“
Lots of things can be fixed. Things can be fixed. But many times, relationships between people cannot be fixed, because they should not be fixed. You're aboard a ship setting sail, and the other person has joined the inland circus, or is boarding a different ship, and you just can't be with each other anymore. Because you shouldn't be.
”
”
C. JoyBell C.
“
Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the same horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.
Now, women forget all those things they don't want to remember, and remember everything they don't want to forget. The dream is the truth. Then they act and do things accordingly.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect.
”
”
George R.R. Martin
“
She dropped her shyness like a nightgown, and in the liquid glare of sunlight on old boards she held up her hands-as if, in the terror of the upcoming skirmish, she had at last understood that she was beautiful. In her own way.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
Aunt Mercy put down her tiles, one at a time. I-T-C-H-I-N.
Aunt Grace leaned closer to the board, squinting. "Mercy Lynne, you're cheatin' again! What kinda word is that? Use it in a sentence."
"I'm itchin' ta have some a that white cake."
"That's not how you spell it." At least one of them could spell. Aunt Grace pulled one of the tiles off the board. "There's no T in itchin'." Or not.
”
”
Margaret Stohl (Beautiful Creatures (Caster Chronicles, #1))
“
Falling in love is like getting hit by a truck and yet not being mortally wounded. just sick to your stomach, high one minute, low the next. Starving hungry but unable to eat. hot, cold, forever horny, full of hope and enthusiasm, with momentary depressions that wipe you out.
It is also not being able to remove the smile from your face, loving life with a mad passionate intensity, and feeling ten years younger.
Love does not appear with any warning signs. You fall into it as if pushed from a high diving board. No time to think about what's happening. It's inevitable. An event you can't control. A crazy, heart-stopping, roller-coaster ride that just has to take its course.
”
”
Jackie Collins (Lucky (Lucky Santangelo, #2))
“
LOG ENTRY: SOL 381 I’ve been thinking about laws on Mars.
Yeah, I know, it’s a stupid thing to think about, but I have a lot of free time.
There’s an international treaty saying no country can lay claim to anything that’s not on Earth. And by another treaty, if you’re not in any country’s territory, maritime law applies.
So Mars is “international waters.”
NASA is an American nonmilitary organization, and it owns the Hab. So while I’m in the Hab, American law applies. As soon as I step outside, I’m in international waters. Then when I get in the rover, I’m back to American law.
Here’s the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can’t until I’m aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission.
That makes me a pirate!
A space pirate!
”
”
Andy Weir (The Martian)
“
Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
You may not see every single piece of the puzzle that creates your life -- you may not see every move the grand chess player makes -- but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything in the end, will always turn out for good. It's a nice promise, isn't it? To know there's a reason for it all?
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
I don't care what your nose says! The last time you smelled half-blood, it turned out to be a meatloaf sandwich!"
"Meatloaf sandwiches are good! But this is a half-blood scent, I swear. They are on board!"
"Bah, your brain isn't on board!
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Escape through travel works. Almost from the moment I boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed.
”
”
Alex Garland (The Beach)
“
Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor --
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So boy, don't you turn back.
Don't you set down on the steps
'Cause you finds it's kinder hard.
Don't you fall now --
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.
”
”
Langston Hughes
“
Politics is a strong and slow boring of hard boards. It takes both passion and perspective. Certainly all historical experience confirms the truth - that man would not have attained the possible unless time and again he had reached out for the impossible. But to do that a man must be a leader, and not only a leader but a hero as well, in a very sober sense of the word. And even those who are neither leaders nor heroes must arm themselves with that steadfastness of heart which can brave even the crumbling of all hopes. This is necessary right now, or else men will not be able to attain even that which is possible today.
”
”
Max Weber
“
If only,’ Shiroyama dreams, ‘human beings were not masks behind masks behind masks. If only this world was a clean board of lines and intersections. If only time was a sequence of considered moves and not a chaos of slippages and blunders.
”
”
David Mitchell (The Thousand Autumns of Jacob de Zoet)
“
I was tired and crazy and rushed, and every time I boarded a plane, I wanted the plane to crash. I envied people dying of cancer. I hated my life. I was tired and bored with my job and my furniture, and I couldn’t see any way to change things.
Only end them.
”
”
Chuck Palahniuk (Fight Club)
“
Time passes and the pain begins to roll in and out as though it’s a woman standing at an ironing board, passing the iron back and forth, back and forth across a white tablecloth.
”
”
Audrey Niffenegger
“
The queen was my favorite chess piece. Unlike the women I knew in real life, she was powerful. Her job was to defend her husband at all costs, because while he was weak and practically defenseless—only allowed to move one square at a time—she was the strongest player on the board, hindered by no restrictions at all.
”
”
Rachel Vincent (Stray (Shifters, #1))
“
Hold on a minute." She leaned out the window, shouted at the messenger who'd nearly sideswiped her vehicle with his jet-board. "Police property, asshole. If I had time I'd hunt you down and use that board to beat your balls black."
"Darling Eve, you know how that kind of talk thrills and excites me. How can I keep my mind off sex now?
”
”
J.D. Robb (Survivor in Death (In Death, #20))
“
You broke a man today. Doesn't that affect you at all? These are lives, not pieces in a chess game with your uncle.'
'You're wrong. We are on my uncle's board and these men are all his pieces.'
'Then each time you move one of them, you can congratulate yourself on how much like him you are.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Well, I've been waiting, I was sure
we'd meet between the trains we're waiting for
I think it's time to board another
Please understand, I never had a secret chart
to get me to the heart of this
or any other matter
”
”
Leonard Cohen
“
In my whole life, I have known no wise people (over a board subject matter area) who didn't read all the time - none, zero. You'd be amazed how much Warren reads - and at how much I read. My children laugh at me. They think I'm a book with a couple of legs sticking out.
”
”
Charles T. Munger (Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger)
“
Hauk wanted me to tell you that the next time he says run, we should leave the vics on board and get the hell out. I tend to agree. (Syn)
You were the one who didn’t run. (Nykyrian)
Oh yeah, that was me, wasn’t it? Since when do you listen to me anyway? I’m an idiot. (Syn)
”
”
Sherrilyn Kenyon (Born of the Night (The League, #1))
“
Sometimes you just have to do things, Quentin,” Julia said, as he climbed on board after her. “You spend too much of your time waiting.
”
”
Lev Grossman (The Magician King (The Magicians, #2))
“
From now on, when we board, each time we board, I will remind you to be terrified,' she says. 'And you remind me, too: this is not normal.'
'This is not normal.' Soledad nods.
”
”
Jeanine Cummins (American Dirt)
“
The earth turned to bring us closer,
it spun on itself and within us,
and finally joined us together in this dream
as written in the Symposium.
Nights passed by, snowfalls and solstices;
time passed in minutes and millennia.
An ox cart that was on its way to Nineveh
arrived in Nebraska.
A rooster was singing some distance from the world,
in one of the thousand pre-lives of our fathers.
The earth was spinning with its music carrying us on board;
it didn't stop turning a single moment
as if so much love, so much that's miraculous
was only an adagio written long ago
in the Symposium's score.
”
”
Eugenio Montejo (The Trees: Selected Poems 1967-2004)
“
Life is a checkerboard, and the player opposite you is time. If you hesitate before moving, or neglect to move promptly, your men will be wiped off the board by time. You are playing against a partner who will not tolerate indecision!
”
”
Elbert Hubbard
“
I saw a meme the other day with a picture of Marilyn Manson and Robin Williams. It said about the former, this isn’t the face of depression, and about the latter, this is. This really struck a chord and it’s been on my mind since then. As someone who has continuously dipped in and out of chronic depression and anxiety for close to three decades now, and I’ve never previously spoken about the subject, I finally thought it was time I did.
These days it’s trendy for people to think they’re cool and understanding about mental illness, posting memes and such to indicate so. But the reality is far different to that. It seems most people think if they publicly display such understanding then perhaps a friend will come to them, open up, and calmly discuss their problems. This will not happen. For someone in that seemingly hopeless void of depression and anxiety the last thing they are likely to do is acknowledge it, let alone talk about it. Even if broached by a friend they will probably deny there is a problem and feel even more distanced from the rest of the world.
So nobody can do anything to help, right? No. If right now you suspect one of your friends is suffering like this then you’re probably right. If right now you think that none of your friends are suffering like this then you’re probably wrong. By all means make your public affirmations of understanding, but at least take on board that an attempt to connect on this subject by someone you care about could well be cryptic and indirect.
When we hear of celebrities who suffered and finally took their own lives the message tends to be that so many close friends had no idea. This is woeful, but it’s also great, right? Because by not knowing there was a problem there is no burden of responsibility on anyone else. This is another huge misconception, that by acknowledging an indirect attempt to connect on such a complex issue that somehow you are accepting responsibility to fix it. This is not the case. You don’t have to find a solution. Maybe just listen. Many times over the years I’ve seen people recoil when they suspect that perhaps that is the direct a conversation is about to turn, and they desperately scramble for anything that can immediately change the subject. By acknowledging you’ve heard and understood doesn’t mean you are picking up their burden and carrying it for them.
Anyway, I’ve said my piece. And please don’t think this is me reaching out for help. If this was my current mindset the last thing I’d ever do is write something like this, let alone share it.
”
”
R.D. Ronald
“
I handed them a script and they turned it down. It was too controversial. It talked about concepts like, 'Who is God?' The Enterprise meets God in space; God is a life form, and I wanted to suggest that there may have been, at one time in the human beginning, an alien entity that early man believed was God, and kept those legends. But I also wanted to suggest that it might have been as much the Devil as it was God. After all, what kind of god would throw humans out of Paradise for eating the fruit of the Tree of Knowledge. One of the Vulcans on board, in a very logical way, says, 'If this is your God, he's not very impressive. He's got so many psychological problems; he's so insecure. He demands worship every seven days. He goes out and creates faulty humans and then blames them for his own mistakes. He's a pretty poor excuse for a supreme being.
”
”
Gene Roddenberry
“
A castaway in the sea was going down for the third time when he caught sight of a passing ship. Gathering his last strength, he waved frantically and called for help. Someone on board peered at him scornfully and shouted back, "Get a boat!
”
”
Daniel Quinn (Beyond Civilization: Humanity's Next Great Adventure)
“
Life is similar to a bus ride.
The journey begins when we board the bus.
We meet people along our way of which some are strangers, some friends and some strangers yet to be friends.
There are stops at intervals and people board in.
At times some of these people make their presence felt, leave an impact through their grace and beauty on us fellow passengers while on other occasions they remain indifferent.
But then it is important for some people to make an exit, to get down and walk the paths they were destined to because if people always made an entrance and never left either for the better or worse, then we would feel suffocated and confused like those people in the bus, the purpose of the journey would lose its essence and the journey altogether would neither be worthwhile nor smooth.
”
”
Chirag Tulsiani
“
May I bring you a drink to go with those warm nuts, Mr. Sedaris?" this woman looking after me asked - this as the people in coach were still boarding. The looks they gave me as they passed were the looks I give when the door of a limousine opens. You always expect to see a movie star, or, at the very least, some better dressed than you, but time and time again it's just a sloppy nobody. Thus the look, which translates to, Fuck you, Sloppy Nobody, for making me turn my head.
”
”
David Sedaris (When You Are Engulfed in Flames)
“
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.”
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into.
“I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.”
Nico shook his head. “I think I like Jude’s better.”
“Me too,” I said softly. “Me too.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Mother to Son
Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor -
Bare.
But all the time
I'se been a'climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So boy, don't you turn back.
Don't you set down on the steps
'Cause you finds it's kinder hard.
Don't you fall now -
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.
- Langston Hughes (112)
”
”
Sapphire (Push)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
...Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers... for quoting the Bible as an unanswerable authority on some point of morality... But I had gradually come by this time, i.e., 1836 to 1839, to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow at sign, &c., &c., and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian.
...By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported, (and that the more we know of the fixed laws of nature the more incredible do miracles become), that the men at that time were ignorant and credulous to a degree almost uncomprehensible by us, that the Gospels cannot be proved to have been written simultaneously with the events, that they differ in many important details, far too important, as it seemed to me, to be admitted as the usual inaccuracies of eyewitnesses; by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation. The fact that many false religions have spread over large portions of the earth like wild-fire had some weight with me. Beautiful as is the morality of the New Testament, it can be hardly denied that its perfection depends in part on the interpretation which we now put on metaphors and allegories.
But I was very unwilling to give up my belief... Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all of my friends, will be everlastingly punished.
And this is a damnable doctrine.
”
”
Charles Darwin (The Autobiography of Charles Darwin, 1809–82)
“
Cat doesn’t have to work. She’s a woman of independent means. I settled enough money on her to allow her the freedom to do anything she wished. She went to boarding school for four years, and stayed to teach for another two. Eventually she came to me and said she’d accepted a position as a governess for the Hathaway family. I believe you were in France with Win at the time. Cat went for the interview, Cam and Amelia liked her, Beatrix and Poppy clearly needed her, and no one seemed inclined to question her lack of experience.”
“Of course not,” Leo said acidly. “My family would never bother with something so insignificant as job experience. I’m sure they started the interview by asking what her favorite color was.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
Some of these guys will go on walking long after the laws of biochemistry and handicapping have gone by the boards. There was a guy last year that crawled for two miles at four miles an hour after both of his feet cramped up at the same time, you remember reading about that? Look at Olson, he's worn out but he keeps going. That goddam Barkovitch is running on high-octane hate and he just keeps going and he's as fresh as a daisy. I don't think I can do that. I'm not tired -not really tired- yet. But I will be." The scar stood out on the side of his haggard face as he looked ahead into the darkness "And I think... when I get tired enough... I think I'll just sit down
”
”
Stephen King (The Long Walk)
“
You made me who I am today, Nanni. Wherever I go, everyone I see and crave is ultimately measured by the glow of your light. If my life were a boat, you were the one who stepped on board, turned on its running lights, and was never heard from again. All this might as well be in my head, and in my head it stays. But I've lived and loved by your light alone. In a bus, on a busy street, in class, in a crowded concert hall, once or twice a year, whether for a man or a woman, my heart still jolts when I spot your look-alike. We love only once in our lives, my father had said, sometimes too early, sometimes too late; the other times are always a touch deliberate.
”
”
André Aciman (Enigma Variations)
“
How many boards would the Mongols hoard if the Mongol horde got bored?
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
The New York Times editorial page is like a Ouija board that has only three answers, no matter what the question. The answers are: higher taxes, more restrictions on political speech and stricter gun control.
”
”
Ann Coulter
“
From the depths of hell,
So far I fell,
A deal made with the devil,
After all the dust had settled,
There's an hourglass of time,
Counting down all of our lives,
And with every grain of sand,
Time is slipping through my hands.
”
”
falling in reverse
“
A pale, slightly luminescent form materialized in front of us. Mason. He looked the same as ever-or did he? The usual sadness was there, but I could see something else, something else I couldn't quite put my finger on. Panic? Frustration? I could have almost sworn it was fear, but honestly, what would a ghost have to be afraid of.
"What's wrong?" asked Dimitri.
"Do you see him?" I whispered.
Dimitri followed my gaze. "See who?"
"Mason."
Mason's troubled expression grew darker. I might not have been able to adequately identify it, but I knew it wasn't anything good. The nauseous feeling within me intensified, but somehow, I knew it had nothing to do with him.
"Rose...we should go back..." said Dimitri carefully. He still wasn't on board with me seeing ghosts.
But I didn't move. Mason's face was saying something else to me-or trying to. There was something here, something important that I needed to know. But he couldn't communicate it.
"What?" I asked. "What is it?"
A look of frustration crossed his face. He pointed off behind me, the dropped his hand.
"Tell me," I said, my frustration mirroring his. Dimitri was looking back and forth between me and Mason, though mason was probably only and empty space to him.
I was too fixated on Mason to worry what Dimitri might think. There was something here. Something big. Mason opened his mouth, wanting to speak as in previous times but still unable to get the words out. Except, this time, after several agonizing seconds, he managed it. The words were nearly inaudible.
"They're...coming....
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
In parting, I would remind you that “Life is a checkerboard, and the player opposite you is time. If you hesitate before moving, or neglect to move promptly, your men will be wiped off the board by time. You are playing against a partner who will not tolerate decisions!
”
”
Napoleon Hill (Think and Grow Rich)
“
I was crying on the back-porch swing. You came out with a corsage of fresh forget-me-nots and roses, and a handkerchief. You told me any guy worth my time would always come to me with flowers and a handkerchief. One to make me smile, and the other to dry my tears, because a smart guy knows women need to cry as much as they need to laugh.
”
”
Joey W. Hill (Hostile Takeover (Knights of the Board Room, #5))
“
That’s why hiring consultants doesn’t work. Part-time employees don’t work. Even working remotely should be avoided, because misalignment can creep in whenever colleagues aren’t together full-time, in the same place, every day. If you’re deciding whether to bring someone on board, the decision is binary. Ken Kesey was right: you’re either on the bus or off the bus.
”
”
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
“
I never thought I'd die alone. Another six months I'll be unknown. Give all my things to all my friends.
You'll never set foot in my room again. You'll close it off, board it up. Remember the time that I spilled the cup of apple juice in the hall? Please tell mom this is not her fault.
”
”
Blink-182
“
Tabula rasa... time to hacer borrón y cuenta nueva, wipe the board clean," the singer chants.
Wipe the board clean? I feel like my board is too clean, perpetually wiped bare. What I want is the opposite: a messy scrawl, constellations of indelible things that can't ever be washed away.
”
”
Gayle Forman (Just One Year (Just One Day, #2))
“
This imaginary gift is a journey for your imagination.
I send you...
A luxury train ride. On this train are all the inspiring people you've ever wanted to meet or talk to. You glide from car to car, sitting or lying down on velvet lounge chairs, listening and asking questions. There is also a voluminous library on the train, with every book you've ever wanted to read or look at. Kind people bring you delicious tidbits to eat and nourishing liquids to drink. If you take a nap, time stands still until you return so you never miss anything. You receive a large journal filled with photographs, drawings and descriptions of your journey to take with you when you leave. You realize that you can board this train at any time.
”
”
SARK
“
In space flight, “attitude” refers to orientation: which direction your vehicle is pointing relative to the Sun, Earth and other spacecraft. If you lose control of your attitude, two things happen: the vehicle starts to tumble and spin, disorienting everyone on board, and it also strays from its course, which, if you’re short on time or fuel, could mean the difference between life and death. In the Soyuz, for example, we use every cue from every available source—periscope, multiple sensors, the horizon—to monitor our attitude constantly and adjust if necessary. We never want to lose attitude, since maintaining attitude is fundamental to success.
In my experience, something similar is true on Earth. Ultimately, I don’t determine whether I arrive at the desired professional destination. Too many variables are out of my control. There’s really just one thing I can control: my attitude during the journey, which is what keeps me feeling steady and stable, and what keeps me headed in the right direction. So I consciously monitor and correct, if necessary, because losing attitude would be far worse than not achieving my goal.
”
”
Chris Hadfield (An Astronaut's Guide to Life on Earth)
“
Do you remember? When the fights seemed to go on and on, and always ended with us in bed, tearing at each other like maybe that could change everything. In a couple of months you'd be seeing somebody else and I would too; she was no darker than you but she washed her panties in the shower and had hair like a sea of little punos and the first time you saw us, you turned around and boarded a bus I knew you didn't have to take. When my girl said, Who was that? I said, Just some girl.
”
”
Junot Díaz (This Is How You Lose Her)
“
You are the Ship of Theseus. We all are. There is not a single living cell in my body that was alive and a part of me ten years ago, and the same is true for you. We’re constantly being rebuilt, one board at a time.
”
”
Edward Ashton (Mickey7 (Mickey7, #1))
“
If you flinch," Four says, slowly, carefully. "Al takes your place. Understand?" I nod. Four's eyes are still on mine when he lifts his hand, pulls his elbow back, and throws the knife. It is just a flash in the air, and then I hear a thud. The knife is buried in the board, half a foot away from the my cheek. I close my eyes. Thank God. "You about done Stiff?" asks Four. I remember Al's wide eyes and his quiet sobs at night and shake my head. "No." "Eyes open, then." He taps the spot between his eyebrows...
"Come on, Stiff," he says. "Let someone else stand there and take it." Why is he trying to goad me into giving up? Does he want me to fail? "Shut up, Four!"
.....
My body goes rigid. This time, when it hits the board, my ear stings, and blood tickles my skin. I touch my ear. He nicked it. And judging by the look he gives me, he did it on purpose.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Mami wanted me to be a lady:
sit up straight, cross my ankles,
let men protect me.
Papi wanted me to be a leader.
To think quick & strike hard,
to speak rarely, but when I did,
to always be heard. Me?
Playing chess taught me a queen is both:
deadly & graceful, poised & ruthless.
Quiet & cunning. A queen
offers her hand to be kissed,
& can form it into a fist
while smiling the whole damn time.
But what happens when those principles
only apply in a game? & in the real world,
I am not treated as a lady or a queen,
as a defender or opponent
but as a girl so many want to strike off the board.
”
”
Elizabeth Acevedo (Clap When You Land)
“
Mr. Williams, in your short time boarding with us you’ve seen very little of my home,” Eleanor said. “I’d like you to see the rest of it, starting with my bedroom.
”
”
C.A. Knutsen (Tom and G.E.R.I.)
“
I’m at the top of my game. And that game is Monopoly. I’m standing on the board right now.
”
”
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
“
Have you ever played chess, Kitty?”
I eyed her. What did a board game have to do with this? “Not really.”
“You and I should play sometime. I think you would like it,” she said. “It’s a game of strategy, mostly. The strong pieces are in the back row, while the weak pieces—the pawns—are all in the front, ready to take the brunt of the attack. Because of their limited movement and vulnerability, most people underestimate them and only use them to protect the more powerful pieces. But when I play, I protect my pawns.”
“Why?” I said, not entirely sure where this conversation was going. “If they’re weak, then what’s the point?”
“They may be weak when the game begins, but their potential is remarkable. Most of the time, they’ll be taken by the other side and held captive until the end of the game. But if you’re careful—if you keep your eyes open and pay attention to what your opponent is doing, if you protect your pawns and they reach the other side of the board, do you know what happens then?”
I shook my head, and she smiled.
“Your pawn becomes a queen.” She touched my cheek, her fingers cold as ice. “Because they kept moving forward and triumphed against impossible odds, they become the most powerful piece in the game. Never forget that, all right? Never forget the potential one solitary pawn has to change the entire game.
”
”
Aimee Carter (Pawn (The Blackcoat Rebellion, #1))
“
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other.
“Are you sober?” I asked from the doorway.
He turned and leveled a smile at me that made me a little wobbly. “I am."
“Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook."
Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.”
“Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ”
He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
Come on,” he said to Valentine one day. “Let’s fly away and live forever.”
“We can’t,” she said. “There are miracles even relativity can’t pull off, Ender.”
“We have to go. I’m almost happy here.”
“So, stay.”
“I’ve lived too long with pain. I won’t know who I am without it.”
So they boarded a starship and went from world to world. Wherever they stopped, he was always Andrew Wiggin, itinerant speaker for the dead, and she was always Valentine, historian errant, writing down the stories of the living while Ender spoke the stories of the dead. And always Ender carried with him a dry white cocoon, looking for the world where the hive-queen could awaken and thrive in peace. He looked a long time.
”
”
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
“
In another life, I could have been a surfer," said Jace.
"You would have spent all your time jumping off the board and punching sharks," said Alec. "That's not really surfing.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
Flight 2039 to Boston is now boarding at gate 14A," a voice announced over the PA system.
Nellie sighed. "I love Irish accents." She paused. "And Australian accents. And English accents." A dreamy look came over her face. "Theo had an awesome accent."
Dan snorted. "Yeah, there was just that one tiny problem. He turned out to be a two-timing, backstabbing thief.
”
”
Rick Riordan (The Black Book of Buried Secrets)
“
Please, let me take you home. You’re drunk.”
“I am not.” I shoved him, spilling some kind of delicious poison on him. “Go home and have a wild time with Ms. Scarlet. In the bedroom. With the—”
“Okay, you’re starting to talk board game. Let’s go home, babe. I’ll get you into bed.
”
”
Rachael Wade (The Gates (Resistance, #2))
“
Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the same horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
Did you once have a grand plan which has become obsolete and no longer serves you? If there are areas in your life which must change to help you create better results, a redesign may be in order. Consider going back to the ‘drawing board’ to deconstruct what isn’t working and start anew.
”
”
Susan C. Young
“
There are times when a man should sleep entwined in the warm flesh of a woman, his flanks plummeting into the perfumed bedding while she lovingly rolls her sweet shoulders into his chest. Whereas, there are times to be stoic and solitary—sleeping alone on a wooden board with twill sheets and splinters that scratch the skin.
”
”
Roman Payne
“
What Machine is it that bears us along so relentlessly? We go rattling thro' another Day,- another Year,- as thro' an empty Town without a Name, in the Midnight...we have but Memories of some Pause at the Pleasure-Spas of our younger Day, the Maidens, the Cards, the Claret,- we seek to extend our stay, but now a silent Functionary in dark Livery indicates it is time to re-board the Coach, and resume the Journey. Long before the Destination, moreover, shall this Machine come abruptly to a Stop...gather'd dense with Fear, shall we open the Door to confer with the Driver, to discover that there is no Driver...no Horses,...only the Machine, fading as we stand, and a Prairie of desperate Immensity...
”
”
Thomas Pynchon (Mason & Dixon)
“
At certain times I have no race. I am me. I belong to no race or time. I am the eternal feminine with its string of beads.
I do not weep at the world--I am too busy sharpening my oyster knife. I have a strong suspicion, but I can't be sure, that much that passes for constant love is a golded-up moment walking in its sleep. Ships at a distance have every man's wish on board. Sometimes I feel discriminated against, but it does not make me angry. It merely astonishes me. How can anyone deny themselves the pleasure of my company? It's beyond me. There are years that ask questions and years that answer.
”
”
Zora Neale Hurston
“
Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
Most of us mortals never get to know our real destiny; we're just trampled by it. By the time we raise our heads and see it moving off down the road, it's already too late, and we have to walk the rest of the way along the straight and narrow ditch the dreamers call maturity. Hope is no more than the belief that that moment hasn't yet come, that we might still manage to see our real destiny when it draws near and jump on board before the chance of being ourselves disappears forever, condemning us to live in emptiness, missing what should have been and never was.
”
”
Carlos Ruiz Zafón (The Labyrinth of the Spirits)
“
A lot of really big trees had died to make that desk. His mother had probably gnawed them down, used her nails to saw the boards, and finished the decorative cutwork with her tongue.
”
”
Jennifer Crusie (Maybe This Time)
“
Anyway, I think Florence and I noticed each other before the local train screeched to a halt at the 110th Street station, because as I boarded it felt as though we were supposed to step into the same car, and hold onto the same moist metal bar. My wishful hunch now seems confirmed by the way she's reading her Time magazine article next to me.
”
”
Zack Love (City Solipsism)
“
I think we reminded them of what peace was like, we boys of sixteen. We were registered with no draft board, we had taken no physical examinations. No one had ever tested us for hernia or color blindness. Trick knees and punctured eardrums were minor complaints and not yet disabilities which would separate a few from the fate of the rest. We were careless and wild, and I suppose we could be thought of as a sign of the life the war was being fought to preserve. Anyway, they were more indulgent toward us than at any other time; they snapped at the heels of seniors, driving and molding and arming them for the war. They noticed our games tolerantly. We reminded them of what peace was like, of lives which were not bound up with destruction.
”
”
John Knowles (A Separate Peace)
“
The dining table was a plain board called by that name. It was hung on the wall when not in use, and was perched on the diners' knees when food was served. Over time, the word board came to signify not just the dining surface but the meal itself, which is where the board comes from in room and board. It also explains why lodgers are called boarders.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.
”
”
Zora Neale Hurston (Hurston's Their Eyes Were Watching God)
“
So the rich kids aren't the alpha group of the school. The next most likely demographic would be the church kids: They're plentiful, and they are definitely interested in school domination. However, that strength -- the will to dominate -- is also their greatness weakness, because they spend so much time trying to convince you to hang out with them, and the way they try to do that is by inviting you over to their church. 'We've got cookies and board games,' they say, or that sort of thing. 'We just got a Wii set up!' Something about it always seems a little off. Eventually, you realize: These same exact sentences are also said by child predators.
”
”
Jesse Andrews (Me and Earl and the Dying Girl)
“
He walked straight out of college into the waiting arms of the Navy.
They gave him an intelligence test. The first question on the math part had to do with boats on a river: Port Smith is 100 miles upstream of Port Jones. The river flows at 5 miles per hour. The boat goes through water at 10 miles per hour. How long does it take to go from Port Smith to Port Jones? How long to come back?
Lawrence immediately saw that it was a trick question. You would have to be some kind of idiot to make the facile assumption that the current would add or subtract 5 miles per hour to or from the speed of the boat. Clearly, 5 miles per hour was nothing more than the average speed. The current would be faster in the middle of the river and slower at the banks. More complicated variations could be expected at bends in the river. Basically it was a question of hydrodynamics, which could be tackled using certain well-known systems of differential equations. Lawrence dove into the problem, rapidly (or so he thought) covering both sides of ten sheets of paper with calculations. Along the way, he realized that one of his assumptions, in combination with the simplified Navier Stokes equations, had led him into an exploration of a particularly interesting family of partial differential equations. Before he knew it, he had proved a new theorem. If that didn't prove his intelligence, what would?
Then the time bell rang and the papers were collected. Lawrence managed to hang onto his scratch paper. He took it back to his dorm, typed it up, and mailed it to one of the more approachable math professors at Princeton, who promptly arranged for it to be published in a Parisian mathematics journal.
Lawrence received two free, freshly printed copies of the journal a few months later, in San Diego, California, during mail call on board a large ship called the U.S.S. Nevada. The ship had a band, and the Navy had given Lawrence the job of playing the glockenspiel in it, because their testing procedures had proven that he was not intelligent enough to do anything else.
”
”
Neal Stephenson (Cryptonomicon)
“
The nuclear weapons on board just one of our Trident submarines contain eight times the firepower expended in all of World War II.
”
”
John Allen Paulos (Innumeracy: Mathematical Illiteracy and Its Consequences)
“
In war," answered the weaver, "the strong make slaves of the weak, and in peace the rich make slaves of the poor. We must work to live, and they give us such mean wages that we die. We toil for them all day long, and they heap up gold in their coffers, and our children fade away before their time, and the faces of those we love become hard and evil. We tread out the grapes, another drinks the wine. We sow the corn, and our own board is empty. We have chains, though no eye beholds them; and are slaves, though men call us free.
”
”
Oscar Wilde (Fairy Tales of Oscar Wilde: The Young King/The Remarkable Rocket (Fairy Tales of Oscar Wilde, #2))
“
When I was in eighth grade, I used a self-timing camera to take nude pictures of myself in various stages of erection. I then exchanged my biology teacher’s slides with the images. The teacher, in a state of panic, kept rapidly pressing the ‘next’ button. It was like a pornographic flip-book. That was the last straw in a very heavy pile of straws. I was expelled, and I ended up transferring mid-year from boarding school to a public school near home.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
The man of system, on the contrary, is apt to be very wise in his own conceit; and is often so enamoured with the supposed beauty of his own ideal plan of government, that he cannot suffer the smallest deviation from any part of it. He goes on to establish it completely and in all its parts, without any regard either to the great interests, or to the strong prejudices which may oppose it.
He seems to imagine that he can arrange the different members of a great society with as much ease as the hand arranges the different pieces upon a chess-board. He does not consider that the pieces upon the chess-board have no other principle of motion besides that which the hand impresses upon them; but that, in the great chess-board of human society, every single piece has a principle of motion of its own, altogether different from that which the legislature might chuse to impress upon it. If those two principles coincide and act in the same direction, the game of human society will go on easily and harmoniously, and is very likely to be happy and successful. If they are opposite or different, the game will go on miserably, and the society must be at all times in the highest degree of disorder.
”
”
Adam Smith
“
It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch.
As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice:
"I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink."
I turn to look, noticing he's standing only a few feet behind me now.
"I hope I didn't startle you this time," he says.
"Ha-ha." I hold back my smile.
"I would have called your cell to tell you I was coming up, but you never gave me your number."
"I'm fine," I assure him, unable to stifle a giggle.
”
”
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
“
Life is like a train ride.
The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip.
People can and will get off at any stop.
Just know that where people get off is more of an reflection on them, than it is on you.
There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what.
Be very grateful of these people.
They are rare and when you find one, don't let go of them - ever.
Be blessed for the ones who get on at the worst stops when no one is there.
Remember those people, they are special.
Always hold them dear to your heart.
Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride.
For they will be the first to depart.
There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off.
Don't pay any heed to the defectors.
Pay heed to the passengers that are still on the trip.
They are the important ones.
If someone tries to get back on the train - don't be angry or hold a grudge, let them.
Just see where they are around the next hard turn.
If they are buckled in - accept them.
If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever.
There will be times that the train will be moving slow, at almost a crawls pace.
Appreciate that you can take in the view.
There will be times where the train is going so fast that everything is a blur.
Enjoy the sense of speed in your life, as it is exhilarating but unsustainable.
There will also be the chance that the train derails.
If that does happen, it will hurt, a lot, for a long time.
But there will be people who will appear out of no where who will get you back on track.
Those will be the people that will matter most in your life.
Love them forever.
For you can never repay these people.
The thing is, that even if you could repay them, they wouldn't accept it anyway.
Just pay it forward.
Eventually your train will get to its final stop and you will need to deboard.
At that time you will realize that life is about the journey AND the destination.
Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose.
Enjoy the ride.
”
”
JohnA Passaro
“
Realize that time will never stop. NEVER. You will never be younger again. It's like being on a train with no stops that's always leading you father and farther from home... or closer to home, depending on how you look at it. You can never get off the train. You can never board a train going the opposite direction. If you missed a stop, tough shit. If there was this great thing even just two miles back that you decided not to do, you can't change your mind and go do it. That place is gone forever.
”
”
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
“
Maybe I should let my faithful manservant answer the rest of your questions, since he seems to have all the answers."
"I'm saving her time," Bodie replied. "She brings you a redhead, you'll give her grief. Look for women with class, Annabelle. That's most important. The sophisticated types who went to boarding schools and speak French. She has to be the real thing because he can spot a phony a mile away. And he likes them athletic."
"Of course he does," she said dryly. "Athletic, domestic, gorgeous, brilliant, socially connected, and pathologically submissive. It'll be a snap."
"You forgot hot." Heath smiled. "And defeatist thinking is for losers. If you want to be a success in this world, Annabelle, you need a positive attitude. Whatever the client wants, you get it for him. First rule of a successful business."
"Uh-huh. What about career women?"
"I don't see how that would work."
"The kind of potential mate you're describing isn't going to be sitting around waiting for her prince to show up. She's heading a major corporation. In between those Victoria's Secret modeling gigs."
He lifted an eyebrow. "Attitude, Annabelle. Attitude.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
I remember clearly the deaths of three men. One was the richest man of the century, who, having clawed his way to wealth through the souls and bodies of men, spent many years trying to buy back the love he had forfeited and by that process performed great service to the world and, perhaps, had much more than balanced the evils of his rise. I was on a ship when he died. The news was posted on the bulletin board, and nearly everyone recieved the news with pleasure. Several said, "Thank God that son of a bitch is dead."
Then there was a man, smart as Satan, who, lacking some perception of human dignity and knowing all too well every aspect of human weakness and wickedness, used his special knowledge to warp men, to buy men, to bribe and threaten and seduce until he found himself in a position of great power. He clothed his motives in the names of virtue, and I have wondered whether he ever knew that no gift will ever buy back a man's love when you have removed his self-love. A bribed man can only hate his briber. When this man died the nation rang with praise...
There was a third man, who perhaps made many errors in performance but whose effective life was devoted to making men brave and dignified and good in a time when they were poor and frightened and when ugly forces were loose in the world to utilize their fears. This man was hated by few. When he died the people burst into tears in the streets and their minds wailed, "What can we do now?" How can we go on without him?"
In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, mo matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror....we should remember our dying and try so to live that our death brings no pleasure to the world.
”
”
John Steinbeck (East of Eden)
“
Air travel reminds us who we are. It’s the means by which we recognize ourselves as modern. The process removes us from the world and sets us apart from each other. We wander in the ambient noise, checking one more time for the flight coupon, the boarding pass, the visa. The process convinces us that at any moment we may have to submit to the force that is implied in all this, the unknown authority behind it, behind the categories, the languages we don’t understand. This vast terminal has been erected to examine souls.
”
”
Don DeLillo (The Names)
“
we, with our propensity for murder, torture, slavery, rape, cannibalism, pillage, advertising jingles, shag carpets, and golf, how could we be seriously considered as the perfection of a four-billion-year-old grandiose experiment? perhaps as a race, we have evolved as far as we are capable, yet that by no means suggests that evolution has called it quits. in all likelihood, it has something beyond human on the drawing board. we tend to refer to our most barbaric and crapulous behavior as "inhuman," whereas, in point of fact, it is exactly human, definitively and quintessentially human, since no other creature habitually indulges in comparable atrocities. this negates neither our occasional virtues nor our aesthetic triumphs, but if a being at least a little bit more than human is not waiting around the bend of time then evolution has suffered a premature ejaculation.
”
”
Tom Robbins (Half Asleep in Frog Pajamas)
“
You're crossing the ocean on a wooden ship. One of the boards rots, so you replace it with another that you've stored on your hold. It is still the same ship? Most people will agree that it is. But what if, bit by bit, as you make your journey, your ships sustains more and more damage, so that by the time you reach your destination, you have substituted each piece with its counterpart and not a single piece remains unreplaced. Now is it the same ship? Why or why not? How much of a thing is its pattern and how much its physical material? I was fascinated by the question of wether and how long you could remain the same person after casting off part of your body or, for that matter, after casting part of your history, part of your personality, part of your life.
”
”
Neil LaBute (My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales)
“
The crowd loves her—including the guy with the sign that says Marry Me, Holly.
She can’t fucking marry you, douchebag. She’s already married to me.
Right then, I realize I’m jealous. For the first time in my life, I’m fucking jealous. And it’s of a teenage boy holding a piece of hot pink fucking poster board.
”
”
Meghan March (Dirty Pleasures (The Dirty Billionaire Trilogy, #2))
“
It's like having explosives on board 24/7, the way I feel. I can't believe when I touch things they don't blow to bits. I can't believe I was so way off.
I thought, I don't know, I thought wrong.
”
”
Jandy Nelson (I'll Give You the Sun)
“
We have all heard such stories of expert intuition: the chess master who walks past a street game and announces “White mates in three” without stopping, or the physician who makes a complex diagnosis after a single glance at a patient. Expert intuition strikes us as magical, but it is not. Indeed, each of us performs feats of intuitive expertise many times each day. Most of us are pitch-perfect in detecting anger in the first word of a telephone call, recognize as we enter a room that we were the subject of the conversation, and quickly react to subtle signs that the driver of the car in the next lane is dangerous. Our everyday intuitive abilities are no less marvelous than the striking insights of an experienced firefighter or physician—only more common. The psychology of accurate intuition involves no magic. Perhaps the best short statement of it is by the great Herbert Simon, who studied chess masters and showed that after thousands of hours of practice they come to see the pieces on the board differently from the rest of us. You can feel Simon’s impatience with the mythologizing of expert intuition when he writes: “The situation has provided a cue; this cue has given the expert access to information stored in memory, and the information provides the answer. Intuition is nothing more and nothing less than recognition.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Twenty Thousand Leagues Under the Sea," translated Florent. "By Jules Verne. This book I have not read in many years."
"We're reading it in French class," Joseph said. "It's hard to understand, but I found a line that Uncle Albert would love."
Florent opened to a dog-eared page where Joseph had underlined a sentence and written the translation in the margin. Florent read it out loud. "'Let me tell you, Professor, that you will not regret the time spent on board. You are going to travel in a a land of marvels.
”
”
Brian Selznick (The Marvels)
“
I biked over to my dad's flat and emotionally blackmailed him into lending me enough cash to leave the country.
On that trip I learnt something very inmortant. Escape through travel works. Almost from the moment i boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed.
”
”
Alex Garland (The Beach)
“
Inside a barn is a whole universe, with its own time zone and climate and ecosystem, a shadowy world of swirling dust illuminated in tiger stripes by light shining through the cracks between the boards. Old leather tack, lengths of chain, rope, and baling twine dangled from nails and rafters and draped over stall railings. Generations of pocketknives lay lost in the layers of detritus on the floor.
”
”
Carolyn Jourdan (Heart in the Right Place)
“
Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.
”
”
Zora Neale Hurston (Hurston's Their Eyes Were Watching God)
“
History is ending because the dominator culture has led the human species into a blind alley, and as the inevitable chaostrophie approaches, people look for metaphors and answers. Every time a culture gets into trouble it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa 15,000 years ago rocked in the cradle of the Great Horned Mushroom Goddess before history, before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism, before, before, before. And this is where the future is taking us because the secret faith of the twentieth century is not modernism, the secret faith of the twentieth century is nostalgia for the archaic, nostalgia for the paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock-n-roll and catastrophe theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together the community will be better able to streamline itself for flight into hyperspace because what we need is a new myth, what we need is a new true story that tells us where we're going in the universe and that true story is that the ego is a product of pathology, and when psilocybin is regularly part of the human experience the ego is supressed and the supression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of the feeling of immediate experience - and nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience, but that's what holds the community together. And as we break out of the silly myths of science, and the infantile obsessions of the marketplace what we discover through the psychedelic experience is that in the body, IN THE BODY, there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life. I think of going to the grave without having a psychedelic experience like going to the grave without ever having sex. It means that you never figured out what it is all about. The mystery is in the body and the way the body works itself into nature. What the Archaic Revival means is shamanism, ecstacy, orgiastic sexuality, and the defeat of the three enemies of the people. And the three enemies of the people are hegemony, monogamy and monotony! And if you get them on the run you have the dominators sweating folks, because that means your getting it all reconnected, and getting it all reconnected means putting aside the idea of separateness and self-definition through thing-fetish. Getting it all connected means tapping into the Gaian mind, and the Gaian mind is what we're calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet. And without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set, and that's the idea; figuring out how to reset the compass of the self through community, through ecstatic dance, through psychedelics, sexuality, intelligence, INTELLIGENCE. This is what we have to have to make the forward escape into hyperspace.
”
”
Terence McKenna
“
It was a gift. What did I do with it? Life didn't accumulate as I'd once imagined. I graduated from boarding school, two years of college. Persisted through the blank decade in Los Angeles. I buried first my mother, then my father. His hair gone wispy as a child's. I paid bills and bought groceries and got my eyes checked while the days crumbled away like debris from a cliff face. Life a continuous backing away from the edge.
”
”
Emma Cline (The Girls)
“
At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death;
the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens;
the laughter that sets on fire the rules and the holy commandments;
the descent of parachuting words onto the sands of the page;
the despair that boards a paper boat and crosses,
for forty nights and forty days, the night-sorrow sea and the day-sorrow desert;
the idolatry of the self and the desecration of the self and the dissipation of the self;
the beheading of epithets, the burial of mirrors;
the recollection of pronouns freshly cut in the
garden of Epicurus, and the garden of Netzahualcoyotl;
the flute solo on the terrace of memory and the dance of flames in the cave of thought;
the migrations of millions of verbs, wings and claws, seeds and hands;
the nouns, bony and full of roots, planted on the waves of language;
the love unseen and the love unheard and the love unsaid: the love in love.
”
”
Octavio Paz
“
The GameMasters watched. They were the board of directors but also, they were more; they were dealmakers and wardens and politicians and owners, and they lived in a rarefied version of the world, a space above, for them alone. They sat and drank champagne to their philanthropic hearts' content. They watched a game they'd won already, many times over.
”
”
Nana Kwame Adjei-Brenyah (Chain-Gang All-Stars)
“
People like me who want to abolish prisons and police, however, have a vision of a different society, built on cooperation instead of individualism, on mutual aid instead of self-preservation. What would the country look like if it had billions of extra dollars to spend on housing, food, and education for all? This change in society wouldn’t happen immediately, but the protests show that many people are ready to embrace a different vision of safety and justice. When the streets calm and people suggest once again that we hire more Black police officers or create more civilian review boards, I hope that we remember all the times those efforts have failed.
”
”
Mariame Kaba (We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Abolitionist Papers Book 1))
“
As for our Ouija-board Supreme Court, it would be nice if they would take time off from holding séances with the long-dead founders, whose original intent so puzzles them, and actually examine what the founders wrought, the Constitution itself and the Bill of Rights.
”
”
Gore Vidal (The Last Empire: Essays 1992-2000)
“
You know I cleaned that board a hundred times and those damn words never went away? And I don’t mean that in a metaphorical sense. She used a Sharpie, not a dry-erase marker, and it literally stained the words into the board.
”
”
Christina Lauren (The Unhoneymooners (Unhoneymooners, #1))
“
On the board was a list of words and phrases which her mother considered not suitable for use in college T-shirt design. She had been asked about them so often that in the end she had started a blacklist of banned words to which everyone could refer. Every time someone thought of a new one, she unflinchingly wrote it down...
Rose read through the list, and turned back to her letter.
These are the words I learned to spell in Mummy's art class today, she wrote, and sighed a little as she began the tedious job of copying from the board.
”
”
Hilary McKay (Indigo's Star (Casson Family, #2))
“
The trains [in a country] contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Ceylonese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar with its gadgets and passengers represented the society so completely that to board it was to be challenged by the national character. At times it was like a leisurely seminar, but I also felt on some occasions that it was like being jailed and then assaulted by the monstrously typical.
”
”
Paul Theroux (The Great Railway Bazaar: By Train Through Asia)
“
The more Henry though about the shabby old knickknacks, the forgotten treasures, the more he wondered if his own broken heart might be found in there, hidden among the unclaimed possessions of another time. Boarded up in the basement of a condemned hotel. Lost, but never forgotten.
”
”
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
“
We're a lukewarm people for all our feast days and hard work. Not much touches us, but we long to be touched. We lie awake at night willing the darkness to part and show us a vision. Our children frighten us in their intimacy, but we make sure they grow up like us. Lukewarm like us. On a night like this, hands and faces hot, we can believe that tomorrow will show us angels in jars and that the well-known woods will suddenly reveal another path. Last time we had a bonfire, a neighbour tried to pull down the boards of his house. [...] I sometimes wonder why none of us tried to stop him. I think we wanted him to do it, to do it for us. To tear down our long-houred lives and let us start again. Clean and simple with open hands.
”
”
Jeanette Winterson (The Passion)
“
Einstein said the arrow of time flies in only one direction. Faulkner, being from Mississippi, understood the matter differently. He said the past is never dead; it's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose provenance dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always.
And who among us, offered the chance, would not relive the day or hour in which we first knew love, or ecstasy, or made a choice that forever altered our future, negating a life we might have had? Such chances are rarely granted. Memory and grief prove Faulkner right enough, but Einstein knew the finality of action. If I cannot change what I had for lunch yesterday, I certainly cannot unmake a marriage, erase the betrayal of a friend, or board a ship that left port twenty years ago.
”
”
Greg Iles (The Quiet Game (Penn Cage #1))
“
Then there's no point in our being logical, is there?" said Jonathan...
"What do you mean?" said Lewis and Mrs. Zimmerman at the same time.
"I mean," he said patiently, "that we're no good at that sort of game. Our game is wild swoops, sudden inexplicable discoveries, cloudy thinking. Knights' jumps instead of files of rooks plowing across the board. So we'd better play our way if we expect to win.
”
”
John Bellairs (The House with a Clock in Its Walls (Lewis Barnavelt, #1))
“
In the quiet serenity of the night that did not seem very important; it was only important that she should shut up and not spoil his evening. “Now you get on and start her up, and shut up talking.” She opened her mouth to give as good as she got, but said nothing. What he had told her was incredible; and yet it was what she had secretly feared for some time.
”
”
Nevil Shute (The Chequer Board)
“
Hippocrates cured many illnesses—and then fell ill and
died. The Chaldaeans predicted the deaths of many others; in
due course their own hour arrived. Alexander, Pompey,
Caesar—who utterly destroyed so many cities, cut down so
many thousand foot and horse in battle—they too departedthis life. Heraclitus often told us the world would end in fire.
But it was moisture that carried him off; he died smeared
with cowshit. Democritus was killed by ordinary vermin,
Socrates by the human kind.
And?
You boarded, you set sail, you’ve made the passage. Time
to disembark. If it’s for another life, well, there’s nowhere
without gods on that side either. If to nothingness, then you no
longer have to put up with pain and pleasure, or go on
dancing attendance on this battered crate, your body—so
much inferior to that which serves it.
One is mind and spirit, the other earth and garbage.
”
”
Marcus Aurelius (Meditations)
“
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water.
“I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.”
I held up the wax.
“For my own disobedience I have to buff the boat. Then I’m going for a jog.”
She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes.
She asked “In this heat?”
I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point.
I repeated carefully ”I am GOING for a JOG.”
“I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.”
“He means he’s GOING for a JOG” Rachel and Tammy said at the same time.
“He’s GOING for a JOG.”
Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much.
Exasperated Cameron told her “Adam wants you to go for a jog too.”
She said “Oh ”
“If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
That is the queen—the most powerful piece on the board. She can move in any direction, and go as far as she wishes.” There was nothing overtly suggestive in his manner of speaking …but when he spoke softly, as he was doing at that moment, there was a husky depth in his voice that made her toes curl inside her slippers. “More powerful than the king?” she asked.
“Yes. The king can only move one square at a time. But the king is the most important piece.”
“Why is he more important than the queen if he’s not the most powerful?”
“Because once he is captured, the game is over.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Love does not appear with any warning signs. You fall into it as if pushed from a high diving board. No time to think about what’s happening. It’s inevitable. An event you can’t control. A crazy, heart-stopping, roller-coaster ride that just has to take its course.
”
”
Jackie Collins
“
Surely the Board knows what democracy is. It is the line that forms on the right. It is the don’t in Don’t Shove. It is the hole in the stuffed shirt through which the sawdust slowly trickles; it is the dent in the high hat. Democracy is the recurrent suspicion that more than half the people are right more than half the time. It is the feeling of privacy in the voting booths, the feeling of communion in the libraries, the feeling of vitality everywhere. Democracy is the score at the beginning of the ninth. It is an idea which hasn’t been disproved yet, a song the words of which have not gone bad. It’s the mustard on the hot dog and the cream in the rationed coffee. Democracy is a request from a War Board, in the middle of a morning in the middle of a war, wanting to know what democracy is.
”
”
E.B. White (The Wild Flag: Editorials from the New Yorker on Federal World Government and Other Matters)
“
The pudgy one moved his bishop and immediately turned the beetle around and started it trudging back the other way. “If the beetle just cuts across the corner, is time up then?” Starling asked. “Of course time’s up then,” the pudgy one said loudly, without looking up. “Of course it’s up then. How do you play? Do you make him cross the whole board? Who do you play against, a sloth?
”
”
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
“
Edward was always a good listener, since his own form of self-expression then consisted in making uneartly and to me quite meaningless sounds on his small violin. I remember him, at the age of seven, as a rather solemn, brown-eyed little boy, with beautiful arched eyebrows which lately, to my infinite satisfaction, have begun to reproduce themselves, a pair of delicate question-marks, above the dark eyes of my five-year-old son. Even in childhood we seldom quarrelled, and by the time that we both went away to boarding-school he had already become the dearest companion of thos brief years of unshadowed adolescence permitted to our condemned generation.
”
”
Vera Brittain (Testament of Youth)
“
I twisted, my loose clothes sliding over my shoulders, my waist. I hadn’t realized how much weight I’d lost. Despite things creeping back to normal. I said, “Don’t you have other things to deal with?” “Of course I do,” he said, shrugging. “I have so many things to deal with that I’m sometimes tempted to unleash my power across the world and wipe the board clean. Just to buy me some damned peace.” He grinned, bowing at the waist. Even that casual mention of his power failed to chill me, awe me. “But I’ll always make time for you.” I was hungry—I hadn’t yet eaten. And that was indeed worry glimmering behind the cocky, insufferable grin. So I motioned him to lead the way to that familiar glass table at the end of the hall.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
On that trip I learnt something very important. Escape through travel works. Almost from the moment I boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed." (The Beach)
”
”
Alex Garland
“
In the old days, when he flew a lot, he'd never been able to get absorbed in a book until the plane had taken off, so he'd spent the pre-boarding time flicking through magazines and browsing in gift shops, and that's what the last couple of decades had felt like: one long flick through a magazine. If he'd known how long he was going to spend in the airport lounge of his own life, he'd have made different travel arrangements, but instead he'd sat there, sighing and fidgeting and, more often than was ever really acceptable, snapping at his traveling companions.
”
”
Nick Hornby (Juliet, Naked)
“
No, no. She’s a career woman. She has a full-time nanny. I think she just imported a new one from France. She likes European stuff. Renata doesn’t have time to help at the school. She has board meetings to attend. Whenever you talk to her she’s just been to a board meeting, or she’s on her way back from a board meeting, or she’s preparing for a board meeting. I mean, how often do these boards have to meet?
”
”
Liane Moriarty (Big Little Lies)
“
Cleanliness is next to godliness, whatever that means. But the trouble with that sort of approach to life is that it never ends. Yes, you can take time to pick the weeds from the pavement outside and scrub your skirting board and make sure there’s no dust collecting in any evil corners but you had to keep on doing it. If I had to do it all this week and then again next week and then the week after that, why not just leave it till next month? Or preferably next year?
”
”
Helen Harper (Spirit Witch (The Lazy Girl's Guide To Magic, #3))
“
Everything in your life exists because you first made a choice about something. Choices are at the root of every one of your results. Each choice starts a behavior that over time becomes a habit. Choose poorly, and you just might find yourself back at the drawing board, forced to make new, often harder choices. Don’t choose at all, and you’ve made the choice to be the passive receiver of whatever comes your way.
”
”
Darren Hardy (The Compound Effect)
“
Turns out I don't need someone holding my board and pushing me into the wave - I can do it myself. Several times as, as I ride the wave, I have that glorious, blissful feeling... like I'm flying. It's even better than the feeling I had the day Gabe took me surfing. Because it taught me that Gabriel Gerard isn't the only one who can make magic. I can make magic too.
”
”
Sally Hepworth (The Soulmate)
“
I was a terrible dancer. I couldn't carry a tune. I had no sense of balance, and when we had to walk down a narrow board with our hands out and a book on our heads in gym class I always fell over. I couldn't ride a horse or ski, the two things I wanted to do most, because they cost too much money. I couldn't speak German or read Hebrew or write Chinese. I didn't even know where most of the old out-of-the-way countries the UN men in front of me represented fitted in on the map.
For the first time in my life, sitting there in the soundproof heart of the UN building between Constantin who could play tennis as well as simultaneously interpret and the Russian girl who knew so many idioms, I felt dreadfully inadequate. The trouble was, I had been inadequate all along, I simply hadn't thought about it.
”
”
Sylvia Plath (The Bell Jar)
“
The Night Vale Medical Board has issued a new study indicating that you have a spider somewhere on your body at all times but especially now. The study said that further research would be needed to determine exactly where on your body this spider is and what its intentions are, only that it is definitely there and is statistically likely to be one of the really ugly ones.
”
”
Joseph Fink (Mostly Void, Partially Stars (Welcome to Night Vale Episodes, #1))
“
I'm one of those passengers who arrives at the airport five or six hours early so I can throw back a few drinks and muster up the courage to board the plane. Apparently I'm not alone because I've never been in an empty airport bar. I don't care what time you get there. Even at 8:00 a.m. you have to fight your way to the bar. At that hour, everyone drinks Bloody Marys so no one can tell it's booze- at least until they fall off their chair.
”
”
Bob Newhart
“
I’M SORRY
I am developing a new board game. It’s called “I’m Sorry.” It’s also a form of “Self-Help Psychological Therapy!”
You take turns moving around the board like Monopoly. But if you land on a Yellow or Green “I’m Sorry Space”… you have to make a Phone call. Both green and yellow cards are labeled- the same with things like: Your Ex, Parental figure, friend, co-worker, boss, children, etc. You get the point…
If you land on the yellow space, the game stops, everyone gets quiet and you have to call that person up – on speakerphone. You apologize for something you’ve done in your past. Come on you know you are not perfect and you probably screwed up, hurt or disappointed everyone in your past at one time or another. So you call and you apologize. You explain what you did to them wrong if they forgive you, you move forward 10 places and everyone cheers! No forgiveness back- you move back to the beginning.
If you land on the green space- it’s similar. But you call the person up and you try to explain to them how, in someway, they hurt you in the past. If they apologize… cheers and you move forward 10 spaces. No apology… move backward ten spaces. They curse at you- game over.
In the original packaging of the yellow and green cards, are mixed in a set of “I’m Sorry Cards.” If you are lucky enough to get to pick up an “I’m Sorry Card,” it’s like a Get Out of Jail Free Card, and you don’t have to make the call.
The only catch is that the cards come hermetically sealed. After opening up the package, and the cards are exposed to air, all of the “I’m Sorry Cards,” magically turn into “Deal With it Cards!” And so, you really never get a free ride. In reality, every time you pick up a yellow or green card, you have to- Deal with It!
Of course you can always order a new factory set of sealed of “I’m Sorry Cards.” But they only last about 30 minutes and are very expensive, so you’ll have to play fast. Cute Game? Hey, don’t steal my idea!!!
”
”
José N. Harris (Mi Vida)
“
The assault on education began more than a century ago by industrialists and capitalists such as Andrew Carnegie. In 1891, Carnegie congratulated the graduates of the Pierce College of Business for being “fully occupied in obtaining a knowledge of shorthand and typewriting” rather than wasting time “upon dead languages.” The industrialist Richard Teller Crane was even more pointed in his 1911 dismissal of what humanists call the “life of the mind.” No one who has “a taste for literature has a right to be happy” because “the only men entitled to happiness… is those who are useful.” The arrival of industrialists on university boards of trustees began as early as the 1870s and the University of Pennsylvania’s Wharton School of Business offered the first academic credential in business administration in 1881. The capitalists, from the start, complained that universities were unprofitable. These early twentieth century capitalists, like heads of investment houses and hedge-fund managers, were, as Donoghue writes “motivated by an ethically based anti-intellectualism that transcended interest in the financial bottom line. Their distrust of the ideal of intellectual inquiry for its own sake, led them to insist that if universities were to be preserved at all, they must operate on a different set of principles from those governing the liberal arts.
”
”
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
“
All the way down the creek, perched in the windows of the office blocks and department stores, the iguanas watched them go past, their hard frozen heads jerking stiffly… Without the reptiles, the lagoons and the creeks of office blocks half-submerged in the immense heat would have had a strange dream-like beauty, but the iguanas and basilisks brought the fantasy down to earth. As their seats in the one-time board-rooms indicated, the reptiles had taken over the city. Once again they were the dominant form of life.
”
”
J.G. Ballard (The Drowned World)
“
... In a ROWE* people don't have schedules.
They show up when they want.
They don't have to be in the office at certain time, or anytime.
They just have to get their work done.
How they do it ?
When they do it ?
Where they do it ?
It's totally up to them.
Meetings & this kind of environments are Optional.
What happens ... ?
Almost across the board !
- Productivity goes up
- Worker Engagement goes up
- Worker Satisfaction goes up
- Turnovers goes down
- Autonomy .. Mastery .. Purpose -
these are the building blocks of new way of doing things."
______________________________________________________________
*ROWE: results-only work environment
”
”
Daniel H. Pink
“
What makes this city different is that nobody expects to be in one place for ten minutes. Everybody moves all the time. Seven nameless men own everything and move us around on a board. People are swept out into the streets because the owners need the space. Then they are swept off the streets because someone owns the air they breathe. Men buy and sell air in the sky and there are bodies heaped together in boxes on the sidewalk. Then they sweep away the boxes."
"You like to overstate."
"I overstate things to stay alive. This is the point of New York. I completely love and trust this city but I know the moment I stop being angry I'm finished forever.
”
”
Don DeLillo (Mao II)
“
Because we’re the same you and me. Both fucked up, broken pieces on a game board that’s bigger than we can cope with. Both hoping to find some way of winning despite the odds being stacked against us all the damn time. Both addicted to things that push our boundaries and make us feel alive. Because at the end of the day, even feeling the worst of things is better than feeling nothing at all.
”
”
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
“
While we are quick to judge the human rights record of every other country on earth, it is we civilized Americans whose murder rate is ten times that of other Western nations, we civilized Americans who kill women and children with the most alarming frequency. In (sad) fact, if a full jumbo jet crashed into a mountain killing everyone on board, and if that happened every month, month in and month out, the number of people killed still wouldn’t equal the number of women murdered by their husbands and boyfriends each year.
”
”
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
“
Deep Blue didn't win by being smarter than a human; it won by being millions of times faster than a human. Deep Blue had no intuition. An expert human player looks at a board position and immediately sees what areas of play are most likely to be fruitful or dangerous, whereas a computer has no innate sense of what is important and must explore many more options. Deep Blue also had no sense of the history of the game, and didn't know anything about its opponent. It played chess yet didn't understand chess, in the same way a calculator performs arithmetic bud doesn't understand mathematics.
”
”
Jeff Hawkins (On Intelligence)
“
An old book was a time capsule. When you opened the front cover, you opened a door to another world—a world accessible through a kind of looking glass made of hard-board and cloth. The author’s voice resonated in the reader’s head with the same words that had resonated in his own as he wrote them. He spoke to the reader from the past. What he had witnessed, experienced, learned, and discovered would live forever. You only had to turn a page to travel in time.
”
”
Stephen Parrish
“
The anarch differs from the anarchist in that he has a very pronounced sense of the rules. Insofar as and to the extent that he observes them, he feels exempt from thinking.
This is consistent with normal behavior: everyone who boards a train rolls over bridges and through tunnels that engineers have devised for him and on which a hundred thousand hands have labored. This does not darken the passenger’s mood; settling in comfortably, he buries himself in his newspaper, has breakfast, or thinks about his business.
Likewise, the anarch – except that he always remains aware of that relationship, never losing sight of his main theme, freedom, that which also flies outside, past hill and dale. He can get away at any time, not just from the train, but also from any demand made on him by state, society, or church, and also from existence. He is free to donate existence to Being, not for any pressing reason but just as he likes, whether out of exuberance or out of boredom.
Why do so many people strive for the career of petty functionary? No doubt because they have a sensible notion of happiness. They know the rules and their taboos. Time flows by nonchalantly. You are already half-way to Tibet. Plus the security. No state can do without minor officials, no matter how high the waves may surge. Of course, you have to keep a low profile.
”
”
Ernst Jünger (Eumeswil)
“
Random Guy: You can't snowboard? Want me to teach you?
Haruna: Huh?
Random Guy: You here with your friends? I am too, but do you want to board together?
Haruna: What? Could you be...hitting on me?
Random Guy: Haha. That's...an extremely direct way to put it, but yes, I'm hitting on you.
Haruna: Wait, I know. Is it that you have some kind of secret grudge against Komiyama Yoh?
Random Guy: Who?
Haruna: Or you're going to sell me, or take my money, or something?
Random Guy: Uh...No...
Haruna: You mean you're purely trying to pick me up?
Random Guy: Yes, purely...
Haruna: Yoh! I got hit on!
Random Guy: Oh, so your boyfriends here. Please excuse me.
Haruna: He was trying to pick me up! Isn't that incredible!
Yoh: It's not incredible!! Don't get picked up!!
Haruna: This is the first time that I've been hit on in my entire life!
Yoh: Don't get hit on up here! What are you so happy about?
Haruna: I'm not happy. It's more like... surprised?
Yoh: You should've hurried up and said no right away!
Haruna: Well, it was my first time getting hit on, so I'd never had to say no before, so I didn't know what to do and...
Yoh: In that situation, just hit the guy!
Hatuna: Whaaaat? With my fist?
Yoh: With your fist! Or just slap him!
Haruna: Understood. I'll hit them!
”
”
Kazune Kawahara
“
Then it happened. One night as the rain beat on the slanted kitchen roof a great spirit slipped forever into my life. I held his book in my hands and trembled as he spoke to me of man and the world, of love and wisdom, pain and guilt, and I knew I would never be the same. His name was Fyodor Mikhailovich Dostoyevsky. He knew more of fathers and sons than any man in the world, and of brothers and sisters, priests and rogues, guilt and innocence. Dostoyevsky changed me. The Idiot, The Possessed, The Brothers Karamazov, The Gambler. He turned me inside out. I found I could breathe, could see invisible horizons. The hatred for my father melted. I loved my father, poor, suffering, haunted wretch. I loved my mother too, and all my family. It was time to become a man, to leave San Elmo and go out into the world. I wanted to think and feel like Dostoyevsky. I wanted to write.
The week before I left town the draft board summoned me to Sacramento for my physical. I was glad to go. Someone other than myself could make my decisions. The army turned me down. I had asthma. Inflammation of the bronchial tubes.
“That’s nothing. I’ve always had it.”
“See your doctor.”
I got the needed information from a medical book at the public library. Was asthma fatal? It could be. And so be it. Dostoyevsky had epilepsy, I had asthma. To write well a man must have a fatal ailment. It was the only way to deal with the presence of death.
”
”
John Fante (The Brotherhood of the Grape)
“
That time, in third grade, with the help of Mrs. Callahan, my ESL teacher, I read the first book that I loved, a children's book called Thunder Cake by Patricia Polacco. In the story, when a girl and her grandmother spot a storm brewing on the green horizon, instead of shuttering the windows or nailing boards on the doors, they set out to bake a cake. I was unmoored by this act, its precarious yet bold refusal of common sense. As Mrs. Calahan stood behind me, her mouth at my ear, I was pulled deeper into the current of language. The story unfurled, its storm rolled in as she spoke, then rolled in once more as I repeated the words. To bake a cake in the eye of a storm; to feed yourself sugar on the cusp of danger.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
That goes for old wounds, too, you know. I really wish we'd had the chance to talk before this," he says, cracking the window so the smoke can escape. "There's a Longfellow quote I have stuck on my bulletin board at the church office- 'There is no grief like the grief that does not speak'- and it's true. I've found that keeping pain inside doesn't give it a chance to heal, but bringing it out into the light, holding it right there in your hands and trusting that you're strong enough to make it through, not hating the pain, not loving it, just seeing it for what it really is can change how you go on from there. Time alone doesn't heal emotional wounds, Sayre, and you don't want to live the rest of your life bottled up with anger and guilt and bitterness. That's how people self-destruct.
”
”
Laura Wiess (Ordinary Beauty)
“
[Democracy] is the line that forms on the right. It is the don’t in don’t shove. It is the hole in the stuffed shirt through which the sawdust slowly trickles; it is the dent in the high hat. Democracy is the recurrent suspicion that more than half of the people are right more than half of the time. It is the feeling of privacy in the voting booths, the feeling of communion in the libraries, the feeling of vitality everywhere. Democracy is a letter to the editor. Democracy is the score at the beginning of the ninth. It is an idea which hasn’t been disproved yet, a song the words of which have not gone bad. It’s the mustard on the hot dog and the cream in the rationed coffee. Democracy is a request from a War Board, in the middle of a morning in the middle of a war, wanting to know what democracy is.
”
”
E.B. White
“
The more arid and affectless life became in the high-rise, the greater the possibilities it offered. By its very efficiency, the high-rise took over the task of maintaining the social structure that supported them all. For the first time, it removed the need to suppress every kind of anti-social behavior and left them free to explore any deviant or wayward impulses. It was precisely in these areas where the most important and interesting aspects of their lives would take place. Secure within the shell of the high-rise, like passengers on board an automatically-piloted airliner, they were free to behave in any way they wished, explore the darkest corners they could find. In many ways, the high-rise was a model of all that technology had done to make possible the expression of a truly free psychopathology.
”
”
J.G. Ballard (High-Rise)
“
Welcome to Final Forum. Use this board to communicate with other who are completers. Please note: Participants may not attempt to dissuade or discourage self termination. Disregard for free will informed consent will result in immediate removal from the board. Future access to Through-The-Light will be denied. This board is monitored at all times."
That's comforting. I've been to suicide boards before where people get on and say stuff like, "Don't do it. Suicide is not the answer."
They don't know the question.
Or, "Life's a bitch. Get used to it."
Thanks.
"Suicide is the easy way out."
If it's so easy, why am I still here?
And my favorite: "God loves you. Life is the most precious gift from God. You will break God's heart if you throw His gift away."
God has a heart? That's news to me.
People on boards are very, very shallow.
The Final Forum has a long list of topic, including: Random Rants, Bullied, Divorce, Disease, So Tired, Hate This Life, Bleak, Bequests, Attempts.
Already I like this board.
I start with Random Rants.
”
”
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
“
At these times, the adversary appears holding two boards.
Written on one board: “Think more of yourself. Keep your blessings to yourself, otherwise you will lose everything.”
The other board reads: “who are you to help others? Can’t you even see your own defects?”
A warrior of the light knows he has defects. But he also knows he cannot grow alone, and distance himself from his companions.
So he throws both boards to the ground, even though he believes they contain some truth deep down. They turn to dust, and the warrior continues to help those near him.
”
”
Paulo Coelho (Warrior of the Light)
“
You may not see every single piece of the puzzle that creates your life — you may not see every move the grand chess player makes — but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything, in the end, will always turn out for good. It’s a nice promise, isn’t it? To know that there’s a reason for it all? A reason for your cancer — maybe by having cancer you’ve saved the lives of three of your best friends. Had you not been sick, would you have met them? Had you not been sick, would you have found the love of your life? Maybe it’s not in the perfection of life that things make sense, but in the chaos.
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
We had algebra together, right?”
“Yeah.” That was two years ago. I only vaguely remember him. Something about circles. “Didn’t you draw perfect circles?”
“That’s what I’m known for.”
“Really?” Erin goes, all excited about the circles.
Jason says, “No, it’s just this one time I went up to the board and I had to draw a circle and it came out really . . . round.”
“Which is always a good thing, when you’re drawing a circle,” I say.
“Exactly.” Jason smiles at me.
“It was more than one time,” I remind him. For some reason, it’s all coming back to me now. “It was more like three or four times.”
“What can I say?” Jason goes. “You got me.”
Now we’re both smiling.
”
”
Susane Colasanti (Something Like Fate)
“
Heroes in fact die with one's youth. They are pinned like butterflies to the setting board of early memories—the time when skies were always blue, the sun shone and the air was filled with the sounds and scents of grass being cut. I find myself still as desperate to read the Sussex score in the stop-press as ever I was; but I no longer worship heroes, beings for whom the ordinary scales of human values are inadequate. One learns that as one grows up, so do the gods grow down. It is in many ways a pity: for one had thought that heroes had no problems of their own. Now one knows different!
”
”
Alan Ross (Cricket Heroes: 21 leading writers, members of the Cricket Writers Club, on great cricketers)
“
Science’s skeptical core makes it a poor competitor for human hearts and minds, which recoil from its ongoing controversies and prefer the security of seemingly eternal truths. If the scientific approach were just one more interpretation of the cosmos, it would never have amounted to much; but science’s big-time success rests on the fact that it works. If you board an aircraft built according to science – with principles that have survived numerous attempts to prove them wrong – you have a far better chance of reaching your destination than you do in an aircraft constructed by the rules of Vedic astrology.
”
”
Neil deGrasse Tyson (Origins: Fourteen Billion Years of Cosmic Evolution)
“
The fact was, there wasn't room on earth for a couple million gold-farmers to turn into high-paid video-game executives. The fact was, if you had to slice the pie into enough pieces to give one to everyone, you'd end up slicing them so thin you could see through them. "When 30,000 people share an apple, no one benefits -- especially not the apple." It was a quote one of his economics profs had kept written in the corner of his white-board, and any time a student started droning on about compassion for the poor, the old prof would just tap the board and say, "Are you willing to share your lunch with 30,000 people?
”
”
Cory Doctorow (For the Win)
“
The Los Angeles Air Pollution Control Board is established in 1946 in an effort to discover the cause of the brown cloud hanging over the city and decide how to combat and disperse it. In 1949, after intense lobbying from both the automobile and oil industries, and against the recommendations and position of the Los Angeles Air Pollution Control Board, the public rail system, which at one time was the largest in the world, and still serves a majority of the city's population, is decommissioned and torn out. It is replaced by a small fleet of buses.
”
”
James Frey (Bright Shiny Morning)
“
Well, what is there to do around here, anyway?"
"Well, here we have World Domination; it builds strategy skills—you can play as a dog, a boot, or a trebuchet."
Bewilder builds language and observation skills..."
"I said I wanted to play VIDEO games."
"Video games are a waste of time."
"And board games AREN'T?
Why do you even have these? No one lives here but you!"
"I used to have some henchmen. Game night was a big hit."
"Henchmen? What happened to them?"
"I can't work with mercenaries. It's impossible to build trust when they only care about their paychecks. "
"Oooh. Let me guess. The Institution paid them off?"
"I don't want to talk about it.
”
”
N.D. Stevenson (Nimona)
“
He decides he wants both more or less. He’d like to hang with Beyonce in a nice way, get to know her by doing small pleasant things together like playing board games and going out for ice cream, or how about this, a three-week trial run in some tropical paradise where they can hang together in that nice way and possibly fall in love, and meanwhile fuck each other’s brains out in their spare time. He wants both, he wants the entire body-soul connect because anything less is just demeaning.
”
”
Ben Fountain (Billy Lynn's Long Halftime Walk)
“
Imagine you have a hammer. That’s machine learning. It helped you climb a grueling mountain to reach the summit. That’s machine learning’s dominance of online data. On the mountaintop you find a vast pile of nails, cheaper than anything previously imaginable. That’s the new smart sensor tech. An unbroken vista of virgin board stretches before you as far as you can see. That’s the whole dumb world. Then you learn that any time you plant a nail in a board with your machine learning hammer, you can extract value from that formerly dumb plank. That’s data monetization. What do you do? You start hammering like crazy and you never stop, unless somebody makes you stop. But there is nobody up here to make us stop. This is why the “internet of everything” is inevitable.
”
”
Shoshana Zuboff (The Age of Surveillance Capitalism)
“
Can’t machines build these faster?” he asked the woman, looking around the starship shell.“Why, of course!” she laughed.“Then why do you do it?”“It’s fun. You see one of these big mothers sail out those doors for the first time, heading for deep space, three hundred people on board, everything working, the Mind quite happy, and you think, I helped build that. The fact a machine could have done it faster doesn’t alter the fact that it was you who actually did it.”
“Hmm,” he said.
“Well, you may ‘hmm’ as you wish,” the woman said, approaching a translucent hologram of the half-completed ship, where a few other construction workers were standing, pointing inside the model and talking. “But have you ever been gliding or swum underwater?”
“Yes,” he agreed.
The woman shrugged. “Yet birds fly better than we do, and fish swim better. Do we stop gliding or swimming because of this?”
He smiled. “I suppose not.”
“You suppose correctly,” the woman said. “And why?” She looked at him, grinning. “Because it’s fun.
”
”
Iain M. Banks (Use of Weapons (Culture, #3))
“
She was a very small girl with a face as lovely and fresh as her son’s face—a very small girl. Most of the time she knew she was smarter and prettier than anyone else. But now and then a lonely fear would fall upon her so that she seemed surrounded by a tree-tall forest of enemies. Then every thought and word and look was aimed to hurt her, and she had no place to run and no place to hide. And she would cry in panic because there was no escape and no sanctuary.
Then one day she was reading a book—brown, with a silver title, and the cloth was broken and the boards thick. It was Alice in Wonderland. But it was the bottle which said, “Drink me” that had changed her life.
”
”
John Steinbeck (East of Eden)
“
I do not know from what associations the hippopotamus got into the chess board, but although the spectators were convinced that I was continuing to study the position, I, despite my humanitarian education, was trying at this time to work out: just how WOULD you drag a hippopotamus out of the marsh? I remember how jacks figured in my thoughts, as well as levers, helicopters, and even a rope ladder. After a lengthy consideration I admitted defeat as an engineer, and thought spitefully to myself: "Well, just let it drown!" And suddenly the hippopotamus disappeared. Went right off the chessboard just as he had come on... of his own accord! And straightaway the position did not appear to be so complicated.
”
”
Mikhail Tal
“
Politics of Friendship is, in other words, only a book between covers. For the real text, you must enter the classroom, put yourself to school, as a preview of the formation of collectivities. A single “teacher's” “students,” flung out into the world and time, is, incidentally, a real-world example of the precarious continuity of a Marxism “to come,” aligned with grassroots counterglobalizing activism in the global South today, with little resemblance to those varieties of “Little Britain” leftism that can take on board the binary opposition of identity politics and humanism, shifting gears as the occasion requires.
”
”
Gayatri Chakravorty Spivak (Death of a Discipline)
“
AT FIRST THE PEOPLE in the Severn City Airport counted time as though they were only temporarily stranded. This was difficult to explain to young people in the following decades, but in all fairness, the entire history of being stranded in airports up to that point was also a history of eventually becoming unstranded, of boarding a plane and flying away. At first it seemed inevitable that the National Guard would roll in at any moment with blankets and boxes of food, that ground crews would return shortly thereafter and planes would start landing and taking off again. Day One, Day Two, Day Forty-eight, Day Ninety, any expectation of a return to normalcy long gone by now, then Year One, Year Two, Year Three. Time had been reset by catastrophe.
”
”
Emily St. John Mandel (Station Eleven)
“
By weaponizing the discourse of human rights to justify the use of force against governments that resisted the Washington consensus, this group of well-connected liberals was able to stir support where the neocons could not. Their brand of interventionism appealed directly to the sensibility of the Democratic Party's metropolitan base, large swaths of academia, the foundation-funded human rights NGO complex, and the New York Times editorial board. The xhibition of atrocities allegedly committed by adversarial governments, either by Western-funded civil society groups, major human rights organizations or the mainstream press, was the military humanists' stock in trade, enabling them to mask imperial designs behind a patina of "genocide prevention." With this neat tactic, they effectively neutralized progressive antiwar elements and tarred those who dared to protest their wars as dictator apologists.
”
”
Max Blumenthal (The Management of Savagery: How America's National Security State Fueled the Rise of Al Qaeda, ISIS, and Donald Trump)
“
The Marquess shrugged. “I’m a shadow. I do know I am a shadow, Iago. I know most of the time. It’s only when I cannot bear how everyone looks at me down here that I make myself forget it. Shadows are the other side of yourself. I had longings to be good, even then. I was just stronger than my wanting. I’m stronger than anything, really, when I want to be.” The Marquess’s hair turned white as the snow. “Do you know, we’re right underneath Springtime Parish? This place is the opposite of springtime. Everything past prime, boarded up for the season. Just above us, the light shines golden on daffodils full of rainwine and heartgrass and a terrible, wicked, sad girl I can’t get back to. I don’t even know if I want to. Do I want to be her again? Or do I want to be free? I come here to think about that. To be near her and consider it. I think I shall never be free. I think I traded my freedom for a better story. It was a better story, even if the ending needed work.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
I offered to pass along information about NEHSA to Heidi so she can let her patients know about it. I don’t have any scientific or clinical data to back this up, but I think snow-boarding is the most effective rehabilitative tool I’ve experienced. It forces me to focus on my abilities and not my disability, to overcome huge obstacles, both physical and psychological, to stay up on that board and get down the mountain in one piece. And each time I get down the mountain in one piece, I gain a real confidence and sense of independence I haven’t felt anywhere else since the accident, a sense of true well-being that stays with me well beyond the weekend. And whether snowboarding with NEHSA has a measurable and lasting therapeutic effect for people like me or not, it’s a lot more fun than drawing cats and picking red balls up off a tray
”
”
Lisa Genova (Left Neglected)
“
The Internet is a good filter. It’s a good way to find men who share some of your values. However, your friends on message boards and on social networking sites, scattered all over the world, are not going to be there for you when the proverbial shit hits the fan. Spend more time making contact with men who are geographically close to you. If you have close friends in your area, consider moving into the same apartment complex or within a few blocks of one another. Think about the way gangs start in inner cities. Men and boys have lived and died to defend tribes with territories as small as a few blocks. Proximity creates familiarity and shared identity. It creates us. Spreading our alliances across nations and continents keeps us reliant on the power of the State and the global economy. Men who are separated and have no one else to rely on must rely on the State.
”
”
Jack Donovan (The Way of Men)
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
The timing of Thomas Lewis’ illness suggests one chilling alternative history. The Broad Street outbreak had subsided in part because the only viable route between the well and the neighborhood’s small intestines had run through the cesspool at 40 Broad. When baby Lewis died, the connection had died with it. But when her husband fell ill, Sarah Lewis began emptying the buckets of soiled water in the cesspool all over again. If Snow had not persuaded the Board of Governors to remove the handle when he did, the disease might have torn through the neighborhood all over again, the well water restocked with a fresh supply of V. cholerae. And so Snow’s intervention did not just help bring the outbreak to a close. It also prevented a second attack.
”
”
Steven Johnson (The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World)
“
I don't think Communism will work--in the long run--any better than Christianity has done, and I'm not the Crusader type. Capitalism or Communism? Perhaps God is a Capitalist. I want to be on the side most likely to win during my lifetime. Don't look shocked, John. You think I'm a cynic, but I just don't want to waste a lot of time. The side that wins will be able to build the better hospitals, and give more to cancer research--when all this atomic nonsense is abandoned. In the meantime I enjoy the game we're all playing. Enjoy. Only enjoy. I don't pretend to be an enthusiast for God or Marx. Beware of people who believe. They aren't reliable players. All the same one grows to like a good player on the other side of the board--it increases the fun.
”
”
Graham Greene (The Human Factor)
“
When you're and only child in a family with an only parent, you look at other, bigger families with envy. Mary Alice had a family with a station wagon, a split-level house, and a pool.
But then I looked up and saw Mary Alice's toes, as she stood at the edged of the diving board. Her second toe lay on top of her big toe on each foot. I had never seen such a thing. I wondered if Mary Alice's toes would ever prevent her from doing the things she wanted to do in life.
"Look, y'all!" she said, forming her perfect body into a perfect swan's dive. I decided then that any time I got frustrated with my overall situation in life, mad or jealous of knee socks or a pink canopy bed in a pink room, I'd take a deep breath and think about Mary Alice's toes. At least I didn't have Mary Alice's toes.
”
”
Margaret McMullan
“
Hennessy leaned over one of the shelves. The tediously normal-looking cell phone on it brightened to display a photograph of two young men as the lock screen. One was Ronan, laughing explosively. The other was a rather self-contained-looking fellow, striking in an unusual sort of way, smirking a bit at whatever he’d just said. They were not exactly opposites but their appearances nonetheless gave the impression they were. Ronan’s dark, dramatic eyebrows, the other guy’s light, barely visible ones. Ronan’s emotions screamed upon his face while the other guy’s whispered.
“Is that him?”
Ronan addressed the dream at large. “Traitor. You didn’t have to show her.”
“He doesn’t look like he’s filling a hole inside himself with your toxic presence,” Hennessy said. She kind of hated looking at them together. It made her feel ugly inside. “Are you guys in love five-ever or do you think you’re a pretty board game to pass his time?”
Now she sounded ugly, too.
”
”
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
“
He grabbed the back of my parka,but I got the distinct impression he was not trying to be a gentleman by helping me out of it.He just wanted his parka back.
"When you feel cornered,you'll just fling whatever you've got at people, and you don't care who gets hurt with what."
"I am not scared." I slid down from the truck seat into Liz's stepdad's galoshes, then turned to face Nick one last time. "I am not scared of boarding or you,and I will prove it to you tomorrow.If you think I'm going easy on you in the comp just because you have a debilitating injury from yesterday-"
"That's what you think," he snarked. "I've been going yoga."
"-you have another think coming.You will buy me those Poser tickets. And I'm not even taking you.You will hand the tickets over to me,and I'll take someone else."
"Who? Your little brother's friends?"
"No,Everett Walsh." I closed the door softly behind me so as not to alarm sleeping adults,because I was that mature.
Even through the door and the rolled up window,I could clearly hear every filthy work Nick uttered, ending with, "Everett [cuss word] Walsh."
I opened the passenger door. "Ask not for whom the fire-crotch burns;it burns for thee!" I'd meant this to be an insult.Then I realized it sounded like I wanted Nick.Or like I had a feminine problem.
”
”
Jennifer Echols (The Ex Games)
“
But who cooks it?" I asked, imaging an underground kitchen staffed by tiny, invisible chefs. "Who serves it?"
"I don't know," he said, with a disinterested shrug.
I couldn't help laughing. "John, food magically appears here three times a day, and you don't know where it comes from? You've been here for almost two hundred years. Haven't you ever tried to find out?"
He shot me a sarcastic look of his own. "Of course. I have theories. I think it's part of the compensation for the job I do, since there isn't any pay. But there's room and board. Anything I've ever wanted or needed badly enough usually appears, eventually. For instance"-he sent one of those knee-melting smiles in my direction-"you."
I swallowed. The smile made it astonishingly hard to follow the conversation, even though I was the one who'd started it. "Compensation from whom?"
He shrugged again. It was clear this was something he didn't care to discuss. "I have passengers waiting. For now, here." He lifted the lid of a platter. "I highly recommend these."
I don't know what I expected to see when I looked down...a big platter of pomegranates? Of course that wasn't it at all.
"Waffles?
”
”
Meg Cabot (Underworld (Abandon, #2))
“
She read absorbedly books found in boarding-house parlours, in hotels, in such public libraries as the times afforded. She was alone for hours a day, daily. Frequently her father, fearful of loneliness for her, brought her an armful of books and she had an orgy, dipping and swooping about among them in a sort of gourmand's ecstasy of indecision. In this way, at fifteen, she knew the writings of Byron, Jane Austen, Dickens, Charlotte Bronte, Felicia Hemans. Not to speak of Mrs. E.D.E.N. Southworth, Bertha M. Clay, and that good fairy of the scullery, the Fireside Companion, in whose pages factory girls and dukes were brought together as inevitably as steak and onions. These last were, of course, the result of Selina's mode of living, and were loaned to her by kind-hearted landladies, chambermaids, and waitresses all the way from California to New York.
”
”
Edna Ferber
“
A deep laugh stirred in his chest, and his thumb brushed over the backs of her fingers before he withdrew his hand. She felt the rasp of a callus on his thumb, the sensation not unlike the tingling scrape of a cat’s tongue. Bemused by her own response to him, Annabelle looked down at the chess piece in her hand.
“That is the queen—the most powerful piece on the board. She can move in any direction, and go as far as she wishes.” There was nothing overtly suggestive in his manner of speaking …but when he spoke softly, as he was doing at that moment, there was a husky depth in his voice that made her toes curl inside her slippers.
“More powerful than the king?” she asked.
“Yes. The king can only move one square at a time. But the king is the most important piece.”
“Why is he more important than the queen if he’s not the most powerful?”
“Because once he is captured, the game is over.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
lot of noises all at once, even if they are exclusively pleasant sounds, will always feel like an assault. So, the relentless cacophony of high school was constantly and unbearably overwhelming. And don’t get me started on the smell of it. Body sprays competed with hair sprays, which competed with the always over-deployed deodorants that still somehow managed to lose the war against the toxic bouquet of teenage body odour. Thank god I was a smoker; I might’ve perished otherwise. The other hurdle high school threw up at me was homework. I am not morally opposed to extracurricular curricula; I just didn’t have time for it. As in primary school, I needed my evenings to catch up on the things my brain had been unable to take on board during the day, not to mention recover from the sheer exhaustion of trying to subtly navigate a sea of hypercritical teens for hours on end. On top of that, the closer I got to being an adult and the further away from being a baby, the more chores I was expected to get done at home. These extra burdens, as reasonable as they were, led to my brain shutting down more and more, and, without my brain, learning became impossible.
”
”
Hannah Gadsby (Ten Steps to Nanette)
“
There she was. Roarke stood in the office doorway, took a few enjoyable minutes to just watch her. She had such a sense of purpose, such a sense of focus on that purpose. It had appealed to him from the first instant he’d seen her, across a sea of people at a memorial for the dead. He found it compelling, the way those whiskey-colored eyes could go flat and cold as they were now. Cop’s eyes. His cop’s eyes.
She’d taken off her jacket, tossed it over a chair, and still wore her weapon harness. Which meant she’d come in the door and straight up. Armed and dangerous, he thought. It was a look, a fact of her, that continually aroused him. And her tireless and unwavering dedication to the dead—to the truth, to what was right—had, and always would, amaze him.
She’d set up her murder board, he noted, filling it with grisly photos, with reports, notes, names. And somewhere along the line in her day, she’d earned herself a black eye.
He’d long since resigned himself to finding the woman he loved bruised and bloody at any given time. Since she didn’t look exhausted or ill, a shiner was a relatively minor event.
She sensed him. He saw the moment she did, that slight change of body language. And when her eyes shifted from her comp screen to his, the cold focus became an easy, even casual warmth.
That, he thought, just that was worth coming home for.
”
”
J.D. Robb (Strangers in Death (In Death, #26))
“
How can we tell whether the rules which we "guess" at are really right if we cannot analyze the game very well? There are, roughly speaking, three ways.
First, there may be situations where nature has arranged, or we arrange nature, to be simple and to have so few parts that we can predict exactly what will happen, and thus we can check how our rules work. (In one corner of the board there may be only a few chess pieces at work, and that we can figure out exactly.)
A second good way to check rules is in terms of less specific rules derived from them. For example, the rule on the move of a bishop on a chessboard is that it moves only on the diagonal. One can deduce, no matter how many moves may be made, that a certain bishop will always be on a red square. So, without being able to follow the details, we can always check our idea about the bishop's motion by finding out whether it is always on a red square. Of course it will be, for a long time, until all of a sudden we find that it is on a black square (what happened of course, is that in the meantime it was captured, another pawn crossed for queening, and it turned into a bishop on a black square). That is the way it is in physics. For a long time we will have a rule that works excellently in an over-all way, even when we cannot follow the details, and then some time we may discover a new rule. From the point of view of basic physics, the most interesting phenomena are of course in the new places, the places where the rules do not work—not the places where they do work! That is the way in which we discover new rules.
The third way to tell whether our ideas are right is relatively crude but prob-ably the most powerful of them all. That is, by rough approximation. While we may not be able to tell why Alekhine moves this particular piece, perhaps we can roughly understand that he is gathering his pieces around the king to protect it, more or less, since that is the sensible thing to do in the circumstances. In the same way, we can often understand nature, more or less, without being able to see what every little piece is doing, in terms of our understanding of the game.
”
”
Richard P. Feynman (The Feynman Lectures on Physics)
“
The man of system, on the contrary, is apt to be very wise in his own conceit; and is often so enamoured with the supposed
beauty of his own ideal plan of government, that he cannot suffer the smallest deviation from any part of it. He goes on to
establish it completely and in all its parts, without any regard either to the great interests, or to the strong prejudices which
may oppose it. He seems to imagine that he can arrange the different members of a great society with as much ease as the
hand arranges the different pieces upon a chess-board. He does not consider that the pieces upon the chess-board have no other
principle of motion besides that which the hand impresses upon them; but that, in the great chess-board of human society, every
single piece has a principle of motion of its own, altogether different from that which the legislature might chuse to impress
upon it. If those two principles coincide and act in the same direction, the game of human society will go on easily and
harmoniously, and is very likely to be happy and successful. If they are opposite or different, the game will go on miserably,
and the society must be at all times in the highest degree of disorder.
”
”
Friedrich A. Hayek
“
When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal.
“Hello,” he said, pulling my chair out for me.
Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance.
“How are you?” I could feel his eyes on me.
“Fine,” I said carefully, as Professor Starking handed out our lab assignments.
Dante frowned. “Not very talkative today, I see.”
I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?”
After a prolonged period of silence, he spoke. “It was research.”
“Research on what?”
“It doesn’t matter anymore.”
I threw him a suspicious look. “Why’s that?”
“Because I realized I wasn’t paying attention to the right thing.”
“Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt.
“You.”
My lips trembled as the word left his mouth. “I’m not a specimen.”
“I just want to know you.”
I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?”
Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.”
Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond.
Dante frowned. “Did I leave something out?
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
This young woman,” said Diana, “was responsible for the destruction of the Triumvirate’s fleet.”
“Well, I had a lot of help,” Lavinia said.
“I don’t understand,” I said, turning to Lavinia. “You made all those mortars malfunction?”
Lavinia looked offended. “Well, yeah. Somebody had to stop the fleet. I did pay attention during siege-weapon class and ship-boarding class. It wasn’t that hard. All it took was a little fancy footwork.”
Hazel finally managed to pick her jaw off the pavement. “Wasn’t that hard?”
“We were motivated! The fauns and dryads did great.” She paused, her expression momentarily clouding, as if she remembered something unpleasant. “Um…besides, the Nereids helped a lot. There was only a skeleton crew aboard each yacht. Not, like, actual skeletons, but—you know what I mean. Also, look!”
She pointed proudly at her feet, which were now adorned with the shoes of Terpsichore from Caligula’s private collection.
“You mounted an amphibious assault on an enemy fleet,” I said, “for a pair of shoes.”
Lavinia huffed. “Not just for the shoes, obviously.” She tap-danced a routine that would’ve made Savion Glover proud. “Also to save the camp, and the nature spirits, and Michael Kahale’s commandos.”
Hazel held up her hands to stop the overflow of information. “Wait. Not to be a killjoy—I mean, you did an amazing thing!—but you still deserted your post, Lavinia. I certainly didn’t give you permission —”
“I was acting on praetor’s orders,” Lavinia said haughtily. “In fact, Reyna helped. She was knocked out for a while, healing, but she woke up in time to instill us with the power of Bellona, right before we boarded those ships. Made us all strong and stealthy and stuff.”
Hazel asked, “Is it true about Lavinia acting on your orders?”
Reyna glanced at our pink-haired friend. The praetor’s pained expression said something like, I respect you a lot, but I also hate you for being right.
“Yes,” Reyna managed to say. “Plan L was my idea. Lavinia and her friends acted on my orders. They performed heroically.”
Lavinia beamed. “See? I told you.”
The assembled crowd murmured in amazement, as if, after a day full of wonders, they had finally witnessed something that could not be explained.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city.
As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure.
To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not.
The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.
”
”
Catherynne M. Valente (Palimpsest)
“
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it.
Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem.
It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face.
I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now.
I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
”
”
Dodie Smith (I Capture the Castle)
“
In space flight, “attitude” refers to orientation: which direction your vehicle is pointing relative to the Sun, Earth and other spacecraft. If you lose control of your attitude, two things happen: the vehicle starts to tumble and spin, disorienting everyone on board, and it also strays from its course, which, if you’re short on time or fuel, could mean the difference between life and death. In the Soyuz, for example, we use every cue from every available source—periscope, multiple sensors, the horizon—to monitor our attitude constantly and adjust if necessary. We never want to lose attitude, since maintaining attitude is fundamental to success. In my experience, something similar is true on Earth. Ultimately, I don’t determine whether I arrive at the desired professional destination. Too many variables are out of my control. There’s really just one thing I can control: my attitude during the journey, which is what keeps me feeling steady and stable, and what keeps me headed in the right direction. So I consciously monitor and correct, if necessary, because losing attitude would be far worse than not achieving my goal.
”
”
Chris Hadfield (An Astronaut's Guide to Life on Earth)
“
The moment I was old enough to play board games I fell in love with Snakes and Ladders. O perfect balance of rewards and penalties O seemingly random choices made by tumbling dice Clambering up ladders slithering down snakes I spent some of the happiest days of my life. When in my time of trial my father challenged me to master the game of shatranji I infuriated him by preferring to invite him instead to chance his fortune among the ladders and nibbling snakes.
All games have morals and the game of Snakes and Ladders captures as no other activity can hope to do the eternal truth that for every ladder you climb a snake is waiting just around the corner and for every snake a ladder will compensate. But it's more than that no mere carrot-and-stick affair because implicit in the game is the unchanging twoness of things the duality of up against down good against evil the solid rationality of ladders balances the occult sinuousities of the serpent in the opposition of staircase and cobra we can see metaphorically all conceivable opposition Alpha against Omega father against mother here is the war of Mary and Musa and the polarities of knees and nose... but I found very early in my life that the game lacked one crucial dimension that of ambiguity - because as events are about to show it is also possible to slither down a ladder and lcimb to truimph on the venom of a snake... Keeping things simple for the moment however I recrod that no sooner had my mother discovered the ladder to victory represented by her racecourse luck than she was reminded that the gutters of the country were still teeming with snakes.
”
”
Salman Rushdie
“
I read it: "A man earned daily for 5 days and 3 times as much as he paid for his board, after which he was obliged to be idle 4 days," it said. "Upon counting his money after paying for his board he found that he had 2 ten-doller bills and 4 dollers. How much did he pay for the board, and what were his wages?"
"All right. Think now," Weaver said. "How would you begin to solve it? What's your X?"
I thought. Very hard. For quite some time. About the man and his meager wages and shabby boardinghouse and lonely life. "Where did he work?" I finally asked.
"What? It doesn't matter, Matt. Just assign an X to-"
"A mill, I bet," I said, picturing the man's threadbare clothing, his worn shoes. "A woolen mill. Why do you think he was obliged to be idle?"
"I don't know why. Look, just-"
"I bet he got sick," I said, clutching Weaver's arm. "Or maybe business wasn't good, and his boss had no work for him. I wonder if he had a family in the country. It would be a terrible thing, wouldn't it, if he had children to feed and no work? Maybe his wife was poorly, too. And I bet he had..."
"Damn it, Mattie, this is algebra, not composition!" Weaver said, glaring at me.
"Sorry," I said, feeling like a hopeless case.
”
”
Jennifer Donnelly (A Northern Light)
“
There's folly in her stride
that's the rumor
justified by lies
I've seen her up close
beneath the sheets
and sometime during the summer
she was mine for a few sweet months in the fall
and parts of December
((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. )))
I found her looking through a window
the same window I'd been looking through
She smiled and her eyes never faltered
this folly was a crime
((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” )))
She had an identity I could identify with
something my fingertips could caress in the night
((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other.
What constitutes peace is in the mind of the beholder. )))
Have you heard the argument?
This displacement of men and women
and women and men
the minds we all have
the beliefs we all share
Slipping inside of us
thoughts and religions and bodies
all bare
((( “Without darkness, there can be no light,”
he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. )))
When she left
she kissed with eyes open
I knew this because I'd done the same
Sometimes we saw eye to eye like that
Very briefly,
she considered an apotheosis
a synthesis
a rendering of her folly
into solidarity
((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. )))
Experiencing the subsequent sunrise
inhaling and drinking
breaking mirrors and regurgitating
just to start again
all in all
I was just another gash in the bark
((( Plato once said:
“Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. )))
Leaving town and throwing shit out the window
drinking boroughs and borrowing spare change
I glimpsed the rear view mirror
stole a glimpse really
I've believed in looking back for a while
it helps to have one last view
a reminder in case one ever decides to rebel
in the event the self regresses
and makes the declaration of devastation
once more
((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
”
”
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
“
When about 16 years of age I happened to meet with a book, written by one Tryon, recommending a vegetable diet. I determined to go into it. My brother, being yet unmarried, did not keep house, but boarded himself and his apprentices in another family. My refusing to eat flesh occasioned an inconveniency, and I was frequently chid for my singularity. I made myself acquainted with Tryon's manner of preparing some of his dishes, such as boiling potatoes or rice, making hasty pudding, and a few others, and then proposed to my brother, that if he would give me, weekly, half the money he paid for my board, I would board myself. He instantly agreed to it, and I presently found that I could save half what he paid me. This was an additional fund for buying books. But I had another advantage in it. My brother and the rest going from the printing-house to their meals, I remained there alone, and, despatching presently my light repast, which often was no more than a bisket or a slice of bread, a handful of raisins or a tart from the pastry-cook's, and a glass of water, had the rest of the time till their return for study, in which I made the greater progress, from that greater clearness of head and quicker apprehension which usually attend temperance in eating and drinking.
”
”
Benjamin Franklin (The Autobiography of Benjamin Franklin)
“
Listen to my last words anywhere. Listen to my last words any world. Listen all you boards syndicates and governments of the earth. And you powers behind what filth consummated in what lavatory to take what is not yours. To sell the ground from unborn feet forever -
"Don't let them see us. Don't tell them what we are doing -"
Are these the words of the all-powerful boards and syndicates of the earth?
"For God's sake don't let that Coca-Cola thing out - "
"Not The Cancer Deal with The Venusians - "
"Not The Green Deal - Don't show them that - "
"Not The Orgasm Death - "
"Not the ovens - "
Listen: I call you all. Show your cards all players. Pay it all pay it all pay it all back. Play it all pay it all play it all back. For all to see. In Times Square. In Picadilly.
"Premature. Premature. Give us a little more time."
Time for what? More lies? Premature? Premature for who? I say to all these words are not premature. These words may be too late. Minutes to go. Minutes to foe goal -
"Top Secret - Classified - For The Board - The Elite - The Initiates -
Are these the words of the all-powerful boards and syndicates of the earth? These are the words of liars cowards collaborators traitors. Liars who want time for more lies. Cowards who can not face your "dogs" your "gooks" your "errand boys" your "human animals" with the truth. Collaborators with Insect People with Vegetable People. With any people anywhere who offer you a body forever. To shit forever. For this you have sold out your sons. Sold the ground from unborn feet forever. Traitors to all souls everywhere. You want the name of Hassan i Sabbah on your filth deeds to sell out the unborn?
What scared you all into time? Into body? Into shit? I will tell you; "the word." Alien Word "the." "The" word of Alien Enemy imprisons "thee" in Time, In Body. In Shit. Prisoner, come out. The great skies are open.
”
”
William S. Burroughs (Nova Express (The Nova Trilogy, #2))
“
I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play.
"Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders.
One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway.
Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire."
The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest.
Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better!
Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!"
Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.
”
”
Catherine Marshall (Christy)
“
Wedding Superstitions
The Bridal Gown
White - You have chosen right.
Grey - You'll go far away.
Black - You'll wish yourself back.
Red - You'll wish yourself dead.
Green - Ashamed to be seen.
Blue - You'll always be true.
Pearl - You'll live in a whirl.
Peach - A love out of reach.
Yellow - Ashamed of your fellow.
Pink - Your Spirits will sink.
The Wedding Day
Monday for health, Tuesday for wealth,
Wednesday best of all,
Thursday for losses, Friday for crosses,
Saturday for no luck at all.
The Wedding Month
Marry in May, and you'll rue the day,
Marry in Lent, you'll live to repent.
Married when the year is new,
He'll be loving, kind and true.
When February birds do mate,
You wed nor dread your fate.
If you wed when March winds blow,
Joy and sorrow both you'll know.
Marry in April when you can,
Joy for maiden and the man.
Marry in the month of May,
And you'll surely rue the day.
Marry when the June roses grow,
Over land and sea you'll go.
Those who in July do wed,
Must labour for their daily bread.
Whoever wed in August be,
Many a change is sure to see.
Marry in September's shine,
Your living will be rich and fine.
If in October you do marry,
Love will come, but riches tarry.
If you wed in bleak November,
Only joys will come, remember,
When December's snows fall fast,
Marry and true love will last.
Married in January's roar and rime,
Widowed you'll be before your prime.
Married in February's sleepy weather,
Life you'll tread in time together.
Married when March winds shrill and roar,
Your home will lie on a distant shore.
Married 'neath April's changeful skies,
A checkered path before you lies.
Married when bees o'er May blossoms flit,
Strangers around your board will sit.
Married in month of roses June,
Life will be one long honeymoon.
Married in July with flowers ablaze,
Bitter-sweet memories in after days.
Married in August's heat and drowse,
Lover and friend in your chosen spouse.
Married in September's golden glow,
Smooth and serene your life will go.
Married when leaves in October thin,
Toil and hardships for you begin.
Married in veils of November mist,
Fortune your wedding ring has kissed.
Married in days of December's cheer,
Love's star shines brighter from year to year
”
”
New Zealand Proverb
“
not much chance,
completely cut loose from
purpose,
he was a young man
riding a bus
through North Carolina
on the way to somewhere
and it began to snow
and the bus stopped
at a little cafe
in the hills
and the passengers
entered.
he sat at the counter
with the others,
he ordered and the
food arrived.
the meal was
particularly
good
and the
coffee.
the waitress was
unlike the women
he had
known.
she was unaffected,
there was a natural
humor which came
from her.
the fry cook said
crazy things.
the dishwasher.
in back,
laughed, a good
clean
pleasant
laugh.
the young man watched
the snow through the
windows.
he wanted to stay
in that cafe
forever.
the curious feeling
swam through him
that everything
was
beautiful
there,
that it would always
stay beautiful
there.
then the bus driver
told the passengers
that it was time
to board.
the young man
thought, I'll just sit
here, I'll just stay
here.
but then
he rose and followed
the others into the
bus.
he found his seat
and looked at the cafe
through the bus
window.
then the bus moved
off, down a curve,
downward, out of
the hills.
the young man
looked straight
forward.
he heard the other
passengers
speaking
of other things,
or they were
reading
or
attempting to
sleep.
they had not
noticed
the
magic.
the young man
put his head to
one side,
closed his
eyes,
pretended to
sleep.
there was nothing
else to do -
just to listen to the
sound of the
engine,
the sound of the
tires
in the
snow."
- Charles Bukowski, "Nirvana
”
”
Charles Bukowski (The Last Night of the Earth Poems)
“
Anticipating their calamity and fright when deportation day came (August 6, 1942) he [Henryk Goldszmit, pen name: Janusz Korczak] joined them aboard the train bound for Treblinka, because, he said, he knew his presence would calm them—“You do not leave a sick child in the night, and you do not leave children at a time like this.” A photograph taken at the Umschlagplatz (Transshipment Square) shows him marching, hatless, in military boots, hand in hand with several children, while 192 other children and ten staff members follow, four abreast, escorted by German soldiers. Korczak and the children boarded red boxcars not much larger than chicken coops, usually stuffed with seventy-five vertical adults, though all the children easily fit. In Joshua Perle’s eyewitness account in The Destruction of the Warsaw Ghetto, he describes the scene: “A miracle occurred, two hundred pure souls, condemned to death, did not weep. Not one of them ran away. None tried to hide. Like stricken swallows they clung to their teacher and mentor, to their father and brother, Janusz Korczak.”
In 1971, the Russians named a newly discovered asteroid after him, 2163 Korczak, but maybe they should have named it Ro, the planet he dreamed of. The Poles claim Korczak as a martyr, and the Israelis revere him as one of the Thirty-Six Just Men, whose pure souls make possible the world’s salvation. According to Jewish legend, these few, through their good hearts and good deeds, keep the too-wicked world from being destroyed. For their sake alone, all of humanity is spared. The legend tells that they are ordinary people, not flawless or magical, and that most of them remain unrecognized throughout their lives, while they choose to perpetuate goodness, even in the midst of inferno.
”
”
Diane Ackerman
“
Dr. Chanter, in his brilliant History of Human Thought in the Twentieth Century, has made the suggestion that only a very small proportion of people are capable of acquiring new ideas of political or social behaviour after they are twenty-five years old. On the other hand, few people become directive in these matters until they are between forty and fifty. Then they prevail for twenty years or more. The conduct of public affairs therefore is necessarily twenty years or more behind the living thought of the times. This is what Dr. Chanter calls the "delayed
realisation of ideas".
In the less hurried past this had not been of any great importance, but in the violent crises of the Revolutionary Period it became a primary fact. It is evident now that whatever the emergency, however obvious the new problem before our species in the nineteen-twenties, it was necessary for the whole generation that had learned nothing and could learn nothing from the Great War and its sequelae, to die out before any rational handling of world affairs could even begin. The cream of the youth of the war years had been killed; a stratum of men already middle-aged remained in control, whose ideas had already set before the Great War. It was, says Chanter, an inescapable phase. The world of the Frightened Thirties and the Brigand Forties was under the dominion of a generation of unteachable, obstinately obstructive men, blinded men, miseducating, misleading the baffled younger people for completely superseded ends. If they could have had their way, they would have blinded the whole world for ever. But the blinding was inadequate, and by the Fifties all this generation and its teachings and traditions were passing away, like a smoke-screen blown aside.
Before a few years had passed it was already incredible that in the twenties and thirties of the twentieth century the whole political life of the world was still running upon the idea of competitive sovereign empires and states. Men of quite outstanding intelligence were still planning and scheming for the "hegemony" of Britain or France or Germany or Japan; they were still moving their armies and navies and air forces and making their combinations and alliances upon the dissolving chess-board of terrestrial reality. Nothing happened as they had planned it; nothing worked out as they desired; but still with a stupefying inertia they persisted. They launched armies, they starved and massacred populations. They were like a veterinary surgeon who suddenly finds he is operating upon a human being, and with a sort of blind helplessness cuts and slashes more and more desperately, according to the best equestrian rules. The history of European diplomacy between 1914 and 1944 seems now so consistent a record of incredible insincerity that it stuns the modern mind. At the time it seemed rational behaviour. It did not seem insincere. The biographical material of the period -- and these governing-class people kept themselves in countenance very largely by writing and reading each other's biographies -- the collected letters, the collected speeches, the sapient observations of the leading figures make tedious reading, but they enable the intelligent student to realise the persistence of small-society values in that swiftly expanding scene.
Those values had to die out. There was no other way of escaping from them, and so, slowly and horribly, that phase of the moribund sovereign states concluded.
”
”
H.G. Wells (The Holy Terror)
“
She locked herself in her room. She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her. A new searching light had fallen on her husband's character, and she could not judge him leniently: the twenty years in which she had believed in him and venerated him by virtue of his concealments came back with particulars that made them seem an odious deceit. He had married her with that bad past life hidden behind him, and she had no faith left to protest his innocence of the worst that was imputed to him. Her honest ostentatious nature made the sharing of a merited dishonor as bitter as it could be to any mortal.
But this imperfectly taught woman, whose phrases and habits were an odd patchwork, had a loyal spirit within her. The man whose prosperity she had shared through nearly half a life, and who had unvaryingly cherished her—now that punishment had befallen him it was not possible to her in any sense to forsake him. There is a forsaking which still sits at the same board and lies on the same couch with the forsaken soul, withering it the more by unloving proximity. She knew, when she locked her door, that she should unlock it ready to go down to her unhappy husband and espouse his sorrow, and say of his guilt, I will mourn and not reproach. But she needed time to gather up her strength; she needed to sob out her farewell to all the gladness and pride of her life. When she had resolved to go down, she prepared herself by some little acts which might seem mere folly to a hard onlooker; they were her way of expressing to all spectators visible or invisible that she had begun a new life in which she embraced humiliation. She took off all her ornaments and put on a plain black gown, and instead of wearing her much-adorned cap and large bows of hair, she brushed her hair down and put on a plain bonnet-cap, which made her look suddenly like an early Methodist.
Bulstrode, who knew that his wife had been out and had come in saying that she was not well, had spent the time in an agitation equal to hers. He had looked forward to her learning the truth from others, and had acquiesced in that probability, as something easier to him than any confession. But now that he imagined the moment of her knowledge come, he awaited the result in anguish. His daughters had been obliged to consent to leave him, and though he had allowed some food to be brought to him, he had not touched it. He felt himself perishing slowly in unpitied misery. Perhaps he should never see his wife's face with affection in it again. And if he turned to God there seemed to be no answer but the pressure of retribution.
It was eight o'clock in the evening before the door opened and his wife entered. He dared not look up at her. He sat with his eyes bent down, and as she went towards him she thought he looked smaller—he seemed so withered and shrunken. A movement of new compassion and old tenderness went through her like a great wave, and putting one hand on his which rested on the arm of the chair, and the other on his shoulder, she said, solemnly but kindly—
"Look up, Nicholas."
He raised his eyes with a little start and looked at her half amazed for a moment: her pale face, her changed, mourning dress, the trembling about her mouth, all said, "I know;" and her hands and eyes rested gently on him. He burst out crying and they cried together, she sitting at his side. They could not yet speak to each other of the shame which she was bearing with him, or of the acts which had brought it down on them. His confession was silent, and her promise of faithfulness was silent. Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire. She could not say, "How much is only slander and false suspicion?" and he did not say, "I am innocent.
”
”
George Eliot (Middlemarch)
“
Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held.
It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken.
‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?
”
”
Cecil Baldwin
“
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come.
St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks.
"All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same.
This is the moment we're supposed to hug. For some reason,I can't do it.
"Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay."
He smiles softly. "Thanks.I'll tell her."
"Call me?"
"Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim....no...nationality."
I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs.
"Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear.
I rub my shins. "It's okay, we're in the way. I should go."
Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens.
We pull apart. "Have fun at the show tonight" he says.
"I will.Have a good flight."
"Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down.
He's lost from view.
I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
We have now reached a level in which many people are not merely unacquainted with the fundamentals of punctuation, but don’t evidently realize that there are fundamentals. Many people—people who make posters for leading publishers, write captions for the BBC, compose letters and advertisements for important institutions—seem to think that capitalization and marks of punctuation are condiments that you sprinkle through any collection of words as if from a salt shaker. Here is a headline, exactly as presented, from a magazine ad for a private school in York: “Ranked by the daily Telegraph the top Northern Co-Educational day and Boarding School for Academic results.” All those capital letters are just random. Does anyone really think that the correct rendering of the newspaper is “the daily Telegraph”? Is it really possible to be that unobservant? Well, yes, as a matter of fact. Not long ago, I received an e-mail from someone at the Department for Children, Schools and Families asking me to take part in a campaign to help raise appreciation for the quality of teaching in Great Britain. Here is the opening line of the message exactly as it was sent to me: “Hi Bill. Hope alls well. Here at the Department of Children Schools and Families…” In the space of one line, fourteen words, the author has made three elemental punctuation errors (two missing commas, one missing apostrophe; I am not telling you more than that) and gotten the name of her own department wrong—this from a person whose job is to promote education. In a similar spirit, I received a letter not long ago from a pediatric surgeon inviting me to speak at a conference. The writer used the word “children’s” twice in her invitation, spelling it two different ways and getting it wrong both times. This was a children’s specialist working in a children’s hospital. How long do you have to be exposed to a word, how central must it be to your working life, to notice how it is spelled?
”
”
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
“
That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.
”
”
James Baldwin (Another Country)
“
He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.
”
”
Stephen King (Pet Sematary)
“
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident.
I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?”
He shook his head. “That’s true, but that’s not the reason we do it.”
But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.”
Mr. B. shook his head and scratched the stubble on his neck.
I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?”
Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.”
Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?”
“Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people.
“Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?”
No one answered.
But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.”
Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left.
After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?”
There was a vacant silence.
“Think, people! There must be a reason. Why the brain? What were they trying to preserve?”
When no one answered, he answered his own question.
“The mind!” he said, exasperated. “The soul!”
As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me.
Who is cuter?
A. Professor Bliss
B. Brett Steyers
C. Dante Berlin
D. The mummy
I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
New Rule: Conservatives have to stop rolling their eyes every time they hear the word "France." Like just calling something French is the ultimate argument winner. As if to say, "What can you say about a country that was too stupid to get on board with our wonderfully conceived and brilliantly executed war in Iraq?" And yet an American politician could not survive if he uttered the simple, true statement: "France has a better health-care system than we do, and we should steal it." Because here, simply dismissing an idea as French passes for an argument. John Kerry? Couldn't vote for him--he looked French. Yeah, as a opposed to the other guy, who just looked stupid.
Last week, France had an election, and people over there approach an election differently. They vote. Eighty-five percent turned out. You couldn't get eighty-five percent of Americans to get off the couch if there was an election between tits and bigger tits and they were giving out free samples.
Maybe the high turnout has something to do with the fact that the French candidates are never asked where they stand on evolution, prayer in school, abortion, stem cell research, or gay marriage. And if the candidate knows about a character in a book other than Jesus, it's not a drawback. The electorate doesn't vote for the guy they want to have a croissant with. Nor do they care about private lives. In the current race, Madame Royal has four kids, but she never got married. And she's a socialist. In America, if a Democrat even thinks you're calling him "liberal," he grabs an orange vest and a rifle and heads into the woods to kill something.
Royal's opponent is married, but they live apart and lead separate lives. And the people are okay with that, for the same reason they're okay with nude beaches: because they're not a nation of six-year-olds who scream and giggle if they see pee-pee parts. They have weird ideas about privacy. They think it should be private. In France, even mistresses have mistresses. To not have a lady on the side says to the voters, "I'm no good at multitasking."
Like any country, France has its faults, like all that ridiculous accordion music--but their health care is the best in the industrialized world, as is their poverty rate. And they're completely independent of Mid-East oil. And they're the greenest country. And they're not fat. They have public intellectuals in France. We have Dr. Phil. They invented sex during the day, lingerie, and the tongue. Can't we admit we could learn something from them?
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)