Bohemian Woman Quotes

I am a wild woman. it would take a warrior to tame my spirit.

I like being full of mystery and wonder, people always know im up to something but never know exactly what.

Other people look at me and think: That poor woman; she has a child with a disability. But all I see when I look at you is that girl who had memorized all the words to Queen's 'Bohemian Rhapsody' by the time she was three, the girl who crawls into bed with me whenever there's a thunderstorm - not because you're afraid but because I am, the girl whose laugh has always vibrated inside my own body like a tuning fork. I would never have wished for an able-bodied child, because that child would have been someone who wasn't you.

I was gypsy when gypsy wasn't cool.

I am care free by nature but that doesn't mean that I am careless or that I care less. I simply pass on passive-aggressive. Why dodge bullets? This world is not a place for cowards. If we are going to shoot then let's freaking shoot straight. Energy is easily recognized and understood. I don't make time anymore for people that I have to interpret beyond what they say and what they are really saying. It's not my Aspie nature. It is my angel nature. I know every thing isn't always black or white, but I am so over engaging with people who are 50 shades of grey. Be real with me or be gone....because if we aren't Really present with others then we are disconnected anyway.

Sixty is heaven," she [bohemian Aunt Norma] told Jeanie as they sat having tea. "The world is done with you, you become to all intents and purposes invisible, particularly if you are a woman. I like to think of it as your third life. There's childhood, then adult conformity - work, family, responsibility - then just when everyone assumes it's all over and you're on the scrap heap of old age, freedom! You can finally be who you are, not what society wants you to be, not who 'you' think you ought to be.

Its history is an especially rich and intriguing one for women: the great salons of the seventeenth and eighteenth centuries gave women an intellectual influence and freedom; in the nineteenth century, for the bohemian and the flâneuse pleasure and revolution were a seductive mix; in the mid-twentieth century, Paris spelled freedom for Simone de Beauvoir who set the standard for contemporary feminism in her exhilarating The Second Sex.

But Willi had withdrawn himself. For one thing, he did not approve of such bohemianism as collective bedroom breakfasts. “If we were married,” he had complained, “it might be all right.” I laughed at him, and he said: “Yes. Laugh. But there’s sense in the old rules. They kept people out of trouble.” He was annoyed because I laughed, and said that a woman in my position needed extra dignity of behaviour. “What position?”—I was suddenly very angry, because of the trapped feeling women get at such moments. “Yes, Anna, but things are different for men and for women. They always have been and they very likely always will be.” “Always have been?”—inviting him to remember his history. “For as long as it matters.” “Matters to you—not to me.” But we had had this quarrel before; we knew all the phrases either was likely to use—the weakness of women, the property sense of men, women in antiquity, etc., etc., etc., ad nauseam. We knew it was a clash of temperament so profound that no words could make any difference to either of us—the truth was that we shocked each other in our deepest feelings and instincts all the time. So

You mentioned that Palermo, the part of Buenos Aires where you were brought up, had been a violent place full of bohemians and bandits. There they had two names for the knife, ‘the blade’ and ‘the slicer’. The two names described the same object, but ‘the blade’ was the thing itself, and ‘the slicer’ described its function. ‘The blade’ could fit in the hand even of a sickly child shut up in his father’s library, ‘the blade’ could be any of the superannuated daggers and swords belonging to his warrior grandfather or great-grandfather and displayed on the walls of his house, but ‘the slicer’, the knife in the hand slicing back and forth, in and out, existed only in his imagination, in a fascinating world of rapid settlings of accounts and duels over honor, an insult or a woman, in dark street where you never went, where no writer went, except in the literature he wrote. ‘I’ve always felt that in order to be a great writer, one should have the experience of life at sea, which is why Conrad and Melville and, in a way, Stevenson, who ended his days in the South Seas, were better than all of us, Vogelstein. At sea, a writer flees from the minor demons and faces only the definitive ones. A character in Conrad says that he has a horror of ports because, in port, ships rot and men go to the devil. He meant the devils of domesticity and incoherence, the small devils of terra firma. But I think that having experience of “the slicer” would give a writer the same sensation as going to sea, of spectacularly breaking the bounds of his own passivity and of his remoteness from the fundamental matters of the world.’ ‘You mean that if the writer were to stab someone three times, he could allege that he was merely doing so in order to improve his style.’ ‘Something like that. Soaking up experience and atmosphere.’ ‘It’s said that the artist Turner used to have himself lashed to the ship’s mast during storms at sea so that he could make sure he was getting the colours and details of his painted vortices right.’ ‘And it worked. But neither you nor I will ever experience “the slicer”, Vogelstein. We are condemned to “the blade”, to the knife purely as theory. Even if we used “the slicer” against someone, we would still be ourselves, watching, analyzing the scene, and, therefore, inevitably, holding “the blade” in our hand. I don’t think I could kill anyone, apart from my own characters. And I don’t think I would feel comfortable at sea either. There aren’t any libraries at sea. The sea replaces the library.

And then, on his soul and conscience, [Gringoire] ... was not very sure that he was madly in love with the gypsy. He loved her goat almost as dearly. It was a charming animal, gentle, intelligent, clever; a learned goat. Nothing was more common in the Middle Ages than these learned animals, which amazed people greatly, and often led their instructors to the stake. But the witchcraft of the goat with the golden hoofs was a very innocent species of magic. Gringoire explained them to the archdeacon, whom these details seemed to interest deeply. In the majority of cases, it was sufficient to present the tambourine to the goat in such or such a manner, in order to obtain from him the trick desired. He had been trained to this by the gypsy, who possessed, in these delicate arts, so rare a talent that two months had sufficed to teach the goat to write, with movable letters, the word “Phœbus.” “‘Phœbus!’” said the priest; “why ‘Phœbus’?” “I know not,” replied Gringoire. “Perhaps it is a word which she believes to be endowed with some magic and secret virtue. She often repeats it in a low tone when she thinks that she is alone.” “Are you sure,” persisted Claude, with his penetrating glance, “that it is only a word and not a name?” “The name of whom?” said the poet. “How should I know?” said the priest. “This is what I imagine, messire. These Bohemians are something like Guebrs, and adore the sun. Hence, Phœbus.” “That does not seem so clear to me as to you, Master Pierre.” “After all, that does not concern me. Let her mumble her Phœbus at her pleasure. One thing is certain, that Djali loves me almost as much as he does her.” “Who is Djali?” “The goat.” The archdeacon dropped his chin into his hand, and appeared to reflect for a moment. All at once he turned abruptly to Gringoire once more. “And do you swear to me that you have not touched her?” “Whom?” said Gringoire; “the goat?” “No, that woman.” “My wife? I swear to you that I have not.” “You are often alone with her?” “A good hour every evening.” Dom Claude frowned. “Oh! oh! Solus cum sola non cogitabuntur orare Pater Noster.” “Upon my soul, I could say the Pater, and the Ave Maria, and the Credo in Deum patrem omnipotentem without her paying any more attention to me than a chicken to a church.” “Swear to me, by the body of your mother,” repeated the archdeacon violently, “that you have not touched that creature with even the tip of your finger.” “I will also swear it by the head of my father, for the two things have more affinity between them. But, my reverend master, permit me a question in my turn.” “Speak, sir.” “What concern is it of yours?” The archdeacon’s pale face became as crimson as the cheek of a young girl.

When Gould arrives at a party, people who have never seen him before usually take one look at him and edge away. Before the evening is over, however, a few of them almost always develop a kind of puzzled respect for him; they get him in a corner, ask him questions, and try to determine what is wrong with him. Gould enjoys this. "When you came over and kissed my hand," a young woman told him one night, "I said to myself, 'what a nice old gentleman.' A minute later I looked around and you were bouncing up and down with your shirt off, imitating a wild Indian. I was shocked. Why do you have to be such an exhibitionist?" "Madam," Gould said, "it is the duty of the bohemian to make a spectacle of himself. If my informality leads you to believe that I'm a rum-dumb, or that I belong in Bellevue, hold fast to that belier, hold fast, hold fast, and show your ignorance.

This indicated to me that she was very much a free spirited bohemian woman, wanting to break out of her mold. She wanted to become her own woman, but was trapped and bound by the social and political restrictions imposed on her by the culture and religion into which she was born.

Across the Reich, the Gestapo recorded increased the activity of anti-state elements. It’s kind of a helpless protest by those wretches against our celebration of victory. They organize bomb attacks against representatives of the Reich or against the civilian German population. We’ve also noticed murder-suicides. Eighty-seven civilians killed have been reported during the last week. From the Protectorate of Bohmen und Mahren, the destruction of Peter Brezovsky’s long-sought military cell was announced. From Ostmark…” “Enough,” Beck interrupted him, “I’m interested only in Brezovsky.” That name caused him discomfort. In his mind, he returned to the Bohemian Forest in 1996. It was in a different dimension, before he had used time travel. At the time, Peter Brezovsky was the only man who had passed through the Time Gate. He’d offered him a position by his side during the building of the Great German Reich. He’d refused. Too bad, he could have used a man like him. These dummies weren’t eager enough to fulfill his instructions. He also remembered Werner Dietrich, who had died in the slaughter during an inspection in the Protectorate. “… in the sector 144-5. It was a temporary base of the group. There were apparently targeted explosions of the surrounding buildings,” the man continued. “This area interests me. I want to know everything that’s happening there. Go on,” he ordered the man. He was flattered at the leader’s sudden interest. Raising his head proudly, he stretched his neck even more and continued, “For your entertainment, Herr Führer, our two settlers, living in this area from 1960, on June the twenty first, met two suspect men dressed in leather like savages. The event, of course, was reported to the local department of the Gestapo. It’s funny because during the questioning of one of Brezovsky’s men we learnt an interesting story related to these men.” He relaxed a little. The atmosphere in the room was less strained, too. He smiled slightly, feeling self-importance. “In 1942, a certain woman from the Bohemian Forest made a whacky prophecy. Wait a minute.” He reached into the jacket and pulled out a little notebook. “I wrote it down, it’ll certainly amuse you. Those Slavic dogs don’t know what to do, and so they take refuge in similar nonsense.” He opened the notebook and began to read, “Government of darkness will come. After half a century of the Devil’s reign, on midsummer’s day, on the spot where he came from, two men will appear in flashes. These two warriors will end the dominance of the despot and will return natural order to the world.” During the reading, men began to smile and now some of them were even laughing aloud. “Stop it, idiots!” screamed Beck furiously. In anger, he sprang from behind his desk and severely hit the closest man’s laughing face. A deathly hush filled the room. Nobody understood what had happened. What could make the Führer so angry? This was the first time he had hit somebody in public. Beck wasn’t as angry as it might look. He was scared to death. This he had been afraid of since he had passed through the Time Gate. Since that moment, he knew this time would come one day. That someone would use the Time Gate and destroy everything he’d built. That couldn’t happen! Never! “Do you have these men?” he asked threateningly. Reich Gestapo Commander regretted he’d spoken about it. He wished he’d bitten his tongue. This innocent episode had caused the Führer’s unexpected reaction. His mouth went dry. Beck looked terrifying. “Herr Führer,” he spoke quietly, “unfortunately…” “Aloud!” yelled Beck. “Unfortunately we don’t, Herr Führer. But they probably died during the action of the Gestapo against Brezovsky. His body, as well as the newcomers, wasn’t found. The explosion probably blew them up,” he said quickly. “The explosion probably blew them up,” Beck parodied him viciously, “and that was enough for you, right?

In nearly every little town, there is a man or woman who paints pictures of dogs and horses and pots of daisies, and that person is almost always spoken of with pride.

On Saturdays, Callie often entertained the thought of venturing out to the local farmer’s market. She longed to be the type of woman who slipped into breezy Bohemian threads and leisurely perused markets. She imagined herself turning over fresh vegetables, browsing handmade jewelry, making small talk with friendly strangers. She entertained these thoughts as she rotated her neck in slow, methodical circles, lifting both

She was Catholic, carefree, Bohemian. They fell in love, but never married, though she called him husband, took his name, and gave it to me . . .” And his family hated me.

It would have been easier to defy convention if she was aristocratic, bohemian, insouciant — more like George Sand, in other words — and not a lower-middle-class woman from a conservative Anglican family, who harboured ‘a desire insatiable for the esteem of my fellow creatures’.

They didn't really believe in rape, I think. I couldn't ask anyone or tell anyone because they would just say how I was bourgeois, which was this word they used all the time. Women were it more than anybody. They were hip or cool or hipsters or bohemians or all those words you could see in newspapers on the Lower East Side but anytime a woman said something she was bourgeois. I knew what it meant but I didn't know how to say it wasn't right. They believed in nonviolence and so did I, one hundred percent. I wouldn't hurt anybody even if he did rape me but he probably didn't. Men were supposed to go crazy and kill someone if he was a rapist but they wouldn't hurt him for raping me because they didn't believe in hurting anyone and because I was bourgeois and anything that brought me down lower to the people was okay and if it hurt me I deserved it because if you were bourgeois female you were spoiled and had everything and needed to be fucked more or to begin with.

Mom wasn’t a weak person, or a wisp of a domineered housewife who hid in the background. Far from it. She was a vivacious, funny, and smart woman who loudly voiced her opinions, and would’ve been a suffragette had she lived in the twenties. She was gorgeous, with shoulder-length brown hair and beautiful brown eyes. She was strong and was an athlete as a teenager. She smoked, drank, and laughed out loud. A vital presence. She just never did understand or relate to children. She left school as a teenager and worked full-time in an office, then married young and became a mother and housewife. Now she found herself in New York in the swinging sixties, and despite my dad’s best efforts to make her the perfect square wife, she was energized, curious, and had time on her hands. She took music lessons, looked longingly at the bohemian lifestyle, and went off alone to the Newport Jazz Festival to see Miles Davis. Not about to be the happy homemaker, she wanted to party. Dad never became rich, and I’ve been told some blame fell upon my mom for failing to help him climb the career ladder. Instead of standing by her man, she acquired hippie habits, wore dashikis, and was a lousy teammate at cocktail parties.

Mom wasn’t a weak person, or a wisp of a domineered housewife who hid in the background. Far from it. She was a vivacious, funny, and smart woman who loudly voiced her opinions, and would’ve been a suffragette had she lived in the twenties. She was gorgeous, with shoulder-length brown hair and beautiful brown eyes. She was strong and was an athlete as a teenager. She smoked, drank, and laughed out loud. A vital presence. She just never did understand or relate to children. She left school as a teenager and worked full-time in an office, then married young and became a mother and housewife. Now she found herself in New York in the swinging sixties, and despite my dad’s best efforts to make her the perfect square wife, she was energized, curious, and had time on her hands. She took music lessons, looked longingly at the bohemian lifestyle, and went off alone to the Newport Jazz Festival to see Miles Davis. Not about to be the happy homemaker, she wanted to party.