Blush Related Quotes

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I'm coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta hesitates, then gives an unconvincing shake of his head. Handsome lad like you. There must be some special girl. Come on, what’s her name?" says Caesar. Peeta sighs. "Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping." Sounds of sympathy from the crowd. Unrequited love they can relate to. She have another fellow?" asks Caesar. I don’t know, but a lot of boys like her," says Peeta. So, here’s what you do. You win, you go home. She can’t turn you down then, eh?" says Caesar encouragingly. I don’t think it’s going to work out. Winning...won’t help in my case," says Peeta. Why ever not?" says Caesar, mystified. Peeta blushes beet red and stammers out. "Because...because...she came here with me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Peeta sighs. "Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping." Sounds of sympathy from the crowd. Unrequited love they can relate to. She have another fellow?" asks Caesar. I don’t know, but a lot of boys like her," says Peeta. So, here’s what you do. You win, you go home. She can’t turn you down then, eh?" says Caesar encouraging-ly. I don’t think it’s going to work out. Winning...won’t help in my case," says Peeta. Why ever not?" says Caesar, mystified. Peeta blushes beet red and stammers out. "Because...because...she came here with me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
We are all women you assure me? Then I may tell you that the very next words I read were these – ‘Chloe liked Olivia …’ Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women. ‘Chloe liked Olivia,’ I read. And then it struck me how immense a change was there. Chloe liked Olivia perhaps for the first time in literature. Cleopatra did not like Octavia. And how completely Antony and Cleopatra would have been altered had she done so! As it is, I thought, letting my mind, I am afraid, wander a little from Life’s Adventure, the whole thing is simplified, conventionalized, if one dared say it, absurdly. Cleopatra’s only feeling about Octavia is one of jealousy. Is she taller than I am? How does she do her hair? The play, perhaps, required no more. But how interesting it would have been if the relationship between the two women had been more complicated. All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. So much has been left out, unattempted. And I tried to remember any case in the course of my reading where two women are represented as friends. There is an attempt at it in Diana of the Crossways. They are confidantes, of course, in Racine and the Greek tragedies. They are now and then mothers and daughters. But almost without exception they are shown in their relation to men.
Virginia Woolf (A Room of One’s Own)
I’m not familiar with this word you were repeating before…‘cojones’, was it?” I blushed as Dominick patted me on the back. “Way to introduce him to the vernacular, Palta.
M.A. George (Relativity (Proximity, #2))
I have myself known two southern wives who exhorted their husbands to free those slaves towards whom they stood in a "parental relation;" and their request was granted. These husbands blushed before the superior nobleness of their wives' natures. Though they had only counseled them to do that which was their duty to do, it commanded their respect, and rendered their conduct more exemplary. Concealment was at an end, and confidence took the place of distrust.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl, Written by Herself)
There could be something wrong with me because I see Negroes neither better nor worse than any other race. Race pride is a luxury I cannot afford. There are too many implications bend the term. Now, suppose a Negro does something really magnificent, and I glory, not in the benefit to mankind, but the fact that the doer was a Negro. Must I not also go hang my head in shame when a member of my race does something execrable? If I glory, then the obligation is laid upon me to blush also. I do glory when a Negro does something fine, I gloat because he or she has done a fine thing, but not because he was a Negro. That is incidental and accidental. It is the human achievement which I honor. I execrate a foul act of a Negro but again not on the grounds that the doer was a Negro, but because it was foul. A member of my race just happened to be the fouler of humanity. In other words, I know that I cannot accept responsibility for thirteen million people. Every tub must sit on its own bottom regardless. So 'Race Pride' in me had to go. And anyway, why should I be proud to be Negro? Why should anyone be proud to be white? Or yellow? Or red? After all, the word 'race' is a loose classification of physical characteristics. I tells nothing about the insides of people. Pointing a achievements tells nothing either. Races have never done anything. What seems race achievement is the work of individuals. The white race did not go into a laboratory and invent incandescent light. That was Edison. The Jews did not work out Relativity. That was Einstein. The Negros did not find out the inner secrets of peanuts and sweet potatoes, nor the secret of the development of the egg. That wad Carver and Just. If you are under the impression that every white man is Edison, just look around a bit. If you have the idea that every Negro is a Carver, you had better take off plenty of time to do your searching.
Zora Neale Hurston (Dust Tracks on a Road)
Robbie, for once, was speechless. I was a little impressed. Joe would probably smell how impressed I was. Which probably wasn't the best thing to have happen in this first meeting together. In front of his blood relatives. Even though they probably already knew. Kelly coughed quite loudly I tried hard not to blush. “Sorry,” Kelly said. “Something stuck in my throat.” “That’s what Joe said,” Carter muttered under his breath. They fist-pounded each other without taking their eyes off me.
T.J. Klune (Wolfsong (Green Creek, #1))
I have entered upon a performance which is without example, whose accomplishment will have no imitator. I mean to present my fellow-mortals with a man in all the integrity of nature; and this man shall be myself. I know my heart, and have studied mankind; I am not made like any one I have been acquainted with, perhaps like no one in existence; if not better, I at least claim originality, and whether Nature did wisely in breaking the mould with which she formed me, can only be determined after having read this work. Whenever the last trumpet shall sound, I will present myself before the sovereign judge with this book in my hand, and loudly proclaim, thus have I acted; these were my thoughts; such was I. With equal freedom and veracity have I related what was laudable or wicked, I have concealed no crimes, added no virtues; and if I have sometimes introduced superfluous ornament, it was merely to occupy a void occasioned by defect of memory: I may have supposed that certain, which I only knew to be probable, but have never asserted as truth, a conscious falsehood. Such as I was, I have declared myself; sometimes vile and despicable, at others, virtuous, generous and sublime; even as thou hast read my inmost soul: Power eternal! assemble round thy throne an innumerable throng of my fellow-mortals, let them listen to my confessions, let them blush at my depravity, let them tremble at my sufferings; let each in his turn expose with equal sincerity the failings, the wanderings of his heart, and, if he dare, aver, I was better than that man.
Jean-Jacques Rousseau
I was just about to get up when Dad rushed into the kitchen. He was in pajamas, which was totally bizarre. Dad never came down to breakfast until he was completely dressed. Of course, his pajamas even had a little pocket and handkerchief, so maybe he felt dressed. He had a sheet of paper in his hands and was staring at it, his eyes wide. “James,” Aislinn acknowledged. “You’re up kind of late this morning. Is Grace sleeping in, too?” Dad glanced up, and I could swear he blushed. :”Hmm? Oh. Yes. Well. In any case. Um…to the point at hand.” “Leave Dad alone,” I told Aislinn. “His Britishness is short-circuiting.” Instead of being grossed out, I was weirdly happy at the thought of my parents being all…whatever (okay, I was a little grossed out). In fact, their apparent reconciliation was maybe the one good thing to come out of this whole mess. Well, that and saving the world, obviously. Dad shook his head and held out the papers. “I didn’t come down here to discuss my personal…relations. I came here because this arrived from the Council this morning. I sat back in my chair. “The Council? Like, the Council Council? But they don’t even exist anymore. Maybe you’re wrong. Maybe it’s the Council For What Breakfast Cereals You Should-“ “Sophia,” Dad said, stopping me with a look. “Sorry. Freaked out.” He gave a little smile. “I know that, darling. And to be perfectly honest, perhaps you should be.” He handed the papers to me, and I saw it was some kind of official letter. It was addressed to Dad, but I saw my name in the first paragraph. I laid it on the table so no one would see my hands shake. “Did this come by owl?” I muttered. “Please tell me it came-“ “Sophie!” nearly everyone in the kitchen shouted. Even Archer was exasperated, “Come on, Mercer.” I took a deep breath and started to read. When I got about halfway down the page, I stopped, my eyes going wide, my heart racing. I looked back at Dad. “Are they serious?” “I believe that they are.” I read the words again. “Holy hell weasel.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Handsome lad like you. There must be some special girl. Come on, what’s her name?” says Caesar. Peeta sighs. “Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping.” Sounds of sympathy from the crowd. Unrequited love they can relate to. “She have another fellow?” asks Caesar. “I don’t know, but a lot of boys like her,” says Peeta. “So, here’s what you do. You win, you go home. She can’t turn you down then, eh?” says Caesar encouragingly. “I don’t think it’s going to work out. Winning . . . won’t help in my case,” says Peeta. “Why ever not?” says Caesar, mystified. Peeta blushes beet red and stammers out. “Because . . . because . . . she came here with me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
[24] In a piece of embossed silverware, what is best: the silver or the workmanship? The substance of the hand is mere flesh, but what is important is the works that the hand produces. [25] Now, appropriate actions are of three kinds:* first, those relating to mere existence, secondly, those relating to existence of a particular kind, and thirdly, those that are themselves principal duties. And what are those? [26] Fulfilling one’s role as a citizen, marrying, having children, honouring God, taking care of one’s parents, and, in a word, having our desires and aversions, and our motives to act and or not to act, as each of them ought to be, in accordance with our nature. And what is our nature? [27] To be people who are free, noble-minded, and self-respecting. For what other animal blushes; what other animal has a sense of shame? [28] Pleasure should be subordinated to these duties as a servant, as an attendant,* so as to arouse our zeal, so as to ensure that we consistently act in accord with nature.
Epictetus (Discourses, Fragments, Handbook)
And while I was writing this review, I discovered that if I were going to review books I should need to do battle with a certain phantom. And the phantom was a woman, and when I came to know her better I called her after the heroine of a famous poem, The Angel in the House. It was she who used to come between me and my paper when I was writing reviews. It was she who bothered me and wasted my time and so tormented me that at last I killed her. You who come of a younger and happier generation may not have heard of her — you may not know what I mean by the Angel in the House. I will describe her as shortly as I can. She was intensely sympathetic. She was immensely charming. She was utterly unselfish. She excelled in the difficult arts of family life. She sacrificed herself daily. If there was chicken, she took the leg; if there was a draught she sat in it — in short she was so constituted that she never had a mind or a wish of her own, but preferred to sympathize always with the minds and wishes of others. Above all — I need not say it —-she was pure. Her purity was supposed to be her chief beauty — her blushes, her great grace. And when I came to write I encountered her with the very first words. The shadow of her wings fell on my page; I heard the rustling of her skirts in the room. Directly, that is to say, I took my pen in my hand to review that novel by a famous man, she slipped behind me and whispered: “My dear, you are a young woman. You are writing about a book that has been written by a man. Be sympathetic; be tender; flatter; deceive; use all the arts and wiles of our sex. Never let anybody guess that you have a mind of your own. Above all, be pure.” And she made as if to guide my pen. I turned upon her and caught her by the throat. I did my best to kill her. My excuse, if I were to be had up in a court of law, would be that I acted in self-defence. Had I not killed her she would have killed me. She would have plucked the heart out of my writing. For, as I found, directly I put pen to paper, you cannot review even a novel without having a mind of your own, without expressing what you think to be the truth about human relations, morality, sex. And all these questions, according to the Angel of the House, cannot be dealt with freely and openly by women; they must charm, they must conciliate, they must — to put it bluntly — tell lies if they are to succeed. Thus, whenever I felt the shadow of her wing or the radiance of her halo upon my page, I took up the inkpot and flung it at her. She died hard. Her fictitious nature was of great assistance to her. It is far harder to kill a phantom than a reality. But it was a real experience; it was an experience that was bound to befall all women writers at that time. Killing the Angel in the House was part of the occupation of a woman writer.
Virginia Woolf (Profissões para mulheres e outros artigos feministas)
Tell me, Princess Olivia... why do you have to stay in your tower?" The soft entreaty made Livia feel as if she were melting inside. She laughed unsteadily, wishing for a moment that she dared to trust him. But the habit of independence was too strong. Shaking her head, Livia approached him, expecting him to back away from the doorway. He retreated half a step, his hands still grasping the edges of the doorway, so that she couldn't help but walk into an open-armed embrace. The bonnet ribbons slipped from her fingers. "Mr. Shaw-" she began, making the mistake of looking up at him. "Gideon," he whispered. "I want to know your secrets, Olivia." A bitter half smile touched her lips. "You'll hear them sooner or later from other people." "I want to hear them from you." As Livia began to retreat into the glasshouse, Shaw deftly caught the little cloth belt of her walking dress. His long fingers hooked beneath the reinforced fabric. Unable to back away from him, Livia clamped her hand over his, while a hectic blush flooded her face. She knew that he was toying with her, and that she once might have been able to manage this situation with relative ease. But not now. When she spoke, her voice was husky. "I can't do this, Mr. Shaw." To her amazement, he seemed to understand exactly what she meant. "You don't have to do anything," he said softly. "Just let me come closer... and stay right there..." His head bent, and he found her mouth easily. The coaxing pressure of his lips made Livia sway dizzily, and he caught her firmly against him. She was being kissed by Gideon Shaw, the self-indulgent, debauched scoundrel her brother had warned her about. And oh, he was good at it. She had thought nothing would ever be as pleasurable as Amberley's kisses... but this man's mouth was warm and patient, and there was something wickedly erotic about his complete lack of urgency. He teased her gently, nudging her lips apart, the tip of his tongue barely brushing hers before it withdrew. Wanting more of those silken strokes, Livia began to strain against him, her breath quickening. He nurtured her excitement with such subtle skill that she was utterly helpless to defend against it. To her astonishment, she found herself winding her arms around his neck and pressing her breasts against the hard plane of his chest. His hand slid behind her neck, tilting her head back to expose her throat more fully. Still gentle and controlled, he kissed the fragile skin, working his way down to the hollow at the base of her throat. She felt his tongue swirl in the warm depression, and a moan of pleasure escaped her. Shaw lifted his head to nuzzle the side of her cheek, while his hand smoothed over her back. Their breaths mingled in swift puffs of heat, his hard chest moving against hers in an erratic rhythm.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Cecily.” His gaze wandered from her unbound hair to her disheveled gown, to her fingers still laced with Luke’s. “I . . . I was just about to go searching for you.” “There you are!” Portia called from behind him. “Come in, come in.” She lay swaddled in blankets on the divan, with her bandaged leg propped on a nearby ottoman. Brooke sat beside her, balancing a teacup in either hand. Cecily turned to Denny. “I’m sorry to have worried you, but . . .” She squeezed Luke’s hand for courage. “You see, Luke and I—” “I understand,” he replied. The serious expression on his face told her he did understand, completely. To his credit, he took it well. He turned to Luke. “When will you be married?” “Married?” Portia exclaimed. Cecily sighed. Just like Denny, to take his responsibilities as her third cousin twice removed— and only male relation in the vicinity— so seriously. But did he have to force the issue now? Certainly, she hoped that she and Luke might one day— “As soon as possible.” Luke’s arm slid around her waist. Cecily’s gaze snapped up to his. Are you certain? she asked him silently. He answered her with a quick kiss. “Well, then. When can we be married?” Brooke directed his question to Portia. “Married!” Blushing furiously, Portia made a dismissive gesture with both hands. “Why, I’m only just learning to enjoy being a widow. I don’t want to be married. I want to write scandalous novels and take dozens of lovers.” Brooke raised an eyebrow. “Can that be negotiated to lover, singular?” “That,” she said, giving him a coy smile, “would depend on your skill at negotiation.” “What an evening you’ve had, Portia,” Cecily said. “A brush with death, a proposal of marriage, an indecent proposition . . . Surely you have sufficient inspiration for your gothic novel?” “Too much inspiration!” Portia wailed, gesturing toward her bandaged foot. “I am done with gothics completely. No, I shall take a cue from my insipid wallpaper and write a bawdy little tale about a wanton dairymaid and her many lovers.” “Lover, singular.” Brooke flopped on the divan and settled her feet in his lap. “Oh,” she sighed, as he massaged her uninjured foot. “Oh, very well.” Luke tugged on Cecily’s hand, drawing her toward the doorway. “Let’s make our escape.” As they left, she heard Denny say in his usual jocular tone, “Do me a favor, Portia? Model your hero after me. Just once, I should like to get the girl.
Tessa Dare (The Legend of the Werestag)
Nick lounged on his side as he watched her descend from the bed. “That’s going to be at least twelve hours from now. I’m not going to be able to keep my hands off of you for that long.” “Then you’ll have to devise some means of—” Lottie broke off and inhaled sharply as she stood upright. “What is it?” he asked alertly. Lottie blushed from her head to her toes. “I’m sore. In… in places that I’m not usually sore.” Nick understood immediately. An abashed grin touched his lips, and he hung his head in an unconvincing effort at penitence. “I’m sorry. An aftereffect of Tantric lovemaking.” “Is that what it was?” Lottie hobbled to a chair near the hearth, where she had left her robe. Hastily she wrapped it around herself. “An ancient Indian art form,” he explained. “Ritualized methods designed to prolong intercourse.” Lottie’s high color persisted as she recalled the things he had done to her in the night. “Well, it certainly was prolonged.” “Not really. Tantric experts often have sexual relations for nine or ten hours at a time.” She gave him an appalled glance. “Could you do that, if you wished?” Standing from the bed, Nick walked over to her, completely unself-conscious in his nakedness. He took her into his arms and nuzzled her soft blond hair, playing with the loose braid that hung down her back. “With you, I wouldn’t mind trying,” he said, smiling against her temple. “No, thank you. I can barely walk as it is.” She searched through the tantalizing hair on his chest, finding the point of his nipple. “I’m afraid I’m not going to encourage any of your Tantric practices.” “That’s all right,” he replied amiably. “There are other things we can do.” His voice lowered seductively. “I haven’t begun to show you the things I know.” “I was afraid of that,” she said, and he laughed. -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
It left relatives who were close to the family to wonder what would become of her if she didn't grow a backbone or some willpower. Jean hated the whispering and the blushing at school. She hated ignoring, shrinking back from the stares in assembly or break when she wandered by herself to the library or hooked onto a group of girls when she was lonely. She knew they found her tiresome and boring but that feeling was reciprocated.
Abigail George
The issue of how kin and group selection relate illustrates one striking aspect of the levels of selection debate in biology, which explains why it has captured the attention of philosophers. The debate involves a curious mix of empirical and conceptual questions, often intertwined. At first blush, the levels question may seem purely empirical. Given that natural selection can occur at more than one level, surely we just need to find out the level(s) at which it does occur, or has done in the past? With enough empirical data, surely the question can be straightforwardly answered? In fact, matters are not so simple. Certainly, the debate is responsible to empirical data, but there is more to it than this. For not infrequently, one finds authors who agree about the basic biological facts in a given case, but who disagree about how to identify the level(s) of selection. Such disagreements are not the ‘normal’ scientific ones that can be resolved by collecting data, but have a conceptual, and in some cases even an ideological, dimension.
Samir Okasha (Philosophy of Biology: A Very Short Introduction (Very Short Introductions))
The whole reason lipstick and blush came into being was that when a woman is sexually aroused, her lips and cheeks get redder. The first women to wear lipstick were prostitutes, to better attract clients. And eye makeup makes eyes stand out more, right? This had to be related to the fact that mammal babies have proportionally oversized eyes. So, what—were women trying to make themselves look like sexually aroused babies? Why? Why was this the norm? Why was I the freak for not doing it? Society was really fucked up.
Kelly Vincent (Ugly (The Art of Being Ugly, #1))
The key to this matrix is the symmetry or asymmetry of the performance. Investors who lack skill simply earn the return of the market and the dictates of their style. Without skill, aggressive investors move a lot in both directions, and defensive investors move little in either direction. These investors contribute nothing beyond their choice of style. Each does well when his or her style is in favor but poorly when it isn’t. On the other hand, the performance of investors who add value is asymmetrical. The percentage of the market’s gain they capture is higher than the percentage of loss they suffer. Aggressive investors with skill do well in bull markets but don’t give it all back in corresponding bear markets, while defensive investors with skill lose relatively little in bear markets but participate reasonably in bull markets. Everything in investing is a two-edged sword and operates symmetrically, with the exception of superior skill. Only skill can be counted on to add more in propitious environments than it costs in hostile ones. This is the investment asymmetry we seek. Superior skill is the prerequisite for it. Here’s how I describe Oaktree’s performance aspirations: In good years in the market, it’s good enough to be average. Everyone makes money in the good years, and I have yet to hear anyone explain convincingly why it’s important to beat the market when the market does well. No, in the good years average is good enough. There is a time, however, when we consider it essential to beat the market, and that’s in the bad years. Our clients don’t expect to bear the full brunt of market losses when they occur, and neither do we. Thus, it’s our goal to do as well as the market when it does well and better than the market when it does poorly. At first blush that may sound like a modest goal, but it’s really quite ambitious. In order to stay up with the market when it does well, a portfolio has to incorporate good measures of beta and correlation with the market. But if we’re aided by beta and correlation on the way up, shouldn’t they be expected to hurt us on the way down? If we’re consistently able to decline less when the market declines and also participate fully when the market rises, this can be attributable to only one thing: alpha, or skill. That’s an example of value-added investing, and if demonstrated over a period of decades, it has to come from investment skill. Asymmetry—better performance on the upside than on the downside relative to what your style alone would produce—should be every investor’s goal.
Howard Marks (The Most Important Thing: Uncommon Sense for the Thoughtful Investor (Columbia Business School Publishing))
Anyway, you never know, she might turn out to be right. Maybe you will meet someone at the wedding.’ I groan loudly. I’ve fantasised about meeting The One at weddings since I was fifteen. We’d bump into each other on the dance floor, my bangle would get caught on the sleeve of his kurta and in the process of untangling ourselves, he would fall in love with the way a faint blush bloomed across my perfect cheekbones. Cheekbones that neither fifteen-year-old Sunny, nor indeed thirty-year-old Sunny, possessed. Bollywood has a lot to answer for – especially heightening the romantic expectations of shy, chubby Indian teenagers from Gravesend.
Sukh Ojla (Sunny: Heartwarming and utterly relatable - the dazzling debut novel by comedian, writer and actor Sukh Ojla)
He lifted me up and sat me on the counter, gave me another kiss that almost reduced me to a puddle and walked over to Jeremy, “Come help me with the ice chests.” “Brandon! I just barely got down from the counter, and Jeremy had to help me!” “I know.” He smiled wickedly and walked out to the garage. I turned to Konrad, “Care to help?” “Ya know, I forgot to get the ice from the store … wanna go with me baby?” He grabbed Bree’s hand and led her quickly out of the kitchen. Jerks. Looking to the only person left in the room I added dryly, “Want to join?” Aubrey walked up next to me and had to jump three times before she got enough leverage to lift herself all the way up. “They’re really high up, right? It’s not just me?” “No, it’s definitely not just you.” She said softly and tucked her hair behind her ears, “Thank you so much for having us, this is really sweet of you.” “Of course! It’s fun to do. I apologize in advance if it gets rowdy. I don’t know much about the guys coming.” She laughed and swung her legs back and forth, “That’s fine.” Man, did I talk this soft too? “So tell me, how did you meet Jeremy?” “Um, school.” “Oh yeah? How long have you been dating?” Aubrey blushed fiercely and looked over to the door leading to the garage, “Only a week. He asked me out a few times last year, we were Chemistry partners, but I don’t know … he scared me.” “What? Why?” “Well I mean, besides his size, he’s really popular and outgoing. He was already popular after his first week at the school, and I knew a lot of girls liked him. I don’t know. Guys like him don’t date girls like me, I thought it was a joke.” The first half of that didn’t surprise me one bit. He’d really filled out in the last year, was built just like Brandon, and looked exactly like him. Their size was intimidating, and they were incredibly handsome. But what the hell? “I’m sorry, I must be missing something, girls like you?” “He plays football and is the captain of the soccer team, I’m not into sports or anything school related really.” “If he’s dating you, then I’m pretty sure that doesn’t matter at all to him. You’re gorgeous Aubrey, and you seem really sweet, it’s not hard to see why he likes you. Jeremy doesn’t just date girls … actually, he hasn’t had a girlfriend in the two years that I’ve been with Brandon. So for him to ask you out is a big thing for him. And those boys don’t have a cruel bone in their body, he would never date you as a joke. He’s just like his brother, they’re extremely protective and devoted to the girls in their life. Nothing less.” She blushed again, “You and Brandon are so perfect together. Jeremy’s told me so much about you both, and seeing you together is cute. It’s obvious how much you love each other.” I smiled and leaned back on my hands, “We are definitely in love.” Brandon
Molly McAdams (Taking Chances (Taking Chances, #1))
Various relatives came to visit us in London that year. My husband’s parents came from Houston in April and were simply enchanted by Diana. My mother-in-law, Betty, is friendly, talkative, and direct. As she chatted with Diana, Betty learned that Diana was eighteen and unattached and announced to her that she had a tall, eligible son in college back in Texas. Mike was six feet four inches to Diana’s five feet ten inches. Recalling this conversation later, Betty and I couldn’t decide whether to laugh or blush about the fact that she had tried to arrange a blind date for the young woman who soon after became engaged to the heir to the British throne.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
When will you be married?” “Married?” Portia exclaimed. Cecily sighed. Just like Denny, to take his responsibilities as her third cousin twice removed—and only male relation in the vicinity—so seriously. But did he have to force the issue now? Certainly, she hoped that she and Luke might one day— “As soon as possible.” Luke’s arm slid around her waist. Cecily’s gaze snapped up to his. Are you certain? she asked him silently. He answered her with a quick kiss. “Well, then. When can we be married?” Brooke directed his question to Portia. “Married!” Blushing furiously, Portia made a dismissive gesture with both hands. “Why, I’m only just learning to enjoy being a widow. I don’t want to be married. I want to write scandalous novels and take dozens of lovers.” Brooke raised an eyebrow. “Can that be negotiated to lover, singular?” “That,” she said, giving him a coy smile, “would depend on your skill at negotiation.” “What an evening you’ve had, Portia,” Cecily said. “A brush with death, a proposal of marriage, an indecent proposition . . . Surely you have sufficient inspiration for your gothic novel?” “Too much inspiration!” Portia wailed, gesturing toward her bandaged foot. “I am done with gothics completely. No, I shall take a cue from my insipid wallpaper and write a bawdy little tale about a wanton dairymaid and her many lovers.” “Lover, singular.” Brooke flopped on the divan and settled her feet in his lap. “Oh,” she sighed, as he massaged her uninjured foot. “Oh, very well.” Luke
Tessa Dare (How to Catch a Wild Viscount)
To know them is not to admire them, for they are vain and hysterical. They gather in vulnerable groups and then panic at rumors. They are subject to all the sicknesses of other fowl, together with some they have invented. Turkeys seem to be manic-depressive types, gobbling with blushing wattles, spread tails, and scraping wings in amorous bravado at one moment and huddled in craven cowardice the next. It is hard to see how they can be related to their wild, clever, suspicious cousins. But here in their thousands they carpeted the earth waiting to lie on their backs on the platters of America.
John Steinbeck (Travels With Charley: In Search of America)
There are five of us,” she begins. “Mia, who is a chef like I said. Addie, who runs the front of the house. Cami is our accountant. Riley is in charge of marketing and public relations. And me.” “And you run the bar.” “I
Kristen Proby (Blush for Me (Fusion, #3))
To-day the spirit of religious asceticism—whether finally, who knows?—has escaped from the cage. But victorious capitalism, since it rests on mechanical foundations, needs its support no longer. The rosy blush of its laughing heir, the Enlightenment, seems also to be irretrievably fading, and the idea of duty in one’s calling prowls about in our lives like the ghost of dead religious beliefs. Where the fulfillment of the calling cannot directly be related to the highest spiritual and cultural values, or when, on the other hand, it need not be felt simply as economic compulsion, the individual generally abandons the attempt to justify it at all. In the field of its highest development, in the United States, the pursuit of wealth, stripped of its religious and ethical meaning, tends to become associated with purely mundane passions, which often actually give it the character of sport. No one knows who will live in this cage in the future, or whether at the end of this tremendous development entirely new prophets will arise, or there will be a great rebirth of old ideas and ideals, or, if neither, mechanized petrification, embellished with a sort of convulsive self-importance. For of the last stage of this cultural development, it might well be truly said: “Specialists without spirit, sensualists without heart; this nullity imagines that it has attained a level of civilization never before achieved.
Max Weber (The Protestant Ethic and the Spirit of Capitalism)
They tried still to see each other in secret. But it was impossible for them to regain the carelessness of their old relation. Their frankness was spoiled. The two boys who loved each other with a tenderness so fearful that they had never dared exchange a fraternal kiss, and had imagined that there could be no greater happiness than in seeing each other, and in being friends, and sharing each other's dreams, now felt that they were stained and spotted by the suspicion of evil minds. They came to see evil even in the most innocent acts: a look, a hand-clasp—they blushed, they had evil thoughts. Their relation became intolerable.
Romain Rolland (Jean Christophe)
effect are base lies, I'll have you and your friend know! However—" he yawned again "—I've been up all day and so, purely coincidentally, I do find myself just a bit sleepy at the moment. The which being so, I think I should take myself off to bed. I'll see you all in the morning." "Good night, Alistair," she said, and smiled as he sketched a salute and disappeared into the night with a chuckle. "You two are really close, aren't you?" Benson observed quietly after McKeon had vanished. Honor raised an eyebrow at her, and the blond captain shrugged. "Not like me and Henri, I know. But the way you look out for each other—" "We go back a long way," Honor replied with another of her half-smiles, and bent to rest her chin companionably on the top of Nimitz's head. "I guess it's sort of a habit to watch out for each other by now, but Alistair seems to get stuck with more of that than I do, bless him." "I know. Henri and I made the hike back to your shuttles with you, remember?" Benson said dryly. "I was impressed by the comprehensiveness of his vocabulary. I don't think he repeated himself more than twice." "He probably wouldn't have been so mad if I hadn't snuck off without mentioning it to him," Honor said, and her right cheek dimpled while her good eye gleamed in memory. "Of course, he wouldn't have let me leave him behind if I had mentioned it to him, either. Sometimes I think he just doesn't understand the chain of command at all!" "Ha!" Ramirez' laugh rumbled around the hut like rolling thunder. "From what I've seen of you so far, that's a case of the pot calling the kettle black, Dame Honor!" "Nonsense. I always respect the chain of command!" Honor protested with a chuckle. "Indeed?" It was Benson's turn to shake her head. "I've heard about your antics at—Hancock Station, was it called?" She laughed out loud at Honor's startled expression. "Your people are proud of you, Honor. They like to talk, and to be honest, Henri and I encouraged them to. We needed to get a feel for you, if we were going to trust you with our lives." She shrugged. "It didn't take us long to make our minds up once they started opening up with us." Honor felt her face heat and looked down at Nimitz, rolling him gently over on his back to stroke his belly fur. She concentrated on that with great intensity for the next several seconds, then looked back up once her blush had cooled. "You don't want to believe everything you hear," she said with commendable composure. "Sometimes people exaggerate a bit." "No doubt," Ramirez agreed, tacitly letting her off the hook, and she gave him a grateful half-smile. "In the meantime, though," Benson said, accepting the change of subject, "the loss of the shuttle beacon does make me more anxious about Lunch Basket." "Me, too," Honor admitted. "It cuts our operational safety margin in half, and we still don't know when we'll finally get a chance to try it." She grimaced. "They really aren't cooperating very well, are they?" "I'm sure it's only because they don't know what we're planning," Ramirez told her wryly. "They're much too courteous to be this difficult if they had any idea how inconvenient for us it is." "Right. Sure!" Honor snorted, and all three of them chuckled. Yet there was an undeniable edge of worry behind the humor, and she leaned back in her chair, stroking Nimitz rhythmically, while she thought. The key to her plan was the combination of the food supply runs from Styx and the Peeps' lousy communications security. Her analysts had been right about the schedule on which the Peeps operated; they made a whole clutch of supply runs in a relatively short period—usually about three days—once per month. Given
David Weber (Echoes of Honor (Honor Harrington, #8))
Understand!” cried Picasso. “What the Devil has it to do with understanding? Since when has a picture been a mathematical proof? It’s not there to explain—explain what, for God’s sake?—but to awaken feeling in the heart of the person looking at it. A work of art must not be something that leaves a man unmoved, something he passes by with a casual glance. It has to make him react, feel strongly, start creating too, if only in his imagination. He must be jerked out of his torpor, seized by the throat and shaken up; he has to be made aware of the world he’s living in, and for that he must first be jolted out of it.” Growing calmer, he told her a great deal about aesthetics that she had not known, about beauty, its relative nature, the beauty of ugliness, the prime value of imagination; then he guided her, blushing again, to the door, asked Sabartés (in the midst of a dead silence among the visitors) to give her his telephone number, and invited her to come again when her article was written.
Patrick O'Brian (Picasso: A Biography)
briefly how she had managed to unlock the back door and why she should have seemed so resentful of him. She had, he decided, been musing and had made her way to this particular room for that purpose. Her pose over there by the window had betrayed as much and his sudden appearance breaking into her reflections, had startled her, so that, in a sense, her anger had been counterfeit. He remained standing where she had stood, wondering if she would circle the west wing and appear at the crest of the drive, but when he heard or saw something of her he fell to thinking about women in general and his relations with them in the past. His experience with women had been limited but although technically still a virgin he was not altogether innocent. There had been a very forward fourteen-year-old called Cherry, who had lived in an adjoining house in Croydon, when he came home for school holidays and Cherry had succeeded in bewitching but ultimately terrifying him, for one day when they were larking about in the stable behind her house, she had hinted at the mysterious differences between the sexes and when, blushing, he had encouraged her to elaborate, she had promptly hoisted her skirt and pulled down her long cotton drawers, whereupon he had fled as though the Devil was after him and had never sought her company again, although he watched her closely in church on successive Sundays, expecting any moment to see forked lightning descend on her in the middle of ‘For all the Saints’. Then there had been a little clumsy cuddling at Christmas parties, and after that a flaxen-haired girl called Daphne whom he had mooned over as an adolescent and had thought of a good deal in the Transvaal but now he had almost forgotten what Daphne looked like and had not recalled her name until now. Finally there had been an abortive foray
R.F. Delderfield (A Horseman Riding By: The Complete Series)
I like your passion. It makes me happy to meet people who know what they want and are going for it. Especially when those people are beautiful, like you." I retreated into the shadow of the banquette. Man, he made me feel so good. "It can be scary to pursue your dream, but I think the key is to surround yourself with people who support you," he said. 'My parents loved to cook. My mom is Filipino and my dad is French- both food cultures. They put me on this cooking track and I never looked back." "Oh!" I said. So that's why he looked a little like me. "I'm also mixed," I said. He smiled shyly. "I know," he said. And then I blushed, too.
Jessica Tom (Food Whore)
Is Arousal Really Different From Anxiety and Fear? It is important not to confuse arousal with fear. Fear creates arousal, but so do many other emotions, including joy, curiosity, or anger. But we can also be overaroused by semiconscious thoughts or low levels of excitement that create no obvious emotion. Often we are not aware of what is arousing us, such as the newness of a situation or noise or the many things our eyes are seeing. Actually, there are several ways to be aroused and still other ways to feel aroused, and they differ from time to time and from person to person. Arousal may appear as blushing, trembling, heart pounding, hands shaking, foggy thinking, stomach churning, muscles tensing, and hands or other parts of the body perspiring. Often people in such situations are not aware of some or all of these reactions as they occur. On the other hand, some people say they feel aroused, but that arousal shows up very little in any of these ways. Still, the term does describe something that all these experiences and physical states share. Like the word “stress,” arousal is a word that really communicates something we all know about, even if that something varies a lot. And of course stress is closely related to arousal: Our response to stress is to become aroused. Once we do notice arousal, we want to name it and know its source in order to recognize danger. And often we think that our arousal is due to fear. We do not realize that our heart may be pounding from the sheer effort of processing extra stimulation. Or other people assume we are afraid, given our obvious arousal, so we assume it, too. Then, deciding we must be afraid, we become even more aroused. And we avoid the situation in the future when staying in it and getting used to it might have calmed us down. We will discuss again the importance of not confusing fear and arousal in chapter 5 when we talk about “shyness.
Elaine N. Aron (The Highly Sensitive Person)