arms as if to say hi. He looked cute except for his frosted eyes and blood dripping down his lips. "Oh dang. It's a baby," Misty said. "Yeah, a baby zombie," I said. "Kill it." The little kid walked towards us on unsteady feet, smiling like it wanted to be friends. Only it really wanted to eat our flesh. I'd taken off my Super Soaker to drive. I had nothing to shoot with. "Someone, shoot that thing!" I screamed. "Nate, I don't think I can shoot a baby." "It's not a baby, it's a zombie—look at its eyes. Kali, you shoot it. Do it now!

What's the point of truth or beauty or knowledge when the anthrax bombs are popping all around you?

Sundaes, push-ups, sugar cones, too. Snow cones, bomb pops—red, white, blue. I love ice cream, so do you. I scream, you scream—we all do!

Most tourists, having done some research on Chicago delicacies, order their Italian beef sandwiches "wet," meaning that a slosh of extra meat gravy is dumped over the beef once it is in the bread. They think it means they are in the know, much as they do when they order a Chicago hot dog and tell the seller to "drag it through the garden." Chicagoans, almost to a person, order their dogs simply with "everything" if they want the seven classic toppings, and their Italian beef "dipped," meaning that the whole sandwich, once assembled, is grasped gently between tongs and completely submerged briefly in the vat of jus. This results in a sandwich that isn't just moist, it's decadently squooshy, in a way that sends rivulets of salty meaty juice down your arm when you eat. This is the sandwich that necessitated the invention of the Chicago Sandwich Stance, a method of eating with your elbows resting on your dining surface, leaning over to hopefully save shirtfronts and ties from a horrible meaty baptism. Dipped Italian beef sandwiches in Chicago require a full commitment. Once you start, you are all in till the last bit of slushy bread and shred of spicy beef is gone. It requires that beverages have straws and proximity. Because if you try to stop midway, to pop in a French fry, or pick up a cup, the whole thing will disintegrate before your very eyes. You can lean over to sip something as long as you don't let go of your grasp on the sandwich. Fries are saved for dessert. Most people wouldn't suspect how good iced coffee would be with Italian beef and French fries, but it is genius. My personal genius. Bringing sweet and bitter and cold to the hot, salty umami bomb of the sandwich and the crispy fries- insanely good.

Graham went to the gym to work out, as he does almost every day. There's a pile of unfolded clothes on the couch beside me and a bag of cheese puffs in my lap. I love it when he goes to the gym, if only because I can be the massive sloth I naturally am in peace. If he were here, he'd be eyeing up my laundry and staring at the edible garbage in my lap and on my fingers, internally freaking out over the possibility of powdery cheese getting on the furniture. One hand in the bag, one hand wrapped around the stem of my wine glass—this is my idea of perfection. 'Girls Chase Boys' by Ingrid Michaelson is presently keeping me company from the stereo system. When my phone rings from where it resides on the back of the couch, I jump and send the bag flying. Orange confetti falls to the floor and I swallow, knowing I am so dead if Graham walks in the door right now. “What?” is my less than friendly greeting. “What'd you do?” How does he know me so well? I guess because he made me. “I just let off a bomb of cheese puffs. Although, technically, I'm blaming it on you since it was your phone call that scared me into dumping the bag over.” “Your mother is knitting again.” Eyes glued to the orange blobs on the pale carpet, I reply, “Oh? I'm sure it's marvelous, whatever it is.” Are they seeping into the carpet as I watch, even now becoming an irremovable part of it? Graham is going to majorly freak out over this. “Looks like a yellow condom.” I choke on nothing. “I have to go, Dad.” He grunts a goodbye. I fling the phone away and dive to my knees, hurriedly scooping up the abused deliciousness into my hands. Of course this is when Graham decides to come home—when my ass is in the air facing the door and I look like I'm eating processed food off the floor. I groan and let my head fall forward, smashing a cheese puff with my forehead. He doesn't say anything for a really, really long time, and I refuse to move or look at him, so it gets sort of awkward. “Never thought I'd come home to this scene. Ever.” Just to rile him up, I shove a cheese puff in my mouth and chomp away. “I can't believe you just ate that!” I get to my feet as I pop another into my mouth. “Mmm.” Graham's face is twisted with horror, his backpack dropping to the floor. Sweat clings to him in a delicious way, his hair damp with it. “Do you know how dirty the carpet is?” “You clean it almost every day. It can't be that dirty.” “I don't get everything out of it!” he exclaims, slapping the remaining puffs from my hands. “Go brush your teeth. No. Wait. Induce vomiting. Immediately.” I look at him and laugh. “You're crazy.” “Just...go drink water or something. I'll clean this up.” “I am perfectly capable of cleaning up my own messes.” He just looks at me. “Okay, so not as well as you, but still.” He remains mute. “Fine.” I toss my hands in the air and carefully walk over the splotches of orange beneath me. As I leave the living room, I pause by a framed photograph of a lemon tree, sliding it off-center on the wall. “I saw that,” he calls after me. “Just giving you something to do!” I smirk as I saunter into the bathroom. “I'll give you something to do.” I cock my head at that, wondering if that was meant to be sexual or not. I'm thinking not. I flip the light switch up in the bathroom and scream. Even with the distance between us, I can hear him laughing. The mirror is covered in what looks like blood, spelling out R – E – D. I put my face close to it and sniff. Ketchup. What a waste of a good condiment. “Not funny!” “So funny!

Perched on the edge of her glass was an orange slice speared by a toothpick and topped with a dark-red cherry. She popped the cherry into her mouth and chewed. It was a good one, not the plasticky kind. This one burst on her tongue in a sweet bomb of flavor, with a boozy kick letting her know it had been soaked in brandy.

Forgive me, but," he begins, and I know this can be going nowhere good, "what about the men who watch our channel? Do we really want to look so biased? We can't alienate half our viewership." I see Katherine open her mouth to respond, but then I must enter some kind of alternate reality in which I think I'm the best one to take these questions, as I open my big mouth and beat her to the punch. "Who's to say they'll be alienated, though? Men watch plenty of TV shows and movies led by women. Or if they don't, they certainly should. We've been put through five million Fast and the Furious and James Bond movies, for goodness' sake. And if they're opposed to watching and learning from women, because they think we're boring or don't get our perspectives, well, I reckon they're part of the problem." I fold my arms over my chest defiantly, then lose my remaining nerve and avert my eyes from those of the CEO. When I look at the other women instead, they're all staring at me with some measure of shock, some looking amused and impressed on top of that. Katherine is the first one to shake herself out of it and narrows her gaze on Geoffrey Block, CEO, once more. "It may also be of interest to you that if this series doesn't happen at Friends of Flavor, I plan on hosting it on my personal site, the Kat's Muse. I have advertisers who have long expressed interest in helping me launch my own videos, but I've been reluctant to take any of FoF's thunder. I would feel obligated to make it clear, though, that I was only hosting the series because this channel had rejected the proposal." My jaw drops along with Katherine's figurative mic. She kept that little contingency plan from us yesterday, but damn. Of course she had a secret weapon in her back pocket. Lily pipes up, "And if you all didn't know, men do not make up half of Friends of Flavor viewers. More like thirty percent. Meaning women are seventy percent. Maybe worth looking at who's really getting alienated." Well okay, Lily. For someone who spends so much of the time off in her own mental universe, she sure knows how to pop back down to earth and spit facts when needed.

For one, the lomo saltado was so delicious I thought I might forget my own name. It was beef tenderloin stir-fried so that the sugars in the marinade caramelized on the outside, making it crispy and chewy and as tender as the name in the middle, on a big blue platter piled high with roasted tomatoes, various salsas and chiles, and crispy fries. The idea was to wrap pieces of beef and the toppings in the scallion pancakes that came along with it. What resulted were flavor bombs, savory and spicy and fatty and crispy, all accentuated by the sweet, tangy pop of tomato. Flakes of scallion pancakes drifted from my lips down to my plate as my teeth crunched through each bite. "I can't even handle how good this is," I said, then swallowed because I couldn't wait to say it. The other two dishes we'd ordered were pretty great, too----a whole branzino marinated and charred so that we picked it clean off its spindly bones and ate it with greens and roasted peppers; a half chicken roasted with aji amarillo chile paste and served over shiitake mushrooms and a lime crema---but the lomo saltado was the true star of the table. I could already picture how it was going to look on my page. The golden-brown fries glistening with oil. The beef shaded from light pink in the center to deep brown on the edges. The ruby red tomatoes nestled among them. And the scallion pancakes serving as a lacy backdrop.

My dad loved to drive, but more than that he hated to stop. This made him at best a questionable tour guide. The hours would drone on as we crisscrossed the country in the dank and ever more malodorous car. The four of us would grow restless and cramped in the backseat, perennially arguing with each other and inventing games to fight off the monotony. My dad would press forward relentlessly, trying to make six hundred miles a day, every now and then invoking the three shut-ups rule and lashing out into the noise and cramped restlessness of the backseat. In the front seat my mom would patiently act as his navigator, reading the map, periodically making Wonder Bread and lunchmeat sandwiches, and now and then twisting the dial on the radio to try to find some music and local news. I finally figured it out. My dad’s mind had been shaped by flying a B-29 bomber on long-range missions. As he drove, my mother became the navigator, and we were the crew, although it wasn’t clear whom he wanted to bomb. You could see the business in his eyes. He smoked constantly, the strong odors of his Camel or self-rolled cigarettes or of his weird metal-stemmed pipe piercing our nostrils and often bringing the rear windows down, even in the most brutal heat of the day. His eyes were intent, never leaving the road in front of us. But every now and then an alert for a coming historical marker would pop up along the side of the road, causing my dad to suddenly snap out of his trance and remember that this was not actually his air crew sitting in the backseat. A teachable moment had arrived, giving him a quick opportunity to exercise his parenting skills and a chance to shower us with some much-needed cultural immersion. “Okay, guys, historical marker coming up on the right. I’m going to slow down to forty-five miles an hour. There it is, here it comes! Jim, read the SIGN!” I

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Riyadh’s strategy of turning militant Sunnism into a growth stock raised few Western eyebrows right through the 1990s, when Iran and its brand of Shia extremism still seemed to be the most dangerous face of Islam and the main threats to Western interests. It was the Shia who popped first into Western minds when Westerners thought about anti-Americanism, revolution, terrorism, hostage-taking, and suicide bomb attacks. The political fervor that emanated from Tehran and the kind of violence that it perpetrated were seen as flowing naturally from the Shias’ apocalyptic bent and cult of martyrdom. Even hotheaded Sunnis seemed less dangerous by comparison. They may have been hard-shell reactionaries who despised modern and Western ways, the thinking went, but they entertained no religious doctrines bloodthirsty enough to match those of the Shia, with their fixation on killing and dying for the cause. This inclined the West toward complacency when it came to Sunni extremism and its spread, first to Pakistan, then to Talibanera Afghanistan, and then across Central Asia. Also largely unnoticed was Sunni sectarianism’s role in the horrors visited upon Iraq’s Shias after the first Gulf war and the failed uprising of 1991.

You ready? Let’s do this—” At that very instant, a stench that was a cross between a stink bomb, a dead lizard, and some kind of rotting fruit rind wafted up and slapped the shit out of his sinuses. Jesus H. Christ. It was the kind of thing that made your eyes water and your nose threaten to pack its bags and leave you with nothing but a pair of black holes in the middle of your face. “Are you even kidding me?” For a split second, he debated just going with it. After all, he could pop the windows in his Hummer, crank up the heat, and with supplemental oxygen, he might just make it across town. But he couldn’t present Blay’s mom with this kind of thing.

the theory that if New York punk was about art, and London punk about politics, L.A. punk was about pop culture, TV, and absurdity.

Illustrated, ESPN—all this month’s issues. Jade took another bite of Bomb Pop and grinned. “What are you smiling at?” Elias grumbled, rubbing his nicked ear. “I don’t know how to tell you this,” Jade said, “but you are not the center of my universe. I do occasionally react to things outside of you. I know it comes as a shock.

I didn’t have a daddy to play squash with the director of sales’ pops. No recruiter to lay up five interviews for me to bomb until someone took a chance on me because I was an athlete. The only thing that got me there was a momentary flash of courage—courage that was growing weaker by the day.