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Instead, we accept them all as part of the short phrase itself. That same short verse, which is, incidentally, alluded to on the Dylan albums Time Out of Mind and “Love and Theft”, ends with another instance of the same phenomenon. The last four words are rarely quoted, because they are, literally, ‘taken as read’: never send to know for whom the bell tolls; it tolls for thee. The same thing, I suggest, is already happening with Dylan’s “but it’s getting there.” In both cases, given our mortality, we all know how it ends. Another thing about bards, associated with their raising of everyday speech to high art, is that they are generally claimed to have sprung naturally from the soil, or from the common mass of humanity. They are, in other words, not only our spokespeople but also one of us.
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