Bly Quotes

We've searched our database for all the quotes and captions related to Bly. Here they are! All 100 of them:

Energy rightly applied and directed will accomplish anything.
Nellie Bly
I am proud only of those days that pass in undivided tenderness.
Robert Bly (A Little Book on the Human Shadow: A Poetic Journey into the Dark Side of the Human Personality, Shadow Work, and the Importance of Confronting Our Hidden Self)
Every noon as the clock hands arrive at twelve, I want to tie the two arms together, And walk out of the bank carrying time in bags.
Robert Bly (The Night Abraham Called to the Stars: Poems)
Dogs come when they're called; cats take a message and get back to you later.
Mary Bly
I said I could and I would. And I did.
Nellie Bly (Ten Days in a Mad-House)
It’s all right if you grow your wings on the way down.
Robert Bly (My Sentence Was a Thousand Years of Joy: Poems)
That's funny because if anyone actually did prove the existence of God we'd just tell him 'nice proof, Fraa Bly' and start believing in God.
Neal Stephenson (Anathem)
Man vill bli älskad, i brist därpå beundrad, i brist därpå fruktad, i brist därpå avskydd och föraktad. Man vill ingiva människorna något slags känsla. Själen ryser för tomrummet och vill kontakt till vad pris som helst.
Hjalmar Söderberg
It is only after one is in trouble that one realizes how little sympathy and kindness there are in the world.
Nellie Bly (Ten Days in a Mad-House)
It is not our job to remain whole. We came to lose our leaves Like the trees, and be born again, Drawing up from the great roots.
Robert Bly
Jude taught me what love was: to be willing to hold on to another person's pain. That's it.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
That's how you avoid becoming a moth," he says. "Stop asking others what to believe. Figure it out for yourself.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Reclaiming the sacred in our lives naturally brings us close once more to the wellsprings of poetry.
Robert Bly
I guess people can't be content without answers, even if they're wrong. We'd rather have a lie than a question that we can never know the answer to.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
The summer had turned, the summer had gone; the autumn had dropped upon Bly and had blown out half our lights. The place, with its gray sky and withered garlands, its bared spaces and scattered dead leaves, was like a theater after the performance--all strewn with crumpled playbills.
Henry James (The Turn of the Screw)
In 1896 the newspaperwoman Nellie Bly asked Susan B. Anthony if she’d ever been in love. Her answer: “Bless you, Nellie, I’ve been in love a thousand times! But I never loved any one so much that I thought it would last. In fact, I never felt I could give up my life of freedom to become a man’s housekeeper.
Kate Bolick (Spinster: Making a Life of One's Own)
I knew this friendship with myself couldn’t last forever.
Robert Bly (My Sentence Was a Thousand Years of Joy: Poems)
The candle is not lit To give light, but to testify to the night.
Robert Bly (The Night Abraham Called to the Stars: Poems)
I want nothing from You but to see You.
Robert Bly (Morning Poems)
Wherever there is water there is someone drowning.
Robert Bly (The Night Abraham Called to the Stars: Poems)
I always liked fog, it lends such a soft, beautifying light to things that otherwise in the broad glare of day would be rude and commonplace.
Nellie Bly
I know men who are healthier at fifty than they've ever been before, because a lot of their fear is gone.
Robert Bly
What does it mean when a man falls in love with a radiant face across the room? It may mean that he has some soul work to do. His soul is the issue. Instead of pursuing the woman and trying to get her alone, away from her husband, he needs to go alone himself, perhaps to a mountain cabin, for three months, write poetry, canoe down a river, and dream. That would save some women a lot of trouble.
Robert Bly (Iron John: A Book About Men)
I was unfaithful even to Infidelity.
Robert Bly (The Night Abraham Called to the Stars: Poems)
If any help was going to arrive to lift me out of my misery, it would come from the dark side of my personality.
Robert Bly (A Little Book on the Human Shadow: A Poetic Journey into the Dark Side of the Human Personality, Shadow Work, and the Importance of Confronting Our Hidden Self)
Those of us who make up poems have agreed not to say what the pain is.
Robert Bly (My Sentence Was a Thousand Years of Joy: Poems)
I think you should be angry if you're angry. But it's also true that hate has a way of hurting you more than the person you're hating.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
A lazy part of us is like a tumbleweed. It doesn’t move on its own. Sometimes it takes A lot of Depression to get tumbleweeds moving.
Robert Bly (Morning Poems)
In ordinary life, a mentor can guide a young man through various disciplines, helping to bring him out of boyhood into manhood; and that in turn is associated not with body building, but with building and emotional body capable of containing more than one sort of ecstasy.
Robert Bly (Iron John: A Book About Men)
As I always say: If you want to do it, you can do it. The question is: Do you want to do it? ―Nellie Bly
Matt Phelan (Around the World)
Moments like this occurred more and more frequently, and I think that was the biggest difference between us. That we could look at the same stars in the same sky, but not have the same questions. Not want the same answers.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
The Wild Man doesn’t come to full life through being “natural,” going with the flow, smoking weed, reading nothing, and being generally groovy. Ecstasy amounts to living within reach of the high voltage of the golden gifts. The ecstasy comes after thought, after discipline imposed on ourselves, after grief.
Robert Bly (Iron John: A Book About Men)
Growing up, I believed in miracles. I guess I don’t anymore.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
My life failed on the very day I was born.
Robert Bly (My Sentence Was a Thousand Years of Joy: Poems)
A person who discreetly farts in an elevator is not a divine being, and a man needs to know this.
Robert Bly
When a man says to a woman, "You are my anima," she should quickly scream and run out of the room. The word anima has neither the greatness of the Woman with Golden Hair nor the greatness of an ordinary woman, who wants to be loved as a woman.
Robert Bly (Iron John: A Book About Men)
I have daughters and I have sons. When one of them lays a hand On my shoulder, shining fish Turn suddenly in the deep sea.
Robert Bly
We are bees then; our honey is language.
Robert Bly
While I live I hope.
Nellie Bly (Ten Days in a Mad-House)
I am a blood-soaked girl.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
To have a good brain the stomach must be cared for.
Nellie Bly (Ten Days in a Mad-House)
Every part of our personality that we do not love will become hostile to us.
Robert Bly (A Little Book on the Human Shadow: A Poetic Journey into the Dark Side of the Human Personality, Shadow Work, and the Importance of Confronting Our Hidden Self)
Anger is a kind of murder you commit in your heart.” If this is true, I’m a daily murderer. My heart is more full of blood than I ever imagined.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Zeus energy, which encompasses intelligence, robust health, compassionate decisiveness, good will, generous leadership. Zeus energy is male authority accepted for the sake of the community.
Robert Bly (Iron John: A Book about Men)
like a note of music, you are about to become nothing
Robert Bly (My Sentence Was a Thousand Years of Joy: Poems)
We are not in the business of being original. We are in the business of reusing things that work.
Robert W. Bly (The Copywriter's Handbook: A Step-By-Step Guide To Writing Copy That Sells)
The inner boy in a messed-up family may keep on being shamed, invaded, disappointed, and paralyzed for years and years. "I am a victim," he says, over and over; and he is. But that very identification with victimhood keeps the soul house open and available for still more invasions. Most American men today do not have enough awakened or living warriors inside to defend their soul houses. And most people, men or women, do not know what genuine outward or inward warriors would look like, or feel like.
Robert Bly (Iron John: A Book About Men)
I've always had the feeling that nothing is impossible is one applies a certain amount of energy in the right direction. If you want to do it, you can do it.
Nellie Bly
Nonsense! If you want to do it, you can do it. The question is, do you want to do it?
Nellie Bly (Around the World in Seventy-Two Days)
Därför tänker jag bara vara kär i honom ungefär till torsdag, eller kanske fredag. Sen ska jag bli klok igen, men till dess, oj jag är så kär i honom så jag tror jag spricker!
Astrid Lindgren
As Robert Bly laments in Iron John, “Some women want a passive man if they want a man at all; the church wants a tamed man—they are called priests; the university wants a domesticated man—they are called tenure-track people; the corporation wants a . . . sanitized, hairless, shallow man.
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
BAD PEOPLE A man told me once that all the bad people Were needed. Maybe not all, but your fingernails You need; they are really claws, and we know Claws. The sharks—what about them? They make other fish swim faster. The hard-faced men In black coats who chase you for hours In dreams—that’s the only way to get you To the shore. Sometimes those hard women Who abandon you get you to say, “You.” A lazy part of us is like a tumbleweed. It doesn’t move on its own. Sometimes it takes A lot of Depression to get tumbleweeds moving. Then they blow across three or four States. This man told me that things work together. Bad handwriting sometimes leads to new ideas; And a careless god—who refuses to let people Eat from the Tree of Knowledge—can lead To books, and eventually to us. We write Poems with lies in them, but they help a little.
Robert Bly (Morning Poems)
It is amazing that, though I am small and ungifted and barely educated, even I can appreciate the scale of the universe. And from this perch in space, for this moment at least, it seems unimportant whether someone made it, or if it made itself.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Something in the adolescent male wants risk, courts danger, goes out to the edge – even to the edge of death.
Robert Bly (Iron John: A Book About Men)
Our story gives a teaching diametrically opposite. It says that where a man’s wound is, that is where his genius will be. Wherever the wound appears in our psyches, whether from alcoholic father, shaming mother, shaming father, abusing mother, whether it stems from isolation, disability, or disease, that is precisely the place for which we will give our major gift to the community.
Robert Bly (Iron John: A Book about Men)
I am afraid there’ll be a moment when I fail you, friend; I will turn slightly Away, our eyes will not meet, and out in the field There will be no one.
Robert Bly (Eating the Honey of Words: New and Selected Poems)
We did not come to remain whole. We came to lose our leaves like the trees, Trees that start again, Drawing up from the great roots.
Robert Bly (Eating the Honey of Words: New and Selected Poems)
Even after months of healing, it doesn't take much to make me bleed
Stephanie Oakes (The Sacred Lies of Minnow Bly)
The insane asylum on Blackwell's Island is a human rat-trap. It is easy to get in, but once there it is impossible to get out.
Nellie Bly (Ten Days in a Mad-House)
Did he say anything interesting?” I ask. “A revelation that the Lord is reborn in a chicken nugget, maybe?
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Belief shouldn't be compatible with lies, but is.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
They wrote to me and said something about it, and I said that if it doesn't involve any work, I'll do it. (On being named Minnesota's first Poet Laureate)
Robert Bly
It's all right if people think we are idiots. It's all right if we lie face down on the earth. It's all right if we open the coffin and climb in.
Robert Bly (Talking into the Ear of a Donkey: Poems)
I figure out they’re not making me new hands. They can’t do that, the doctor says like I’m slow, and I turn away to glare at the wall, eyes burning. Growing up, I believed in miracles. I guess I don’t anymore.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
A stick beats more ugliness into a person than it ever beats out.
Nellie Bly
Compare this with a criminal, who is given every chance to prove his innocence. Who would not rather be a murderer and take the chance for life than be declared insane, without hope of escape?
Nellie Bly (Ten Days in a Mad-House)
Everything in the universe comes from stars. Before anything else existed, there were just stars. Stars are like ovens,” she says. “Inside, they’re cooking planets and asteroids, and when they explode, out spews all this, like, space vomit that’s been cooking all these years. And solar systems formed, and Earth formed, and algae and eventually oxygen. And small organisms evolved into big animals and after about a billion years we came out, so that’s your answer. We come from the stars.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Jude used to try to make me laugh, and when I'd crack a smile he'd keep the joke going , like breath on an ember, making it grow into a fit of giggles that'd echo around the whole forest and make all the birds in the trees quiet.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
There’s a general assumption now that every man in a position of power is or will soon be corrupt and oppressive. Yet the Greeks understood and praised a positive male energy that has accepted authority.
Robert Bly (Iron John: A Book About Men)
I replay the scene again and again, the broken mashed-up face looming over me, the knowledge between the two of us that I'd done it. That act of kindness is still more unfathomable to me than any cruelty.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Early Morning in Your Room It's morning. The brown scoops of coffee, the wasp-like Coffee grinder, the neighbors still asleep. The gray light as you pour gleaming water-- It seems you've traveled years to get here. Finally you deserve a house. If not deserve It, have it; no one can get you out. Misery Had its way, poverty, no money at least. Or maybe it was confusion. But that's over. Now you have a room. Those lighthearted books: The Anatomy of Melancholy, Kafka's Letter to his Father, are all here. You can dance With only one leg, and see the snowflake falling With only one eye. Even the blind man Can see. That's what they say. If you had A sad childhood, so what? When Robert Burton Said he was melancholy, he meant he was home.
Robert Bly (Stealing Sugar from the Castle: Selected Poems, 1950–2011)
I felt sure now that no doctor could tell whether people were insane or not, so long as the case was not violent. Later
Nellie Bly (Ten Days in a Mad-House)
Striving for success without hard work is like trying to harvest where you haven’t planted
David Bly
the words in your copy should be “like the windows in a storefront. The reader should be able to see right through them and see the product.
Robert W. Bly (The Copywriter's Handbook: A Step-By-Step Guide To Writing Copy That Sells)
We're stars who run off of stars.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Is trust such a thing to be earned and spent like silver?
Will Bly (Ravens in the Sky)
It’s good if you can accept your life—you’ll notice Your face has become deranged trying to adjust To it. Your face thought your life would look Like your bedroom mirror when you were ten. That was a clear river touched by mountain wind. Even your parents can’t believe how much you’ve changed.
Robert Bly (Morning Poems)
horrible types, specialists in the One, builders of middle-class castles, and upper-class Usher houses, writers of boring Commencement speeches, creepy otherworldly types, worse than Pope Paul, academics who resembled gray jars, and who would ruin a whole state like Tennessee if put into it; people totally unable to merge into the place where they live -- they could live in a valley for years and never become the valley
Robert Bly
It's hard to grasp how much generosity Is involved in letting us go on breathing, When we contribute nothing valuable but our grief. Each of us deserves to be forgiven, if only for Our persistence in keeping our small boat afloat When so many have gone down in the storm.
Robert Bly (Talking into the Ear of a Donkey: Poems)
I would like the expert physicians who are condemning me for my action, which has proven their ability, to take a perfectly sane and healthy woman, shut her up and make her sit from 6 A. M. until 8 P. M. on straight-back benches, do not allow her to talk or move during these hours, give her no reading and let her know nothing of the world or its doings, give her bad food and harsh treatment, and see how long it will take to make her insane. Two months would make her a mental and physical wreck.
Nellie Bly (Ten Days in a Mad-House (Illustrated))
IT IS SO EASY TO GIVE IN I have been thinking about the man who gives in. Have you heard about him? In this story A twenty-eight-foot pine meets a small wind And the pine bends all the way over to the ground. I was persuaded,” the pine says. “It was convincing.” A mouse visits a cat, and the cat agrees To drown all her children. “What could I do?” The cat said. “The mouse needed that.” It’s strange. I’ve heard that some people conspire In their own ruin. A fool says, “You don’t Deserve to live.” The man says, “I’ll string this rope Over that branch, maybe you can find a box.” The Great One with her necklace of skulls says, I need twenty thousand corpses.” “Tell you what,” The General says, “we have an extra battalion Over there on the hill. We don’t need all these men.
Robert Bly (Morning Poems)
THE FACE IN THE TOYOTA Suppose you see a face in a Toyota One day, and you fall in love with that face, And it is Her, and the world rushes by Like dust blown down a Montana street. And you fall upward into some deep hole, And you can’t tell God from a grain of sand. And your life is changed, except that now you Overlook even more than you did before; And these ignored things come to bury you, And you are crushed, and your parents Can’t help anymore, and the woman in the Toyota Becomes a part of the world that you don’t see. And now the grain of sand becomes sand again, And you stand on some mountain road weeping.
Robert Bly (Morning Poems)
You know, when I was little, my dad told me that if I misbehaved, he'd send me to live with a witch who ate children.' 'Really?' She nods. 'I was so afraid of the witch. Feelings are magnified when you're young, I think, and the fear can stay with you for a long time. I eventually grew out of the fear but even now when I read something with a witch, my mind always traces back to that story. Isn't that weird?' 'How'd you grow out of it?' I ask. 'The fear?' She takes a long moment to answer. 'I read lots and lots of books about witches.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Friend, hope for the Guest while you are alive. Jump into experience while you are alive! Think... and think... while you are alive. What you call "salvation" belongs to the time before death. If you don't break your ropes while you're alive, do you think ghosts will do it after? The idea that the soul will rejoin with the ecstatic just because the body is rotten-- that is all fantasy. What is found now is found then. If you find nothing now, you will simply end up with an apartment in the City of Death. If you make love with the divine now, in the next life you will have the face of satisfied desire. So plunge into the truth, find out who the Teacher is, Believe in the Great Sound! Kabir says this: When the Guest is being searched for, it is the intensity of the longing for the Guest that does all the work. Look at me, and you will see a slave of that intensity.
Robert Bly
His large ears Hear everything A hermit wakes And sleeps in a hut Underneath His gaunt cheeks. His eyes blue, alert, Disappointed, And suspicious, Complain I Do not bring him The same sort of Jokes the nurses Do. He is a bird Waiting to be fed,— Mostly beak— an eagle Or a vulture, or The Pharoah's servant Just before death. My arm on the bedrail Rests there, relaxed, With new love. All I know of the Troubadours I bring to this bed. I do not want Or need to be shamed By him any longer. The general of shame Has discharged Him, and left him In this small provincial Egyptian town. If I do not wish To shame him, then Why not love him? His long hands, Large, veined, Capable, can still Retain hold of what He wanted. But Is that what he Desireed? Some Powerful engine Of desire goes on Turning inside his body. He never phrased What he desired, And I am his son.
Robert Bly (Selected Poems)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
The political merchandisers appeal only to the weak­nesses of voters, never to their potential strength. They make no attempt to educate the masses into becoming fit for self-government; they are content merely to manipulate and exploit them. For this pur­pose all the resources of psychology and the social sciences are mobilized and set to work. Carefully se­lected samples of the electorate are given "interviews in depth." These interviews in depth reveal the uncon­scious fears and wishes most prevalent in a given so­ciety at the time of an election. Phrases and images aimed at allaying or, if necessary, enhancing these fears, at satisfying these wishes, at least symbolically, are then chosen by the experts, tried out on readers and audiences, changed or improved in the light of the information thus obtained. After which the political campaign is ready for the mass communicators. All that is now needed is money and a candidate who can be coached to look "sincere." Under the new dispen­sation, political principles and plans for specific action have come to lose most of their importance. The person­ality of the candidate and the way he is projected by the advertising experts are the things that really mat­ter. In one way or another, as vigorous he-man or kindly father, the candidate must be glamorous. He must also be an entertainer who never bores his audience. Inured to television and radio, that audience is accustomed to being distracted and does not like to be asked to con­centrate or make a prolonged intellectual effort. All speeches by the entertainer-candidate must therefore be short and snappy. The great issues of the day must be dealt with in five minutes at the most -- and prefera­bly (since the audience will be eager to pass on to something a little livelier than inflation or the H-bomb) in sixty seconds flat. The nature of oratory is such that there has always been a tendency among politicians and clergymen to over-simplify complex is­sues. From a pulpit or a platform even the most con­scientious of speakers finds it very difficult to tell the whole truth. The methods now being used to merchan­dise the political candidate as though he were a deo­dorant positively guarantee the electorate against ever hearing the truth about anything.
Aldous Huxley
In the Month of May" In the month of May when all leaves open, I see when I walk how well all things lean on each other, how the bees work, the fish make their living the first day. Monarchs fly high; then I understand I love you with what in me is unfinished. I love you with what in me is still changing, what has no head or arms or legs, what has not found its body. And why shouldn't the miraculous, caught on this earth, visit the old man alone in his hut? And why shouldn't Gabriel, who loves honey, be fed with our own radishes and walnuts? And lovers, tough ones, how many there are whose holy bodies are not yet born. Along the roads, I see so many places I would like us to spend the night.
Robert Bly (Eating the Honey of Words: New and Selected Poems)
Men are taught over and over when they are boys that a wound that hurts is shameful. A wound that stops you from continuing to play is a girlish wound. He who is truly a man keeps walking, dragging his guts behind. Our story gives a teaching diametrically opposite. It says that where a man's wound is, that is where his genius will be. Wherever the wound appears in our psyches, whether from alcoholic father, shaming mother, shaming father, abusing mother, whether it stems from isolation, disability, or disease, that is precisely the place for which we will give our major gift to the community.
Robert Bly (Iron John: A Book About Men)
Jeg trodde jeg var skuffet - og jeg tenkte det var fordi jeg hadde lengtet så meget og drømt så meget, at alt jeg ville få se, skulle bli blekt og fattig imot mine drømer. Har De lagt merke til når man ligger en sommerdag i solen med lukkede øyne ? Når man åpner dem, er likesom alle farver grå og falmer en stund. Men det er bare fordi øynene er vekket av å være ubrukte en tid - de orker ikke straks å oppfatte den mangfoldighet av farver som er i virkeligheten - det første inntrykk blir ufullkomment of fattig. Forstår De hva jeg mener ?
Sigrid Undset (Jenny)
R’bin,” he said, giving up and gazing down at her. “R’bin, d’you know wadda kairos mo…” He hiccoughed. “Mo…moment is?” “A kairos moment?” she repeated, hoping against hope it was not something sexual, something that she would not be able to forget afterwards, especially as the kebab shop owner was listening in and smirking behind them. “No, I don’t. Shall we go back to the office?” “You don’t know whadditis?” he asked, peering at her. “No.” “ ’SGreek,” he told her. “Kairos. Kairos moment. An’ it means,” and from somewhere in his soused brain he dredged up words of surprising clarity, “the telling moment. The special moment. The supreme moment.” Oh please, thought Robin, please don’t tell me we’re having one. “An’ d’you know what ours was, R’bin, mine an’ Charlotte’s?” he said, staring into the middle distance, his unlit cigarette hanging from his hand. “It was when she walk’d into the ward—I was in hosp’tal f’long time an’ I hadn’ seen her f’two years—no warning—an’ I saw her in the door an’ ev’ryone turned an’ saw her too, an’ she walked down the ward an’ she never said a word an,” he paused to draw breath, and hiccoughed again, “an’ she kissed me aft’ two years, an’ we were back together. Nobody talkin’. Fuckin’ beautiful. Mos’ beaut’ful woman I’ve ’ver seen. Bes’ moment of the whole fuckin’—’fmy whole fuckin’ life, prob’bly. I’m sorry, R’bin,” he added, “f’r sayin’ ‘fuckin’.’ Sorry ’bout that.” Robin felt equally inclined to laughter and tears, though she did not know why she should feel so sad.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
Finding the Father My friend, this body offers to carry us for nothing– as the ocean carries logs. So on some days the body wails with its great energy; it smashes up the boulders, lifting small crabs, that flow around the sides. Someone knocks on the door. We do not have time to dress. He wants us to go with him through the blowing and rainy streets, to the dark house. We will go there, the body says, and there find the father whom we have never met, who wandered out in a snowstorm the night we were born, and who then lost his memory, and has lived since longing for his child, whom he saw only once… while he worked as a shoemaker, as a cattle herder in Australia, as a restaurant cook who painted at night. When you light the lamp you will see him. He sits there behind the door… the eyebrows so heavy, the forehead so light… lonely in his whole body, waiting for you.
Robert Bly (Iron John: A Book About Men)
Man skal alltid respektere hverandres tacovaner. I taco er ingenting feil. Noen liker skjell, andre liker lefser. Noen blander alt til en salat, mens andre bruker to tubs oppi hverandre. Alt tilbehør er tillatt og jeg har selv akseptert både rosiner, druer, majones og thousand island-dressing på tacobordet i mitt eget hjem. Selv om du ikke kan fordra mais, er ikke din venns taco feil bare fordi den inneholder mais.Det er ikke lov å bli sur i taco.Taco er alt, og alle har forskjellige preferanser innen tacogrenen.Grensen går imidlertid ved ketchup.
Linnéa Myhre (Kjære)
Jag skriver inte för alla Jag skriver för dej Du som fyller huvudet med drömmar och fantasi Och som krockar med verklighetens lyktstolpar om och om igen Jag skriver för dej Du som tänker på livet, hur det är och hur det kunde vara Du som tänker på döden Jag skriver för dej Du som gör listor med viktiga saker Du som försöker förstå hur allt hänger ihop Du som funderar på tiden vi lever i Och varför världen ser ut som den gör Och på hur allt ska bli och hur allt skulle kunna vara Jag skriver för dej Du som vet att du inte är som de andra Och för dej, du som känner igen dej Jag skriver för dej Du som gråter i nattsvart hopplöshet Och för dej Du som skrattar, Som vet att världen är vacker Och att livet är ett spännande äventyr Jag skriver inte för alla Jag skriver för dej
Per Nilsson
Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments
Louise Erdrich (The Sentence)
The psychoanalyst Erik H. Erikson devoted a chapter in his Pulitzer Prize—winning book, Childhood and Society, to his reflections on the American identity. “This dynamic country,” he wrote, “subjects its inhabitants to more extreme contrasts and abrupt changes during a generation than is normally the case with other great nations.” Such trends have only accelerated since Erikson made that observation in 1950. The effects of rapid social and economic shifts on the parenting environment are too well known to need detailing here. The erosion of community, the breakdown of the extended family, the pressures on marriage relationships, the harried lives of nuclear families still intact and the growing sense of insecurity even in the midst of relative wealth have all combined to create an emotional milieu in which calm, attuned parenting is becoming alarmingly difficult. The result being successive generations of children in alienation, drug use and violence — what Robert Bly has astutely described as “the rage of the unparented.” Bly notes in The Sibling Society that “in 1935 the average working man had forty hours a week free, including Saturday. By 1990, it was down to seventeen hours. The twenty-three lost hours of free time a week since 1935 are the very hours in which the father could be a nurturing father, and find some center in himself, and the very hours in which the mother could feel she actually has a husband.” These patterns characterize not only the earlyyears of parenting, but entire childhoods. “Family meals, talks, reading together no longer take place,” writes Bly. “What the young need — stability, presence, attention, advice, good psychic food, unpolluted stories — is exactly what the sibling society won’t give them.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Tror du inte jag förstår? Den hopplösa drömmen om att vara. Inte verka utan vara. I varje ögonblick medveten, vaksam. Och samtidigt avgrunden mellan vad du är inför andra och vad du är inför dig själv. Svindelkänslan och den ständiga hungern att äntligen få bli avslöjad. Att få bli genomskådad, reducerad, kanske till och med utplånad. Varje tonfall en lögn, varje gest en förfalskning, varje leende en grimas. Ta livet av sig? Nej då, det är för otäckt. Det gör man inte. Men man kan bli orörlig, man kan bli tyst. Då ljuger man åtminstone inte. Man kan stänga in sig, skärma av. Då behöver man inte spela några roller, visa några ansikten, göra några falska gester – tror man. Men ser du, verkligheten jävlas. Ditt gömställe, det är inte tillräckligt tätt. Överallt sipprar det in livsyttringar. Du tvingas reagera. Det är ingen som frågar efter om det är äkta eller oäkta, om du är sann eller förljugen. Det är bara på teatern som sådant är en fråga av vikt. Knappt där heller för den delen. Jag förstår dig, Elisabet. Jag förstår att du tiger, jag förstår att du är orörlig, att du har satt viljelösheten i ett fantastiskt system. Jag förstår och jag beundrar. Jag tycker att du ska hålla på med den rollen tills den är färdigspelad, tills den inte längre är intressant. Då kan du ju lämna den, precis som du undan för undan lämnar alla dina andra roller.
Ingmar Bergman
What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
Joanna Russ (On Strike Against God)
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
Robert Bly (Iron John: A Book about Men)