Bobby Sands Quotes

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Our revenge will be the laughter of our children.
Bobby Sands
One thing is certain: the lesson of Bobby Sands's determination comes through. One image returns over and over again: a naked man locked up twenty-four hours in a cell, without even the most rudimentary comforts or reading materials. He turns to his cellmate and chastises him for sleeping all day. "It's a waste of your opportunities, isn't it?
Denis O'Hearn
If I die, God will understand.
Bobby Sands
There can't be peace in Ireland until the foreign, oppressive British presence is removed, leaving all the Irish people as a unit to control their own affairs and determine their own destinies as a sovereign people, free in mind and body, separate and distinct physically, culturally and economically.
Bobby Sands
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
It was, of course, the memory of Sophie and Nathan's long-ago plunge that set loose this flood [of tears], but it was also a letting go of rage and sorrow for the many others who during these past months had battered at my mind and now demanded my mourning: Sophie and Nathan, yes, but also Jan and Eva -- Eva with her one-eyed mis -- and Eddie Farrell, and Bobby Weed, and my young black savior Artiste, and Maria Hunt, and Nat Turner, and Wanda Muck-Horch von Kretschmann, who were but a few of the beaten and butchered and betrayed and martyred children of the earth. I did not weep for the six million Jews or the two million Poles or the one million Serbs or the five million Russians -- I was unprepared to weep for all humanity -- but I did weep for these others who in one way or another had become dear to me, and my sobs made an unashamed racket across the abandoned beach; then I had no more tears to shed, I lowered myself to the sand...and slept...When I awoke it was nearly morning...I heard children chattering nearby. I stirred...Blessing my resurrection, I realized that the children had covered me with sand, protectively, and that I lay as safe as a mummy beneath this fine, enveloping overcoat.
William Styron (Sophie’s Choice)
Hughes recalled Dr. Ross, the kind physician who had tended to him during his hunger strike and brought him fresh water gathered from a mountain spring. Bobby Sands had never trusted Ross. He called him a 'mind manipulator.' But the doctor's kindness had meant a lot to Hughes. Later, he learned that after watching all ten men die in the hunger strike, Dr. Ross had taken his own life, with a shotgun, in 1986.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Imagine standing next to the water as it laps on the shore of a beach. As it washes over your feet, they gradually sink below the sand and eventually disappear from view. Like quicksand, liquefaction changes the composition of the soil such that heavier objects sink into it.
Bobby Akart (New Madrid Earthquake)
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
Beyond The Sea" Somewhere beyond the sea Somewhere waiting for me My lover stands on golden sands And watches the ships that go sailing Somewhere beyond the sea She's there watching for me If I could fly like birds on high Then straight to her arms I'd go sailing It's far beyond the stars It's near beyond the moon I know beyond a doubt My heart will lead me there soon We'll meet beyond the shore We'll kiss just as before Happy we'll be beyond the sea And never again I'll go sailing I know beyond a doubt My heart will lead me there soon We'll meet (I know we'll meet) beyond the shore We'll kiss just as before Happy we'll be beyond the sea And never again I'll go sailing No more sailing So long sailing Bye, bye sailing...
Bobby Darin
Two days later, on June 19, Tobias and Chappell arrived on the island. Chappell had never been on the island when the pump was running and he was delighted. So delighted, in fact, that he agreed to extend Dad’s contract until the end of the year. Tobias agreed to cover the fuel costs during that time. Everyone was happy. The next day, Dad and Bobby resumed drilling in the Money Pit and, almost immediately, instead of encountering hard clay, they hit beach sand. That caused great excitement, as it indicated that their drill had found the spot where the original inlet water tunnel joined the Money Pit. But the next day, the pump shaft snapped and water immediately began to rise in the Money Pit. Bobby and Dad had to evacuate immediately. Later, in a letter to Frank Sparham, Dad described the event: Today we took the diamond (drill) and everything needed down. We got all set up and in the same hole and only a few inches of progress when the shaft snapped. Mildred heard the change of racket at once and nearly had a fit. We got everything out of the way and loaded in the (hoist) car in time. Could have done it faster but you know how these sudden emergencies are, both of us tried to do what the other fellow had been doing. We soon saw that was no good so we just went back to loading the (hoist) car as if we were through for the day and let the hoist bring up the electric cable.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
68. Cheerfulness In Adversity The Royal Marine Commandos, with whom I worked a lot in my military days, have the phrase ‘Cheerfulness in Adversity’ as one of their founding principles - and it is a great one to live by. It is easy to be cheerful when everything is going like a song, but the real time to be cheerful is when everything is going dead wrong! I remember in the North African desert once, when we were training with the French Foreign Legionnaires, that we had a particularly unpleasant night. The corporals took shifts to ensure that we were woken up every 15 minutes until down. They would burst in and throw our kit all around and out of the windows, turn the beds upside down, empty the lockers into the desert sand, only to do it all over again as soon as we had tidied up. It was a real ball-breaker of a night. But I will never forget one of the recruits, Bobby. At 4:30 a.m., during our darkest, most exhausting hour, when the corporals were in full swing and we had been up all night in the face of this mindless, sleep-defying beasting, Bobby looked at us, smiled and said: ‘Breakfast is comin’!’ There was something about the way he said it, with a wry grin as he set about retrieving his pile of kit from the rafters of the barrack block, that lifted all our spirits like nothing you could imagine. From then on, whenever something has got really tough, I say to myself: ‘Don’t worry- breakfast is comin’!’ And it always makes me smile. You see, Bobby knew that when it gets hard we all have two responses to choose from: to moan, or to put our heads down, smile and get on with it.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
I spent the afternoon loving her, the sound of our love and passion drifting out to the deck, across the sand, and far out to sea.
Bobby Underwood (Passage to Tomorrow)
Now, we must remember that the use of pseudonyms for clandestine purposes is very Irish. In fact, you might say we invented the practice. One is reminded of the patriot, Robert Emmett, who went by the name of ‘the Drake.’ He was hung, drawn, and quartered. In more recent times, Bobby Sands was both, ‘the Lark,’ and for his writings, he went by ‘Marcella.’ He died on hunger strike in 1981, of course.
D.P. Costello
After the revolution most of the major roads in the cities, especially in Tehran, had been renamed with the appropriate amount of anti-western fervour, changing the likes of Eisenhower Avenue to Azadi Avenue (meaning ‘freedom’ in Persian) and Shah Reza Square to Enqelab Square (the Persian word for ‘revolution’). My map recce also showed up a liking for using street names to show allegiance to Iran’s friends and allies, such as the ubiquitous Felestin – Palestine – which cropped up in many Iranian cities. There were more pointed allegiances too; the street that housed the British Embassy, Winston Churchill Street, had been renamed in typically cheeky Iranian fashion as Bobby Sands Street (it was transliterated as ‘Babisands’), in tribute to the IRA hunger striker. In 1981 the embassy had been forced to move their official entrance to a side street so as to avoid the embarrassment of having Sands’ name on their headed notepaper.
Lois Pryce (Revolutionary Ride: On the Road in Search of the Real Iran)
Driving along Broadway, he sees a young guy exit a bus and then turn to help an old woman who was waiting to board that bus. In his entire life, Bobby’s never seen more people help little old ladies cross streets, avoid puddles or potholes, carry their groceries, or find their car keys in purses overstuffed with rosary beads and damp tissues. Everyone knows everyone here; they stop one another in the streets to ask after spouses, children, cousins twice removed. Come winter, they shovel walks together, join up to push cars out of snowbanks, freely pass around bags of salt or sand for icy sidewalks. Summertime, they congregate on porches and stoops or cluster in lawn chairs along the sidewalks to shoot the shit, trade the daily newspapers, and listen to Ned Martin calling the Sox games on ’HDH. They drink beer like it’s tap water, smoke ciggies as if the pack will self-destruct at midnight, and call to one another—across streets, to and from cars, and up at distant windows—like impatience is a virtue. They love the church but aren’t real fond of mass. They only like the sermons that scare them; they mistrust any that appeal to their empathy. They all have nicknames. No James can just be a James; has to be Jim or Jimmy or Jimbo or JJ or, in one case, Tantrum. There are so many Sullivans that calling someone Sully isn’t enough. In Bobby’s various incursions here over the years, he’s met a Sully One, a Sully Two, an Old Sully, a Young Sully, Sully White, Sully Tan, Two-Time Sully, Sully the Nose, and Little Sully (who’s fucking huge). He’s met guys named Zipperhead, Pool Cue, Pot Roast, and Ball Sac (son of Sully Tan). He’s come across Juggs, Nicklebag, Drano, Pink Eye (who’s blind), Legsy (who limps), and Handsy (who’s got none). Every guy has a thousand-yard stare. Every woman has an attitude. Every face is whiter than the whitest paint you’ve ever seen and then, just under the surface, misted with an everlasting Irish pink that sometimes turns to acne and sometimes doesn’t. They’re the friendliest people he’s ever met. Until they aren’t. At which point they’ll run over their own grandmothers to ram your fucking skull through a brick wall. He has no idea where it all comes from—the loyalty and the rage, the brotherhood and the suspicion, the benevolence and the hate. But he suspects it has something to do with the need for a life to have meaning.
Dennis Lehane (Small Mercies)