Blush Pink Dress Quotes

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I squeezed through a horde of gum-snapping girls I recognized as seniors from my school. “He did not say that!” “Yes, he did! And you wouldn’t believe what she said!” Please, someone tell me I wouldn’t be that annoying if I had girlfriends. “Sure, you will be.” I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt. “You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.” She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.” “Pick up anything interesting?” “Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head. I blushed. “Did you happen to pick up anything important?” “Like a man walking along thinking, ‘I killed Victoria Happel’?” “Exactly.” “No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.” “Have you seen Billy Rawlinson or Frankie Creedon?” I asked. Distaste turned her mouth down. “No. Why are you looking for those scoundrels?” “Billy might be a witness in the case. Or a suspect.” “I’ll keep my eyes out and my mind open.” “Thanks,” I said. “Enjoy invading everyone’s privacy.
Kim Harrington (Clarity (Clarity, #1))
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
She sent a serving girl out to fetch some food. A beef pie, bread and butter and plenty of the sweet stuff that she loved. She devoured a treacle pudding, closing her eyes to savor every sticky crumb. Sugar. How she had craved the stuff. Though her belly was full, still she helped herself from a paper bag of sugarplums, globes of candied fruits that made her cheeks bulge. Was this happiness, she wondered? She was full of food again, and as sleepy as a suckled child. She pictured a well-stocked larder, and the chance to make all the delights in Mother Eve's Secrets. She would help herself to the best, of course, for she who stirs the pot never starves. A comfortable future lay before her, all for the taking. Mrs. Quin bustled back into the room and began to dress her face. Gone were the worst of the bran-specks and flaking red sores. Instead, she had the prettiness of a portrait on an enameled tin; a smudgy confection of pink and cream. "A rosy blush," Mrs. Quin said benignly, "is the fashion nowadays." While Mrs. Quin deposited her half a crown in a locked trunk, Mary slipped a bottle of Pear's Almond Bloom and a tin of White Imperial Powder into her skirts.
Martine Bailey (A Taste for Nightshade)
As we had agreed, I met Jack downstairs in the lobby. I was a few minutes late, having lingered to give a few last-minute instructions to Teena. “Sorry.” I quickened my stride as I walked toward Jack, who was standing by the concierge desk. “I didn’t mean to be late.” “It’s fine,” Jack said. “We still have plenty of—” He broke off as he got a good look at me, his jaw slackening. Self-consciously I reached up and tucked a lock of my hair behind my right ear. I was wearing a slim-fitting black suit made of summer-weight wool, and black high-heeled pumps with delicate straps that crossed over the front. I had put on some light makeup: shimmery brown eye shadow, a coat of black mascara, a touch of pink blush, and lip gloss. “Do I look okay?” I asked. Jack nodded, his gaze unblinking. I bit back a grin, realizing he had never seen me dressed up before. And the suit was flattering, cut to show my curves to advantage. “I thought this was more appropriate for church than jeans and Birkenstocks.” I wasn’t certain Jack heard me. It looked like his mind was working on another track altogether. My suspicion was confirmed when he said fervently, “You have amazing legs.” “Thanks.” I gave a modest shrug. “Yoga.” That appeared to set off another round of thoughts. I thought Jack’s color seemed a little high, although it was difficult to tell with that rosewood tan. His voice sounded strained as he asked, “I guess you’re pretty flexible?” “I wasn’t the most flexible in class by any means,” I said, pausing before adding demurely, “but I can put my ankles behind my head.” I repressed a grin when I heard a hitch in his breathing. Seeing that his SUV was out in front, I walked past him. He was at my heels immediately. -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
Everywhere, snobby people laughed nasally at things that were nowhere near funny by Summi’s standards. He looked for any sign of normality, for something that showed they weren’t all mean and self-centered. Then he found it. Across the room, a girl in a thin dress, definitely not the fanciest, but beautiful nonetheless, sneezed, crossing her arms. The boy next to her, one of the ones in a million-dollar suit, seemed to notice his freezing friend and offered her his very expensive jacket, which she slipped one gratefully, her face a soft pink blush. He kissed her head sweetly, wrapping an arm around her shoulders.
M17un4
The very next morning It was Valentine’s Day! They grabbed all their cards and went on their way. The classroom was decked out in red, pink, and white, with balloons and streamers, so festive and bright. Someone dropped by with a giant bouquet addressed to the teacher, who blushed right away. The card was signed “From a secret admirer,” but everyone knew it was Mr. O’Meyer! They played pin the heart and won goofy toys, and girls ran away from kissy-face boys. The art teacher came and painted kids’ faces. She put hearts on cheeks and sillier places! At last it was time to deliver the cards. Look! One for Lisa, Jim, and Bernard. They opened them up, read them and smiled, and laughed at the cards that were totally wild. Then they ate goodies, sweet cherries, and grapes, and drank punch with ice cubes in little heart shapes. And just when they thought the party was done, a knock on the door came at quarter past one. When what to their wondering eyes should appear, but the principal himself dressed in full Cupid gear! His arrows--how golden! His bow--curved and tight! The wig that he wore was a comical sight. He spoke not a word and was gone in a minute, leaving a present behind. Now what could be in it? They read Cupid’s note as he leapt down the hall: “Happy Valentine’s Day-- to one and to all!
Natasha Wing (The Night Before Valentine's Day (Reading Railroad Books))
I dust on a little pink blush, and lip gloss in the same shade. Not too much—my father doesn’t like me to dress overly “mature.” I only just turned eighteen.
Sophie Lark (Bloody Heart (Brutal Birthright, #4))
A smear of gold and blush descended the stairs — long sun-colored hair and a pink dress that trailed long behind its wearer. Disbelief stunned me, but there were no doubts who I was looking at. If any remained, the delicate crown atop that cascading hair put them to rest. “That is the Queen?” I gasped. “Yes.” “She’s a child.” “That she is,” Max muttered.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
His mamãe was the best artist at that show, the disaster that became the yardstick by which I measured all others. Her series of child-sized mannequins depicting the stages of life of a waka in Palmares Três made me bite back tears. She dressed a child in a smock made lovely by a border of hand-stitched coffee beans and sugarcane. The older ones wore a shimmering aquamarine dress with a wistful bow gathered like flowers beneath her chin; a soccer jersey for a team that didn’t exist and shockingly orange cleats; and the last mannequin came of age in a simple wide skirt and blouse in blushing pink and a turban the color of dried blood.
Alaya Dawn Johnson (The Summer Prince)
You can’t wear that outfit around Fiona.” “I earned the right to wear this uniform.” “And you should be commended for that. But my donation to the KCPD Widows & Orphans Fund gives me the right to decide how you dress around my daughter. I don’t want her frightened or put off by the military-looking attire. She likes jewel-tone colors. Do you have anything like that you could wear? Jeans or slacks are acceptable over the holidays.” “Jewel-tone…?” Her unadorned cheeks were blushing again. Temper, he suspected, not embarrassment. “Do you want me to paint my gun fuchsia pink? - (Quinn & Miranda)
Julie Miller (Nanny 911 (The Precinct: SWAT #4; The Precinct #16))
Emma pulled open the door in what was probably a sorry excuse for a smile on her face and froze. Sean stood on the porch, his face set in the expression she recognized as the one he used to mask uncertainty. But her gaze only settled on his face for a few seconds before being drawn to his chest. He was wearing a button-up dress shirt and it was pink. And not a tint of pale blush, either. It was pink. “Hey,” he said, handing her a small bouquet of pink-and-white gladioli, the stems tied together with a length of pink ribbon. Her breath caught in her throat as she took them, her mind racing to make sense of what she was seeing. What did it mean? Why was he here, dressed like the man of her ten-year-old self’s dreams? “I, uh…made some revisions to your owner’s manual.” She hadn’t even noticed the journal in his other hand, but when he held it out, she took it. “Okay.” Her voice was as shaky as her hands. She opened the cover and found a bright pink sticky note stuck to the first page. I miss you. “I miss you too,” she whispered, and slowly turned the pages. You don’t take any crap from me. You make me laugh. Missionary is my favorite position now because I can see your face. That made her laugh, even as the sweetness of the sentiment warmed her heart. I’ll let you drive. She gave him a doubtful look and then turned the page. Sometimes. Yeah, there was the Sean she knew and loved.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
The diamond chandelier casts a warm glow across the shimmering silk dresses, spinning into romantic colors. Rich bright gold, soft blush, and glittering champagne.
Kiana Krystle (Dance of the Starlit Sea)
I never thought about food like that, but it makes sense. You aren't a different person when you read versus when you eat or do anything else----everything in us does intersect, I guess..." Cecilia's voice drifted away as she thought, and a blush suffused her face. "Put it that way, I see why I eat terribly. I love American teenage food, and it fits with my soft spot for eighties teen movies. You know, Breakfast Club, Sixteen Candles, Pretty in Pink... I even dress like that when I feel sad. Austen's much more intellectual." "That's Jane. If it makes you feel better, I read only cookbooks, and they really shouldn't count as real books." I thought for a moment. "But I never forget a food reference." "Never?" I shrugged. "It's a gift." "Sixteen Candles?" "The cake, of course. Oh, but there's that quiche dinner too. See? Sixteen Candles and Dickens---all about breakfast." "Under the Tuscan Sun?" "Never read it, but I'm assuming a ton of Italian?" "That was obvious." Cecilia smiled. "What's your favorite food reference?" "I've got two. I think the best opening line in literature is Peter Mayle's A Year in Provence. 'The year began with lunch.' All books and all years should begin that way." "And the other?" "Coldtonguecoldhamcoldbeefpickledgherkinssaladfrenchrollscressandwichespottedmeatgingerbeerlemonadesodawater-----" "That's too much!" She laughed. "That's exactly what Mole said. But Rat said, 'It's only what I always take on these little excursions, and the other animals are always telling me that I'm a mean beast and cut it VERY fine!'" I grinned. "I love that line." "What's that even from?" "The Wind in the Willows. It's the best picnic ever.
Katherine Reay (Lizzy and Jane)
The autumn sun’s first rays spill from the sky and rush between the buildings, blushing the white silk of my dress a sweet, shimmering pink.
C.D. Reiss (Take Me)
Donato, Donato,” Hannah calls, waving. He comes over to us, kisses his mother and her friend on their cheeks. They laugh and smile, slapping him playfully when he flatters them in Italian. I can tell Hannah is waiting for her turn. She blushes when he spins her. “Bellissima.” He whistles. When he looks at me it’s with the same calculated charm. Only he’s quick about it, he does not mention the silk crepe dress I’m wearing, the one from the shop on Via Condotti. He does offer me a cigarette. “Cilla doesn’t smoke,” Hannah reminds him. He smirks. “Ah, sì. I forget. Ready to go in?” He gives us wristbands that will get us free drinks, and then ushers us from the line, past the bouncers and into the club. It is an instant assault of grinding bodies, of a thick, not unpleasant heat. Flashing lights—blue, white, pink, purple. I can’t make anything out. And then Hannah and her girlfriends are gone. Donato too. I look around, but I’ve been left with Marie and her friend. “Donato reserved us a booth,” Marie shouts to me, and signals that I should follow her. I push my way through the crowd. Everywhere are women, most not older than thirty, all of them red-lipped and kohl-eyed, with delicate sloping noses, bare shoulders and legs. They are dancing almost on top of one another, their teeth bright white and perfect. A bartender comes by with shots for anyone who will kiss him. Marie’s friend leaves a fat lip print on either cheek. Bacio, bacio, she mouths to me. I shake my head. No, thank you. A waitress takes us past a velvet rope, to a big round booth where a bottle of champagne sits in a bucket of ice. Marie and her friend are beaming. Marie leans over to me. “Is this like Los Angeles clubs?
Liska Jacobs (The Worst Kind of Want)
You clean up nice, for a werewolf.” “And you’re not so bad for a vamp,” he growled, his eyes roaming over my reflection in the mirror. “In fact, you look fucking gorgeous.” “Thanks.” I could feel myself blushing at the way he was looking at me. In the mirror, I could see my cheeks getting pink. “Hey,” he murmured stroking one finger lightly over my hot cheek. “What’s wrong—can’t take a compliment?” “You’re just embarrassing me,” I said, not meeting his eyes. “Stop looking at me like that.” “Like what?” His deep voice seemed to go right through me and the delicious scent of leather and fur invaded my senses, making it hard to think. “I don’t know,” I said. “Like… like you’re the big bad wolf and you want to eat me up.” The minute I said the words I regretted them. They were too charged with meaning—too easy to misconstrue. Especially when I could feel the heat of his big body climbing my skin like an electric current, and his warm, masculine scent was driving me crazy. “Of course I want to eat you, baby,” he murmured, catching my eyes in the mirror and holding them with his own, which had suddenly gone wolf gold. “There’s nothing I’d like more.” “Victor…” I shifted uneasily, pressing my thighs together tightly under the thin dress. “You know what I mean.” “And you know what I mean, too,” he growled softly.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
We were a few minutes into it and I was just about to read my vows when the door burst open and Sloan spilled inside. My jaw dropped. She looked like a zombie bridesmaid. Her braid was frizzy, and her red lipstick was crooked. She wore the pink bridesmaid’s dress from her mom’s wedding three years ago, and she’d buttoned the dress wrong. Her hands clutched the half-dead flowers from her kitchen that I’d been picking through earlier. She must have taken them out of the trash. She had deep, dark circles under her eyes, and she looked pale, even with the blush. But she was here. I threw my arms around her. “I couldn’t not be here,” she whispered. I couldn’t even imagine the strength it must have taken for her to pull herself out of the house to be here for me. The emotional anguish she would feel, watching me have the wedding she never got. But she came. Josh hugged her, and for the first time, I saw Brandon’s absence etched on his face. He’d been doing a good job trying not to dwell on it, I think. But with Sloan here, Brandon was a void. This wasn’t the way any of this was supposed to go. Sloan and Brandon would have been long done with their honeymoon by today, at home and settled in. I don’t know where Josh and I would be, but I realized now there was no world in which the two of us didn’t end up together. And Brandon and Sloan would have been in our wedding, supporting us. Instead, it was just her. And she wasn’t really her anymore. I didn’t know if she ever would be again. But at least she was here.
Abby Jimenez